For the Advanced Pianist

Christmas Arrangements by

CARUlYN[

M.

TAYlUR

KANSAS

CITY.

MO

64141

Copyright © 1994 by Lill.,nas Publishing Co.

All rights n.'serv",d.

Litho in U.S.A.

PRffA[f
May the God of peace ... equip you with everything good for doing his will, and may he work in us what is pleasing to him, through Jesus Christ, to whom be glory for ever and ever. Amen
(HEBREWS 13:20-21/ NIV).

For years these verses have been a source of encouragement for me because they assure me that God will equip me to do His wilL I have certainly felt His equipping in the arranging of these carols. I believe the ideas came from Him, and I praise Him for the privilege of sharing them with you. One way the Lord has equipped me over the years is by providing excellent piano instructors. I am greatly indebted to Miss Helen Wright/ retired piano instructor from Southeastern Bible College in Birmingham, Alabama. "Miss Helen" taught me that classical music can be played to glorify God if your goal is to glorify Him through your playing. Her godly example has taught many students how to worship Christ at the keyboard. I am also deeply indebted to another former teacher: Mrs. Verna Mae Felts/ professor of music at Grace College in Winona Lake, Indiana. The solid classical background she gave me has served as the springboard for many of these arrangements. She taught me techniques that turned my note playing into real music. I also wish to thank my husband/ Darrel, who (washed laundry! fixed meals') encouraged/ prodded/ and prayed for me during the weeks of arrangIng.
It is my prayer that God will use these arrangements to equip you to

share the true meaning of Christmas-the through our Lord Jesus Christ.

salvation available

I bring you good news of great joy that will be for all the

people. Today in the town of David a Savior has been born to you; he is Christ the Lord (LUKE 2:10B-11/ NIV).
CAROLYNE

M.

TAYLOR

Music ty~esetting-Lyndell Scripture taken from the Holy Bible, New International

Lea therman

~;ersioll' (NIV'). Copyright © 1973, 1978, 1984 by Interna tiona] Bible Society.

Used by permission of Zondervan Publishing House. All rights reserved.

CON
ANGELS WE HAVE HEARD

T[NTS
15

ON HIGH

with M. Clementi's Sonatina #2, allegro movement

BRING A TORCH,

JEANETTE, ISABELLA

28

with Sinding's Rustles of Spring

CAROL OF THE BELLS

50

with Rachmaninoff's Prelude, op. 3, 110. 2

COME, THOU

LONG-EXPECTED

JESUS

20

with Chopin's Faniasie Impromptu

Go,

TELL IT ON THE MOUNTAIN

32

with Chopin's Funeral March, op.35

JOY TO THE WORLD

12

with Haydn's Sonata in D

o COME,

COME,

EMMANUEL

24

with Chopin's Revolutionary

Etude, op. 10, no. 12

SILENT NIGHT

44

with Debussy's Clair de Lune

SOME CHILDREN

SEE HIM

40

with Chopin's Nocturne in E Minor

THAT BEAUTIFUL NAME

35

with Mendelssohn's Song Without Words, op. 19, no. 1

THE FIRST NOEL

with Tchaikovsky's Bi Minor Piano Concerto

ARRANGfR'S

~OlfS
JESUS: My good friend, Gail Tobey, lives

ANGELS WE HAVE HEARD ON HIGH: My friend, Lyn Ludington, collects angels. It is only natural that I give her this unique angel to add to the others. COME, THOU LONG-EXPECTED

on an island off the coast of Maine. The only way to reach her home is by boat. Gail has often waited in expectation for winter weather to break sufficiently to allow for safe passage to the mainland for supplies. I dedicate this song to her, a true follower of the Lord Jesus and a true friend. This hymn tune, HYFRYDOL, is also used for the nonseasonal hymn "Our Great Savior." Feel free to use this arrangement at times other than Christmas. Most arrangements that I have heard of this carol are syncopated and jazzlike in style. I have deliberately chosen to arrange this in a quieter, more worshipful mode. I use the flowing style of one of my favorite legato melodies by Chopin. Play it with smoothness and feeling.
GO, TELL IT ON THE MOUNTAIN:

is particularly special to me. God has often used music to minister to me in times of pain or loss. It was in just such a time as this that God placed this merging of pieces in my heart and mind. As I developed it over a period of several days, He ministered to my heart and brought a healing that only He could give. Our good friends, Greg and Carol Roy, were real encouragers at this time. I dedicate this song to them. The lovely minor key of Chopin's Nocturne melody serves to remind me that God often uses the sad hardships and disappointments in our lives to create things of beauty. So be encouraged to "see Him" and experience His presence and strength in every circumstance, even the sad ones. I have found that Christ can truly turn sadness to joy!
SOME CHILDREN THE FIRST NOEL: When learning a new arrangement, if I find an arpeggio

SEE HIM: This arrangement

or chord progression too difficult at tempo, I modify it, being careful to maintain the sense and flow of the arrangement. Feel free to do that with The First Noel. I believe it is one of the more challenging pieces in this collection. If, for instance, all the grace notes hinder you from executing these passages smoothly, omit some. Make any adjustments you need in order to feel comfortable in performance. The beauty of this carol will come forth when you play it with confidence.

6
For Roy and Flo Williams

(In the setting of Tchaikovsky's Bs Minor Piano Concerto)

W. Sandys'Christmas Andante non troppo e molto maestoso

The First Noel

,,=

ca. 76

Carols, 1833 Arr. by Carolyne M. Taylor

Ped. ________;\_

Ped._A___iI_

.1.

~ <

"
~

IJ,
__b_

~
_v

61l-

h.' •
IJ •

~ ~

e>..

r: ~

rail.

•
a tempo
~jI~
I .p<;

.~

(.
/'

~.,..
IJ

~f
~

It

.j

~L_

i
..

Sua -'
111

S.

I
Sua_,
111

~
r-:.

--

I"';

•
-.
111

.
,

..
._

••
~

••
-41

•
•

I!I:

~
111
_J

_JL

simile

fin

"

I _[
lL_h ::I

'::Ii •

)
j

11

~ r-

. ,.

_j I}
w

.. .
:

i·

..

111

.. . -

.-.

~.

~ -..

lJ

_~

.-:

~ ~

~~
CI.

.,, •
"1

I
ii

..
.t

.....
t

.II

II

ii

_.
_v

~.

