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This document discusses elements of Philippine poetry such as form, language, and style. It provides a brief history of Philippine poetry from the early 1900s to modern times. The main elements of poetry discussed are senses and imagery, diction, and rhyme scheme. An example poem by Carlos Angeles titled "Gabu" is analyzed in detail to illustrate these elements. The poem describes the relentless sea battering a beach in Gabu and evokes visual and tactile imagery through its language and rhyming structure.
This document discusses elements of Philippine poetry such as form, language, and style. It provides a brief history of Philippine poetry from the early 1900s to modern times. The main elements of poetry discussed are senses and imagery, diction, and rhyme scheme. An example poem by Carlos Angeles titled "Gabu" is analyzed in detail to illustrate these elements. The poem describes the relentless sea battering a beach in Gabu and evokes visual and tactile imagery through its language and rhyming structure.
This document discusses elements of Philippine poetry such as form, language, and style. It provides a brief history of Philippine poetry from the early 1900s to modern times. The main elements of poetry discussed are senses and imagery, diction, and rhyme scheme. An example poem by Carlos Angeles titled "Gabu" is analyzed in detail to illustrate these elements. The poem describes the relentless sea battering a beach in Gabu and evokes visual and tactile imagery through its language and rhyming structure.
Philippine Poetry •Philippine poetry in the Philippines is not different from its other counterparts around the world. •In the early 1900s, Filipino poetry celebrated romanticism, and several poems about love flourished. •Then, modern poetry sprouted, and nowadays, writers are more adventurous in their craft. Here are some elements of poetry that local writers use in their poems: •Senses and images are used by the writer to describe their impressions of their topic or object of writing. •The writer uses carefully chosen and phrased words to create an imagery that the reader can see through his or her senses. The kind of sense impressions in poetry are categorized in mainly the following: • Visual imagery ( What the writers wants you to see) • Olfactory imagery ( What the writer want you to smell) • Gustatory imagery (what the writer wants you to taste) • Tactile Imagery ( What the writers wants you to feel) • Auditory imagery ( What the writers wants you to hear) • Diction is another important element in Filipino poetry. In fact, Filipino writers are very careful of the way they write and the words they use to form their poems. • Diction is the denotative and connotative meaning of the words in a sentence, phrase, paragraph, or poem. • Rhyme scheme is the way the author arranges words, meters, lines, and stanzas to create a coherent sound when the poem is read out loud. • It may be formal or informal, depending on the way the poem was written by the poet • Senses, Imagery, Diction, and rhyme scheme are emphasized in this canonical poem, “Gabu,” one of the most widely read local poems in English by Carlos Angeles. • Carlos Angeles was born on 25 may 1921 in Tacloban, Leyte • He finished his undergraduate degree in the University of the Philippines and his work has been included in poetry anthologies in the united states. • His poetry collection, stun of jewels, won the Republic Cultural Heritage Award in Literature back in 1964; • He also won the Don Carlos Palanca Memorial Awards in Poetry in the same year . • He is an active member of many Filipino-American press clubs in the US, where he currently resides. His Poem, “Gabu,” is said to be one of the most well-loved Filipino poems written in English. Gabu By: Carlos Angeles The battering restlessness of the sea Insist a tidal fury upon the beach At Gabu, and its pure consistency Havocs the wasteland hard within its reach Brutal the daylong bashing of its heart Against the seascape where, for miles around, Further than sight itself, the rock-stones part And drop into the elemental wound. The waste of centuries is grey and dead And neutral where the sea has beached its brine, Where the split salt, of its heart lies spread Among the dark habiliments of Time. The vital splendor misses. For here, here At Gabu where the ageless tide recurs All things forfeited are most loved and dear.
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