Global Pop Symposium, Tate Modern

Antnio Dias:
[Title]
[Name]
a pop artist from the underdeveloped
world
[Date]

Fernanda Lopes Torres

Multirio - Media Company of Rio de Janeiro City / University of Rio de Janeiro State

Antnio Dias. The American Death: Bamboo!, 1967

Acrylic vinyl on canvas; 97 X 190 cm; Pinacoteca de So Paulo

Antnio Dias. Anywhere is my land, 1968

130 X 195 cm; Acrylic on canvas; Private collection

Antnio Dias. Organized Rage, 1993

Acrylic, graphite on canvas; Collection Dr. Francisco Mssnich

Antnio Dias
Note on the Unforeseen Death, 1965

Oil, acrylic, vinyl, and plexiglass on cushioned canvas

and wood; 195 X 176 X 63 cm
Collection of the artist

Braslia 1 April 1964

Photo: Agncia JB

[Title]
[Name]
[Date]

Antnio Dias. Untiltled, 1967

Ink and watercolor on paper ; 22,5 X 30 cm; Collection Genevive & Jean Boghici

Antnio Dias.
The Heros Remains, 1965

Oil and acrylic on cushioned canvas and wood

187 X 176 X 32 cm
Collection of the artist

Acrylic and vinyl on canvas, nails and laminated plastic on wood; 65 X 91 X 10 cm; Private Collection

Antnio Dias.The American Death / The Invader, 1968

Antnio Dias. You Escaping, 1964

Oil and acrylic on wood and masonite 122 X 122 cm Collection of the artist

Rubens Gerchman. No vacancies, 1965

Acrylic on wood; 119 X 170 X 10 cm; Collection Genevive and Jean Boghici

Hlio Oiticica. Tropiclia, 1967

Whitechapel Art Gallery, London, 1969

Antnio Dias.
America, the naked hero, 1966

Acrylic on wood, cushioned canvas and Duratex

83 X 61 X 10 cm
Collection Genevive and Jean Boghici

Antnio Dias. The Smile, 1964

Oil on plaster on masonite; 28 X 50 cm. Collection of the artist

Antnio Dias. Heart to Squeeze, 1966

Acrylic on cushioned canvas, red electric bulbs,

113 X 103 X 15 cm
Collection Nina Canongia Dias

Antnio Dias. The Invented Country (God-Will-Give-Days), 1976

Satin and brass; 500 cm; Museum of Modern Art

Lygia Clark. Cocoon, 1959

Iron, 30 X 30 X 5 cm
Collection Jos Resende

Antnio Dias. Dogs Dream, 1967

Ink and watercolor on paper; 14.8 X 20 cm; Collection Genevive & Jean Boghici

Antnio Dias.
Accident at the Game, 1964

Vinyl and acrylic on cushioned canvas and wood

103 X 55 X 77 cm. Collection of the artist

Antnio Dias. Here a suitcase, 1965

Ink and watercolor on paper; 35 X 49,5 cm ; Collection Genevive & Jean Boghici

Antnio Dias. AlphaOmega Biography, 1968

Acrylic on canvas; 190 X 380 cm; Private Collection

Antnio Dias. My portrait, 1967

Acrylic on wood and cushioned canvas, wire

170 X 122 X 52 cm
Collection of the artist

Antnio Dias. Solitary, 1967

Laminated plastic on wood, rubber, cotton, glass, metal;

55,5 X 50 X 50 cm
Daros Latinamerica Collection, Zurich

Antnio Dias. Collective, 1967

Laminated plastic on wood and synthetic grass

52,1 X 50,8 X 50,8 cm
Daros Latinamerican Collection, Zrich

Antnio Dias. Anywhere is my land, 1968

130 X 195 cm; Acrylic on canvas; Private collection

BIBLIOGRAPHIC REFERENCES

BRITO, Ronaldo. Neoconcretismo: vrtice e ruptura do movimento construtivo brasileiro.

[1985; reed. So Paulo, Cosac & Naify, 1999].
DUARTE, Paulo Srgio. Anos 60: transformaes da arte no Brasil. Rio de Janeiro, Ed.
Campos Gerais, 1999.
GLASER, Bruce. Interview with Claes Oldenburg, Roy Lichtenstein and Andy Warhol.
ARTFORUM vol. IV n 6. February 1966.
OITICICA, Hlio. "Vivncia do Morro do Quieto". Rio de Janeiro, 1966-1967.
http://www.itaucultural.org.br/
____________. "Esquema Geral da Nova Objetividade". Rio de Janeiro, MAM, 1967.

PEDROSA, Mrio. "Do Pop americano ao sertanejo Dias. Correio da Manh, 29. 10. 67.
SALZSTEIN, Snia. Cultura Pop: astcia e inocncia. In Novos Estudos, n 76, So Paulo,
CEBRAP, novembro 2006.
Carlos ZLIO. "Da antropofagia Tropiclia". In ZLIO, Carlos; LAFET, Joo Luiz;
LEITE, Lgia Chiappini. O nacional e o popular na cultura brasileira. So Paulo,
Brasiliense, 1982.

THANKS TO
Tate Modern
Antnio Dias
Carlos Zlio, Paulo Srgio Duarte, Sonia Salzstein,
Ronaldo Brito

fernandalopestorres@uol.com.br