This week, we’re thinking about science as an instrument, and the parallels between an understanding of music and the history of science. Thomas Levenson, Professor of Science Writing at MIT and author of Newton and the Counterfeiter, returns to talk about his 1994 book Measure for Measure: A Musical History of Science. And on the podcast, we’re joined by Vaughan Macefield, Professor of Integrative Physiology at the University of Western Sydney, to talk about his project that translates neural impulses into audible sound.