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A wildfire of a debut memoir by internationally recognized French/Cree/Iroquois journalist Brandi Morin set to transform the narrative around Indigenous Peoples. Brandi Morin is known for her clear-eyed and empathetic reporting on Indigenous oppression in North America. She is also a survivor of the Missing and Murdered Indigenous Women and Girls crisis and uses her experience to tell the stories of those who did not survive the rampant violence. From her time as a foster kid and runaway who fell victim to predatory men and an oppressive system to her career as an internationally acclaimed journalist, Our Voice of Fire chronicles Morin’s journey to overcome enormous adversity and find her purpose, and her power, through journalism. This compelling, honest book is full of self-compassion and the purifying fire of a pursuit for justice.

Kathryn addresses timely and urgent questions about environmental justice, particularly leaning into the intersection of class, race, and environmental contamination. Kathryn also denounces the violent history of white supremacy and capitalist hegemony, and the unequal, unethical, treatment of BIPOC and poor bodies in a western biomedical context.  Combines theory, poetry, and photography; it is personal, lyrical, and stylistically experimental while also being rigorously researched.  Kathryn was an In the Stacks fellow at CHP!

A guided group tour to concentration camps in Poland and Germany allows Stahl to confront personal and historical demons with both deep despair and savage humor "Stahl embarks on Holocaust tourism in this meditative yet humorous account, weaving personal narrative with reflections on current and past global events." —New York Times Book Review "[Stahl's] razor-sharp gallows humor will have you howling one moment, breathless the next in the presence of wrenching generational pain, of humanity at its very worst, and goodness at its camouflaged best." —Brooklyn Rail "An audacious, emotional journey." —The Village Voice In September 2016, Jerry Stahl was feeling nervous on the eve of a two-week trip across Poland and Germany. But it was not just the stops at Auschwitz, Buchenwald, and Dachau that gave him anxiety. It was the fact that he would be traveling with two dozen strangers, by bus. In a tour group. And he was not a tour-group kind of guy. The decision to visit Holocaust-world did not come easy. Stahl’s lifelong depression at an all-time high, his career and personal life at an all-time low, he had the idea to go on a trip where the despair he was feeling—out-of- control sadness, regret, and fear, not just for himself, but for the entire United States—would be appropriate. And where was despair more appropriate than the land of the Six Million? Seamlessly weaving global and personal history, through the lens of Stahl’s own bent perspective, Nein, Nein, Nein! stands out as a triumph of strange-o reporting, a tale that takes us from gang polkas to tour-rash to the truly disturbing snack bar at Auschwitz. Strap in for a raw, surreal, and redemptively hilarious trip. Get on the bus.

A staggering memoir from New York Times-bestselling author Ada Calhoun tracing her fraught relationship with her father and their shared obsession with a great poet When Ada Calhoun stumbled upon old cassette tapes of interviews her father, celebrated art critic Peter Schjeldahl, had conducted for his never-completed biography of poet Frank O’Hara, she set out to finish the book her father had started forty years earlier.  As a lifelong O’Hara fan who grew up amid his bohemian cohort in the East Village, Calhoun thought the project would be easy, even fun, but the deeper she dove, the more she had to face not just O’Hara’s past, but also her father’s, and her own.  The result is a groundbreaking and kaleidoscopic memoir that weaves compelling literary history with a moving, honest, and tender story of a complicated father-daughter bond. Also a Poet explores what happens when we want to do better than our parents, yet fear what that might cost us; when we seek their approval, yet mistrust it.  In reckoning with her unique heritage, as well as providing new insights into the life of one of our most important poets, Calhoun offers a brave and hopeful meditation on parents and children, artistic ambition, and the complexities of what we leave behind.

Essays include: A romantic relationship unravels while Gutiérrez contemplates the value of adobe as both vernacular architecture and commodified art object.  El Tiradito, a popular shrine in downtown Tucson, becomes a backdrop for the retelling of a classed, clandestine love affair between young laborer Juan Olivera and his hacendado’s wife, scaffolding questions of labor, belief, desire, and self-making.  A travel diary from Tijuana to San Diego, from the border wall prototypes in one country to a wedding in another, highlights questions of gender, ethnic identity, and citizenship status.