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CONTENTS
Welcome What do we do? What happens on an Arvon writing course Arvons work with schools and communities How you can support Arvons work Arvon centres 2012 Course programme Course fee & grants for writers Competition Terms & conditions Booking form 4 6 7 8 10 12 24 134 138 144 148
WELCOME
Ruth Borthwick, Chief Executive At Arvon we believe that anyone can be a writer. Thats why we encourage many different kinds of people from young people to aspiring and professional writers to come to our unique writing houses. We have a grant scheme to enable you to attend if price is a barrier that would prevent you visiting us. Over the next five years we will be running many more bespoke courses to welcome young and disadvantaged people to Arvon. As well as this, in 2012 Arvon will be on the road to three English cities with our Urban Arvon nonresidential courses, and we will be pushing forward to create a new opportunity for writers at The Hurst, our Shropshire property, due to start in 2014. In 2012 we present 99 writing courses open to all. This year we are proud of our brand new courses: Creative Writing and Translation with Michael Henry Heim and Sasha Dugdale; Online Writing with Sarah Salway and Jon Reed; and Text and Image with Graham Rawle and Margaret Huber. And at Totleigh Barton, in our newly refurbished 15th century barn, we offer daily yoga as a stimulus to writing on retreat. We have brought together some mouth-watering teaching partnerships including world-class poets Mark Doty and Leontia Flynn; edgy childrens writers Malorie Blackman and Melvin Burgess; historical fiction rising stars Maria McCann and Chris Wakling, with Sarah Waters as very special guest; and Arvons extraordinary co-founder, the evergreen John Moat with prize-winning novelist Lindsay Clarke. Our programme also features: leading poet Don Paterson; top playwright Simon Stephens; Gruffalo mother Julia Donaldson; poets laureate Carol Ann Duffy and Liz Lochhead; award-winning novelist Tahmima Anam; Smack the Ponys Sally Phillips; and Arvon stalwarts Mark Haddon and Jo Shapcott. We have been working successfully with writers for over forty years come and find out why. Wed love to see you at Arvon this year.
WHAT DO WE DO?
Arvon is a charity that works to ensure anyone can benefit from the transformative power of writing. We offer life-changing creative experiences to anyone who writes, from beginners to published writers, from school age upwards and from all backgrounds. We run a vibrant annual programme of weekly residential courses at our secluded rural centres, tutored by leading writers in genres from poetry to fiction to scriptwriting. About a third of our courses are dedicated weeks with groups from a wide range of schools, youth and community groups and arts organisations, many from the most disadvantaged communities in the UK. Our courses pluck you from your everyday life and place you gently in one of our four writers houses, insulated from the busy outside world of email, internet and mobile phones. Whichever house you choose in Devon, Inverness-shire, Shropshire or West Yorkshire we will give you the freedom of time and space to write, supported by expert practical tuition and the encouragement of a community of writers. Arvon is for everyone, including those who cannot afford the fees. Our grants scheme offers awards to cover some or all of the fee and around a quarter of all course participants receive some support. Find out how to apply on page 133.
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Arvon also works with other arts organisations, disadvantaged groups and charities to enable their members to engage with writing. For some, it is a chance to develop their skills, for others a means of empowerment and self-expression. For many it is life-changing. In 2011 over ten groups participated in a residential writing week. Recent groups have included the Romany Theatre Company, Vita Nova Theatre Company, The Princess Royal Trust for Carers, Foyle Young Poets and Freedom from Torture. If you want to find out more about bringing a school group to Arvon or working in partnership, please contact Leanne Griffin on 0207 324 2554 or email leanne.griffin@arvonfoundation.org The experience that you were responsible for providing for us last year was nothing short of amazing. Every now and then, something happens in teaching that makes you think this is a special moment. That week was packed full of those moments... for those young people for whom it was literally a once in a lifetime opportunity. Krys Kotylo, Teacher,
Carlton Community College, Barnsley
To ensure that all schools have the opportunity to experience an amazing Arvon course, we run dedicated weeks at our centres throughout the year. In 2012, over 30 schools from both the state and independent sectors will visit our centres for writing weeks, transforming students creativity and confidence with the written word. School courses follow the same format as our adult weeks, with the same high standard of tutors, but tailored to suit each group. We also run some longer-term schools projects, with links to our online writing platform. A remarkable experience that should be made available to all young people. Exceptional. The work they have completed will have a direct effect on their writing skills they have excelled far beyond their expectations. Debra Hudson, Head of English, Walker
Technology College, Newcastle-upon-Tyne
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more about drawing up a will to leave Arvon a legacy or about adding a codocil to an existing will, please call Emma Johnson on 020 7324 2558 or email development@arvonfoundation.org Make a donation Your donations are vital in ensuring our transformational work continues. You can make a one-off donation, or a longer-term gift by Direct Debit. Use the booking form at the back of this brochure to make your donation by cheque or credit card, or donate via our website. Sponsorship by companies We are interested in building strong, sustainable relationships with companies and their employees and clients. We can offer opportunities to give something back to the community, or to sponsor Arvons courses, website, brochure and high-profile events including The Arvon International Poetry Competition. Trusts and foundations Arvon is proud to acknowledge its many successful partnerships with trusts and foundations, which support everything from our mentoring scheme to our grant scheme and our work with young people. We are always interested in building new partnerships. To discuss how you could support Arvon, please contact the Development Team on 020 7324 2558 or development@arvonfoundation.org
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ARVON CENTRES
Courses do not rely on the use of a computer and it is worth noting that the computer facilities vary widely from centre to centre. There is no IT support available at the centres, but centre staff will do their best to fix any problems as soon as possible. You are encouraged to bring a laptop. Most centres are equipped with facilities for disabled writers. FOOD Throughout your course all your food and drink is provided, except for alcohol which you can buy locally. The Centre Directors will be your hosts and you will find they create a relaxed, friendly and informal atmosphere, where everyone helps themselves to lunch and breakfast and each night a different team of students take their turn to cook the evening meal. (Dont worry the recipes and ingredients are provided and theres lots of help at hand.) This is a joyous and important part of the Arvon experience the preparing and sharing of food and much more. Not so much a course, more of a life experience. Unforgettable. Course participant For details on course fees, grants, and how to book, see pages 132-134.
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COURSES
Arvon Tutors Past and Present. Clockwise From Far Left: Will Self, Hilary Mantel, Lemn Sissay, Rommi Smith, John Hegley, Romesh Gunesekera
COURSE LIST
STARTING TO WRITE
Starting to Write Apr 9-14 Starting to Write Apr 23-28 Starting to Write May 7-12 Starting to Write May 21-26 Starting to Write Jun 11-16 Starting to Write Jun 18-23
Starting to Write poetry Jun 25-30 Starting to Write a Novel Jul 9-14
27 28 34 38 46 51 54 58 64 65 84 90 99
poetry Aug 6-11 poetry Aug 13-18 Fiction and poetry Aug 20-25 poetry Aug 27 - Sep 1 poetry Sep 10-15 poetry Sep 17-22 poetry Oct 29 - Nov 3 poetry Nov 5-10 poetry Nov 12-17
Starting to Write poetry Dec 3-8
73 78 83 88 95 97
Writing for young people Aug 6-11 75 Writing for young Adults Aug 20-25 82 Writing for Children Oct 22-27
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63 71 74 77 79 83
Short Story Aug 13-18 Novel Writing Aug 13-18 Fiction and poetry Aug 20-25 Fiction Sep 3-8 Advanced Fiction Sep 3-8 Historical Fiction Sep 17-22 Fiction Oct 1-6 Crime Fiction Oct 8-13 Fiction Oct 15-20 Crime Writing Nov 5-10 Short Story Nov 19-24
OTHER
Graphic Novels Jun 25-30 Songwriting Jul 9-14 Comedy Jul 23-28 Text and Image Aug 13-18 Songwriting Sep 3-8 Comedy Oct 8-13 Online Writing Nov 19-24
52 59 67 80
Starting to Write Sep 3-8 Starting to Write Sep 17-22 Starting to Write Nov 12-17
Starting to Write Nov 26 - Dec 1 Starting to Write poetry Dec 3-8
NON-FICTION
Life Writing Apr 2-7 Travel Writing May 14-19 Life Writing Jun 18-23 Creative Non-Fiction Jul 16-21 Life Writing Aug 6-11 Creative Non-Fiction Sep 10-15 Food Writing Sep 10-15 Life Writing Sep 24-29 Creative Non-Fiction Nov 5-10
26 37 48 62 76 93 96 103 120
FICTION
Fiction Apr 30 - May 5 Fiction May 7-12 Fiction May 14-19 Fiction May 28 - Jun 2 Short Story Jun 4-9 Fiction and poetry Jun 11-16 Tutored retreat: Novel Writing Jun 18-23 Fiction Jun 25-30 Fiction Jul 2-7
Starting to Write a Novel Jul 9-14
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pOETRy
30 33 36 41 44 45 50 53 55 58
poetry Apr 30 - May 5 poetry May 21-26 poetry Jun 4-9 Fiction and poetry Jun 11-16 poetry Jun 18-23
Starting to Write poetry Jun 25-30
31 40 43 45 49 54 57 61 66
Writing for Television Sep 17-22 101 Theatre Sep 24-29 Writing for Radio Sep 24-29 Theatre Oct 15-20 Screenwriting Nov 5-10
102 104 111 117
RETREATS
Retreat with yoga Apr 23-28 Retreat Jul 2-7 Retreat Sep 10-15
29 56 94
poetry Jul 2-7 poetry Jul 16-21 Advanced poetry Jul 23-28
1. LIFE WRITING
Illuminating a life April 2-7 Moniack Mhor This course will explore the way writing a memoir can be a form of self-discovery, as the writer uncovers not only the facts of a life, but their meaning and what they reveal. This is why life writing can be painful as well as illuminating and is not to be embarked upon by the faint-hearted. Come and be brave, with our support! Laura Hird writes non-fiction, short stories and novels. Her autobiographical book Dear Laura concerns the mother and daughter relationship. Born Free was shortlisted for the Whitbread and nominated for the Orange Prize. Richard Holloway wrote the autobiographical books Looking in the Distance, On Forgiveness and Leaving Alexandria: A Memoir of Faith and Doubt. He has also written more than 20 books on religious, philosophical and ethical themes. Guest Blake Morrisons books include the memoirs When Did You Last See Your Father? and Things My Mother Never Told Me.
