Album Festival 2012

Aceast lucrare este dedicat tuturor
celor care i-au druit talentul i munca

pentru ca teatrul de animaie s existe!
This work is dedicated to all those
who give their talent and
work for the puppet theatre to exist!
1945-2012
ora joi 22 vineri 23 smbt 24 duminic 25 luni 26
10:00 China, Guangzhou
AVENTURILE LUI NILS
TEATRUL BEILEI
ndric
- Sala Lahovari
China, Guangzhou
AVENTURILE LUI NILS
TEATRUL BEILEI
ndric
- Sala Lahovari
Romnia, Alba Iulia
ZULENKA
TEATRUL DE PPUI
PRICHINDEL
ndric - Sala Studio
Romnia, Botoani
POVESTEA LUI
MUC CEL MIC
TEATRUL PENTRU COPII
I TINERET VASILACHE
ndric - Sala Lahovari
Romnia, Galati
CEI TREI PURCELUSI
TEATRUL DE PPUI
GULLIVER
Romnia, Bucureti
ALB CA ZPADA
TEATRUL DE ANIMAIE
NDRIC
Teatrul Nottara
11:00
12:00 Romnia, Alba Iulia
ZULENKA
TEATRUL DE PPUI
PRICHINDEL
ndric - Sala Studio
Romnia, Botoani
POVESTEA LUI
MUC CEL MIC
TEATRUL PENTRU COPII
I TINERET VASILACHE
Atelierele
AICI ACOLO
ndric - Sala Laborator
AVENTURILE LUI NILS
TEATRUL BEILEI
ndric
- Sala Lahovari
13:00
14:00
15:00 Atelierele
AICI ACOLO
ndric
- Sala Laborator
Romnia, Bucuresti
BUZUNARUL
CU PINE
vrsta: aduli
UNATC
ndric - Sala Studio
16:00 Romnia, Iai
ALB I NEGRU
UNIVERSITATEA DE ARTE GEoRGE ENESCU
17:00 Vernisaj EXPO
desene Lowendal
ndric - Foaier
Lansare carte
Editura Paralela 45
ndric - Foaier
Lansare carte Editura Nemira
Colectia Yorick; ndric - Foaier
Lansare carte
Editura Paralela 45
ndric - Foaier
AVENTURILE LUI NILS
TEATRUL BEILEI
ndric
- Sala Lahovari
Bulgaria, Vidin
PESCARUL
I PETIORUL
DE AUR
TEATRUL DE STAT
DE PPUI
Romania, Bucuresti
DNIL PREPELEAC
TEATRUL DE ANIMAIE NDRIC
Romnia, Bucuresti
RAPUNZEL
TEATRUL DE ANIMAIE
NDRIC
Danemarca, Copenhaga
ALELUIA!
TEATRUL BATIDA
Teatrul Bulandra Sala Toma Caragiu
Decernare
PREMIUL DE EXCELEN PENTRU CoRPUL TEHNIC
ndric - Sala Studio
Decernare
PREMIUL MICHAELA
TONITZA IORDACHE
DE EXCELEN N ARTA
ANIMAIEI
Demonstraie
AURICA DOBRESCU
19:00
20:00 Conferin Wong Tim
Keung Simon (HoNG
KoNG) i Ma Xingzhi
(CHINA)
ndric - Sala Studio
Conferin Brndua Zaia Silvestru
i Alexandrina Halic
Dialogul artelor pentru copii
Conferin
Wong Tim Keung Simon
(HoNG KoNG)
Pedagogie prin arta de
animatie
ndric - Sala Studio
Danemarca, Copenhaga
ALELUIA!
TEATRUL BATIDA
Teatrul Bulandra Sala Toma Caragiu
Programul Festivalului Internaional al Teatrului de Animaie. Ediia a 8-a, 22 nov. 1 dec. 2012
ora mari 27 miercuri 28 joi 29 vineri 30 smbt 01 dec.
10:00 Romnia, Timioara
EU I SGEAT
TEATRUL PENTRU CoPII I TINERET
MERLIN
Germania, Berlin
APROAPE I NU PREA
TEATRUL GRIPS
vrsta: peste 2 ani
Romnia, Bucuresti
MOTANUL NCLAT
TEATRUL DE ANIMAIE
NDRIC
Scoala nr. 3 Bucuresti
Romnia, Craiova
INIM DE PIATR
TEATRUL PENTRU CoPII I TINERET
COLIBRI
Romnia, Tg. Mure
FANTASTICA AvENTUR
A ORICELULUI
ROADE-N GND
TEATRUL ARIEL
11:00 Romnia, Braov
FRUMOASA RAPUNZEL
TEATRUL ARLECHINO
12:00 Romnia, Bucuresti
CAPRA CU TREI IEZI
Spitalul Fundeni
ntlnire DIRECToRI
Romnia; Craiova
INIM DE PIATR
TEATRUL PENTRU
CoPII I TINERET
COLIBRI
ndric
- Sala Lahovari
ntlnire
DIRECTORI
ndric
- Sala
Laborator ntlnire DIRECToRI
ndric
- Sala Laborator
Romnia, Tg. Mure
FANTASTICA AvENTUR
A ORICELULUI
ROADE-N GND
TEATRUL ARIEL
13:00 ntlnire DIRECToRI
ndric
- Sala Laborator 14:00 Atelier
Graiela Ene
MARIONETE DIN
oSETE
ndric
Sala Studio
Romnia, Tg.
Mure
NATERE,
DRAGOSTE,
MOARTE
UNIVERSITATEA
DE ARTE
ndric
- Sala Lahovari
15:00 Conferin Daniel Klinger
Light design-ul in teatru
ndric - Sala Studio
Conferin ASSITEJ Romnia
CEo ASSITEJ Austria
NVND DE LA ALII
ndric - Sala Studio
Conferin Sabina tirb
De ce are si arta nevoie
de PR?
ndric - Sala Studio
17:00 Lansare carte
Editura RAo
ndric - Foaier
Lansare
Toma Hogea
ndric - Foaier
18:00 Italia, Roma
SONAT LA PATRU PICIOARE
TEATRUL DEI PIEDI - LAURA KIBEL
Germania, Berlin
APROAPE I NU PREA
TEATRUL GRIPS
olanda, Maastricht
MOMENTUM
COMPANIA ANANDA PUIJK
Spania, Barcelona
FRAGMENTE
COMPANIA DE MARIONETE
ToNI ZAFRA
19:00 Conferin Stephan Rabl
(AUSTRIA)
Noi metode pentru teatrul de copii
i adolesceni
Romnia, Bucuresti
PLAY SHAKESPEARE
ndric - Sala Studio
Conferin Stefan Fischer-Fels
(GERMANIA)
Evoluia teatrului contemporan
pentru copii i adolesceni n
Germania
ndric - Sala Studio
Romania, Bucuresti
CANDID
TEATRUL DE ANIMAIE
NDRIC
ndric - Sala Studio
20:00 Conferin Mihaela Michailov
Al cui este teatrul pentru copii?
Director Festival Festival Manager
Clin Octavian Mocanu
Preedinte de onoare
Director artistic al Teatrului Grips din Berlin, Germania
Vicepreedinte Comitetul Executiv ASSITEJ Internaional
Preedinte
Critic teatral
Manager i coordinator proiecte ASSITEJ Austria
Director Ministerul Culturii i Patrimoniului Naional
Director i membru fondator al Institutului Ming Ri pentru educaie
prin art din Hong Kong
Critic teatral
Regizor, scenarist i actor al companiei teatrale Batida, Copenhaga, Danemarca
Critic teatral
Critic teatral
Critic teatral
Critic teatral
Preedinte al Institutului de Relaii Umane, Bucureti
Director de marketing Teatrul de Animaie ndric, secretar al juriului
Honorary president
Artistic manager of GRIPS Theatre, Berlin, Germany
Vice president Executive Commitee ASSITEJ International
President
Theatre critic
Manager and project coordinator ASSITEJ Austria
Representative of the Ministry of Culture and Cultural Heritage
Manager and founding member of Ming Ri Institute
for Arts Education, Hong Kong
Theatre critic
Director, script-writer and actor at Batida Theatre, Copenhagen, Denmark
Theatre critic
Theatre critic
Theatre critic
Theatre critic
President of the Human Relations Institute
Secretary of the jury, Marketing Manager ndric Animation Theatre
STEFAN FISCHER- FELS
ION PARHON
KOLJA BURGSCHULD
MARIUS ZARAFESCU
WONG TIM KEUNG SIMON
OLTIA CNTEC
SOREN VALENTE OVENSEN
MARIA SRBU
DOINA PAPP
MARINELA EPU
CRISTINA RUSIECKI
Dr. CRISTIAN ANDREI
RALUCA TULBURE
Juriul Festivalului The Jury of the Festival
TEATRUL DE ANIMAIE
NDRIC
NDRIC
ANIMATION THEATRE
Festivalul Internaional
al Teatrului de Animaie
International Animation
Theatre Festival
Joys for Children.
Top Notch Shows
Bucurii pentru copii.
Spectacole de colecie
O
rice festival de teatru se vrea o srbtoare, un schimb de opinii, de
emoii, un loc de ntlnire ntre public, artiti i specialiti, de o parte
i de alta a scenei.
Teatrul pentru cei mici este un spaiu magic unde e nevoie de iubire pentru
ca buretele sau lemnul s prind via: de iubirea noastr, a ppuarilor, a
copiilor. Tocmai de aceea, are darul i puterea de a uni n timp generaii.
Stm sub semnul unei diversiti artistice, culturale, estetice i de aceea
pe scena de la NDRIC se vor ntlni oameni i ppui cu poveti
fabuloase, fermectoare care s fe cadoul din ghetele lui Mo Nicolae.
ndric continu s deschid spiritul spectatorilor si, copii, tineri i
aduli spre acel univers poetic fr de care omul nu poate supravieui.
Mi-ar place s dau timpul napoi, s m ntorc spre minunatul univers al
copilriei i s vin zi de zi la NDRIC.
Prof. Univ. Dr. Sorin Mircea Oprescu
Primar General al Capitalei
A
ny theatre festival it is really meant to be a holiday, a rendezvous, an
exchange of emotions and convictions, a meeting place between
public, artists and critics.
The theatre for children its a place where love is necessary to give life
to the foam or the wood, of our love, the love of puppeteers, the love of
children.
We are under the sign of artistic, cultural, aesthetic diversity, where, on the
NDRIC stage, people and puppets will meet with charming, fabulous
stories, which can represent the presents of Saint Nicholas.
NDRIC keeps on opening the poetic spirit to his public, his
youngsters, his adults, the worlds without which people could not survive.
I would like to turn back the clock, to be child once again and to come to
NDRIC every day.
Prof. univ. dr. Sorin Mircea Oprescu
General Mayor of Bucharest
C
a n fecare an n prag de srbtori la
Bucureti se adun ppuari romni i
din ntreaga lume, toat foarea cea vestit
a artitilor animatori. i dau mn cu
mn, ntr-o hor a nelegerii, a bucuriei,
a cunoaterii i a pasiunii pentru meserie.
Festivalul ca i stagiunea de la ndric st
sub semnul diversifcrii ofertei culturale,
a racordrii la standardele i direciile de
evoluie ale culturii europene i mondiale
n arta animaiei. O varietate de tehnici de
mnuire, de la cea direct la marionetele
cu fre scurte sau lungi, bibabo, wayang,
obiecte, personaje compuse, de lumini sau
animaie video i digital. Toate acestea
vor putea f vzute timp de zece zile pe
scenele de la ndric, Bulandra, Nottara
alturi de alte surprize.
Director Manager
al Teatrului de Animaie NDRIC
Preedinte
UNIMA Romnia
Directorul Festivalului
Manager of
NDRIC Animation Theatre
President of
UNIMA Romania
Festival Manager
A
s every year, at the end of November
and beginning of December, many
puppeteers of Romania and everywhere in
the world gather in Bucharest. They shake
hands as in Romanian hora (the round
dance) of understanding, joy, knowledge
and passion for their art. The Festival, as
well as the season at the Tandarica Theater
is under the sign of the diversity of the
cultural ofer of joining the evolution
standards and directions of the European
and world culture in the animation art. A
wide variety of acting techniques, from the
direct ones to the marionettes with long
or short strings, bi ba bo, wayang, objects,
compound puppets, of lights or digital
and video animation. All these will be
seen during the 10 days on the stages of
Tandarica, Bulandra and Nottara theatres,
together with many other surprises.
Preedinte ASSITEJ - Romnia President of ASSITEJ - Romnia
D
up o att de lung i ferbinte var indian, iat-ne din nou, n prag de iarn, la
Teatrul de Animaie ndric, pentru electrizanta ntlnire cu lumea povetilor
de azi, de ieri i de mine. Cu o emoie egalat doar de prima zi de coal, cei mai
tineri iubitori ai scenei, mpreun cu educatorii, prinii sau bunicii lor, vor avea prilejul,
dac nu chiar privilegiul de a urmri un fascinant dialog ntre diferite vrste i nfiri
ale teatrului de marionete i ppui, cu actori, cu obiecte, cu mti sau cu umbre, cu
rafnate acorduri muzicale i jocuri de lumini, capabil s dea seama att de farmecul
tradiiei, ct i de orizonturile nnoitoare ale acestei arte.
