Festival 2013

TEATRUL DE ANIMAIE NDRIC Festivalul Internaional al Teatrului de Animaie Bucurii pentru copii.
Spectacole de colecie
NDRIC ANIMATION THEATRE International Animation Theatre Festival Joys for Children. Top Notch Shows
Aceast lucrare este dedicat tuturor celor care i-au druit talentul i munca pentru ca teatrul de animaie s existe! This work is dedicated to all those who give their talent and work for the puppet theatre to exist!
1945-2013
Programul Festivalului Internaional al Teatrului de Animaie. Ediia a 9-a, 14 - 24 nov. 2013

ora
10:00
joi 14
Romnia, Bucureti MICA SIREN TEATRUL DE ANIMAIE NDRIC ndric - Sala Lahovari
vineri 15
Romnia, Bucureti ALB CA ZPADA TEATRUL DE ANIMAIE NDRIC ndric - Sala Lahovari
smbt 16
Romnia, Ploieti INIM RECE TEATRUL PENTRU COPII CIUFULICI ndric - Sala Lahovari
duminic 17
Romnia, Bacu OBLIO TEATRUL DE ANIMAIE, Secie a TEATRULUI MUNICIPAL BACOVIA ndric - Sala Lahovari
luni 18
Romnia, Constana PUNGUA CU DOI BANI TEATRUL PENTRU COPII I TINERET CLUUL DE MARE ndric - Sala Lahovari Decernare PREMIUL DE EXCELEN PENTRU CORPUL TEHNIC: Geambec Muezel
Romnia, Alba Iulia UNIVERSUL DIN LANTERNA MAGIC TEATRUL DE PPUI PRICHINDEL ndric - Sala Studio
11:00
Romnia, Bucureti FRUMOASA I BESTIA TEATRUL DE ANIMAIE NDRIC Grand Cinema Digiplex Mall Bneasa Romnia, Ploieti INIM RECE TEATRUL PENTRU COPII CIUFULICI ndric - Sala Lahovari
Romnia, Bucureti MOTANUL NCLAT TEATRUL DE ANIMAIE NDRIC Grand Cinema Digiplex Mall Bneasa Romnia, Bacu OBLIO TEATRUL DE ANIMAIE, Secie a TEATRULUI MUNICIPAL BACOVIA ndric - Sala Lahovari Romnia, Alba Iulia UNIVERSUL DIN LANTERNA MAGIC TEATRUL DE PPUI PRICHINDEL ndric - Sala Studio
12:00 12:30 13:00 17:00 17:15

Vernisaj EXPO TEATRUL N DIFERITE CONTEXTE Mihai Pastramagiu ndric - Foaier Romnia, Bucuresti FATA BABEI I FATA MONEAGULUI TEATRUL DE ANIMAIE NDRIC ndric - Sala Lahovari Romnia, Bucureti GOLEM TEATRUL DE ANIMAIE NDRIC ndric - Sala Studio
Masterclass IULIAN FURTUN, Frana Actorul de animaie i tehnicile franceze de micare corporal Institutul Francez - Sala Atrium Romnia, Tg. Mure TRAGEDIA OMULEULUI TRUPA MAGHIARA A TEATRULUI PENTRU COPII I TINERET ARIEL ndric - Sala Lahovari Decernare PREMIUL MICHAELA TONITZA IORDACHE DE EXCELEN N ARTA ANIMAIEI: Maria Mierlu ndric - Sala Lahovari Atelier MARIA MIERLU Confesiuni cu o ppu ndric - Sala Lahovari
Lansare carte Editura Litera ndric - Foaier Masterclass IULIAN FURTUN, Frana Actorul de animaie i tehnicile franceze de micare corporal ndric Sala Studio
Lansare carte Editura Nemira ndric - Foaier
18:00
Anglia, Londra A LA CARTE JOSE NAVARRO ndric - Sala Lahovari
China, Hong Kong CLTORIE SPRE SOARE APUNE INSTITUTUL MING RI PENTRU ART I EDUCAIE, HONG KONG, CHINA & TEATRUL DE ANIMAIE NDRIC, BUCURETI ndric - Sala Lahovari Atelier LI JIANXIN, China Teatru de umbre chinezesc ndric - Sala Lahovari
19:00 19:30
Romnia, Bucureti MIASTRA Proiect independent - Ilona Hrestic ndric - Sala LahovarI
20:00
20:30 21:00
Personaliti n dialog MIHAI GRUIA SANDU PAUL IONESCU ndric Sala Lahovari
Conferin AGATA KUCISKA, Polonia Specificul educaiei n coala de teatru din Wrocaw ndric - Sala Studio
ora
10:00
mari 19
Romnia, Bucureti PINOCCHIO TEATRUL DE ANIMAIE NDRIC ndric Sala Lahovari
miercuri 20
Romnia, Iai CAPRA CU TREI IEZI TEATRUL PENTRU COPII I TINERET LUCEAFRUL ndric - Sala Lahovari Atelier MA XINGZHI i LI JIANXIN, China Teatru de umbre Pentru copii ndric - Sala Studio
joi 21
Romnia, Sibiu SOPHIE I URIAUL TEATRUL PENTRU COPII I TINERET GONG ndric - Sala Lahovari
vineri 22
Romnia, Galai PCAL TEATRUL DRAMATIC FANY TARDINI Secia TEATRUL DE PPUI GULLIVER ndric Sala Lahovari Romnia, Bucureti CAPRA CU TREI IEZI TEATRUL DE ANIMAIE NDRIC coala Titu Maiorescu
smbt 23
Romnia, Cluj CRIASA ZPEZII TEATRUL DE PPUI PUCK ndric - Sala Lahovari
Romnia, Bucureti COCOELUL NEASCULTTOR UNATC ndric - Sala Studio
duminic 24
Romnia, Bucureti FRUMOASA I BESTIA TEATRUL DE ANIMAIE NDRIC ndric Sala Lahovari
11:00
Romnia, Bucureti ALB CA ZPADA TEATRUL DE ANIMAIE NDRIC Grand Cinema Digiplex Mall Bneasa
Romnia, Bucureti PUNGUA CU DOI BANI TEATRUL DE ANIMAIE NDRIC Grand Cinema Digiplex Mall Bneasa
Spectacol lectur Trgul Internaional GAUDEAMUS Carte de nvtur Pavilionul Central Romexpo
12:00 12:30
Conferin IVICA SIMIC, Croaia Reele culturale internaionale Reuniunea managerilor teatrelor de copii i tineret din Romnia UNIMA i ASSITEJ ndric - Sala Laborator 3
Conferin IVICA SIMIC, Croaia Managerul/director integrator al produsului cultural n reelele internaionale Reuniunea managerilor teatrelor de copii i tineret din Romnia UNIMA i ASSITEJ ndric - Sala Laborator 3
Atelier A.C.T.O.R. AICI ACOLO ndric Sala Studio
Romnia, Cluj CRIASA ZPEZII TEATRUL DE PPUI PUCK ndric - Sala Lahovari
Romnia, Bucureti COCOELUL NEASCULTTOR UNATC ndric - Sala Studio
Romnia, Bucureti FRUMOASA I BESTIA TEATRUL DE ANIMAIE NDRIC ndric Sala Lahovari
13:00 13:30
Romnia, Bucureti CAPRA CU TREI IEZI TEATRUL DE ANIMAIE NDRIC Spitalul Grigore Alexandrescu Atelier GRAIELA ENE Ppushete din osete ndric Sala Studio
Atelier ADRIAN LEFTER Ppui din baloane ndric - Foaier
14:00
15:00
16:00
Romnia, Bucureti MOTANUL NCLAT TEATRUL DE ANIMAIE NDRIC Spitalul Marie Curie
Romnia, Bucureti N LARG UNATC ndric - Sala Studio
17:00 17:15 18:00

