Proiect MIS-ETC: 918 O abordare transfrontalier a managementului i valorificrii patrimoniului cultural

Muzeul Naional de Art al Moldovei

COLECIA ICOANE BASARABENE

Bessarabian Icons Collection
Granie comune. Soluii comune www.ro-ua-md.net

Autor concepie i coordonator: SVETLANA POCIUMBAN

Redactor: George GHEU Traducere: Veronica GALCENCO Design i machetare: Mihail TURCULE Fotografie: Mihail TURCULE

Muzeul Naional de Art al Moldovei

COLECIA ICOANE BASARABENE

Bessarabian Icons Collection
Chiinu 2012

SVETLANA POCIUMBAN, director adjunct MNAM Teologie n culori i art teologic, icoana are propria ei gramatic, propriile chei de lectur, care trebuie asimilate n mod treptat. Faptul c tradiia a reinut i a canonizat anumite forme ale icoanei tipuri iconografice se explic prin necesitatea adecvrii ntre form i coninutul ei, prin corespondena desvrit i esenial ce trebuie s existe ntre icoan i privitor. Dobndind putere de lege, aceste forme, ridicate la rangul de canoane, l obligau pe zugravul de icoane la respectarea lor cu strictee, riscnd uneori s devin un simplu copiator. Zugravul avea ns obligaia s se lase ptruns de subiect, astfel nct chipul transpus pe lemn s devin rodul unei adnci reflecii spirituale. Canonul reprezentrilor iconografice s-a consolidat n secolul al IX-lea: imaginea n icoan trebuie s fie pe nelesul tuturor, formele s fie asemntoare celor din via, redate cu ajutorul culorilor corespunztoare, susineau ideologii cretinismului Grigorie de Nyssa i Ioan Damaschinul. n Biserica Ortodox s-a respectat ntotdeauna canonul impus de erminia picturii bizantine, care a reliefat rolurile icoanei ortodoxe : pedagogic, didactic, cultic, haric - de mijlocire a darurilor dumnezeieti i estetic. ...n ce const mreia omului? se ntreba Grigore de Nyssa. Nu n asemnarea lui cu lumea creat, ci n faptul c este fcut dup chipul naturii care l-a creat, dup chipul i asemnarea lui Dumnezeu. Dac chipul este o nsuire natural, asemnarea este rodul libertii i al efortului voinei. Aadar, asemnarea este orientarea i micarea de baz a chipului spre perfeciunea lui Dumnezeu. Asemnarea se realizeaz progresiv prin intermediul stpnirii i sublimrii simurilor, cunoaterii lui Dumnezeu, ascezei cretine i rugciunii. i subiectul, i stilul imaginii trebuiau s poarte un caracter simbolic. Astfel, iconografia poate fi numit alfabetul artei religioase. Primele ateliere de zugrvire a icoanelor au aprut n biserici i mnstiri sub tutela slujitorilor cultului. Mai trziu, odat cu creterea cererii de icoane, au aprut i ateliere mici n localitile rurale. ntr-un rstimp relativ scurt, icoanele mpodobeau i bogatele interioare ale palatelor, locuinele marii i micii nobilimi, dar i modestele case ale rnimii. i are n Arta bizantin a stat la originea icoanei moldoveneati. De aici au fost preluate n plin Ev Mediu reperele eseniale ale unor valori care, pe parcursul a cinci secole de existen, au cunoscut toate vicisitudinile istoriei. Au rezistat ns i s-au integrat n mod fundamental n specificul culturii noastre originare. Interesul fa de fenomenul icoanei moldoveneti este n permanent ascensiune, fapt ce se datoreaz unor intense cercetri n acest domeniu, dar i perfecionrii metodelor i mijloacelor de restaurare a operelor de art religioas. Pentru publicul larg pictura religioas este n ultimul timp o atracie, ca unul dintre domeniile cele mai interesante i

fascinante, dar, n acelai timp, puin cunoscute ale istoriei artei medievale. Colecia de art religioas a Muzeul Naional de Art al Moldovei s-a constituit ca rezultat al numeroaselor expediii pentru studierea patrimoniului obiectelor de cult, ncepnd cu anii 60 ai secolului trecut. Astzi muzeul este deintorul a circa 1000 de opere de art religioas de o inestimabil valoare artistic, majoritatea dintre acestea reprezentnd icoane, diverse obiecte de rit bisericesc i cri vechi. Albumul Icoane basarabene din colecia Muzeului Naional de Art al Moldovei include 100 opere care ofer o viziune ampl asupra dezvoltrii artei iconografice n Moldova. Una dintre cele mai impuntoare i fascinante icoane din colecia muzeului este Maica Domnului Hodighitria, datat cu secolul al XVI-lea, care provine din biserica Sf. Ilie din Chiinu, lca de cult distrus n anul 1960. Geneza tipului iconografic al Hodighitriei (n traducere din greac Maica Domnului ndrumtoarea) are o istorie ndelungat, ncepnd cu secolul al IV-lea, termenul de Hodighitria provenind de la denumirea Mnstirii Hodegon din Constantinopol, unde se pstra, n primii ani ai crizei iconoclaste, o icoan fctoare de minuni de acest tip. Icoana de origine greac Profetul Moise provine din biserica satului Sntuca i a fost realizat la hotarul secolelor XVII-XVIII. n susinerea versiunii despre proveniena greceasc a icoanei vine textul ortografiat n limba greac de pe sulul din mna prorocului. Varianta romn sun astfel : Rug, eu te-am chemat, cci tain de neptruns n rug am aflat. Secolul XVIII a semnificat o adevrat explozie n iconografia romneasc. Evoluia i amplitudinea fenomenului artistic romnesc, creterea numeric a lcaelor de cult, dar i a zugravilor de icoane a impulsionat realizarea operelor de arta iconografic. Numrul operelor de art religioas datate cu secolul al XVIII-lea n colecia muzeului este impuntor. Multe dintre icoanele acestei perioade provin din vechile biserici din lemn basarabene ce au funcionat n localitile rurale. Icoanele Sfntul Ierarh Nicolae, Arhanghelul Mihail i Arhanghelul Mihail clcnd diavolul n picioare provin din biserica Sfinii Voievozi din satul Camenca, Bli i sunt lucrate de acelai zugrav. ncepnd cu cea de-a doua jumtate a secolului al XVIII-lea, arta laic occidental avea s influeneze n mod radical pictura de icoane. Chiar dac practica respectrii i aprecierii icoanelor s-a pstrat, pictura icoanelor resimea influene majore ale artei laice. n secolul al XIX-lea, maetrii care decorau noile biserici i catedrale, foloseau tehnici moderne de pictur. Tradiia meteugului, pstrat din tat-n fiu i dus mai departe de iconarii din vechime, pe la nceputul secolului XIX fusese pierdut aproape n ntregime.

Icoana basarabean din secolul al XIX-lea dezvolt tradiiile anterioare, propunnd ns o nou modalitate de tratare a canoanelor prestabilite. Intervin schimbri tradiionale n utilizarea procedeelor plastice de expresie. Icoana se ndeprteaz de canonicitate i, n acelai timp, n pictura icoanei apar elemente de clarobscur, forma i volumul sunt tratate prin intermediul luminii i umbrei, care ndeprteaz i mai mult icoana de originile sale. Aceasta se apropie tot mai mult de arta laic. n comparaie cu secolele precedente, n secolul al XIX-lea se constat o evident cretere a rolului i importanei zugravului. Multe dintre icoane poart semntura autorului i anul realizrii. Printre operele de la hotarul secolelor XVIII-XIX se evideniaz cele ale zugravului Gherasim i ale sculptorului tefan un duet eminent de maetri iscusii. Ei s-au remarcat prin dou opere impuntoare: iconostasele bisericilor din satele Coglniceni i Ghermneti. Icoana Naterea Maicii Domnului este cea mai impresionant icoan din iconostasul bisericii din Coglniceni. Din punct de vedere stilistic, aceast icoan poate fi considerat drept una dintre primele ncercri de aplicare a principiilor picturii de gen n arta basarabean. Nici arta, nici teologia luate n mod separat nu ar fi putut crea o icoan - se impune unitatea acestora. Elementul laic ptrunde tot mai mult n icoanele din a doua jumtate a secolului al XIX-lea, chiar dac iconografia nu suport schimbri eseniale. Aceast tendin se observ i n icoanele pictate de clugrul Iezechil ntre anii 1840-1841, pentru catapeteasma bisericii Sfntul Nicolae a Mnstirii Cpriana: Profeii Aaron i Moise, Prorocii David i Iezechil. Icoanele secolului al XIX-lea din colecia muzeului reprezint un model tradiional al tendinei unui zugrav autodidact de a mbina pictura profesionist cu tradiiile icoanei populare. n secolele XVI-XIX icoana popular reprezint un fenomen aparte al artei religioase din Moldova, unul puternic influenat de ambiana rustic, care a generat crearea adevratelor opere de art. De aici rzbate i expresivitatea neobinuit care se datoreaz calitilor naive i stngace ale tratrii imaginilor i coloritului. Prin fora sa de sugestie, imaginea influeneaz puternic contiina omului, afectndu-l n mod incontient. Ea poate s-i stpneasc gndirea, s-i aprind pasiunile, s-i modeleze comportamentul. Icoanele populare reprezint o caracteristic a mentalitii rneti i, totodat, reflect tradiiile cultului cretin. Icoana popular propune o concepie proprie a spaiului pictat,

