Photography Week

Welcome to the world’s No.1 weekly digital photography magazine. If you’re already a reader, thanks for your continued support and involvement; if you’re new to Photography Week, you’ve come to the right place! In addition to expert advice, brilliant

Panasonic has unveiled its latest video-focused fullframe mirrorless camera, the Lumix S5. The big trend in full-frame cameras right now is this kind of hybrid model, and the Lumix S5 joins the growing list options for YouTubers and video creators. A

The rain is beating against the windows, the sky is a leaden grey, and the world just looks drab – and the weather forecast doesn’t look too promising either. Your frustration is slowly growing, especially if it looks like you’ll have to write off an

Many of us know this situation: you’re driving down the highway during late afternoon, and it’s pouring down. Suddenly the rain stops and everything is bathed in golden light. But since it’s not a good idea to stop on the highway, and most of the tim

Fog and mist can be key elements in visual storytelling. Painters have a canvas; landscape photographers have fog. It’s our white space in which we can arrange the picture elements. But this means it’s important to find convincing compositions, and k

Many people think of wide-angle lenses when it comes to landscape photography, but using telephoto lenses broadens your options during misty days. I normally use a 70-200mm to compress the elements in a scene, but even longer lenses are suitable. Try

There are few things more beautiful than fog floating in and rolling over the hills. To capture this sort of image you need floating fog, a viewpoint that sticks out of the fog, some knowledge of the direction in which the wind is pushing the fog, an

Bad weather means muted conditions, muted light and muted colours, and therefore a good option can be to focus on structures and patterns. Foggy and misty scenes are often good candidates for minimalist black-and-white, photography, particularly with

When it comes to overcast conditions, you may find you have an advantage when it comes to editing. As a result of the duller light the dynamic range is frequently reduced, which means you don’t have to worry about lifting deep, dark shadows or dialli

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“I often prefer to work with ambient light, but in this case I used a single Profoto monolight, directed onto my model from above. The idea was to demonstrate how you can get a great photo using just a single source of light, and also by focusing on

Wildlife Photographer of the Year is one of the biggest events on the photography awards calendar, and ahead of the announcement of this year’s winners the organisers have shared 16 highly commended images – and if these photos are anything to go by,

30 MINS If you want to shoot long-exposure landscapes you need a set of neutral density filters of different strengths that screw on to the end of your lens, or slot into a holder, right? The problem with those is that you have to carry around a pouc

We’ve become used to seeing Adobe roll out regular updates to Photoshop, Camera Raw and Lightroom, and this summer it came up with the goods once again. The real showstopper is Select Subject. First introduced in 2018, the command uses AI to isolate

www.fujifilm.co.uk £749/$699 Fujifilm is perhaps best known for its classically designed X-series cameras, with external exposure controls and traditional handling. It also makes entry-level mirrorless cameras in its X-A range, designed for first-tim

We tested the X-T200 against the Canon EOS M6 II, Olympus OM-D E-M10 III and Nikon Z 50. The X-T200 performs as we’d expect, with its 24.2MP sensor slotting in between the 16.1MP Olympus and the 32.5MP EOS M6 II. The Nikon Z 50 produces sharp shots f

N-Photo is a monthly magazine for Nikon photographers, and is packed with technique and Photoshop video lessons every month. http://bit.ly/3atHLfO https://apple.co/2TNE26T A monthly magazine that aims to improve your photography with an inspirational