Case Study Craft Village

Kala Gram, Delhi
Excellent Hansda
14110011
Aim Literature Review Case Studies Comparative Analysis Inferences
Aim of the project

To bring Tourism by promoting the handicrafts of Delhi and providing
opportunities for the craftsmen to sell
Objective
•To create a Commercial space to increase opportunities of marketing for
craftsmen- Temporary and Permanent stalls
•To create an Interactive space where the public can directly interact with the
craftsmen- Craft Demonstration Area, Galleries and Workshops
•To create a Public space which involves socio cultural activities- Amphitheatre,
Open spaces
Introduction Kala Gram, Delhi

Scenario of Handicrafts in India
•Handicraft industry adds to the economy and adds to the

total GDP
•Handicrafts acts as sensible artistic approach of self

expression of the artisans
•Represent culture, traditions and heritage of a place
•Some of the handicrafts are getting on the verge of

extinction as the practitioner are going towards other
employment areas – Significant lose to the culture of Delhi
and India
Sopurce: https://www.sahapedia.org/crafts-map-of-india#lg=1&slide=10

Need of the Project

•Low foot fall in Dilli Haat, Garden of Five senses, the need to increase
tourism development
•Dire need of Rejuvenation of crafts for heritage
•Dilli Haat fails to create interaction between the craftsmen and public
•Plus it is extremely commercial- Chinese products are sold instead of
handicrafts
USP
•Plethora of activities from selling of handicrafts to workshops where
craftsmen work and people can interact with them
•Increase in Tourism
•Speaks of the heritage of Delhi

Client : Delhi Tourism and Transportation Requirement of the client

Development Corporation (DTTDC)
Retail
Project Status- Not Constructed Permanent Stalls
Temporary Stalls
Cultural
Open Air Theatre
Craft Demonstration Area
Performance Ground
Museum
Galleries
Exhibition Rooms
Workshops of pottery,
glassware., ceramics
Others
Models of traditional Havelis
Introduction
Programme Description Kala Gram, Delhi
Location: Said ul Ajaib village, Saket
USP OF THE SITE: LOCATION- prime location of

south Delhi
Secluded from noisy, traffic areas
Surrounded by green belt- peace and serenity-
perfect for craft creation
Connectivity: Site well connected by Mehrauli

Badarpur Road, which connects NH236 and NH2.
approx 1 Km from Saket Metro Station
Site Neighbourhood
--East: Garden of Five Senses- tourist attraction-
public space
--West and South: Green Belt/Jungle
Site Details
 Area- 5.26 acres, shape- trapezium
 The site is almost entirely covered with shrubs,
bushes and hedges, boulders and rocks.
Interesting undulating Topography- views of Qutb
https://www.mapsofindia.com/maps/delhi/delhi
Minar tourist.htm
Site and Surroundings Kala Gram, Delhi

Site Details
 Area- 5.26 acres, shape- trabezium Site Neighbourhood
 The site is almost entirely covered with shrubs, --East: Garden of Five Senses- tourist attraction- public
bushes and hedges, boulders and rocks. space
Interesting undulating Topography- views of Qutb --West and South: Green Belt/Jungle
Minar
Undulating Terrain View of Qutb Minar
Introduction
Site and Surroundings Kala Gram, Delhi
Informal Bazaar
Maximum Ground Coverage- 40%
Maximum Floor Area Ratio- .4
Maximum Height- 8m
Exhibition cum Fair Ground
Maximum Ground Coverage- 20%
Maximum Floor Area Ratio- .2
Maximum Height- 26m
Parking Guidelines
3ECS per 100sqm
Guidelines
Byelaws for for the project
Informal Bazaar Kala Gram, Delhi
Wood Inlay (Old Delhi)
Lacquer Bangles (Old Delhi)
Pottery (South Delhi)
Meenakari (Dwarka)
Zari (Old Delhi)
Identification of Crafts Kala Gram, Delhi

Introduction Process of Making

Bangles hold a very significant
place in the life of Indian women
The bangles are created in
amazing varieties and are
decorated with lovely stones,
colours and metal embedding
etc.
Lac is the natural resin secreted
by a tiny insect collected from
trees and is further processed by
traditional craftsmen to create
Lac bangles
Raw Materials
Wooden
Mandrel
Wooden
board
Raw Lac
Metal Plate
Lac Stick
Coal and
Wooden Burner
handle
Lacquer Bangles Kala Gram, Delhi


