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Sydney is cooking in the kitchen when she discovers her husband Stephen laying injured on the basement floor. She attacks him with an axe. When a bible salesman rings the doorbell, Sydney answers to avoid being caught. Afterward, she smiles at her reflection in the mirror, having restored her equilibrium by covering up her crime. The film is targeted towards ages 15-30 of all ethnicities and socioeconomic groups E-C1. It features the characters of Sydney Johnson, Stephan Clay, and a Bible Salesman at an unspecified location with unspecified props and music.
Sydney is cooking in the kitchen when she discovers her husband Stephen laying injured on the basement floor. She attacks him with an axe. When a bible salesman rings the doorbell, Sydney answers to avoid being caught. Afterward, she smiles at her reflection in the mirror, having restored her equilibrium by covering up her crime. The film is targeted towards ages 15-30 of all ethnicities and socioeconomic groups E-C1. It features the characters of Sydney Johnson, Stephan Clay, and a Bible Salesman at an unspecified location with unspecified props and music.
Sydney is cooking in the kitchen when she discovers her husband Stephen laying injured on the basement floor. She attacks him with an axe. When a bible salesman rings the doorbell, Sydney answers to avoid being caught. Afterward, she smiles at her reflection in the mirror, having restored her equilibrium by covering up her crime. The film is targeted towards ages 15-30 of all ethnicities and socioeconomic groups E-C1. It features the characters of Sydney Johnson, Stephan Clay, and a Bible Salesman at an unspecified location with unspecified props and music.