Documente Academic
Documente Profesional
Documente Cultură
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5. Do not hypenate words. It is better to see it as a
whole.
6. Indent five spaces for each new paragraph.
7. Do not put more than one story on one sheet of
paper. There may be some developments or
updates before you go on air. Another story may
add confusion requiring time (seconds) you
don’t have.
8. Do not carry a sentence or paragraph from one
page to another. End it with the same page.
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9. Write for the ear.
10. Keep your story short and simple: Be direct to
the point.
11. Keep editing marks simple. Editing symbol
does not apply. If your copy is sloppy, pull it
out and redo the entire script.
12. Be accurate. Check and double check
facts.
13. Write in conversation style.
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14. Use present tense
15. Simplify the punctuation. Use period to end a
sentence. Use comma to indicate a short
pause. Dashes and dots to indicate a longer
pause.
16. Be clear and concise – Communicate your
information quickly with little confusion as
possible.
17. Write with clarity.
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1. It is spoken. A radio program is not
written literature, it is TALK. Use only the
spoken words of everyday speech. The
broadcast style should be natural, not
affected nor artificial.
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Contractions, which are commonly used in
conversations, like that’s, there’s, he’s,
they’re, won’t, isn’t, aren’t can be used in
broadcast materials. But avoid contractions
if you want to emphasize a word especially
in a strong negative statement.
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2. It is immediate. Radio is the “now” medium.
It’s greatest advantage over the newspaper
is immediacy. It can report events as they
happen. News reports aired through the
radio should be in the present or progressive
tense.
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3. It is person to person. Writing for radio is not oratory, it
is informal. It is between the newscaster and the
audience. In news programs, the style may be a little
formal but certainly not as rigid as in the newspaper.
Try to avoid bureaucratic language.
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4. It is heard only once. The rule is for you to use simple,
declarative sentences. Make your sentence short.
One concept per sentence.
Crammed: A nine-year chase for Southeast Asia’s
most wanted man who trained Muslim extremists in
Mindanao has ended with the killing of terror
mastermind Noordin Muhammed Top in a shoot-out
in his hideout, ahead of a planned visit by US
President Barack Obama this year
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5. It is sound only. Use words to convey
concrete images. Under this principle, the
scriptwriter is cautioned against using words
with clashing sound.
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1. Date of the report. Usually placed on the top right
hand corner of the copy. This will enable the copy to
be filed chronologically.
2. Slug. Under the date would be the slug or catchline,
one or two words that would convey the essence of
the story. Avoid using generic words as “meeting”, or
“accident”
3. Time. Just after the slug, put the time of broadcast
for which the copy is prepared.
4. Body. Body text of the story will follow.
5. Source. At the bottom left hand corner of the copy,
put the source of the story. This will include the initials
of the reporter, his beat and the initials of the editor.
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Sample Radio News Copy
Date 10/07/09
Body Slug FIL-AM CONFESSED
Time 7:00 P.M.
A US Navy Fil-am medic told a military court Friday how
seven marines dragged an Iraqi civilian from his home and shot him
in cold blood before covering up the brutal slaying.
hernandez/DFA/DAVILA/0918-1234321 Source
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Sample Radio News Copy
10/6/09
HISTORIC HOUSE
9:00 A.M.
The Philippine Government is set to bid out for the development of four
properties in Japan. Two properties in Tokyo and another two in Kobe will be
developed through the Build – Operate – Transfer scheme. The total land area
of the properties is approximately 10,000 square meters.
Tokyo properties would be developed for mixed residential and diplomatic
use. Kobe properties would be developed in accordance with standards and
restrictions in the area.
The Philippine Government shall retain title to and ownership of the lands.
Bacolodan/DFA/Babao
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Person Effects Text Duration
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THANK YOU
Source: Journalism
Who, What, When, Where, Why and How
by James Glen Stoval
5 – MINUTE BROADCAST SEQUENCE
STATION ID (STINGER, OPTIONAL)OWN TAGLINE, A MUST
INTRO OF HOSTS
HEADLINES (STINGER, BACKGROUND LEVEL ,STARTS HERE)
ADS/INFOMERCIAL (OPTIONAL)
NATIONAL NEWS (2 ITEMS)
LOCAL/REGIONAL NEWS (1 ITEM)
INTERNATIONAL NEWS (1 ITEM)
ADS/INFOMERCIAL
SHOWBIZ (DIFFERENT STINGER, OPTIONAL, 1 ITEM)
SPORTS NEWS (DIFFERENT STINGER, OPTIONAL, 1 ITEM)
EXTRO OF HOSTS / HEADLINES / RECAP
STATION ID (IF TIME WARRANTS)
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