Polonia, Wrocaw VIEILE SFINILOR DIN CARTIER TEATRUL AD SPECTATORES ndric - Sala Lahovari Romnia, Bucureti CANDID TEATRUL DE ANIMAIE NDRIC ndric - Sala Lahovari Lansare carte Editura RAO ndric - Foaier Bulgaria, Sofia SFNT TEATRUL DE PPUI ndric - Sala Lahovari Italia, Mantova SCHERZO LA TREI MINI TEATRO ALLIMPROVVISO ndric - Sala Lahovari Germania, Berlin JOE CHICKADEE Florian Krahenbuhl ndric - Sala Lahovari Spectacol lectur Trgul Internaional GAUDEAMUS Carte de nvtur Pavilionul Central Romexpo
19:00
Conferin CRISTIAN PEPINO Artele plastice i teatrul de animaie ndric - Sala Lahovari Conferin MANON VAN DE WATER, SUA Teatru, emoie i creier: o abordare integrativ a predrii i nvrii ndric - Sala Lahovari Conferin THOMAS LANG, Germania Filosofia vieii - observaii privind teatrul pentru copii i tineret n Europa zilelor noastre ndric - Sala Lahovari Romnia, Bucureti CENUREASA Proiect independent - MAG ndric - Sala Studio
Romnia, Bucureti MOTANUL NCLAT Proiect independent - ANIM`ARTS ndric - Sala Studio
19:30
20:00 20:30
Juriul Festivalului
The Jury of the Festival
Preedinte de onoare Doctor n teatru, Vilas-Phipps Profesor emerit, Director al programului de teatru pentru tineret Preedinte Critic teatral Regizor de teatru , lector universitar Director Ministerul Culturii
MANON VAN DE WATER
ION PARHON
Honorary president PhD in Theatre, Vilas-Phipps Distinguished Achievement Professor, Director of Theatre for Youth Program President Theatre critic Director and lecturer Representative of the Ministry of Culture Director, general s secretary of ASSITEJ Theatre critic Theatre critic Theatre critic Secretary of the jury, Marketing Manager ndric Animation Theatre
THOMAS LANG
MARIUS ZARAFESCU IVICA SIMI
Regizor, Secretar general ASSITEJ
Critic teatral Critic teatral Critic teatral Director de marketing Teatrul de Animaie ndric, secretar al juriului
CRISTINA RUSIECKI MARIA SRBU
MARINELA EPU
RALUCA TULBURE
Director Festival
Clin Octavian Mocanu
Festival Director
rice festival de teatru se vrea o srbtoare, un schimb de opinii, de emoii, un loc de ntlnire ntre public, artiti i specialiti, de o parte i de alta a scenei. Teatrul pentru cei mici este un spaiu magic unde e nevoie de iubire pentru ca buretele sau lemnul s prind via: de iubirea noastr, a ppuarilor, a copiilor. Tocmai de aceea, are darul i puterea de a uni n timp generaii. Stm sub semnul unei diversiti artistice, culturale, estetice i, de aceea, pe scena de la NDRIC se vor ntlni oameni i ppui cu poveti fabuloase, fermectoare, care s fie cadoul din ghetele lui Mo Nicolae. ndric continu s deschid spiritul spectatorilor si - copii, tineri i aduli - spre acel univers poetic fr de care omul nu poate supravieui. Mi-ar plcea s dau timpul napoi, s m ntorc spre minunatul univers al copilriei i s vin zi de zi la NDRIC.
Prof. Univ. Dr. Sorin Mircea Oprescu Primar General al Capitalei
ny theatre festival is really meant to be a holiday, a rendezvous, an exchange of emotions and convictions, a meeting place between public, artists and critics. The theatre for children is a magical place where love is necessary to give life to the foam or the wood: our love, the love of puppeteers, the love of children. We are under the sign of artistic, cultural, aesthetic diversity, where, on the NDRIC stage, people and puppets will meet with charming, fabulous stories, which can represent the presents of Saint Nicholas. NDRIC keeps on opening the poetic spirit to his public, children, youngsters, adults, the worlds without which people could not survive. I would like to turn back the clock, to be child once again and to come to NDRIC every day.
Prof. univ. dr. Sorin Mircea Oprescu General Mayor of Bucharest
Eugen Istodor: Eti copil ca ef la marionete? Clin Mocanu: mi permit luxul de a mai fi copil, din cnd n cnd, chiar i din poziia de ef la marionete, cum spui tu. Este un privilegiu s poi fi creator al strategiilor culturale, dar, n acelai timp i generatorul bucuriilor pentru copii. Ci i mai pot permite asta? Eu pot, c sunt magician. Eugen Istodor: Ppuarii sunt actori? Clin Mocanu: Ppuarii sunt mari actori. Valorile prin care se exprim ei sunt altele dect cele ale actorului de teatru dramatic. Ei nu pot fi pui pe acelai cntar. Este mare lucru s poi da suflet unui obiect animat (ppu) i prin el s comunici valori att de necesare formrii copilului: dreptate, adevr, speran, bucurie, optimism, voin... De fapt teatrul de animaie, prin actorii ppuari formeaz publicul pentru marea cultur, pentru teatrul dramatic unde protagoniti sunt actorii actori. Eugen Istodor: Ce nvei de la ppui? Clin Mocanu: Exact ce ntlneti mai rar n via: c binele nvinge rul, c minciuna are picioare scurte, c prietenul la nevoie se cunoate... dar s ne oprim c doare. Eugen Istodor: Cum reueti s te nelegi cu ppuile n termeni de management. Clin Mocanu: De ce nu m ntrebi cum m-a nelege n termeni politici. Eu a deveni ministrul ppuilor, a crea un consens n tragerea sforilor, pe baza unei platforme unanim agreate de poporul ppui. Ha, ha, ha.. m provoci. Mi omule. Mi omule, intervievatorule! Eugen Istodor: Ca trgtor de sfori, ce moral ai n fiecare zi a capriciilor altora? Clin Mocanu: Este singurul domeniu n care trgtorii de sfori servesc unei cauze nobile, educ, optimizeaz, emoioneaz, nsntoesc, bucur... Preluare dup Academia Caavencu
Director Manager al Teatrului de Animaie NDRIC
Preedinte UNIMA Romnia
Preedinte ASSITEJ - Romnia Directorul Festivalului
Eugen Istodor: As chief over the puppets are you as a child? Clin Mocanu: From time to time, I can afford being a child even if I am the manager of Tandarica Puppet Theatre.Its a great privilege to be the creator of cultural strategies, but, in the same time, the person generating childrens joys. How many of us can do this? I do because I am a magician. Eugen Istodor: Are the puppeteers actors? Clin Mocanu: The puppeteers, the animators are great actors.The means by which they express themselves are different from those of a dramatic actor. They cant be on the same scales. Its a big deal to animate a puppet or an object and with its help to comunicate the necessary value for educate a child: truth, justice, hope, joy, sanguinity, will... In fact, animation theatre, with the help of the puppeteers is traininig the public for the great culture,for the dramatic theatre where the protagonists are real actors. Eugen Istodor: What are you learning from the puppets? Clin Mocanu: The exact things we are very rarely meeting in life: that good defeats, that the lie has short legs, that a friend in deed its a friend in need...but, lets stop here because it hurts. Eugen Istodor: In management terms how can you make an agreement with the puppetts? Clin Mocanu: Why are not asking me about an agreement in political terms?Ill be the minister of the puppetts, Ill make a concord in manipulation based on a platform unanimously liked by the nation of puppetts . Ha, ha, ha.. you are trailling my coat. Hey you, man! Eugen Istodor: As a manipulator what is your everyday ethics of other fricks? Clin Mocanu: This is the only field in which the manipulators are serving a good cause, they are training, perfecting, moving, healing and giving joy... From Academia Caavencu
General Manager NDRIC Animation Theatre President UNIMA Romania
President ASSITEJ - Romnia Festival Director
ste o deosebit onoare s fiu invitat ca lector i preedinte de juriu la cea de a IX-a ediie a festivalului Teatrului ndric. Romnia are o mare reputaie n arta animaiei, dar scopul festivalului este, i acela, de a privi n afara granielor sale pentru a vedea ce tradiii i inovaii exist n alte ri i de a introduce o mare varietate de stiluri i concepte. Cu toate acestea, NDRIC rmne credincios misiunii sale de a oferi o gam larg de producii pentru copii i aduli i s-i educe pe tinerii creatori s experimenteze noi idei artistice. Ideile pot rsri n tot felul de moduri. Pot veni din inspiraia derivat din spectacolele cu stiluri neobinuite sau din mijloace artistice inovatoare. Pot veni din prelegerile care exploreaz noi perspective. Din ateliere despre tradiiile culturale care sunt pentru muli noi i incitante. Pot veni din discuiile cu cei tineri sau btrni, din contacte i conexiuni care nu ar fi avut loc dac nu am fi fost cu toii aici. n lumea noastr din ce n ce mai globalizat, am gasit noi ci de a aciona i interaciona i am obinut noi perspective ale diversitii culturale din societatea noastr. Dar, strvechea art a teatrului i a spectacolului, a jocului i a creativitii, a experimentului i crerii de spectacole a rezistat timp de secole i, cu siguran, nu va fi niciodat nlocuit. Ba dimpotriv, va fi mereu mbogit prin participare mutal i schimburi. Aceast dragoste pentru art este ceea ce avem n comun, i ceea ce ne aduce mpreun. Atept cu nerbdare schimburile dintre noi!
Manon van de Water Preedinte de onoare Doctor n teatru Profesor emerit Vilas-Phipps Director al programului de teatru pentru tineret
t is an extreme honor to be invited as presenter and president of the jury of the 9th TANDARICA Puppet Festival. Romania has a reputation for the art of puppetry, but the aim of this festival is to also look outside of its own borders to see what traditions and innovations in puppetry exist in other countries and to introduce a wide variety of styles and concepts. With this TANDARICA remains true to its mission to offer a large range of productions for children and adults and nurture young creators to experiment with new artistic ideas. Ideas can spring up in all kinds of ways. It can come from being inspired by watching performances in unusual styles or with innovative artistic means. It can come from lectures that spark new insights. It can come from workshops on cultural traditions that are to us new and exciting. It can come from conversations with young and old, with making contacts and connections that would not have happened without the presence of all here. In our increasingly globalizing world we have found new ways of acting and interacting and have obtained new insights in the cultural diversity of our society. But the ancient art of theatre and performance, of play and creativity, of experiencing and making productions has endured for centuries and indeed will never be replaced. On the contrary, it will be ever enriched by mutual participation and exchange. This love for the art is what we have in common, and what brings us together here. I look forward to our exchanges.
Manon van de Water Honorary president PhD in Theatre Vilas-Phipps Distinguished Achievement Professor Director of Theatre for Youth Program
Excelena n animaie
at-ne n miezul toamnei cnd, parc spre a ne alunga temerile de o iarn grea, la ndric rsun ecourile unei bucurii fr frontiere, vestindu-ne c a nceput marele Festival internaional de teatru pentru cei mici, i nu numai pentru ei, pus n aceast ediie sub semnul afirmrii excelenei n arta animaiei. Stau mrturie acestei afirmaii numeroase spectacole, conferine, ateliere, lansri de carte, expoziii i dezbateri cu participarea directorilor de teatre, menite s ofere confruntri atractive, performane seductoare i motive temeinice de interes i de admiraie. Dincolo de toate acestea, organizatorii ndjduiesc s ofere nu numai prilejurile bucuriei celui mai entuziast public, dar i repere fructuoase pentru perfecionarea miestriei profesionale a tuturor slujitorilor acestei arte att de vechi i att de tnr prin eterna ei renatere de la o generaie la alta. n caruselul plin de vioiciune i fantezie al manifestrilor, alturi de apreciai reprezentani din ara noastr, vom afla prestigioi ambasadori ai animaiei i ai nvmntului artistic de pe meleagurile europene, asiatice i americane, reunii ntr-un bogat dialog intercultural dedicat definirii unor tendine actuale i unor expresii cu putere de referin pentru excelena n viaa teatrului de animaie. Sper c i aplauzele furtunoase ale copiilor i sursul nnobilat de nostalgie al nsoitorilor acestora, dar i opiniile specialitilor vor confirma succesul unei ediii de mare altitudine valoric, pe msura eforturilor generoase ale organizatorilor i a ncrederii minunailor oameni de suflet, de spirit i de bun voin care alctuiesc Teatrul ndric.
Ion Parhon Preedinte Juriu
Excellence in animation
ere we are in the middle of autumn when, as if to banish our fears of a hard winter, the echoes of a joy without borders are ringing at Tandarica, announcing the start of the great international Festival of theatre for the little ones and not only for them, placed under the sign of proclaiming excellence in the art of animation. As proof stand numerous performances, conferences, workshops, book launches, exhibitions and debates with the participation of theatre managers, having the purpose to provide attractive confrontations, seducing performances and strong reasons for interest and admiration. Beyond all this, the organisers hope to offer not only the opportunity for joy to the most enthusiastic audience, but fruitful landmarks for improving professional skills for those who serve this art, so old but still so young through its continuous rebirth with each generation. In the carousel full of vivacity and novelty of the events, along with valued representatives of our country, we will find prestigious ambassadors of animation and artistic education from Europe, Asia and the United States of America, meeting in a rich intercultural dialogue dedicated to defining current trends and powerful expressions of reference to the excellence in the life of animation theatre. I hope that the storm of applause of children and the nostalgic smile of their companions, but also the opinions of specialists will confirm the success of this edition of high value, thanks to the generous efforts of the organizers and the trust of the wonderful people of soul, spirit and good will that form Tandarica Theatre.
Ion Parhon President of the Jury
TEATRUL DE ANIMAIE NDRIC BUCURETI, ROMNIA
MICA SIREN
Dup: Hans Christian Andersen Regie i scenariu: Gabriel Apostol Scenografie: Cristina Pepino Muzic: Dan Blan Distribuie: Alina Teianu/Georgiana Dinescu/Daniela Ruxandra Mihai, Viorel Ionescu/George Nstase, Ioan Brancu/Cristian Mitescu, Victor Bucur/Adrian Lefter, Alina Petrescu/Roxana Vian, Mariana Zaharia/ Petronela Purima. Voce Mica Siren: Monica Madas.
S M
ovestea de la NDRIC se apropie mai mult de propunerea filmului lui Disney, care transform povestea lui Andersen n mod semnificativ, meditaia asupra valorilor spirituale devenind o poveste convenional n care eroina este rspltit la final cu o csnicie pmntean. irena lui Andersen este atras la suprafaa apei de dou impulsuri complementare, dar separabile totodat: iubirea romantic pentru un prin frumos i dorina moral de a atinge nemurirea sufletului. ica Siren sufer atunci cnd prinul se cstorete cu o alt fat pe care o crede salvatoarea lui. Ea se desprinde de mitul sirenelor, refuznd s l ucid pe prin, sacrificndu-se pe ea i iubirea sa i rmne pe veci prizoniera apelor.
n romn in Romanian peste 3 ani over 3 years
60`
NDRIC ANIMATION THEATRE BUCHAREST, ROMANIA
THE LITTLE MERMAID

After: Hans Christian Andersen Script and director: Gabriel Apostol Scenography: Cristina Pepino Music: Dan Blan Cast: Alina Teianu/Georgiana Dinescu/Daniela Ruxandra Mihai, Viorel Ionescu/George Nstase, Ioan Brancu/ Cristian Mitescu, Victor Bucur/Adrian Lefter, Alina Petrescu/Roxana Vian, Mariana Zaharia/ Petronela Purima. Voce Mica Siren: Monica Madas.
O T N
ur performance is similar to the film made by Disney which transform Andersens story in a significant way, the meditation on the spiritual values becoming a conventional story where at the end the heroine is rewarded with an earthly marriage. he Andresens mermaid is lured at the surface of the sea by two complementary but also separated impulses: the romantic love for a handsome prince and the moral desire to touch immortality. The little mermaid suffers when the prince gets married to another girl whom he thought was his saver. ot being a mermaid at all, our heroine refuses to kill the prince sacrificing her love and that way she remains for the rest of her life as a prisoner of the water. n romn
in Romanian peste 3 ani over 3 years
60`
FATA BABEI I FATA MONEAGULUI

