Music Tech Focus3 min read
On Your DVD
We’ve put together something extra special for this edition of Live 10 Focus. On the DVD you’ll find an exclusive complete tutorial course with 22 chapters covering nearly 4 hours! Whether you’re just starting out or looking to improve your knowledge
Music Tech Focus2 min read
Loopmasters D’n’b Sample Packs
Contact loopmasters.com If you’re looking for a good all-round pack, then this Loopmasters release covers both classic and familiar jungle vibes and more aggressive and original new sounds. Producer Martyn Nytram has raided his vaults for a killer co
Music Tech Focus6 min read
Minis Review
PRODUCERTECH Price £29.95 Contact producertech.com This seven-hour course sees veteran producer Simon Shackleton (whose aliases include Elite Force, Zodiac Cartel and Lunatic Calm) create a deep melodic tech house track using Ableton Live. There are
Music Tech Focus1 min readTechnology & Engineering
Do I Really Need This?
If you already have a drum machine and a synth, adding the Squid will transform your workflow, adding an immediate yet alternative way of generating usable ideas and actually forming them into arrangements and tracks. For somebody already software fo
Music Tech Focus6 min read
PIONEER DJ Toraiz Squid
£519 Pioneer DJ already dominates the DJ booth with its range of CDJ players and DJM mixers and in 2016, the company turned its attention to a more musical range of devices aimed at live electronic-music performance and studio use – the Toraiz range.
Music Tech Focus1 min read
Do I Really Need This?
For anybody working with music hardware, be it synths or samplers or drum machines, a final-stage processing device equivalent to what you’d put on a master channel in software can be a great idea, especially for live use. You get compression and ano
Music Tech Focus5 min read
Oto Machines Boum
£449 BOUM, from France’s OTO Machines, is a hardware compressor/saturator/filter (or ‘analogue stereo warming unit’ as described on the company’s website) that appears to have something to offer producers of all types. For hardware-based musicians, e
Music Tech Focus1 min read
Do I Really Need This?
Tough question. We’d still only recommend critical mixing on headphones if you really can’t experience true monitoring because of practical reasons, or it’s your secondary monitoring scenario. If that’s the case, you don’t really want to spend four f
Music Tech Focus6 min read
FOCAL Clear Professional
£1,228 Headphones are certainly becoming more important for music production, as more and more people take up this most satisfying of pursuits, only to perhaps find out they don’t always have the ideal setup or space for ‘proper’ monitoring. Manufact
Music Tech Focus1 min readTechnology & Engineering
Do I Really Need This?
One of the most important parts of any studio is the audio interface, as it has more bearing on the quality of your recordings than almost any other aspect of your studio. Adding dedicated DSP to a studio isn’t as important perhaps, but it does bring
Music Tech Focus5 min read
UNIVERSAL AUDIO Apollo X4
£1,599 STREET Dedicated DSP processing in an audio interface is very much in vogue at present, with a number of mid-to-highend units coming out from new entrants to the market over recent months. Interesting though these offerings have been, none hav
Music Tech Focus1 min read
Do I Really Need This?
If you’re a guitarist who has spent a lot of time crafting a unique tone that relies on a specific amp, cab or speakers, then chances are you’re not going to be interested in software models or emulations. If you are that type of guitar player, then
Music Tech Focus3 min readTechnology & Engineering
TUL MICROPHONES G12 Retro
FROM $289 The journey to creating the G12 Retro Guitar Mic began with a request from Kevin Shirley, engineer to Iron Maiden and Joe Bonamassa, to build a microphone that simplified guitar-amp recording. Answering that request was studio musician and
Music Tech Focus1 min read
Novation Summit-overview
This is the all-new part of Summit that lets you switch between two different sounds from two Peak engines, layer them or trigger them via a sequencer. Central to Summit in more ways than one, the oscillators kick things off in style from waveforms t
Music Tech Focus1 min read
Around The Back Of Summit
On top of the headphone-out jack, both sounds in a bi-timbral setup get their own sets of audio outputs for extra mixing flexibility. New audio inputs allow any audio to be routed through Summit’s effects and there’s a CV in for external signal modul
Music Tech Focus1 min read
Do I Really Need This?