reprezentnd o viziune strict frontal a chipurilor. Unele dintre cele mai timpurii icoane de factur popular sunt icoanele-perechi atestate n satul Boroseni, Edine Iisus Pantocratorul i Maica Domnului Hodighitria, realizate la cumpna secolelor XVII-XVIII. Icoanele se impun prin caracterul naiv al desenului ce evideniaz proporiile alungite ale figurilor i subliniaz decorativismul culorilor sonore. n dialogul inaugurat ntre zugravul acestora i privitor icoanele sunt percepute drept un spaiu privilegiat de ntlnire, un fragment al conceperii i exprimrii legitilor universului. n albumul Icoane basarabene din colecia Muzeului Naional de Art al Moldovei se regsesc o serie de icoane, datate aproximativ cu mijlocul sau sfritul secolului al XIX-lea, cu un colorit deosebit i particulariti stilistice, care ne fac s afirmm c unele dintre ele au fost create n conformitate cu tradiia iconografic rus: Maica Domnului, Bucuria Tuturor ndurerailor, Adormirea Maicii Domnului, nvierea Domnului, ncadrat de dousprezece scene ale srbtorilor .a. Fenomenul icoanei ruse se explic printr-o profunzime de idei, simbolism, lirism i frumusee autentice, toate ascunse n spatele unui primitivism iluzoriu. Icoana rus are la baz o naraiune deosebit, unde se mbin expresivitatea artistic, claritatea formelor i dezvluirea n timp a subiectelor. Pentru arta Rusiei icoana era forma clasic de exprimare, precum a fost mozaicul pentru Bizan, sculptura pentru Grecia i relieful pentru Egipt, fiind un martor al trecutului i dnd culoare oricrei colecii de muzeu. Spre deosebire de numeroasele imagini ale lumii moderne care ne fascineaz i ne obsedeaz totodat, icoana este asemenea unei oaze, ca un spaiu propice mblnzirii inimii i domolirii patimilor, oaz de linite pentru ochii obosii de o lume a ispitelor vizuale de tot felul, care ne influeneaz deseori mpotriva voinei. Adevrata icoan ne scruteaz cu un alt fel de privire: ptrunztoare, vivifiant, venit dintr-o cu totul alt lume; ea este, astfel, o invitaie la dialog. Apariia respectivului album cu prezentarea operelor de cert valoare artistic a fost posibil graie participrii Muzeului Naional de Art al Moldovei n calitate de aplicant la proiectul transfrontalier O abordare transfrontalier a managementului i valorificrii patrimoniului cultural. Valoarea total a proiectului a constituit 170 700 Euro, acesta fiind finanat de ctre Ununea European prin Instrumentul European de Vecintate i Parteneriat cu suma de 149 000 Euro i cofinanat de rile participante.
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SVETLANA POCIUMBAN, Deputy Director NAMM Theology in colors and theological art, the icon has its own grammar; its own ways to be read that should be taught. The fact that the tradition preserved and canonized certain forms of the icon iconographic types - is explained by the necessity to adapt the form and the content through the perfect and essential relationship that should exist between the icon and the viewer. The forms that acquired the status of a law and afterwards became canons, forced the painter to strictly respect them. Thus the painter sometimes risked to become a simple copier but he had the duty to let himself to be imbued with the subject in such a way that the image depicted on the wood panel to become the result of a deep spiritual reflection. The canon of the iconographic representations was settled in the 9th century: the image in the icon should be understood by everybody, the forms should resemble the real ones and be reproduced by means of appropriate colors, stated the doctrinaires of the Christianity Gregory of Nyssa and John of Damascus. In the Orthodox Church there was always preserved the canon imposed by the hermeneia of the byzantine painting that revealed the roles of the orthodox icon: pedagogical, didactical and aesthetical. It was also a cult object and the mediator between man and Gods offerings. In what the majesty of a man resides? Gregory of Nyssa asked himself. Not in his resemblance with the created world but in the fact that it is created in accordance with the nature that had created him, in accordance with the image and semblance to God. If the image is a natural feature, the resemblance is the result of the freedom and wills effort. Thus, the resemblance is the direction and the main movement of the image towards Gods perfection. The resemblance is progressively achieved through the suppression and sublimation of the feelings, cognition of God, Christian ascetics and prayers. Both the subject and the style of the image should have had a symbolic feature. Thus, the iconography may be called the alphabet of the religious art. The first iconography ateliers appeared in churches and monasteries under the patronage of the cult servants. Later, when the demand for icons increased, there appeared small ateliers in rural areas. In a relatively short period of time the icons embellished the rich interiors of the palaces, the houses of the nobility as well as the modest homes of the peasants. The Moldovan icon takes its origins in the Byzantine art. In the Middle Ages it borrowed the essential marks of some values that passed through all the trials of the last five centuries of human history. However, they have resisted and have been integrated fundamentally in the national culture. The interest towards the phenomenon of the Moldovan

icon is permanently increasing due to intensive researches in the field as well as to the improvement of the methods and ways of restoration of religious art works. For the large public the religious painting became lately an attraction as it represents one of the most interesting and fascinating fields, but at the same time, the less known one from the history of the medieval art. The collection of religious art of National Art Museum of Moldova was formed after numerous expeditions for the study of the cult objects heritage beginning with the 1960ies. At present the museum owns about 1000 religious art objects of priceless artistic value. The major part is icons, different church rite objects and old books. The catalogue Bessarabian icons from the collection of National Art Museum of Moldova includes 100 works that offer an ample vision over the evolution of the iconographic art in Moldova. One of the most impressive and fascinating icons in the museums collection is Our Lady Hodegetria, dated with 16th century, located in the Saint Elijah church from Chisinau which was destroyed in 1960. The genesis of Hodegetria iconographic type (from Greek Our Lady of the Way) has a long history beginning in the th 4 century. The term Hodegetria comes from the Monastery of the Panaghia Hodegetria in Constantinople where during the first years of the iconoclasm there was a miracle maker icon of this type. Prophet Moses is an icon of Greek origin that comes from the church of Sanatauca village, made at the end of the 17th-beginning of the 18th centuries. The version of its Greek provenience is confirmed by the text in Greek from the scroll in prophets hand. In English it sounds like this: I called you burning bush, as I found an inscrutable mystery in the burning bush. The 18th century meant a real Romanian artistic explosion. The evolution and the amplitude of the Romanian artistic phenomenon, the increase of the number of cult places and icon painters gave an impulse to the creation of the iconographic art works. There are much more religious art works made in the 18th century in museums collection. Many of these icons of that period come from the old wood churches that existed in the countryside. The icons Saint Hierarch Nicholas, Michael the Archangel and Michael the Archangel Trampling down the Devil are from the Sfintii Voievozi church from Camenca village, Balti town and belong to the same author. In the second half of the 18th century the western lay art radically influenced the icon painting.