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2. STARTING TO WRITE
How to begin April 9-14 Moniack Mhor A chance for beginners to put pen to paper and for those with some experience to experiment with different forms. One challenge for new writers is figuring out creative strengths and how to play to them. Well give you plenty of opportunities to try different approaches and get the best from what youve got, whether its fiction or non-fiction. Kapka Kassabova is a poet, novelist and non-fiction writer. Her fiction debut was Villa Pacifica. Her non-fiction books are Street Without a Name and Twelve Minutes of Love. www.kapka-kassabova.com Zo Strachan is an award-winning novelist who also writes drama, libretti, short stories and essays. Her latest novel is Ever Fallen in Love. She teaches Creative Writing at the University of Glasgow. www.zoestrachan.com Guest Andrew Greig has written 18 books of poetry, novels and non-fiction. His most recent are Romanno Bridge and At the Loch of the Green Corrie.
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3. STARTING TO WRITE
Getting off the ground April 23-28 Lumb Bank What comes after initial inspiration? This course takes writers through the process of progressing work, getting a piece of writing to jump off the page and take flight. Well look at examples and techniques, and help you develop your own ideas through a mixture of feedback and set exercises. Julia Bell is a writer and Senior Lecturer on the Birkbeck Creative Writing MA. Her novels include Massive and Dirty Work and the forthcoming Class Work. Shes also the co-editor of the bestselling Creative Writing Coursebook. Yemisi Blake writes poetry and short stories. His work has been published in Spread the Words Flight Anthology and Wasifiri. He has been commissioned by Tate Britain, The Wellcome Trust and Southbank Centre. Guest Inua Ellams was born in Nigeria. He lives and works in London as a poet, playwright, graphic artist and designer. His play The 14th Tale was performed at the National Theatre in 2010.
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Escape to the green pastures of the Devon countryside in springtime and find the time, the space and the peace you need to concentrate on your writing in the company of fellow writers and with the added bonus of yoga in Totleigh Bartons newly refurbished barn. Qualified yoga instructor and writer Lucy Greeves will run (non-compulsory) hatha yoga and meditation sessions in the morning and early evening. The classes are designed to support your writing retreat, and are suitable for all levels including beginners. There are single rooms for all writers on this course and the all-inclusive price is 540 for the week. Lucy Greeves has been practicing hatha yoga since 1999. She has a teaching diploma from the British Wheel of Yoga, is first-aid trained and fully insured.
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5. FICTION
Structuring stories April 30 - May 5 The Hurst How do you structure a narrative, how do you edit it and how do you get to the end? This course will focus on the story element in new work and work in progress. Together, well look closely at language, providing both the opportunity and the techniques for editing and rewriting. Tash Aw is the author of The Harmony Silk Factory and Map of the Invisible World. His work has won the Whitbread and Commonwealth Writers Prizes and been translated into 23 languages. Maggie Gee is the author of 11 novels including The White Family, My Cleaner and My Driver, a collection of short stories titled The Blue, and most recently a memoir, My Animal Life. Guest Kishwar Desai is the author of Witness the Night, winner of the 2010 Costa First Novel Award and the Man Asian Literary Prize.
6. pOETRy
Finding poems April 30 - May 5 Lumb Bank This enjoyable and challenging week is suitable both for those new to poetry and for more experienced writers. There will be a series of stimulating exercises covering the work of a broad range of poets, designed to move your writing on to a new level, leaving participants better readers and writers of poetry. Adam ORiordans debut collection In the Flesh was published in 2010 and won the Somerset Maugham Award. He is Lecturer in Poetry at the Writing School at Manchester Metropolitan University. Ann Sansom has published six collections of poetry, and has written and directed plays for stage and radio. She is a director of The Poetry Business, which publishes The North magazine and Smith/Doorstop books. Guest Janet Kofi-Tsekpos recent poems have appeared in Ten (a PBS Special Commendation), New Poetries V and Poetry Review.
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7. THEATRE
Writing the stage May 7-12 The Hurst This course focuses on the specific challenges and opportunities of writing for the theatre how to start a play and, just as important, how to finish. Well look at the place of story, character, the importance of metaphor, ritual and disruption, and the negotiation of form and content. Mike Bartletts stage plays include Cock, Earthquakes in London, 13 and Love, Love, Love. He is currently writer-inresidence at the National Theatre. Tanika Guptas plays include Hobsons Choice (Young Vic), Gladiator Games (Sheffield Crucible and Theatre Royal Stratford East), Sugar Mummies (Royal Court) and White Boy (National Youth Theatre). Guest Ola Animashawun is Creative Director of playwriting consultancy Euphoric Ink and former head of the Royal Court Theatres Young Writers Programme.
8. FICTION
Jump start May 7-12 Lumb Bank Whether your fiction has stalled or just needs a fresh eye, this course will give you new momentum. The emphasis will be on practical skills. Well tackle various aspects of writing from characterisation and dialogue to scene-building, structure and voice giving you the extra tools you need to reignite your imagination and confidence. Jane Feaver is author of According to Ruth and Love Me Tender, a collection of short stories. Her second novel An Inventory of Heaven was published in 2011. Philip Hensher is the author of seven novels. The Northern Clemency was shortlisted for the 2008 Man Booker Prize and the 2009 Commonwealth Writers Prize (Eurasia Region Best Book). His latest is King of the Badgers. Guest Anne Donovan is the author of novels Buddha Da and Being Emily and short story collection Hieroglyphics.
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9. STARTING TO WRITE
Adventures in imagination May 7-12 Totleigh Barton A chance to explore the link between real life and imagination, for people interested in writing prose of all kinds. If youre willing to experiment, youll finish the course better equipped to tell the truth and to make things up, understanding just how close the two things often are. William Fiennes is the best-selling author of The Snow Geese and The Music Room, and co-founder of First Story, which promotes writing in secondary schools. Mark Haddons novels include The Curious Incident of the Dog in the Night-Time, A Spot of Bother and The Red House, which is published in 2012. His play Polar Bears was produced at The Donmar Warehouse. Guest Molly McGrann is an American literary critic, poet, and novelist, living in England. She has published two novels, 360 Flip and Exurbia.
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11. FICTION
Working it out May 14-19 Totleigh Barton Examine the crucial elements of fiction and then look at how to apply those elements to your own work. Led by two experienced novelists, this course will use group discussion and practical exercises while also providing the space for you to develop your work, helping you harness the energy and focus to keep writing when you return home. Jake Arnott is the author of six novels including The Long Firm, which was adapted as an award-winning BBC2 drama serial. His latest, The House of Rumour, is published in June 2012. Louise Welsh is the author of four novels The Cutting Room, Tamburlaine Must Die, The Bullet Trick and Naming the Bones. She is currently writer-in-residence at Glasgow School of Art and The University of Glasgow. Guest Jon McGregor is the Man Bookernominated author of three novels, including If Nobody Speaks of Remarkable Things and a forthcoming book of short stories. www.jonmcgregor.com.
