by: Matt Fussell When we observe art, our minds go through a process. This process naturally translates into the steps of art criticism. Following these steps will help us evaluate art effectively. It is important for us to be able to evaluate art. If we are artists, we must recognize what is good and what is bad, so that we may become more successful at our craft. If we are patrons, we must be able to discern success from failure as well. If we are teachers, we must teach our students the mental process that people naturally go through when they look at and take in the work of art. This way our students are better equipped to create successful artwork on their own, and understand why and how their artworks are digested. 1. Description When we look at a work of art, our minds naturally take notice of the general information that is present.
Example: If we take The Mona Lisa, we notice, “Hey,
this is a painting of a woman.” When, critiquing, start here with a simple description of what is seen in the artwork. 2. Analysis refers to how we see the elements and principles of art. In this step, our minds take in the lines, values, and colors of the artworks. We also may take notice of the balance, proportion, rhythm, and unity found within the work.
In a critique, students should point out what is happening
with these specific elements and principles. Many times, the formal qualities of the artwork are what makes the art successful. Students should understand how these qualities work and what makes them successful in the artwork. They should be able to discern when these formal qualities are unsuccessful as well. 3. Interpretation often times, students will automatically skip to this step. We look for meaning in everything, so this is natural. In this step, we explore the meaning of artwork. What is the artist trying to communicate to us? There are no wrong responses here. 4. Judgment Is this work of art successful? It is important if we are teaching students, to guide them in this step. Remind students that the work of art may not be their favorite, but may still be successful. This way, we teach students to appreciate good art, even if we personally do not like it. About the Author: Matt Fussell is an artist, illustrator, and teacher. He loves sharing his passion for art with others and teaching students. Four Steps in Art Criticism from Janice Mason Art Museum
Being able to critique art by utilizing the art
elements, principles of design, and correct terminology is very important for students.
To assist students in being successful in this
endeavor, included here are the four-steps process for art criticism. 1. Describe: Tell what you see. (visual facts) a. What is the name of the artist who created the artwork? b. What kind of an artwork is it? c. What is the name of the artwork? d. When was the artwork created? e. Name some other major events in history that occurred at the same time this artwork was created. f. List the literal objects in the painting (trees, people, animals, mountains, rivers, etc.) g. What do you notice first when you look at the work/s? why? h. What kinds of colors do you see? How would you describe them? i. What shapes can we see? What kind of edges do the shapes have j. Are there lines in the work/s? If so, what kinds of lines are they? k. What sort of textures do you see? How would you describe them? l. What time of day/night is it? How can we tell? m. What is the overall visual effect or mood of the work/s? 2. Analyze: Mentally separate the parts or elements, thinking in terms of textures, shapes/forms, light/dark or bright/dull colors, types of lines, and sensory qualities. In this step consider the most significant art principles that were used in the artwork. Describe how the artist used them to organize the elements. a. How was the artist used colors in the work/s? b. What sort of effect do the colors have on the artwork? c. How was the artist used shapes within the work of art? d. How have lines been used in the work/s? Has the artist used them as an important or dominant part of the work, or do they play a different role? e. What role does texture play in the work/s? Has the artist used the illusion of texture or has the artist used actual texture? How has texture been used within the work/s? f. How has the artist used light in the work/s? is there the illusion of a scene with lights and shadows, or does the artist use light and dark values in a more abstracted way? g. How was the overall visual effect or mood of the work/s been achieved by the use of elements of art and principles of design. h. How were the artist’s design tools used to achieve a particular look or focus? 3. Interpretation: Seeks to explain the meaning of the work based on what you have learned so far about the work, what do you think the artist was trying to say? a. What was the artist’s statement in this work? b. What do you think it means? c. What does it mean to you? d. How does this relate to you and your life? e. What feelings do you have when looking at this artwork? f. Do you think there are things in the artwork that represent other things-symbols? g. Why do you think that the artist chose to work in this manner and made these kinds of artistic decisions.
h. Why did the artist create this artwork?
4. Judgment: After careful observation, you are ready to make your own judgment. This is your personal evaluation based on the understandings of the work/s.
a. Why do you think that this artwork has
intrinsic value or worth? What is the value that you find in the work/s? For example: “It is a beautiful work of art, conveys an important social message, affects the way that I see the world, makes insightful connections, reaffirms a religious beliefs, etc.” b. Do you think that the work/s has a benefit for others? Do you find that the work communicates an idea, feeling or principle that would have value for others? c. What kind of an effect do you think the work could have for others? d. Does the work lack value or worth? Why do you think this is so? Could the reason you find the work lacking come from a poor use of the elements of art? Could the subject matter by unappealing, unimaginative, or repulsive? e. Rather than seeing the work as being very effective or without total value, does the work fall somewhere in- between? Do you think that the work is just okay? What do you base this opinion on? Lack of personal expression? The work lacks a major focus? Activity: Art Criticism Process Direction: In this chart, you will describe, analyze, interpret and judge artworks in order to practice the art criticism process.
Describe Analyze Title: Florida Scene Artist: Thomas Moran (American, b. England 1837-1926 Medium: Oil on Canvas