The icons were respected and appreciated as before, but, nevertheless, there was a major influence of the lay art. In the 19th century the masters who decorated the new churches and cathedrals used modern painting techniques. The oral tradition, preserved and conveyed by the ancient iconographers, was almost lost. The Bessarabian icon of the 19th century is expanding the previous traditions suggesting a new method of approaching the preset canons. There are introduced changes in the utilization of the plastic means expression. The icon is less canonic but at the same time in its painting there appear elements of chiaroscuro, the form and the volume are expressed by means of light and shadow and that estranges the icon from its origins. It comes closer to lay art. In comparison with the past centuries in the 19th century there is an obvious increase of the role and importance of the painter. Many of the icons bear the signature of the author and the year of creation. Among the works from the end of the 18th-beginning of the 19th century there may be remarked the ones of painter Gherasim and sculptor Stefan an excellent duo of skilful masters. They became famous for two important art works: the iconostases of the churches from Cogalniceni and Ghermanesti villages. The icon Birth of Our Lady is the most spectacular icon from the iconostasis of Cogalniceni church. From the stylistic point of view this icon may be considered one of the first attempts to apply the principles of the genre painting in the Bessarabian art. Nor art, neither theology, taken separately, could not create an icon. Their unity was necessary. The secular element penetrates more and more into the icons painting in the second half of the 19th century even if the iconography does not pass through essential changes. This trend is also remarked in the icons painted by monk Iezechiel in 1840-1841 for the reredos of the Saint Nicholas church of Capriana Monastery: Prophets Aaron and Moses, Prophets David and Ezekiel. The icons made in the 19th century from the museum collection represent a traditional model of a self-taught painter to combine the professional painting with the popular icon traditions. A special phenomenon in the religious art of Moldova in the 16th-19th centuries represents the popular icon. This phenomenon was strongly influenced by the rustic environment that generated the creation of real art works. From here comes the unusual expressiveness due to nave and clumsy features of the image and coloring. Through its power of suggestion the image strongly influences mans conscience and he does not even realize it. The image may dominate the thinking, ignite the passions and shape the behaviour.

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The popular icons represent a trait of the peasants mentality and, at the same time, they reflect the traditions of the Christian cult. The popular icon suggests its own concept of the painted area with its strictly frontal vision of the images. Ones of the earliest folk icons are the pair icons from Boroseni village, Edinet county Jesus Pantocrator and Our Lady Hodegetria, made at the end of the 17th-beginning of the 18th century. The icons are remarkable through the naivety of the drawing that highlights the elongated proportions of the figures and underlines the decorativism of bright colors. Within the dialogue held between the iconographer and the viewer, the icons are perceived as a privileged space for meeting, a fragment of conception and expression of the rules of the Universe. In the catalogue Bessarabian icons from the collection of National Art Museum of Moldova there is a series of icons dated back with the middle or end of the 19th century with a special coloring and stylistic peculiarities that make us affirm that some of them were made in the ateliers of Russian iconographers from Bessarabia: Our Lady, Joy of All Who Sorrow, Dormition of Our Lady, Resurrection of Jesus Christ Surrounded by Twelve Scenes of the Feasts and others. The phenomenon of the Russian icon is explained by the profundity of the concepts, symbolism, lyrics and genuine beauty, all hidden behind an illusory primitivism. Its core is the special narration where the artistic expressiveness is combined with the clarity of the forms and the successive disclosure of the subjects. For the art of Russia the icon was the classic form of expression as the mosaic was for Byzantium, sculpture for Greece and relieve for Egypt. A witness of the past, the icon is a treasure for any museum collection. In comparison with the numerous images of the modern world that capture and obsess us, the icon is like an oasis, like a space propitious for calming the heart and to soothe the ordeals, an oasis of quietness for the eyes tired by all kind of illustrations that often influence us despite our will. The true icon looks at us otherwise: ingoing, inspiringly, as if from another world. It is thus an invitation to a dialogue. The publication of the catalogue with art works with certain artistic value from the collection of National Art Museum of Moldova was possible due to the participation of NAMM as applicant in the trans-border project A TRANS-BORDER APPROACH TO CULTURAL HERITAGE MANAGEMENT AND VALORISATION. The project was financed by the European Union through the instrument of neighbor and partnership with the sum of 149 000 Euro from the total amount of 170 700 Euro and co-financed by the partners participating in the project.

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Maica Domnului Hodighitria, sec. XVI. Our Lady Hodegetria. 16th cent.

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Prorocul Moise. Sec. XVII-XVIII. Prophet Moses. 17th-18th cent.

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Prorocul Moise. Sec. XVII-XVIII. Fragmente Prophet Moses. 17th-18th cent. Fragments

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Iisus Hristos Pantocrator. Sec. XVII. Jesus Christ Pantocrator. 17th cent.

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Maica Domnului ndurerat. Sec. XVIII. Our Lady of Sorrows. 18th cent.

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Buna Vestire (apocrific). Sec. XVII . The Annunciation (apocryphal). 17th cent.

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Buna Vestire (apocrific). Sec. XVII. Fragment. The Annunciation (apocryphal). 17th cent. Fragment.

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Iisus Hristos Pantocrator. Sec. XVIII. Jesus Christ Pantocrator. 18th cent.

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Deisis. Sec. XVII. Deisis. 17th cent.

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Maica Domnului Hodighitria. Sec. XVIII. Our Lady Hodegetria. 18th cent. Maica Domnului mprteas Cereasc. Sec. XVIII. Our Lady Queen of Heaven. 18th cent.

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Maica Domnului Hodighitria. Sec. XVII-XVIII. Our Lady Hodegetria. 17th-18th cent.

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Iisus Hristos Pantocrator. Sec. XVII-XVIII. Jesus Christ Pantocrator. 17th-18th. cent.

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Arhanghelul Mihail i Iosua Navi. Sec. XVIII. Michael the Archangel and Joshua Navi. 18th cent.

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Visul lui Iacov. Sec. XVIII. Jacobs Dream. 18th cent. Bunul Pstor. Sec. XVIII. Good Shepherd. 18th cent.

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Apostolii Matei i Toma. Sec. XVIII. Fragment. Apostles Matthew and Thomas. 18th cent. Fragment.

Apostolii Matei i Toma. Sec. XVIII. Apostles Matthew and Thomas. 18th cent.

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Arhanghelul Mihail. Sec. XVIII. Michael the Archangel. 18th cent.

Maica Domnului cu Pruncul pe tron. Sec. XVII-XVIII. Our Lady with the Child on the Throne. 17th-18th cent.

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Maica Domnului Hodighitria. 1702? Our Lady Hodegetria. 1702?

Soborul Arhanghelului Mihail. 1702? Assembly of Michael the Archangel. 1702?

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Sfntul Ierarh Nicolae. Sec. XVIII. (1702?). Fragment. Saint Hierarch Nicholas. 18th cent (1702?. Fragment.

Sfntul Ierarh Nicolae. Sec. XVIII.(1702?). Saint Hierarch Nicholas. 18th cent.

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Tmpl de catapeteasm cu scenele Rstignirii, nvierii i nlrii Domnului. Sec. XVIII. Altarpiece with the Crucifixion, Resurrection and Ascension of Lord scenes. 18th cent.

Tmpl de catapeteasm. Fragment cu scena nvierii Domnului Sec. XVIII. Altarpiece. Fragment with the Resurrection of Lord scene. 18th cent.

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Tmpl de catepeteasm cu scenele Pogorrea Sfintului Duh, Schimbarea la fa. Sec. XVIII. Altarpiece panel Descent of the Holy Spirit, Transfiguration and. 18th cent.

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Tmpl de catapeteasm. Fragment cu scena Pogorrea Sfintului Duh. Sec. XVIII. Altarpiece: Descent of Holy Spirit. 18th cent. Fragment.

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Tmpl de catapeteasm cu scenele Naterea Fecioarei Maria, Prezentarea Fecioarei la templu, Bunavestire i Naterea Domnului. Sec. XVIII. Altarpiece with the feasts Nativity of Our Lady, Presentation of Our Lady to the Temple, Annunciation, Birth of Our Lord. 18th cent.

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Tmpl de catapeteasm cu scena Prezentarea Fecioarei la templu. Sec. XVIII. Altarpiece with the feasts Presentation of Our Lady to the Temple. 18th cent.

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Tmpl de catapeteasm cu scenele Botezul lui Hristos, Intrarea n Ierusalim, Cina cea de tain. Sec. XVIII. Altarpiece with the scenes Baptism of Our Lord, Entry into Jerusalem, Last Supper. 18th cent.

Tmpl de catapeteasm. Fragment cu scena Cina cea de tain. Sec. XVIII. Altarpiece. Fragment Last Supper. 18th cent.

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Tmpl de catapeteasm. Fragment cu scena Botezul lui Hristos. Sec.XVIII. Altarpiece. Fragment Baptism of Our Lord, 18th cent.