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Journeys lend themselves to narrative by their shape and their power to transform. But how do we turn a personal excursion or a lifetimes voyage into prose, be it fiction, biography or travel writing? Through creative engagement with place, language and the way travel changes the traveller, this course explores how we can mine our brief encounters and epic adventures, our family histories and imaginative quests, and shape them into stories and books. Rory MacLean is one of Britains most expressive and adventurous travel writers. His eight books include award-winners Stalins Nose, Under the Dragon, Magic Bus and Gift of Time, which is about his mothers final journey. Susan Elderkins awards include the Society of Authors Travel Award. She has published two novels, writes travel articles for The Observer and Financial Times, and is a Bibliotherapist at The School of Life. Guest Dea Birketts award-winning travel books include Spinsters Abroad: Victorian Lady Explorers. www.deabirkett.com.
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15. pOETRy
In the forest of forms May 21-26 Totleigh Barton A course for thinking about form in which the focus is not this or that specific or received form, though such forms might be explored, but the idea of form itself its nature, its sense of resistance and escape, its latent content, its latent productivity, its abandonment and rediscovery from the simplest of rhythms, through traditions and inventions. Marilyn Hacker is the award-winning author of 11 volumes of translation, an essay collection, Unauthorized Voices, and 12 books of poems, including Names, Essays on Departure and Desesperanto. She is a Chancellor of the Academy of American Poets. George Szirtes won the TS Eliot Prize for Reel (2004) and was shortlisted for it again with The Burning of the Books (2009). His New and Collected Poems appeared in 2008. Guest Vahni Capildeos books include Dark & Unaccustomed Words and Utter. She is a Contributing Editor for The Caribbean Review of Books.
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16. FICTION
Getting on with it May 28 - June 2 The Hurst Youve started to write a novel or short story... but what next? This course will focus on helping you approach your story creatively, with a sense of excitement and enthusiasm. Itll provide you with the tricks to help you maintain your focus and momentum as you approach the hard work of writing it all the way to the end. Romesh Gunesekera was shortlisted for the Man Booker Prize for his first novel Reef. His most recent novel is The Match. He is an associate tutor at Goldsmiths. www.romeshgunesekera.com Kate Pullingers most recent novel is The Mistress of Nothing, which won Canadas 2009 Governor Generals Literary Award for Fiction. She is also the author of the prize-winning digital fiction project Inanimate Alice. Guest Charlie Williams most recent books include Stairway to Hell and One Dead Hen, fourth in his Mangel series.
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18. pOETRy
Getting on with it June 4-9 The Hurst The shape a poem takes can greatly affect its impact and meaning. In this course well focus on the structure as well as the language of your poems, examining poetic form in the broadest sense, including free verse and experimental structures. Youll be encouraged to play with forms old and new, fixed and organic, rhymed and unrhymed, and to invent novel forms of your own. Jane Yehs book Marabou was shortlisted for the Whitbread Poetry Award, the Forward Prize for Best First Collection, and the Jerwood Aldeburgh First Collection Prize. Her next collection is published in November 2012. Carol Rumens has published 15 collections of poetry, most recently De Chiricos Threads. She writes the Poem of the Week column for The Guardian Books Blog and is a Fellow of the Royal Society of Literature. Guest David Wheatley has published four collections of poetry, most recently A Nest on the Waves.
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A short story can be anything, from VS Pritchetts glimpse in passing to a densely plotted mini-saga, from a folktale to an exquisitely crafted miniature. Stella Duffy and Toby Litt will encourage you to explore and develop your own unique approach to this fantastically varied form. Stella Duffy has written over 40 short stories, 13 novels, and nine plays. Her stories have been broadcast on BBC Radio 3 and Radio 4. She co-edited the anthology Tart Noir and won the 2002 CWA Short Story Dagger Award. Toby Litt is the author of two collections of short stories and nine novels. His story John and John won the 2009 Manchester Fiction Prize. www.tobylitt.com. Guest AL Kennedy has written six novels and five collections of short stories, including Indelible Acts and Original Bliss. Her novel Day was winner of the 2007 Costa Book of the Year Award.
A chance to strengthen your engagement with the craft of both fiction and poetry and explore the relationships between them. Join us as we attend to the range and flexibility of language and the demands of form, considering ways of deepening writing through a lively sense of the myths (both personal and cultural) which give shape and meaning to our experience. Lindsay Clarke is author of The Chymical Wedding, which won the Whitbread Fiction Prize, and The Water Theatre. He is an associate of the Creative Writing Programme at Cardiff University. John Moat, co-founder of Arvon, has published more than 20 books of poetry and fiction. His latest works include the novels The Fabrication of Gold and Blanch and the memoir The Founding of Arvon. Guest Jules Cashford is author of The Moon, co-author of Myth of the Goddess and translator of The Homeric Hymns.
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Explore the natural environment as a starting point for fresh work. Perfect for new writers of poetry and fiction, this course uses the immediate surroundings of Lumb Bank to encourage you to draw on a variety of environments real or imagined, familiar or unknown. Support, encouragement and information will be given about all aspects of writing, technical and imaginative. Susanna Jones novels are The Earthquake Bird (winner of several awards including the John Llewellyn Rhys Prize), Water Lily, The Missing Persons Guide to Love and When Nights Were Cold. She teaches at Royal Holloway. Jo Shapcott has won many literary prizes including the Commonwealth Writers Prize for Best First Collection, the Forward Prize for Best Collection and the National Poetry Competition (twice). Her latest collection, Of Mutability, won the 2010 Costa Book of the Year. Guest Richard Prices Lucky Day was shortlisted for three awards, including the Costa Book Award. www.hydrohotel.net
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What makes a perfect picture book? Polly, Malachy and YOU will be sparking new, original and deliciously irresistible ideas. Writers will write (and, possibly, illustrate). Illustrators will illustrate (and, hopefully, write). There will be collaboration. There will be FUN! Malachy Doyle has had over 80 illustrated childrens books published without drawing a single picture. His 2011 picture books included The Happy Book and Hens Cake. His 2012 ones include The Snuggle Sandwich. www.malachydoyle.com Polly Dunbar is an award-winning childrens author/illustrator. Her books include Penguin, Shoe Baby and the Tilly series. Guest Anthony Browne is the multi-awardwinning writer and illustrator of over 40 books for children. He was Childrens Laureate from 2009-2011.
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Reflecting on ourselves and others June 18-23 The Hurst Whether you are writing about your own life, or someone elses, this course will provide you with tools and tricks to bring it to life on the page. You will conceive and develop new pieces of writing and examine and discuss different methods and strategies for making your writing as alive and compelling as its subject. Rick Gekoski is a writer, rare book dealer and broadcaster. His books include a critical work on Joseph Conrad, a bibliography of William Golding, Staying Up (a book on Premiership football) and Outside of a Dog: A Bibliomemoir. Selina Hastings is a writer and literary journalist. She has written four biographies, of Nancy Mitford, Rosamond Lehmann, Evelyn Waugh and Somerset Maugham. She is currently working on a biography of Sybille Bedford. Guest Justin Cartwrights many books include non-fiction works Not Yet Home and In This Secret Garden and novels including Other Peoples Money.
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24. pOETRy
Unloosing abundance June 18-23 Lumb Bank Is it hard to find time for writing, or do you find yourself waiting for inspiration that never arrives? Is that blank page a source of perpetual anxiety, and are you frustrated by your own lack of productivity? In this inspirational course, we take a playful look at the gremlins behind creative block and explore some techniques for releasing the natural abundance of poetic creativity. John Glendays most recent collection Grain was shortlisted for the Ted Hughes Award and the Griffin Poetry Prize. He was a judge for the 2011 National Poetry Competition. Kona Macphee grew up in Australia and lives in Scotland. She teaches for the Poetry School and Poetry Society. Her second collection Perfect Blue received the Geoffrey Faber Memorial Prize 2010. www.konamacphee.com Guest Paul Farley received the 2009 EM Forster Award from the American Academy of Arts and Letters.
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28. FICTION
First moves June 25-30 Lumb Bank A chance to overcome the fear of the empty page, this course will explore questions like: Should you always write from experience? How do you develop characters a reader will care about? Does everything need a plot? How do writers look at the world? Ideal for those with little or no experience in the writing of fiction, expect five days of writing and sharing ideas in a supportive and non-competitive atmosphere. Jenn Ashworths first novel A Kind of Intimacy won a Betty Trask Award in 2010. Her second novel, Cold Light, was published in 2011 by Sceptre. Andrew Miller is the author of six novels, including Ingenious Pain, the Bookershortlisted Oxygen and Pure. His books have been translated into more than 20 languages. He lectures in Creative Writing at Bath Spa University. Guest Helen Walsh is the author of three acclaimed and prize-winning novels: Brass, Once Upon A Time in England and Go To Sleep.