A
bia ntors dintr-un turneu de success din China, Teatrul ndric este pregtit
acum pentru un mare i edifcator examen de profesionalism n plan artistic,
managerial i organizatoric. El este menit s prilejuiasc numeroaselor trupe din
ar sau unor formaii studenesti, dar i artitilor din China, Bulgaria, Italia, Spania,
Danemarca, Germania i Olanda o afrmare strlucit n acest amplu maraton
multicultural al povetilor scenice, bizuit pe respect reciproc i cald convivialitate,
de nembtrnita bucurie a creaiei din viaa slujitorilor unei arte strvechi i, de ce
nu, de recunoscuta ospitalitate romneasc. Pe de parte, nu trebuie s uitm tocmai
confruntarea cu valorile i preocuprile de pe alte meleaguri ne pot ajuta s afm
cum stm, care este nivelul artei ppuarilor notri.
S
pectacolele, expoziiile, conferinele, workshopurile i lansrile de cri, completate
i nnobilate de clipele greu de uitat ale nmnrii unor binemeritate premii se vor
constitui, astfel, ntr-un veritabil omagiu la adresa invulnerabilei puriti a copilriei,
generatoare de vis, de iubire i speran.
Invulnerabila puritate
Ion Parhon
Preedinte Juriu
A
fter a long and hot Indian Summer here we are again, on the eve of winter at Tandarica
Animation Theatre for the electrifying encounter with the story world of today, yesterday
and tomorrow. With excitement equaled only by the frst day of school, the youngest lovers
of the stage along with their teachers, parents and grandparents will have the opportunity, if
not the privilege of watching a fascinating dialogue between diferent ages and appearances
of puppet theater and puppets, with actors, objects, masks and shadows, with exquisite
arrangements of music tunes and light games, able to realize the charm of tradition and
renewal perspectives of this art.
R
ecently returned from a successful tour in China, Tandarica Theatre is now ready for a
great and enlightening test of professionalism in the artistic, managerial and organization
feld. It is designed to give the opportunity to numerous theater troupes in the country and
some student groups, but also to artists from China, Bulgaria, Italy, Spain, Denmark, Germany
and the Netherlands, to assert themselves in this extensive multicultural marathon of staged
stories, relied on mutual respect and warm conviviality, the never aging joy of creation in the
lives of the ministers of this ancient art and, why not, the famous Romanian hospitality. On
one hand, we must not forget that exactly the confrontation with values and concerns in
other countries can help us fgure out where we stand and the level of our puppeteersart.
T
he performances, exhibitions, conferences, workshops and book launches, completed
and ennobled by memorable award ceremonies with well-deserved prizes will thus
constitute a real tribute to the invulnerable purity of childhood, generator of dreams, love
and hope.
The invulnerable purity
Ion Parhon
President of the Jury
Aventurile lui Nils
Regia: Yu Molin
Scenografa: Wang Honggang
Muzica: Zou Kaiyan
Coregrafa: Hou Meimei
Distribuia: Feng Hengfan,
Hou Meimei, Li Yanting, Zhang
Dan, Liu Shunda, Ou Yangle,
Yang Juan, Chen Jiawen, Zhang
Wen, Zhang Shengmeng.
Vocile personajelor n limba romn:
Gabriel Apostol, viorel Ionescu,
Alina Teianu, Geo Dinescu,
Ioana Chelaru, Ioan Brancu.
TEATRUL BEILEI GUANGZHOU, CHINA
N
ils este un bieel neasculttor, cruia nu-i place s nvee. Prietenul su, gscanul cel alb
Morton, stul ca Nils s-l necjeasc mereu, o roag ntr-o bun zi pe Zna Clopoel s fac
o vraj care s-l transforme ntr-un gscan uria, iar Zna i ascult rugmintea. Nils o roag i el
s-l fac mic de tot, ct un pitic, ca s nu mai fe nevoie s mearg la coal. Zna i ndeplinete
dorina i Nils devine un pitic ciudat cu nas i urechi lungi. Nils se urc pe spatele gscanului i
mpreun pleac n zbor s colinde ara. n cltoria aceasta, biatul este ademenit de cei doi
ticloi, lupul Barca i vulpoiul Milton, care l pun s cnte i s danseze pentru a ctiga bani
de pe urma lui. Jupneasa oriceilor vrea i ea s pun mna pe Nils i s-l in numai pentru
ea. Gscanul i Nils sunt prini i bgai n temni de vulpoi i lup, dar cu ajutorul unor prieteni
reuesc n cele din urm s se salveze. Din toate aceste peripeii i ncercri, Nils ncepe treptat
s trag nvminte, devine un copil cuminte i i dorete s mearg din nou la coal.
n romn
in Romanian
peste 4 ani
over 4 years
90`
n romn
in Romanian
peste 4 ani
over 4 years
90`
N
ils is a very naughty boy who doesnt like to go to school. His friend, Morton,
the big white goose, asks the Fairy to turn him into a bigger goose and she
grants his wish. Nils asks the Fairy to transform him into a small boy so he wont
need to go to school, so she turns him into a dwarf with long nose and big
ears. Nils climbs on Mortons back and they fy away, starting a fantastic journey
together. During their adventure, the boy is easily tempted by two bad guys,
the wolf Barca and the fox Milton, who trick him to play for them at the circus
and the wealthy Mouse Meimei also wants to get her hands on Nils. Nils and
Morton are eventually trapped and locked into a cage by the wolf and the fox,
but with help from some friends they fnally get out of danger. After all these
adventures and suferings, Nils gradually turns into a good boy.
The Adventure of Nils
Director: Yu Molin
Stage Artistic Designer:
Wang Honggang
Composer: Zou Kaiyan
Choreography: Hou Meimei
Cast: Feng Hengfan, Hou Meimei,
Li Yanting, Zhang Dan, Liu Shunda,
Ou Yangle, Yang Juan, Chen Jiawen,
Zhang Wen, Zhang Shengmeng.
Voices of the characters in Romanian:
Gabriel Apostol, viorel Ionescu,
Alina Teianu, Geo Dinescu,
Ioana Chelaru, Ioan Brancu.
BEILEI THEATRE GUANGZHOU, CHINA
TEATRUL DE STAT DE PPUI VIDIN, BULGARIA
Pescarul i petiorul de aur
Autor: Magdalena Miteva (dup A.S. Puhkin)
Regia: Magdalena Miteva
Distribuia: Minka Surdilova, Adelina Ilieva,
Nadejda Gonceva, Krasimir Kolev,
Oleg Eliciov.
The Fisherman and the Golden Fish
Author: Magdalena Miteva (after A.S. Pushkin)
Director: Magdalena Miteva
Cast: Minka Surdilova, Adelina Ilieva, Nadejda Gonceva,
Krasimir Kolev, Oleg Eliciov.
STATE PUPPET THEATRE VIDIN, BULGARIA
P
ersonajele principale ne dezvolt imaginaia prezentnd aciunea cu mult
umor, transformri vizuale i situaii amuzante cu ajutorul animaiei, cum
ar f folosirea de sfori. Petiorul de aur nu este numai personajul principal, dar
i povestitorul. Putem vedea cum, n cteva momente, tablourile se succed
i devin din ce n ce mai complicate: vechea cad devine o cas, casa devine
o proprietate, dup care devine un palat, apoi totul dispare dintr-o singur
micare. Spectacolul are ca fond sonor muzica original, compus n stilul
cntecelor tradiionale ruseti, fr cuvinte.
T
he main characters develop our imagination by presenting the action
with a lot of humour, visual transformations and funny situations by
means of animation, for example by using threads. The golden fsh is not only
a main character but the storyteller as well. We see how in a few movements
scenes rapidly succeed each other and become more complicated the old
tub turns into a house, the house becomes a boyars estate, then a palace,
and eventually everything disappears in one move.
The whole performance is played with an original music background,
composed in the style of Russian national songs, without any lyrics.
nonverbal
nonverbal
pentru copii i
ntreaga familie
all public
55`
n romn
in Romanian
peste 3 ani
over 3 years
55`
TEATRUL DE PPUI PRICHINDEL ALBA IULIA, RoMNIA
Zulenka
Regia i scenariul: Cristian Pepino
Scenografa i costumele: Cristina Pepino
Muzica: Dan Blan
Distribuia: Amalia Pop, Teodora Popa,
Elena Scoreanu,Ramona Mincu Benchea,
Radu Hprian Dan, Ioan Pompiliu Cristea.
PRICHINDEL PUPPET THEATRE ALBA IULIA, ROMANIA
Zulenka
Script and director: Cristian Pepino
Sets and costumes: Cristina Pepino
Music: Dan Blan
Cast: Amalia Pop, Teodora Popa,
Elena Scoreanu, Ramona Mincu Benchea,
Radu Hprian Dan, Ioan Pompiliu Cristea.
Z
ulenka este o poveste pentru copiii mici, pentru cei mai mici
spectatori ai notri i este un text inspirat din creaia Baronesei
Orczy care a publicat la Londra ctre sfritul secolului al 19-lea un
volum de minunate poveti. E o istorie fr violen, find n acest sens
mai potrivit pentru copiii de pn la apte ani. Basmele obinuite
prezint de obicei episoade violente sau deosebit de dramatice
potrivite mai degrab pentru copiii mai mari de apte ani. Zulenka este
povestea unei fetie care i dorete s devin zn. Din aceast cauz,
ea declaneaz o serie de peripeii din care va iei cu bine datorit
ajutorului prietenilor ei, spiriduii i animalele pdurii... Cristian Pepino,
regizor.
Z
ulenka is a story for young children, for our youngest spectators
and it is a text inspired by the work of Baroness Orczy, who
published in London towards the end of the 19th century a volume
of wonderful stories. It is a non violent story, making it suitable for
children up to the age of seven. Common fairy tales present episodes
of violence or episodes which are full of drama, rather suitable for
children older than 7. Zulenka is the story of a little girl who wants to
become a fairy. That is why she generates a number of mishappenings,
which she will eventually overcome with the help of her friends, the
elves and the forest animals. Cristian Pepino, director.
Dnil Prepeleac
Adaptare dup Ion Creang
Regia: Ioan Brancu
Scenografa: Marian Sandu
Muzica: Dan Blan
Distribuia: Mariana Zaharia,
Ilona Hrestic, Dan Codreanu,
Marin Fagu, Ioan Brancu,
Mihai Dumitrescu.
Danilo the Pole
Adapted after Ion Creangs tale
Directed by: Ioan Brancu
Set design: Marian Sandu
Music: Dan Blan
Cast: Mariana Zaharia, Ilona
Hrestic, Dan Codreanu, Marin
Fagu, Ioan Brancu,
Mihai Dumitrescu.
NDRIC ANIMATION THEATRE BUCHAREST, ROMANIA
S
pectacolul pstreaz frul povetii clasice despre
biatul srac, prost i lene, find de fapt o comedie
a prostiei pn n momentul distrugerii carului i uciderii
boilor fratelui n pdure, apoi o comedie a deteptciunii,
ndurrii i vicleugului. Putem vorbi i despre parabola
biblic a fului risipitor.
BUCURETI, RoMNIA
n romn
in Romanian
55`
peste 5 ani
over 5 years
T
he performance keeps the classic
storyline about a poor, stupid and
lazy boy called Danilo the Pole, being a
comedy about stupidity until the moment
he destroys the cart and kills his brothers
oxen in the forest, and then a comedy of
cleverness, compassion and tricks. We can
also speak about the biblical parable of
the prodigal son.
premier ofcial
opening night
Povestea lui Muc cel Mic
Autor: Wilhelm Hauf
Adaptarea, regia artistic: Marius Rogojinschi
Scenografa: Marius Rogojinschi i Mihai Pastramagiu
Distribuia: Mihaela tempel, Ibica Leonte,
Anamaria Chelaru, Florin Iftode, Aurica
Dobrescu, Marius Rusu, Claudiu Iftode.
The Story of Little Muck
Author: Wilhelm Hauf
Adapted and director: Marius Rogojinschi
Sets: Marius Rogojinschi i Mihai Pastramagiu
Cast: Mihaela tempel, Ibica Leonte, Anamaria
Chelaru, Florin Iftode, Aurica Dobrescu,
Marius Rusu, Claudiu Iftode.
n romn
in Romanian
peste 5 ani
over 5 years
55`
R
ealizat n tehnica black light, ntr-o
fantezie scenografc menit s
ntregeasc atmosfera de basm, prin
coloristica vie i caracterul oriental al
povetii scrise de W. Hauf, spectacolul
este att pentru cei mici, ct i pentru
aduli, un parcurs artistic n care Binele
nu nvinge ntotdeauna, dar nu pentru
a face loc Rului, ci pentru ca Micul
Muc s trag nvminte din propriile
ntmplri.
M
ade in black light technique, a
scenographic fantasy designed
to complete the magical atmosphere
through vivid colors and the oriental
character of the story by W. Hauf, the
show is for both children and adults,
an artistic journey that good doesnt
always win but not to make room for
evil, but because little Muck learns from
his own stories.
TEATRUL PENTRU COPII I TINERET vASILACHE
BoToANI, RoMNIA
vASILACHE YOUTH AND CHILDRENS THEATRE
BOTOSANI, ROMANIA
Rapunzel
BUCURETI, RoMNIA
R
apunzel - the name of a plant. And then a girl. A girl with long
long hair, reaching from a story by the classic storytellers
Brothers Grim. And from the Brothers Grim to us. And the hairs slide
into the shows mechanisms. They cause movement, they animate
the puppets and the decore elements. Puppetised scenography. On
sight - in all sorts of games of the puppeteers with wires, puppets,
with objects, with the decore and ... with a Storyteller seemingly
brought from another time.
