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let's start right off with some musical examples! the following examples
are in the key of e minor.
i i i vii i
e|---------------------|---------|
b|---------------------|---------|
g|----------------2----|----4----|
d|----------------0----|----2----|
a|----2---2---2--------|---------|
e|----0---0---0--------|---------|
notice how there is a sense of finality after the final chord. this is
caused by moving to the root chord, the e5 chord. the root chord is also
called the "tonic." compare that sound with the following sequence
of chords:
i vii ii
e|---------------------|---------|
b|---------------------|---------|
g|----------------2----|----6----|
d|----------------0----|----4----|
a|----2---2---2--------|---------|
e|----0---0---0--------|---------|
notice how much different the second example sounds. it would sound
very irregular to end a song this way, because this sequence of chords
leaves a lot of unresolved "tension." how do you resolve this tension?
by moving to the tonic, of course!
i vii iii ii vi
e|---------------------|---------------------|---------------
b|---------------------|---------------------|---------------
g|----------------2----|----7---7---7---6----|---------------
d|----------------0----|----5---5---5---4----|----5---5---5-- etc.
a|----2---2---2--------|---------------------|----3---3---3--
e|----0---0---0--------|---------------------|---------------
listen to this example, and then listen to the one at the beginning of
the lesson again.
now it is time to see these ideas in action! we are now going to examine
some excerpts from a song called "evil dead" by the group death. i am not
suggesting that you rush out and purchase a copy of this song ... it is not
necessary that you have heard it before. i chose to include this song
because: (1) it is simple, and (2) it illustrates the principles i have
presented in this lesson. the song is in the key of g minor.
the song begins with the cool g-minor lick i gave you way back in my
first lesson being played over the progression:
i vii vi v
e||--------|-------|-------|-------|-------|-------|-------|--------||
b||--------|-------|-------|-------|-------|-------|-------|--------||
g||o-------|-------|-------|-------|-------|-------|-------|-------o||
d||o---5---|--(5)--|---3---|--(3)--|---1---|--(1)--|---0---|--(0)--o||
a||----5---|--(5)--|---3---|--(3)--|---1---|--(1)--|---0---|--(0)---||
d||----5---|--(5)--|---3---|--(3)--|---1---|--(1)--|---0---|--(0)---||
notice that both guitars begin on the tonic. the progression i-vii-vi-v
has a nice sound, and you will find it in other songs as well.
now we will skip all the way to the end of the song:
e|---------------------------|-----------------------------------|
b|---------------------------|-----------------------------------|
g|---5----------7------------|---8------10---8---7---------------|
d|---5----------7------------|---8------10---8---7---------------|
a|---3----------5------------|---6------8----6---5---------------|
d|---------------------------|-----------------------------------|
|-------------------------|------------------------------------|--------||
|-------------------------|------------------------------------|--------||
|---5---------7-----------|---8------10---8---7----------------|--------||
|---5---------7-----------|---8------10---8---7---10---8---7---|---5----||
|---3---------5-----------|---6------8----6---5---10---8---7---|---5----||
|-------------------------|-----------------------10---8---7---|---5----||
the song also ends on the tonic, moving down. notice how the tonic is
avoided, but the dominant is heavily used in the measures just preceding
the end of the song.
--
ky macpherson (kmacphe1@ua1vm.ua.edu)
"to me, gorbachev always looks like a man who just had his accordian stolen"
- lazlo toth
(i am currently moving so don't expect a quick response!)