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30. FICTION
Making a start on your novel July 2-7 The Hurst Discover what it is you really want to write about. This course will be an opportunity for you to work on finding a voice, establishing a point of view, developing characters and shaping a plot. The process is different for everyone, and a genuine breakthrough in any one of these areas will be something to celebrate. Tahmima Anam is the author of A Golden Age, which won the Commonwealth Writers Prize for Best First Book, and was translated into 23 languages. Her second novel The Good Muslim was published last year. Joe Treasure has published two novels, The Male Gaze and Besotted. www.joetreasure.com Guest Sophie Hardach is the author of The Registrars Manual for Detecting Forced Marriages. She is working on a novel about pacifists during the Second World War. www.sophiehardach.com
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31. RETREAT
Run away! July 2-7 Moniack Mhor This year, just say no. No to distractions, work commitments, family ties, obligations. Say see you later to Facebook and Countdown! Immerse yourself in that writing project of yours - and yes, you do know which one. Stop saying you will do it one day, and do it now. Domestic arrangements are the same as for all courses. There are single rooms for all writers and the all-inclusive price is 475 for the week.
32. pOETRy
Patterns of sound July 2-7 Totleigh Barton Basil Bunting spoke of writing poems as tracing in the air a pattern of sound. This course will look at patterns of sounds as well as the shapes poems assume, with attention to line and stanza. There will be an opportunity to start new poems as well as rework old ones. Jamie McKendrick has published five books of poetry, most recently Crocodiles & Obelisks and, among other translations, a selection of Valerio Magrellis poems, The Embrace, which won the OxfordWeidenfeld and the John Florio Prize. Greta Stoddarts first collection At Home in the Dark won the Geoffrey Faber Memorial Prize. Her second collection Salvation Jane was shortlisted for the Costa Book Award. She teaches and lives in east Devon. Guest Bernard ODonoghue has published six volumes of poetry of which the most recent is Farmers Cross. Gunpowder won the Whitbread Poetry Prize in 1995.
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34. SONGWRITING
Singing poetry July 9-14 Moniack Mhor Some of the best songwriters in the world use exercises and deadlines to get results. By setting tasks, both lyrical and musical, the tutors will open your eyes to different aspects of writing songs, such as understanding structure, chord work and rhyme schemes. By the end of the week youll be better equipped to write the song you want to write. Edwina Hayes is a folk-Americana artist. Her cover of Randy Newmans Feels Like Home was featured in the Cameron Diaz film My Sisters Keeper. Her latest album is Good Things Happen Over Coffee. www.edwinahayes.com Boo Hewerdine is a popular singer/ songwriter and experienced tutor. He has written songs for Eddi Reader, kd Lang, Chris Difford and many others. His most recent album is God Bless the Pretty Things. www.boohewerdine.net Guest Eddi Reader is a hugely successful singer/songwriter, whose latest album is Love is the Way. www.eddireader.co.uk
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36. pOETRy
Responding to what life presents July 16-21 The Hurst We write for many reasons, but sometimes circumstances seem to demand a response, almost in spite of ourselves. These may be illness, our own or that of someone close to us, or some other life event. How does poetry cope, faced with un-lookedfor challenging material? We will try out the choices open to us as writers, and look at how the experience itself might suggest its own ways in. Philip Gross recently won the TS Eliot Prize, CLPE Poetry Award and Wales Book of the Year. His latest collection Deep Field explores his fathers loss of language in old age. www.philipgross.co.uk Susan Wicks sixth collection of poems House of Tongues was a summer 2010 PBS Recommendation. Her work has won the Aldeburgh and Scott-Moncrieff Prizes. Her family memoir Driving My Father was published in 1995. Guest Penelope Shuttle lives in Cornwall. Her New and Selected Poems appears early in 2013.
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38. FICTION
Making it up July 16-21 Moniack Mhor Find the stories you want to tell and develop confidence in using both intuition and craft to realise them. This course will focus on inspiration, perseverance and discovering your rhythm and voice as a writer. You will be encouraged to use this opportunity to immerse yourself in your work, a rare chance in most lives. Meaghan Delahunts first novel In the Blue House won the Commonwealth Prize and the Scottish First Book of the Year in 2002. Her second novel The Red Book was shortlisted for the Scottish Book of the Year. Linda Cracknell is an award-winning writer of short fiction, with two published collections: Life Drawing and The Searching Glance. She also writes drama for BBC Radio 4 and dabbles in creative non-fiction. www.lindacracknell.com Guest Kirsty Gunn won the Scottish Arts Council Book of the Year Award in 2007 for The Boy and the Sea.
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42. COMEDy
Creating characters from your demons July 23-28 Totleigh Barton Whether youre writing from observed life, telling stories, or expressing from within, its most likely to be the characters you have created that will engage, and the characters that will be remembered. In this course well explore ways to create characters and bring them to life. Then well follow them to see where they lead us: the plots they fall into, the words they speak and the hilarity that ensues. Nigel Planer is best known for the characters Neil and Nicholas Craig. He created many of the characters from the Comic Strip films. He has written two novels and had stage and radio plays produced. Karl Theobald began his comedy career writing and performing a double act with Russell Brand. He has written for Smack the Pony and The Sketch Show and appeared as regular characters in Green Wing and Twenty Twelve. Guest Sally Phillips has appeared in many comedy hits including Smack the Pony, which she co-wrote, Miranda and Bridget Jones Diary.
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The future of the short story July 30 - August 4 Moniack Mhor From PG Wodehouse to JG Ballard, from Borges Ficciones to Bruce Holland Rogers flash fictions the short story can do anything. What do you want your next story to do? Whether youre experienced or just starting, we will help you answer that question. E-publishing transforms the way stories reach readers. New genres are being born. There has never been a more exciting time to write short fiction. Julian Gough won the BBC National Short Story Award and The Pushcart Prize. His novels include Juno & Juliet, Jude in Ireland and Jude in London. www.juliangough.com Susie Maguire has edited four anthologies and two collections of short fiction. She has written 27 stories which have been broadcast on BBC Radio. www.susiemaguire.co.uk Guest Bernard MacLaverty is the prizewinning author of five collections of short stories, including Matters of Life and Death. www.bernardmaclaverty.com
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Taking it all more seriously August 6-11 The Hurst Already getting published in magazines or being placed in competitions? Well encourage you to take your work to the next level, with a view to assembling a first collection. Using a combination of intensive poetry exercises and individual tutorials, well help you identify your main themes, and broaden and strengthen your work, in a supportive environment. Catherine Smith was one of Mslexias Top 10 UK Women Poets and was a PBS/Arts Council Next Generation poet. She has been shortlisted twice for The Forward Prize. She teaches Creative Writing for Sussex University. www.catherinesmithwriter.co.uk Hugo Williams poetry books include Billys Rain, which won the TS Eliot Prize, Dear Room, shortlisted for the Costa Poetry Award and West End Final, shortlisted for the Forward Poetry Prize and the TS Eliot Prize. Guest Katrina Naomis first collection The Girl with the Cactus Handshake was shortlisted for the London New Poetry Award.
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Putting life on the page August 6-11 Totleigh Barton The unexamined life is not worth living Socrates. Well be exploring how best to excavate your life and the lives of others, and how to write these stories down. Well examine the difference between autobiography, memoir and creative non-fiction. We will look at how to turn memories into fiction, how to write about your childhood and how to make these stories vibrant. Monique Roffeys second novel The White Woman on the Green Bicycle was shortlisted for The Orange Prize 2010 and the Encore Award 2011. Her erotic memoir With the Kisses of His Mouth was published in 2011. Robert Rowland Smith has written books on literature, philosophy and psychoanalysis. Breakfast with Socrates has sold all over the world. He is a columnist for The Sunday Times and contributes regularly to radio and TV. Guest Yasmin Hais memoir The Making of Mr Hais Daughter was a BBC Radio 4 Book of the Week.
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The best words in the best order August 13-18 Lumb Bank To get you writing in fresh ways, this course will focus on generating new work through different habits of art. As well as re-writing, re-reading and re-thinking, well be celebrating the sheer joy of the best words in the best order. Jacob Polley is the author of two acclaimed collections of poetry and a novel. He has received Eric Gregory and Somerset Maugham Awards, teaches at the University of St Andrews and lives in Fife. www.jacobpolley.com Jean Spracklands latest collection Tilt won the Costa Award for Poetry, and her previous books were shortlisted for the Forward Prize and the TS Eliot Prize. She teaches Creative Writing at Manchester Metropolitan University. Guest Helen Mort is from Sheffield. She has published three pamphlets and her first collection will be published in 2013. www.helenmort.com
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Margaret Huber is a visual artist and course leader for the MA Sequential Design/ Illustration and MA Arts and Design by Independent Project courses at the University of Brighton. www.margarethuber.com Graham Rawle is a writer and artist. Creator of Lost Consonants, his illustrated reinvention of The Wizard of Oz has won several design awards. His collaged novel, Womans World, is being made into a film. www.grahamrawle.com Guest George Hardie has been a designer, illustrator, graphic problem-solver and educator since 1970, working in the UK and internationally.
