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Romantique
ELEGANT BEADWEAVING DESIGNS
Lisa Kan
DecoCollar
with gemstone drops
y
F ollowing the Art Nouveau era,
Art Deco became the trend from
1920−1939, reaching peak popularity
M at er i a l s
3 g each of matte rose gold, cranberry bronze,
and matte cabernet 11° Japanese triangle beads
6 g fuschia crystal-lined 15° Japanese seed beads
during the Roaring Twenties. The Art 1 g gold 15° charlottes
2 lt. rose satin Swarovski 4mm bicones
Deco style contrasted the stylized and 5 ametrine gemstone drops in
graduated formation 8x13mm to 8x15mm
flowing lines of its predecessor with 15" (38.5 cm) clear 2mm rubber cord
2 vermeil 12mm cubic zircon beadcaps
more structural, linear motifs. This collar 1 vermeil 19x7 mm cubic zircon floral Deco clasp
6" (15.5 cm) gold-filled 24 gauge wire
embodies the “transition” of Art Nouveau Size 12 needles
6 lb Fireline thread
to Art Deco. The Deco motif is brought to
T o ol s
life by the ornate clasp that serves as both Chain nose pliers
Round nose pliers
the closure and a decorative component. Wire cutter
The clasp is adorned with five gemstone Ruler
3
Black Lace Lariat
y
T his design is inspired by Victorian
lace work and Whitby jet mourning
necklaces, en vogue during Queen Victo-
M at er i a l s
3 hanks black 13° Czech charlottes
1 hank black 11° Czech charlottes
1 g jet black 11° Japanese triangle beads
ria’s reign (1837-1901). I decided to design 391 black 3 mm Czech firepolish beads
42 black 3x10mm Czech dagger beads
with Czech charlottes in a monochromatic 4 black oval 8x12mm faceted beads
4 black teardrop 6x10mm faceted beads
palette because black was the traditional Size 12 needles
Size 13 needles
color used for these necklaces. The faceted Black Silamide thread
cuts on the charlottes catch the light T o ol s
Chain nose pliers
at every angle so, although the piece is Beeswax
entirely black, the design elements are not Size
lost in the beadwork. 47.25" (120.5 cm)
T e c h n iqu e
Circular and flat peyote, brick stitch picot, fringe
5
Gallery
V-Scallop Necklace
bead
Romantique
C ON T E N T S
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