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Alfred McCoy is an American historian who specializes in Southeast Asian history and politics. He is recognized for his writings on the Philippines, US foreign policy, European colonialism, and the CIA. During the transition from Spanish to American colonial rule in the Philippines, Filipinos experienced modernization but also economic inequality and state repression. Political cartoons from this era provide insight into society's changing conditions under new colonial masters.
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Alfred McCoy - Political Caricatures of the American Era
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Alfred McCoy - Political Caricatures of the American Era
Alfred McCoy is an American historian who specializes in Southeast Asian history and politics. He is recognized for his writings on the Philippines, US foreign policy, European colonialism, and the CIA. During the transition from Spanish to American colonial rule in the Philippines, Filipinos experienced modernization but also economic inequality and state repression. Political cartoons from this era provide insight into society's changing conditions under new colonial masters.
Alfred McCoy is an American historian who specializes in Southeast Asian history and politics. He is recognized for his writings on the Philippines, US foreign policy, European colonialism, and the CIA. During the transition from Spanish to American colonial rule in the Philippines, Filipinos experienced modernization but also economic inequality and state repression. Political cartoons from this era provide insight into society's changing conditions under new colonial masters.
historian and educator. He is the Fred Harvey Harrington Professor of History at the University of Wisconsin-Madison. He specializes in the history of the Philippines, foreign policy of the United States, European colonization of Southeast Asia, illegal drug trade, and Central Intelligence Agency covert operations. Born: June 8, 1945 Citizenship: Concord, Massachusetts, U.S.A. Alfred McCoy Alfredo Roces Philippine Catholic Mass Media Award Best Book of the year for 1985 Philippine National Book award for history 1986 Gintong Aklat Award (Manila) Special Citation for history (1987) A political cartoon, a type of editorial cartoon, it is a graphic with caricatures of public figure, expressing the artist opinion. Gained full expression during the American era. Filipino artist recorded national attitudes towards the coming of the American. Viewed from the vantage point of half century and more this political cartoons are evocative record of half-forgotten history. These cartoons were simultaneously ‘a mirror of society’s colonial condition’ and ‘act protest’ a weapon in the struggle of social reform. Cartoons play a role in the political discourse of society that provides for freedom of speech and of the press. The four decades of American colonial rule were a formative period in the Philippine history. The Philippine move forward from an authoritarian Spanish regime to autonomy and freedom. Under U.S colonial tutelage, the Philippine experienced a process of Americanization and modernization that has left a lasting legacy. Even at first contact in the 16thcentury, the Spanish conquistadors found that Filipino possessed a sophisticated material, culture and a complex society. At the close to Spanish era in 1898, the Philippine already had substantial cities, a thriving export agriculture, and strong church and state structures. The revolution defeat of the Spanish empire in 1898 is an ample testimony to the sophistication of Filipino society. Like the nationalist the Philippine press established itself during the decade following the American invasion of 1898. it was the time of remarkable ferment and cultural creativity. Censorship laws after the end of military rule 1901 provided and outlet for their protest. The Spanish Comision permanente de censura simply banned all Filipino creativity, American press control were much more flexible. Spanish censorhip simply banned any non-religious Filipino publication and made it impossible to even consider opening a newspaper in late 19thcentury manila Manilas first Spanish daily newspaper began publishing in 1846. The Filipino gained their earliest editorial experience as propagandist in Madrid or a newspaper publisher for the revolution in 1898-99. The first Filipino daily newspaper, La Independencia, appeared. Published clandestinely in Manila, the paper was directed by Antonio Luna. The transition from the Spanish Colonial Period to the American Occupation Period demonstrated different strands of changes and shifts in culture, society, and politics. During the American Period, Filipinos were introduced to different manifestations of modernity like healthcare, modern transportation, and media. This ushered in a more open and freer press. The upper principalia class experienced economic prosperity with the opening up of the Philippine economy to the United States but the majority of the poor Filipino remained poor, desperate, and victims of state repression. In the arena of politics, for example, we see the price that Filipinos paid for the democracy modeled after the Americans. Patronage also became influential and powerful, not only between clients and patrons but also between the newly formed political parties composed of the elite and the United States. Thus, the essence of competing political parties to enforce choices among the voters was cancelled out. The transition from a catholic-centered, Spanish-Filipino society to an Imperial American-assimilated one, and its complication, were also depicted in the cartoons. The rules governing the issuance of drivers’ license was loose and traffic police could not be bothered by rampant violations of traffic rules. Young people, as early as that period, disturbed the conservative Filipino mindset by engaging in daring sexual activities in public spaces. The other cartoons depicts how Americans controlled Filipinos through seemingly harmless American objects. Lastly, the cartoons also illustrated the conditions of poor Filipinos in the Philippines now governed by the United States. Bariso, Kent Vincent M. Cahulugan, Jasper T. Conanan, Joan C.
The End of Painting Author(s) : Douglas Crimp Source: October, Vol. 16, Art World Follies (Spring, 1981), Pp. 69-86 Published By: The MIT Press Accessed: 28-08-2018 10:40 UTC