1
f

tJ

••
<:»

1-'

I""

1,..00 ~3

I)"

~~:~~~h~~·~~~-4I~~·~~~·~~~TI1C1.~~
_ :>-:>-.. .,. >-::> ..:>> Arranger's note: these grace note octaves should be considered optional throughout, and may be overlooked If they hinder the smooth cxecunon of these passages. v
.. -:;;. .. ..:: ." •

~1--

=
... ~ •

'-....-

Administered

Arr, © 1994 by Lillenas Publishing Co. All rights reserved. by The Copyright Company, 40 Music Square East, Nashville. TN 37203.

~. -,.
L

"1
r}

-'!II

h J~ ~
..
I

/ o.....J

-.-.. ~.
~ ~

-:;:.

: "1

-6

II-f:.

,.,

jD'-"
"1 ~
~

J
I

...~

•
lIiI

I ,..

&-

-Q

.e
~
ioo-'

..

t
\.

~.
L" L

-h
-p-

11
r......

!
~

,.

~-,j V •
VG...J

......

= .-

,.,
_L,
~\.)

I
h.

, ..
t
v

&-

• .s

,
--::Ii ~

..
-I

~
7I
l-

I
.=-

~
I

___ .

,.
l)

-il
! 1
Jill
-

.. ..
.JI!

,..

~ -..

.
-

l._
~

~.

)
~

--':11.' L

,.
~

= .-

~
-

_.
-

_"

.."

..:..

~ -l

--,J

~~• i ~

p-

..
::::j

p-

-,j

=. .

..

r1

r
raIl.

fI

1- .. '

,~ .1 i

~.

1
-

1-'"

~ ~~

""I

_.
-

11

_.
~

""I

_.

..

~.

Sva - - - - - - - - - - - - - ~ ~ - - -----------------------,

Poco piu rnosso

_ = ca. 120

8var.
I
I I ..

----------------------------------------------------~

' •

o ~ _.
...

I'--

r--

JI.

•
~

...

· ·

~
h

R_l ~J
..
.r:

"

~~

8va11
~v

mf
---,
_
~

v
h

vJ e~filE- i5 Ei5i
J6

~J~~
f-~

--======~=====ff~ 8va- - - -»,

=>-33

~>

77ri\:

Rubato
~a_,

" e~ii
Itn
I..

~~

.'
~

I..

~~~~

~~~
C"-J

..

b..
'I:J.

1..

1p.

: ~

..
q~.
8va-,

L
1.. 1

mf
~a_,

[7-41 r ..
I .,

"~

~.

--~====~~====ff va
8
I..

-----~

·
•

. k

"

rJ

h ..-

5~~ "
@J

9•

•
16

}~~ f
~h
IJ

.L

Ip.
"

.... _...

r"

,"" "'-II
t)

'"

..~ l ...

8VQ,

> 3

• 9! v-~
3 3

""/

b;
}-. UI
~.

~b~~'~~~
100-

~~ ......._

,.....

'""'

.
-

-b :~ ,-.- ,-.'!I

....

IE

"'-" t)

:,

8va-

ff - -,
,-..

f.\

In tempo ~

J = ca.

84

cresco poco a poco

\
I
".

. .
r)

•
-h

,::0I"" 'Ul

"
I>
IE

n.

___ I "I

::0-

.~!

,.
, ~

II"I

. • ..
::0-

v'"

-,..

I>

I...
::0::0-

,.

t-

poco rubato

--__

fl- ~

f
tJ

"

l)

1\
1J

;;

le t-

~~~

tJ

V
I
-.;r

._--

~ b: I-:.-

lI--

fI.I--

::0-

I--

fI.I--

e~~
......
,

--

- --

---

-- -

- --

--

- -- -

--

fI.l-

fI.-

-'iii

~~

........
L::oJ

.........

...1"'"

'"

,
~-

t...

..,

.....___

6 6

,.._
......

!.

::0-

IJ

f..

.,~
6 6

@J

~~i
-I

I'"

.
6

~. • lb. .~ -_.,

I"

-y;;;:-..

_. i-'

Tempo I ~ = 76

11

,,_

l1/

~ :j
3

· ·

I-

~ It-

.ff
1/

1\
IJ

,
.j
':I

. ,.I J
I

JI

I
/'

•
-

f
'UJ t.!

0.
••

·
--'

tJ

»>:
,,_

'Z
l-

10<

v'"

..

~ i:~

~ Ped. ~ liI[

• ~

. ..
...

I--

1l_

~:
h I

!-

,,_
i-

!'-

I::;;

if

I-

~ ~

J
~

_r~

II

tJ

~ i-

D
"""(I!'o.. • •

Lh

,.

.
v til

~
-J

~
fl!'o.. •

•
~

f)

t.!-Ji

.
•

.........

,
,

..

I._

..........
l-

,.
•
8
~ ~

...---

,.
f--

f
/!(.I-I

........

8va_h

- - - -.

,
I

t;;_1-1-1l-t;;_1-F-

~"_,,._

~,,_

I"'I::;;I-t-~~I-----..

.....

•
a tempo
rit.

.Iff

L'. _,_.

II

. . .:; ... ....

...

.,.

...

--~

..

:,

.."

.:::;;--=-

-..

:,

:;

81)(.1--'

-.

12

For my brother, Lowell D. McGougan

Joy to
Allegro

the World
G. F. HANDEL AlT. by Carolyne M. Taylor

(In the setting of Haydn's Sonata in D)

_ '" 92-108

4Jr ,._
-

,..

I-

"

101

r'"'-

r.. r..

*tr~.
3

trr--.
r-' r-'

Ji;._
l-

trr--.

trr-r"'" --.;:

~n(.·
-1"1 L7

@J

f
~
_r..
2

~ ~
-~

I"" I-

n
2
2

,~:~
./ U_

~
-I

~
-I

,""
v

1~

>----' • '

_'----'_

.....

-I

11!'

:'----' .

--.-

'----'

- .2

'--'

\..._.,

"Literal

interpretation

of the trill, indicated simply by the

tr

symbol for the remainder of the piece.

Arr. © 1994 by Lillenas Publishing Co. All rights reserved. Administered by The Copyright Company, 40 Music Square East, Nashville, TN 37203.

13

r;,_
1\ ~

1'\

j-

irr.

ir/'.

tJ
1\
7_

..

r--.

--. --.-.

-_
-

r-1
.

tIr.
~

U
41

r--.
-.r
\..._,.

@J

•
rubato

.....

.....

.
~

r--,
-.

..

- -.
~ ~

--.- --.-

.....
~~.!

sub.p
--.:l

G. .,.

~ ~

-:.J. ..

Andante,

Tempo I ,.-.,
I

\
1

7JII'tiL

tJ
~. Iff

_.
~

---"!

tit. lf

x~~

~~;--....,_
"1'"

-...

,~

=t:

~.-.nr
:7

._

malta rit.
--"
f)

=t:

::0-

..- --. -.
~

I""

r-:

nr'nr,'nn
0,

f'

-::;;:

17

~ --.

..

F"'=I

. '"''--' .

--.
-

'--'

"7f

v ..

1\

.;.
OIl

r--..
-.

~;T

@)

..
~ I

f·~

....:=~~-.~
p
1"""--0.
'zr

..
~

-.. ~

....
.
1""

-.~. • • --. --.

-.
._,......
411

"7f

17 ..

fI.

tl.

-..
"-

"".
T'

""i

•
"11

. -.

14

,
<

"

IJ

fI

J,j.
OIl

\.'-._IJ

tJ
~

. ., .

. ~ c#r r ~ b r r · ~
~
I

...

--•
I

-•

-•

~ji~

_l~
_/

-.-

r--~
~!

For a very dear friend, Lyn Ludington

15

Angels We Have Heard on High

(In the setting of M. Clementi's Sonatina #2, allegro movement)
Allegro
II ~
.~

@.l

dolce

r""

simile

"

"

.. .. ..
4 3 2

FRENCH CAROL Arr. by Catolyne M. Taylor ~~

1"".

1flj'
,.

" • If

~f'-

/.:'f5

"-

fr""

... f'-

--=====
.fI"'"

.J._

~
.J.

,_

• f'-

I""

.r:
.-.J..-

1\
OJ

,Ij.
If

@.l ,.- .......1

::lr..~_

.J. I I

~
.!d.

••
•
.~

_. I

~.

.
"

j'z
2

•••

fz
2

• •-•

••

I""

...
I

fz

l~rall.~~~~~~
~~~~~~~~

