Documente Academic
Documente Profesional
Documente Cultură
WORLD LITERATURE
PERIODS OF WORLD LITERATURE
I. The Classical Period (750- B.C. – A.D. 476)
II. The Anglo-Saxon Literature
III. The Medieval Period
IV. The Renaissance Literature
V. The Seventeenth & Eighteenth Centuries
VI. The Nineteenth Century
VII. The Twentieth Century
I. The Classical Period
(750- B.C. – A.D. 476)
Our classical heritage consists of the work of the
ancient Greeks and Romans.
2. Epics – are long poems about heroic deeds which grew out of the oral
tradition. The Iliad and The Odyssey are two epic poems that the poet
Homer composed during the 700’s B.C. For hundreds of years, epic
poems are presented at religious festivals. They also served as textbooks
for Greek children.
The Iliad (/ˈɪliəd/;[1] Ancient Greek: Ἰλιάς Ilias,
pronounced [iː.li.ás] in Classical Attic;
sometimes referred to as the Song of Ilion or
Song of Ilium) is an ancient Greek epic poem
in dactylic hexameter, traditionally attributed
to Homer.
A scop is a professional singer or minstrel. The scop would recite poems or retell
stories about the legendary heroes and adventures. Sometimes the warriors would
present at the gathering would sing about their own heroic deeds.
The oral tradition reflected values that were largely pagan. Yet it continued for
many years after the Anglo-Saxon were converted to Christianity. Original works by
Christian writers also reflected the themes and the spirit of this oral literature.
Types of Anglo-Saxon Poetry
1. A heroic epic is a long narrative poem whose central character is a hero, who is a noble
figure with great courage and sometimes superhuman abilities. The most famous of these
epics is Beowulf. It tells of heroic deeds that were supposed to have happened during the
second or third century A.D.
2. An elegiac lyric is a lyric poem in which a single speaker expresses thoughts and feelings.
Like heroic epics, elegiac lyrics often recall the glories of the past. They deal with solemn
subjects such as death. “The Seafarer,” which probably was composed in the early 700’s, is an
elegiac lyric.
3. Riddles were another form of Anglo-Saxon literature. Composed in verse, they challenged
the listener or readers to guess their subject.
4. The Christian poets who wrote original works were influenced by the Anglo-Saxon oral
tradition. Two such poets were the monks Caedmon and Cynewulf. Although their poems
deal with religious topics and themes, their rhythm and imagery are similar to the poetry that
developed from the Anglo-Saxon oral tradition.
Beowulf (/ˈbeɪoʊwʊlf/ Old English:
[ˈbeːo̯ˌwulf]) is an Old English epic poem
consisting of 3,182 alliterative lines. It may
be the oldest surviving long poem in Old
English and is commonly cited as one of
the most important works of Old English
literature
Anglo-Saxon Prose
English prose developed much later than poetry. Until King Alfred came to
power in 871, most prose was written in Latin.
Another important historical work was Bede’s Ecclesiastical History of the English
People, written in 731. This work was translated from Latin into English in
approximately 900.
III. The Medieval Period
(1000-1500 A.D.)
Much of the literature of the Medieval Ages was
presented orally. The literature took the form of songs,
romantic tales, epic and lyric poetry, and plays. This era
also produced several of the first great European writers
to express themselves in their own languages rather than
in Latin. These writers created works that still stand as
masterpieces of world literature.
Forms of Medieval Literature:
1. Ballads – are narrative songs that became popular during the middle ages. They told
stories about ordinary people as well as legendary heroes. They often contained themes
related to love, envy, bravery, loyalty, and revenge. Although many of these songs told of
tragic or disastrous events, others were quite humorous.
2. Romances – are tales of adventure that celebrate the brave deeds of noble knights.
Some examples are:
a. The Romance of the Rose – one of the most important French Romances.
b. Morte d’ Arthur – written by Thomas Malory in the 1400’s, was the first England prose
version about King Arthur and the Knights of the Round Table.
c. Tales about King Arthur also were composed in other countries, including Italy, France,
and Germany.