Gavriil Pinte
Rapunzel
Directed by: Gavriil Pinte
Adapted by: Gavriil Pinte
Set design: Roxana Ionescu
Music: Dan Blan
Cast: Angela Filipescu,
Anamaria Blescu,
Graiela tefan Ene,
Paul Ionescu, Eugenia Barbu,
Alexandru Neculcea,
George Nstase.
NDRIC
ANIMATION THEATRE
BUCHAREST, ROMANIA
premier ofcial
opening night
55`
5-12 ani
5-12 years
n romn
in Romanian
R
APUNZEL numele unei
plante. i-apoi al unei
fete. O fat cu fre de pr lung-
prelung, care ajung dintr-o
poveste strveche pn la
povestitorii frai Grim. i de
la Fraii Grim pn la noi. La
noi frele intr-n mecanismele
spectacolului. Firele ajung s
pun n micare, s anime ppui
i elemente de decor. Decoruri
marionetizate. La vedere n fel
de fel de jocuri al ppuarilor cu
frele, cu ppuile, cu obiectele,
cu decorurile i... cu un Povesta
venit parc din alte vremuri.
Gavriil Pinte
Regia: Gavriil Pinte
Adaptarea: Gavriil Pinte
Scenografa: Roxana Ionescu
Muzica: Dan Blan
Distribuia: Angela Filipescu,
Anamaria Blescu,
Graiela tefan Ene,
Paul Ionescu, Eugenia Barbu,
Alexandru Neculcea,
George Nstase.
Foto: Laura Cosor
TEATRUL DE PPUI GULLIvER
GALAI, RoMNIA
Cei trei purcelui
Autor: Serghei Mihailov
Scenariul i regia: Daniel Stanciu
Scenografa: Daniela Drgulescu
Ilustraia muzical: Jou-Jou Drgan
Distribuia: Gina Geru, Adina
Ariton, Ramona Pauc, Iulia
Cristescu, Aurelia Iorga.
n romn
in Romanian
peste 3 ani
over 3 years
50`
GULLIvER PUPPET THEATRE
GALATI, ROMANIA
The Three Little Pigs
Author: Serghei Mihailov
Script and director: Daniel Stanciu
Sets: Daniela Drgulescu
Soundtrack: Jou-Jou Drgan
Cast: Gina Geru, Adina Ariton,
Ramona Pauc, Iulia
Cristescu, Aurelia Iorga.
ntr-o montare n care jocul

marionetelor alterneaz cu el al
actorilor, dup un scenariu inspirat
din povestea lui Serghei Mihailov
i adaptat scenic de regizorul
Daniel Stanciu, protagonitii trec
prin multe peripeii, ajungnd,
n cele din urm, s nving rul,
reprezentat n poveste chiar de
lup, un lup siberian. Decorurile
imaginate de scenografa Daniela
Drgulescu i ilustraia muzical
a lui Jou-Jou Drgan ntregesc
atmosfera de poveste n care v
invitm, cu drag, s v alturai
personajelor noastre.
I
n a production in which the marionettes play
alternates with the one of actors, following a
scenario inspired from Serghei Mihailovs story,
scenically adapted by the director Daniel Stanciu,
the main characters go through many adventures,
ending up defeating the evil, represented in our
story by the wolf himself, a Siberian wolf. The
stage sets, designed by the scenographer Daniela
Dragulescu and the soundtrack by Jou-Jou Dragan,
will round of the fairy tale atmosphere in which we
warmheartedly invite you to join our characters.
BUCURETI, RoMNIA
Alb ca Zpada
Adaptarea dup Fraii Grimm: Cristian Pepino
Regia: Cristian Pepino
Scenografa: Cristina Pepino
Muzica: Dan Blan
Distribuia: Alina Teianu, viorel Ionescu,
Petronela Purima, Cristian Mitescu,
Adrian Lefter, Graiela Ene.
S
pectacolul Teatrului NDRIC pstreaz frul povetii clasice, dar ingeniozitatea
regizorului i fantezia scenografc, folosirea tehnicii de black light, a ppuilor de
mari dimensiuni, compuse i a actorilor la vedere dau un farmec aparte i creeaz o
atmosfer plin de ritm n care binele nvinge ntotdeauna rul.
spectacol prezentat la Teatrul Nottara
performed at Nottara Theatre
T
he show keeps the classical story line, but the directors
ingenuity and the set designers imagination, the use of
black light technique, the compound and big puppets, and
actors give charm and rhythm and creates an atmosphere
in which good always defeats evil.
n romn
in Romanian
peste 3 ani
over 3 years
50`
Snow White
Adapted by Cristian Pepino after Brothers Grimm
Directed by: Cristian Pepino
Sets: Cristina Pepino
Music: Dan Blan
Cast: Alina Teianu, viorel Ionescu, Petronela
Purima, Cristian Mitescu, Adrian Lefter,
Graiela Ene.
TEATRUL BATIDA COPENHAGA, DANEMARCA
Aleluia!
Textul i regia: Sren Ovesen
Scenografa: Lea Burrows
Muzica: Erik K. Christensen & Batida
Distribuia: Per Thomsen, Simon
Holm, Tine Srensen,
Sus Hauch, Maria Sonne,
Karen Rasmussen, Lene
Pernille Christiansen,
Tobias Heilmann,
Rasmus Glendorf.
I
n this world of money and proft, the charming employees
of Hallelujah Bank live their everyday life. A life flled with
theft, abuse, supressed dreams and jealousy. But one day,
something happens that changes the everyday routine: an
anonymous package is delivered to the bank. Now, what
happens? Hallelujah! is a crazy, musical farce with no
words about: the seven deadly sins, the fact that money
isnt everything, love and hatred, rot and purity. All in all, a
performance about life!
Author and director: Sren Ovesen
Scenography: Lea Burrows
Music: Erik K. Christensen & Batida
Cast: Per Thomsen, Simon Holm,
Tine Srensen, Sus Hauch, Maria
Sonne, Karen Rasmussen, Lene Pernille
Christiansen, Tobias Heilmann,
Rasmus Glendorf.
Hallelujah!
BATIDA THEATRE COPENHAGEN, DENMARK
n aceast lume a banilor i proftului, angajaii fermectori ai Bncii Aleluia i triesc

viaa de zi cu zi. O via plin de furt, abuz, vise spulberate i gelozie. Dar ntr-o zi, se
ntmpl ceva care este pe cale s schimbe rutina zilnic: un pachet anonim este livrat
la banc. Acum, ce se ntmpl? Aleluia! este o fars nebun, muzical fr cuvinte,
despre: cele apte pcate capitale, despre faptul c banii nu sunt
totul, despre dragoste i ur, despre putregai si puritate... per total,
un spectacol despre via!
spectacol prezentat la Teatrul Bulandra - Sala Toma Caragiu
performed at Bulandra Theater - Toma Caragiu Hall
musical
musical
peste 13 ani
over 13 years
50`
60`
n romn
in Romanian
Capra cu trei iezi
Adaptare: Cristian Pepino
Regia: Gabriel Apostol
Scenografa: Cristina Pepino
Muzica: Dan Blan
Distribuia: Ilona Hrestic,
Mariana Zaharia, Liliana
Gavrilescu, Cristian
Mitescu, Marin Fagu.
TEATRUL DE ANIMAIE NDRIC BUCURETI, RoMNIA
n spectacol apar actori la vedere,

ppui mari i mti ntr-un decor
ce sugereaz lumea satului romnesc.
Regizorul a tratat texul clasic n linie
accentuat folcloric, de la dcor, la
costumele stilizate ale personajelor, la
diferitele obiecte sau la linia melodic.
Este un mod de a ne aduce aminte de
rdcini.
The She-goat with Three Kids
Adapted by: Cristian Pepino
Directed by: Gabriel Apostol
Scenography: Cristina Pepino
Music: Dan Blan
Cast: Ilona Hrestic,
Mariana Zaharia, Liliana
Gavrilescu, Cristian Mitescu,
Marin Fagu.
I
n this performance we can see actors, big puppets and masks in a
setting that suggests a Romanian village. The director dealt with the
classical text emphasizing its folk side, from the set to the characters
stylized costumes, to diferent objects, to the music. This is a way to
remember our roots.
spectacol prezentat la Spitalul Fundeni
performed at Fundeni Hospital
peste 3 ani
over 3 years
TEATRUL PENTRU COPII I TINERET MERLIN TIMIoARA, RoMNIA
Eu i Sgeat
Un concept artistic de Eva Labadi
Megyes dup fabula muzical The
Point de Harry Nilsson
Regia artistic: Eva Labadi Megyes
Scenografa: Ion Trif
Muzica: Tibor Cari
Distribuia: Gina Macovei,
Angelica Pamflie, Doru Maniu,
Laureniu Plea,
Laura Miculescu.
O
nce upon a time there was a village. A small place where all
things, but absolutely all things were sharp: houses, trees,
and even pets and people. And life goes well in that part of the
world until one day. One day, in that sharp world, in the Sharp
Village was born ... misfortune ... a baby with a round head. The
little one was banished in the Meaningless Forest. Together with
his friend, the sharp puppy called Arrow, the little boy passes
through spectacular adventures. Adventures that make him
discover that everything has a purpose, even where it seems not,
that we must look beyond appearances, to the depth of things
and, most importantly, that the most precious treasure is wisdom.
MERLIN YOUTH AND CHILDREN THEATRE TIMISOARA, ROMANIA
n romn
in Romanian
peste 4 ani
over 4 years
55`
A
fost odat ca niciodat un sat. O aezare mic n care
toate, dar absolut toate lucrurile erau ascuite: casele,
copacii, ba chiar i animluele i oamenii. i viaa decurgea
bine n acel col de lume pn ntr-o zi. ntr-o zi, n lumea
ascuit, din Satul Ascuit s-a nscut nenorocire un
copil cu capul rotund. Micuul a fost alungat n Pdurea Fr
Sens. mpreun cu prietenul su, celuul ascuit Sgeat
micuul trece prin aventuri spectaculoase. ntmplri care
l fac s descopere c totul are un sens, chiar i acolo unde
nu pare, c trebuie s priveti dincolo de aparene, spre
profunzimea lucrurilor i, cel mai important, c cea mai
preioas comoar e nelepciunea.
Me and Arrow
An artistic concept by Eva Labadi
Megyes after the musical fable The
point by Harry Nilsson
Directed by: Eva Labadi Megyes
Sets: Ion Trif
Music: Tibor Cari
Cast: Gina Macovei, Angelica
Pamflie, Doru Maniu,
Laureniu Plea, Laura
Miculescu.
Aproape i nu prea
Regia: Frank Panhans
Scenografa: Jan A. Schroeder
Muzica: Martin Fonfara
Distribuia: Regine Seidler, Rene
Schubert i Martin Fonfara
(muzic).
TEATRUL GRIPS BERLIN, GERMANIA
Nearly - but not Quite
Director: Frank Panhans
Stage and costumes:
Jan A. Schroeder
Music: Martin Fonfara
Cast: Regine Seidler, Rene
Schubert i Martin Fonfara
(music).
GRIPS THEATRE BERLIN, GERMANY
T
wo actors and a musician improvise a
poetic-playful, funny story about the
exciting encounter between children and
adults: whether its busy in the morning
or bed time in the evening, a thousand
wishes-big or small- stand between them.
Getting dressed, eating, brushing your hair
may go terribly wrong, how, exhilarating
are those unforgettable moments laughing
together, dancing, being together!
D
oi actori i un muzician improvizeaz
o poveste poetic-jucu, amuzant,
despre palpitanta ntlnire dintre copii i
aduli: fe c e dimineaa pe fug sau la ora
dinainte de culcare, o mie de dorine - mari
i mici - stau ntre ei. mbrcatul, mncatul,
pieptnatul pot lua o ntorstura greit,
dnd natere la acele momente de neuitat n
care rd mpreun, danseaz, sunt mpreun.
peste 2 ani
over 2 years
tradus n
limba romn
translated
in Romanian
50`
nonverbal
nonverbal
peste 4 ani
over 4 years
50`
Sonat la patru picioare
Un spectacol de Laura Kibel
Distribuia: Laura Kibel,
veronica Gonzales.
LAURA KIBEL TEATRUL DEI PIEDI ROMA, ITALIA
Sonata a quatro piedi
A performance by Laura Kibel
Cast: Laura Kibel,
veronica Gonzales.
LAURA KIBEL TEATRO DEI PIEDI RoME, ITALY
D
up ce ani buni a dominat
scena, Laura Kibel a desemnat-o
pe Veronica Gonzales ca singura
colaboratoare i motenitoare universal
a tehnicii teatrale a picioarelor. Este un
spectacol unic n care ppuile sunt vii,
n carne i oase; de fapt, protagonitii
povestioarelor fr cuvinte care compun
spectacolul sunt pri ale corpului: mini,
picioare, stomac multiplicate cu patru.
Nou numere originale susinute de o
muzic extrem de sugestiv.
A
fter years of domi-
nating the scene,
Laura Kibela designa-
ted Veronica Gonzales
as the sole universal
heir of the theatrical
technique of legs. It
is unique show where
the puppets are alive
and in fesh and blood,
in fact, the protagonists
of the stories without
words that show up are
body parts: hands, feet,
stomach multiplied by
four. New nine original
numbers backed by a
highly evocative music.
E
ste vorba de un spectacol nonverbal, o parabol ce
reinterpreteaz ntr-o cheie modern mitul lui Hamlet
i binecunoscuta poveste a lui Romeo i a Julietei sale.
Pe parcursul spectacolului presrat cu gaguri ce amintesc
de flmul mut, se pot ntlni i unele personaje celebre
din viaa noastr real care se joac de-a rsu-plnsu,
amintindu-ne c Shakespeare este contemporanul
nostru, c personajele sale se pot recompune tot timpul,
rmnnd viabile, credibile.