Adaptare dup Ion Creang Scenariu i regie: Daniel Stanciu Scenografie: Daniela Drgulescu Ilustraie muzical i sound design: Vasile Manta Distribuie: Simina Constantin, Alina Teianu, Dora Ortelecan Dumitrescu, Viorel Ionescu, Jou-Jou Drgan, Geo Dinescu.
Fr a se ndeprta de povestea lui Creang, regizorul Daniel Stanciu (lui i aparine i scenariul) adaug aciunii, destul de vioaie, ritmat, o impresionant tent cromatic. Se i cnt, se i danseaz... Jocul actorilor se completeaz fericit cu proieciile de pe ecranul mare din scen. Regizorul scoate n eviden calitile fetei moneagului cea frumoas, harnic i bun la suflet, dar subliniaz i natura fetei babei, cea urt i rea la suflet. Maria Srbu
70`
THE OLD WOMANS DAUGHTER AND THE OLD MANS DAUGHTER

Adapted after Ion Creang Script and directed by: Daniel Stanciu Scenography: Daniela Drgulescu Soundtrack and sound design: Vasile Manta Cast: Simina Constantin, Alina Teianu, Dora Ortelecan Dumitrescu, Viorel Ionescu,Jou-Jou Drgan, Geo Dinescu.
Without wandering from Creangs story, director Daniel Stanciu (who signs the script) adds an impressive color tint to the action, quite lively, rhythmic. There are also songs and dances. The acting is complemented by projections on a big screen on stage. The director brings out the old mans daughters qualities the beautiful, hardworking and good n romn hearted one, but he underlines the in Romanian old womans daughters nature the peste 3 ani ugly and bad hearted one. over 3 years Maria Srbu
70`
ALB CA ZPADA
Dup Fraii Grimm Regie i adaptare: Cristian Pepino Scenografie: Cristina Pepino Muzic: Dan Blan Distribuie: Alina Teianu/Georgiana Dinescu, Marin Fagu/Viorel Ionescu, Mariana Zaharia/ Petronela Purima, Cristian Mitescu/Ionu Brancu, Adrian Lefter, Graiela Ene/ Ioana Chelaru Popovici.
pectacolul Teatrului NDRIC pstreaz firul povetii clasice, dar ingeniozitatea regizorului i fantezia scenografic, folosirea tehnicii de black light, a ppuilor de mari dimensiuni, compuse i a actorilor la vedere dau un farmec aparte i creeaz o atmosfer plin de ritm n care binele nvinge ntotdeuna rul.
SNOW WHITE
After Brothers Grimm Adapted and directed by: Cristian Pepino Scenography: Cristina Pepino Music: Dan Blan Cast: Alina Teianu/Georgiana Dinescu, Marin Fagu/Viorel Ionescu, Mariana Zaharia/ Petronela Purima, Cristian Mitescu/Ionu Brancu, Adrian Lefter, Graiela Ene/ Ioana Chelaru Popovici.
50`
ur performance preserves the classical storyline, but the directors cleverness and set designers fantasy, the use of the black light technique and of big and compound puppets, with actors, give a special charm and create an atmosphere full of rhythm in which the good always wins against the evil.
GOLEM
Adaptare liber dup Gustav Meyrink Scenariu i regie: Gabriel Apostol Scenografie: Olga Clara Drng Ilustraie muzical: Andrei Gheorghiu i Gabriel Apostol Distribuie: Mariana Zaharia, Daniela Ruxandra Mihai, Gabriel Apostol, Viorel Ionescu.
GOLEM
Free adaptation after Gustav Meyrink Script and director: Gabriel Apostol Scenography: Olga Clara Drng Soundtrack: Andrei Gheorghiu i Gabriel Apostol Cast: Mariana Zaharia, Daniela Ruxandra Mihai, Gabriel Apostol, Viorel Ionescu.
he plays action is focused around the puppeteer who lives in the Jewish district of Prague, dominated by the mystical shadow of Golem, the magical creature created by Rabi Loew. The puppeteer recreates the real world through puppets. His desire to enliven them becomes almost an obsession and thus he discovers a mysterious hidden face of reality. The puppeteers story meets and at times is the same as the one of Pernath, the gem polisher, who searches for the perfect cut, the one that gives an amorphous stone the value of a diamond. In fact, they are both unconsciously searching nonverbal for enlightenment, the moment of grace when nonverbal the angels wing touches you and reveals the intimate resorts that govern life. What is Golems aduli role and if theyll ever understand the everyday adults miracle, remains to be seen.
ciunea piesei se centreaz n jurul ppuarului care triete n cartierul evreiesc din Praga, dominat de umbra mistic a Golemului, creatura magic creat de Rabi Loew. Ppuarul recreeaz lumea real cu ajutorul ppuilor. Dorina lui de a le nsuflei devine aproape obsesiv i astfel descoper o fa ascuns i misterioas a realitii. Povestea ppuarului se ntlnete i uneori se confund cu cea lui Pernath, lefuitorul de geme, care, la rndul lui, caut tietura perfect, cea care d valoare de diamant unei pietre amorfe. De fapt, amndoi caut incontient iluminarea, momentul de graie n care ngerul te atinge cu aripa i i se reveleaz resorturile intime care guverneaz viaa. Care este rolul Golemului i dac vor nelege miracolul de fiecare zi, asta rmne de vzut.
50`
ILONA HRESTIC BUCURETI, ROMNIA
ILONA HRESTIC BUCHAREST, ROMANIA
MIASTRA UN SPECTACOL
DEDICAT SCULPTORULUI CONSTANTIN BRNCUI
Adaptare, coloan sonor, regie i interpretare: Ilona Hrestic Sculptur: Gavriil Costache Sirieanu
THE GOLDEN BIRD
A PERFORMANCE DEDICATED TO CONSTATIN BRNCUI
cltorie n timp i spaiu n cutarea idealului. Zborul devine echivalentul fericirii, simboliznd nlarea, transcendena, depirea condiiei umane. Esena zborului nseamn pierderea formei exterioare i avntul ntr-un spaiu nemrginit. Miastra - o for care izbucnete spre cer ntr-un strigt de libertate.
Adaptation, soundtrack, directed and interpreted by: Ilona Hrestic Sculpture: Gavriil Costache Sirieanu
50`
nonverbal nonverbal aduli adults
time and space travel in search of an ideal. Flying is equivalent to happiness, symbolizing ascension, transcendence, overcoming the human condition. The essence of flying means losing the external form and leaping into an immeasurable space. The golden bird is like a force that bursts to the sky in a cry for freedom.
TEATRUL PENTRU COPII CIUFULICI PLOIETI, ROMNIA CIUFULICI THEATRE FOR CHILDREN PLOIETI, ROMANIA
INIM RECE / COLD HEART

