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CONVINCING OTHERS
Objectives
e.g. Joe and Fred show up at an exclusive club. When asked if they
are members, Joe says "I'll vouch for Fred." When Joe is asked for
evidence that he's a member, Fred says, "I'll vouch for him."
8. Emotional Appeals
When it comes to determining the validity or factuality of a
claim, any attempt to sway an argument via emotion, rather than the
quality of the logic or evidence, can be considered a fallacy. This
includes in some but not all cases the fallacy argument from adverse
consequences, or “scare tactic”; bad things will happen to us if you do
not agree with my argument.
9. Fallacy of Exclusion
This is related to the Hasty Generalization, and refers to focusing
attention on one group’s behaviour and assuming that behaviour is
unique to that group; yet, in fact, the behaviour is common to many
groups.
e.g. Women can't drive! (If you examine the driving habits of women,
you will observe that women are poor drivers. Yet if you were to
examine the driving habits of both women and men, you’d learn that
men are far more likely to get into accidents).
All of these contribute to the record, just like a good camera was necessary
for Ansel Adams’ unforgettable photos of the American West, or good
marble and sharp chisels for Michelangelo’s sculpture of David. But what
we care about most, what gives that achievement its meaning and value,
is the ineffable combination of remarkable natural talents and
extraordinary dedication.
Performance-enhancing drugs disguise natural abilities and substitute for
the dedication and focus that we admire. Performance-enhancing drugs
cheapen sport, making winners out of also-rans, and depriving virtuous and
superior athletes of the victories that should be theirs.
Getting performance-enhancing drugs out of sport will not be easy, and
success is not assured. But the effort is worthwhile as long as we care
enough about fairness, integrity, and the meaning and value of sport.
Emphasising or de-emphasising a point
Depending on our purpose(s), certain points need to be
emphasized while some others may be de-emphasized.
This is particularly useful in persuasive writing and
negotiations.
For instance, you are talking in favour of subsidies in
India. Then you may want to emphasize on its benefits
and at the same time de-emphasize its drawbacks like
burden on the exchequer.
There are different techniques for emphasizing or de-
emphasizing a point.
Use charts or graphs
Information in footnotes
To emphasize, use bullets, symbols like "�", "�", or ">", that introduce
a paragraph. They pull the eye toward themselves and emphasize
what comes after.
To emphasize, use the beginning and ends of sentences; to de-
emphasize, use the middle: A sentence has two points of major
impact: the beginning and the end. Of these two positions of
emphasis, the end is the more emphatic. In a good sentence, just
as in a good joke, the more you can push the point to the end, the
more it packs punch. As with most techniques of emphasis,
however, caution is in order. Not everything can be emphasized,
and an unending succession of punch lines can get tiresome.
Use outlining and proportionality. The structure of an argument (i.e.,
outlining) and the relative lengths of the parts of that structure (i.e.,
proportionality) are both crucial ways to emphasize and de-
emphasize.
Whereas outlining deals with position, proportionality deals with
length. Generally, matters on which you spend a lot of time seem
important and matters on which you spend only a little time will
seem unimportant. Make this Rule of Proportionality work in your
favour, rather than against you.
To emphasize or de-emphasize, place at the proper point in your
outline (at all levels): Matters that are hierarchically higher in your
outline seem important; matters that are hierarchically lower in your
outline seem less important. This is true at all levels of the outline: the
major point should be roman numeral I, the major point on the
second argument should be roman numeral II A, and so on through
each section, each sub-section, each sub-sub-section, etc. If your
strongest point is roman numeral III (B) (2) (c), then you are not
giving it proper emphasis. Roman numeral III (B) (2) (c), however,
might the perfect point for something you want de-emphasized to
be buried.
Proportionality is especially strong when combined with the other
methods of emphasis and de-emphasis. For example, an extensive
description (rather than a sketchy characterization) can be
especially emphatic.
Sometimes, however, normal operation of the Rule of Proportionality
is reversed, and instead of long being emphasized, short is
emphasized -- especially very short. For this to happen, the Rule of
Proportionality generally has to be operating with one or more of
the other techniques of emphasis. For example, if Roman Numeral I
is a very short argument, especially if it contains another technique
of emphasis like a contrasting sentence or a chart, it can be very
forceful.
To emphasize and de-emphasize, contrast within a sentence or
paragraph: By contrasting within a sentence or paragraph, you can
emphasize what you want emphasized while simultaneously de-
emphasizing what you want de-emphasized. The physically closer
on the page the contrast is, the stronger the effect. The closest
contrasts and, thus, the strongest effects are those that are side-by-
side in the same sentence, often with one-word arguments like
"although", "nevertheless", and "however":
To emphasize or de-emphasize, be explicit. Don't be afraid to just
come out and state that something should be emphasized or de-
emphasized. Think about why are you discussing a case or some
facts.
To emphasize or de-emphasize, reinforce with the typography and
visual layout of the page. Use the typography and the visual layout
of the page to reinforce what you want emphasized or de-
emphasized. Important points should look important; unimportant
ones should look unimportant. The explicit message and the
subliminal message should reinforce each other. If, on the page, a
minor point looks more important than does a major point, then
you've undercut your own emphasis.