BUCURETI, RoMNIA
nonverbal
nonverbal
aduli
adults
55`
Play Shakespeare
Adaptare liber dup:
William Shakespeare
Scenariul i regia artistic:
Cristian Pepino
Scenografa i animaiile:
Cristina i Cristian Pepino
Distribuia: Mihai Dumitrescu,
Cristian Mitescu, Marin
Fagu, Geo Dinescu,
Roxana vian.
I
ts about a non verbal performance, a
parable which reinterprets in a modern
key Hamlets myth and the well-known
story of Romeo and Juliet. During the
performance flled with silent movie gags
we meet some famous characters from
our everyday life which are pendulating
between laughter and tears remembering
that Shakespeare is our contemporary,
that his characters are always rebuilding,
remaining credible and viable.
Play Shakespeare
Free adaptation after:
William Shakespeare
Script and director:
Cristian Pepino
Scenography and animation:
Cristina i Cristian Pepino
Cast: Mihai Dumitrescu,
Cristian Mitescu, Marin
Fagu, Geo Dinescu,
Roxana vian.
Motanul nclat
De Charles Perrault
Regia, adaptarea, scenografa i
ilustraia muzical:
Cristian Pepino
Costumele: Cristina Pepino
Distribuia: Gabriel Apostol,
Ioan Brancu, Mihai
Dumitrescu, Alina
Teianu, Eugenia Barbu.
M
ontarea red cu fdelitate
ntmplrile pline de haz
i umor prin care trec mezinul
nendreptit de soart i
nzdrvanul su motan, n
drumul lor spre bogie i fericire.
Ppui la paravan i marionete
uriae, mti, pantomim,
muzic, un dialog interactiv
ntre scen i sal ne ndeamn
s evadm n lumea povetii lui
Charles Perrault.
TEATRUL DE ANIMAIE NDRIC BUCURETI, RoMNIA
O
ur performance reproduces, with high fdelity,
the hilarious adventures of the unhappy
youngest brother and his wonderful tomcat on their
way to happiness and wealth. All kinds of puppets
(huge and hand puppets), masks, pantomime, music
and interactive dialogues between actors and public
urge us to escape into Charles Perraults world.
spectacol prezentat la coala nr.3 Nicolae Titulescu
performed at Nicolae Titulescu School nr.3
Puss in Boots
By Charles Perrault
Director, adaptation,
scenography, soundtrack:
Cristian Pepino
Costumes: Cristina Pepino
Cast: Gabriel Apostol, Ioan
Brancu, Mihai Dumitrescu,
Alina Teianu,
Eugenia Barbu.
n romn
in Romanian
60`
peste 3 ani
over 3 years
55`
peste 3 ani
over 3 years
n romn
in Romanian
Inim de piatr
Adaptare de Cristian Pepino
dup W. Hauf
Scenografa i costumele:
Cristina Pepino
Muzica: Dan Blan
Distribuia: Oana Stancu,
Rodica Priscaru, Mugur
Priscaru, Iulia Crstea,
Ionica Dobrescu, Daniel
Mirea, Alis Ianos.
TEATRUL PENTRU COPII I TINERET COLIBRI CRAIoVA, RoMNIA
Stone Heart
Adapted by Cristian Pepino after W. Hauf
Director: Cristian Pepino
Sets and costumes: Cristina Pepino
Music: Dan Blan
Cast: Oana Stancu,Rodica Priscaru, Mugur
Priscaru, Iulia Crstea, Ionica Dobrescu,
Daniel Mirea, Alis Ianos.
U
n copil srac i bun i dorete s fe bogat i pentru asta i d inima
unui colecionar de inimi, primind n schimb o inim de piatr.
Devenit bogat, ajunge s preuiasc dragostea, prietenia, drnicia, pe
care le pierduse odat cu inima. nfruntndu-l pe temutul colecionar
de inimi, ajunge s elibereze inimile tuturor celor care au fcut naintea
lui acelai pact, rectigndu-i i inima lui cea cald i bun.
A
poor and goodhearted child wants to become rich
and, in order to achieve that, he gives away his heart to
a heart collector, getting in return one made of stone. Once
rich, he lives to cherish love, friendship and generosity,
which he had lost together with his heart. Facing the
fearsome heart collector, he ends up freeing the hearts of
all those who had concluded before him the same pact,
thus winning back his kind and warm heart.
COLIBRI YOUTH AND CHILDRENS THEATRE CRAIoVA, RoMANIA
nonverbal
nonverbal
pentru aduli
for adults
50`
Momentum
Autor: Ananda Puijk
Regia: Ananda Puijk
Scenografa:
Ananda Puijk i Charlotte
Puijk-Joolen
Distribuia: Ananda Puijk,
Chalotte Puijk-Joolen.
COMPANIA ANANDA PUIJK MAASTRICHT, OLANDA
mbinnd micarea, siluete i muzica n

teatru. n timpurile noastre, perfeciunea
este standardul, chiar i atunci cnd e
imposibil de obinut. n aceast societate a
celor ce se realizeaz, pstrm aparenele
prefcndu-ne c putem s ne ocupm de
tot. ntotdeauna ne merge foarte bine. E
posibil ca ndrzneala de a ne exprima lipsa
de siguran i incompeten s ne fac mai
puternici? O femeie tnr ntr-o camer. S
fe ea captiv? E acolo de bunvoie? Viziunile
protectoare sunt alungate brutal de ntrebri
din afar. Imagini nfricotoare sunt calmate
cu duioie. n fecare zi, nesigurane aparent
invizibile se materializeaz. Va trebui s se
descurce pe cont propriu tnra femeie va
trebui s-i creeze propriul impuls de a deveni
contient de fora slbiciunilor ei.
Momentum
Author: Ananda Puijk
Directed by: Ananda Puijk
Sets: Ananda Puijk
and Charlotte Puijk-
Joolen
Cast: Ananda Puijk,
Chalotte Puijk-Joolen.
ANANDA PUIJK COMPANY MAASTRICHT, NETHERLANDS
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55`
peste 4 ani
over 4 years
n romn
in Romanian
Frumoasa Rapunzel
Scenariul i regia: Traian Savinescu
Scenografa: Marian Sandu
Distribuia: Petronela Rujan,
Alexandru Dobrescu, Adrian
Dobrescu, Manuela Zaharie, Erika
Mihaly, Adrian Iuga, Eliza Muraru,
Cecilia Negru, Marius Stroe.
TEATRUL ARLECHINO
BRAoV, RoMNIA
Beautiful Rapunzel
Script and director: Traian Savinescu
Sets: Marian Sandu
Cast: Petronela Rujan, Alexandru
Dobrescu, Adrian Dobrescu, Manuela
Zaharie, Erika Mihaly, Adrian Iuga,
Eliza Muraru, Cecilia Negru, Marius
Stroe.
P
ovestea nscocit de-un poet cam ui, Povestea
preafrumoasei Rapunzel, ncepe-n zi de srbtoare i se
joac de amicii lui, pe-o scen-n Piaa Mare, chiar n buricul
trgului! Micua Rapunzel, fica lui Jan-ferarul i a Elsei, fetia
cu cosie aurii ce par s aib puteri tiute doar de vrjitoare,
este rapit de Dam Gothel i nchis ntr-un turn n care
numai baba, urt ca o furie, poate urca inndu-se de prul
lung al fetei ca de-o funie! Fata i sacrifc puterile pentru
a putea f alturi de alesul ei i totul se ncheie cu o nunt
ca-n poveti. Desigur, nunta lor! Unde suntei invitai... i voi,
spectatorilor!
ARLECHINO THEATRE
BRASoV, RoMANIA
T
he story invented by a screwy poet, The story of Beautiful Rapunzel begins on a holiday and it is played by his
friends on a stage set right in the middle of the town, in the Main Square. Little Rapunzel, the daughter of Jan
the blacksmith and Elisa, the girl with golden locks which seems to have secret powers known only by the witch, is
kidnapped by Dam Gothel and locked in a tower, where only the old woman, as ugly as a fury, can enter using the
girls hair as a rope. The girl sacrifces her powers so that she can be with the chosen one and everything can end
with a fairy tale wedding. Their wedding, of course! Where you are all invited!
peste 6 ani
over 6 years
45`
TEATRUL TRADIIONAL DE MARIONETE TONI ZAFRA
BARCELONA, SPANIA
Fragmente
Un spectacol de Toni Zafra
S
pectacol de teatru tradiional de marionete compus din diverse
numere clasice. Ele se refer la lumea boem a circului, varieteului
i fanteziei. De asemenea, spectacolul este o expoziie de rariti ale
naturii reale n care poezia i micrile sofsticate sunt mbrcate de
scurte povestiri muzicale. Coninutul tematic i estetic al numerelor fac
din Fragmente un spectacol simplu, plin de emoie, care surprinde prin
arta desvrit de mnuire a lui Toni Zafra, un artist complex i intuitiv.
TONI ZAFRA
MARINONETTES
TRADITIONAL
THEATRE
BARCELONA, SPAIN
Excerpts
A performance by Toni Zafra
T
raditional puppet theater consisting of
various classical numbers. They refer to
the bohemian world of the circus, musical
comedy and fantasy. Also, the show is
an exhibition of rarities from real nature
where the sophisticated movements
and poetry are covered by short musical
stories. The thematic and aesthetic
content of each number make Excerpts
a simple performance, full of emotion,
capturing the perfect art of Toni Zafra way
of manipulation, a complex and intuitive
artist.
nonverbal
nonverbal
50`
vrst: 3-8 ani
age: 3-8 years
Fantastica aventur
a oricelului Roade-n Gnd
Autorul i regia artistic: Georgeta Lozinc
Scenografa: Lukcsy Ildik
Muzica: Zeno Apostolache
Distribuia: Iuliu Pop-Andrie, Brigitte Barazsu,
Mariana Iordache, Cornel Iordache,
valentin Lozinc- Mandric,
Cristina Ungureanu, Mirabela valea.
TEATRUL ARIEL, TG. MURE, RoMNIA
S
cenariul este construit pe structura basmului clasic, subiectul find transpus ntr-o
familie de oricei. Ca i n basm, cel mai mic dintre copii pleac n lumea larg, ntr-o
cltorie ce simbolizeaz drumul iniiatic pe care-l strbate, n dorina de a se maturiza.
Apar i aici personaje fabuloase sau personaje reale, care-l ajut pe erou s se ntoarc
acas.
The Fantastic Adventure
of Gnaw-In-Mind Mouse
Script and directed by: Georgeta Lozinc
Set design: Lukcsy Ildik
Music: Zeno Apostolache
Cast: Iuliu Pop-Andrie, Brigitte Barazsu,
Mariana Iordache, Cornel Iordache,
valentin Lozinc- Mandric,
Cristina Ungureanu, Mirabela valea.
T
he scenario is built on the classic fairy tale
structure, the subject being translated into a
family of mice. As in the fairy tale, the youngest child
goes into the wide world, a journey that symbolizes
the initiatory path he must cross in order to grow up.
Fabulous characters or real characters appear ,that
help the hero return home.
ARIEL THEATRE, TG. MURES, RoMANIA
n romn
in Romanian
nonverbal
nonverbal
aduli
for adults
50`
BUCURETI, RoMNIA
Candid
Dup Voltaire
Scenariul, regia artistic, ppuile i
animaia digital: Cristian Pepino
Costumele: Cristina Pepino
Muzica: Dan Blan
Distribuia: Mihai Dumitrescu,
Liliana Gavrilescu, Georgiana
Dinescu, Petronela Purima,
Marin Fagu.
U
n spectacol modern, alert, plin de culoare i ritm, jucat ntr-un amalgam de limbi,
lucru care d o deosebit savoare i care pe lng mijloacele clasice ale animaiei
folosete tehnica proieciei digitale. Nuvela lui Voltaire este citit cu inventivitate i
umor de regizor, iar esena fecrei ntmplri sintetizeaz de fapt ideile umaniste despre
putere, libertate, iubire, rzboi. Un spectacol pentru aduli n care ppuile pe lng
faptul c sunt mnuite cu talent i cu dexteritate de tineriii artiti au o expresivitate
deosebit subliniind caracterul fecrui personaj prin caricaturale.
A
modern, lively performance, full of colour and rhythm, played in a mixture of languages, which lends it a special
savour, and which, besides the classical means of animation, uses the digital projection technique. Voltaires
short story is read imaginatively, with the directors humour. The essence of each event synthesizes in fact the
humanistic ideas of power, liberty, love and war. A performance for adults, in which puppets, besides being handled
skillfully and dexterously by young artists, have special expressiveness, underlying the nature of each character
through caricature.
After Voltaire
Script, director, puppets and digital
animation: Cristian Pepino
Costumes: Cristina Pepino
Music: Dan Blan
Cast: Mihai Dumitrescu, Liliana
Gavrilescu, Georgiana Dinescu, Petronela
Purima, Marin Fagu.
Candide
50`
pentru aduli
for adults
Buzunarul cu pine
Autor: Mihai viniec
Scenografa: Alexandra Motoc, Bettina Schicht,
Andra Stefan, Emilia Holban
Distribuia: Eliza Puna, Bettina Schicht,
Dan Codreanu , Olga Ioana Bela.
UNATC I.L.CARAGIALE, BUCURETI, RoMNIA
The Pocket Full of Bread
Author: Mihai viniec
Directed by: Cristian Pepino
Sets: Alexandra Motoc, Bettina Schicht, Andra
Stefan, Emilia Holban
Cast: Eliza Puna, Bettina Schicht,
Dan Codreanu , Olga Ioana Bela.
