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Kate Chopin
1904) wrote two published novels and about a hundred short stories in the 1890s. Most of her fiction is set in Louisiana. Published by some of America's most prestigious magazines, including Vogue and the Atlantic Monthly. Her stories appeared in anthologies from the 1920s.
Curiosity: Vogue first issue had come
out just a few weeks before, in December 1892. It cost ten cents (about $2.30 in 2009 American dollars).
Louis, Missouri, on February 8, 1850. Her father was Thomas O'Flaherty of County Galway, Ireland. Her mother was Eliza Faris of St. Louis. Kate's family on her mother's side was of French extraction. Kate grew up speaking both French and English. She was bilingual and bicultural. 1868 Kate attended the St. Louis Academy of the Sacred Heart. Mentored by woman--by her mother, her grandmother, great grandmother, as well as by the Sacred Heart nuns.
undertaking a literary career to the major new ideas and fiction of her time, reading fully in Charles Darwin, Herbert Spencer, and the French naturalists.
From 1867 to 1870 Kate kept a "commonplace book" in which
she recorded diary entries. Writing for her was a therapy against depression.
Chopin's seemingly different writing style did in fact emerge
from an admiration of Guy de Maupassant. ...I read his stories and marveled at them. Here was life, not fiction
Today Kate Chopin is best known for her sensitive treatment of women's lives. But in the 1890s she was praised mostly for her "local color," her pictures of Louisiana Creoles and Acadians. All topics part of her Naturalism view.
Novels
At Fault The Awakening
"Free, free, free!" Later, when she discovers that her husband is alive, she dies out of grief. The doctors believe that she died from the joy of seeing her husband.
In 1904 Chopin returned home from a fair, she was very tired. She died the day after, doctors thought that she had had a cerebral hemorrhage.
Thank You
In his 1969 biography, Per Seyersted summarizes what Kate Chopin accomplished. She "broke new ground in American literature," he says. "She was the first woman writer in her country to accept passion as a legitimate subject for serious, outspoken fiction. Revolting against tradition and authority.
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