As a synth fan, I know I always ‘need’ the next big thing. The reality is that I don’t, and I can probably make do with one or two plug-ins from my DAW. Trouble is, so is everyone else. A product like Summit is a luxury – it’s nearly two grand, after
Music Tech Focus10 min read
NOVATION Summit
£1,899 Right from the outset, I’m not doing any Twin Peaks puns. (Okay, bar the one in the intro line above.) But it’s hard not to, because the designers at Novation possibly had this infamous 1990s TV show in mind when they developed their new Summi
Music Tech Focus1 min read
Akai Pro Force Overview
1 One of Force’s three main control areas, the display can reflect what’s happening with the pads, or show something entirely different, like the mixer, MIDI note sequencer, sampled waveforms, or instrument and effect plug-in parameters. Great for mu
Music Tech Focus1 min readTechnology & Engineering
Do I Really Need This?
If you’re already rocking a laptop and some DAW software, and you have a controller that you’re happy with, maybe you don’t ‘need’ this. But you still might be attracted by the self-contained nature of it. There is something to be said for a single-b
Music Tech Focus9 min read
AKAI PROFESSIONAL Force
£1,299 Despite the differences between hardware and software, there’s still room for something in-between the two worlds; hardware that provides a lot of what software offers, but doesn’t feel like a computer. We’re not talking about your dad’s groov
Music Tech Focus1 min readComputers
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Music Tech Focus6 min readTechnology & Engineering
Exploring Connectivity: Part 2 In Ableton Live
We’re following on from the first part of this bumper-sized tutorial, where we talked about what we might connect and how to do it. Here we’ll talk about how to use what you’ve connected! Setting up a microphone at home is a real adventure unless you
Music Tech Focus6 min read
Exploring Connectivity: Part 1 In Ableton Live
Unless you really want to be a musical hermit, you’ll eventually need to add other gear to your setup. We’ve seen this first-hand and know how daunting it can be initially, but we’ve also seen how quickly people get over the hump, adding more compone
Music Tech Focus4 min read
1O TIPS For Performing Live With Tech
Being surrounded by the entire familiar setup of your studio when on stage can be a great comfort, but it does of course entail physically transporting your entire gear list from gig to gig. Once you’ve done a few gigs, you’ll soon discover that the
Music Tech Focus6 min read
Using Guitars In Ableton Live
For a long time, it seemed like guitarists were resisting using computers. However, a new generation of guitarists are far more comfortable with software, computers and mobile devices, so there’s no excuse for anyone to be a tech hold-out. Ableton Li
Music Tech Focus4 min read
1O TIPS On Optimising Computers For Music
Some of these tips may not be obvious, but some are glaringly so, and we’ll start with a biggie from the latter camp. It’s no good running your power-hungry DAW project, loaded with every instrument and effect plug-in going, if you have a load of oth
Music Tech Focus6 min read
Using Midi Keyboards In Ableton Live
The good old MIDI keyboard might seem a tad redundant when we have so many high-tech ways to control Live, but it can still be one of our best friends. Unlike Push, for example, a keyboard simply works with any music software – and maybe with iOS and
Music Tech Focus6 min read
Automation And Editing In Ableton Live
If automation is new to you, it basically refers to the way that you can record the movements of controls – such as faders on a mixer, or the knobs on a synthesiser – and edit them and replay them afterwards. It has revolutionised production, enablin
Music Tech Focus3 min readComputers
Ableton Live Controllers
£599 Contact Ableton | ableton.com The de facto controller for Live – many pick up the Live/Push combo on day one of their musical mission. Push is available bundled with any of the three versions of Live. The truth is, you really need a clear reason
Music Tech Focus10 min read
Mark Ralph
What magic potion is needed to transform a song into a chart topper in 2019? If anyone has the recipe, then it’s the brilliant producer, songwriter and musical alchemist Mark Ralph. From Hot Chip and Franz Ferdinand to Tom Walker and Jax Jones via Cl
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