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Tmpl de catapeteasm. Fragment cu scena Intrarea n Ierusalim. Sec. XVIII. Altarpiece. Fragment Entry into Jerusalem. 18th cent.

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Zugrav Gherasim. Sfntul Ierarh Nicolae. Sec. XVIII. Painter Gherasim. Saint Hierarch Nicholas. 18th cent.

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Zugrav Gherasim. Soborul ngerilor. Sec. XVIII. Painter Gherasim. Angels Assembly. 18th cent.

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Zugrav Gherasim. Maica Domnului Hodighitria. Sec. XVIII. Painter Gherasim. Our Lady Hodegetria. 18th cent.

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Zugrav Gherasim, sculptor tefan. Naterea Maicii Domnului. Anul 1808. Painter Gherasim, sculptor Stefan. Nativity of Our Lady. 1808.

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Zugrav Gherasim. Maica Domnului pe tron. Anul 1808. Painter Gherasim. Our Lady on the Throne. 1808.

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Zugrav Gherasim, sculptor tefan. Iisus Hristos pe tron. Anul 1808. Paintner Gherasim, sculptor Stefan. Jesus Christ on the Throne. 1808.

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Zugrav Gherasim, sculptor tefan. Dumnezeu - Savaot. Anul 1808. Painter Gherasim, sculptor Stefan. Lord God of Sabaoth. 1808.

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Zugrav Gherasim, sculptor tefan. Dumnezeu Savaot. Anul 1808. Fragment. Painter Gherasim, sculptor Stefan. Lord God of Sabaoth. 1808. Fragment.

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Zugrav Gherasim, sculptor tefan. Sfinii Proroci Moise i Aaron. Anul 1808. Painter Gherasim, sculptor Stefan. Saint Prophets Moses and Aaron. 1808.

Zugrav Gherasim,sculptor tefan. Tmpl de capeteasm cu scenele Naterea Domnului, Botezul Domnului, Prezentarea la templu a lui Hristos, Bunavestire. Anul 1808. Painter Gherasim, sculptor Stefan. Altarpiece with the Holy Feasts Nativity of the Lord, Baptism of Lord, Presentation to the Temple of Jesus Christ and The Annunciation. 1808.

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Zugrav Gherasim, sculptor tefan. Profeii Avacum i Ghedeon. Anul 1808. Painter Gherasim, sculptor Stefan. Prophets Habakkuk and Gedeon. 1808.

Zugrav Gherasim, sculptor tefan. Tmpl de capeteasm cu srbatorile Intrarea in Ierusalim, nvierea Domnului, nlarea Domnului, Coborrea Duhului Sfnt. Anul 1808. Painter Gherasim, sculptor Stefan. Altarpiece with Holy FeastsEntry into Jerusalem, Resurrection of Lord, Ascension of Lord. 1808.

55

Zugrav Gherasim. Sfntul Mare Mucenic Teodor Tiron. 1808. Painter Gherasim. Saint Martyr Teodor Tiron. 1808. Zugrav Gherasim. Pogorrea de pe cruce. 1808. Painter Gherasim. Descent from the cross. 1808.

56

Zugrav Gherasim, sculptor tefan. Molenie. Maica Domnului. 1808. Gherasim, sculptor Stefan. Molenie (prayer). Our Lady. 1808.

Zugrav Gherasim, sculptor tefan. Molenie. Ioan Teologul. 1808. Gherasim, sculptor Stefan. Molenie (prayer). John the Theologian. 1808.

57

Zugrav Iezichil Clugrul. Prznicar: Naterea Maicii Domnului, Prezentarea Mariei la templu. Anul 1841. Painter Monk Iezechiel. Feastal icon: Nativity of Our Lady, Presentation of Mary to the Temple. 1841.

Zugrav: Iezichil Clugrul. Prznicar: Naterea Maicii Domnului, Prezentarea Mariei la templu. Anul 1841. Fragment. Painter: Monk Iezechiel. Feastal icon: Nativity of Our Lady, Presentation of Mary to the Temple. 1841. Fragment.

58

59

Zugrav Mihail Leontovici. Maica Domnului cu Pruncul Iisus pe tron. Sec. XIX (1803?). Painter Mihail Leontovici. Our Lady with Baby Jesus on the Throne. 19th cent (1803?).

60

Sfntul Ierarh Nicolae. Sec. XVIII. Saint Hierarch Nicholas. 18th cent.

61

62

Zugrav Mihail Leontovici. Sfntul Gheorghe ucignd balaurul. Anul 1806. Painter Mihail Leontovici. Saint George Killing the Dragon. 1806.

Zugrav Mihail Leontovici. Sfntul Gheorghe ucignd balaurul. Anul 1806 Fragmente. Painter Mihail Leontovici. Saint George Killing the Dragon. 1806 Fragments.

63

Arhanghelul Gavriil. Bunavestire. Sec. XIX. Gabriel the Archangel. Annunciation. 19th cent.

64

Zugravi Constantin i Mardare. Bunavestire. Partea dreapt a uilor mprteti cu imaginea Mariei . Anul 1812. Painters Constantin and Mardare. Annunciation. The right side of the Imperial Gates with the image of Mary. 1812.

65

Zugrav Ioan Iavorschi. Maica Domnului cu Pruncul. Anul 1827. Painter Ioan Iavorschi. Our Lady with the Baby Jesus Christ. 1827.

66

Zugrav Ioan Iavorschi. Iisus Hristos Pantocratorul. Anul 1827. Painter Ioan Iavorschi. Jesus Christ Pantocrator. 1827.

67

Zugrav Ioan Iavorschi. Arhanghelul Mihail. Anul 1827. Painter Ioan Iavorschi. Michael the Archangel. 1827.

68

Zugrav Ioan Iavorschi. Deisis. Sec XIX. Painter Ioan Iavorschi. Deisis. 19th cent.

69

Zugrav Ioan Iavorschi. Iisus Hristos pe tron. Anul 1813. Painter Ioan Iavorschi. Jesus Christ on the Throne. 1813.

70

Zugrav Ioan Iavorschi. Maica Domnului cu Pruncul pe tron. Anul 1813. Painter Ioan Iavorschi. Our Lady with Baby Jesus on the Throne. 1813.

71

Arhanghelul Mihail. Sec. XVIII-XIX. Michael the Archangel. 18th-19th cent.

72

Iisus Hristos pe tron blagoslovind. Sec XVIII-XIX. Jesus Christ on the Throne Benedicting. 18th-19th cent.

73

Maica Domnului cu Pruncul Iisus pe tron. Sec. XVIII-XIX. Our Lady with Baby Jesus on the Throne. 18th-19th cent.

74

Sfntul Ierarh Nicolae. Sec. XIX. Saint Hierarch Nicholas. 19th cent.

75

Iisus Hristos Atotiitorul. Sec. XIX. Jesus Christ Almighty. 19th cent.

76

Maica Domnului mprteas Cereasc. Sec. XIX. Our Lady Empress of Heaven. 19th cent.

77

78

Sfntul Gheorghe Biruitorul. Sec. XIX. Saint George the Victorious. 19th cent.

Sfntul Gheorghe Biruitorul. Sec. XIX Fragmente. Saint George the Victorious. 19th cent Fragments.

79

Sfntul Nicolae-Fctorul de Minuni. Sec. XIX. Saint Nicholas-The Miracle Maker. 19th cent.

80

Iisus Hristos Pantocratorul. Sec. XIX. Jesus Christ Pantocrator. 19th cent.

81

Maica Domnului Hodighitria. Anul 1858. Our Lady Hodegetria. 1858.

Arhanghelii Mihail i Gavril. Sec. XIX. Michael and Gabriel the Archangels. 19th cent.

82

83

Prorocii Solomon, Isaia, David. Sec. XIX. Prophets Solomon, Isaiah, David. 19th cent.

Prorocii Moise, Aaron, Iezichil. Sec. XIX. Prophets Moses, Aaron, Iezechiel. 19th cent.

Soborul Arhanghelului Mihail. Sec. XIX. Assembly of Michael the Archangel. 19th cent.

84

86

Ui mprteti cu Bunavestire i cei patru Evangheliti. Sec. XIX. Imperial Gates with the Annunciation and the Four Evangelists. 19th cent.

Zugrav Iezechil Clugrul. Prorocii Aaron i Moise. Anul 1840. Painter Monk Iezechil. Prophets Aaron and Moses. 1840.