CARAGIALE ACADEMY OF THEATRICAL
ARTS AND CINEMATOGRAPHY,
BUCHAREST, ROMANIA
W
hen our real world
is not surprising
enough, we step into a
smaller world, but which
struggles with the same
human fnitudes, a world
that becomes sad and
laughs at the dilemmas
and precautions of a man.
A performance that follows
in depth this string of
universes within universes,
Futile steps towards
redemption, a world
of smaller beings, who
postpone the rescuing not
only of a dog, but also of
us, of all those who live in a
bigger ditch, in a tumble of
unspoken truths, which we
cover up with words.
C
nd lumea noastr real nu mai e ndeajuns de
surprinztoare, trecem pragul unei lumi mai mici,
dar care se zbate n aceleai fnitudini omeneti, o lume
care se ntristeaz i rde la dilemele i precauiunile
omului. Un spectacol care urmrete mai adnc aceast
nlnuire a universurilor n universuri, Zadarnice
trepte ctre mntuire, o lume a unor fine mai mici,
ce amn salvarea nu doar a unui cine, ci a noastr, a
tuturor celor care trim ntr-o groap mai mare, ntr-o
nvlmeal de adevruri nespuse i goluri imense pe
care le acoperim cu vorbe.
n romn
in Romanian
peste 16 ani
over 16 years
50`
UNIvERSITATEA DE ARTE GEORGE ENESCU- FACULTATEA DE TEATRU, SECIA ARTA DE ANIMAIE, IAI, RoMNIA
Alb i negru
Regia, Scenariul i ilustraia muzical: lector univ. dr.
Ciprian Huanu
Scenografa: lector univ. dr :Gavril Sirieanu
Coregrafa: asist.univ drd: Oana Sandu
Distribuia: Alb: Elena Zmuncil, Elena Filip,
Florin Capr; Negru: Cezara Damian, Alexandra
Bere, Mihi Bordianu;
Alte elemente de animaie: Alina Olobanu.
S
pectacolul Alb i Negru vorbete, n limbajul
teatrului de animaie, despre om n general, despre
lume, despre via i moarte, prin scene metafor
dezvoltate cu ajutorul a dou ppui tip Bunraku.
White and Black
Script, soundtrack and director: lector univ. dr.
Ciprian Huanu
Scenography: lector univ. dr :Gavril Sirieanu
Coregraphy: asist.univ drd: Oana Sandu
Cast: Alb: Elena Zmuncil, Elena Filip, Florin
Capr; Negru: Cezara Damian, Alexandra Bere,
Mihi Bordianu;
Other animation elements: Alina Olobanu.
T
he performance White and Black speaks
in the language of animation theatre
about man in general, about world, about life
and death through metaphorically scenes
developed by using two Bunraku puppets.
nonverbal
nonverbal
50`
aduli
adults
nonverbal
nonverbal
S
tudenii masteranzi la specializarea
Arta actorului de animaie a
Universitii de Arte din Trgu-Mure
prezint n spectacolul-examen
cteva studii, n care i-au prelucrat
ideile lor despre marile probleme ale
existenei (iubire, natere, moarte).
n imaginile create prin animaie, ei
dau form memoriei afective, lsnd
spectatorii s parcurg n ritmul lor
personal - cu ajutorul imaginii i al
sunetului - drumul imaginaiei trasat
de materia afat n micare. Aceast
plimbare imaginar se adreseaz
adulilor i se apropie de nite limite
care par greu accesibile pentru eul
nostru prins n rutina cotidian.
T
he masters degree students at the Animation performing artist
specialization of the Arts University of Targu-Mures present several
studies in their examination-show, in which they processed their ideas on
the great problems of existence (love, birth, death). The images they create
through animation shape the emotional memory, allowing viewers to walk in
their own pace with the help of image and sound - the imagination road
outlined by matter in motion. This imaginary ride is adressed to adults and it
approaches boundaries that seem inaccessible to our self caught up in our
daily routine.
UNIvERSITATEA DE ARTE
TG. MURE, RoMNIA
Regia i scenografa:
Kozsik Ildiko
Distribuia:
Gll gnes,
Gnadig Kornlia,
Lukcs Szilrd,
Szab Dniel.
Natere, dragoste, moarte
UNIVERSITY OF ARTS
TG. MURES, RoMANIA
Birth, Love, Death
Directed and
scenography by:
Kozsik Ildiko
Cast: Gll gnes,
Gnadig Kornlia,
Lukcs Szilrd,
Szab Dniel.
MA XINGZHI (CHINA) I WONG TIM KEUNG SIMON
(HONG KONG)
PREZENTAREA ARTEI ANIMAIEI CHINEZE
A SHORT HISTORY OF CHINESE ANIMATION ART
Conferina va aborda tema dezvoltrii teatrului chinezesc
de ppui i de umbre din perspectiva istoriei i dezvoltrii
artelor n China, se va discuta despre viitorul i preocuparea
teatrului contemporan de ppui i de umbre din mai
multe perspective.
The conference theme is the development of Chinese puppetry
and shadow puppet theatre from the perspective of the history
and development of the arts in China, as well as the future
and concern of contemporary puppetry and shadow puppet
theatre in China from multiple perspectives.
WONG TIM KEUNG SIMON (HONG KONG)
PEDAGOGIE PRIN ARTA ANIMAIEI
THEATRE IN EDUCATION
Simon Wong Tim Keung, este directorul i membrul
fondator al Institutului Ming Ri pentru educaie prin
art. Expert n teatrul de dram i copii, a lucrat n
diverse instituii legate de artele spectacolului. Este
preocupat de dezvoltarea artei teatrului pentru
copii, teatru educaional i pstrarea ppuilor. A
benefciat de o serie de burse de studiu n SUA,
a luat o serie de premii pentru competena sa n
domeniu. n 2008, a fost ales membru n Comitetul
Executiv UNIMA, find primul asiatic ales in acest
for ca o persoan cheie ntre Est i Vest. Este unul
dintre directorii Asociaiei chineze pentru teatrul
de ppui i umbre, precum i vicepreedintele
UNIMA - China.
Simon Wong Tim Keung is the director and
founding member of Ming Ri Institute for Education
through the Arts. With the expertise of drama and
children theatre, Mr. Wong has worked in various
institutions connected with the performing arts.
He is concerned with the development of childrens
theatre arts, educational drama and preservation
of puppets. He had several grants in USA, and was
awarded a lot of prizes for his competency in the
feld. In 2008, Wong was elected to be a member
of the Executive Committee of UNIMA (Union
Internationale de la Marionette); this appointment
made him the frst ever ethnic Chinese to be elected
to such a post and a key person between the East
and the West. He is also one of the Directors of
China Puppetry and Shadow Arts Association
as well as the Deputy President of UNIMA-China
Centre.
Conferina este despre
teatrul n educaie
prin defnirea relaiei
dintre joc i creterea
copilului, va discuta
i posibilitatea de
a lucra cu jocuri i
piese prin educaie
i, de asemenea, va
sublinia rolul teatrului
n educaie n Hong
Kong.
The conference is about Theatre in Education
(TIE), through the introduction of the relation
between role playing and raising children; the
conference will discuss the possibility of working
with theatre games and plays in education, and
the role of TIE in Hong Kong.
BRNDUA ZAIA SILVESTRU I ALEXANDRINA HALIC (ROMNIA/ROMANIA)
DIALOGUL ARTELOR PENTRU COPII
THE DIALOGUE BETWEEN ARTS FOR CHILDREN
Brndua Zaia Silvestru: personalitate proeminent a lumii teatrului de ppui i
marionete, deosebit de nzestrat i experimentat n arta animrii materiei nensufeite,
cu mini de aur i voce cristalin, creatoare a unor personaje memorabile de o mare
diversitate, mereu uimitoare prin autenticitate, umor i poezie, prin inventivitate i
tehnica mnuirii - de mai bine de patru decenii, respectat i iubit profesoar a noilor
generaii de artiti la UNATC.
mbinarea copilriei noastre cu copilria spectatorilor. Dorina noastr de a izbndi
s facem lucruri frumoase i mai interesante care s plac tuturor. ntrecerea ntre noi
artitii s facem roluri ct mai diversifcate i atractive.
Brndua Zaia Silvestru: prominent personality of the puppet theatre world, very gifted,
with great experience in the art of animation of inanimate matters, with gold hands and
crystalline voice, creator of memorable characters, always amazing in authenticity, humor
and poetry, in her ingenuity and handling technique for more than four decades, a respected
and beloved teacher of the new generation of artists.
Its about combining our childhood with our spectators childhood. Its about our desire to
succeed in creating more beautiful and interesting characters to please everyone. Its about
the competition between us to elaborate more attractive and diverse roles.
Alexandrina Halic: o alt personalitate a teatrului fr vrst, o alt via dedicat
copiilor, care radiaz blndee i contamineaz lumea din jur cu asta. De peste 50
de ani joac pe aceeai scen, la Teatrul Ion Creang.
Alexandrina Halic: she is another great personality of the ageless theatre, another life
dedicated to children, who radiates kindness and contaminates the world around her.
For over 50 years she has been performing on the same stage, at Ion Creanga Theatre.
Unde sunt copii, sunt i poveti. Nu se poate fr poveste! i dac eti alesul hrzit
s spui povestea copiilor, te poi considera norocos, iar dac eti n stare s treci
sufetul povetii prin ppua pe care o ii n brae, eti de dou ori mai norocos. De
ce? Pentru c nicio ndeletnicire pe lumea asta nu e rspltir cu atta dragoste ca
cea de spuitor de poveti.
Where there are children there are stories. We cant live without stories! And if you are
the one chosen to tell stories, you can consider yourself lucky, and if you are able to put
the storys soul into the puppet you hold in your hands, you are twice as lucky. Why?
Because no job in this world is rewarded with so much love than that of a storyteller.
STEPHAN RABL (AUSTRIA)
NOI METODE PENTRU TEATRUL DE COPII I ADOLESCENI
NEW METHODS IN THE THEATRE FOR YOUTH AND CHILDREN
Actor i regizor n diverse companii. Director artistic fondator la Teatrul pentru tineret din Viena din
Cartierul Muzeelor (pn n 2003). Director artistic fondator al Festivalului SZENE BUNTE WHNE
(1991-2003) - cel mai mare festival internaional anual de teatru pentru publicul tnr i al Festivalului
de dans SZENE BUNTE WHNE (1998-2004)- singurul festival din lume de dans pentru publicul tnr.
A mai fost director artistic fondator la SCHXPIR (din 2002), unul dintre cele mai mari festivaluri
internaionale de teatru pentru publicul tnr.
n cadrul ASSITEJ internaional este membru n Comitetul Executiv din 2002, reales n 2005 i 2008 i
unde se ocup de reele, generaia viitoare, PR, strngere de fonduri i cooperare. n cadrul ASSITEJ
Austria, ntre 1993-1996 a fost membru, iar ntre 2002-2011 preedinte.
Actor and director of diferent companies. Founder Artistic director of DSCHUNGEL WIEN Theatre for
Young Audience in the Museums Quartier (since 2003). Artistic director and founder of SZENE BUNTE
WHNE Festival (1991 2003) the biggest annual international Theatre Festival for young audience
worldwide and of SZENE BUNTE WHNE Dance Festivals (1998 2004) the only worldwide annual
international Dance Festival for young audience. Furthermore founder artistic director of SCHXPIR (since
2002), one of the largest international Theatre Festivals for young audience.
ASSITEJ International- Member of the executive committee since 2002, again selected in 2005 and 2008.
Responsible for networking, next generation, public relations, fundraising and co-operations.
ASSITEJ Austria: 1993 - 1996 member of the board; 2003 - 2011 chairman of the ASSITEJ Austria.
Conferina este o expunere complex din care nu vor lipsi exemplifcrile foto i video, o prezentare
concret a activitii sale din ultimii 10 ani n domeniul teatrului pentru copii i tineret n Austria i n
lume.
The conference is a complex exposure with videos and photos, a concrete presentation of his activity in the
late 10 years connected with the theatre for young people in Austria and in the world.
DANIEL KLINGER (ROMNIA/ROMANIA)
LIGHT DESIGN-UL N TEATRU / THEATRE LIGHT DESIGN
Conferina va aborda, printre altele, diverse tematici precum: estetica vizual a scenei, ca o component ob-
ligatorie a produciei de teatru, componentele de art vizual de scen n minile scenografei, light de-
sign-ului i video design-ului, rolul light designer-ului i al maestrului de lumini, poziia light-designer-ului n
schema de personal a teatrului, mecanismele prin care componentele de estetic vizual ale spectacolului de
teatru sunt infuenate de deciziile i aciunile managementului instituiei, etc.
The conference will debate the following themes: the visual aesthetics of the stage as an obligatory part of the
theatre production, the visual arts components in the hands of the scenographer, light and video designers, the role
of the light designer and the lighting director, the position of the light designer in the staf list, the mechanisms by
which the components of visual aesthetics of the theatrical performance are infuenced by the decisions and ac-
tions of management, etc.
MIHAELA MICHAILOV (ROMNIA/ROMANIA)
AL CUI ESTE TEATRUL PENTRU COPII?
WHO DOES THE THEATRE
FOR CHILDREN BELONG TO?
