E- CATALOGUE

Linda Gallery @ Beijing

In 1998, Linda Gallery set foot in Singapore. It started with a gallery space in Park Mall before moving to its present gallery location in Dempsey Road in 2002. The gallery now occupies a space of close to 500 square meter in one of the hippest place in Singapore. We continuously strive to provide collectors around the world with good quality works, as well as to serve collectors and artists whole heartedly and professionally.

Linda Gallery Singapore

Self Portrait, 95 x 80 cm Tiger,130 x 90 cm Rumah Sasak, 95 x 80 cm

INTRO

Working exclusively in 3 dimensional space, his works often give the viewers a sense of displacement as they look upon imagery that are both familiar and strange. An Innovative, thoughtful artist, his works derive inspiration from Chinas most significant history, particularly from Qin and Han dynasties. The over life size statues are stunning monuments that engaged the hearts of many. His ability to balance stillness and expression in his sculptures are exceptionally commendable.

Custom to Motherland, No 5 106 x 123 x 198cm

A Silent Warrior, 17X17X22cm

Custom to Motherland No.2, 73x52x28cm Custom to Motherland NO.1, 70x43x33cm

INTRO
Helicopter, 110 x 160cm

King Kong,200 x 150 cm

Luo Han crossing the sea, 200 x 150cm

Portrait, 80 x 80cm

Portrait, 80 x 80cm

Portrait , 60 x 60cm

Pine B, 160 x 80cm

Roosters,70 x 80cm

INTRO

1 Rooster & 5 Hens, 70 x 80cm

3 Dogs playing with balls & ropes,90 x 60cm

5 Roosters,90 x 60cm

Weed Beach, Under Warm Autumn's Sunlight,98x148cm

Weed beach, four seasons thanksgiving, 228 x 213cm

Mountain Pond, 60 X 90cm

INTRO

Weed beach Sunrise,148x98cm

Weed Beach, Dragon Boat Festival & Rice Dumpling Wrapped in Reed Leaves,140X188cm

Princess in landscape 3, 140 x 140cm

Immortal Nostalgia: Scattering Fairy, 200 x 90cm

INTRO

Immortal Nostalgia Tree Fairy ,200 x 200cm

Immortal Nostalgia--Aureola Fairy, 200x90cm

Immortal Dragon Chariot Fairy, 200 x 300cm

GUO JIN NO.5,32X26X19cm

GUO JIN NO.2,26X23X20cm

Children Sail Boat,145x145cm

Spring Coming No 1,190 x 100cm

The Children that are Performing No.3,145 x 115cm

The Children that are Performing No.2,145 x 115cm

Guo Jin Nightfall No10, 200x200cm

The World is Beautiful, 106x100x90cm

Red Guards Going Forward (A pair) 160x135x70cm

The monument of triumph, 222X51X33cm

Bigger sized: Zodiac Figures, 90x60x38cm Smaller sized: Zodiac Figures, 30x18x12cm

Great Jump, 170 x 110 x 110cm

Berartinya Waktu, 140 x 90cm

Ada Bias Di Balik Kerudung ,140 x 140 cm

ne Day, 140 x 140 cm

Harvesting, 135x90cm

Pasar Taruhan Ayam, 145 x 200 cm

Proud Wealth, 139 x 55 x 41cm

Walking Wealth 8, 133 x35 x 66cm

The Way leading to Paradise, 260 x 56 x 10cm

Coing MoMA- Matisse, 189 x 93 x 9cm

King & Queen, 150 x 231 x 80cm

Ye Yongqing graduated from Sichuan Academy of Fine Arts. He is a charismatic artist and curator in China. His works are featured in museum, corporate and private art collection in Western Europe, North America and Asia. His series of work consists of symbols, motifs and images that are universally recognizable such as heart, dots, lines which are simple yet evocative. He harnesses the simplicity of lines to form multi-faceted motifs. Interestingly, his painting are both simple and complex, smooth and jagged, elegant yet rough, substantial yet skeletal, firm yet whimsical.

Bird, 150 x 200 cm

Big Bird, 200 x 150 cm

Coloured Graffiti No. 1, 200 x 150 cm Fanaticism, 200 x 150cm

Temple of Failure, 90 x 72 cm

Black Graffiti, 200 x 150cm

Yong Jong Seoks works have been shown in China, Italy, Japan, New York and Taiwan. His works are made up of dots with no painting lines which shows the transformation of ordinary clothing into different Images. He gave his painting texture and dimension using a meticulous dotting technique he had perfected since he was just 5 years old. This results In interesting raised surface. Taking pointillism to another level.

To live , 97 x 130 cm

What we need now is ,182 x 182 cm

One day ,162 x 130 cm

Accompany 2 ,100 x 200 cm

I Still Believe,180x130cm As a sensitive artist, Zhong Biao has captured the pulse of China's social reforms through the visual symbols Chinese people are familiar with. Zhong Biao's work is similar to the "knowledge archeology" described by Facult Michael. In "visual archeology" similar to "knowledge archeology," he cuts a section from the visual symbols people are familiar with, then takes out those fragmented symbols from the cultural deposits of different times, and last arranges and combines them in a unique way. What he wants is not to show the meaning of symbols themselves, but to reveal the changing meaning of the images through setting up peculiar scenes.

Days in the Clouds, 280x200cm

Untitled, 57 x 55cm

Untitled, 57 x 55cm

Zhu Wei is a contemporary artist, noted for his free use of many different themes and forms. Zhu Weis paintings are simple and solemn in nature. They retain the strength and vitality of historical elements and are laden with the icons of our times. He employs true emotions and a balanced outlook to create an attitude, a judgment, or a circumstance, similar to the undetected rumblings of subterranean lava, or the transformation of clouds when the wind blows. Since the early stage of his artistic life, Zhu Wei has offered viable means for traditional Chinese art to blend into its contemporary counterpart in order to achieve a new vitality. The combination of a unique style, distinct forms, subtle yet meaningful images, and a perfect blend of ink and wash, evokes strong feelings in the viewer and elevates Zhu Weis painting to a spiritual level.

Album of Vernal Equinox, No.20, 43 x37cm

Untitled, 57 x 55cm

Album of Vernal Equinox, No.17, 50 x39 cm

Although not formally trained as a sculptor, Zhu Wei has been inspired by difficulties of expression in his two-dimensional art to create witty and stylish three-dimensional paintings. A line attributed to him is as follows, If China can have silent poetry, then it should be possible to have three-dimensional painting. On the right is the most iconic works is his large monumental bronze figures leaning forward to the point where they are about to trip over. Their bulky physicality expresses things that could not be easily conveyed on paper. First created in 1999, coinciding with time of the fiftieth anniversary of the Peoples Republic of China, the pair of enormous figures doe in politicallycorrected Mao jackets stands at attention with shoulders back, arms at their sides, heads raised. The solidity bespeaks unflinching confidence; the uplifted heads suggest respect for higher authority, while the absence of eyes suggest blind, unthinking obedience.

China-China-, Fibre glass, 190x95x 60 cm- 175 x80x55cm Animal-like sculpture fashioned in a newly unearthed bronze texture, which seems to make them drift between ancient and modern times.

China-China No.2, 120 x 56 x 39.5cm ; 121 x 59 x 45 cm China-China No.2 160x245x116cm

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