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Translation can give voice to the finest literature the world has to offer, and on this course well be looking at the techniques of this creative art. Please come with an excerpt of your translation into English of an as yet untranslated work of poetry, prose, or drama, from any language. Places by selection: submit one double-spaced page of translation and the same text in the original to lumbbank@arvonfoundation.org by 29 June 2012. Sasha Dugdale is a poet and translator of Russian poetry and plays. Red House is her third collection of poetry. Michael Henry Heim translates fiction and drama from 10 European languages, including the works of Gnter Grass, Chekhov and Thomas Mann. He is Professor of Slavic Languages at UCLA. Guest Anthea Bell is one of the leading translators of her generation and winner of several translation awards.
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Comedy in poetry August 27 - September 1 Totleigh Barton Humour can be a serious business! Satire, parody, paradox and punchlines can wobble governments and change minds and hearts. Well examine the dark and light arts of humour and look at ways to inject it into your writing and performances. Playful, practical exercises will help increase light and shade in the writing of poets of all levels. Kate Fox is a stand-up poet. A regular on BBC Radio 4s Saturday Live, she has also been commissioned by the Daily Politics Show, Chelsea Flower Show, BBC News Online and was Poet in Residence for the Great North Run 2011. Matt Harveys poetry has taken him from Totnes to the Wimbledon Tennis Championships via Saturday Live, the Edinburgh Festival and The Guardian. He also hosts BBC Radio 4s Wondermentalist Cabaret. www.mattharvey.co.uk Guest Byron Vincents oratory fuses comedy and poetry. He has performed on television, radio and at many festivals. His first collection is Barking Doggerel.
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62. FICTION
Lyricism and style in the novel September 3-8 The Hurst This course covers general novel-writing components, such as character, plot and landscape, while paying particular attention to stylisation and language. It is suitable for those looking for a way to marshal a story using a particular voice, perspective or lyrical mode, and those wishing to add detail, depth and colour to their writing. Sarah Halls books include novels Haweswater, which won the Commonwealth Writers Prize for Best First Book, How To Paint A Dead Man, longlisted for the Man Booker Prize, and her short story collection The Beautiful Indifference. Owen Sheers has published poetry, nonfiction and fiction, most recently the novella White Ravens. He wrote the screenplay for the film version of his novel Resistance and also presents arts programmes for BBC TV and Radio. Guest Ross Raisins novels are Gods Own Country, which won him The Sunday Times Young Writer of the Year Award, and Waterline.
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65. SONGWRITING
The songsmith September 3-8 Totleigh Barton There are two different approaches to writing songs: those that are pure artistic expression and those that are crafted and mechanically constructed for commercial purposes. Both have value and we will be looking to guide you in how to access either one. Places by selection: please send audio samples of your work by email to Totleigh Barton by 11 June 2012. Tom Baxter has sold over 300,000 copies of albums Feather and Stone and Skybound. His songs have been included on film soundtracks and been covered by the likes of Boyzone and Shirley Bassey. Sacha Skarbek is a songwriter and producer. Grammy nominated and winner of two Ivor Novello Awards, he has worked with artists including Adele, Jason Mraz, Sir Paul McCartney, Seal and James Blunt, with whom he wrote the hit single Youre Beautiful. Guest Sara Lord is Director of Lord Music Management and has managed acts including Reef, Toploader and Tom Baxter.
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67. RETREAT
A room of ones own September 10-15 Lumb Bank Leave your world behind for five days and retreat to Lumb Bank, Ted Hughes former home, to focus on THAT piece of work. In this stunning landscape of wooded hills, youll find time and space to write, in the company of 15 other writers. Domestic arrangements are the same as for other courses. There are single rooms for all writers and the all-inclusive price is 475.
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Beautiful words September 10-15 Moniack Mhor Robert Frost said, a poem begins as a lump in the throat, a sense of wrong, a homesickness, a love sickness. Come to Moniack to extract that lump in the throat and convert it to poetry. The course will focus on producing new work, and the workshops and tutorials will be geared to new poets as well as lifelong poets. Tom Leonards prize-winning collections include Outside the Narrative and Radical Refrew. He teaches Creative Writing at Glasgow University, and has been a vital part of the Scottish poetry renaissance for the last 40 years. www.tomleonard.co.uk Liz Lochhead is the National Poet of Scotland. Her collections include Bagpipe Muzak and Dreaming Frankenstein. Shes been awarded honorary degrees and fellowships from 11 universities, is Honorary President of the Scottish Poetry Library and the Poet Laureate of Glasgow. Guest Mandy Haggith is a Highlands based novelist and poet whose most recent collection is Castings.
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Food writing from every angle September 10-15 Totleigh Barton A chance to discover what is required to become a food writer, focusing on the different styles of food writing and how to pitch yourself. Between us, we offer years of experience writing recipes, features about food from ingredients to food politics, books, restaurant reviews, reporting and interviewing, internet and blogs. We offer help and guidance in a series of structured talks and tutorials, with hands-on cooking each night. Lindsey Barehams cookery writing career evolved from restaurant reviewing, starting with a series of single subject cook books including potatoes, soup and tomatoes, leading to newspaper and magazine columns for seasonal recipes. Lulu Grimes is Deputy Editor of Olive. She trained as a chef at Leiths where she now teaches Food Writing. Jancis Robinson is an award-winning wine writer and broadcaster. Her books include The World Atlas of Wine and Confessions of a Wine Lover.
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Complicating the poem September 17-22 The Hurst Developing poets often shut their poems down too soon, settling for quick closure instead of exploring deeper possibilities. How can we push past our usual habits and move a poem in new directions, making it more dimensional and complex? We will work on techniques for investigating the poem further, and well read a variety of strong contemporary poems as models and inspirations. Mark Doty has had eight poetry books published and won the US National Book Award and the TS Eliot Prize. His latest book is Theories and Apparitions. He is a Professor of English at Rutgers University. Leontia Flynns books have won an Eric Gregory Award and the Forward Poetry Prize for Best First Collection. She was named a PBS Next Generation Poet. Her latest collection is Profit and Loss. Guest Martin Figuras collection Whistle was shortlisted for the Ted Hughes Award and toured as a one-man show at festivals including Ledbury and Edinburgh.
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From bodice-rippers to courtly politics September 17-22 Lumb Bank Historical fiction attracts an enthusiastic and growing readership, but certain challenges present themselves: how much research should you do, and at what stage? How might you adapt the language? What about fictionalising real people? We will offer you guidance on how to turn a promising idea into authentic and well-crafted fiction. Maria McCanns As Meat Loves Salt was widely praised. The Wilding, longlisted for the Orange Prize, was also a Richard and Judy Book Club selection. Christopher Wakling is the author of six novels including What I Did and The Devils Mask. He writes travel journalism for The Independent and is the Royal Literary Fund Writing Fellow at Bristol University. Guest Sarah Waters has written five novels including Fingersmith, The Night Watch and The Little Stranger, which were shortlisted for the Man Booker Prize. She is currently at work on her sixth.
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The playwrights craft September 24-29 The Hurst The week will focus on exploring the writers toolkit through a mixture of practical exercises, scene study, group work and one-to-one tutorials. Well look at key areas of playwriting, including bringing your back-story to life, dialogue and character as action, meaningful form, writing what you really want and the problem of autobiography. Willingness to try out new ideas essential. David Eldridges work includes the awardwinning Under the Blue Sky and The Knot of the Heart and adaptations include Festen. His work for the screen and radio includes The Picture Man, which won the Prix Europa 2008. Amy Rosenthal has been writing for theatre and radio since 1998. Her plays include Sitting Pretty, Henna Night, Jerusalem Syndrome and On The Rocks, which was shortlisted for the international Susan Smith Blackburn Prize in 2008-9. Guest Sarah Frankcom is a director and is Joint Artistic Director of Manchesters Royal Exchange Theatre.
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Stranger than fiction? September 24-29 Lumb Bank With truth often being stranger than fiction, how do you transform life and experience into a good narrative? This course introduces some essential skills for writing from life: plot, theme, character, location, voice, research and revision. With written exercises, discussion and criticism, participants will be encouraged to stretch themselves imaginatively, experiment stylistically and to understand how to set about writing non-fiction genres. Terence Blacker is the author of the highlypraised biography of Willie Donaldson, You Cannot Live As I Have Lived and Not End Up Like This and of four novels. www.terenceblacker.com Rachel Holmes is a biographer and historian. She directs the Southbank Centre Literature & Spoken Word programme, and was a founder member of Amazon.co.uk and the Palestine Writing Workshop. Guest Julia Blackburn has written two novels, five books of non-fiction and an award-winning memoir. Her most recent book is Thin Paths.