It is one of the most famous
and elaborate techniques in
metal embroidery which
involves making intricate
designs using gold and silver
threads. It embroils the use of
metal pieces like sequins and
precious stones on velvet, satin
and heavy silk bases to make
Raw Materials the craft more magnificent.
Pencil/Pen
Wooden
Frame
Fabric
Butter
Paper Lac Stick
Scissors
Needle
Metallic
Thread
Embroidered
Thread
Zari Zardozi Kala Gram, Delhi

Introduction Process of Making Spatial Requirement

•Includes cutwork lamps, long necked surahis
(water-pots), gamle (flowerpots), pitchers and
cups of all shapes and sizes.
•The art of making blue glaze pottery came to
Delhi via Kashmir
•The colour palette is restricted to blue
derived from the oxide of cobalt, green from
the oxide of copper and white, though other
non-conventional colours such as yellow and
brown have jumped into the fray too.
Raw Materials
Molds- POP
Knife
Potter’s Wheel
Sandpaper
Broom
Brushes
Heating Kiln
Flattening Tool
Raw materials
Quartz Stone
Glass
Katira Gond
Multani Mitti
Saaji
Maida
Colours
Wood
Burnt Wood Dust
Pottery Kala Gram, Delhi


Hindu Punjabis brought Meenakari
from Lahore to Delhi. The Mughal
fashion was to enamel the reverse
side of jewellery to protect it from
contact with the wearer's skin.
IN Meenakari, hollows made in metal
surface are filled with coloured
enamels with intricate designs
executing details
Raw Materials
Silver Sheet
Forceps and
Holder
Metal Sheet
Cutter
Glass
Mortar and
Pestle
Liquid
Molds
Impression
Tools
Hammer
Furnace
Water Soluble
Flux
Hand Gas
Burner
Brush
Furnace
Meenakari Kala Gram, Delhi

Documentation
•To take architectural elements of the havelis which
reflects the traditional architecture of Delhi to
capture the essence of the place
Architectural elements
•Cusped Arches
•Motifs of floral, geometric, deities,etc
•Iron grill railing
•Screening made of stone
Visual Narrative
Dilli Haat INA of Delhi Havelis Kala Gram, Delhi
Justification:
•To understand the working of a socio cultural place by
understanding the various user groups and spatial
requirements of shopping areas of traditional
handicrafts
•To understanding planning of a commercial space
where folk art is showcased in an urban setting- Indian
Bazaar and mall experience are merged
•To understand architectural character of a commercial
space reflecting traditional Indian Architecture
Dilli Haat INA Kala Gram, Delhi

Description INA Metro Station

Location: Kidwai Nagar, Opp INA
Market
Architect: Pradeep Sachdeva
Client: Delhi Tourism and Municipal
Corporation, Delhi
Programme: Commercial, Cultural
Plot Area: 6 acres, approx 100x300m
Market
Built up Area: 3190 sqm
Ground Coverage: 12%
NO. Of craft Stalls: 166 Dilli Haat
No. Of Food Stalls: 25
Residential Area Residential Area
Dilli Haat INA Location Map Kala Gram, Delhi

Entry for Staff and visitors Entrance Gate Entrance Plaza acts as buffer- Lively
Ullas Garden Parking Parking Main Entrance
• Site can be accessed by 2 roads Entry from INA Metro

•Steps segregate vehicular and pedestrain area
Dilli Haat INA Site Plan and Access Kala Gram, Delhi
Ticket Services Craft Demo Area Nursery ATM and souvenir Shop
Administration
Museum Food Stall Toilets Services Administration
Playground Temporary Stall Permanent stall Parking Entrance Plaza

OAT Stores
Transportation Ticket Counter
Entrance Plaza Administration Playground Museum
office
Parking Services OAT
Craft Stall Toilet Food Stalls
Dilli Haat INA Activity Based Mapping Kala Gram, Delhi

Entry for Staff and visitors Service Entries

• Entirely
Pedestrian
•Buildings on
periphery.
Central
circulation spine
•Service road
runs behind the
shops
•4 service entries
from the longer
side
•Veranda runs
through the
shops for
Pedestrian Area circulation
Vehicular Area Service Entries Parking Vehicular Entry/ Ext Entry for visitors
Service Area •.
Dilli Haat INA Circulation Plan Kala Gram, Delhi

•Trees acts as
buffer zone in
entrance plaza
and playground
from the roads
•Trees are a
necessity to
lower the heat
•Intricate paving
details of brick
tiles, Agra
Redstone, Delhi
quartzite and
kota stone,
Paved Brick on Edge and Kota Stone

