Sunteți pe pagina 1din 22

Art, Technology and Data as Culture

Hannah Redler, ODI Associate Curator in Residence


@hannah_redler
theodi.org/culture

Data as Culture 3: Data Anthropologies


Thomson & Craighead / DAC Collection leaflet, 2015
Open Data Institute

Science Museum Wellcome Wing, as launched in 2000: Digitopolis (top) and Who am I? 2000 galleries.
Image: Science Museum

Art students

Sensation exhibition of YBAs at the Royal Academy of Arts,


1997
Exhibition design / image: Sophie Hicks Architects

Paul Sermon Telematic Vision, 1993


At ISEA 1994

Pong, or my complete failure at writing code

Watched and Measured


2000
David Rokeby
Winner 2000 Interactive Art BAFTA
Science Museum Collection

Machination
2000
Tessa Elliott & Jonathan Jones Morris
Science Museum Collection

Energy: fuelling the future


Science Museum , London
2004
Lead design: Casson Mann
Graphics: Graphic Thought Facility Lighting: dha
Artists & designers: Kitchen Rogers Design, Robson & Jones, Spiral, Allofus, Blast Theory,
Christian Moeller, Simon, Tegala, Mike Stubbs, Dunne & Raby, Soda, Plant with Land Transmedia

Do not touch
2004
Christian Moeller
Science Museum Collection

Do not touch
2004
Christian Moeller
Science Museum Collection

Listening Post I/III, 2003


Mark Hansen & Ben Rubin
Science Museum Collection
Images courtesy the artists
Acquired 2007 with a grant from The Art Fund

Mark Hansen & Ben Rubin


Listening Post I/III, 2003
Science Museum Collection
Photo: Graham Peet

London Tigers with various artists


Being Connected 2008
Science Museum Arts Programme

Vending Machine, 2009


Ellie Harrison
DAC1

The Obelisk , 2012


Fabio Lattanzi Antinori
DAC1

Watching the Watchers


James Bridle
2013 ongoing
DAC2

Julie Freeman
We Need Us, 2014
weneedus.org
Commissioned by the ODI
and The Space

Thomson & Craighead


Decorative Newsfeeds,
2004 (ongoing)

Natasha Caruana
works from the series
Fairytale for Sale,
2010-13

I take the theft of my original work very seriously and


would draw to your attention it is protected under UK
copyright law. Please note I will always sue for
compensation if ANY PART of my website, designs,
sculpture, photos, or SEO whether text or images, are
found being used without prior authorisation in writing.
This includes derivative works. The law is quite explicit
that the making of what is called 'derivative work' (that
means works based or derived from another
copyrighted work) is the exclusive province of the
owner of the original work"

Where is our cultural thinking going?


LAST CENTURY
NOW AND BEYOND
Hierarchical
Distributed
Object Data
Mine
Ours
Authored
Shared
Boxes Systems
Broadcast Transmission
One-to-many
Many-to-many
Elite Democratic
Defined disciplines
Hybrid

Thank you

theodi.org/culture
hannah.redler@theodi.org
@hannah_redler

S-ar putea să vă placă și