Autor /Author: Wilhelm Hauff Regie /Directed by: Cristian Pepino Scenografie/Scenography: Cristina Pepino Muzic /Music: Vasile Mihil Distribuie /Cast: Paul Nicolae,Daniela Ruxandra Mihai, Mihaela Rus, Nelu Neagoe, Carmen Bogdan, Lizica Sterea, Ctlin Rdulescu, Alin Antemir.
E I
ste un spectacol educativ despre importana adevratelor valori. Peter Munk, personajul principal este un crbunar srac care i dorete s ajung bogat. Visul i se ndeplinete dup ce l ntlnete pe Omuleul de sticl, spiritul bun al pdurii unde Peter locuiete mpreun cu mama sa. Tnrul pierde toi banii la jocurile de noroc. Disperat, i cere ajutor spiritului ru al pdurii. Acesta i druiete toate averile din lume, dar cu o condiie. S-i schimbe inima cu una de piatr. n final, Peter i d seama c banii nu aduc fericirea. ts an educational play, about the importance of true values. Peter Munk, the main character, is a poor coal worker who wants to get rich. His dream comes true when he meets the Glass man, the good spirit of the forest where Peter and his mother live. The young man loses all his money gambling. He desperately asks help from the bad spirit of the forest, who gives him all the wealth in the world, but with one condition. To change his heart with a stone one. Finally, Peter realizes that money dont bring happiness.
45`
FRUMOASA I BESTIA
Text i regie: Cristian Pepino Scenografie, costume i ppui: Cristina Pepino Muzica: Dan Blan Distribuie: Geo Dinescu/Daniela Ruxandra Mihai, Daniel Stanciu/Paul Ionescu, Cristian Mitescu/Gabriel Apostol, Mariana Zaharia/ Eugenia Barbu, Liliana Gavrilescu/Andreea Ionescu, Dora Ortelecan Dumitrescu/Ana Maria Blescu, Marin Fagu/Viorel Ionescu, Dan Codreanu/Adrian Lefter.
BEAUTY AND THE BEAST
n tat cu trei fiice ajunge printr-o ntmplare la un castel al crui stpn este - Bestie - pentru a-i fi cruat viaa deoarece a rupt un trandafir, lucrul cel mai de pre pe lume, trebuie s-o aduc pe una dintre copilele sale s rmn pe via alturi de Bestie. Fata cea mic, Frumoasa, deteapt i bun, se ofer s se duc de bunvoie. Reuete s se mprieteneasc cu Bestia, dar prietenia lor o deranjeaz pe Vrjitoarea care cu ceva timp n urm l transformase pe prin n fioroasa Bestie. Dup un ntreg ir de peripeii, de lupte ntre bine i ru, Bestia redevine un prin frumos i artos.
60`
Text and directing: Cristian Pepino Scenography, costumes and puppets: Cristina Pepino Music: Dan Blan Cast: Geo Dinescu/Daniela Ruxandra Mihai, Daniel Stanciu/Paul Ionescu, Cristian Mitescu/Gabriel Apostol, Mariana Zaharia/ Eugenia Barbu, Liliana Gavrilescu/Andreea Ionescu, Dora Ortelecan Dumitrescu/Ana Maria Blescu, Marin Fagu/Viorel Ionescu, Dan Codreanu/Adrian Lefter.
father with three daughters arrives at a castle where the master is the Beast. To have his life spared after picking a rose, the most prized thing in the world, he has to bring one of his daughters to live with the Beast. The youngest girl, the beautiful, good hearted one, decided to go willingly. She succeeds in becoming friends with the Beast, but the witch doesnt like this. Some years ago, she transformed the prince into a beast. After a lot of adventures, of battles between the good and the evil, the Beast is again a beautiful and young prince.
K O
arinthy Frigyes a scris Tragedia Omuleului n 1936, n stilul poeziilor pentru copii, i a destinat-o ca parodie a vastului poem dramatic Tragedia Omului de Madch Imre. pera principal a lui Madch Imre dateaz din 1862, este compus din 15 tablouri, personajul principal fiind nsi Omenirea. Madch se inspir din Biblie - Geneza, Paradisul, alungarea din Paradis. Lucifer i poart pe Adam i Eva ntr-o cltorie de vis prin diferite etape ale istoriei umane, ca s-i priveze de orice speran de via. Viitorul nu ascunde nimic bun pentru ei, pentru c marile concepte ale Omenirii, odat abordate n viaa cotidian, conduc la suferin i fapte groaznice. Totui, deznodmntul din ultimul tablou nu este unul tragic, Lucifer nu i atinge scopul dup ce se ntoarce cu prinii Omenirii din cltoria lor prin istorie.
arinthy Frigyes has written The Tragedy of the Little Man in 1936, in the style of childrens poems, and intended it as a parody of the vast dramatic poem The Tragedy of Man by Madch Imre. he main work of Madch Imre dates from 1862, is composed of 15 scenes, the main character being Mankind itself. Madch gets his inspiration from the Bible Genesis, Heaven and the casting out from Heaven. Lucifer carries Adam and Eve in a dream journey through the different stages of human history, to deprive them of any hope for life. The future holds nothing good for them, because the great concepts of Humanity, once addressed in everyday life, lead to suffering and terrible deeds. However, the outcome in the last painting isnt tragic, as Lucifer doesnt achieve his purpose after returning with the parents of Humanity from their journey through history.
TRUPA MAGHIAR A TEATRULUI PENTRU COPII I TINERET ARIEL TRGU MURE, ROMNIA ARIEL THEATRE FOR CHILDREN AND YOUTH, HUNGARIAN SECTION TRGU MURE, ROMANIA
Autor/Author: Karinthy Frigyes Regie/Directed by: Kovcs Levente Decor, costume, ppui/Scenography, costumes, puppets: Lukcsy Ildik Muzic/Music: Srossy Endre Micare scenic: Dek Orsolya Distribuie/Cast: Balogh Annamria, Bonczidai Dezs, Cseke Pter, Dek Orsolya, Gll gnes, Gnczy Katalin,Halmgyi va,Mth Rozlia,Molnr Jzsef, Pusks Gyz, Szab Dniel, Szlyes Andrea, Szllsi, Pnzes Szilrd.
TRAGEDIA OMULEULUI / THE TRAGEDY OF THE LITTLE MAN
n maghiar in Hungarian peste 12 ani over 12 years
80`
TEATRUL DE ANIMAIE, secie a Teatrului Municipal Bacovia BACU, ROMNIA ANIMATION THEATRE, section of Bacovia Municipal Theatre BACU, ROMANIA
OBLIO
pectacolul OBLIO o poveste despre toleran, candoare i rostul lucrurilor ateapt s fie primit cu delicatee de sufletele copiilor, prinilor i al bunicilor! O poveste despre minima moralia...
Dup/after Harry Nilsson Traducere i regie/ Translated and directed by: Gheorghe Balint Scenografie/ Scenography: Edi i Liliana Laoc Muzic/ Music: Ciprian Manta Distribuie/ Cast: Andreea Sandu, Laureniu Budu, Marian Puiu Gheorghiu, Adina Iftime, Tiberiu Gabor Bitere, Alina Neagu, Ion Coa, Mihaela Popa
he play a story about tolerance, innocence and the meaning of things is waiting to be welcomed with tenderness in the souls of children, parents and grandparents! A story about minima moralia...
50`
MOTANUL NCLAT
De Charles Perrault Regie, adaptare, scenografie i ilustraie muzical: Cristian Pepino Costume: Cristina Pepino Distribuie: Gabriel Apostol, Ioan Brancu/Viorel Ionescu, Mihai Dumitrescu/George Simian Alina Petrescu/Eugenia Barbu, Alina Teianu/Andreea Ionescu.
ontarea red cu fidelitate ntmplrile pline de haz i umor prin care trec mezinul nendreptit de soart i nzdrvanul su motan, n drumul lor spre bogie i fericire. Ppui la paravan i marionete uriae, mti, pantomim, muzic, un dialog interactiv intre scena si sala ne ndeamn s evadm in lumea povetii lui Charles Perrault.
PUSS IN BOOTS
By Charles Perrault Director, adaptation, scenography, soundtrack: Cristian Pepino Costumes: Cristina Pepino Cast: Gabriel Apostol, Ioan Brancu/ Viorel Ionescu, Mihai Dumitrescu/ George Simian Alina Petrescu/Eugenia Barbu, Alina Teianu/Andreea Ionescu.
he performance reproduces with high fidelity the hilarious adventures of the unhappy youngest son and his wonderful tomcat on their way to happiness and welfare. All kinds of puppets (huge and hand puppets), masks, pantomime, music and interactive dialogues between actors and public urge us to escape into Charles Perraults world.
spectacol prezentat la Grand Cinema Digiplex - Mall Bneasa i Spitalul clinic de urgen de copii Marie Curie performed at Grand Cinema Digiplex - Mall Bneasa and at Marie Curie Emergency Hospital for children
55`
JOSE NAVARRO LONDRA, MAREA BRITANIE
A LA CARTE
Realizat i interpretat de: Jos Navarro Muzic original i sound design: Cameron McBride
extravagant varietate de ppurie i mim, care celebreaz tradiiile naionale i cultura internaional; interpretare: cntrei, dansatori i muzicieni ce folosesc o gam larg de tehnici de mnuire.
JOSE NAVARRO LONDON, GREAT BRITAIN
A LA CARTE
Created and Performed by: Jos Navarro Original Music and Sound Design by: Cameron McBride
A
nonverbal nonverbal toate vrstele all ages
50`
puppet and mime variety extravaganza, celebrating national traditions and international performance culture; featuring: singers, dancers and musicians, using a broad range of different puppet techniques.
TEATRUL PENTRU COPII I TINERET CLUUL DE MARE CONSTANA, ROMNIA
PUNGUA CU DOI BANI
Pungua cu doi bani este un spectacol educativ, prin intermediul cruia copiii descoper binecunoscutul proverb Ce ie nu-i place, altuia nu-i face. O poveste tradiional i un joc actoricesc de excepie sunt mbinate cu muzica special conceput pentru firul aciunii i jocul ppuilor mnuite cu dexteritate de cei patru protagoniti. Coregrafia i scenariul i invit pe cei mici la o poveste extraordinar.
Regie i scenariu: Cristian Mitescu Scenografie: Eugenia Trescu-Jianu Muzic: Dan Blan Coregrafie: Olimpia Iordache Distribuie: Claudia Zaharia, Graian Priscariu, Ion Ciolan, Tiberiu Rou
CLUUL DE MARE THEATRE FOR CHILDREN AND YOUTH CONSTANA, ROMANIA
THE PURSE A TUPPENCE
Script and directed by: Cristian Mitescu Scenography: Eugenia Trescu-Jianu Music: Dan Blan Choreography: Olimpia Iordache Cast: Claudia Zaharia, Graian Priscariu, Ion Ciolan, Tiberiu Rou
The Purse a Tuppence is an educational play, helping children to discover the well-known proverb What you dont like, dont do to others. A traditional story and exceptional acting are combined with music specially created for the storyline and the puppet play deftly handled by the four protagonists. The choreography and script invite the little ones to an extraordinary story.
50`
TEATRUL DE PPUI PRICHINDEL ALBA IULIA, ROMNIA
PRICHINDEL PUPPET THEATRE ALBA IULIA, ROMANIA
UNIVERSUL DIN LANTERNA MAGIC

Regie i scenariu: Radu Dinulescu Scenografie: Ion Pitic Muzic: Levente Szsc Distribuie: Amalia Pop, Teodora Popa, Elena Scoreanu
THE UNIVERSE FROM THE MAGIC LANTERN

Script and director: Radu Dinulescu Scenography: Ion Pitic Music: Levente Szsc Cast: Amalia Pop, Teodora Popa, Elena Scoreanu
ntr-un spaiu nou, ostil, plin de bolovani i pietre, dintr-un ou aruncat de destin, se nate o lume nou, cu fiine stranii, dar simpatice. Aceleai probleme, aceleai mituri, aceleai mici poveti ne amintesc de propria noastr istorie, de propriile noastre caliti i defecte... Lumea, lumile sunt ciclice i mereu, dorina de a depi condiia duce fatalmente la catastrof. Un spectacol care ncearc s ne spun, fr cuvinte, dar cu mult muzic i culoare, ct de important este iubirea, mila i teama n marea experien a vieii din orice fel de Univers.
n romn in Romanian
45`
peste 6 ani over 6 years
In a new, hostile space, full of boulders and rocks, from an egg thrown by destiny, a new world is born, with strange but pleasant beings. The same problems, the same myths, the same little stories that remind us of our own history, of our own qualities and flaws... The world, the worlds are cyclical and each time, the desire to overcome the condition inevitably leads to disaster. A performance that tries to tell us, without words, but with plenty of music and color, how important love, mercy and fear are in the great experience of life in any kind of Universe.
PINOCCHIO
Dup Carlo Collodi Scenariu, regie i animaie digital: Cristian Pepino Scenografie: Cristina Pepino Muzic: Dan Blan Distribuie: Daniel Stanciu/ Paul Ionescu, Liliana Gavrilescu/ Viorel Ionescu, Petronela Purima/ Ilona Hrestic, Mihai Dumitrescu/Marin Fagu, Roxana Vian/ Andreea Ionescu, Georgiana Dinescu/ Daniela Ruxandra Mihai.
PINOCCHIO
After Carlo Collodi Script, director and digital animation: Cristian Pepino Scenography: Cristina Pepino Music: Dan Blan Cast: Daniel Stanciu/ Paul Ionescu, Liliana Gavrilescu/ Viorel Ionescu, Petronela Purima/ Ilona Hrestic, Mihai Dumitrescu/Marin Fagu, Roxana Vian/Andreea Ionescu, Georgiana Dinescu/ Daniela Ruxandra Mihai.

n aceast nou versiune, animaia digital ocup un loc important, mpletindu-se cu jocul la vedere al actorilor, cu ppuile mari, cu mtile i costumele extrem de sugestive. Fiecare personaj important are un fragment muzical descriptiv.
n this new version, the digital animation has a very important place interwining with the acting, big puppets, masks and costumes, which are very suggestive. Each important character has its own musical descriptive fragment.
50`
INSTITUTUL MING RI PENTRU EDUCAIE I ART, HONG KONG, CHINA I TEATRUL DE ANIMAIE NDRIC, BUCURETI, ROMNIA
CLTORIE SPRE SOARE-APUNE, POVESTEA DIN SPATELE MUNTELUI

Dramaturg: Wong Tim Keung Simon Regia: Clin Mocanu, Wong Tim Keung Simon Coregrafie: Cheng Fook Hong Ppui: Chung Ho Fai Costume: Tam Yuet Lan Susan Distribuie: Li Jianxin, Chan Kin Man Raymond, Lau Ting Kwan Ivy, Leung Man Wing, Leung Tin Chak, Ng Fung Ming.
ltorie spre Soare-Apune este un roman chinez, scris n secolul al XVI-lea n timpul dinastiei Ming, atribuit lui Wu Chengen. Este povestea Maimuei Soare, nscut dintrun ou de piatr i care se transform n Regele maimuelor. O poveste despre Pigsy cea lacom, alungat din lumea nemuritoare n cea muritoare. Despre Sandy clugrul cu chip de monstru, care a fost exilat n lumea muritorilor pentru c a spart n mod accidental un glob de cristal. Spectacolul spectacol n limba chinez, supratitrat mbin opera tradiional n limbile englez i chinez, teatrul de umbre i romn pantomim occidental cu peste 5 ani micarea corporal.
50`
MING RI INSTITUTE FOR ARTS EDUCATION, HONG KONG/CHINA & TNDRIC ANIMATION THEATRE, BUCHAREST, ROMANIA
JOURNEY TO THE WEST-THE STORY BEHIND THE MOUNTAIN