Cobblestone Paving
Green Area
Concrete Paving
Dilli Haat INA Landscape Plan Kala Gram, Delhi

USERGROUPS- Craftsmen, Professionals WEEKDAY FOOTFALL

and students of Arts and Handicraft WEEKEND FOOTFALL
discipline, Tourist, local people with family
Daily Foot fall- 300 person

During Weekends- 500-550 person
People prefer evenings, as afternoons
are unpleasantly warm
Trees, stalls,
OAT seating
Has less makes plaza
capacity lively
Playground Shaded
is not areas are
maintained preferred
and is Less Used
segregated
Used
Shading of trees and change in levels attract people Heavily Used
Dilli Haat INA Usage Analysis Kala Gram, Delhi

•Interconnected plazas and

street- visual and physical
connection
•Few buildings are at a level
which makes them look
distinct
•Sense of enclosures varies
as one moves from the plaza
to the craft stall streets
•Open spaces after queue of
stalls , which creates break
else the spaces will look
more elongated
•Food Courts at different
levels but still provide visual
connection
Dilli Haat INA Solid Void Relationship Kala Gram, Delhi

Shops are in a row connected by a verandah like arcade or Intricate details in paving designs- makes place interesting
form clusters- different type of selling style:- counter, on
the floor, stepped display, etc
Open seating both

•open platforms with pillars for temporary shops – roofing by permanent and
wooden purlins and bamboo mats temporary in front,
at different levels
Small gardens are
created in food plaza
around stalls
Simple brick
structure with RCC
roof and brick Jali
Simple brick structure, arched openings, brick jali patterns on walls used in parapet walls
Dilli Haat INA Architectural Character Kala Gram, Delhi

•Universal accessibility by ramps wherever change

of levels
•Strong axis- main Circulation spine- visual and Steps segregating pedestrian area Change in levels creases distinct spaces
physical connection
•Interconnection of plazas and street and change
in levels makes the place interesting
•Creation of a pedestrian realm by segregating
spaces by change of levels
•Lively entrance plaza- most used space
•The architectural character of village haat is shown
brilliantly in material and colour palette Active Plaza created by using trees.
Informal vendors and seating Ttraditional style is aptly represented in the colour scheme-
•Attention to details in paving patterns earthly colours- brick red, brown, red, mustard
•Uniformity in built structure by material palette- Brick Jali used as screening
exposed brick work, jali pattern, Concrete slab design
•Services are well screened by Jalis
Central spine increase

connectivity visual and physical Uniformity in signage makes easy to perceive for people
Dilli Haat INA Inferences Kala Gram, Delhi

•Orientation of OAT is not correct

•Seating capacity of OAT is low
•During afternoons due to paving the place becomes
unbearingly warm due to E-W orientation
Craft demo area lack seating OAT has wrong orienatation •Craft demonstration area does works properly as
no seating space for visitors’ to see or interact with
craftsmen
•People cant stand or wait at a certain place as due
to congestion by high foot fall and small area-
circulation area is low
•Playground isn’t used
•The aim of Dilli Haat is unfulfilled as local craftsmen
arent able to sell their own products as Chinese and
Playground not used At afternoons, it is very warm machine made goods are sold increasingly
Dilli Haat INA Inferences Kala Gram, Delhi

Justification:
•To understand the spatial planning of the village
complex as it matches with the brief of the proposed
project
•To understand the planning and layout of various
exhibition spaces and craft demonstration area as it
reflects the traditional Indian houses layout
National Craft
Handicraft
Museum
Museum, Delhi Introduction Kala Gram, Delhi
Description
Location: Pragati Maidan, Bhairon
Road, Delhi
Architect: Charles Correa Mathura Road
Client: Ministry of Textiles, GoI
Programme: Museum
Plot Area: 6 acres, approx 100x300m Pragati Maidan
Built up Area: 3190 sqm
Ground Coverage: 12%
Village Complex Area- 5 acres National Craft
Dargah National Science Cent
Museum
Stadium
Purana Qila
National Craft
Handicraft
Museum
Museum, Delhi Location Plan Kala Gram, Delhi
Service Entry •Parking is not available