Cu ce poveti cresc copiii notri? Care e tipul de
naraiune performativ pe care teatrul o constru-
iete pentru a-i transforma n participani implicai
n evoluia societii contemporane? Poate teatrul s
le confere copiilor o contiin critic i o raportare
problematizant a lumii n care triesc? Conferina
analizeaz necesitatea unui teatru adecvat copiilor i
adolescenilor, de cele mai multe ori captivi n spec-
tacole care nu-i reprezint.
What stories do our children grow up with? What is the
type of performative stories built by theater in order to
transform them into active participants involved in the
evolution of our contemporary society? Can theater
give children a critical awareness and a problematizing
relation with the world in which they live? The confer-
ence examines the need for a theatre suitable for chil-
dren and young people, often trapped in performances
that do not represent them.
STEFAN FISCHER-FELS
(GERMANIA/ GERMANY)
EVOLUIA TEATRULUI CONTEMPORAN
PENTRU COPII (I TINERET) N GERMANIA.
NOI METODE, EXEMPLE DE BUNE PRACTICI I
CONSIDERAII CU PRIVIRE LA ROLUL SOCIAL
AL ARTISTULUI N SOCIETATE
EVOLUTION OF CONTEMPORARY THEATRE
FOR CHILDREN (AND YOUNG PEOPLE) IN
GERMANY. NEW METHODS, BEST-PRACTICE-
EXAMPLES AND CONSIDERATIONS ABOUT
THE SOCIAL ROLE OF THE ARTIST WITHIN THE
SOCIETY
Teatrul este o oglind a vremurilor n care
trim. n Germania, teatrul pentru copii este
n schimbare: n ultimii ani, Practicile Teatrului
pentru Copii i Tineret n Germania s-au schimbat
n ceea ce privete structurile i metodele de
performan. Barierele dintre teatrul pentru
aduli i teatrul pentru copii sunt din ce n ce
mai difuze, experimente interesante cu stiluri de
teatru i forme de prezentare sunt combinate
cu moduri noi de abordare a publicului. Nu n
ultimul rnd, n vremuri de criz exist o nou
discuie n Europa, cu privire la rolul social al
artistului, mai ales n teatrul pentru publicul
tnr. Noul director artistic al Teatrului GRIPS
din Berlin, Stefan Fischer-Fels, va da numeroase
impulsuri i va pune ntrebri cu scopul de a iniia
o discuie fructuoas cu participanii despre
provocrile pentru viitorul teatrului pentru copii.
Theatre is a mirror of the times we live in. Childrens
theatre in Germany is changing: In the last
years Theatre Practice in Germanys Childrens
and Young Peoples Theatres has changed with
respect to structures and performance methods.
The barriers between adult theatre and childrens
theatre are more and more transparent, interesting
experiments with theatre styles and presentation
forms are combined with new ways to approach
the audience. Last but not least in times of crisis
there is a new discussion in Europe about the social
role of the artist, especially in theatre for young
audiences. The new Artistic Director of GRIPS
Theater Berlin, Stefan Fischer-Fels, will give many
impulses and put questions in order to initiate a
fruitful discussion with the participants about the
challenges facing the future of childrens theatre.
STEFAN FISCHER-FELS:
Dup ce a studiat actoria, psihologia i
sociologia, tefan Fischer-Fels a fost dramaturg
la Teatrul GRIPS Berlin (1993 - 2003), apoi Director
artistic la Junges Schauspielhaus din Dsseldorf
(2003 - 2011), iar din 2011 este Director artistic
al Teatrului GRIPS Berlin membru al Consiliului
General ASSITEJ Germania i vice-preedinte al
ASSITEJ International.
The conference will be conducted by:
STEFAN FISCHER-FELS:
After studying Acting, Psychology and Sociology,
Stefan Fischer-Fels was a dramaturg at GRIPS
Theater Berlin (1993 2003), then Artistic Director
at the Junges Schauspielhaus Dsseldorf (2003
2011), and since 2011 he has been the Artistic
Director of GRIPS Theater Berlin. Boardmember
of Assitej Germany and Vice-President of Assitej
International.
KOLJA BURGSCHULD (AUSTRIA)
S NVM DE LA ALII
LEARNING FROM OTHERS
Nscut n 1985 la Dsseldorf
(Germania), a studiat la
Universitatea din Viena teatru, flm
i media ntre 2005-2010. Dup o
perioad de asisten la Teatrul
din Dsseldorf, s-a ocupat de a
dezvolta i conduce propriile sale
proiecte teatrale n Dsseldorf
i Viena. Din 2010 este angajat
la ASSITEJ Austria, mai nti ca
asistent i apoi ca secretar executiv.
mpreun cu Christoph Thoma,
preedinte al consiliului, rspunde
de concepia i execuia a diferite
proiecte cum ar f: STELLA (Premiul
austriac pentru cel mai bun teatru
pentru publicul tnr, nfinat
n 2007), sau a doua ntlnire
internaional ASSITEJ de la Linz
din 2013.
Born in 1985 in Dsseldorf (Germany)
Kolja Burgschuld studied Theater, Film
and Media at the University of Vienna
between 2005-2010. After working
as an assistant at the Dsseldorfer
Schauspielhaus he soon developed
and directed his own theatre-projects
in Dsseldorf and Vienna. Since 2010
he has been employed by ASSITEJ
Austria, frst as an assistant, later as
executive secretary. With Christoph
Thoma, chairman of the board, he
is responsible for the conception and
execution of various projects which
include but are not limited to: STELLA
(Austrian award for outstanding
theatre for young people, established
2007) and the second ASSITEJ
International Meeting 2013 in Linz.
Conferina se va axa pe experiena
austriac din ASSITEJ, pe
prezentarea reelelor, proiectelor,
organizrii, problemelor i soluiilor,
defnind un tablou complet al unei
organizaii viabile.
His conference will focus on the
Austrian experience in ASSITEJ,
telling about networks, projects,
organization, problems and
solutions which defne a complete
picture of a viable organization.
SABINA TIRB, SPECIALIST PR LA GMP PR/PUBLIC RELATIONS SPECIALIST AT GMP PR (ROMNIA/ROMANIA)
DE CE ARE I ARTA NEVOIE DE PR? / WHY DOES ART ALSO NEED PR?
Absolventa unui masterat n comunicare la Universitatea din Nancy, a lucrat timp de ase luni pentru Publicis
Consultants Paris. n Romnia a fcut parte timp de patru ani din echipa ageniei de PR Pleon Graftti. Sabina tirb a
absolvit Facultatea de Jurnalism i tiintele Comunicrii din cadrul Universittii Bucureti i are o serie de specializari
internaionale n comunicare sau leadership.
Graduated with a Masters degree in Communication from the University of Nancy, worked for six months for Publicis
Consultants Paris. In Romania she was part of the team of Pleon Grafti Agency. Sabina tirb is a graduate of Journalism
and Mass Media Communication of the University of Bucharest and has a number of international specializations in
communication and leadership.
EDITURA PARALELA 45 / PARALELA 45 PUBLISHING HOUSE
Gellu Naum CRILE CU APOLODOR/THE BOOKS OF APOLODOR
Crile cu Apolodor de Gellu Naum (col. Biblioteca romneasc pentru copii), o ediie care
reunete Prima carte cu Apolodor (ilustraii de Silvia Mitrea) i A doua carte cu Apolodor
(ilustraiile autorului), cu o prefa apolodorin de Simona Popescu. Scris n versuri cu
rime sprinare, cartea surprinde peripeiile micului pinguin din Labrador, Apolodor, plecat
s-i regseasc familia, de care i se fcuse foarte dor. Dar, n fnal, nu va rmne cu ai si, ci
se va ntoarce, mnat de acelai dor, la bunii lui prieteni din Bucureti.
The Books of Apolodor by Gellu Naum (Romanian Childrens Library collection), an edition
which reunites The frst book of Apolodor (illustrations by Silvia Mitrea) and The second book
of Apolodor (illustrations by the author), with a foreword by Simona Popescu. Written in verse
with sprightly rhymes, the book surprises the adventures of the little penguin from Labrador,
Apolodor, setting on a journey to fnd his family that he really misses. But, in the end, he doesnt
remain with his own, but returns, driven by the same longing, to his good friends in Bucharest.
A doua carte cu Apolodor ni-l nfieaz pe pinguinul Apolodor alturi de cei doi prieteni
nedesprii ai si cangurul Ilie i leul Amedeu trecnd prin tot felul de ntmplri
povestite cu mult haz, care ilustreaz nvminte utile celor mici.
The second book of Apolodor portrays the penguin Apolodor alongside his two inseparable
friends - Ilie the kangaroo and the lion Amadeu - going through all kinds of events narrated in a
humorous manner, illustrating useful lessons for children.
Poveti i povestiri de Hans Christian Andersen (col. Lumea basmelor) reunete cele
mai cunoscute poveti i povestiri ale marelui povestitor, n traducerea din limba danez
de Victor Frunz, ilustrate de numeroi artiti europeni din secolele XIX i nceput de secol
XX.
Tales and Stories by Hans Christian Andersen (Fairytale World collection) - reunites the best
known stories and tales of the great storyteller, translated from Danish by Victor Frunza,
illustrated by numerous European artists of the nineteenth and early twentieth century.
Comoara cu basme de Fraii Grimm (col. Lumea basmelor) o colecie de basme ndrgite
ale celor doi frai povestitori, Wilhelm i Jacob Grimm, ilustrate de numeroi artiti europeni
din secolele XIX i nceput de secol XX.
The treasure with fairy tales by Brothers Grimm (Fairytale World collection) - a collection of
popular tales written by the two storyteller brothers, Wilhelm and Jacob Grimm, illustrated by
numerous European artists of the nineteenth and early twentieth century.
EDITURA NEMIRA/NEMIRA PUBLISHING HOUSE
GHIDUL ROUTLEDGE PENTRU TEATRU I PERFORMAN
THE ROUTLEDGE COMAPANION TO THEATRE AND PERFORMNACE
Ce este teatrul? Ce este performance-ul? Ce le conecteaz i n ce fel sunt
diferite? Ce evenimente, oameni, practici i idei au dat form teatrului
i performance-ului n secolul XX? i ncotro se ndreapt ele? Ghidul
Routledge de teatru i performance include cteva rspunsuri la aceste
mari ntrebri. El ofer o introducere accesibil, informativ i interesant,
trecnd n revist oameni, evenimente, concepte i practici care au defnit
domeniile complementare ale studiilor teatrale i performative.
What is theatre? What is performance? What are their connections and
diferences? What events, people, practices and ideas have shaped theatre and
performance in the twentieth century, and, importantly, where are they heading
to? Proposing answers to these big questions, The Routledge Companion to
Theatre and Performance provides an informative and engaging introduction
to the signifcant people, events, concepts and practices that have defned the
complementary felds of theatre and performance studies.
PETER BROOK - FR SECRETE. GNDURI DESPRE ACTORIE I TEATRU
THERE ARE NO SECRETS. THOUGHTS ON ACTING AND THEATRE
n teatru este vorba despre via. Acesta este punctul de pornire i nu
exist nimic mai important. Teatrul este via. [] Viaa n teatru este mult
mai interesant i mai intens pentru c e mai concentrat. Actul de a
reduce spaiul i a comprima timpul conduce la aceast esenializare.
Peter Brook
Theatre is about life. This is the starting point and nothing is more important.
Theatre is life.() Life in theater is more exciting and intense because it is more
concentrated. The act of reducing and compressing space and time leads to
this essentiality. Peter Brook
EUGENIO BARBA - CASA N FLCRI. DESPRE REGIE I DRAMATURGIE
BURNING THE HOUSE. ON DIRECTING AND DRAMATURGY
Am experimentat varii moduri de a m folosi de iluzii, evitnd ca iluziile
s se foloseasc de mine. A face teatru nseamn a tri o vraj, a crea
arhipelaguri de insule magice, tragice sau groteti, oglinzi ale lumii, aa
cum o cunoatem, sau ale unor lumi diferite de real, ca un delir fantastic.
Dar dup fecare vraj, dup fecare labirint n care nimic nu prea s fe
cert, am rupt bagheta magic. Sear de sear, dup ultima scen, m-am
ntors la Istorie. Am lsat spectacolul s creasc precum un copac sacru i
apoi eu nsumi l-am dobort. Uneori, semine netiute cdeau din rmuri
i se afundau n profunzimile unui spectator unde germinau, lsndu-l
mut i nemicat. Eugenio Barba
I experienced various ways to use my illusions avoiding that illusions use me.
Making theater means living a spell, creating magical, tragic or grotesque
archipelago of islands, mirrors of the world as we know it, or of worlds diferent
from reality, as a fantastic delirium. But after every spell, after each maze where
nothing seemed to be clear, I broke the magic wand. Every evening, after the
last scene, I turned to History. I left the show to grow as a sacred tree and then
I knocked it down myself. Sometimes unknown seeds fell from branches and
immersed in the depths of a spectator where they germinated, leaving him
silent and still. Eugenio Barba
EDITURA RAO/RAO PUBLISHING HOUSE
Numrm pn la 10 i Alfabetul desenat, mai uor de nvat,
crile ilustrate create de Arina Gheorghi sunt cri care nu trebuie s
lipseasc din ghiozdanul nici unui mic colar.
Crticelele se adreseaz copiilor care se pregtesc s nvee literele i
cifrele, prezentndule informaiile ntr-o manier amuzant i extrem de
prietenoas. La lansare vor f expuse i ilustraii originale ale autoarei.
We count to 10 and Drawn alphabet, easier to learn, illustrated
books created by Arina Gheorghi are books which shouldnt miss from
any backpack of schoolchildren. These little books are meant for children
preparing to learn letters and numbers, presenting the information in a
fun and friendly manner. At the book launch there will also be exposed
the authors original illustrations.
