OMA

DUBAIRENAISSANCE
UAE,DUBAI,2006

offices and business forums, hotel and residential suites, retail, art and urban spaces.

IDEA VERTICAL CAMPUS, JAPAN, TOKYO, 2004

New Campus Building for 3 colleges in Shinjyuku, Tokyo

Herzog & de Meuron 1111 Lincoln Road, Miami, USA, 2008-

NOVI SIMBOL ARHITEKTURE LUKSUZA?

Waldorf=Astoria Schultze and Weaver, 1931

Burj Al Arab, Tom Wright of WS Atkins PLC 1999

Atelier Hapsitus THE CLOUD UAE, Dubai, 2007

NEW NEW YORK ?

MINIMALIZAM?

Peter Zumthor - Kunsthaus, Bregenz, Switzerland, 1994-1996

NIVO SUTERENA

NIVO PRIZEMLJA

TIPSKA ETAZA

DETALJ

Steven Holl - Nelson Atkins Museum of Art, Kansas City, Missouri, USA, 2007

SANAA

EFPLLEARNINGCENTRE
LAUSANNE,SWITZERLAND,20082009

FOLDING

Rem Koolhaas/OMA - Tres Grande Bibliotheque, PARIS, France, 1989

Diller, Scofidio + Renfro - Institute of Contemporary Art, Boston, USA, 2006

OMA SCIENCE CENTER IN HAMBURG, HAFENCITY HAMBURG, GERMANY, 2004

FINAL DESIGN, 2008

OMA/Rem Koolhaas Design for a skyscraper for Japan at the Content Exhbition in the Kunsthal in Rotterdam

OMA OMA - Convention and Exhibition Center Ras Al-Khaimah, UAE, 2006

So far the 21st century in a desperate effort to differentiate one building from the next has been characterized by a manic production of extravagant shapes. Paradoxically, the result is a surprisingly monotonous urban substance, where any attempt at difference is instantly neutralized in a sea of meaningless architectural gestures. Rem Koolhaas

This project represents a final attempt at distinction through architecture: not through the creation of the next bizarre image, but through a return to pure form. Invented long ago, both the sphere and the bar explicitly abandon claims to formal invention or originality. (The sphere even existed before man itself) Yet both geometries still continue to feed the architectural imagination: perfectly autonomous shapes, within their bounds the promise of a perfect world made possible only by the seamless integration of engineering. Rem Koolhaas

Diller, Scofidio + Renfro BLUR BUILDING Yverdon-les-Bains, SWISS EXPO 2002, Switzerland, 2002

MASSIMILIANOFUKSAS

LANUVUOLA CONGRESCENTER
ROME,ITALY,20042007

HERZOGDEMEURON

ELBPHILHARMONIE
HAMBURG, GERMANY, 2010

ZAHAHADIDARCHITECTS

SOHOCITY
BEIJING,CHINA,2008

ZAHAHADIDARCHITECTS

OLYMPICVILLAGE
NEWYORK,2012

UNSTUDIO (UNStudio in Amsterdam, 3XN in Aarhus and the urban environment experts Gehl Architects. )

LIGHTHOUSE
AARHUS,DENMARK,2007

UNSTUDIO

FIVEFRANKLINPLACE
NEWYORK,USA,2007

Ben van Berkel

Alvin Boyarski, said, You have to start all over. You know too much. You have to forget everything you have learned. I liked that. In fact, I still use that as a slogan for my way of thinking. In the studio, I dont like when we get too fixed on a particular paradigm, or were only following one direction. Often we rethink things and start all over with a new idea.

RAFAELVINOLYARCHITECTS

EDIFICIOAQUA
PUNTADELESTE,URUGAY,2008

OMAANDMVRDV

Koningin Julianaplein
Hague, Netherlands, 2002

Total 100.000m2: offices 42.000m2; housing 34.000m2; retail 4.300m2; parking 11.500m2; public bicycle parking 7.300m2