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Documente Cultură
The role of
dialogue and
conflict styles
10 reasons for poor listening
Effort – its hard to stay focused
Message overload – too much at once
Rapid thought – 600 wpm vs 140 wpm
Psychological noise – personal concerns
Physical noise – distractions (fatigue)
Hearing problems – frustration
Faulty Assumptions - “heard it all before”
Talking has more advantages = > who interrupts
more?
Cultural Differences
Media influences – MTV, sound bytes, radio, TV
LISTENING
What do good listeners look like?
Verbally
Nonverbally
Listening is not a natural process.
Listening requires effort (active not passive)
All listeners do not receive the same
message.
We hear uniquely different messages
Physiological factors, social roles, cultural
background, personal interests, and needs.
Listening Stages
Attending – paying attention. Mindfulness.
Understanding/Interpreting
Assigning meaning to messages
PRINCIPLE: The greater the similarity
between individuals, the greater the likelihood
for more accurate understanding.
PRINCIPLE: People understand best if they
can relate what they are hearing to something
they already know.
Listening Stages … continued
PRINCIPLE: You understand best that which
you also experience.
Responding: Giving observable feedback to
speaker
Clarifying a message
Care about what the speaker says
Confirming understanding of a message
Nonverbal responses
Feedback – verbal responses
Remembering
FAULTY LISTENING
Yes you can go to the I heard you.
concert, but I want you I heard you say that you
to call me when you get want me home by 11:00
there, and I want you to p.m.
take out the trash I heard what you said.
before you go, and you
need to be home before Here we go again with
11:00 p.m. the trash!
I don’t think you Uh huh.
understand what I’m
I heard exactly what
saying.
you said.
Four Personal Listening Styles
CONTENT ORIENTED: Focus on issues and
arguments
PEOPLE ORIENTED: Focus on feelings and
emotions
ACTION ORIENTED: Impatient and often
finish speakers’ thoughts – tend to second
guess
TIME ORIENTED: Prefer bulleted talking
points quickly and briefly.
THE PARABLE
The Players
ROSEMARY 21 year old woman
HERNANDO Fiancé
SVEN Boat Owner
LEE Acquaintance
SEICCHI Someone who listens to
Rosemary’s story
ROSEMARY, is a young woman about 21 years old. For a long time she
has been engaged to a young man named HERNANDO and she is coming
from a great distance to meet him for their scheduled wedding. The
problem she faces is that between her and her betrothed there lies a river.
No ordinary river, mind you, but a deep wide river infested with huge
crocodiles.
TEAM ASSIGNMENT
Discuss the characters whose behavior you
MOST APPROVE and LEAST APPROVE.
Use active listening skills to reframe what
your team mates said.
Ask questions to clarify.
Come up with a group consensus of the rank
order choices.
LISTENING STRATEGIES
Informational Emphatic
Critically
INFORMATIONAL LISTENING
Counterfeit questions
make statements
carry hidden agendas
INFORMATIONAL LISTENING
Counterfeit questions
seek “correct” answers
based on unchecked assumptions
INFORMATIONAL LISTENING
Paraphrase
Take notes
Don’t wait too long before beginning to jot
down ideas
Record only key ideas
Develop a note-taking format
CRITICAL LISTENING
Listen for information before
evaluating
Evaluate the speaker’s credibility
Is the speaker competent?
Is the speaker impartial?
CRITICAL LISTENING
Advising
Be confident that the advice is correct
Ask yourself whether the person
seeking your advice seems willing to
accept it
EMPATHIC LISTENING
Advising
Be certain that the receiver won’t
blame you if the advice doesn’t work
out
EMPATHIC LISTENING
Judging
The person with the problem should have
requested an evaluation from you
Your judgment is genuinely constructive
and not designed to be a put-down
EMPATHIC LISTENING
Analyzing
Offer your interpretation in a tentative way
rather than as absolute fact
Your analysis ought to have a reasonable
chance of being correct
EMPATHIC LISTENING
Analyzing
You ought to be sure that the other person
will be receptive to your analysis
Be sure that your motive for offering an
analysis is truly to help the other person
EMPATHIC LISTENING
Questioning
Don’t ask questions just to satisfy your own
curiosity
Be sure your questions won’t confuse or
distract the person you’re trying to help
EMPATHIC LISTENING
Questioning
Don’t use questions to disguise your
suggestions or criticisms
EMPATHIC LISTENING
Supporting
Make sure your expression of support
is sincere
Be sure the other person can accept
your support
EMPATHIC LISTENING
Prompting
involves using silences and brief statements
of encouragement to draw others out, and
in so doing, helping them solve their own
problems
EMPATHIC LISTENING
Paraphrasing
Is the problem complex enough?
Do you have the necessary time and
concern?
Are you genuinely interested in helping the
other person?
EMPATHIC LISTENING
Paraphrasing
Can you withhold judgment?
Is your paraphrasing in proportion to
other responses?
EMPATHIC LISTENING
seeking first to
understand