UNIVERSITATEA BABE-BOLYAI DIN CLUJ-NAPOCA FACULTATEA DE LITERE PROGRAMA ANALITICA 2010-2011

Cod LK11179

Descrierea disciplinei (n limba romn)

LK11179

Descrierea disciplinei (tradus n limba englez)

Nr. ore/ sptmn Felul verificrii C S Cp 4 2 1 E Tragedia antic Cursul i propune s ofere o panoram a temelor tragediei greceti, relevnd ritualurile i simbolurile mitice ce motiveaz aciunea unor personaje paradigmatice precum Oedip, Oreste, Electra, Medeea, Antigona, Fedra etc. Aceste figuri i legende sunt apoi urmrite, ntr-un demers comparatist, n diferitele lor reeemergene n teatrul renascentist i clasic, modern i postmodern. Cursul ofer o perspectiv sintetic asupra definiiei i originilor tragediei greceti, analiznd conceptul de hybris, conceptul de destin, funcia corului antic, conflictul zei-oameni. Sunt analizate, de asemenea, diverse ritualuri, sacrificii, purificri, aa cum apar n tragedia greac, precum i elementele oculte adiacente (oracole, ghicitori, incantaii, vrji). Cursul radiografiaz ciclurile violenei din tragedia greac, statutul zeilor i al sacrului, precum i varii dispute religioase (conflicte ntre culte). Bibliografie Eschil, Orestia, Bucureti, Editura Univers, 1979 Sofocle, Teatru, Bucureti, EPL, Bucureti, 1965 Euripide, Teatru, Bucureti, Editura Univers, 1996, 1998 J. Racine, Teatru, Bucureti, ESPLA, 1959 Jean Giraudoux, Rzboi cu Troia nu se face, Bucureti, EPL, Bucureti, 1966 Eugene ONeill, Din jale se ntrupeaz Electra n Teatru (II), EPLU, Bucureti, 1968 Jean Paul Sartre, Mutele n Teatru (I), Bucureti, EPLU, Bucureti, 1969 4 2 1 E Ancient tragedy The course aims to provide a panorama of Greek tragedy themes, emphasizing rituals and mythical symbols which motivate the action of such paradigmatic characters as Oedipus, Orestes, Electra, Medea, Antigone, Phedra, etc. These figures and legends are then dwelt upon in a comparative approach in their various re-emergences in the Renaissance and classical theatre, modern and postmodern theatre. The course aims also to provide a synthetic perspective on the origins and definition of the greek tragedy, analyzing the concept of hybris, the concept of fate, the function of the greek choir, the conflict between gods and men. The course also focuses on different rituals, sacrifices, purifications and occult elements that appear in the greek tragedy (like riddles, oracles, incantations, witchcrafts). There is a special insight on the violent cycles of life, the status of gods and of the sacred, different religious disputes (conflicts between cults). Bibliography Eschil (Aeschylus), Orestia (Oresteia), Bucureti, Editura Univers, 1979 Sofocle, Teatru (Theatre), Bucureti, EPL, Bucureti, 1965 Euripides, Teatru (Theatre), Bucureti, Editura Univers, 1996, 1998 J. Racine, Teatru (Theatre), Bucureti, ESPLA, 1959 Jean Giraudoux, Rzboi cu Troia nu se face (The Trojan War Will Not Take Place), Bucureti, EPL, Bucureti, 1966 Eugene ONeill, Din jale se ntrupeaz Electra (Mourning Becomes Electra) in Teatru (Theatre) (II), EPLU, Bucureti, 1968 Jean Paul Sartre, Mutele (The Flies) in Teatru (Theatre) (I), Bucureti, EPLU, Bucureti, 1969 Discipline Credit

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