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Expressionism
Art as an expression of
inward feeling by means of
simple plasticity
Background
Intellectual violence :
Mysticism of Kierkegaard
Existentialism of Heidegger
Tortured social preoccupations Ibsen
Febrile anguish of Whitman.
Aggressive Dionysian myths Nietzsche.
This all created a climate of intellectual
violence, which intoxicated the young.
Characteristics
In fauvism & Expressionism feeling is given
grater prominence than thought.
Artists dose not use medium to describe
situations but to express emotion.
So the manipulation goes beyond the
accepted aesthetic conventions.
Artists may choose a subject which in itself
evokes strong feelings, like
Repulsion Death Anguish Torture
Suffering.
Fauvism(1906-1907)
Expressionism has always been regarded as
German Phenomenon
but its appearance
in modern painting is the result of a liberation
of colour and form which took place in France
in the short lived style Fauvism.(ended after
one year)
In 1906 a group of artists gathered round
Henri Matisse started painting in a style
which later came to be known as Fauvism.
Louis Vauxcelles(Art critic) described the
group as Fauves (wild beasts)in one
exhibition, initially he had passed remarks as
an unfriendly criticism.
Characteristics of Fauvism
These artists were more sophisticated and
intellectual.
They formed a group instead of working
alone.
They saw a new vision in the art
They used violent colours, which were non
realistic (displacement of colours)
Their draftsmanship was crude, through their
unusual colours and shapes Fauves
discovered new ways of expressing feeling.
Henri Matisse
The Pianista
Andre Derain
London Bridge
Boats at Collaire
Maurice De Vlaminck
Portrait of Derain
1905, oil
Georges Rouault
Expressionism(1912)
Movement of revolt along with literature and
music, reached its climax with first world war.
Richard Reiche described Ex. as striving for a
simplification and enhancement of forms and
expression.
Ex. gives primary importance to the inner
world of the emotions, by contrast to
Impressionism.
In art the process of realization must proceed
from the internal to the external not from
external to internal. (Kandinsky characterized
20th C. as the Century of the internal as
opposed to the C. of external)
Origin of Expressionism
Post-Impressionism, Fauvism, Edward Munch
1905-1913
1911-1914
1 E.L. Kirchner
1 Wassily Kandinsky
2. K. Schmidt Rottluff
2. Franz Mark
3. Erich Heckel
3. Macke
4. F. Bleyl
4. Chmpendonk
5. Paul klee
Individual Artists
1 Beckman
4. Kokoschka
2. Ensor
5. Rouault
3. Nolde
6. Soutine
Expressionism
Edward Munch
Puberty, 1895
Madonna, 1895-1902
The Bridge
Group
E.L.Kirchner
K. Schmidt- Rottluff
Summer, 1913
Erich Heckel
Brickworks, 1907
Franz Marc
Tiger,1912
Deer in wood-2,
1913-14