,
<

OJ
1\

1\

If

~.
.J.

~ I-'

)~

--lit.

-.

~_

./

,_

",

0.(

0.(

. •••
432

~.
_I"'"

· ·

~~

...
"""'-I

4r.-f'"-'

5~-f'_I""

simile

--===:
-f'.f-

-f'-

r"".

Arr. © 1994 by Lillenas Publishing Co. All rights reserved. Administered by The Copyright Company. 40 Music Square East, Nashville, TN 37203.

16

,
<

1'\ ....-, @)

-~:

,
'-

--~ I

~.
I""

•
-

-:;;!

51
~
_I"" ____

0:."".
./

/til

!'-

-:;;.

,.

-f'-

-,..

'I

\ :J r' )
:lIr..1tiI ,. If

-.:=
...I

5I
...I'

-~

•
r

rnf4

r
II

U1
4

-f'....I

_
I
3
I""

r
2

.L

~Ll I r
432 1-2

r
5

.. •
3
2

D
4

•
4

W'
1 ~~3

~iltJ i
-,..-. ~
1 2 4

_I

.... ,.

1
•

3
I""

_
1 5

-I

,
1I 4 3

_
2 I 2

r'

,
t

,,..

1\ ~

.
~
-

I
-:.;;J •

_
_

U
,. ./

~ i~r i
•

-j

~nfi
~ T
-

~Cr l
I

.,

~L.....

-,.. I

I
If

-I

-~

-f'-

---1

T
II

...I

-.-

o_

1'\
_It

j,I

"@.l

iLlI
43

..

Ir
3

1-

I
I )
)
./

··
r""

.- r'
I ~
2

~
--.

~ Ll 1

.i
_
r
4 3 2 I 2

...

. -. p
,
• L.

r"" -

••

_
I

_
~

...
I""'

. ~.
,,_
~
.11.1fI-I""

W'

1'\

j,I
If ...I

t..l

:;r.~ti i :;i~r i
· ·

--

~
_

...

:; i_~r i r i

••

III

'r'

...

..
...

:;rr l lJ --I""'

-J

,.
1

r-

17

"
-n
7,

~.

..

..

f'-'

<\

2 if,..

,,_~._ ,,_

,S

" tT
0 0

.... --,..

-n1
.. --=::..;[

~,,_ ~,,_

simil!

,,_

H,_ ~

~,_

--.~

~.
• ...I

U -" CJ

ft

~~

~.
2

-.
P
5

2 '---5

I'"

3
I'"

4
I'"

,,_ .
1~4

0 0

I'"

,..

~~~: .
j I"" 1"'

,,_'-'.
I""

.
I'"

• v~~~. ,.. ,.

2~

,,_,,-....,__,.

l.,..;u -..
.... '(u "~
I

fI

p--

,..
'if-

.
0

~~~.--,..

,..

,,_~.
5 2 5~5
I""

---.
--,..
~ I'"

~~

4~4

,..

.. '_
.

fi~'---'_ .

!!It.

. .

..

fI
'0.-17

4~
I"'Tl

-T1

..
<\

"~

,.

if

IS'

. .
,-

..

..

!!~ ~~~~ I
)

LI. '

\~f.\ ~~~~~~
(~: ~f.\ ~~~~~~

::J.-

3 2

I(~~ ... '!

<\ I

_.
..J-

18

,
t

'\ ~
Ii

'•

..
I;'

..,
J

•
~

/'

~ ~

<,

simile

1
~

_/I_.

r-

_--.-

f
<,

-fl-

;;;r

- --- -"
3

~ r'

..,

•
4

~fI-

~fI-

5
<,

=-

'\

J.I

\ )

Ii

.. ..
2
I

._;

-.,.,

tJ

.
•

•
fI-.;;:
I"'

,.

11/

,.

,.

fI-

.-

fI-

fI-

.>: fII'""

<,

19 ~

f\Jl

~
~2
I·

,.

~-

.J

.
3

1 1

.1

•
:2

3 ....c:: ...IL

.'
•
~

_._
I

/~

e.

.rt.l
3

~
2

f
• •

I 2

.~
/~

~~
2

./

~
.J'

/~

I1t.

~
_....
5 4 2

L~

I1t.

rI
-~-

'~

-~

fill
t..\

1------1
....c:: • .-

.J

1
"1

~
L

_._
1
_I

JJ

i"-.iO

r
I•

--

./

· ·
~

_._

r'
~

.
.s: _._--

~Ll 11 i

f'....

-~

--

Jf/l_

\
1
I ,
I

" ~
\: J

.J

I
_LI I

P
I

•
___ _/I_

••

° I_O _jIf_

~.,,_
r-

rrr
r'

._

_b,_

r
-

-=s:

JA

'1

,,_
r-

,,_
~
r-

8va
fI~

lLJl
q

t.l

"16bJ
0

~i ~
_r:

i
~

__y

~i
D_

~ ~

'"

====

j
~
rl'r'\

.s:

11

20

For a special friend, Violet Gail Tobey

Come,
fI
~.

