Documente Academic
Documente Profesional
Documente Cultură
MA English
Qurtuba University, Peshawar
A REVERIE
Kifayat
Qurtuba University,
Peshawar
INTRODUCTION
The children of James Elia, John and Alice, asked Lamb to tell them
about their great grandmother- Mrs. Field.
When the grandmother died many people in the neighborhood attended her
funeral.
She was also a good dancer when she was young. Here, Alice moved her feet
unconsciously as she too was interested in dancing. Grandmother was tall and
upright but later she was bowed down by a disease called cancer.
She invited her grand children (John Lamb, and Jams Elia are brothers) to the old
house during the holidays.
In the garden, there were fruits like nectarines, peaches, oranges and others.
Elia never plucked them but rather enjoyed looking at them.
Here John deposited a bunch of grapes upon the plate again. He was showing that
he too was not tempted by fruits.
SUMMARY
despair.
He explained to them what coyness, difficulty and
see them.
From a great distance they seemed to say that they were not children
of Alice nor of him, they were not children at all, they were only what
might have been.
When he woke up he found himself in an armed chair.
He had fallen asleep and he had been dreaming. James Elia had
vanished.
On the chair was only Charles Lamb.
Themes
THEMES
The theme of Lamb's essay is regret and loss: regret for
unfulfilled joy, unfulfilled love, lost hope, lost opportunity
and lost joys of life. There are three topics describing
the theme of regret and loss at work in this essay.
The first of these is the loss of past happiness as
represented by the house--with its carved mantle that a
"foolish rich person pulled ... down"--and by great-
grandmother Field and by the speaker's brother John.
Both great-grandmother Field and John died painful
deaths while Charles Lamb watched on being then left
alone without their presence, love and care: what he
missed most was their presence: "I missed him all day
long, and knew not till then how much I had loved him."
THEMES
The second topic describing regret and loss is his beloved Alice
(Anne Simmons). Lamb courted her "for seven long years" and, in
the end, his suit for her love was a failure. This explains why the
dream child is named Alice and this explains why he becomes
confused about which Alice, younger or elder, he is really looking at:
turning to Alice, the soul of the first Alice looked out at her eyes with
such a reality of re-presentment, that I became in doubt which of
them stood there before me, or whose that bright hair was ...
This leads to the third thematic topic: the children who never
were. In a surprise ending, in a dramatic (and at first bewildering)
twist, we learn that the children he has been telling stories to--
stories of loves and life-joys he regrets losing--are air, are a figment
of a dream in a bachelor's sleep. These are the children that would
have been, that could have been, that might have been if Alice had
granted Lamb her love and if they had wed. As it is, they are but
phantoms of a dream. All he really has is "the faithful Bridget
[representative of Lamb's sister Mary] unchanged by my side."
A Freudian View of Dream
Children: A Reverie
I never could be tired with roaming about that huge mansion, with its
vast empty rooms, with their worn-out hangings, fluttering tapestry,
and carved oaken panels, with the gilding almost rubbed out
sometimes in the spacious old-fashioned gardens, which I had almost to
myself, unless when now and then a solitary gardening man would
cross meand how the nectarines and peaches hung upon the walls,
without my ever offering to pluck them, because they were forbidden
fruit, unless now and then,and because I had more pleasure in
strolling about among the old melancholy-looking yew trees, or the firs,
and picking up the red berries, and the fir apples, which were good for
nothing but to look ator in lying about upon the fresh grass, with all
the fine garden smells around meor basking in the orangery, till I
could almost fancy myself ripening, too, along with the oranges and the
limes in that grateful warmthor in watching the dace that darted to
and fro in the fish pond, at the bottom of the garden, with here and
there a great sulky pike hanging midway down the water in silent state,
as if it mocked at their impertinent friskings,
CONT