Playwright: Wong Tim Keung Simon Directed by: Clin Mocanu, Wong Tim Keung Simon Choreographer: Cheng Fook Hong Puppet Design: Chung Ho Fai Costume: Tam Yuet Lan Susan Cast: Li Jianxin, Chan Kin Man Raymond, Lau Ting Kwan Ivy, Leung Man Wing, Leung Tin Chak, Ng Fung Ming.
ourney to the West is a Chinese novel written in the 16th century during the Ming dynasty and attributed to Wu Chengen. Its the story about how Sun Monkey, born from a stone egg, transforms himself into the Monkey king. About Pigsy the greedy, banished from the immortal world to the mortal one. About Monk Sandy who was exiled to the mortal world and made to look like a monster because he accidentally smashed a crystal goblet. The performance will mix traditional Chinese Opera, shadow puppet and western mimes together in Chinese,subtitles with theatrical movement. in English and
Romanian
over 5 years
50`
UNATC I.L.CARAGIALE BUCURETI, ROMNIA CARAGIALE NATIONAL UNIVERSITY OF THEATRE ARTS AND FILM BUCHAREST, ROMANIA
UA
Adaptare dup piesa Ua de/ Adaptation after the play The door by Matei Viniec Regie/Directed by: Liliana Gavrilescu Scenografie/Scenography: Bettina Schicht, Lucian Bbeanu, Liliana Gavrilescu Video Proiectie/Video projection: Lucian Bbeanu Distribuie/Cast: Viinel Blan, Alina Medoia, Marius Tiberius Bugi, Bettina Schicht, Alex Neculcea. n romn in Romanian aduli adults
O sal de ateptare. Dou scaune. i bineneles, ua. Peste tot sunt numai sli de ateptare. Mii i mii de sli de ateptare. Milioane de sli de ateptare...Ua este un spectacol sensibil, n care tematica Teatrului Absurdului iese la iveal prin intermediul unor personaje animate, ce sunt menite s ne ridice ntrebrile fundamentale care stau la baza existenei umane.
THE DOOR
60`
ne waiting room. Two chairs. And, of course, a door. Everywhere, only waiting rooms. Thousands and thousands of waiting rooms. Millions of waiting rooms The Door is a sensitive show in which the themes of the Theatre of the Absurd emerges through animated characters, that are meant to rise fundamental questions underlying human existence.
TEATRUL AD SPECTATORES WROCLAW, POLONIA
VIEILE SFINILOR DIN CARTIER
poveste despre Straniul Cartier care, dup cum ar putea bnui locuitorii si, s-a ivit dintr-o pur ntmplare divin, n afara planului de Creaie. Acetia se ntrunesc pe acoperiul unuia dintre blocurile din cartier, ncercnd s schimbe condiia lor trist de copii nedorii, concepui din ntmplare. Fiecare dintre ei i dorete o legend care ar putea s-i ofere imortalitate i siguran. Aceste minuni i multe altele se ntmpl ntr-unul dintre cartierele cldite din betonul gri.
Adaptare scenic, regie, scenografie, interpretare-Adaptation stage, directing, set design, interpretation: Agata Kuciska Muzic/Music: Sambor Dudziski
AD SPECTATORES THEATRE WROCLAW,POLAND
THE LIVES OF NEIGHBOURHOOD SAINTS
story about the Strange District, which, as its inhabitants might suspect arose from a pure divine happening, outside the plan of Creation. They meet on the roof of one of the buildings of the district, trying to change their sad condition of unwanted children,conceived by chance.Each of them wants a legend which might give him immortality and safety. These miracles and much more are happening in one of those districts bulit from gray concrete.
55`
TEATRUL PENTRU COPII I TINERET LUCEAFRUL IAI, ROMNIA

Adaptare dup Ion Creang de Ion Agachi Regie: Ion Ciubotaru Scenografie: Mihai Pastramagiu Muzic: Matilda Andrici Distribuie: Mariana Teleman, Ileana Ocneanu, Beatrice Angel, Ioana Iordache, Dumitru Georgescu.
LUCEAFRUL THEATRE FOR CHILDREN AND YOUTH IAI, ROMANIA

Adapted after Ion Creangs tale by: Ion Agachi Directed by: Ion Ciubotaru Scenography: Mihai Pastramagiu Music: Matilda Andrici Cast: Mariana Teleman, Ileana Ocneanu, Beatrice Angel, Ioana Iordache, Dumitru Georgescu.
CAPRA CU TREI IEZI

55`
entru prezenta versiune scenic, Teatrul Luceafrul i-a asociat un colaborator din zona artei naive, pictorul naiv Gheorghe Ciobanu. Perspectiva picturii naive asupra lumii este foarte apropiat de perspectiva copiilor, este o reflectare plin de candoare, care vine direct din suflet, din emoie. Realizatorii au dezvoltat perspectiva artei naive n ntregul spectacol, reuind ca pe fundalul epic s reconstruiasc din imagini, sonoriti, ritualuri i aciuni, universul satului ancestral.
THE GOAT WITH THREE KIDS
or this stage version, Luceafarul Theatre associated with a collaborator from the naive art area, the painter Gheorghe Ciobanu. The perspective of naive painting on the world is very close to the childrens perspective and is a reflection full of candor, that comes straight from the soul, from emotion. The creators have developed the perspective of naive art throughout the play, managing to reconstruct the universe of the ancestral village on the epic backdrop, through images, sounds, rituals and actions.
CANDID
Dup Voltaire Scenariu, regie artistic, ppui i animaie digital: Cristian Pepino Costume: Cristina Pepino Muzic: Dan Blan Distribuia: Mihai Dumitrescu, Liliana Gavrilescu, Georgiana Dinescu, Petronela Purima, Marin Fagu.
CANDIDE
After Voltaire Script, director, puppets and digital animation: Cristian Pepino Costumes: Cristina Pepino Music: Dan Blan Cast: Mihai Dumitrescu, Liliana Gavrilescu, Georgiana Dinescu, Petronela Purima, Marin Fagu. nonverbal nonverbal aduli for adults
n spectacol modern, alert, plin de culoare i ritm, lucru care d o deosebit savoare i care pe lng mijloacele clasice ale animaiei folosete tehnica proieciei digitale. Nuvela lui Voltaire este citit cu inventivitate i umor de regizor, iar esena fiecrei ntmplri sintetizeaz de fapt ideile umaniste despre putere, libertate, iubire, rzboi. Un spectacol pentru aduli n care ppuile, pe lng faptul c sunt mnuite cu talent i cu dexteritate de tinerii artiti, au o expresivitate deosebit, subliniind caracterul fiecrui personaj prin caricaturale.
modern, lively performance, full of colour and rhythm, which lends it a special savour, and which, besides the classical means of animation, uses the digital projection technique. Voltaires short story is read imaginatively, with the directors humour. The essence of each event synthesizes in fact the humanistic ideas of power, liberty, love and war. A performance for adults, in which puppets have special expressiveness, highlighting the nature of each character through caricature, besides being handled with skill and dexterity by young artists.
50`
CAPRA CU TREI IEZI

Adaptare: Cristian Pepino Regie: Gabriel Apostol Scenografie: Cristina Pepino Muzic: Dan Blan Distribuie: Ioana Chelaru Popovici/Ilona Hrestic, Cristian Mitescu/Viorel Ionescu, Liliana Gavrilescu/Dora Dumitrescu, Mariana Zaharia/Roxana Vian, Marin Fagu/Florin Mititelu.
n spectacol apar actori la vedere, ppui mari i mti ntr-un decor ce sugereaz lumea satului romnesc. Regizorul a tratat texul clasic n linie accentuat folcloric, de la NDRIC ANIMATION THEATRE BUCHAREST, ROMANIA decor la costumele stilizate ale personajelor, la diferitele obiecte sau la linia melodic. Este un mod de a ne aduce aminte de rdcini. Adapted by: Cristian Pepino n this performance we can see actors, big puppets and masks Directed by: Gabriel Apostol in a setting that suggests a Romanian village. The director dealt Scenography: Cristina Pepino with the classical text emphasizing its folk side, from the set to the characters stylized costumes, to different objects, to the music. Music: Dan Blan This is a way to remember our roots. Cast: Ioana Chelaru Popovici/Ilona n romn
THE SHE GOAT WITH THREE KIDS
60`
in Romanian pentru copii for children
Hrestic, Cristian Mitescu/Viorel Ionescu, Liliana Gavrilescu/Dora Dumitrescu, Mariana Zaharia/Roxana Vian, Marin Fagu/Florin Mititelu.
spectacol prezentat la Spitalul de copii Grigore Alexandrescu i coala generala nr. 45 Titu Maiorescu
performed at Grigore Alexandrescu children hospital and at Titu MaiorescuSecondary School
TEATRUL PENTRU COPII I TINERET GONG SIBIU, ROMNIA GONG THEATRE FOR CHILDREN AND YOUTH SIBIU, ROMANIA
Autor/Author: Roald Dahl Regie/Directed by: Daniel Plier Scenografie/Scenographie: Aurelia Clinescu Ilustraie muzical/Soundtrack: Daniel Plier Distribuie/Cast: Claudia Sthler, Angela Pskuy, Jen Major, Adrian Prohaska.
SO
I E I PH
AU I R U
L IA HE G
I H P SO
T D N EA
NT
ste o poveste despre posibilitatea unei legturi de prietenie ntre personaje att de diferite precum Sophie i Uriaul, ea ne nva s nu judecm la prima vedere i s condamnm, spre exemplu, aceast persoan prietenoas ca fiind un monstru canibal i diabolic doar pentru c este un uria. Seductor e amestecul dintre tonul poetic i umor, spre exemplu felul afectuos de a fi al uriaului cu felul lui ciudat de a vorbi pe de o parte i latura lui vistoare, altruismul su poetic fa de semeni. (Daniel Plier) ts a story about the possibility of a bond of friendship between different characters as Sophie and the Giant, teaching us not to judge at first glance and to condemn for example this friendly person as an evil cannibalistic monster just because hes a giant. Whatis seducing is the mix between the poetic and humorous tone, for example the giants affectionate way of being and his strange way of talking on one hand, and his dreamy side and his poetic altruism towards his peers on the other hand.
spectacol n German titrat n limba Romn in German, subtitled in Romanian peste 5 ani over 5 years
50`
TEATRUL DE PPUI SOFIA, BULGARIA

Autor, coregrafie i regie/Author, coreography and director: Duda Paiva Scenografie/Scenography: Jaka Ivanc Ppui/Puppets: Jim Barnard Costume/Costumes: Julian Tabakov Distribuie/Cast: Tsvetoslava Simeonova, Ivet Lazarova, Dimitar Todorov, Marieta Petrova, Ivan Raykov.
SFNT
HOLY
Sfnt este un spectacol tragi comic care mbin mai multe genuri i care combin ppuile cu teatrul dans i multimedia. Duda Paiva cerceteaz corpul uman n situaii emoionale intense cu toate limitele lui. O srbtoare n familie, ziua de natere a mamei Rebecca, adun la mas trei generaii. Tema biblic a Cinei cea de pe urm este prezent aici, ntr-o apropiere contemporan, divulgnd complicatele relaii conflictuale din familie, proiectate n trecut, prezent i viitor. Pentru Duda Paiva, viaa este infern i rai n acelai timp, suferin i catarsis, poezie i brutalitate. Duda Paiva se joac cu dimensiunea obiectelor i a ppuilor.
PUPPET THEATRE SOFIA, BULGARIA
75`
Holy is a tragic-comic multi-genre performance that combines puppet and dance theatre with multimedia. Duda Paiva scrutinizes the human body in an emotionally intense situation with all its limitations and absurdities.A family celebration mother Rebeccas birthday gets together three generations.The biblical theme of the Last Supper is present here in a contemporary close-up, disclosing the complicated conflicting relationships in the family, projected in the past, present and future. For Duda Paiva life is heaven and hell at the same time, suffering and catharsis, poetry and brutality. In this performance Duda Paiva plays with the size of objects and puppets.
TEATRUL DRAMATIC FANI TARDINI SECIA TEATRUL DE PPUI GULLIVER GALAI, ROMNIA FANI TARDINI DRAMA THEATRE, GULLIVER PUPPET SECTION GALAI, ROMANIA
PCAL
Adaptare i scenariu/Adapted and script by: Cristian Pepino Directed by: Daniel Stanciu Scenografie i costume/Scenography and costumes: Vlad Tnase Coloan sonor/Soundtrack: Jou-Jou Drgan Distribuie/Cast: Eduard iu, Marian Sterian, Aurelian Iorga, Rodica Panu, Narcisa Dumitriu, Elena Marin, Mihai Caraga.
n spectacolul scris de Cristian Pepino pe motive populare l regsim pe Pcal n lumea satului, dnd o lecie de isteime celor care ncearc s-i vin de hac. ntmplrile amuzante vor dezvlui un personaj pozna i plin de contraste, din care nvm c, ntotdeauna, cei ri ajung s fie pedepsii. Angela Ribinciuc, cotidianul Viaa liber In the play written by Cristian Pepino on folkloric motifs we find Pacala once again in the village world, teaching a wit lesson to those who wanted to fool him. A series of funny events will reveal a tricky and contrasting hero from whom we learn again that the evil always gets eventually punished. Angela Ribinciuc, Viaa liber daily
65`
UNATC I.L.CARAGIALE BUCURETI, ROMNIA CARAGIALE NATIONAL UNIVERSITY OF THEATRE ARTS AND FILM BUCHAREST, ROMANIA
N LARG / OUT AT SEA

