If Sir James Dyson is angry, he’s certainly not showing it. The impeccably polite 76-year-old inventor, philanthropist, and founder and chairman of Dyson is sitting in his lightfilled corner office at the company’s UK campus, handling a teeny tiny he

When one thinks of Fendi, it’s difficult to overlook the significance of the Peekaboo bag, with its slouching front face that flips down into an open pocket – invented by Silvia Venturini Fendi, the family scion who also designs Fendi’s accessories a

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Sydney cobbler Julia Baldini’s shoes won’t play second fiddle to any outfit. Instead, she wants them to have a presence: stomping, fierce, theatrical. Take her newest pieces – knee-high, trimmed with a ballooning leather ruff, or shaggy blood-red Mon

The 2024 iteration of the red lip is all about layering. For precision, stencil the outer edge in your favourite lip liner before applying a pigmented lipstick straight from the bullet. The finishing touch? A liberal application of mirror-effect glos

Stripes are not new, but their flavour this season came reinvigorated via collegiate hues with a youthful sporting edge. Go graphic, go boldly coloured, or go home. Scan the QR code to shop Vogue’s stripes edit. Layer upon layer was the quite literal

It’s only been two years since Australian-born model Angelina Kendall was scouted via Instagram at 16. Since then, the now 18-year-old beauty has walked for the likes of Chanel, Dior, Gucci and Saint Laurent. She’s starred in campaigns for everyone f

There’s a noticeable sense of calm that Stuart Vevers radiates, even over Zoom. The British designer – who’s served as creative director of American leather brand Coach for 10 years after stints at Loewe and Bottega Veneta – is conducting this interv

Some 16,000 kilometres from her home in Denmark, a fresh-out-of-school Sofia Lynggaard Normann could have felt like a fish out of water in Australia. “But what I honestly found was that it didn’t feel like it was far away,” she says in her mellifluou

Our April cover shoot would not have been possible without the support of the Australian Embassy in Paris. Vogue would like to thank and acknowledge their commitment to the arts, and particularly fashion. Gillian Bird PSM is Australia’s ambassador to

The short film that heralded John Galliano’s viral haute couture show for Maison Margiela in January this year opened with the whispered words: “Would you like to take a walk with me, offline?” For the legendary designer, it was a call for his audien

Miu Miu’s modern bowler performs as well in the functionality stakes as it does style. The carryall, with room for every kind of daily detritus, means hardworking types need leave nothing behind. A chosen accompaniment for modern life should lift spi

If youth is wasted on the young, then height is wasted on the young and tall. I can recall with clarity my disappointment in my sixth-grade class portrait. I had experienced a growth spurt that summer. I had always been tall, but now the fact of my h

Grace Forrest is still wearing the friendship bracelets from the Taylor Swift concert she attended the week of her photo shoot with Vogue Australia. In person, the activist, humanitarian and founder of antislavery organisation Walk Free – who was rec

It can be a bewildering thing to stand in the middle of a crowded photo shoot alone, every set of eyes on you. But Tanzyn Crawford is cool and calm. Collected? Absolutely. Except for the odd cheeky twirl. The actor can’t help but occasionally sway to

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The first compliment I received at Vogue came thanks to a chemist impulse purchase. It was 10 years ago, during my first days as a beauty assistant in New York at our labyrinthine old 4 Times Square offices. As I made my way down a corridor known for

There is nothing like the energy of 81,000 people gathered to see one of the biggest pop stars on the planet performing live. For Taylor Swift’s first Sydney show in February, part of her historymaking Eras tour, friends of Vogue Australia and Chando

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I almost knock into Andrew Scott before I see him. He’s just dashed out of the Tate Modern gallery in London, frantic and slightly late: “There’s just so many entrances!” he exclaims. His patrician forehead crinkles, and the brown eyes charmingly ple

Marikit Santiago shuffles through the Art Gallery of New South Wales (AGNSW) in an off-the-shoulder Beare Park burgundy gown and a pair of hotel slippers. “I feel like one of those gospel singers in Hercules,” the Filipino-Australian artist laughs, k