Photography Week

Canon has officially confirmed the development of the long-rumoured EOS R5, its new 8K-shooting, flagship mirrorless camera. There’s still quite a bit we don’t know about the R5, but we know that it’s a full-frame mirrorless camera built around the s

Canon has unveiled the EOS 850D (Rebel T8i in the US) as the new leader of its beginner-friendly DSLR lineup, taking the baton from both the 800D/Rebel T7i and the EOS 77D. So what’s new? Not a lot from the outside, with the 850D’s design very much b

When did you last see a black and white photograph that really inspired and excited you? More importantly, who took it – you? It’s very easy to get complacent, reaching a point where you can produce work that’s technically excellent and creatively so

How can we produce impactful mono images when working with everyday subjects? It could be argued that a lack of colour makes things more difficult; after all, colour has great symbolic and emotive value. However, as wonderful as colour photography is

Purists insist that in order to produce meaningful black and white photographs you must ‘see’ in black and white – move beyond the realism of colour, strip your subject down to its bare bones and previsualise how the final image will look as a monoch

Putting yourself into the right mindset to ‘see’ in black and white can be tricky, but it’s an obstacle that can easily be overcome. You could set your camera to Monochrome mode then shoot in both raw and JPEG – the image you see on your camera’s pre

Depth of field is one of the first things we learn about when we start taking photographs. This relates to the relationship between the selected aperture value and how much of an image is in focus. Wide apertures like f/1.8 will produce a shallow dep

In this video tutorial we’ll show you how to use the Range Mask controls in Adobe camera Raw to apply a series of highly precise local adjustments to an image. The Range Mask options are also available in Lightroom, and work in the same way. Range Ma

1 You can expect to pay at least £0.70/$0.70 per instax Mini print, and at least twice this for a OneStep print. 2 Expect a fixed focal length equivalent to around 35-50mm, although you can find wide-angle cameras. 3 An instant camera with exposure c