87

Zugrav Iezichil Clugrul. Prorocii Daniil i Ieremia. 1841. Painter Monk Iezechil. Prophets Daniel and Jeremiah. 1841.

Ui mprteti cu Bunavestire i cei patru Evangheliti. Sec. XVIII. Imperial Gates with the Annunciation and the Four Evangelists. 18th cent.

88

89

Ioan Damacan. Iisus Hristos pe tron. Anul 1822. Ioan Damascan. Jesus Christ on the Throne. 1822.

90

Sfnta Maria Magdalena i Sfntul Mucenic Foca. Sec. XIX. Saint Mary Magdalene and Saint Martyr Phocas. 19th cent.

91

Maica Domnului cu Pruncul. Sec. XVIII. Our Lady with the Baby Jesus Christ. 18th cent.

Sfntul Ierarh Nicolae. Sec. XVIII. Saint Hierarch Nicholas. 18th cent.

92

93

Sfntul Ierarh Nicolae. Anul 1816. Saint Hierarch Nicholas. 1816.

94

Maica Domnului cu Pruncul. Sec. XIX. Our Lady with the Baby Jesus Christ. 19th cent.

95

Iisus Hristos Atotiitorul. Sec. XIX. Jesus Christ Almighty, 19th cent.

96

Iisus Pantocratorul. Sec. XVII-XVIII. Jesus Christ Pantocrator. 17th-18th cent.

97

Sfnta Mare Muceni Varvara cu scene hagiografice. Sec. XVIII-XIX. Saint Martyr Barbara with Scenes of her Life. 18th -19th cent.

98

Sfntul Mucenic Ioan Oteanu, Sec. XVIII-XIX. Saint Martyr John the Warrior, 18th-19th cent.

99

Sfntul Arhanghel Mihail i Sfnta Mucenia Paraschiva. Sec. XIX. Saint Michael the Archangel and Saint Martyr Parascheva. 19th cent.

100

Arhanghelul Mihail. Sec.XVII-XVIII. Michael the Archangel. 17th-18th cent.

101

Sfntul Nicolae. Sec. XIX. Saint Nicholas. 19th cent.

102

Maica Domnului Eleusa. Sec. XIX. Our Lady Eleusa. 19th cent.

103

Distrugerea Sodomei i Gomorei. Sec. XIX. The Destruction of Sodom and Gomorrah. 19th cent.

Minunea Sfntului Nicolae - Salvarea celor trei nevinovai. Sec. XIX. Miracle of Saint Nicholas - Salvation of the Three Innocents. 19th cent.

104

Adormirea Maicii Domnului. Sec. XIX. Dormition of Our Lady. 19th cent.

105

Jertfa lui Avram. Sec. XIX. Abrahams sacrifice. 19th cent.

106

Visul lui Iacov. Sec. XIX. Jacobs dream. 19th cent.

107

Zugravi Constantin i Mardarie. Ui mprteti. Anul 1812. Painters Constantin and Mardarie. Imperial Gates. 1812.

108

Sfntul Gheorghe i ngerul. Sec. XVIII-XIX. Saint George and the Angel. 18th-19th cent.

109

Deisis. Sec XIX. Deisis. 19th cent.

nvierea lui Hristos i imaginile a patru sfini - Sf. Ioan Boteztorul, Sf. Muceni Ecaterina, Sf. Ierarh Nicolae , Sf. Gheorghe Biruitorul. Anul 1828. Resurrection of Christ with the images of four saints - St. John the Baptist, St. Maryr Chaterine, St. Hierarch Nicholas , St. George the Victorious.1828.

110

75 111

Maica Domnului mprteas Cereasc. Sec. XIX. Our Lady Empress of Heaven. 19th cent.

112

Iisus Hristos Marele Arhiereu. Sec. XIX. Jesus Christ Bishop. 19th cent.

113

Botezul Domnului. ntmpinarea Domnului. 1781. Baptism of Jesus Christ. Meeting of Our Lord. 1781.

Naterea Maicii Domnului. nlarea Sfintei Cruci. 1781. Nativity of Our Lady. Ascension of Holy Cross. 1781.

114

nlarea Sfintei Cruci. 1781.Fragment. Ascension of Holy Cross. 1781 Fragment.

115

Maica Domnului tronnd. Sec. XIX. Our Lady on the Throne. 19th cent.

116

Iisus Pantocratorul. Sec. XIX. Jesus Pantocrator. 19th cent.

117

Prezentarea Fecioarei la Templu. Sec. XIX. Presentation of Our Lady to the Temple. 19th cent.

Prezentarea Fecioarei la Templu. Sec. XIX. Fragment. Presentation of Our Lady to the Temple. 19th cent Fragment.

118

119

Botezul Domnului. Sec. XIX. Baptism of Our Lord. 19th cent.

120

Sfntul Ierarh Nicolae. Sec XVIII-XIX. Saint Hierarch Nicholas. 18th-19th cent.