Adaptare dupa piesa n largul mrii de /Adaptation after the play At sea by: Slawomir Mrozeck Regie/Directed by: Mihai Dumitrescu Scenografie/Scenography: Andra tefan Proiectie video/Video projection: Florin Mititelu Distribuie/Cast: Elena Dumitrescu, Corina Munteanu, Andra Stefan, Olga Ioana Bela.
incursiune n lumea nevzut a ntregii omeniri, n care metafora vegetal nu are alt rost dect s obiectiveze percepia noastr despre lumea nconjurtoare. Sub imperiul disperrii, personajele recurg la cele mai primare instincte, ajungnd pas cu pas s se dezumanizeze, s renune la orice urm de moralitate i s confirme condiia absurd n care cu toii ne aflm. Verva, ironia i umorul sunt mtile ce ascund filoanele tragice ale lumii lui Mrozeck, ceea ce i acest spectacol i propune s arate.
60`
n romn in Romanian aduli adults
peek into the unseen world of all mankind, in which the metaphor of nature has no other point than to objectify our perception of the surrounding world. Under the influence of despair, the characters use the most basic instincts and tend to dehumanize themselves, to give up any trace of morality and confirm the absurd condition in which we all find ourselves. Verve, irony and humor are masks that hide the veins of Mrozeks tragic world, and what this performance aims to show.
TEATRO ALL IMPROVVISO MANTOVA, ITALIA TEATRO ALL IMPROVVISO MANTUA, ITALY
Concepie i regie/Conception and direction by Dario Moretti Muzic/Music: Bla Bartk Distribuie/Cast: Dario Moretti, Saya Namikawa.
SCHERZO LA TREI MINI
pectacolul este inspirat din suita pentru pian a lui Bela Bartok Pentru copii, o colecie de aranjamente din cntecele populare slovace i ungureti. n spectacol, pictatul pe viu i mnuirea obiectelor i a umbrelor sunt proiectate pe un ecran central, alturi de cntatul live la pian. Spre deosebire de concertele standard, cu ajutorul imaginilor vii ale unui artist italian, muzica permite publicului s-i pun imaginaia la btaie. E ca i cum ai privi un film de scurt metraj, dar prezena pictorului i a pianistului aduce accentul teatral.
SCHERZO WITH THREE HANDS
Scherzo with Three Hands is inspired by the Bela Bartoks For Children for piano, a collection of easy arrangements of Hungarian and Slovakian folk songs. In this performance, the live-painting and shadow/objects manipulations are projected on center screen, along with the live playing on piano. Unlike the standard concerts, with the help of vivid images by an Italian artist, the music allows the audience to extend their imagination. It is as if like watching a nonverbal short film; but the presence nonverbal of the painter and pianist gives the theatrical accent. peste 3 ani
over 3 years
40`
TEATRUL DE ANIMAIE I EVENIMENTE MAG BUCURETI, ROMNIA MAG ANIMATION AND EVENTS THEATRE BUCHAREST, ROMANIA
Regie i scenariu/Script and directed by: Cristian PEPINO Scenografie/Scenography: Cristina PEPINO Muzic/Music: Kevin MacLeod i Marin Fagu Distribuie/Cast: Geo Dinescu, Marin Fagu, Andreea Ionescu, Viorel Ionescu.
CENUREASA
ceast poveste are multe mesaje pe care copiii, n special, le vor reine fr a-i da seama, cum ar fi hrnicia, buntatea, drnicia sau iubirea necondiionat. Spectacolul Cenureasa este un spectacol vesel, cu muzic i dans, cu ppui i actori la vedere n care Povestitorul (actor) introduce publicul n poveste, dar i intervine cnd crede c povestea are nevoie de ajutorul publicului i implicit al lui. O ajut pe Cenureasa, fie ea actor sau ppu, fr ca aceasta s-i dea seama, s i ndeplineasc destinul, bineneles cu ajutorul Znei. Povestea clasic a fost condimentat cu umor, muzic antrenant i virtuozitate actoriceasc.
CINDERELLA
his story has many messages that children will retain: as diligence, kindness, generosity, unconditional love. Cinderella is a funny show, with music and dance, with puppets and live actors in which the Storyteller (actor) will introduce the audience into the story, but will also interfere when he thinks that the story needs the help of the audience. He helps Cinderella, puppet or actor, to fulfil her destiny, with the help of the fairy. The classical story was seasoned with humor, music and acting virtuosity.
40`
TEATRUL DE PPUI PUCK CLUJ NAPOCA, ROMNIA PUCK PUPPET THEATRE CLUJ NAPOCA, ROMANIA
Dup/After Hans Christian Andersen Scenariu i regie/Script and directed by: Traian Savinescu Scenografie/Scenography: Epaminonda Tiotiu Sound and light design: Traian Savinescu Distribuie/Cast: Ramona Atnsoaie, Ovidiu Crian, Florina Florian, Laura Corpodean, Silviu Ruti, Florin Suciu.
CRIASA ZPEZII
ovestea lui Andersen vorbete cu cldur i tandree despre prietenie, ntr-un univers dominat de glacial, att la propriu ct i la figurat. Obstacolele-test pe care Gerda le depete, cu efort i sacrificii, pentru a-i proba devotamentul fa de Edgar, dau seama despre fora unui caracter n devenire.
THE SNOW QUEEN
ndersens story speaks with warmth and tenderness of friendship, in a universe dominated by cold, both literally and figuratively. The test-obstacles that Gerda overcomes with effort and sacrifice in order to prove his devotion to Edgar, describes the force of a character in the making.
50`
UNATC I.L.CARAGIALE BUCURETI, ROMNIA
COCOELUL NEASCULTTOR
Adaptare dup Ion Lucian Regie: Adina Barbu Scenografie: Elouise Zaharia, Adina Barbu Distribuie: Alexandra Blaj, Radu Punescu, Alina Popa, Mihaela Brebinaru.
Cocoelul Neasculttor este o poveste amuzant cu rsturnri de situaii i plin de tlc cu trei buni prieteni: un motnel, un ursule i un cocoel. Cocoul, mndru de calitaile sale vocale i suprat pe ndrzneala prietenilor si de-al nlocui cu un detepttor mecanic, continu s cnte i dup plecarea prietenilor si. Vulpea cea ireat l va prinde pe cocoel, dar prietenii i vor sri n ajutor i l vor scpa de vulpe. n final, cocoelul pare s i fi nvat lecia, dar nu pare deloc dornic s schimbe principalul atribut ce nc i rmne legat de nume, semn ca al nostru cocoel neasculttor , va mai avea parte de ceva aventuri.
CARAGIALE NATIONAL UNIVERSITY OF THEATRE ARTS AND FILM BUCHAREST, ROMANIA
THE NAUGHTY ROOSTER

Adapted after Ion Lucian Directed by: Adina Barbu Scenography: Elouise Zaharia, Adina Barbu Cast: Alexandra Blaj, Radu Punescu, Alina Popa, Mihaela Brebinaru. n romn in Romanian peste 3 ani over 3 years
40`
The naughty rooster is a funny story with situation twists and full of meanings about three friends: a little tomcat, a little bear and a rooster. The rooster, proud of his vocal qualities, is angry with his friends who dare to replace him with a mechanical clock, and continues to sing after his friends leave. The sly fox will catch the rooster, but his friends will set him free. Finally, the rooster seems to learn his lesson, but he wants to continue to be naughty and will have more adventures.
FLORIAN KRHENBHL BERLIN, GERMANIA FLORIAN KRHENBHL BERLIN, GERMANY

Regie/Director: Christian Harel Costume, recuzit/Costume, requisites: Julia Schleipfer Intrepretare/Performance, cartoon move: Florian Krhenbhl
Joe Chickadee(alias Florian Krhenbhl) este un spectacol destul de neobinuit n domeniul artelor spectacolului. Fr cuvinte, doar cu ajutorul jongleriilor, magiei, filmului animat i al umbrelor, Joe Chickadee spune o poveste de iarn bizar, poetic pentru aduli (i copii), jucat la un nalt nivel tehnic.
JOE CHICKADEE
Joe Chickadee (aka Florian Krhenbhl) is a show act, that is very unusual in the field of performing arts. Without words only by means of juggling, magic, animated film and shadow play Joe Chickadee tells a bizarre-poetic winter-tale for adults (and children) performed on technically highest level.
nonverbal nonverbal toate vrstele all ages
55`
UNATC I.L.CARAGIALE BUCURETI, ROMNIA COMPANIA DE TEATRU I EVENIMENTE ANIMARTS BUCURETI, ROMNIA
Regie i scenariu/Script and directed by: Andreea Ionescu Ppui i decor /Puppets and sets: Vlad Tnase Costume/Costumes: Andreea Ionescu Ilustraie muzical/Soundtrack: Viorel Ionescu Proiecie video/Video projection: Marin Fagu Distribuie/Cast: Viorel Ionescu, Alexandru Neculcea, Marin Fagu, Ana-Maria Calia, Andreea Bolovan. Profesori coordonatori/Coordinator teachers: Cristian Pepino, Daniel Stanciu, Gabriel Apostol
MOTANUL NCLAT
u cizme de piele i haine noi, Motanul nclat l transform pe stpnul su, din ran n prin. Biatul, devenit Marchizul de Carabas, reuete s ia de soie pe fiica Regelui acelor inuturi. Un spectacol muzical cu ppui, mti i actori la vedere.
PUSS IN BOOTS
CARAGIALE NATIONAL UNIVERSITY OF THEATRE ARTS AND FILM BUCHAREST, ROMANIA ANIMARTS COMPANY FOR THEATRE AND EVENTS BUCHAREST, ROMANIA
50`
ith leather boots and new clothes, Puss in boots transforms his master from peasant into a prince. The boy, now Marquis of Carabas, will marry the kings daughter. A musical show with puppets, masks and live actors.
PUNGUA CU DOI BANI

Adaptare dup Ion Creang Scenariu, regie i teme musicale: Decebal Marin Scenografie: Carmen Raszovski Aranjamente musicale: Drago Laurian Cuco Distribuie: Daniel Stanciu/Gabriel Apostol, Ioana Chelaru Popovici/Eugenia Barbu, Liliana Gavrilescu/Graiela Ene, Mihai Dumitrescu/Florin Mititelu, Dora Ortelecan Dumitrescu/Alina Teianu.
THE PURSE A TUPPENCE