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Learning to listen October 1-6 Lumb Bank The poet doesnt invent: he listens, said Jean Cocteau. This week you will tune in to the many and varied sources that might provoke a poem a phrase, an image, a life event to discover how inspiration can come from anywhere and everywhere. The trick is learning to perceive it: in ourselves and others, our environment and in the work of other poets. Julia Copus latest book In Defence of Adultery is a PBS Recommendation. She won First Prize in the 2002 National Poetry Competition, and the Forward Poetry Prize for Best Single Poem in 2010. Ian Duhig has won the Forward Poetry Prize for Best Single Poem once, the National Poetry Competition twice, three times been shortlisted for the TS Eliot Prize and is a Fellow of the Royal Society of Literature. Guest Tishani Doshi is an award-winning poet and dancer. The Pleasure Seekers, her first novel, was longlisted for the Orange Prize. www.tishanidoshi.com
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Making things up October 1-6 Totleigh Barton Discover some of the joys and pitfalls involved in writing fiction and learn how to maximise on both. Through exercises and in tutorials, this general fiction course will look at the different ways one can tell a story, how to structure that story into a compelling narrative and how to develop the characters who might inhabit it. Kamila Shamsie has written five novels, including Burnt Shadows, which was shortlisted for the Orange Prize and has been translated into 21 languages. She grew up in Karachi and lives in London. Gillian Slovo is the author of 11 novels including Ice Road, shortlisted for the Orange Prize. She also wrote a bestselling family memoir Every Secret Thing and a play Guantanamo: Honor Bound to Defend Freedom. Guest Rupert Thomson is the author of eight critically acclaimed novels and, most recently, an award-winning memoir This Partys Got to Stop.
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80. COMEDy
The art of comedy October 8-13 The Hurst Heard any good jokes lately? If only comedy writing was as simple as getting down a few good oneliners. Learn to take those funny ideas you have and turn them into comedy gold, as well as find new ideas you didnt know you had, and do likewise. Cue laugh track. Christopher Douglas is the writer and performer of over 100 radio shows including Ed Reardons Week, Beauty of Britain and Dave Podmore. He wrote the How To Be... series for BBC4 and his books include I, an Actor and a biography of cricketer Douglas Jardine. David Stafford has written scripts for everybody from Alexei Sayle to Orville. Hes an award-winning playwright for TV and radio and teaches screenwriting at Birkbeck College, London Guest Mandy Knight won the Time Out Award and was the first woman to host Jongleurs. Television collaborators include Jo Brand and David Baddiel.
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Searching for the breadcrumb trail... October 15-20 The Hurst This is a course for writers who are already venturing into the maze of their creative resource but have yet to find a breadcrumb trail. Well work on harnessing, structuring, solidifying and deepening your material towards a cohesive work of fiction. In a relaxed and supportive environment, well use exercises in characterisation, plot and revision to help develop your own unique writing process. Diana Evans began her writing career as a journalist. She is the author of The Wonder and 26a, which won the inaugural Orange Award for New Writers and was shortlisted for the Whitbread First Novel Award. Patrick Neate is the author of seven books of fiction and non-fiction. He has won several prizes, from the Whitbread Novel Award to the NBCC Award for Criticism. His latest novel is Jerusalem. Guest Chika Unigwes novel On Black Sisters Street has been translated into several languages. She lives in Belgium.
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Dramatic writing for the stage October 15-20 Totleigh Barton Explore what makes writing on stage dramatic: how narrative and dramatic action can work, and the difference between dramatic dialogue and conversation. This course, imbued with the spirit of Londons Royal Court Theatre, is accessible for new writers as well as challenging for playwrights with more experience. Simon Stephens is an Olivier Awardwinning playwright. Over the past 12 years he has written more than 20 plays for the stage that have been produced in theatres all over the world. Graham Whybrow works internationally advising playwrights, directors, theatremakers and theatres. He was Literary Manager of the Royal Court Theatre from 1994 to 2007, when it launched 50 new playwrights and produced over 200 new plays. Guest April de Angelis work includes Playhouse Creatures, A Laughing Matter, Wild East, Phaeton, Calais and, most recently, Jumpy.
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84. ARVON FRIENDS RETREAT A room to write in a writers house October 22-27 The Hurst Join the Friends of Arvon for a week where people truly know the value of the Arvon experience. You and your fellow writers are invited to retreat to the inspirational Shropshire Hills, for loads of independent writing time and the camaraderie of others who know how precious such opportunities to focus on your craft are. Meet other writers who share your passion and get some serious writing done. Domestic arrangements are the same as for all courses. There are single rooms for all writers and the all-inclusive price is 430 for the week. This is open to Arvon Friends only for information about becoming an Arvon Friend see page 8.
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Taking your poetry further October 29 - November 3 The Hurst Beginning a poem is only the beginning. Let your poems take off and grow into something larger and more marvellous than they were when they were conceived. This course will consider structure and revision techniques, and is aimed at those who are relatively new to writing poetry as well as those with some experience. Jane Draycotts latest collection Over was shortlisted for the TS Eliot Prize 2009. Nominated as a Next Generation poet, her new translation of the medieval dream-vision Pearl (2011) is a PBS Recommended Translation. www.janedraycott.org.uk Luke Kennard won an Eric Gregory Award in 2005 and his collection The Harbour Beyond the Movie was shortlisted for the Forward Prize for Best Collection. His latest collections are The Migraine Hotel and the pamphlet Planet-Shaped Horse. Guest Jack Underwood is a poet, librettist, musician and co-edits the anthology series Stop Sharpening Your Knives. He won an Eric Gregory Award in 2007.
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Playing with words, inventing new forms October 29 - November 3 Totleigh Barton Prose doesnt have to be prosaic. We can enliven our writing and re-imagine the limits of storytelling by bringing in ideas from movie scripts, video games and treasure hunts. Well investigate experimental writing, think about branching narratives, and free our work from the tyranny of conventional thinking. Come and wander through the wonderful things words can do. Naomi Alderman is an award-winning literary novelist. Her books are Disobedience and The Lessons and she has written a Doctor Who novel for the BBC. She also writes computer games, interactive fiction and online treasure hunts. Joe Dunthornes debut novel, Submarine, has been translated into 10 languages and made into a film. His debut poetry pamphlet has been published by Faber and his second novel Wild Abandon came out in 2011. Guest Steven Hall is the author of The Raw Shark Texts, shortlisted for the Arthur C Clarke Award.
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Exploring your story November 5-10 The Hurst A chance to explore your own script in a safe encouraging environment and discover some different ways to tell stories on film. This course is for writers who are looking for the help to move their work on and become more effective screenwriters. Olivia Hetreed, formerly a film editor, is screenwriter of Girl with a Pearl Earring and Wuthering Heights. She is on the WGGB Executive Council and is a successful, experienced screenwriting teacher and mentor. Penny Woolcocks work includes Tina Goes Shopping and Tina Takes a Break for television and feature films The Death of Klinghoffer, The Principles of Lust, Mischief Night, Exodus and 1 Day. Guest Tony Grisonis screenwriting credits include films Fear And Loathing In Las Vegas, The Unloved, and television drama The Red Riding Trilogy.
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Making it new November 5-10 Lumb Bank A course for new and experienced writers that will inspire you to write energetic poetry which reflects contemporary life. Examples from the best poetry written today and fun exercises are guaranteed to take your poetry to the next level. We will explore how to dramatise, add depth and push boundaries so that your poems are challenging the expectations of form and content. Frances Levistons first book of poems Public Dream was published in 2007 and shortlisted for the TS Eliot Prize. She works as a freelance writing teacher and reviews new poetry for The Guardian. Daljit Nagra has published two collections and won several awards including The Forward Prize for Best Poem and Best First Collection, and the South Bank Show Decibel Award. Guest Simon Armitage is Professor of Poetry at the University of Sheffield and was awarded the CBE for services to poetry.
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Giving yourself permission to write can be daunting. Where to start? How to progress? What to aim for? Well help you liberate your inner voice and style, learn how to structure your ideas and bring your characters into focus. Well look at ways to turn your enthusiasm into sustained self motivation and show you where to find the keys to your potential. Kate Long is the best-selling author of five novels including The Bad Mothers Handbook, which was serialised on BBC Radio 4 and which she helped adapt for television. Her latest title is Mothers and Daughters. Simon Thirsks novel Not Quite White was shortlisted for the 2010 Costa First Novel Award. He has written for television, lectured in journalism and marketing, organised literature festivals and is Director of Bloodaxe Books. Guest Jean Kwok is the award-winning author of the bestselling novel Girl in Translation, which has been published in 15 countries. www.jeankwok.com
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Form and sense November 12-17 Totleigh Barton This course will explore the effects of poetic form as an imaginative provocation, through workshops and tutorials. Course participants own poems will be considered alongside examples of various forms, and we will experiment to discover what makes particular forms suited to particular imaginative occasions. The course requirements are energy and an open mind. Mimi Khalvati has published seven poetry collections, most recently Child: New & Selected Poems 1991-2011. She is the founder of The Poetry School, where she teaches. Sean OBriens first six poetry collections have all won awards, including The Drowned Book, which won both the 2007 Forward and TS Eliot Prizes. Guest Paul Batchelors debut collection of poems, The Sinking Road, was shortlisted for the Jerwood-Aldeburgh Prize. He reviews poetry for the The Guardian and TLS. www.paulbatchelor.co.uk
Building your online platform November 19-24 Lumb Bank Nowadays a writers web presence helps them get noticed and can even be a path to publication. But how do you start, what can you write about and who is your audience? This course will develop your voice online, help you create a successful blog and give you the confidence to use other social media tools effectively. (NB Students will not build websites from scratch.) Jon Reed is a social media trainer, consultant and author of Get Up to Speed with Online Marketing. He previously worked in publishing and runs several blogs including Publishing Talk. www.publishingtalk.eu Sarah Salway is a journalist, blogger and author. Her novels include Something Beginning With and Tell Me Everything. She is currently a Royal Literary Fund Fellow at LSE, and teaches creative writing to community groups. Guest Danuta Kean is a media commentator and journalist. Books Editor for Mslexia, she also teaches about the book industry.