121

Lista ilustraiilor

13. Maica Domnului Hodighitria. Sec. XVI. Lemn, tempera, aurire. 106,5 x 71 cm. / Our Lady Hodegetria. 16th cent. Wood, tempera, gilding 14. Prorocul Moise. Sec XVII-XVIII. Lemn, tempera, aurire. 104 x 49,5 cm. / Prophet Moses. 17th-18th cent. Wood, tempera, gilding 15. Prorocul Moise. Sec XVII-XVIII. (fragment). / Prophet Moses. 17th-18th cent (fragment) 16. Iisus Hristos Pantocrator. Sec. XVII. Lemn, tempera. 42,5 x 33 cm. / Jesus Christ Pantocrator. 18th cent. Wood, tempera 17. Maica Domnului ndurerat. Sec. XVIII. Lemn, tempera. 31,5 x 26,5 cm. / Our Lady of Sorrows. 18th cent. Wood, tempera 18. Bunavestire (apocrific). Sec. XVII. Lemn, tempera. 104,0 x 56,0cm. / The Annunciation (apocryphal). 17th cent. Wood, tempera 19. ntlnirea Mariei cu Elisabeta. Sec. XIX. Lemn, tempera. 87 x 50 cm. / Maria meeting Elisabeth. 19th cent. Wood, tempera 20. Iisus Hristos Pantocratorul. Sec. XVIII. Lemn, tempera. 98 x 57,5 cm. / Jesus Christ Pantocrator. 18th cent. Wood, tempera 21. Deisis. Sec. XVII. Lemn, tempera. 88,0 x 54,0cm. / Deisis. 17th cent. Wood, tempera 22. Maica Domnului Hodighitria. Sec. XVIII. Lemn, tempera. 81,0 x 44,5 cm. / Our Lady Hodegetria. 18th cent. Wood, tempera 23. Maica Domnului mprteas Cereasc. Sec. XVIII. Lemn, tempera. 98,0 x58,0 cm. / Our Lady Queen of Heaven. 18th cent. Wood, tempera 24. Maica Domnului Hodighitria. Sec. XVII. Lemn, tempera. 76 x 51,5 cm. / Our Lady Hodegetria. 18th cent. Wood, tempera 25. Iisus Hristos Pantocratorul. Sec. XVII. Lemn, tempera. 74,5 x 49,5 cm. / Jesus Christ Pantocrator. 18th cent. Wood, tempera 26. Arhanghelul Mihail, Iosua Navi. Sec. XVIII. Lemn, tempera. 85 x 78 cm. / Michael the Archangel, Joshua Navi. 19th cent. Wood, tempera 27. Visul lui Iacov. Sec. XVIII. Lemn, tempera. 81,5 x 78 cm. / Jacobs Dream. 18th cent. Wood, tempera 27. Bunul Pstor. Sec. XVIII. Lemn, tempera. 84 x 81,5 cm. / Good Shepherd. 18th cent. Wood, tempera 28. Apostolii Matei i Toma. Sec. XVIII. (fragment). / Apostles Matthew and Thomas. 18th cent. (fragment) 29. Apostolii Matei i Toma. Sec. XVIII. Lemn, tempera. 106 x 80 cm. / Apostles Matthew and Thomas. 18th cent. Wood, tempera. 30. Arhanghelul Mihail. Sec. XVIII (1702?). Lemn, tempera, fundal aurit i tanat, nimb ncrustat. 90 x 52 cm. / Michael the Archangel. 18th cent. Wood, tempera, gilded and punched background, encrusted halo 31. Maica Domnului cu Pruncul pe tron. Sec. XVII-XVIII. Lemn, tempera. 77 x 57 cm. / Our Lady with the Child on the Throne. 18th cent. Wood, tempera 32. Maica Domnului Hodighitria. Sec. XVIII (1702?). Lemn, tempera, nimburi i fundal tanate i ornamentate. 83 x 51,5 cm. / Our Lady Hodegetria. 18th cent. Wood, tempera, punched and decorated halos and background 33. Soborul Arhanghelului Mihail. Sec. XVIII (1702?). Lemn, tempera. 91,5 x 56,5 cm. / Assembly of Michael the Archangel. 18th cent. (1702?). Wood, tempera 34. Sfntul Ierarh Nicolae. Sec. XVIII (1702?). (fragment). Saint Hierarch Nicholas. 18th cent. (fragment) 35. Sfntul Ierarh Nicolae. Sec. XVIII (1702?). Lemn, tempera, nimb ncrustat, decorul chitonului, felonului i a Evangheliei sgrafitate. 92 x 58 cm. / Saint Hierarch Nicholas. 18th cent. Wood, tempera, encrusted halo, decoration of the chiton, felony and Gospel made in sgraffito technique 36. Tmpl de catapeteasm cu scenele Rstignirea, nvierea, nlarea Domnului. Sec. XVIII. Lemn, tempera, pilatrii de lemn ai arcadelor sunt aplicai. 67,5 x 128 cm. / Altarpiece with the Crucifixion, Resurrection, Ascension scenes. 18th cent. Wood, tempera, wood pillars of the arcades are applied 37. Tmpl de catapeteasm (fragment) cu scena nvierea Domnului. Sec. XVIII. / Altarpiece (fragment) with the Resurrection scene. 18th cent. 38. Tmpl de catapeteasm cu scenele Pogorrea Sfintului Duh, Schimbarea la fa, Adormirea Maicii Domnului. Sec. XVIII. Lemn, tempera, pilatrii de lemn ai arcadelor sunt aplicai, 66,5 x 138 cm. / Altarpiece panel: Descent of the Holy Spirit, Transfiguration, Dormition of Our Lady. 18th cent. Wood, tempera, wood pillars of the arcades are applied 39. Tmpl de catapeteasm (fragment) cu scena Pogorrea Sfintului Duh. Sec. XVIII. / Altarpiece: Descent of Holy Spirit. 18th cent (fragment) 40. Tmpl de catapeteasm cu scenele Naterea Fecioarei Maria, Prezentarea Fecioarei la templu, Bunavestire, Naterea Domnului. Sec. XVIII. Lemn, tempera, pilatrii de lemn ai arcadelor sunt aplicai 67,5 x 195,5 cm / Altarpiece with the feasts: Nativity of Our Lady, Presentation of Our Lady to the Temple, Annunciation, Nativity of Our Lord. 18th cent. Wood, tempera, wood pillars of the arcades are applied 41. Tmpl de catapeteasm (fragment) cu scenele Naterea Fecioarei Maria, Prezentarea Fecioarei la templu. Sec. XVIII. / Altarpiece with the feasts: Nativity of Our Lady, Presentation of Our Lady to the Temple. 18th cent. (fragment). 42. Tmpl de catapeteasm cu scenele Botezul lui Hristos, Intrarea n Ierusalim, Cina cea de tain. Sec. XVIII. Lemn, tempera, pilatrii de lemn ai arcadelor sunt aplicai. 67,5 x 140 cm. / Altarpiece with the scenes Baptism of Our Lord, Entry into Jerusalem, Last Supper. 18th cent. Wood, tempera, wood pillars of the arcades are applied 43. Tmpl de catapeteasm (fragment) cu scena Cina cea de tain. Sec. XVIII. / Altarpiece Last Supper (fragment). 18th cent.

122

44. Tmpl de catapeteasm (fragment) cu scena Botezul lui Hristos. Sec. XVIII. / Altarpiece Baptism of Our Lord (fragment), 18th cent. 45. Tmpl de catapeteasm (fragment) cu scena Intrarea n Ierusalim Sec. XVIII. / Altarpiece Entry into Jerusalem (fragment). 18th cent. 46. Zugrav Gherasim. Sfntul Ierarh Nicolae. Sec. XVIII (1790?). Lemn, tempera. 106,5 x 71 cm. / Painter Gherasim. Saint Hierarch Nicholas. 18th cent (1790?). Wood, tempera 47. Zugrav Gherasim. Soborul ngerilor. Sec. XVIII (1790?). Lemn, tempera. 106 x 71 cm. / Painter Gherasim. Angels Assembly. 18th cent. (1790?). Wood, tempera 48. Zugrav Gherasim. Maica Domnului cu Pruncul (Hodighitria). Sec. XVIII (1792?). Lemn, tempera. 82,5 x 60 cm. / Painter Gherasim. Our Lady with the Child (Hodegetria). 18th cent. (1792?). Wood, tempera 49. Zugrav Gherasim, sculptor tefan. Naterea Maicii Domnului. Anul 1808. Lemn, tempera. 97,5 x 62 cm. / Painter Gherasim, sculptor Stefan. Nativity of Our Lady. 1808. Wood, tempera. 50. Zugrav Gherasim. Maica Domnului pe tron. Anul 1808. Lemn, tempera, aurire, argintare, stuc reliefat. 97,5 x 62 cm. / Painter Gherasim. Our Lady on the Throne. 1808. Wood, tempera, gilding, silvering, stucco in relievo 51. Zugrav Gherasim, sculptor tefan. Iisus Hristos pe tron. Anul 1808. Lemn, tempera, aurire, argintare, stuc reliefat. 97,5 x 62 cm. / Painter Gherasim, sculptor Stefan. Jesus Christ on the Throne. 1808. Wood, tempera, gilding, silvering, stucco in relievo. 52. Zugrav Gherasim, sculptor tefan. Dumnezeu - Savaot. Anul 1808. Lemn, tempera, aurire, sculptare. 100 x 56 cm. / Painter Gherasim, sculptor Stefan. Lord God of Sabaoth. 1808. Wood, tempera, gilding, sculpting 53. Zugrav Gherasim, sculptor tefan. Dumnezeu Savaot. Anul 1808. (Fragment). / Painter Gherasim, sculptor Stefan. Lord God of Sabaoth. 1808 (fragment) 54. Zugrav Gherasim, sculptor tefan. Sfinii Proroci Moise i Aaron. Anul 1808. Lemn, tempera, sculptare, aurire. 100 x 54 cm. / Painter Gherasim, sculptor Stefan. Saint Prophets Moses and Aaron. 1808. Wood, tempera, sculpting, gilding 54. Zugrav Gherasim, sculptor tefan. Tmpl de catapeteasm cu scenele Naterea Domnului, Botezul Domnului, Prezentarea la templu a lui Hristos, Bunavestire. Anul 1808. Lemn, tempera, sculptare, stuc, aurire, decor ajurat. 56 x 140 x 15 cm (cu corni). / Painter Gherasim, sculptor Stefan. Altarpiece with the Holy Feasts: Nativity of the Lord, Baptism of Lord, Presentation to the Temple of Jesus Christ, The Annunciation. 1808. Wood, tempera, sculpting, stucco, gilding, fretwork decor, (size with cornice) 55. Zugrav Gherasim, sculptor tefan. Profeii Avacum i Ghedeon. Anul 1808. Lemn, tempera, sculptare, aurire. 87 x 60 cm. / Painter Gherasim, sculptor Stefan. Prophets Habakkuk and Gedeon. Wood, tempera, sculpting, guilding 55. Zugrav Gherasim, sculptor tefan. Tmpl de catapeteasm cu scenele Intrarea in Ierusalim, nvierea Domnului, nlarea Domnului, Pogorrea Duhului Sfnt. Anul 1808. Lemn, tempera, sculptare, aurire. 140 x 74 cm (cu corni). / Painter Gherasim, sculptor Stefan. Altarpiece with Holy Feasts: Entry into Jerusalem, Resurrection of Lord, Ascension of Lord. 1808. Wood, tempera, sculpting, gilding, fretwork (size with cornice) 56. Zugrav Gherasim, sculptor tefan. Sfntul Mare Mucenic Teodor Tiron. Anul 1808. Lemn, tempera. 62 x 53 cm. / Painter Gherasim, sculptor Stefan. Saint Martyr Teodor Tiron. 1808. Wood, tempera 56. Zugrav Gherasim, sculptor tefan. Coborrea de pe cruce. Anul 1808. Lemn, tempera. 61,5 x 51 cm. / Painter Gherasim, sculptor Stefan. Descent from the cross. 1808. Wood, tempera 57. Zugrav Gherasim, sculptor tefan. Molenie. Maica Domnului. Anul 1808. Lemn, tempera, sculptare, aurire. 66 x 32 cm. / Painter Gherasim, sculptor Stefan. Molenie (prayer). Our Lady. 1808. Wood, tempera, gilding 57. Zugrav Gherasim, sculptor tefan. Molenie. Ioan Teologul. Anul 1808. Lemn, tempera, sculptare, aurire. 69 x 31 cm. / Painter Gherasim, sculptor Stefan. Molenie (prayer). John the Theologian. 1808. Wood, tempera, sculpting, gilding. 58. Zugrav Iezichil Clugrul. Prznicar Naterea Maicii Domnului, Prezentarea Mariei la templu. Anul 1841. Lemn, tempera. 61,0 x 85,5 cm. / Painter monk Iezechiel. Feastal icon: Nativity of Our Lady, Presentation to the Temple. 1841. Wood, tempera 59. Zugrav Iezichil Clugrul. Prznicar (fragment) cu scenele Naterea Maicii Domnului, Prezentarea Mariei la templu. Anul 1841 Lemn, tempera. 61,0 x 85,5 cm. / Painter monk Iezechiel. Feastal icon: Nativity of Our Lady, Presentation to the Temple. 1841. (fragment). Wood, tempera 60. Zugrav Mihail Leontovici. Maica Domnului cu Pruncul Iisus pe tron. Sec. XIX (1803?) Lemn, tempera. 91 x 63 cm. / Painter Mihail Leontovici. Our Lady with Baby Jesus on the Throne. 19th cent. (1803?). Wood, tempera 61. Sfntul Ierarh Nicolae. Sec. XVIII. Lemn, tempera, nimburi aurite. 89 x 62 cm. / Saint Hierarch Nicholas. 18th cent. Wood, tempera, gilded halos

