0 evaluări0% au considerat acest document util (0 voturi)
59 vizualizări8 pagini
The document compares and contrasts 2D and 3D shapes. It notes that 2D shapes have two dimensions of length and width, while 3D shapes add height as a third dimension. Common 2D shapes include squares and circles, while common 3D shapes are cubes and spheres. The document also provides brief histories of the use and development of 3D techniques in art over time, as well as the use of 2D representations in Byzantine Christian art from the 4th to 15th centuries CE.
The document compares and contrasts 2D and 3D shapes. It notes that 2D shapes have two dimensions of length and width, while 3D shapes add height as a third dimension. Common 2D shapes include squares and circles, while common 3D shapes are cubes and spheres. The document also provides brief histories of the use and development of 3D techniques in art over time, as well as the use of 2D representations in Byzantine Christian art from the 4th to 15th centuries CE.
The document compares and contrasts 2D and 3D shapes. It notes that 2D shapes have two dimensions of length and width, while 3D shapes add height as a third dimension. Common 2D shapes include squares and circles, while common 3D shapes are cubes and spheres. The document also provides brief histories of the use and development of 3D techniques in art over time, as well as the use of 2D representations in Byzantine Christian art from the 4th to 15th centuries CE.
COMPARISON Basic Only 2 dimensions are Three dimensions are there that are X and Y there, X, Y and Z Constructs Square, circle, triangle, Cube, sphere, cone, rectangle, hexagon, cuboid, etcetera etcetera Represents Top view, side view, Isometric and bottom view, front orthogonal shapes view while making engineering drawings Involves Length and breadth Length, breadth and height Edges Are completely visible Not visible or hidden in the drawings due to overlapping HISTORY OF 3D • The history of the expression of three-dimensional structure in art can be traced from the use of occlusion in Palaeolithic cave paintings, through the use of shadow in classical art, to the development of perspective during the Renaissance. However, the history of the use of stereoscopic techniques is controversial. • Although the first undisputed stereoscopic images were presented by Wheatstone in 1838, it has been claimed that two sketches by Jacopo Chimenti da Empoli (c. 1600) can be to be fused to yield an impression of stereoscopic depth, while others suggest that Leonardo da Vinci’s Mona Lisa is the world’s first stereogram. Room of the Masks in the House of Augustus, Rome (Casati , 2003)
The claim that
Leonardo’s Mona Lisa was the first Work of Macedonian stereogram was mosaic known as The recently advanced by Stag Hunt by Gnosis Carbon and (c. 300 BCE), Hesslinger (2013, 2015), HISTORY OF 2D • Byzantine art (4th - 15th century CE) is generally characterised by a move away from the naturalism of the Classical tradition towards the more abstract and universal, there is a definite preference for two- dimensional representations, and those artworks which contain a religious message predominate. • Byzantine Christian art had the triple purpose of beautifying a building, instructing the illiterate on matters vital for the welfare of their soul, and encouraging the faithful that they were on the correct path to salvation. For this reason, the interiors of Byzantine churches were covered with paintings and mosaics. The oldest known icon depicting Jesus Christ (6th century) in Saint Catherine's Monastery, Egypt.
The most celebrated
mosaics are those in the church of San Vitale in Ravenna, Italy, which date to the 540s CE. Two glittering panels show Emperor Justinian I and his consort Empress Theodora with their respective entourages.