Appendix B:

Bibliography

1. ORCHESTRATION
Anderson, A. O. Practical Orchestration. Boston-New York: C. C. Birchard, 1924. Bennett, R R, Instrumentally Speaking. Melville, New York: Bel win-Mills, 1975. Berlioz, H. Treatise on Instrumentation. Enl. and rev. by R. Strauss. Transl. by Theodore Front. New York: E. F. Kalmus, 1948. Blatter, A. Instrumentation / Orchestration. New York: Macmillan, 1980. Casella, A. La tecnica dell'orchestro contemporanae. Milan: Ricordi, 1959. Clappe, A. The Principles of Wind-Band Transcription. New York: Carl Fischer, 1921. Erpf, H. Lehrbuch der Instrumentation Mainz: B. Schott's Sohns, 1959. Forsyth, C. Orchestration. London: MacMillan, 1942. Gevaert, F. A. Nouveau tro ite d'instrumentation. Paris: Lemaine, 1885. - - - . Cours rnethodique d'orchestration. Paris: Lemaine, 1890. Humperdindinck, E. Instrumentationslehre. Koln: Verlag der Arbeitsgemeinschaft fur rheinische Musikgeschichte, 1981. Isaac, M. Practical Orchestration [for Schools]. New York: Robbins Music, 1963. Jacob, G. The Elements of Orchestration. Westport: Greenwood Press, 1976. Jacob, G. Orchestral Technique; London: Oxford University Press, 1931. Kennan, K. W. The Technique of Orchestration. 3rd ed. Englewood Cliffs: Prentice-Hall, 1983. Kling, H. The Art of Instrumentation. New York: Carl Fischer, 1905.. Koechlin, C. 1. E. Truite de l'orchestration. 4 Vol. Paris: Max Eschig, 1954-1959. 626

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-+

Appendix B Kohs, E. B. An Aural Approach to Orchestration published and available from the author. Kunitz, H. Die Instrumentation. 13 Vol. Leipzig: Breitkopf und Har tel, 1956-1961. --' Lang, P. Scoring for Band. New York: Mills, 1950. 'f Leibowitz, R., and J. Maguire. Thinking for Orchestra. New York: Schirmer Books, 1960. McKay, G. F. Creative Orchestration. Boston: Allyn and Bacon,
1963.

627

Piston, W. Orchestration. New York: W. W. Norton, 1955. Prout, E. Instrumentation and Orchestration. 2 Vol. Boston: Ditson,
1877.

Read, G. Thesaurus of Orchestral Devices. New York: Pitman, 1953. Rimski-Korsakov, N. Principles of Orchestration. Transl. by Edward Agate. New York: Dover, 1953. Rogers, Bernard. The Art of Orchestration. New York: Appleton Century-Croft, 1951. Teuchert, H. and E. R. Haupt Musik-Instrumentenkunde in Wort und Bild. Leipzig: Breitkopf und Hartel, 1924. Wagner, J. F. Orchestration. New York: McGraw-Hill, 1959 . .- Wagner, J. F. Band-Scoring. New York: McGraw-Hill, 1960. Wellesz, E. Die Neue Instrumentation. Berlin: Max Hesse Hand bucher, 1928. Widor, C. M. The Technique of the Modern Orchestra. London: J. Williams, 1906. Wright, D. Scoring for Brass Band. Colne, Lancastershire: J. Duck worth, 1935.

2. THE HISTORY OF THE ORCHESTRA AND ORCHESTRAL INSTRUMENTS

',-

Baines, A. Musical Instruments Through the Ages. Baltimore: Pen guin Books, 1961. - - - . Woodwind Instruments and Their History. London: Faber,
1967.

Barnes, W. H. The Contemporary American Organ. New York: J. Fischer, 1952. Becker, H. History of Instrumentation. Cologne: Arno Verlag, 1964. Bekker, P. The Orchestra. New York: W. W. Norton, 1963. Bellow, A. The Illustrated History of the Guitar. New York: Col ombo, 1970.

628

The Study of Orchestration Belt, P. et al. The Piano. New York: W. W. Norton, 1988. Bevan, C. The Tuba Family. New York: Charles Scriber's Sons, 1978. Blades, J. Percussion Instruments and Their History. London: Faber,
1975.