Apoi, cei mici vor face cunotin cu Micul Prin, prietenul tuturor copiilor!
Despina Calavrezo este autoarea seriei de caiete Learn English with the
Little Prince i Le Francais avec le Petit Prince. Cu ajutorul celui mai ndrgit
personaj din literatura pentru copii i aduli, micii colari pot nva elementele
eseniale i vocabular tematic n limbile francez i englez.
Afterwards, the little ones will get acquainted with the Little Prince, friend to
all children! Despina Calavrezo is the author of the series of books Learn
English with the Little Prince and Le Francais avec le Petit Prince.
With the help of the very popular character of childrens and adults literature,
small schoolchildren can learn the basic elements and thematic vocabulary in
English and French.
TOMA HOGEA
DESPRE ARTA PPUARILOR ROMNI. DIALOGURI CU MAETRII SCENEI
ABOUT THE ART OF ROMANIAN PUPPETEERS. DIALOGUES WITH THE STAGE MASTERS
Este o istorie a Teatrului de Animaie din Romnia, vie-
vorbit, cu marile personaliti ale breslei ppureti.
Lucrarea cuprinde multe pagini, in memoriam, despre marile
valori artistice, care au existat i au adus la lumina rampei
creaii memorabile. Este o lucrare de specialitate care aduce
la lumin munca, creaiile i istoria fecrui teatru n parte,
ncercnd s-i aeze pe toi actorii ppuari n paginile acestei
cri, ca ntr-o mare familie. Este o lucare n care se regsesc
vieile actorilor ppuari din Romnia cu mrturisiri pline de
emoie i adevr istoric.
It is about the history of animation theater in Romania, living-
spoken, with great personalities of the animation theatre. The
book contains many pages in memoriam, about the great
artistic values that existed and brought to limelight memorable
creations. It is a specialized work that brings to light the work,
creations and the history of each theater, in part, trying to put
within the pages of this book all the puppet actors, like in a big
family. It is a work where the Romanian puppet actors lives
are found in Romania with confessions full of emotion and
historical truth.
EXPOZIIE GEORGE LWENDAL
F
undaia Lowendal a fost nfinat n 2010 i prezint publicului peste 500
de lucrri de factur diferit- pictur, grafc, schie de decoruri i costume
de scenografe, manuscrise i coresponden ale lui George Baron Lowendal,
care lucra cu aceiai uurin ntr-o tent modernist sau ntr-una tradiionalist,
nu fr a-i impune ns, ntotdeauna, amprenta i viziunea sa artistic att de
personale.
GEORGE LWENDAL EXHIBITION
T
he Lowendal Foundation was established in 2010 and it presents to the public
over 500 diferent types of works - paintings, graphics, scenography drawings
and scenography costumes, manuscripts and correspondence from George Baron
Lowendal, who worked with the same ease in a modernist twist or a traditionalist
one, not without always putting his personal artistic touch and vision into his
original works.
AICIACOLO. ATELIER DE EDUCAIE INTERCULTURAL
HERE-THERE. INTERCULTURAL EDUCATION WORKSHOP
Aici-Acolo este un program de introducere concret a universului
intercultural n lumea copiilor (3-11 ani) apelnd la cele 5 simuri, creat de
Eugenia Barbu i realizat de A.C.T.O.R. Prin acest program, copiii au acces
la informaiile despre cultura diverselor ri europene, direct de la tineri
venii n Romania prin Serviciul European de Voluntariat al Programului
Tineret n Aciune. Programul i Atelierele Aici-Acolo se desfoar n
parteneriat cu Ministerul Educaiei, Casa Corpului Didactic, Teatrul de
Animaie ndric i Radio Itsy Bitsy.
Timp de o ora, copiii participani la atelier vor cltori prin Europa purtai
de poveti i jocuri de toate culorile i ...de aici i de acolo... aduse n faa
lor de: Maxime Francais Frana; Anja Manger, Britta Trankler Germania;
Bilyana Yordanova Bulgaria; Aleksandra Siljanoska Macedonia; Sandy
Nafaa Iordania; Malgorzata Sendek - Polonia; Miguel de la Cruz Peru;
Pedro Costa, Maria Costa Portugalia; Lina Bartaseviciute- Lituania;
Volkan Yuca Turcia; Daviti Odikadzed Georgia; Marta Derle Italia; Lilit
Gevorgian, Marine Asatryan Armenia; Jessica Sabbatelle Uruguay;
Laura Esteban-Garcia, Rafael Lucia-Arroyo Spania; Raphaela Meister
Austria.
Here-There is a practical introduction of the intercultural universe to the world
of children (3-11 years) appealing to the 5 senses, created by Eugenia Barbu
and conducted by A.C.T.O.R. Through this program, children have access to
information about the culture of diferent European countries directly from
young people who came to Romania through the European Voluntary Service
of the Youth in Action Programme. The Here-There program and workshops
are conducted in partnership with the Ministry of Education, Teachers House,
Tandarica Animation Theatre and Itsy Bitsy Radio.
For one hour, children who participate in the workshop will travel through
Europe carried by stories and games of all colors and ... from here and
from there .... brought before them by: Maxime Francais France; Anja
Manger, Britta Trankler Germany; Bilyana Yordanova Bulgaria; Aleksandra
Siljanoska Macedonia; Sandy Nafaa Jordan; Malgorzata Sendek -
Poland; Miguel de la Cruz Peru; Pedro Costa, Maria Costa Portugal; Lina
Bartaseviciute- Lithuania; Volkan Yuca Turkey; Daviti Odikadzed Georgia;
Marta Derle Italy; Lilit Gevorgian, Marine Asatryan Armenia; Jessica
Sabbatelle Uruguay; Laura Esteban-Garcia, Rafael Lucia-Arroyo Spain;
Raphaela Meister Austria.
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MARIONETE DIN OSETE
SOCK PUPPETS WORKSHOP
SUSINUT DE | CONDUCTED BY:
GRAIELA TEFAN ENE
Durata: 2 ore | Duration: 2 hours
Target: copii peste 6 ani, studeni, aduli | Children over 6
years, students, adults
Un atelier de construcie i creaie de marionete n care
osetele prind via! Participanii, care pot f copii, studeni
sau aduli, vor pleca acas cu o marionet simpl i original,
cu tija mobil, construit de ei nii, sub atenta ndrumare a
actriei Graiela tefan Ene. De ce ai nevoie? De dou mini
dibace, de umor i de open mind! Restul aducem noi!
A creative workshop for designing and building puppets,
where socks come to life! The participants, who can be
children, students or adults, will go home with a simple and
original puppet, on a mobile rod, built by themselves, under
the careful guidance of the actress Graiela tefan Ene. What
do you need? Two skilled hands, a sense of humor and an
open mind! Well bring the rest!
Dorina Tnsescu
Aneta Forna Christu
Ildiko Kovacs
Brndua Zaia Silvestru
Liviu Steciuc
Valeriu Simeon
Margareta Niculescu
Mircea Nicolau
Rudolf Moca
Lic Gherghilescu
Constantin Brehnescu
Carmen Mrginean
Aurica Dobrescu
2000
2001
2002
2003
2004
2005
2006
2007
2008
2009
2010
2011
2012
List cu Premiile de Excelen n animaia romneasc,
oferite de Teatrul NDARIC,
Primria Municipiului Bucureti i UNIMA-Romnia
List of Excellence Awards in Romanian Animation ofered
by NDRIC Animation Theatre,
Bucharest City Hall and UNIMA-Romania
PREMIUL MICHAELA TONITZA IORDACHE DE EXCELEN N
ANIMAIA ROMNEASC PE 2012
2012 MICHAELA TONITZA IORDACHE EXCELLENCE AWARD
IN ROMANIAN ANIMATION
Ppuile nu au vrst tocmai ca ppuarii s copilreasc mereu. Aurica
Dobrescu are i vrsta i copilria venic. Din 1982 este artist ppuar
al Teatrului de Ppui Vasilache din Botoani, instituie de cultur n care
activase, nc din 1972, n calitate de constructor de ppui. A realizat zeci de
roluri, cucerind premii, dar mai ales adunnd aplauzele a mii de spectatori,
mari i mici. La Aurica Dobrescu fascineaz att tehnica actoriceasc, de
mnuire, ct i mijloacele directe de exprimare, simplitatea i frescul prin
care manifest i construiete personajul, fr s i acopere cu propria-i
personalitate eroul din poveste.
Puppets are ageless for puppeteers to always stay childish. Aurica Dobrescu
has the age and eternal childhood. Since 1982 she is a puppeteer at Vasilache
Puppet Theatre in Botosani, cultural institution in which she was working
since 1972, as a puppet constructor. She made dozens of roles, winning
prizes, but mostly gathering applauses of thousands of spectators of all ages.
Fascinating through both her acting technique of manipulation and her
direct means of expression, the simplicity and naturalness that she builds her
character, without covering the hero of the story with her own personality.
Aurica Dobrescu
Gheorghe Vasile
Victor Tru
Andrei Gheorghiu
2010
2011
2012
List cu Premiile de excelen pentru corpul tehnic n
animaia romneasc, oferite de Teatrul NDARIC,
Primria Municipiului Bucureti
i UNIMA-Romnia
List of Excellence Awards for Technical Staf in Roma-
nian Animation ofered by NDRIC Animation The-
atre, Bucharest City Hall
and UNIMA-Romania
Din anul 2010 se instituie Premiul de Excelen pentru Corpul Tehnic
n Teatrul de Animaie
The Animation Theater Technical Staf Excellence Award was
instituted in 2010
PREMIUL DE EXCELEN PENTRU CORPUL TEHNIC N ANIMAIA
ROMNEASC PE 2012
EXCELLENCE AWARD FOR TECHNICAL STAFF IN ROMANIAN
ANIMATION - 2012
Andrei Gheorghiu, magicianul butoanelor
Venit la Teatrul ndric n 1992 dup o experien la Centrul cinematografc
Bucureti i la Teatrul Mic, pasionat de muzic, literatur i flm, dar i de
ultimele nouti din domeniu, Andrei Gheorghiu este omul potrivit la locul
potrivit. Din butoane face voci, ilustraie muzical, vorbete tot felul de
limbi cnd pune n pagin banda sonor. Este sociabil, are simul umorului, e
creativ, dinamic. El este Andrei, omul de la butoane!
Andrei Gheorghiu, magician of buttons
He came at ndric Theatre in 1992 after an experience at Bucharest Film
Center and Teatrul Mic, passionate about music, literature and flm and the
latest news from the feld, Andrei Gheorghiu is the right man in the right
place. He puts voices from buttons, does soundtracks, speaks all sorts of
languages when he is working on a performance. He is jovial, has a great
sense of humor, is creative, dynamic. He is Andrei, the magician of the
buttons!
2005
Teatrul NDARIC cu sprijinul Primriei Municipiului Bucureti a
prezentat ediia I a Festivalului Internaional al Teatrului de Animaie
Bucurii pentru copii. Spectacole de colecie n perioada 1-4 decembrie
2005. Acesta ediie a constat ntr-o microstagiune a Teatrului ndric
i a ctorva teatre invitate din ar, precum i studenii de la secia Secia
Arta Actorului Mnuitor de Ppui i Marionete, U.N.A.T.C, Bucureti. La
aceast prim ediie nu s-au acordat premii, meniuni sau alte distincii.
Teatrul NDRIC si UNIMA Romnia au acordat doar PREMIUL DE
EXCELEN n arta animaiei maestrului Valeriu Simeon.
2006
Teatrul NDRIC cu sprijinul Primriei Municipiului
Bucureti i Ministerul Culturii i Cultelor a prezentat
ediia a 2-a a Festivalului Internaional al Teatrului de
Animaie Bucurii pentru copii. Spectacole de colecie
care a avut loc 6-10 decembrie 2006. La aceast
ediie au participat n concurs 5 trupe din ar i 4 din
strintate, teatrul gazd, iar n afara concursului
studenii de la Secia Arta Actorului Mnuitor de Ppui
i Marionete, U.N.A.T.C, Bucureti.
2006
AU FOST NMNATE URMTOARELE PREMII:
PREMIUL PENTRU INGENIOZITATEA RESTITUIRII OPEREI CLASICE, Teatrul Colibri
din Craiova cu spectacolul Ruca cea urt, regia: Todor Valov (Bulgaria)
PREMIUL PENTRU ARTA COMUNICRII MESAJULUI SPECIFIC SPECTACOLULUI DE
ANIMAIE, Teatrul NDRIC din Bucureti cu spectacolul Alb ca Zpada, regia:
Cristian Pepino
PREMIUL PENTRU PROSPEIMEA EVOCRII COMEDIEI DELLARTE, Teatrul Puck din
Cluj-Napoca, cu spectacolul Vrjitorul i corbul, regia: Mona Chiril
PREMIUL PENTRU AUTENTICITATE ETNOGRAFIC N SPECTACOLUL PENTRU
COPII, Teatrul pentru Copii i Tineret Ariel din Trgu Mure, cu spectacolul Zurinka,
regia: Gavril Cadariu
PREMIUL PENTRU VIRTUOZITATEA EFECTELOR VIZUALE, Teatrul de Ppui Gulliver
din Galai, cu spectacolul Castelul din Carpai, regia: Bogdan Drgulescu
PREMIUL PENTRU RECONSIDERAREA TEHNICILOR TRADIIONALE TEATRULUI DE
PPUI, Teatrul Gong din Sibiu, cu spectacolul Cenureasa, regia: Dan Hndoreanu.