•Site can be accessed by a
single road
•Service entries are from
the back but not used
currently due to
construction in Pragati
Maidan
Main Entrance
National Craft
Handicraft
Museum
Museum, Delhi Site and Surroundings Kala Gram, Delhi
Handicrafts selling area Craft Demonstration Area
Chariot Courtyards
Dormitories for craftsmen
Craft Demonstration Area Exhibition Space
Handicraft Selling Area Models of traditional Houses Gallery
Village Complex Landscaping Axis Entrance Tulsi Courtyard
National Craft
Handicraft
Museum
Museum, Delhi Activity Based Mapping Kala Gram, Delhi
• Entirely Pedestrian
• A clean axis leading to craft demonstration area

and haat, areas are clearly segregated
•Service road runs at the periphery of the site,
•2 service entries at the back
•In the museum complex, line of circulation goes

through courtyards through a veranda
•In the exhibition spaces, galleries don’t have

good entry/ exit points
•In the village complex, one moves through

various human scaled models of houses
Pedestrian Area
Toilets
Service Area
Served Areas
National Craft
Handicraft
Museum
Museum, Delhi Circulation Plan Kala Gram, Delhi
• Brick on Edge paving creates a rural

characteristics
• Courtyards in the museum complex brings

daylighting and ventilation and provides vsiual
interest
•Seating around trees helps to create a place for

interaction
Brick Tile Paving

Sandstone Paving
Green Area
Pond
National Craft
Handicraft
Museum
Museum, Delhi Landscaping Plan Kala Gram, Delhi
USERGROUPS- Craftsmen, Professionals

and students of Arts and Handicraft
discipline, Tourist, local people with family Displays are
not very
Daily Footfall- 250-300 person interesting
WEEKDAY FOOTFALL Pond is

not
maintained
Zone isn’t
much inviting
No
technology
WEEKEND FOOTFALL used
Craft Demo area is clearly visible
Less Used
Seating creates interactive spaces
Used
Heavily Used
National Craft Museum Usage of Space Kala Gram, Delhi

• Segregation of areas via strong axis, yet creating

visual and physical connection
•Universal accessibility by ramps wherever change
of levels
•In the village complex, a number of small
interactive spaces are provided •Pond and few part of village complex is
•Courtyards in the museum provide daylighting and completely segregated and no one visits it
ventilation •Display in galleries lack interesting feature and
•The architectural character of folk art of India is modern day technology
shown brilliantly in material and colour palette •No parking space is provided
•Attention to details in paving patterns
•Similar spaces like Workshops, craft
demonstration area, haat and residence are
placed in close proximity, are easily visible and
are closed to the services
National Craft
Handicraft
Museum
Museum, Delhi Inferences Kala Gram, Delhi
Justification:
•To understand the working of a more contemporary
design of a socio cultural space which balances both
tradition and modernity
•To understand architectural character of a
contemporary exhibition space
Source: https://lbb.in/delhi/dilli-haat-janakpuri/
Dilli Haat Janakpuri Introduction Kala Gram, Delhi

Description
Location: Janakpuri, New Delhi
Architect: Archom Architects Residential Area
Client: Delhi Tourisum and
Transportation Development
Corporation
Programme: Commercial, Cultural
Plot Area: 16000 sqm Bus Terminal
Dilli Haat
Tihar Jail Greens
Dilli Haat Janakpuri Location Map Kala Gram, Delhi

Entry to Crafts shop
• Site can be accessed by a roads

•A main pedestrian road leading to Plaza, a
vehicular cum pedestrian road leading to plaza via
parking, a service road and a road directly leading
to the craft shops
Entrance Plaza
Service Entry
Access Road
Entry for pedestrians Vehicular Entry Parking
Dilli Haat Janakpuri Site Plan and Access Kala Gram, Delhi
46 Craft Stalls
Amphitheatre
960 sqm Exposition

hall
Central Plaza
Basket Towers
29 stalls in Food Court
Administration
Service Road Auditorium
Parking
Exposition hall Administration Access Road Entrance Plaza
Parking Basket Towers
Craft Stall Craft stalls
Dilli Haat Janakpuri Activity Based Mapping Kala Gram, Delhi

Service Entry
• Entirely
Pedestrian
•Buildings on
periphery.
Central
Entry to craft stalls circulation spine
•Service road
runs behind the
shops
•4 service entries
from the longer
side
Parking •Veranda runs

through the
shops for
Pedestrian Area
Parking circulation
Vehicular Area
Service Area •.
Service Entry Pedestrian Entry Vehicular Entry/ Ext
Dilli Haat Janakpuri Circulation Plan Kala Gram, Delhi
USERGROUPS- Retailers, Banquet users, OAT has a