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Brewing a storm in an egg cup November 19-24 Totleigh Barton The best stories are those that, once finished, linger long in the readers mind. So how can you achieve that in just a few pages? Short stories offer huge creative freedoms, but also require discipline and precision. Well explore the path from inspiration to idea development, structure and characterisation, so that from line one your reader will be ensnared. Bring a blank page. Tania Hershmans collection, The White Road and Other Stories, was commended for the 2009 Orange Award for New Writers. Her short stories have been broadcast on BBC Radio 4. Tania is editor of The Short Review. Adam Marek won the 2011 Arts Foundation Short Story Fellowship, and was shortlisted for The Sunday Times Short Story Award. His collection Instruction Manual for Swallowing was nominated for the Frank OConnor Prize. www.adammarek.co.uk Guest Helen Dunmore is a poet, novelist, short story and childrens writer. Her latest novel is The Betrayal.
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Please read our terms and conditions before making a booking (see pages 142-144).
TEACHERS GRANTS
Arvon supports the professional development of practising teachers of English, who may apply for a special fixed grant of 160 towards a course fee. You will need to send evidence that you are a practising teacher of English at a UK state primary or secondary school, or further education college. A teachers
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grant can be in addition to the usual grant if you require further financial assistance. Teachers grants are limited in number. The Arvon grants scheme is supported by the Derek Hill Foundation, the Harold Hyam Wingate Foundation and the Barbara and Philip Denny Trust.
GIFT VOUCHERS
Why not buy a gift voucher for a friend or relative who has a flair for writing and just needs that friendly push? Perfect for birthday or Christmas presents, well send you a voucher to give to your lucky writer. To find out more call 0207 324 2554.
COMpETITION
This year we are excited to be running a new Text and Image course with Graham Rawle and Margaret Huber (see page 80). In honour of the course we are also running a competition which invites you to create your own word artwork, to win an Arvon week of your choice (worth over 600).
All you have to do is come up with your own combination of creative writing and visual imagery it could be a poem in fridge magnets, a collage of words from a newspaper, a Photoshop blend of text and image, a photograph of words in the sand... we leave it to your imagination! Then submit a digital image of the artwork at www.arvonfoundation.org/ wordartcompetition by 18 May 2012. The winning entry will be chosen by writer and collage artist Graham Rawle and will be based on the quality of both the writing and its visual interpretation. Both the writing and artwork must be your own work, although a writer can partner with a visual artist and submit together. Entry is free, although we encourage you to make a small donation to support Arvons charitable work. For the rules of the competition, submission details and examples of word art see www.arvonfoundation.org/wordartcompetition
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ARVON NATIONAL FREE WORD CENTRE 60 FARRINGDON RD LONDON EC1R 3GA Chief Executive: Ruth Borthwick Director of Operations: Nick Murza Learning and Participation Manager: Becky Swain Communications Manager: George Palmer Individual Giving Manager: Emma Johnson The Hurst Campaign Manager: Laura Greenfield Finance Officer: Nick Kavanagh Communications and Participation Administrator: Leanne Griffin Administrator: Suzie Jones www.arvonfoundation.org Twitter: @arvonfoundation Facebook: facebook.com/ArvonFoundation Arvon is a resident at and one of the founding organisations of the Free Word Centre. Free Word brings together literature, literacy and free expression. Home to nine resident organisations and over 25 associates, it is a dynamic and international production house for literary culture, politics and ideas. www.freewordonline.com
The Arvon Foundation is a registered charity (Charity No. 306694) and a company limited by guarantee (registered in London No.1086582).
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patrons Simon Armitage Lord (Melvyn) Bragg Alan Brownjohn Lady Caroline Chichester-Clark Dr David Cohen CBE Carol Ann Duffy CBE Jerry Hall Seamus Heaney Carol Hughes Baroness James of Holland Park OBE Professor Sir Andrew Motion David Pease MBE Salman Rushdie FRSL Wole Soyinka FRSL Pete Townshend Council of Management Patience Agbabi Sir Andrew Cahn KCMG Kate Donaghy Marion Gibbs Robert Hingley David Kelleher Rachel Lewis Nii Ayikwei Parkes Keith Pybus Michael Symmons Roberts Simon Trewin Virginia Wedgwood Development Board Kate Donaghy (Chair) Andrew Caldecott Duncan Campbell-Smith Rick Gekoski Rosie Gledhill David Graham Andrew Hill Diana Morgan-Hill Richard Morris Jo Parker Henry Raine Susie Tinsley Simon Trewin David Waller Steven Williams
Arvon Angels Rakesh Bhanot Gordon Bloor Marie-Louise Burrows Kate Donaghy Jenny Evans Peter Forbes Basil Geoghegan Marion Gibbs Rosie Gledhill Nicholas Grant Mark Haddon Elizabeth Holt Emer Hunt Alice Jolly Elisabeth Kehoe Conor Kehoe Conor Killeen Rajesh Kulkarni Jeremy Mallinson Nigel Pantling Henry Raine Emma Smithwick Lorna Stuttaford Dominic Stuttaford Susie Tinsley Betsy Tobin Simon Trewin Theodora Zemek Founders John Fairfax John Moat Joint presidents Sir Robin Chichester-Clark Terry Hands Chairman Nigel Pantling
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THANK yOU
Thank you for your continued support and generosity, to:
Arts Council England, Barbara and Philip Denny Trust, Barnsley FC, The Gordon and Elizabeth Bloor Charitable Trust, Simon Brett, Sir Robin and Lady Caroline Chichester-Clark, Felix Dennis, Chris Difford, The Eranda Foundation, The Football Foundation, The Foyle Foundation, Basil Geoghegan, Peter Gordon, Earl of Gowrie, Nicholas Grant, The Calouste Gulbenkian Foundation, John Harding, Seamus Heaney, The Derek Hill Foundation, Rick Gekoski, Rosie Gledhill, Jeremy Hosking, Carol Hughes, David Hunter, The Harold Hyam Wingate Foundation, Elisabeth and Conor Kehoe, Lazard Ltd., The Jerwood Charitable Foundation, The John Thaw Foundation, The McGrath Trust, Kate Donaghy, Michael Webber and all the team at Manchester Square Partners, John and Antoinette Moat, Andrew Motion, The Paul Hamlyn Foundation, David Pease and Tina Carr, Plymouth Argyle FC, Quintain Estates, Rumer, SCRIPT, John and Susan Singer, Emma Smithwick, Jo Parker and all at Team Spirit, Susie and Denis Tinsley, Pete Townshend, Pauline Walsh, Steven Williams. Brochure produced by Venn Creative www.venncreative.co.uk photography The photographs that illustrate this years brochure were taken by Paul Floyd Blake, Philip Grey, Eddie Jacob, Lee Richardson Foster and Gordon Dickins. Photographs on pages 22-23 Claire McNamee
Arvon is very grateful to all the photographers and photo agencies who kindly gave us permission to reprint their author photos for the brochure. We aim to credit every photographer. Please let us know if we have been unable to credit you.