PREMIUL PENTRU TEATRU MINIATURAL DE ANIMAIE, Compania El Retablo din
Spania, cu spectacolul Animals (Animale), reprezentaie semnat de El Retablo
PREMIUL PENTRU ARTA MNUIRII PPUILOR, Compania Purgatetrium-Maskars
din Ungaria, cu spectacolul Marketplace(Piaa), regia: Ildik Kovcs
PREMIUL PENTRU ORIGINALITATEA SPECTACOLULUI DE ANIMAIE, Teatro
dei Piedi din Italia, cu spectacolul Gone with the Feet (Unde te duc picioarele),
reprezentaie de Laura Kibel
PREMIUL PENTRU INGENIOZITATE I RITM N ARTA SPECTACOLULUI DE
ANIMAIE, Compania Trule din Portugalia, cu spectacolul Puppet Variations on
a Musical Theme (Variaiuni ppureti pe tem muzical), o reprezentaie de
Manuel Fernando da Costa Dias.
Teatrul NDRIC cu sprijinul Primriei Municipiului Bucureti,
Ministerul Culturii i Cultelor i al Intitutului Cervantes, prezint
ediia a 3-a a Festivalului Internaional al Teatrului de Animaie
Bucurii pentru copii. Spectacole de colecie a avut loc 3-9
decembrie 2007. La aceast ediie au participat n concurs 8 trupe
din ar i 6 din strintate, teatrul gazd, iar n afara concursului
studenii de la Secia Arta Actorului Mnuitor de Ppui i
Marionete de la U.N.A.T.C, Bucureti.
2007
PREMIU PENTRU ORIGINALITATE SCENOGRAFIC spectacolului PRINUL MIRKO, Teatrul Ariel,Tg. Mure, Romnia.
PREMIU PENTRU CALITATE I VARIETATE REPERTORIAL, VIRTUOZITATE INTERPRETATIV N ARTA ANIMAIEI Teatrul ndric, Bucureti, Romnia
PREMIU PENTRU EXPRESIVITATE I RAFINAMENTUL IMAGINII N ARTA ANIMAIEI spectacolului CRIASA ZPEZII, Teatrul Gulliver din Galai,
Romnia
PREMIU PENTRU FOLOSIREA ORIGINAL A TEHNICII DIGITALE N ARTA ANIMAIEI spectacolului MOTANUL NCLAT, Teatrul pentru copii i tineret,
Constana, Romnia
PREMIU PENTRU OMOGENITATE I EXUBERAN spectacolului LOVE THEE, Horizon Theater, Australia
PREMIU PENTRU CALITATEA POETIC a spectacolului CRIASA ZPEZII, Teatrul Kover Bela, Ungaria
PREMIU PENTRU VIGOAREA I UMORUL DIALOGULUI ACTOR - PPU, spectacolului PUNGUA CU DOI BANI, Teatrul PUCK din Cluj Napoca,
Romnia
PREMIU PENTRU ACURATEEA I VIRTUOZITATEA TEHNICII DE MNUIRE spectacolului ANTOLOGIA, Compania Jordi Bertran, Spania
PREMIU PENTRU INGENIOZITATE, RAFINAMENT I MODERNITATE N ARTA ANIMAIEI spectacolului CRIASA ZPEZII, Teatrul de marionete din
Arad, Romnia
PREMIUL SPECIAL AL JURIULUI acordat regizorului Cristian Pepino pentru diversitatea mijloacelor de expresie artistic a spectacolelor prezentate n
festivalul Bucurii pentru copii. Spectacole de colecie
Teatrul NDRIC cu sprijinul Primriei Municipiului Bucureti,
Ministerul Culturii i Cultelor, Centrului Cultural al Republicii Ungare,
Ambasadei Olandei i sub egida UNIMA Romnia, a organizat n perioada
30 noiembrie - 7 decembrie 2008 cea de a 4-a ediie a Festivalului
Internaional al Teatrului de Animaie Bucurii pt copii. Spectacole de
colecie.La aceast ediie au participat n concurs 10 trupe din ar i 4 din
strintate, teatrul gazd, iar in afara concursului studenii de la Secia
Arta Actorului Mnuitor de Ppui i Marionete de la U.N.A.T.C, Bucureti.
AU FOST NMNATE URMTOARELE PREMII I DIPLOME:
PREMIU PENTRU IMAGISTIC - Teatrul pentru copii i tineret Constana.
PREMIU PENTRU ORIGINALITATEA I ANVERGURA DEMERSULUI
ARTISTIC - Teatrul Gulliver - Galai.
PREMIU PENTRU ORIGINALITATEA I PROFESIONALISMUL DISCURSULUI
ARTISTIC - Compania Jordi Bertran - Spania.
PREMIU PENTRU INGENIOZITATE I RAFINAMENT - Teatrul de marionete
Arad.
PREMIU PENTRU EXPRESIVITATE I MISTER - Teatrul t`Magisch - Olanda.
PREMIU PENTRU RELAIA ACTOR - PPU - MUZIC NTR-UN
SPECTACOL DE ANIMAIE - Teatrul Puck - Cluj-Napoca.
PREMIUL PENTRU SAVOAREA DRAMATIZRII, MODERNITATE
SCENOGRAFIC I VIGOARE INTERPRETATIV - Teatrul de animaie
ndric.
PREMIU PENTRU CRITIC TEATRAL N DOMENIUL ANIMAIEI se acord
Dlui Ion Parhon.
PREMIU PENTRU EXCELEN N ANIMAIA ROMNEASC se acord
Dlui Rudolf Moca.
2008
2009
Teatrul NDRIC cu sprijinul Primriei Municipiului Bucureti a organizat n
perioada 28 noiembrie i 6 decembrie 2009 la cea de-a 5-a Ediie a Festivalul
Internaional al Teatrului de Animaie BUCURII PENTRU COPII. SPECTACOLE DE
COLECIE.
AU FOST NMNATE URMTOARELE PREMII, MENIUNI I DIPLOME:
PREMIU PENTRU ORIGINARITATE I VIRTUOZITATE Teatrului PUCK din Cluj
Napoca

PREMIU PENTRU VALENELE POETICE ALE RELAEI DINTRE ACTORI - MTI I
PPUI Teatrului GULLIVER din Galai

PREMIU PENTRU VARIETATEA LIMBAJULUI ARTISTIC I VALENELE EDUCATIVE
ALE LECTURII SCENICE Teatrului NDRIC din Bucureti

PREMIU PENTRU PLASTICITATEA GESTUAL A DISCURSULUI SCENIC Teatrului
K3 din Polonia

PREMIU PENTRU INVENTIVITATEA I RAFINAMENTUL NTREGULUI
SPECTACOL Teatrului A Gadit din Israel
Teatrul de Animaie NDRIC cu sprijinul Primriei
Municipiului Bucureti a organizat n perioada 26
noiembrie - 5 decembrie 2010 cea de a 6-a Ediie
a Festivalul Internaional al Teatrului de Animaie
BUCURII PENTRU COPII. SPECTACOLE DE COLECIE.
PREMIUL PENTRU VALOAREA REPERTORIULUI I CALITATEA TRANSPUNERII SCENICE se acord spectacolului Apolodor - Teatrul Puck
din Cluj Napoca
PREMIUL PENTRU VALENELE POETICE I PLASTICE se acord spectacolului Motanul nclat - Teatrul Gulliver din Galai
PREMIUL PENTRU VARIETATEA I MODERNITATEA LIMBAJULUI se acord spectacolului Galaxia Svejk - Teatrul ndric din Bucureti
PREMIUL MERITA RESTITUTIO PENTRU CALITATEA RESTITUIRII UNEI OPERE CLASICE se acord spectacolului Pinocchio - Teatrului
ndric din Bucureti
PREMIUL PENTRU INVENTIVITATEA I RAFINAMENTUL SPECTACOLULUI THE RAIN BIRD se acord Teatrului Train din Ierusalim, Israel
2010
2010 2011
Teatrul de Animaie NDRIC cu sprijinul Primriei
Municipiului Bucureti a organizat n perioada 24
noiembrie - 4 decembrie 2010 cea de a 7-a Ediie a
Festivalul Internaional al Teatrului de Animaie BUCURII
PENTRU COPII. SPECTACOLE DE COLECIE.
PREMIUL MIHAELA TONITZA IORDACHE DE EXCELEN
N ANIMAIA ROMNEASC - Carmen Mrginean, (Arad)
PREMIUL DE EXCELEN PENTRU CORPUL TEHNIC N
ANIMAIA ROMNEASC - Victor Tru, (Galai)
PREMIUL PENTRU SPECTACOL DE ANIMAIE COPII -
Teatrul de Animaie ndric (Bucureti, Romnia) - Alice
n ara Minunilor pentru anvergura montrii i pitorescul personajelor
PREMIUL PENTRU SPECTACOL DE ANIMAIE COPII - Teatrul Luceafrul (Iai, Romnia) - Dumbrava Minunat pentru fdelitatea i ingenuitatea
restituirii textului clasic
PREMIUL PENTRU SPECTACOL DE ANIMAIE COPII - Teatrul Train (Ierusalim, Israel) - Gulliver n Lilliput pentru unicitatea limbajului teatral
PREMIUL PENTRU SPECTACOL DE ANIMAIE ADULI - Teatrul de Animaie ndric (Bucureti, Romnia)- Play Shakespearepentru originalitate,
virtuozitate i umor
PREMIUL PENTRU SPECTACOL DE ANIMAIE ADULI - Teatrul Pinokio (Lodz, Polonia) - Bruno Schultz, Istoria Imaginaiei Pctoase, pentru
ingeniozitate i virtuile interpretative
PREMIUL DE INTERPRETARE - Compania Girovago i Rondella (Italia) - Mano Viva, pentru tehnica de mnuire
PREMIUL DE INTERPRETARE - Ovidiu Crian pentru rolul titular din spectacolul Dnil Prepeleac (Teatrul Puck, Cluj-Napoca)
PREMIUL PENTRU ONE MAN SHOW - Bence Sarkadi (Budapesta, Ungaria) - Figura Ex Machina
PREMIUL PENTRU ONE MAN SHOW - Toni Rumbau (Barcelona Spania) - Full Hands
Echipa managerial / Management Department
Clin Octavian MOCANU - Director / General Manager
Florentina IORDACHE - Director Adjunct / Deputy Manager
Catelua MURGU - Contabil ef / Chief Accountant
Birou Resurse Umane / Human Resources Department:
Florentina Iordache
Colectivul Teatrului de Animaie ndric
Adrian Lefter
Florentina Tnase
Gabriel Apostol
Daniel Stanciu
Cristina Roiianu
Angela Filipescu
Liliana Gavrilescu
Paul Ionescu
Eugenia Barbu
Mariana Zaharia
Cristian Mitescu
Ioan Brancu
Ioana Chelaru Popovici
Dora Ortelecan Dumitrescu
Florin Mititelu
Adrian Viorel Ionescu
Mihai Dumitrescu
Graiela Ene
Roxana Vian
Victor Bucur
Petronela Purima Tnase
Alina Petrescu
Marin Fagu
Alina Teianu
Ilona Hrestic
Geo Dinescu
Daniela Ruxandra Mihai
George Nstase
Andreea Ionescu
George Simian
Dan Codreanu
Alexandru Neculcea
Olga Bela
Jou-Jou Drgan
Simina Constantin
Ana Maria Blescu
Compartiment Artistic / Artistic Department:
Compartiment Marketing / Marketing Department:
Raluca Tulbure Raluca Moldovean Monica Vlduu Iancu Ionu olescu
Tandarica Animation Theatre Staf
Birou organizare spectacole / Front desk department:
Elena tirb
Georgeta Ivan
Lucia Teodora Dumitru
Camelia Feldrihan
Liliana Toma
Mariana Cazacu
Mariana Floroiu
Secia producie aprovizionare / Production-Supplies Department:
Maria Dumitru
Vlad Alexandru Tnase
Elena Manda
Tudor Manda
Liliana Soare
Dinu Carcaleeanu
Anca Dodan
Zamfra Alexe
Compartiment administrativ, Paz-Psi / Administrative, Guard Department:
Emilian Vornicu
Emil Enghel
Rzvan Tulea
Despina Moraru
Constantin Lupu
Constantin Talab
Viorica Stoenescu
Iuliana Mocanu
Ion Neacu
Dumitru Ghencea
Mihai Ceobnel
Florin Mateescu
Gheorghe Ionescu
tefan Gheu
Gheorghe Neagu
Compartiment contabilitate-fnanciar / Account-Financial department:
Ioana Ciobotaru
Daniela Eremia
Maria Dinu Eugen Solomon Teodora chiopu
Atelier scen / Stage workshop:
Anioara Iovnescu
Andrei Gheorghiu
Dumitru Zaheu
Constana Necula
Ctlin Georgescu
Nicolae Stoenescu
Ctlin Neagu
Simona Solomon
Formaie muncitori / Stage crew department:
Silviu Constantinescu
Mihai Tudor
Vasile Neacu
Tudor Irimia
Vasile Trufan
Marian Toma
Marin Panait
Cornel Stroe
Daniel Vintil
Gabriel Solomon
20
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Catalog redactat i tradus de
Raluca Tulbure i Raluca Moldovean
grafca cristiandrei.com 2012
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Eremia Grigorescu nr. 24, Bucureti, Romnia
tel.: 004 021 315 30 06; fax: 004 021 316 30 03
e-mail: contact@teatrultandarica.ro
Agenie rezervri bilete - tel: 021 315 23 77
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