Adaptation after Ion Creang Script, directed by and musical themes: Decebal Marin Scenography: Carmen Raszovski Musical arrangements: Drago Laurian Cuco Cast: Daniel Stanciu/Gabriel Apostol, Ioana Chelaru Popovici/Eugenia Barbu, Liliana Gavrilescu/Graiela Ene, Mihai Dumitrescu/Florin Mititelu, Dora Ortelecan Dumitrescu/Alina Teianu nonverbal nonverbal peste 3 ani over 3 years
C P L
a mai toate povetile lui Creang, i aceasta ncepe cu formula obisnuit a basmului popular: a fost odat... i se ncheie la fel: am nclicat pe-o a i v-am spus povestea aa ersonajele sale provin din rndul animalelor. Astfel c deliciul i hazul sunt date de isteimea animalelor care, n plan simbolic, gndesc, vorbesc i acioneaz ca oamenii. n spectacolul de la Teatrul ndric, povestea original este pstrat, dar apar personaje noi, care nu fac altceva dect s scoat n eviden calitile stranice ale cocoului nzdrvan.
ike many of Creangs stories, this one also begins with the common formula of a fairy tales: once upon a time and ends with I sat on a saddle and Ive told the story so His characters come from the animal world. Thus, the delight and amusement is given by the wit of animals which symbolically think, speak and act as humans. Our performance preserves the original story, but there are new characters, which do nothing but bring out the qualities of the naughty rooster.
50`
CONFERIN SUSINUT DE AGATA KUCISKA
Specificul educaiei n coala de Teatru din Wrocaw, la Facultatea de Ppui
The specific of education in the theatre school in Wroclaw, at the puppet section
A C
gata Kuciska a absolvit filiala colii Superioare Teatrale de Stat Ludwik Solski din Cracovia, secia Ppui. n iunie 2009 a obinut gradul tiinific de doctor n arte. Lucreaz la teatrul de ppui din Cracovia i la coala pe care a absolvit-o, pe un post de adjunct. Din anul 2002 colaboreaz cu Teatrul Ad Spectatores, cea mai important scen independent de teatru din regiunea Silezia Inferioar. A participat la 20 de spectacole. Acolo i desfoar i proiectele sale individuale, utiliznd tehnici din teatrul de ppui. um se formeaz un actor ppuar? Drumul unui actor-ppuar de la coal pn la activitatea independent de creaie. Actori ppuari n Polonia azi i mine.
gata Kuciska graduated from the School State Theatre Ludwik Solski in Krakow, Puppet Department. In June 2009 she obtained a Ph. D degree in the arts. She works at the Puppet theatre in Krakow and at the school she graduated as deputy. Since 2002 she collaborates with Ad Spectatores Theatre, the most important independent theatre from Lower Silesia. She performed in 20 shows. There she developes all her individual projects, using puppet theatre techniques. ow do we form a puppeteer? The way of a puppeteer from school to independent creation. Polish puppeteers- today and tomorrow.
MANON VAN DE WATER SUA/USA
Teatru, emoie i creier: o abordare integrativ a predrii i nvrii
r. Manon van de Water (doctor n teatru la Universitatea de Stat din Arizona, doctor n Limbi i literaturi slave, Universitatea din Leiden, Olanda) are titlul Vilas-Phipps de profesor emerit la Universitatea Wisconsin-Madison, directorul Programului de teatru pentru tineret. Aria ei de cercetare are un caracter internaional i cuprinde interdependena dintre mijloace i condiii materiale n teatrul pentru aduli i tineret, teatrul rusesc, teatrul internaional pentru tineret, precum i teatru i dramaturgie n regiuni volatile. Este autorul ctorva cri, a scris pe larg despre teatru, educaie prin teatru i despre teatrul pentru publicul tnr n publicaii naionale i internaionale. Van de Water este liantul dintre Societatea American de Studii Teatrale (ASTR), AATE si ITYARN, i preedintele Reelei Internaionale de Cercetare n Teatrul pentru Tineret (ITYARN). Pe lng activitile de cercetare, Profesorul van de Water a susinut numeroase ateliere naionale i internaionale despre educaia prin teatru i a fost invitat ca membru al juriului la festivaluri de teatru pentru tineret.
r. Manon van de Water (PhD in Theatre, Arizona State University; Drs. in Slavic Languages and Literature, University of Leiden, The Netherlands) is the Vilas-Phipps Distinguished Achievement Professor at the University of Wisconsin-Madison and the Director of Theatre for Youth Program. Her research interests have a strong international focus, and include the interdependence of meaning and material conditions in theatre for adults and youth, Russian theatre, international theatre for youth, and theatre and drama in volatile regions. She is the author of several books, she has published widely on theatre, drama education, and theatre for young audiences in national and international journals . Van de Water is the liaison of the American Society for Theatre Research (ASTR) with AATE and ITYARN, and chair of ITYARN, the International Theatre for Young Audiences Research Network of ASSITEJ. Aside from research activities, Professor van de Water has also given numerous national and international workshops on theatre/drama education, and has been invited as a jury member to international TYA festivals.
Drama, Emotion, and the Brain: An Integrative Approach to Teaching
IVICA IMI CROAIA/CROATIA
Reele culturale mondiale

n aceast prelegere voi oferi o privire de ansamblu asupra modului cum utilizarea teatrului i artelor spectacolului n educaie i servicii sociale se afl n legatur cu numeroase teorii ale inteligenei, teorii ale inteligenei emoionale i tehnici cerebrale de nvare. Cercetrile neurotiinifice recente confirm faptul c tehnicile de teatru i arta spectacolului au potenialul de a fi unelte eficiente n educaia general a copilului, fie c sunt predate ca disciplin separat sau ca strategie de consolidare a nvrii. Voi prezenta legatura dintre utilizarea teatrului n teoriile alternative emergente de predare i nvare bazate pe cercetari recente legate de creier, conturnd o abordare integrativ a predrii i nvrii care promoveaz incluziunea, diversitatea i contientizarea social.
vica imi este secretarul general ASSITEJ. A absolvit Academia de teatru din Zagreb i o perioad a fost actor la Teatrul pentru tineret. In 1989 a nfiinat Teatrul Mala Scena, al crui director i regizor artistic a fost. A regizat peste 50 de producii pentru copii i tineret care au primit numeroase premii naionale i internaionale. Este fondatorul Teatrului Epicentru.
n this lecture I give an overview of how the use of drama and performance techniques in education and social work connects to multiple intelligence theory, emotional intelligence theory, and brain based learning. Recent neuroscientific research corroborates the notion that drama and performance techniques have the potential to be an effective tool in educating the whole child, whether it is taught as a discipline or an enhancing teaching strategy. I will connect the use of drama in the emerging alternative theories of teaching and learning based on recent brain-based research, laying out an integrative approach to teaching and learning that promotes inclusion, diversity, and social awareness. Ultimately, I will demonstrate that drama and performance are indispensable in teaching the whole child, whether taught as a discipline or a teaching tool.
World cultural networks
vica imi is the General Secretary of ASSITEJ. He graduated from the Theatre Academy of the University of Zagreb. For a period of time he was an actor at Youth Theatre. In 1989 he founded Mala Scena Theatre. Since then he had been its Director and artistic director. He directed more than 50 performances which were awarded national and international awards. He is the founder of Epicenter Theatre.
and Learning
Artele plastice i teatrul de animaie
IVICA IMI CROAIA/CROATIA
rtiti plastici importani au fost de-a lungul vremii interesai de teatrul de animaie. Picasso, Fortunato Depero, Prampolini sau Georg Grosz au avut cel puin proiecte interesante n acest domeniu, iar unii dintre ei, cum ar fi Calder, au devenit chiar artiti ppuari sau marionetiti. Creaia lor ne poate inspira i astzi.
CRISTIAN PEPINO ROMNIA/ROMANIA
Managerul/director integrator al produsului cultural n reele internaionale
hrough the ages, important artists were interested in animation theatre. Picasso, Fortunato Depero, Prampolini sau Georg Grosz had interesting projects in this area, and some of them, as Calder, have become puppeteers.Their work can be an inspiration for us, today.
anagerul este cel care stabilete liniile i direciile de dezvoltare, cel care concepe programe, cel care caut piee pentru produsul su.
The manager - integrator of the cultural product in international networks

he manager as an integrator of the cultural product has his activity as a manager, but also he has to identify a market, to infer all the needs discovered after lots of research and, after that to come with a product that fits that market.
Arts and animation theatre
THOMAS LANG GERMANIA/ GERMANY
Filosofia vieii: Observaii privind teatrul pentru copii i tineret n Europa zilelor noastre
homas Lang este regizor de teatru i lector universitar. ntre 1985 i 2000, a fost director artistic al Teatrului pentru copii i tineret pe lng Teatrul Naional din Braunschweig. n 2000-2012 a fost eful programului de teatru al Academiei federale pentru educaie cultural din Wolfenbuttel. Docent la Universitile din Hildesheim i Hanovra pentru practica scenic; membru al numeroase jurii; preedinte ASSITEJ Germania.
homas Lang, theatre director, university lecturer. From 1985 until 2000 was artistic director of the department of children and young peoples theatre at the National Theatre in Braunschweig. From 2000 till 2012 was the director of the theatre program at the Academy of Cultural Educationin Wolfenbttel. Worked as university lecturer (theatre studies) in Hildesheim and Hannover, wrote articles in various publications, jury work. Board member of ASSITEJ Germany.
uropa i strnge rndurile, graniele devin permisive, schimburile i cooperarea sunt de la sine nelese; diferenele devin mai vizibile. Provocator i de interes pentru practica artistic, ntr-o lume globalizat, va fi descoperirea diverselor amprente culturale, regionale i naionale. Tradiiile i traseele de dezvoltare ale teatrului pentru copii i tineret oglindesc punctul de vedere social focusat pe aceste generaii. Teatrul este rspunsul oamenilor la aceast lume.
urope is moving closer together. Borders become more open and while exchange and co-operation become more natural, differences become more visible. It will be a challenge and a major interest of artistic practice to find and reflect regional and national cultures and their variety of expressions in a global world. Traditions and developments in European theatre for young audiences mirror how societies view their younger generations: Theater is peoples answer to the world they encounter.
Views of Life: Aspects of Theatre for Young People in Europe today
PERSONALITI N DIALOG
MIHAI GRUIA SANDU ROMNIA/ROMANIA

ihai Gruia Sandu, cunoscut actor, regizor, profesor de actorie, intrat n contiina public i pentru celebrul personaj Arlechino, omul care a fcut mai multe copilrii fericite, dup cum singur mrturisea, are legturi strnse i cu teatrul de ppui. O bun perioad a fost artist marionetist la ndric, a jucat n multe spectacole. Gustul pentru scen, formarea lui ca actor, plcerea de a juca i trag seva de aici. Crezul lui s-ar putea defini aa: respect pentru tradiie i continuitate n modernitate ihai Gruia Sandu, well-known actor, director and acting teacher entered in public consciousness as Arlechino, the famous character, made many children happy, as he himself confessed in an interview, has strong ties with animation theatre. A long period of time he was puppeteer at Tandarica Theatre and performed in a lot of performances. His love for stage, his training as an actor, his pleasure for acting have its roots in puppet theatre. His belief can be described as: respect for tradition and continuity in modernity.
PAUL IONESCU ROMNIA/ROMANIA
aul Ionescu - artist marionetist la Teatrul ndric, reprezentant al unei generaii remarcabile de profesioniti - a realizate numeroase roluri n spectacole emblematice ale teatrului. A fost printre primii artiti care au introdus n show-urile de televiziune sau la teatrul de revist numere cu ppui. Toate spectacolele n care am jucat au fost momente unice pentru micii spectatori ascuni n ntunericul slii de teatru. Copiii pe care i-am avut sub ochi , sunt astzi oameni maturi sau tineri n formare i reprezint fora cultural a acestui ora . i nu numai! Cci nu puine sunt colile i grdiniele din Romnia unde brandul ndric face i astzi pielea de gin unor educatoare i profesoare a cror memorie afectiv a fost marcat de turneele fcute odinioar . Teatrul ndric nu numai c place, vrjete! aul Ionescu - puppeteer at ndric Animation Theatre, representative of a remarkable generation of professionals, had performed a great number of roles in emblematical shows on our theatres stage. He was one of the first artists who had introduced in Tv or in musical theatres numbers with puppets. All the shows I played were unique moments for the children hidden in the darkness of the theater hall. Children whom I had under my eyes are now adults or young people in training and represent the cultural force of this town. And not only! For there are few schools and kindergartens in Romania where ndrics brand gets goose flesh of teachers and nursery school teachers who were marked by the tours once made. ndric not only appeals, but charms!
MASTERCLASS IULIAN FURTUN FRANA/FRANCE
Actorul de animaie i tehnicile franceze de micare corporal
uflul, dinamica, contrastele, ierarhia corporal (capul trage pieptul, pieptul trage bazinul, bazinul deplaseaz axul de gravitaie care prin nclinaie creeaz un resort - oktaz de pregtire din care va pleca micarea, sau antreneaz direct micarea din dezechilibrul creat), deplasarea, volumul i energia micrii, micarea n ax/cele 3 dimensiuni (rotaia, inclinaia, profunzimea), direcia i fora privirii, toate aceste ingrediente n dozaje i proporii diferite compun aciuni, personaje, situaii i stiluri de joc specifice. Mai mult sau mai puin exagerat, mai teatral, mai burlesc sau mai realist, mai cinematografic, cel ce le ncearc le adopt i le integreaz n joc. Bine conjugate, aceste elemente exprim cu atta precizie gndul, nct vorba va trebui bine rostuitea va veni doar ca s precizeze, s nuaneze gestul/atitudinea, i doar dac se impune ca o necesitate. Nu pentru c autorul a scris-o, ci pentru c ea se va nate din corpul actorului ca o rsplat a gestului bine drmuit. Aa cum ar fi zis Artaud, vocea iese din corp, din barb, din cot, din bazin sau din frunte, de acolo de unde va trebui s ias, dac-i dm un rost i-i facem loc
The puppeteer and the French techniques of bodily movement