Leila Aboulela by Vaida Nairn Patience Agbabi by Lyndon Douglas Tahmima Anam by Zahedul I. Khan Simon Armitage by Paul Wolfgang Webster Jenn Ashworth by Martin Figura Paul Batchelor by Caroline Forbes Anthea Bell by Dumbleton Photography Caroline Bird by Hannah Edy Melvin Burgess by Catarina Clifford Linda Cracknell by Phil Horey Kishwar Desai by Anshuman Sen Julia Donaldson by Chris Watt Anne Donovan by Alan Dimmick Jane Draycott by Jemimah Kuhfeld Stella Duffy by Gino Sprio Ian Duhig by Claire McNamee Patricia Duncker by Anita Schiffer-Fuchs Helen Dunmore by Caroline Forbes Antony Dunn by Vicki Hackett Joe Dunthorne by Angus Muir David Eldridge by Matt Humphrey Diana Evans by Charlie Hopkinson Bernardine Evaristo by Katie Vandyck William Fiennes by Claire McNamee Patrick Gale by Claire McNamee Janice Galloway by Gunnie Moberg Julian Gough by Ann Marie Fives Lucy Greeves by Chris Terry Jay Griffiths by Adrian Arbib Tony Grisoni by James Whinspear Philip Gross by Stephen Morris Mark Haddon by Mark Haddon Matt Harvey by Julian Preston Paul Henry by Owen Sheers Christopher William Hill by Simon Annand Mary Hoffman by Jess Barber Liz Jensen by Les Kraner Susanna Jones by Kate Eshelby Anjali Joseph by Siddharth Dhanvant Shanghvi Kapka Kassabova by Liz March Emma Kennedy by Steve Brown Mimi Khalvati by Caroline Forbes Janet Kofi-Tsekpo by Dabinder Rai Jean Kwok by Mark Kohn Nikita Lalwani by Nishant Lalwani Nell Leyshon by Claire McNamee Kona Macphee by Patrick R. Andrews Susie Maguire by Lucie Maguire Adam Marek by Andy Hay (rspb-images.com) Maria McCann by Nigelle de Visme Jon McGregor by Dan Sinclair Jamie McKendrick by Rizwan Mirzah John Moat by Antoinette Moat Leah Moore by Eddie Barford Tiffany Murray by Fritz Fryer Daljit Nagra by Sarah Lee Sean OBrien by Caroline Forbes Bernard ODonoghue by James Connolly Helen Oyeyemi by Mark Pringle Don Paterson by Murdo McLeod Nigel Planer by Dillon Bryden Clare Pollard by Richard Henson Jacob Polley by Sandi Friend Kate Pullinger by Jonathan Bean Deryn Rees-Jones by Adrian Pope Roger Robinson by Nicola Griffiths Monique Roffey by Lee Carter Ann Sansom by Jan Cole Lucy Scher by Clare Muller Kamila Shamsie by Mark Pringle Gillian Slovo by Charlie Hopkinson Jean Sprackland by Caroline Forbes Simon Stephens by www.simonkanephotography.co.uk Greta Stoddart by Manuel Harlan George Szirtes by Clarissa Upchurch Bryan Talbot by Alan Hillyer Joe Treasure by David Zeiger Cathi Unsworth by Allison McGourty Katie Ward by www.katieward.co.uk Alan Warner by Jerry Bauer Louise Welsh by Steven Lindridge Sara Wheeler by Niall McDiarmid Susan Wicks by Joanna Eldredge Morrissey Laura Wilson by Chris Windsor
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All print material is available in large print format. This brochure is available in Braille call 0207 324 2554
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Transfers At our discretion, you may be able to transfer your booking to another course at the same or another Arvon centre, subject to availability. We will normally accept transfers up to six weeks before the course takes place, and the deposit paid will be allocated to the new course. If we receive a request to transfer a booking after this time, we will do so only if we have already received the full course fee from you and we are able to re-fill the place on the original course. If either of these conditions is not met we regret we are unable to transfer the booking and will treat it as cancelled, retaining the full fee. Please note that we can only transfer a booking to a course within the same year, and that once a booking is transferred we are unable to offer any refunds for cancellation, or further transfers. Conduct The nature of an Arvon course relies on a level of tolerance and understanding of others and their creative work and we ask that you are thoughtful and respectful of the other students. The Arvon Foundation reserves the right to refuse a place and to exclude from a course any student who, in the opinion of the Centre Directors, behaves in an abusive or disruptive manner or engages in any discriminatory conduct. No refund will be given if exclusion is made for these reasons. Grants All grant applications must follow the guidelines on our website or in our grant application pack. Please note that only UK residents are eligible for our general grants scheme and that teachers grants are only available to those currently employed and practising as a teacher of English in a UK state primary or secondary school, or further education college. Individuals are eligible for up to three grants in total but no more than one in any given year; each successive grant will be smaller than the last. It is a requirement of the grant that a written report is completed within two weeks of the course. Other restrictions and conditions may apply to other grant schemes run by Arvon. Under 18s Anyone under 18 wishing to book on one of the public open courses shown in this brochure must provide signed, written consent from their parent or guardian at the time of booking. Bookings will not be accepted on our public open courses from anyone without consent or from anyone under 16. Please note that under 18s may only book into single rooms. Parents should also note that Arvon does not act in loco parentis.
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Loss The Arvon Foundation cannot accept responsibility for any loss, damage or expense sustained by students as a result of an event or circumstance whether arising from natural cause, human agency, or beyond its control otherwise. Where Arvon is unable to provide a course place to you for any reason, our liability is limited to return of the fees paid. participation and Access Arvon is committed to providing a supportive and welcoming environment to all. Over the course of a weeks stay, participants on Arvon courses should normally expect to take part in daily group workshops, one-to-one sessions with tutors, and group readings and discussions. They will also be expected to share in domestic duties with their group, such as preparing a meal, for which guidance is provided. Please note that Arvon staff provide some general support to all participants but not continuous care, and participants should be able to live independently. Depending on circumstances we may be able to accommodate a personal care assistant. While we offer some accessible facilities, our centres do vary considerably and we regret we may not be able to accommodate some requirements. If you have specific needs, it is important that you discuss these with the centre prior to booking, to establish whether your needs can be met.
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5. DEpOSIT AND pAyMENT I am paying the deposit of 150 I am paying the full fee for my single room of 655 I am paying the full fee for my shared room of 605 I am paying the full fee for my single room on a Writers Retreat of 475 I am paying the full fee of my single room on the Arvon Friends Writing Retreat of 430 I am paying the full fee for my single room on the Retreat with Yoga of 540 I wish to pay by Cheque I enclose my cheque for the deposit or full payment. Cheques should be made payable to The Arvon Foundation, except cheques for courses at Moniack Mhor, which should be made payable to Moniack Mhor Ltd. I would like to pay by Electron/Visa Debit Cardholders name Credit/Debit card number Valid from date Expiry date Issue number (if present) Security number (last three digits on the back of the card) 6. EXTRAS: Arvon Friends I would like to join up as a Scribe 36p.a.* I would like to join up as a Laureate 90p.a.* I would like to join up as a Laureate Plus 175p.a.* I would like to receive more information about Arvon Friends I would like to join by Direct Debit, please send me the form * Please add amount to total payment in Section 7 Visa Switch/Maestro Mastercard
Donation
I would like to make a donation to support Arvons work with writers
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Gift Aid To allow us to increase your donation by up to 25% at no extra cost to you, please tick here and sign below.
Please treat my donation and all gifts of money that I have made in the past four years, and all future gifts of money that I make from the date of this declaration, as Gift Aid donations to the The Arvon Foundation. I understand that, to qualify I must pay an amount of Income Tax or Capital Gains Tax in each tax year (6 April one year to 5 April the next) that is at least equal to the amount of tax the Arvon Foundation will claim on your gifts for that tax year.
Subject to availability
You are not obliged to state your age or sex, but it will help with room allocation: Male Female 18-34 35-44 45-54 55-64 65+ I am 16-17 and enclose a parental consent letter that allows me to attend or alternatively a parent/guardian has signed this form. How did you hear about this course? Arvon brochure Arvon website TV Word of mouth Other 2. yOUR COURSE Course Title Course Dates Name of Centre Course Number
Date
If you tick neither, please continue filling in the booking form at Section 5.
I enclose a cheque for the total amount of All cheques should be payable to The Arvon Foundation, except for deposit or course payments for courses at Moniack Mhor, which should be payable to Moniack Mhor Ltd. I am paying by credit/debit card the total amount of I have read and agree to Arvons terms and conditions (see page 142144) Signed Date
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If you wish to apply for a grant, you should send in this form to reserve your course place, then complete and send us a grant application form along with supporting documents, within seven days. Information packs, including the application form, are available from our centres, or from our website at www.arvonfoundation.org
Please send your course booking form to the centre where the course takes place. Addresses for centres are on pages 14 21.
Please tick if you no longer wish to receive mailings from us. Data Protection: The Arvon Foundation is committed to protecting your privacy. A copy of our policy is available at www.arvonfoundation.org.
Arvon hosts week-long residential creative writing courses in four beautiful writing houses, set in inspirational countryside. Join us to write fiction, poetry, short stories and plays, or try one of one our specialist courses, like food writing or writing for radio. Whether you are a beginner or more experienced, there is a course for you. The Arvon course was all that I had wanted, hoped for and expected from the experience, and more. Inspirational, challenging, invigorating and relaxing, this course has given my writing a new lease of life. Course participant I did Arvon when I was about 20 and it was a tectonic, life-changing experience Courses like yours are that important to people arriving. paul Abbott, creator of C4s Shameless Arvon is the single most important organisation for sharing and exploring creative writing in the UK. Carol Ann Duffy, Britains Poet Laureate