Brymer, J. The Clarinet. New York: Schirmer Books, 1976. Carse, A. History of Orchestration. New York: Dover Publications,
1964.

- - - . Musical Wind Instruments. New York: Da Capo Press, 1966. Coerne, L. A. The Evolution of Modern Orchestration. New York: Macmillan, 1908. Geiringer, K. Musical Instruments. New York: Oxford University Press, 1945. Coosens, L., and E. Roxburgh. The Oboe. New York: Schirmer Books, 1977. Gregory, R. The Horn. New York: Praeger, 1969. - - - . The Trombone. New York: Praeger, 1973. Kentner, L. Piano. New York: Schirmer Books, 1976. Korn, R. Orchestral Accents. New York: Farrar, Strauss, and Cudahy,
1956.

Kroll, O. The Clarinet. Trans. Hilda Morris. New York: Toplinger,

1968.

Langwill, L. G. The Bassoon and the Contrabassoon. New York: W. W. Norton, 1975. Leipps E. The Violin. Trans. H. W. Parry. Toronto: Toronto Univer sity Press, 1969. Menuhin, Y., Wm. Primrose, and D. Stevens. Violin and Viola. New York: Schirmer Books, 1976. Niland, A. Introduction to the Organ. London: Faber and Faber, 1968. Owen, B. and P. Williams The Organ. New York: W. W. Norton, 1988. Reusch, R. The Harp. New York: Praeger, 1969. Sadie, S. ed. The New Grove Dictionary of Musical Instruments. New York: Grove's Dictionaries of Music, Inc., 1984. Turnbull, H. The Guitar from the Renaissance to the Present Day. New York: C. Scribner's Sons, 1974. Wheeler, T. The Guitar Book. New York: Harper and Row, 1974.

3. INDIVIDUAL INSTRUMENTAL TECHNIQUE a. Strings

Bachman, A. An Encyclopedia of the Violin. Trans. F. H. Martens. New York: Da Capo Press, 1976. Galamian, I. Principles of Violin Playing and Teaching. Englewood Cliffs, New Jersey: Prentice-Hall, 1962.

Appendix B
-T Green, E. A. H. Orchestral Bowings and Routines. Ann Arbor, Mich igan: Ann Arhor Publications, 1957. , Potter, 1. The Art of Cello Playing. Evanston, Illinois: Summy Bir chard, 1964.
. i.;

ti~9

Turetzky, B. The Contemporary Contrabass. Berkeley: University of California Pres, 1974.

b. Woodwinds
Bartolozzi, B. New Sounds for Woodwinds. London: Oxford Univer sity Press, 1967. Biggers, C. A. The Contrabassoon: A Guide to Performance. Bryn Mawr, Pennsylvania: Elkan Vogel, 1977. -+ Cooper, L. H., and H. Toplancky. Essentials of Bassoon Technique. I Union, New Jersey: Toplansky, 1968. Dick, R. The Other Flute. New York: Oxford University Press, 1975. Darn, K. Saxophone Techniques (Multiphonics), Vol 1. Islington, Massachusetts: Dorn Publications, 1975. Howell, T. S. The Avant-Garde Flute. Berkeley: University of Cali fornia Press, 1974. -t- Pellerite, J. A Modern Guide to Fingering for the Flute. Blooming ton, Indiana: Zalo Publishers, 1972. Putnik, E. The Art of Flute Playing. Evanston, Illinois: Summy Bir chard, 1970. Rascher, S. M. Top-Tones for the Saxophone. Boston: Carl Fischer,
1941.

Rehfeld, Ph. New Directions for the Clarinet. Berkeley: University of California Press, 1978. Spenser, W. G. The Art of Bassoon Playing. Evanston, Illinois: Summy Birchard, 1958. Sprenkle, R., and D. Ledet. The Art of Oboe Playing. Evan.ston, Illi nois: Summy Birchard, 1961. Stein, K. The Art of Clarinet Playing. Evanston, Illinois: Summy Bir chard, 1958. Teal, L. The Art of Saxophone Playing. Evanston, Illinois: Summy Birchard, 1963. Tose, G. Aristic Clarinet Technique and Study. Hollywood: High land Music, 1962. Weisberg, A. The Art of Woodwind Playing. New York: Schirmer Books, 1975.

c. Brass
Farkas, P. The Art of French Horn Playing. Evanston, Illinois: Summy Brichard, 1956.