Tourist, local people with family capacity of
800 people Not all stalls
Daily Footfall- 250-300 person are opened,
Central Plaza Negative
attracts spaces
WEEKDAY FOOTFALL people created,
Banquet hall Air

and conditioned
exposition Food court is
area is used preferred by
people
WEEKEND FOOTFALL
Less Used
Used
Heavily Used
Dilli Haat Janakpuri Space Usage Analysis Kala Gram, Delhi

Integration of basic form to create interesting character to place
Sense of enclosure obtained
Change in level creates different views
Dilli Haat Janakpuri Architectural Character Kala Gram, Delhi

• Universal accessibility by ramps

•Green roofing reduces heat gain
•Landscaping integrated in Design
•A rich mix of traditional and modern materials •Creation of negative spaces by circular plan forms
used in the complex of craft shops
•Interactive spaces formed in plaza
•Basic forms used to create interesting urban form
of the complex
•Circular spaces forming unity in forms
•Sinuous spaces creates interest
Dilli Haat Janakpuri Inferences Kala Gram, Delhi

Justification:
•To understand the requirements and planning of an
arts centre in a contoured site
•Study of workshops
Description
Location: Jhaspur Village, near
Vadodara
Architect: Karan Grover
Programme: Cultural, Residential
Plot Area: 80 acres
Art centre Area: 8 acres
Source: http://www.artnewsnviews.com/view-article.php?article=museum-talk&iid=12&articleid=83
Uttarayan Artists’ Village, Jhaspur, Vadodara Kala Gram, Delhi

Use of contours
Upper- Arts Centre
Middle- Cafeteria and Residential
Lower- Deck over viewing river
A pedestrian path segregates

residential areas of craftsmen with the
arts centre
Uttarayan Artists’ Village, Jhaspur, Vadodara Site Plan Kala Gram, Delhi
•C shaped plan to form a courtyard

•Courtyard gets views of trees and
river, acts as a social space
•Contours used to create mini social
gathering spaces
•Daylighting in studious, from
clerestorey windows
•Double heighted studios to get
daylighting from skylights and wind
extractors for ventilation
•Verandahs used for display
Uttarayan Artists’ Village, Jhaspur, Vadodara Art Centre Kala Gram, Delhi
•Oriented in N-S Direction and is

rectangular in plan, gains north light and
reduce heat gain
•Workshop and Art centre are segregated
to avoid disturbances
•In close vicinity to service gates to
transport goods easily
•Outdoor workshops are used from the
spill over spaces
•Rainwater harvesting used
Uttarayan Artists’ Village, Jhaspur, Vadodara Workshop Kala Gram, Delhi

Parameters National Craft Museum Dilli Haat INA Dilli Haat Janakpuri
Connectivity Easily connected by roadways Easily connected by Easily connected by roadways

Metro Station and Road
Approach Accessed by a single Road Accessed by a two Accessed by a single Road
roads
Surroundings and Green areas of Purana Qila and Residential Areas Green areas of Tihar Jail, residential
Use institutional buildings buildings and industries
Site Area 8 acres 6 acres 6 acres
Ground Coverage 12%
Parking facilities Not available Parking for 400 cars, 400 2

wheelers
Pedestrian Completely pedestrian zone Completely pedestrian Completely pedestrian zone
Circulation An axis diverting to different zones zone A freely flowing, smoothly
A central spine meandering circulation path
Dilli Haat INA Kala Gram, Delhi

Opportunities to sit, Yes No No

stand, talk, wait Seating space available No seating space, area is less Not much interaction was
observed
Sense of Enclosure H- W ratio is appropriate H- W ratio is appropriate H- W ratio is appropriate
Visually fine Visually appealing Visually appealing
Connection b/t buildings Physical Connection available Physical and Visual Connection Central plaza connects the
Throughout different activity zones
Helps in wayfinding physically
Helps in wayfinding
Response to climate Courtyard planning Orientation isn’t proper -
Provides daylighting and Increases heat gain
ventilation
Paving Details Intricate patterns of brick tile Intricate patterns of Delhi Patterns of Delhi quartzite,
paving and kota stone, quartzite, brick tile paving, kota brick tile paving, kota stone,
stone, agra stone, concrete pavers agra stone, concrete pavers
Increases interest, but increases along with soft areas
heat gain Increases interest and
somewhat nullifies heat gain
Comparative Analysis Kala Gram, Delhi