he breath, the dynamics, the contrasts, the bodily hierarchy (head pulls chest, chest pulls pelvis, pelvis moves the axis of gravity which, by inclining, creates an oktaz-spring of preparation for the movements departure or directly sets in motion the movement from the imbalance), the displacement, volume and energy of movement, movement in the axis/the three dimensions (rotation, inclination, depth), direction and the strength of sight, all these ingredients in different dosages and proportions form actions, characters, situations and specific acting styles. More or less exagerated, more theatrical, more burlesque or more realistic, more cinematographic, the one who tries them enacts and integrates them in the acting. ell combined, these elements express the thought with such precision, that the word will have to be better embroidered.. it will come only to clarify, to nuance the gesture/attitude, and only when necessary. Not because the author had written it but because it will be born from the actors body as a reward for the carefully chosen gesture. As Artaud would have said, the voice comes out of the body, from the chin, the elbow, the pelvis or the forehead, from the place it will have to exit, if we give it purpose and space.
WORKSHOP SUSINUT DE ADRIAN LEFTER ATELIER DE CREAIE I IMAGINAIE
W T
PPUI DIN BALOANE
orkshopul se adreseaz prichindeilor, dar nu numai... Toi cei curioi i doritori de a vedea i nva cum se nasc personaje din baloane sunt ateptai cu mare drag.
WORKSHOP COORDINATED BY ADRIAN LEFTER WORKSHOP OF CREATION AND IMAGINATION
BALLOON PUPPETS TEATRUL DE UMBRE CHINEZESC
he workshop is addressed to children but not exclusive for them ... All those who are curious and eager to see and learn how the characters are born from balloons are also welcomed.
WORKSHOP SUSINUT DE LI JIANXIN
I Jianxin este o cunoscut personalitate din Hong Kong, regizor, scenarist, autor al unor spectacole de teatru de umbre pentru copii. Creativitatea sa i permite s mbine mnuirea, cu jocul de umbre, ppui i tehnici moderne de multimedia. De asemenea, el este preocupat de latura educaional a teatrului, prednd att n nvmntul primar, ct i n cel universitar. Obiectivul principal al lui Li Jianxin este acela de a dezvolta , rspndi, explora, i promova cultura tradiional chinez. Atelierul se va focusa pe tehnicile de mnuire, de lumini i umbre folosite n spectacolul Cltorie spre Soare-Apune
CHINESE SHADOW THEATRE
WORKSHOP COORDINATED BY LI JIANXIN
i Jianxin is a well- known personality from Hong Kong, director,writer, author of Chinese shadow theatre shows for children. His creativity allows him to mix manipulation, puppets and modern multi-media. On the other hand, he is preoccupied by the educational side of the theatre, teaching in both primary and university education. His main objectives are to develop, to spread, explore and promote the traditional Chinese culture. His workshop will focuses on techniques of manipulation, light and shadow used in the performance Journey to the West.
WORKSHOP SUSINUT DE MARIA MIERLU
PPUSHETE DIN OSETE

WORKSHOP SUSINUT DE GRAIELA ENE ATELIER CREATIV PENTRU COPII I NU NUMAI
CONFESIUNI CU O PPU
pureas i regizoare cunoscut din Oradea, Maria Mierlu va vorbi despre rolul scenografului n teatrul de animaie, amintind de Paul Fux, Haller Jzsef, Eustaiu Gregorian i Gina Trescu Jianu, pentru ca apoi, s improvizeze cu Smeuric, ppua ei de suflet.
ateptm la atelierul de creaie i construcie pentru a v face singuri propria ppuet! Ceea ce creezi tu i ceea ce faci cu mna ta e cel mai important! Vei lucra ntr-o atmosfer prieteneasc i relaxat, sub ndrumarea actriei Graiela Ene, alturi de toi cei ce vor s descopere cum se construiete o ppusheta din materiale existente n orice cas!
WORKSHOP COORDINATED BY MARIA MIERLU
SOCKS PUPPETS
CONFESSIONS WITH A PUPPET
ellknown puppeteer and director from Oradea Maria Mierlu will speak about the scenographers role in animation theatre, remainding about Paul Fux, Haller Jzsef, Eustaiu Gregorian and Gina Trescu Jianu. Then she will improvise with the help of Smeuric her favourite puppet.
WORKSHOP COORDINATED BY GRAIELA ENE CREATIVE WORKSHOP FOR ALL AGES
e are waiting for you at the creative workshop: puppets from socks. What you create and do by yourself is the most important! Youll work in a friendly and relaxed atmosphere, under the guidance of the actress Gratiela Ene, along with all those who want to discover how to build a puppet from existing materials in any home!
AICI ACOLO. ATELIER DE EDUCAIE INTERCULTURAL
Aici-Acolo este un program de introducere concret a universului intercultural n lumea copiilor (3-11 ani) apelnd la cele 5 simuri, creat de Eugenia Barbu i realizat de A.C.T.O.R. Prin acest program copiii au acces la informatiile despre cultura diverselor ri europene, direct de la tineri venii n Romania prin Serviciul European de Voluntariat al Programului Tineret n Aciune. Programul i Atelierele Aici-Acolo se desfoar n parteneriat cu Ministerul Educaiei, Casa Corpului Didactic, Teatrul Tandarica si Radio Itsy Bitsy. imp de o ora copiii participani la atelier vor cltori prin lumea ntreag purtai de poveti i jocuri de toate culorile i ...de aici i de acolo....aduse n faa lor de: Celine Valin Frana; Victoria Pfau Germania; ; Aleksandra Biela Polonia; Shaony Diana Revolledo Herrara - Peru; Mantvydas Buda i Vaida Verbickaite Lituania, Zaali Tarkashvili i Ana Kvrivishvili Georgia; Giacomo Gulinelli, Rosa Maria Radogna, Francesca Equestre, Francesca Lanotte, Leonardo Bitetti, Domenico Ferrulli Italia; Rima Galstyan Armenia; Marina Minarro Sanchez Spania, Sheila Aboagye Ghana, Lumileid Halvin Estonia, Frej S. Lorenzen Danemarca, Marina Pasquali Argentina, Robbins Tamang Nepal.
A.
T.O C.
pt. Teatru si Origami
HERE-THERE. INTERCULTURAL EDUCATION WORKSHOP
din
Romania
Here-There is a practical introduction of the intercultural universe to the world of children (3-11 years) appealing to the 5 senses, created by Eugenia Barbu and conducted by A.C.T.O.R. Through this program, children have access to information about the culture of different European countries directly from young people who came to Romania through the European Voluntary Service of the Youth in Action Programme. The Here-There program and workshops are conducted in partnership with the Ministry of Education, Teachers House, Tandarica Animation Theatre and Itsy Bitsy Radio. or one hour, children who participate in the workshop will travel through Europe carried by stories and games of all colors and ... from here and from there .... brought before them by: Celine Valin France; Victoria Pfau Germany; ; Aleksandra Biela Poland; Shaony Diana Revolledo Herrara Peru; Mantvydas Buda i Vaida Verbickaite - Lithuania, Zaali Tarkashvili i Ana Kvrivishvili Georgia; Giacomo Gulinelli, Rosa Maria Radogna, Francesca Equestre, Francesca Lanotte, Leonardo Bitetti, Domenico Ferrulli Italy; Rima Galstyan Armenia; Marina Minarro Sanchez Spain, Sheila Aboagye Ghana, Lumileid Halvin Estonia, Frej S. Lorenzen Denmark, Marina Pasquali Argentina, Robbins Tamang Nepal.
Asociatia Culturala
. .R
EXPOZIIE MIHAI PASTRAMAGIU
TEATRU N DIFERITE CONTEXTE
MIHAI PASTRAMAGIU EXHIBITION
ergem la teatru s experimentm emoii, s intrm n contact cu un set de relaii: actori, spectacol i publicul ce ne nconjoar. n timp ce ateptm s se sting lumina, despictura cortinei ne d de neles c i actorii ne-au ateptat pe noi. Am creat aceast expoziie pentru c avem nevoie mereu de o poveste, vrem s imitm, s jucm i s efectum acte repetate care s asigure continuitatea unei comuniti, att de vital pentru psihicul uman. Potenialul de spaii, idei transpuse pe foi, interogheaz relaia dintre scenografie i performance n activitile dramatice, o platform de iluminare pentru discuii cu privire la legturile dintre teatru, gest n spaiul fizic i aspectele vizuale. Expoziia sondeaz lumi artistice pentru ambele teatre, dramatic i ppui, colaborri din ntreaga ar: fundaluri, schie decor, ppui, costume, mprtind oamenilor arta din spatele reflectoarelor, cum nu a fost niciodat transmis, o resurs, nu numai pentru contextul istoric, dar practic n sine - Art, precum i artefact.
THEATRE IN DIFFERENT CONTEXTS
e go to the theater to experience emotions, to set in contact with a set of relations: actors, the show and the audience around us. While waiting to turn off the lights, the curtain cleft lets us understand that the actors also waited for us. I created this exhibition because we always need a story, we want to imitate, to play, to perform repeated acts in order to assure the continuity of a community so vital for the human psyche. The potential of spaces, translated ideas on paper questioning the relation be-
tween scenography and performance in drama activities, an illumination platform for discussions regarding the bonds between theatre, gesture in physical space and visual aspects. The exhibition explores the artistic world for both theaters, dramatic and puppet, collaborations across the country: backgrounds, decor drawings, puppets, costumes, sharing the art behind the spotlight, as it was never submitted, a resource not only for historical context, but practice itself - Art and artifact.
EDITURA LITERA
POEZII PENTRU CEI MICI
Am scris aceste poezii cu nesfrit iubire pentru nepoeii mei Tavi, Giulia, Daria i M.M. i, pentru c leau primit de fiecare dat cu ncntare, le-am cuprins n aceast carte pe care le-o dedic. Deschidei paginile i vei descoperi o lume a inocenei revarsat n poezii pline de umor, ai cror eroi sunt copii i animlue ce trec printr-o mulime de ntmplari hazlii, dar bogate n nvminte. Inspirat ilustrate, poeziile i vor stimula imaginaia copilului dumneavoastr, facnd din aceast carte un dar minunat pentru el Aurora Georgescu
LITERA PUBLISHING HOUSE
POEMS FOR LITTLE ONES
I wrote these poems with endless love for my grandchildren Tavi, Giulia, Daria and MM, and because they have received them with delight every time, I have comprised them in this book that I dedicate to them. Open the pages and discover a world of innocence poured into humorous poems, whose heroes are children and pets that go through a lot of funny events, rich in lessons. Illustrated, in an inspired manner, the poems will stimulate your childs imagination, making this book a wonderful gift for him. Aurora Georgescu
EDITURA NEMIRA
CARTEA ATELIERELOR
NEMIRA PUBLISHING HOUSE
Cartea Atelierelor documenteaz cele patru ediii ale Academiei Itinerante Andrei erban, la care au participat actori, regizori, scenografi, artiti vizuali, critici de teatru i jurnaliti care depun mrturie despre acest fenomen unic, Peter Brook, Corina uteu, Tatiana Niculescu Bran, George Banu, Nicky Wolcz, Mircea Cantor, