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Demographics GenZ and young demographic Family content and mass market
Existing content 4000 movies and 47000 TV episodes 500 movies and 7,500 TV episodes
Business Model Canvas
• Key Partners
• Key Activities • Value Propositions • Customer Relationships • Customer Segments
Production Licensing
Self service
GenZ
Producers & Actors Wide variety of content
Data Analytics Marketing (Family & Kids)
• Channels
Broadcasters & Stream anywhere
Millennials
Cable companies (All you can
watch)
Talent Brand
Online
AWS
Data capabilities
(Recommendations)
• Cost Structure • Revenue Streams
Production
costs Maintenance Marketing Infrastructure Subscription model Product placement
(AWS)
Business Model Canvas
• Key Partners
• Key Activities • Value Propositions • Customer Relationships • Customer Segments
Production Operations
Actors Producers Experience oriented
Game designers
(Microsoft & Sony) Brand Theme parks Theme parks
Online
Publishing
Advertising
Licensing
Production
Royalties Maintenance Marketing Infrastructure Theme park revenue
costs
Successful original content (BoJack horseman, Orange is the New Black, Stranger Things, House of Cards)
Pushing new originals by recommendations and marketing
Breadth of content (Star Wars, Pixar, Marvel and National Geography)
Tried and tested legacy content
DISNEY+ VS NETFLIX
Pay TV vs Streaming
For each one, they pay an average that would total a monthly bill
of $29. That’s less than a third of the average monthly cable bill
of$107
People didn’t find the service a good value for their money
Market Share
Netflix has 30 percent of USA
video streaming market till 2019
Customers
In the Video Streaming segment, the number of users
is expected to amount to 157.0m by 2025
The video streaming wars are intensifying
Consumers are willing to spend more to get
the content they want, which is good news for
brands launching new streaming services. Half
of all consumers surveyed indicated some level
of interest in subscribing to at least one of the
new video services being launched in the next
six to 12 months.
However, unaided awareness of new streaming
services could use improvement. When asked if
they could name any new market entrants, 51%
of consumers said they couldn’t think of any.
Disney+ was the one customers were excited
about when prompted with brand names for
level of interest, which isn't surprising given
Disney's significant promotional campaign
for its launch this past November
Customer’s perception of Competitors
Disney+ subscribers are attracted to its historically family-friendly selections:
• 59% are motivated by original content
• 49% are motivated by exclusive content
• 28% believe they’ll always be able to find something enjoyable to watch
• 22% say they’ll subscribe because the content appeals to their family
Apple+ subscribers are motivated by the company’s reputation for easy-to-use products:
• 48% say they’ll subscribe because of its original content
• 31% are motivated by exclusive content
• 30% think it’ll be easy to use
Primed by HBO’s production history, consumers have high expectations for HBO Max’s expansive
content library:
• 56% are motivated by original content, like Game of Thrones and Sex and the City
• 48% are motivated by exclusive content, like Friends, South Park and The Big Bang Theory
NETFLIX’S COMPETITIVE ADVANTAGE
Analytic profiles Management Fortitude
Viewer preferences integrated with Management’s willingness to learn
external data sources to form Analytical about customers by valuing the data
profiles. These can be utilized across analytics capabilities
multiple use cases
• Relook at the pain point of the customers with multiple OTT platform subscription in near
future. With non- linear TV technology, apple can make an intelligent virtual assistant which
could serve across multiple OTT platform and deliver the target content. Billing, collection
How and redistribution at the backend with content owners
• Partnership with content developers along with its own original content to keep the
customers attached to its platform
Impact
on • Reduction in loyal customer base of Netflix
Netflix
Recommendations for US
Size of Major Industry Segments FY19 (US$ Size of Major Industry Segments FY21P (US$
billion) billion)
Shift of entertainment industry from
21%
4%2%% Television 21%
5% 2%% Television
5% Print 5% Print
TV and Print media to Digital Media
Filmed Entertainment 5% Filmed Entertainment will pick pace with the advent of 5G
11% 41% Digital Entertainment
44% Digital Entertainment Digital deployment, with data consumption
Animation & VFX Animation & VFX
Entertainment – 15% Live Events
11% Online Gaming set to grow from 3.5GB per user to
A rising trend Online Gaming
Out of Home media
Radio 10%
Out of Home Media
Radio
17.5GB per user by 2022.
20% 14%
Music Music
UNDERSTANDING THE INDIAN CONTEXT
1 2
1 2
Demographics GenZ and young demographic Family content and mass market
Interactive CEO
content, Multi- CEO
sided platform CFO
technology CFO
CMO Regionali
CMO -zation of
Partnership
Content
CTO with OEM,
CTO ISP, DTH
Content
Content
COO
COO
Recommendations
Marketing Strategy - India
Market so far
Target Group Market Share
Age: 17 – 45 yrs
DNA: Some
English
speaking upper
middle class
and up
TG size: 100 million
Technologies
Technologies Improve machine learning to
Predictive analysis understand customers better
67% said they would pay a premium Ensure future proof technology
for download option. infrastructure through continued
collaboration with tech players
Good-to-haves
High adoption rate of HDR-capable Improve server capacity and tech
mobile phones and smart TVs. infrastructure to support high quality
Dolby Atmos to enable a theater-like streaming & decrease downtime & ultra
in-home audio experience. low distortion audio
Explore oracle cloud 2.0
Revenue Model - Netflix
Cost of Infrastructure
Cost of Infrastructure is another important cost
head, but efficiencies are achieved due to
economies of scale
Customer Acquisition:
• Netflix spent $312.7 million on U.S. marketing in the fourth quarter, up 48% year over year. That works out to a
whopping $204 for each net new paid subscriber.
• International marketing spending also jumped, but that increase was more in line with subscriber growth. Netflix
spent $417.6 million on international marketing, up 63% year over year. But it paid less than $60 in marketing for each
new paid subscriber.
Technical backend:
• Netflix spends around $9.6 million per month on AWS
• Netflix spends the most on Amazon EC2 ($3 million/mo) and much less on AWS Elastic Load Balancer, Amazon
CloudFront, and other AWS products. Intricately also shows us that Netflix spends $1 million/mo or more on
Microsoft Azure, Heroku, and Akamai.
RECOMMENDED STRATEGY FOR NETFLIX IN INDIA
Bundling Partnerships
• Bundling can be an • Partnerships need to be
Content Pricing effective way to target formed with established
• The content should be • The pricing should be customers in a customized players in the industry as
made more ‘Indian’ reduced in order to gain manner they will bring the existing
• Add regional shows, sports the subscription base • Based on viewership audience to the platform
content, pop culture • Netflix can go for a free patterns, shows can be
shows, and make original version with limited bundled
programming that is content to anchor and
relatable to people from familiarize the audience
Tier 2 and Tier 3 cities with the platform
• Have content that is • Pricing can be further
relatable to mid-age refined to address different
Marketing New source of Revenue
population audience needs
• Netflix needs to • As compared to US market,
• Pay-as-you-go model can
aggressively market in Tier Indian market is very price
be applied to increase the
2 and Tier 3 cities where it sensitive
user base as the current
has limited presence • Users need to be
pricing options are very
subsidized by pulling in
expensive for many Indians
advertisers
Netflix – Global Business plan till 2025