Form Punctures and joining of blocks to Stalls inspired by traditional village Basic forms used to generate
create space houses in queues and clusters interesting character
Doesn’ create interest Create interest Create high interest
Materials RCC Bamboo mat and wooden purlins An eclectic mix of traditional and
and slates in roofs of stall, brick modern- slate pavers and Delhi
masonry, RCC roof, quartzite in landscaping,
Represents the theme Glass and steel structures, Stone
masonry in shops, bamboo used for
shutters
Represents theme
OAT OAT of capacity of 200 people Less capacity, wrong Orientation OAT of capacity of 800 people
Fine Doesn’t works fine Has soft spaces and looks appealing
Open spaces A hierarchy of spaces created for Interconnected plazas and street Interconnected plazas
interaction in the village complex Useful spaces created Some negative spaces created
Useful spaces created between stalls which can’t be used
Comparative Analysis Kala Gram, Delhi

Commercial
Aim: To create an integrated 100 stalls both temporary and permanent Residential
space where commercial and 50 food stalls Dormitory for 30 people
craft related activities happen Dining area Others
bringing the tangible heritage Recreational Cafeteria for craftsmen
(models of Delhi havelis) as Playground Offices
well as the intangible Cultural Security room
heritage (oral traditions, craft OAT for 800 people Reception
making, etc) Auditorium for 500 people Ticket room
Exhibition spaces Toilets
Temporary and Permanent Exhibition halls Electrical and mechanical room
Galleries for handicrafts Parking spaces for 400 cars
Workshops
Pottery workshop
Woodcarving workshop
Wood inlay workshop
Zari demonstration area
Meenakari demonstration area
Bangles workshop
Review of Project Objectives and Requirements Kala Gram, Delhi

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Case Study Craft Village

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Kala Gram, Delhi

Aim of the project

Introduction Kala Gram, Delhi

Scenario of Handicrafts in India

•Handicraft industry adds to the economy and adds to the

•Handicrafts acts as sensible artistic approach of self

•Represent culture, traditions and heritage of a place

•Some of the handicrafts are getting on the verge of

Introduction Kala Gram, Delhi

Need of the Project

Introduction Kala Gram, Delhi

Client : Delhi Tourism and Transportation Requirement of the client

Location: Said ul Ajaib village, Saket

USP OF THE SITE: LOCATION- prime location of

Connectivity: Site well connected by Mehrauli

Site and Surroundings Kala Gram, Delhi

Undulating Terrain View of Qutb Minar

Wood Inlay (Old Delhi)

Lacquer Bangles (Old Delhi)

Pottery (South Delhi)

Zari (Old Delhi)

Identification of Crafts Kala Gram, Delhi

Introduction Process of Making

Lacquer Bangles Kala Gram, Delhi

Introduction Process of Making

Zari Zardozi Kala Gram, Delhi

Introduction Process of Making Spatial Requirement

Pottery Kala Gram, Delhi

Introduction Process of Making

Meenakari Kala Gram, Delhi

Dilli Haat INA Kala Gram, Delhi

Description INA Metro Station

Residential Area Residential Area

Dilli Haat INA Location Map Kala Gram, Delhi

Ullas Garden Parking Parking Main Entrance

• Site can be accessed by 2 roads Entry from INA Metro

Playground Temporary Stall Permanent stall Parking Entrance Plaza

Dilli Haat INA Activity Based Mapping Kala Gram, Delhi

Entry for Staff and visitors Service Entries

Dilli Haat INA Circulation Plan Kala Gram, Delhi

Paved Brick on Edge and Kota Stone

Dilli Haat INA Landscape Plan Kala Gram, Delhi

USERGROUPS- Craftsmen, Professionals WEEKDAY FOOTFALL

Daily Foot fall- 300 person

Shading of trees and change in levels attract people Heavily Used

Dilli Haat INA Usage Analysis Kala Gram, Delhi

•Interconnected plazas and

Dilli Haat INA Solid Void Relationship Kala Gram, Delhi

Open seating both

Dilli Haat INA Architectural Character Kala Gram, Delhi

•Universal accessibility by ramps wherever change

Central spine increase

Dilli Haat INA Inferences Kala Gram, Delhi

•Orientation of OAT is not correct

Dilli Haat INA Inferences Kala Gram, Delhi

Service Entry •Parking is not available

Handicrafts selling area Craft Demonstration Area

Craft Demonstration Area Exhibition Space

Handicraft Selling Area Models of traditional Houses Gallery

Village Complex Landscaping Axis Entrance Tulsi Courtyard

• A clean axis leading to craft demonstration area

•Service road runs at the periphery of the site,

•2 service entries at the back