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The document describes three sculptures at the University of the Philippines Diliman campus: a sculpture of artist Napoleon Abueva at the University Gateway, diagonal waiting sheds connoting dynamism, and The Oblation sculpture by Guillermo Tolentino welcoming visitors with outstretched arms located at the campus entrance. The Oblation has its altar in the center rather than the opposite end of the entrance so it can be viewed from different angles.
The document describes three sculptures at the University of the Philippines Diliman campus: a sculpture of artist Napoleon Abueva at the University Gateway, diagonal waiting sheds connoting dynamism, and The Oblation sculpture by Guillermo Tolentino welcoming visitors with outstretched arms located at the campus entrance. The Oblation has its altar in the center rather than the opposite end of the entrance so it can be viewed from different angles.
The document describes three sculptures at the University of the Philippines Diliman campus: a sculpture of artist Napoleon Abueva at the University Gateway, diagonal waiting sheds connoting dynamism, and The Oblation sculpture by Guillermo Tolentino welcoming visitors with outstretched arms located at the campus entrance. The Oblation has its altar in the center rather than the opposite end of the entrance so it can be viewed from different angles.
• Sculpture of National Artist, Napoleon Abueva (1960)
• The diagonal line of
the waiting sheds at UP Diliman.
• This connotes dynamism and movement The Oblation
• A sculpture by Guillermo Tolentino
• This art welcomes
visitors as they enter UP Diliman by its outstretched arms. The altar is at the center instead of the opposite end of the entrance and can be approached and seen from different angles and positions