123

62. Zugrav Mihail Leontovici. Sfntul Gheorghe ucignd balaurul. Anul 1806. Lemn, tempera, fundal aurit. 93 x 62,5 cm. / Painter Mihail Leontovici. Saint George Killing the Dragon. 1806. Wood, tempera, gilded background 63. Zugrav Mihail Leontovici. Sfntul Gheorghe ucignd balaurul. Anul 1806 (fragment). / Painter Mihail Leontovici. Saint George Killing the Dragon. 1806 (fragment) 64. Arhanghelul Gavriil (Bunavestire). Sec. XIX. Lemn, tempera. 94,0 x 38,0cm. / Gabriel the Archangel (Annunciation). 19th cent. Wood, tempera 65. Zugravi Constantin i Mardare. Bunavestire. Partea dreapt a uilor mprteti cu imaginea Mariei. Anul 1812. Lemn, tempera. 125 x 46,6 cm. / Painters Constantin and Mardare. Annunciation. The right side of the Imperial Gates with the image of Mary. 1812. Wood, tempera 66. Zugrav Ioan Iavorschi. Maica Domnului cu Pruncul. Anul 1827. Lemn, temper, aurire, argintare, ncrustare. 99,5 x 66 cm. / Painter Ioan Iavorschi. Our Lady with the Baby Jesus Christ. 1827. Wood, tempera, gilding, silvering, encrusting 67. Zugrav Ioan Iavorschi. Iisus Hristos Pantocratorul. Anul 1827. Lemn, tempera, aurire, argintare, ncrustare. 98,0 x 65,0cm. / Painter Ioan Iavorschi. Jesus Christ Pantocrator. 1827. Wood, tempera, gilding, silvering, encrusting 68. Zugrav Ioan Iavorschi. Arhanghelul Mihail. Anul 1827. Lemn, tempera, fundal aurit i tanat. 101 x 68 cm. / Painter Ioan Iavorschi. Michael the Archangel. 1827. Wood, tempera, gilded and punched background 69. Zugrav Ioan Iavorschi. Deisis. Sec. XIX (1827?). Lemn, tempera, aurire. 135 x 96,5 cm. / Painter Ioan Iavorschi. Deisis. (1827?). Wood, tempera, gilding 70. Zugrav Ioan Iavorschi. Iisus Hristos pe tron. Anul 1813. Lemn, tempera, aurire, ncrustare. 96,5 x 63 cm. / Painter Ioan Iavorschi. Jesus Christ on the Throne. 1813. Wood, tempera, gilding, encrusting. 71. Zugrav Ioan Iavorschi. Maica Domnului cu Pruncul pe tron. Anul 1813. Lemn, tempera, ncrustare. 96 x 63 cm. / Painter Ioan Iavorschi. Our Lady with Baby Jesus on the Throne. 1813. Wood, tempera, encrustind. 72. Arhanghelul Mihail. Sec. XVIII-XIX. Lemn, tempera. 97 x 65 cm. / Michael the Archangel. 18th 19th cent. Wood, tempera 73. Iisus Hristos pe tron blagoslovind. Sec XVIII - XIX. Lemn, tempera, nimb aurit. 97 x 64 cm. / Jesus Christ on the Throne Benedicting.18th cent. -19th cent. Wood, tempera, gilded halo 74. Maica Domnului cu Pruncul Iisus pe tron. Sec. XVIII - XIX. Lemn, tempera, nimburi aurite. 97 x 65 cm. / Our Lady with Baby Jesus on the Throne. 18th cent. - 19th cent. Wood, tempera, gilded halos 75. Sfntul Ierarh Nicolae. Sec. XIX. Lemn, tempera. 97,5 x 65,3 cm. / Saint Hierarch Nicholas. 19th cent. Wood, tempera 76. Iisus Hristos Atotiitorul. Sec. XIX. Lemn, tempera. 99,2 x 61,0 cm. / Jesus Christ Almighty. 19th cent. Wood, tempera 77. Maica Domnului mprteas Cereasc. Sec. XIX. Lemn, tempera. 99,0 x 60,0cm. / Our Lady Empress of Heaven. 19th cent. Wood, tempera 78. Sfntul Gheorghe Biruitorul. Sec. XIX. Lemn, tempera, aurire. 93 x 56 cm. / Saint George the Victorious. 19th cent. Wood, tempera, gilding 79. Sfntul Gheorghe Biruitorul. Sec. XIX (fragment). / Saint George the Victorious. 19th cent. (fragment) 80. Sfntul Nicolae Fctorul de Minuni. Sec. XIX. Lemn, tempera. 99,5 x 72,0 cm. / Saint Nicholas the Miracle Maker. 19th cent. Wood, tempera 81. Iisus Hristos Pantocratorul. Sec. XIX. Lemn, tempera. 99,0 x 70,0 cm. / Jesus Christ Almighty. 19th cent. Wood, tempera 82. Maica Domnului Hodighitria. Anul 1858. (Athos). Lemn, tempera. 58 x 39 cm. / Our Lady Hodegetria. 1858. Painter greek school (Athos). Wood, tempera 83. Arhanghelii Mihail i Gavriil. Sec. XIX. Lemn, tempera. 99,0 x70,0 cm. / Michael and Gabriel the Archangels. 19th cent. Wood, tempera 84. Prorocii Solomon, Isaia i David. Sec. XIX. Lemn, tempera, decor sculptat, aurire. 91,0 x68,0 cm. / Prophets Solomon, Isaiah and David. 19th cent. Wood, tempera, sculpted decor, gilding 84. Prorocii Moise, Aaron i Iezichil. Sec. XIX. Lemn, tempera, decor sculptat, aurire, 95,0 x72,0 cm. / Prophets Moses, Aaron and Iezechiel. 19th cent. Wood, tempera, sculpted decor, gilding 85. Soborul Arhanghelului Mihail. Sec. XVIII. Lemn, tempera, 102,8 x 68,5 cm / Assembly of Michael the Archangel. 18th cent. Wood, tempera 86. Ui mprteti. Sec. XIX. Lemn sculptat, tempera. Stnga 135,0 x 34,0cm, dreapta 134,0 x 33,0cm. / Imperial gates. 19th cent. Sculpted wood, tempera 87. Zugrav Iezechil Calugrul. Profeii Aaron i Moise. Anul 1840-1841? Lemn, tempera, decor sculptat. 70 x 80,5 cm. / Prophets Aaron and Moses. Painter Iezechiel. 1840-1841? Wood, tempera, sculpted wood. 88. Zugrav Iezichil Clugrul. Prorocii Daniil i Ieremia. Anul 1841. Lemn, tempera. 68,0 x 79,5cm. / Painter Monk Iezechiel. Prophets Daniel, Jeremiah. 1841. Wood, tempera 89. Ui mprteti cu Bunavestire i cei patru Evangheliti. Sec. XVIII. Lemn, tempera, decor sculptat. 161,0 x72,0 cm. / Imperial Gates with the Annunciation, the Four Evangelists. 18th cent. Wood, tempera, sculpted decor 90. Zugrav Ioan Damacan. Iisus Hristos pe tron. Anul 1822. Lemn, tempera. 99 x 66,5 cm. / Painter Ioan Damascan. Jesus Christ on the Throne. 1822. Wood, tempera