The Roman de la Rose (French:
[ʁɔmɑ̃ də la ʁoz]; "Romance of the
Rose"), is a medieval French poem
styled as an allegorical dream vision.
It is a notable instance of courtly
literature. The work's stated purpose
is to both entertain and to teach
others about the Art of Love. At
various times in the poem, the "Rose"
of the title is seen as the name of the
lady, and as a symbol of female
sexuality in general. Likewise, the
other characters' names function
both as regular names and as
abstractions illustrating the various
factors that are involved in a love
affair.
Forms of Medieval Literature:
3. Poetry
a. Epic poetry – was an important means of expression during the middle Ages.
Ex. The Song of Roland – a French poem; The Song of Nibelungs- a German epic;, and
the Poem of the Cid- a great Spanish epic written during the 1100’s.
b. Lyric Poems – are about love and sang by wandering poets known as minnesingers
in Germany and troubadours in France.
d. Other prose Works – The Decameron is a collection of one hundred tales written
by the Italian writer, Giovanni Boccaccio.
IV. Renaissance Literature
(1485-1660)
The period following the Middle Ages in Western Europe is
known as the Renaissance which means “rebirth”. The
Renaissance began min italy in the 1300’s and later spread
north throughout Europe. It was marked by an incredible
surge of creative and intellectual energy. This period
produced some of the greatest work of arts, literature, and
scholarship that the world has ever known.
Renaissance Literature
Its characteristics:
1. There was a renewed interest in the cultures of ancient Greece and Rome.
2. There was an emphasis on the individual. This emphasis on the individualism lead
to the questioning of authority such as that of the Catholic Church.
Forms of Renaissance Literature:
A. The Drama
1. The Elizabethan Drama – flourished between 1580 to 1603.
Writers of the Era:
a. Christopher Marlowe – wrote Tamburlaine and Dr. Faustus.
b. William Shakespeare – most important dramatist of this era.
c. Ben Johnson
d. John Lyly
2. The Spanish Drama – its golden age lasted from about 1550 until the Lte 1600’s.
Writers of this Era:
a. Lope de Vega
b. Pedro Calderon
Forms of Renaissance Literature:
B. Poetry – types
1. Lyric Poetry- the sonnet is one type of lyric poet. Composed of 14 lines the sonnet
follows a set pattern and the rhyme scheme.
a. The Petrarchan or Italian Sonnet - by Petrarch
b. The Shakespearean or English Sonnet – William Shakespeare
2. Pastoral Poetry – portrays shepherds who live rustic lives in the countryside.
Pastorals were written by poets such as the Marquis of Santillana, a Spaniard; Jacopo
Samarano, an Italian; and Christopher Marlowe and Sir Walter Raleigh, English.
3. Epic Poetry – included The Faerie Queene (written in honor of Queen Elizabeth) by
Edmund spencer, Venus and Adonis by William Shakespeare, Orlando Furioso (a
poem dealing with chivalrous love) by Ludovico Ariosto.
Forms of Renaissance Literature:
C. Prose
The themes of 20th Century fiction are influenced by the negative feelings
caused by two world wars. It has been a time of change for literature.
Loneliness, isolation, and attempts at communication were the frequent themes.
2. Free Verse, which has no regular meter or rhyme. Some poets tried to make
the language of poetry more informal. These poets felt like poetry should be l
like a conversation, speaking directly to the reader.
3. Drama has been revived and renewed. The subject for plays have
become symbolic. Dramatists worked with a variety of forms. These
include the classic type of Drama, Comedy, and Tragedy. They also
include satire, musicals, and different experimental forms.
2. Essay
3. Speeches –speeches in the 20th century can had a greater impact than was previously
possible because of television and radio through which the speaker delivers the speech
to a much wider audience.