ENABLE AUDIENCE TO HEAR AND WATCH PERFORMANCES AT A VENUE . AUDITORIA CAN BE FOUND IN ENTERTAINMENT VENUES, COMMUNITY HALLS,THEATERS, REHEARSAL, PRESENTATION ETC. SIGHT LINES If The Patron Is To See Satisfactorily, Plan And Section Must Conform To A Number Of Limitations Which Are Set Forth In The Following List .
To Design An Auditorium Is To Determine A
Seating Area Within These Limitations And To Establish Position (Not Shape) Of Walls And Shape Of Floors Therefrom .
The Horizontal Angle Of Polychromatic
Vision (No Eye Movement) Is Approximately 40 . The Horizontal Angle To The Center Line At Which Objects Onstage, Upstage Of The Curtain Line, Cease To Bear The Intended Relationship To Other Objects Onstage And To The Background Is Approximately 60 ' . A point 3 ft 8 in . below, and 18 in . i n front of the eye position will be the floor level for the front row . (1) Draw a sight line from the eye position toEstablish a point 5 in . above the intersection of the extended sight line and the next vertical line . (3) This is the eye position for the second row end the floor level at the front edge of the second row seat is 3 ft 8 in . Aspect Ratio It used to be that the only sensible way to size a projection screen was to give its measurements, its height and its width. Nowadays people are much more inclined to specify a screen by giving just a single number - its diagonal. Proscenium Widths, in Feet, for Kinds of Theatrical Production Minimum Usual Reasonable maximum Drama. . . . . . . . . . 26 30 to 35 40 Vaudeville, revue . . . 30 35 45 Musical comedy, operetta . . . . . . . . 30 40 50 Presentation, opera . . . . . . . . . 40 60 80 Eye and Head Rotation • Eye Rotation Only — Optimum: 15° left - to - right — Maximum: 35° left - to - right — Optimum: Parallel and down 30° — Maximum: 25° above parallel;; 35° below parallel • Head Rotation Only — Optimum: Straight ahead — Maximum: 60° left - to - right — Maximum: 50° above and below parallel • Eye and Head Rotation — Optimum: 15° left - to - right — Maximum: 95° left - to - right — Optimum: Parallel and down 30° — Maximum: 75° above parallel Judged by the audience's ability to recognize shapes, and confirmed by free audience choice of seats, the following is the order of desirability of locations : a . front center (except when the screen is close to the front row) 6. middle center c . middle side d. front side e . rear center f. rear side 5 . Audiences will not choose locations beyond a line approximately 100 to the curtain at the side of the proscenium . 6 . The vertical angle beyond which ability to recognize standard shapes falls off very rapidly is approximately 30 (see Figs . 1 5 and 16) . 7 . The recommended maximum angle of motion picture projection to the horizontal is 12` The standing spectator's eye level behind the rear row of seats is assumed to be 5 ft 6 in . above the floor level of the last row. The sight line from this position to the top of the screen or highest probable curtain trim establishes the minimum height for ceiling under balcony . Each wheelchair space shall have unobstructed line of vision to the stage areas at which the relevant activity takes place, and be of minimum size of 800 mm x 1300 mm, with the side of 800 mm facing towards the stage podium or screen.
The minimum width of the passage leading to a wheelchair space from
an accessible entrance of the auditorium shall not be less than 1500 mm. Where conventional seat numbers are provided, Braille and tactile seat number should be provided at the top of each seat rest. Seating Occupants of all seats are visually related to the performance when the seats are oriented toward the stage . This necessitates curving the rows of seats . The center of curvature is to-cated on the center line of the auditorium approximately the depth of the house behind the proscenium . Budgetary limitations may dictate that seats be in straight rows to simplify construction ; these rows can at least be related to the center of attention on stage by being placed on chords of the optimum row curvature . Aisles perpendicular to the curtain line often have the accidental result of making side section seats undesirable because people using the aisles interrupt the view toward the stage . for purposes of seeing, radial aisles are best, THANK YOU !