Tll0U

Long-expected Jesus
ROWLAND H. PRICHARD Arr. by Carolyne M. Taylor ~
..

(In the setting of Chopin's Fantasie Impromptu)

Cantabile,
I
h '"

I
v

= 68-75

,~

mp
~~

r-

• •

...

lI.e,..
3 1I

~~

'"

II.~"
I""

1I.e:,.
3

...
J

...
3I

1I

(_~
3

,
)
/

fI

I
_v

o.

...

-.... ,.

L....

·
~

... •
3

fII. •
3-

...
~
3

•
-3

,_F~.

.~
3
I""

.fl-Ffl-.
....
J

...

f-

~
-

I.

"
,.

1 h

-"
V

~ ,...

...

•
-=a

-.;
'!I..

I""

._r:.flI.. 3 I

... •
~
3

II. •

_h
v-

...

I""

...

...
3

!II-3

II.

.... M
./

-"iii

-_'::I:

'"

fI
fl'r'l.

1
h

L
IJ h

5!f:fl1
V

I.

tJ

.. 110/

... ~_~ f'h_

-"

'"

I""

.0

...1

'_~II.

•
-3

•
J-

._ .

.1

...
J-

fII.~~

l.,_....
3

U3

-r

~~
3

Administered

Arr. © 1994 by Lillenas Publishing Co. All rights reserved. by The Copyright Company, 40 Music Square East, Nashville, TN 37203.

21

r.
IJ

,
h

....
-

rrr\ -'"

tJ

.L

-h

.Y

-::;;

'"
! ,

• f'- •
-'

I 1_

.
•

:i-..

•
-3

_,,__~ II.. •

,.

+- e~
3

.1--

~~

,+-

ef:-

r.
1\ h

-.

~ -p

"@J
Cl..

-'"

'"
•
I'--~f'I.

._,_.

-::;;

_"_~fl-

'"

-3

;-

.,,_ .
-I""

fl-

-r-

t~
...

]::;;
,

)
1

~ -.ss: ~

"

--;.::; -p

~~,

---,

~ ~

I.

f!

t!1I..~l
7

#-

-.
f

-no
/

·'"
I
fJ I

...

_ II.. ~

-r

sf f'--I""

flt-= f'-

,.

"

•
~

,
3-

I'-

•
~

l).3

u.3

,
I.

if

-~

!L ~~

f'~

3-

11.
7> JL.~

'"\
'-'

,...

-]-.

.
I" I"

,
!,...oo-

,.,..
.L

rl1,_
_h
V

1,l

3_

II-

-,
r-

rall.

mp

a tempo

~L'

,.
J""I

.1'-.
=t:

r-h _,,_r:-~
• •

-if

3......

1J.-.
3
n

[j~ 3
•

,.
3

-::;;

11 -'>J
~v

,.

-.

I"'

,.
-:J

"

...il.' ._,_.
/

L J-3

fl-

-J

ll-

-.;;;

I'--3

_"_~f'-.

- -.-3

rA'o\

-3

.
-

3
-:;r

r-4..

-:;;r

..

23

u.

fI

I h h

.fI

3_

a tempo
3

_1L.

./

..
h

11 ..

3--

I fP

• ...
_fP

...
3-

..

-LI "-

• 13

~ a tempo

..
3-

pp

•
\v/[

-3

-_ = .
3-

=-

fI
l.L

I v

.
I---'"

...

.J

raIl.
1.
./

•
v

u.3

.. •
:r- L,....3

..

mp

f_

-I'"'

... rt-r--f'--.

•
I'"'

"-

-~

I....-J
3

.3

l...+3

,
< ~

fI
15._ h_

"v

I""

•
rall.

•
...J

) t.l

LO

[I

h
V

r.
1.

,.

•
3

II.

t--

(I-

--

3
rA-\ _~

...I

t.J

....,

:'t.:
./

"rr--

"

r: ~
,
I-

(I-

(L
_.

•
~

t.l

·
I

lit..
v
v

rt-

f'"

...

l-

(L

I""

.J

•
I""

•
I
~.

-3

••

11
_LL

I
h

~_v

~ ~ rit,

I.
I -

tJ

.s: .1'
./

"h

-3

.. dim.
3

.--

3_

1_......-3

1-

Ped.

..,

I
,~

24

(In the setting of Chopin's Revolutionary

o Come,

For my sister, Laura Butler

0 Come, Emmanuel
Etude, op. 10, no.l2)
PLAINSONG, adapt. by THOMAS HELMORE

,.,

Allegro

= 92

Arr.

by

Carolyne M. Taylor

/1,
" h

•
.fl.-t-f'-~
~.

!-"

''-J

t.l

,.

.. - -.
_.,_ ~.

~.~

_.

....

-•
•

~_6.
!-"

- rI

,
)
)
~

I
I}

'-'--

"
t.l

,.

~ ~

... -

_...__.

~,,_t-f'-~

-...
~
~ I

... -

...

~,,_r-f'-~

,.,
.Lt_

r-

'-'-

I""""'T
... •

t.l

)
f

r-

~...,

or

IJ

..
~

Arr. © 1994 by Lillenas Publishing Co. All rights reserved. Administered by The Copyright Company, 40 Music Square East, Nashville, TN 37203.

r.-

~"_~f'-~

25

26
Can mota

= 104-112

Drammatico
I
I

~>-

lL
_h

"f)u:
<

--==
:

~.

."\..

.r;

..
I I

-= -

_.

-=
~

f
~
I

~
..

I-

l-

"__'

I-

t-

~.

•
p
~

•• • ._..

•
_..

====--=--=-_.
-""-

====-....

_.
~

...

..01

~ fI.- f:-

1'- ~

~
Il.'

._ t!l.

._

--

f\

J
IL

~_~IIIL
I I

f)

· ·

-_
_...

- ... -

__h

-- .... -. f
_...
-""!

._
l-

I-

.' _'

_,
••
fI_
,

IlL

p~
I

...-oo'! -

>-

_._

~fI.-~~~

r~' t...
-

...

...
fI_

r
r..

1L 1

Ji&
~

ten

_g ~

•
1

>-

_l_.

1Ln___!::

fz
~

· ·
5

_....
3 2

r-_a

j_

_._
1 •

_....
I

-,

~
1
-~

_.

I fI.-

r--

-"""'l j_

I
2

~,,__
,
1

~[~~ I

:4j

nl
I

I
I

}
J

-,

~
f)

It~ ~I

.
4

_,
~.

..

-~ ~ ... J 1
1

.s:-.._ -_.

_.

:...::

~=; 5

-1 ~

.z

.",.
_L'

..01

--"

'1

l~

--

_._
~~
5

~ ~
1 4 2

-"

i~,:-

,~
1

••
I

f*-

~ ... J.
1

h..ol

__l..!-'
3
1 4

_._
2

-3

~
1

r1

•
4

"J
5

27
~ " --,~
I(

"
I'"

@)

•
'H HI""

:'\.. ---,. 7'

~.
--,.
2

0iifl0"

-I -I

'" I

.-,}
2 4

empo I ~ ~ ,~
u
f\
I

••

~"_f!:.-fL~

--.

-I

!
-

!
~"_f:-f'-~

!
•

,,~
tJ

rit.

--no

',. "7 ~

_.,.
rJ

,..J

- -.. . .--- -.. --

.J

.--

-.. .

.J

\~~~=-:::::::::::::~~~ l~~~~~~~
a tempo appassionato
2 1

.If

f7

f\

IT

-"

.
I

----------------------

28

For Dianne Audette

Bring a Torch, Jeanette, Isabella

(In the setting of Sinding 's Rustles of Spring)
17th Century French Air
Moderato Arr. by Carolyne M. Taylor

Arr. © 1994 by Lillenas Publishing Co. All rights reserved. Administered by The Copyright Company, 40 Music Square East, Nashville, TN 37203.

29

,
)
f

1'1 ~-v

~
h '"

...
rit.

)~
1'1
,_ V

,..I

•~
..

~ - ~ _ ten .
J-'
0,/ ~

If_

- .. - ~

pp~
a tempo
I
...J
y

- ----

fit ~

- --.:r

;q.
h '"

-.:r
1'1

-u

..___.... .

..

sr

17 -h h

\)

'-\..

tJ
~
1'1 I
[J

.,

.
~

--,. ~

._

--.
~

...
I

===--

......

j~ -.J

••

30

" --,~_...
@)
L:"'Ii.: •
.

1 h

====-

~~,,_

,.

•
I
I

.. 'clJ

I'"'

~~~

~ ~~

,.. _._

-.
A ..L

\~
"

1" ,
r. J
--r
71
1..'..
IJ I

_._

-~ ~~

~
<

.~~ .~~
-

r.
-fl'T
.~

7
I

;Ai

.y.'

...

cresco

~~.
..

j.,..1

11-1 ....

"II

J/L

'1

"

mf
I
I
I

decresc. pOCO a poco

••
~

..,.

~IJ --,

fI

I h
-

-if
fI

.. •
~

7r
f

IT

lL

iI

-------

101

. ... --------

==---

-~
~:

..,

_.

===-~

==--

_._

31

1'1 71
h

IT,

I V V

.,.
e::::=::-

~ x:::~

t =.
.

-e-

e::::=::-

-. ~ • •

ralL

====--

==--

,.

,
)

JL
~I

II

f/,

-iT h

..
".

jji!I!"'I"'"

I7r'

rJ

~
raIL II I
I
h.

.......
~
y;-

..,

__...

1..0

..,

....
cresco

a tempo

-- I

--.-

tJ

-~r-

1..0

7':J

8w---------------------------,
".

"
~
~L7

I
h.

_"'f-~

,,_

--.;

.J
~
r~L7

--

r-r-:.,._ .,.~e:".

~~
decresc.

•
~
....._"".

.~
--.

~f-~_

,,_

1.\

....
1.\ .0.

- .". ~ != ppp

P-

molto rit, fr

"

-p

.J

32 For Roberta Lucas

Go, Tell It on the Mountain

(In the setting of Chopin's Funeral March, op. 35)
Andante.

= 68-75
,.,

f1
_r.-n. v

.(

,_

SPIRITUAL A Fr. by Carolyne M. Taylor f7

0

.,.

.J

._

lIt.. ./

v
v

,.

";»>,
i ~ f7

->: <:
rl r-""

-:',

I"""
1

-;

I""""'"

I) .r:

rl •
,,_
~

:4j

"

"
,.o

I
h

I"'"

.
J ~J

10._
"II"""

•
0-.

.-

._)

,,_
tz,
_h

II.

j_ ~
~

-r - r tr ....,.t'''~'''' .. 't
tJ ..

~
':.L

"II

r r-

.
.-

r. w.
~

I
h

,,_
_fI

••
~

· ·

_"

.,
~

~.
I

•
~
l-

- I)
-

-mp

I"""

1'1

J
h

-• [ <->:
I'"l,_

- -L ~
I-:

II.

r_ ~
r:

II.

_".'

\)
f

"

r-""

.J

'/_b._

·
•

II.

~_

II.

•
r

--

• '*"

""II

fl -

Arr. © 1994 by Lillenas Publishing Co. All rights reserved. Administered by The Copyright Company, 40 Music Square East, Nashville, TN 37203.

33

r..
I(

I ].:,.-

r-

~
.&

''''

f_)

"',. ,.
./

I-,.

T ...I ]

.
r
~

1'"'"

=>:

,,_
I

,._

~,

•
I

»>:
cresco pOCO a poco -

~
.......

I'"

r
~ ~
10<

~ OJ
TI'f'IiO '-'JJ
I(

~
-I-,.

-.J

)
t
/

pp

,. _L'

,._
I-,.

fII-

1~
•
t-'

I'""

~J
•
-

-J--.
f-' -

]
--.
~,

V V

r
»>:

r..

[}

\
~

-,-".;;;

I(

Ie"

.__

,. ,.
V

- -]
1111

i -

•
I

-: .-

-I""

i
~

e
_

fII-

f-

fII-

I-

;
I

r:
r ~

i
~

r..
J

7l"r"\ v

.__)

~. ,.

•
V h

~
-

,,_
l-

~
I 1

._.

. •

i
_

- r_ ~ ~
fII-

r
~

-r

...

.
•

•
I

-i r-

1'"""

r1 •

I
I..

~~

,._

'1

1l_1

1@J

,~"

h h

•
f
fII-

•
-.".

/-I •
~

i •
•

......

l
---.

,,_

( n:

~TL. •

I -

'1.

v -v

rl

-. I

34
I ~
_l
_h

_lL
.LJ.

1I

~:

. .
I
lilt

~v-----•
•

~~
I

,,_
L.

J:I.

..
_~

.a

1
1\
y_
.LJ.

·
•
111

- -J
I
IJ

I
.z,

-J •
-=

-J
.r:

•
lilt
_r::

•
I

111

...J

.J

_h

--"
_.-:

..
decresc.
I

•
•
-J
____._

@)

· ·
1l j_
_Ll"!:\_--"
_l

•
1-0

I"""""

_b_

...

'1r

»>:
~,

..
rr

"1

~ molto rail. _f*'_

a tempo

mp

,,_

J":

_l~

I
~
f*'t-

l.-

____._

,,_

- ,,_
C.
I"'"

lilt

_.-:
_b_

"" _,..

t - t - l--~~
L

._

~ ~

-:

·
1\

•_11

_I'_

...

[_

. L-

,,_

._

-I

-.

..

-J
rl J..-

,.
..

-I
-i

-J
-

,,_

,,_~
l--•

I.-

JqJ

j_

•
...
r

pp

- I~tr~
I'"

- L~----rL..-.lo __ -•••
•
<,.

r...

~.

. n~

11

· ·
v

._
-

.t-

_L_"

.
____._

-~--Ir-IJ n
-i -

pp

_L- .... ---_

'1

...

11

35 For a wonderful teacher and friend, Verna Mae Felts (In the setting of Mendelssohn's Song Without Words, op.19, no. I)
MABEL JOHNSTON CAMP Arr. by Caroiyne M. Taylor
Andante con rnoto ~ = 70-88

That Beautiful N arne

Cantabile

Administered

AfT. © 1994 by Lillenas Publishing Co. All rights reserved. by The Copyright Company, 40 Music Square East, Nashville, TN 37203.

36

\~~~~~~~ I~~~~~~~~
~~~~~~~~~

1:

r
~--------h"'---

\~-----t-t-----1-I-------..I-----+--+------".r-------t--+-1~~~3§§¥~£§§s

\~~~~~~~~~
I:

37

I~
) @J

1'1

U~
fIII_

I"""'"T

.
•

I.

•
r"'"

...J.

Ll

r""'T

.u.
n

4'1'

rr

"S

r. II I"II n
~
...J.

rT _._
r

• T

I'"

r-

r
r
-

38

===~~r
~~~~~~~~

cresco poco a poco

?~~~~~~~
),I_

,.,

~
jf_

fr1"'\

@J

. .
I

J
LII'

,. ~ ~ == w= cr= _. I·
1

r- 'j

_._

.._

'I
•
I·
1

~
I

r
I'-

,I":"

~.
~_ ..

J-========..~

-~ dim.

raIL

,~_.

~ ~

_..

\~~~~~~~
(~~~~~~~

39

r
-

r
-

40

For Greg and Carol Roy, loyalfriends and co-laborers in the ministry

Some Children See Him

(In the setting of Chopin's Nocturne in E Minor)
Andante

J = 58-63
I

ALFRED BURT Arr. by Carolyne M. Taylor

,.., M
,"'
~

IJ__ M_

..
P

•
rubato

...

• ...

-I

~
t-

r
I

,.....
./

~ rI
...L V
I

f'-

(J-

!'-

~...
~

f'-

.-"1

,..,J~
I{

t
-../

t..l
,.

(J0-

I~

---I

...
.rt •

....

0)

... -•

...t..l

I
1').

-""

./

_l!_

I~
.

f0)

(J-

u
I

.o. •

,..,
ff'rl.

~_

.:
r-;

r:
I ,..---... (2

-I
_o_

I
P.

12
t-

L" istesso J = •

t..l
-,..

I
(J0

I
,..---...

.....)
....

p,-

~;t
.:

- . legato molto mp ....Ha. ~~1~.

-

..,

.J

-3

.J

-3

,~~~~~~~oo
,,_

~~~~~~~~~

"

"

J,I

t--_v ...

f:.....,.
V

•••
t-

•
~
-3

••
'4

tJ

,.
./

·
'II

.-.~

• l,....-J 3

'"

..

,..... r, •

,.....h

0-

o:
"t

"t

.... H ~.""'"h ~_. • .. • ..

\0lil"'3

. .... =
_

.k

_'"

...J...., ..J_, •

"t

'"

-3

II

TRO - © Copyright 1954 (renewed) and 1957 (renewed) Hollis Music, Inc, New York, NY. International copyright secured. Made in U.S.A. All rights reserved including public performance for profit. Used by permission.

f\

~ ~ -i) '""
<

OJ

JoI I "-

n·

-~
~ ~

p
~. ~

"7

..

...!n •

+1 ~. ~. r--t1 ~. .
~
"'3
-4

_j

-3

-4

.
•

r--

~1 1 ~. • ~.
3 -3

41

-3

-4

-3

A,,_

,. ~
~

1\

~
q

,,:7

if"

!:

,,_

,,_

...
.......
~

n·
q
I~' "I

flI.;'

........

"'"

'-:I:

. ,.

_3~

.....
q

I"'"

• 11
-

~~

..

r--t1

...
-3

:t

..

+1 ~. ,....h
100"'3

..

•
-3

••

.....
q

-- -...
-t-

.. . • I"'"

JL

'-:I:

~~

or

-=t
'-:I:

:t

11

42
,.., ~
~I'r'\
",'

3 1"""';"-

·
•

"':n .. .

,.. ..
~
-3

....3

.. --

1 ,.. --.
·--3

--

.. ,.
~ioo3

,,_.

~
I:;":

H" ______
1"""'3

••

1 ... -3

~1

.. .
jtlI

...t1 _ ,. ...
3

l.4-J
~I
3_ -3

,...

-3

..

Dolce

t~~~~~~~
f\ ~

\~~~~~~~
~ ~ ~

1,--.
I

I
lU_

• .,.
-

~.

..

~f= r11.f=t --.

LJ

c..

11

..

.. •
~

_1I'I.r-

~_ f-~~

-n,
•
J

~r'
•
~

i
3

""""'_L

r..-

_--

""3

43

_/l_~
I(

.'
if 'J -q

lit. -

,,_
I--

,,_
I--

,,_

~,,_
1-:

,,_
1..

12OA

,,_
I-1"'\

I--

~
I--

I--

._.
,-

lit.

,,_~
,.r..

@J

a tempo

f~H
:-11..
.L_.

_.
I'\,,_

~...•
...I

-.....

~
fII-

W3

h ~. ~h •• .. • • ... _. _.
,..,-3

•
~
n-

.-

,.".",..
lit.

""3

,.

l,.....3

--.-

L.J- l..+3
3

r:

f\

fIIOT

,'"'
t..J

'">
1..

I.-

,,_

,.
•

J. t
,.1t...
/'

,,_
-r;

--~l

........_ •
-3

3_

l..-3

..
1..

..

-,. .
...
3_ I

••

fII~)
1"'\

1..

1-,-

r.

..

~h

,..

~1.,

-3

..
~

.
t.

-3

1\
I(

,.
~ ~
t.

•
3_

I""---

",IT\

@J

•
3_

""0

3._

.:..

,Morendo

,,_

rit.

I·

"'-T
11

I
--,;

I~

..

_.
Ped.

•
-3

,..

decresc.

~
-

r-h
•
u·

.-

ri
~

-3

UL3

44 For my sister, Lauretta Hanks

Silent Night
(In the setting of Debussy's Clair de LIAne)
Andante -", tres expressif 11-"""-'-:

_I
_h

"
~
1\
-I(

_...

;---.... ~
I

~ 1......1....
I

r1~_r--, _
2 2

FRANZ GRUBER An: by Carolyne M. Taylor

---

15.

u::J I
I

-,

PP r"
I
h I
1

.J

<,

@}

'--"

. .

I
I-hr-l' '-"

I-

------

-=

'ill •

~-

\~~~~~mm~

l~~~~~~~
~~~~~~~~

<:>

l~~~~~~~ UJ
11 I
_l

..

..

Administered

..
I-I--

III,._ I~L l~ J.
-I""

.....

-_

.-.

-..

.-.;;;:

I.

.,-.

Arr. © 1994 by LilJenas Publishing Co, All rights reserved. hy The Copyright Company, 40 Music Square East, Nashville, TN 37203,

Both hands

r-.

Bva,

45

1'\
~ h

v
"1/

=:":
I'"

b.

.J

V
~ ~
l- l-l-

~
-:;;;;: 4 11... 3
I

I""

lot

.......

. .
17

l-JIllf_

-:;;

.l-l-F-.

~~t:~

I .__, . -j
1

.l.

II

"

r 1

_I
12

1
4

I 2

r
•
. -'"
1

- .. r_
I.J
.

1'1

I h

...-J.

"7

\J
e

"

-----r
l.J
...

l~h
~

=>:
I-J

:"'Ii.:.

T~

-==---~ •~.

",.

IT
17

..

I JJ

I~.h
--===== ~
I"""

•",.

JJ

46

Ij

_r~ ~v

"

.:----J-Jo
-j-~~'
~

t:)

./

~'1-

(:0

- r-I

r
u.:l

I0

j.

.11-

• ,._ . J
malta fit.

'.
/

~
c

9- .
'('

~~

17

1;;

--v

-~o

7'

tJ

f~..
• f:.... "'"IJ

--.-z (
-

\~~~~~~~ l~~~~~~~
I

"
1\

l~J
-

-.

#!-'

+-

J.

!-'

l'

.,:

J~J
!-' l.- i.-

J.
_ 1"

7" T

fir

~ ~
1 I

1..0

I...~

_If

~ ~

"

v til

,
~[;l
-

--;:>

-I

r.
U'T"'I.
I'

J.
•

>
,._:----- ,._

--

•
,._

I.

If''i.:.

~-~

...,.

-~

JJJ.

1'-' l-

II-

.J

.L_

~../

-v

-~. _.

II-

rl

1 l.J

1 I_ ... ~O ~Tl
...l

.fII-

.11:

II-

:
-'

: ~

~t:~
--.1

~ LJ

r
qJ:
,

JL ~

-.:

"
•

I
v n

tJ

\I

~.,..
:2
h

r -

--

e,,_ ~ J;_I
I.-

_-,...
.

I'. !-'

:;--

..

rJJ~all.

."-rt'

.~ r~11
a tempo
I'" !-'

_ l ~
I

1
I

-I

j• 1

-,

--..

-I

---....!

47
II
_I v
I

rtf_t. ,._~ ~.

11m

j~
L

~:
v

• ,.

_~

,,_
f-

1"-

II
v

[J

h
("

fl'l"\

) tJ

J
~
/'

·~
I

u v
v

, - ... I rll'o. tJ
III

..

- .. ..
J.

~.,: r~ "~ - a=~

~.
u

.,

15

-epcEte

iIf.'
I-

--

.,
D

-I-'
1

)~I
~
,

I.

if

~ ~
("

!
-

II

<;»

,..,

__J. I .f.l'T"\

Calmato
_j

~ ~

J:L"

)
f

pp

,.

·
_I
I
h':ll

p
1

r
I"""

D
I

--.

i
<,

II

/-

'S

- ,- II

r
III

£L:'

p
-

-~
I

11

11

11

D
l

~. I

-,

--.- --.
-:

I"'"'

~I
III ':II

r-""'"

~
"I '!If-

I_I~_Y
~

/'1

-'3,..
/'

·
v

r r r r rJ ~
I'"

..
I~
II

r' r r r
FJO"
~-

_lJ -

--

--

III

I }~
}
f

1\

r-\

.......

J.

- If~

.. • .. l! I~ . -._,III

ill

III

l!
I

.. ..
~--

~---J
-

I,

J.
"l"'f

l-rl

IT
1',

..~==

i- -JJ
tJ

48
I

11
If J1'r'J.

J
•
~

IL

• !If-

"@J

_...

. J--J1';-

~-

• !If-

.
•

.Ib!lf--'
!it.

J .b~='
~

.fl-

r.
If f

lL

_h

.~I=

1..0

I""""'""

t.J

LI

.z

-=

-=

.
~!:
'-

.:
•

_f

JL ..Li

11 .__)

II

- It-

~~
-

.~
_.

.:
f-

l-

_...

~.
.
ttt-

.
~~
__u _
.1!.

...

;J

a tempo
I
h

::ss

If

_{J_ lL

mp

r"""'"

i5L

@J

_.

•'~.
~ ~

_L

_{J_ lL ..Li

I h

.ss.

s.
I

,
>

'~

.
I

.t:

__!.

.1!. ..!.

~: h _._

t.J

.z

/
¥

:'lo..

.
v
rl h
v

R.H.

j
:
'-'

J:~ ..

.-

.2

t~

"

1l_
.E..

.t
_h

I I-

I:
-

,,_

!!":

,,_ t

..
'"
l.a •

t-

.:
...!J

tJ

- ,.
L..

[1

---

••
_II

_e

(l-

"

_h v

rit.

,,_
t-

.I.J
.-=.
V

12

....1L

,
'-'

_..

..
f.\

.J..I

L..!.

..c

....

I-

~.
t-

49

I~ ,:"'v
~

1'1

11

I h

I'

e
I

.s:, •
-"

.
v

'-.. ..
~
11

--._
:

*"

,;. T
r
~

<:»
7,",

!-

p
It

"""
11

tJ
I

tJ

'--""

---- :

.J

tI

•
~

tJ
~

r(
T
•
~.
:>-

"'IT

."'

I ~"
~

1'1

.-________ ..
....

.--

•~:>-

111

~-

:>-

~. ",.
111

-_J r.-OIl

--

•,.-

... 1

rI
:>-

-.-

•
I
r:;;:-

Jl .

J1 :~J.

....

Tl .

,-:>-

Morendo al fine

:>-

:>-

Jpp

IJrj~
.J

(
G'

50

For my brother, Richard Lee McGougan, JI:

Carol of the Bells

(In the setting of Rachmaninoff's Prelude, op3, no. 2)
(Andante)
41'\5
-

Lento (Tempo I)

-4

UKRANIAN CAROL
An: by Carolyne M. Taylor

>3

;t

_,
I~ ~

"
~
) ~:{jI

>3

R" cresc._?oCO! poco

:;;;~ -

~.~~. -t' r
ft!:;

.f.f
11
101'_ '"

tr.~
If

~
>-

>-

-,

~
If

Ped.

ppp -

Administered

Arr. © 1994 by Lillenas Publishing Co. All rights reserved. by The Copyright Company, 40 Music Square East, Nashville, TN 37203.

Poco rnosso (Tempo II) ~~

,.., ~ +I:
1'1 .'"
LJ:

I
<

_IL
_Ii

u.-

~ tJ

f ____
• u
~

111

.- ..
""'"
•

,-'IT

•
l.

•
111

II

iI

.,

.~ • ••

~L· L

..
~

~~

#~

:!

..

~ ~~

J~

:!
"ill

#~
'':I

~ ~
Oil
til

X_.

~-: L.

#~

:!

"ill

.~..
ioJI

..

.~
:!
JI

51

•• •til

--

1111

--1

1111

-~

~-

,..,~+I:
_Ll.U

.~
1'1 • •

11 •

.~
• ,. I~ __ .. __ .-

.-

til

Tempo I (Andante)

molto rit.

rr~r'
.'
'-'

'-------'

52

I~mf~~~~~
-

r-~ ~

Ll _Lo_i'I' 11
0

~ I .. ~

~*~-s~I I""lli'l'

~ ~

~~ ~~ I ..
~.

~*~-s~I •
_i'I' -

.~
f--

.#-

.,

~
I""

I
ppp
Ll -

I
r=>. .0"
,

-...
3

r:
~
1

*. } •
~
-

J-

raIl.
_~ -

nif'
I

-"'oi'l'

,0

if.l.l._TI__!f_

~
-

-_1"1.

1-

l.
1-

~~

~~

"11

-e-

\~3~~~~~~ l~-~~~~~~~~
mf
~

,--3,

r-3,

53

>-

a tempo

·
•

1'11'1 ~~r' r'

J

r-3i

r-3i

~'-'r'
13,

r'

I 1~~n~~~3~~~~~~~~if;
L-3__...J '--3

I
<

1'1 ~

J~J
._j_
~ ~
3
&
<,

J~J
...J 3-

r-3-,

•
._j_

J~ ~ J
I.....J
3-

r-3--,

i.. ~ I
j(I'!I[

t.l

r:

4.~

._JI

_U

...

3-

.JIi.. ~ flO

u
j(I '"

./

I""

U I

55

>-

,
<

" "~

"~H Tlit
~ jof

>-

it

..
lJ._.
TI

...

9....2,..

-)Ii

>-

>

>"'3

• .- #.- ..3
-I'"
)Ii

· ·
~ III
_Ii

u
_ill

..

- -::
it)li

>-

>-

>-

...
~

~~

>-.. ~

~I'""

'3""

~,..

~
>I"'~

:: ::
3

-- "r-

....21'"

,-

••
~ r:
U

,
<

"~H

>
it /If

'0.J

::
u
III

>-

l~

•
~
3
>

~
3

::

e
~;

...

e
3

.a-

c.

.If'
>-6

.If'
>

sfff
U

· ·

sfff

56

Tempo I

lJ 11 1..'-

1\

U~
loILl

....

jof

tJ

~ _____ ~ I ~
decresc. po~o a pOCD
u

i~~

..

r--; _. _-

r--;

.....;

~-.~
•
-

_.
:4j ..

"lI

·
•

~J ~
-

r:::----::~

---------

_. •
-

.. .
r-;;
~

xr
41.;

=~
-

~; ~q~
i_ i-

..

r
-~

I...

"lI

= "IT

-6'

=
-

-6'

~
If -

~.
-

JIll' -

"IT
-

')

~. -.
, -& "IT
-

!of'

~~

I~

.
•

._

......

;x;

x~

-& "IT
-

-& U "IT "IT U

-& U

pp

·
•
-eU -& U -& "IT

-e-

Ped.

"IT -

OTHfR COllfCTIONS fOR THf AOVANCfO PIANIST

GLORIOUS! ... HYMNS FOR THE CLASSICAL PIANIST
Gail Smith has wedded 11standard hymns and a worship chorus to selections from classic piano literature. Composers such as Brahms, Sibelius, Chopin, Schubert, and Handel are included. Suitable for church, concert, and contest situations. Sample titles: "Be Still, My Soul"; "Seek Ye First"; "0 Sacred Head, Now Wounded"; "The Old Rugged Cross"; "Thanksgiving Medley"; "Away in a Manger": lilt Is Well with My Soul"; "O for a Thousand Tongues": "Onward, Christian Soldiers. MB-631
ff

NOTES FROM A THANKFUL HEART

Pianists are drawn to the creative, expressive quality of Marilynn Ham' s arrangements, and this is her fourth volume. Contemporary favorites, standard hymns, and gospel songs are treated in a tasteful blend of styles. Also available is a complete stereo recording, as played by the arranger. Sample songs: "Precious Lord, Take My Hand"; "Friends"; "Immortal, Invisible"; "The Love of God"; "The Child in Each of Us" (medley of children's favorites); "How Great Thou Art." Book
Cassette
MB-61S

TA-9121C

STILL THANKFUL
Another volume from Marilynn Ham, applying her expressive creativity to a fascinating blend of styles. Complete stereo recording available. Sample songs include: "0 God, Our Help in Ages Past"; "My God Is Real"; "In the Name of the Lord"; "Yes,He Did." Book MB-6S1
Cassette TA-91S9C

PIANOSONG
Tone Poems for Devotional Moments Arranged by Virginia Halberg. Meditative arrangements of familiar hymns and carols for solo piano performance. Each selection includes the song text, for inspiration and interpretation. Sample titles: "Children of the Heavenly Father"; "Jesus Paid It All"; "Let Us Break Bread Together"; /10 Come, All Ye Faithful"; "Were You There?" "Like a River Glorious"; '7he Everlasting Light Medley." MB-634

I'

ISBN 083"419-046X

9 780834190467