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91. Sfnta Maria Magdalena i Sfntul Mucenic Foca. Sec. XIX. Lemn, tempera. 81 x 62 cm. / Saint Mary Magdalene and Saint Martyr Phocas. 19th cent. Wood, tempera 92. Maica Domnului cu Pruncul. Sec. XVIII. Lemn, tempera, decor sculptat. 95,5 x 64,0cm. / Our Lady with the Baby Jesus Christ. 18th cent. Wood, temepera, sculpted decor 93. Sfntul Ierarh Nicolae. Sec. XVIII. Lemn, tempera. 81,5 x 54 cm. / Saint Hierarch Nicholas.18th cent. Wood, tempera 94. Maica Domnului cu Pruncul. Sec. XIX. (fragment). / Our Lady with the Baby Jesus Christ. 19th cent. (fragment) 95. Maica Domnului cu Pruncul. Sec. XIX. Lemn, tempera. 105 x 60,5cm. / Our Lady with the Baby Jesus Christ. 19th cent. Wood, tempera 96. Iisus Hristos Atotiitorul. Sec. XIX. Lemn, tempera. 103,0 x 63,5 cm / Jesus Christ on the Throne, 19th cent. Wood, tempera 97. Iisus Hristos Pantocratorul. Sec. XVII. Lemn, tempera. 101,5 x 69 cm / Jesus Christ Almighty. 17th cent. Wood, tempera 98. Sfnta Mare Muceni Varvara cu scene hagiografice. Sec. XVIII-XIX. Lemn, tempera. 102,0 x 67,0 cm. / Saint Martyr Barbara with Scenes of her Life. 18th -19th cent. Wood, tempera 99. Sfntul Mucenic Ioan Oteanul. Sec. XVIII-XIX. Lemn, tempera. 39 x 28 cm / Saint Martyr Jhon the Warrier. 17-18th. Wood, tempera 100. Sfntul Arhanghel Mihail i Sfnta Mucenia Paraschiva. Sec. XIX. Lemn, tempera. 94,0 x 55,0 cm. / Saint Michael the Archangel and Saint Martyr Parascheva. 19th cent. Wood, tempera 101. Arhanghelul Mihail. Sec. XVII - XVIII. Lemn, tempera. 102,5 x 66,0 cm. / Michael the Archangel. 17th 18th cent. Wood, tempera 102. Sfntul Nicolae. Sec. XIX. Lemn, tempera, argintare. 27,5 x 20,5 cm. / Saint Hierarch Nicholas. 19th cet. Wood, tempera, silvering 103. Maica Domnului Eleusa. Sec. XIX. Lemn, tempera. 53,0 x 32,4 cm. / Our Lady Eleusa. 19th cent. Wood, tempera 104. Distrugerea Sodomei i Gomorei. Sec. XIX. Lemn, tempera. 83,0 x 65,0 cm. / The Destruction of Sodom and Gomorrah. 19th cent. Wood, tempera 104. Minunea Sfntului Nicolae - Salvarea celor trei nevinovai. Sec. XIX. Lemn, tempera. 82,0 x 64,5 cm. / Miracle of Saint Nicholas / Salvation of the Three Innocents. 19th cent. Wood, tempera 105. Adormirea Maicii Domnului. Sec. XIX. Lemn, tempera. 40,0 x 31,0 cm. / Dormition of Our Lady. 19th cent. Wood, tempera 106. Jertfa lui Avram. Sec. XIX. Lemn, tempera. 84,0 x 64,0 cm. / Abrahams sacrifice. 19th cent. Wood, tempera 107. Visul lui Iacov. Sec. XIX. Lemn, tempera. 84,0 x 66,0 cm. / Jacobs dream. 19th cent. Wood, tempera 108. Zugravi - Constantin i Mardarie. Ui mprteti. Anul 1812. Lemn, tempera, sculptare n lemn. Stnga 114 x25,2, dreapta 126,5 x 46,6 cm, cm. / Painters Constantin and Mardarie. Imperial Gates. 1812. Wood, tempera, sculpting in wood 109. Sfntul Gheorghe i ngerul. Sec. XVIII-XIX. Lemn, tempera. 89,0 x 60,0 cm / Saint George and the Angel. 18th-19th cent. Wood, tempera 110. Zugrav Gherasim, sculptor tefan. Deisis. Anul 1808. Lemn, tempera, decor sculptat, aurire, 104,0 x 103,0 cm / Painter Gherasim, sculptor Stefan. 1808. Wood, tempera, sculpting in wood, gilding 111. nvierea lui Hristos ncadrat de imaginile a patru sfini : Sfntul Ioan Boteztorul, Sfnta Muceni Ecaterina, Sfntul Ierarh Nicolae, Sfntul Gheorghe Biruitorul. Anul 1828. coala greac (Athos?). Lemn, tempera. 85,5 x 65,0 cm. / Resurrection of Jesus Christ : Saint John the Baptist, Saint Martyr Catherine, Saint Hierarch Nicholas, Saint George the Victorious. 1828. Wood, tempera 112. Maica Domnului mprteas Cereasc. Sec. XIX. Lemn, tempera. 84 x 64 cm. / Our Lady Empress of Heaven. 19th cent. Wood, tempera 113. Iisus Hristos Marele Arhiereu. Sec. XIX (1810?). Lemn, tempera, metal, catifea. 101 x 71 cm. / Jesus Christ Bishop. 19th cent. Wood, tempera, metal, velvet 114. Botezul Domnului, ntmpinarea Domnului. Sec. XVIII (1781). Lemn, tempera. 22 x 62 cm. / Baptism of Jesus Christ and Meeting of Our Lord. 1781. Wood, tempera 114. Naterea Maicii Domnului i nlarea Sfintei Cruci. Sec. XVIII (1781). Lemn, tempera. 22 x 62 cm. / Nativity of Our Lady and Ascension of Saint Cross. 1781. Wood, tempera 115. nlarea Sfintei Cruci. Anul 1781. (fragment) / Ascension of Holy Cross. 1781 (fragment). 116. Maica Domnului tronnd. Sec. XIX. Lemn, tempera. 90,5 x 68 cm. / Our Lady on the Throne. 19th cent. Wood, tempera 117. Iisus Pantocratorul. Sec. XIX. Lemn, tempera. 89 x 68 cm / Jesus Pantocrator. 19th cent. Wood, tempera 118.Prezentarea Fecioarei la Templu. Sec. XIX. Lemn, tempera. 36,0 x 31,0 cm. / Presentation of Our Lady to the Temple. 19th cent. Wood, tempera 119. Prezentarea Fecioarei la Templu. Sec. XIX. (fragment). Presentation of Our Lady to the Temple. 19th cent. (fragment) 120. Botezul Domnului. Sec. XIX. Lemn, tempera. 39 x 27,5 cm. / Baptism of Our Lord. 19th cent. Wood, tempera 121. Sfntul Ierarh Nicolae. Sec. XVIII-XIX. Lemn, tempera. 106 x 66 cm / Saint Hierarch Nicholas. 18-19th cent. Wood, tempera 126. Naterea Maicii Domnului. Sec. XVIII. Lemn, tempera, sculptare. 45 x 45 cm / Nativity of Our Lady. 18th cent. Wood, tempera, sculpting

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tiraj: 1000 ex. Tipar: S.C. BONS-OFFICES S.R.L. Chiinu, str. Feredeului 4/6, D-2005, Moldova e-mail: bons@bons.md, www.bons.md

ISBN 978-9975-80-566-7. 069.51:7.04(478)=135.1=111 P 73

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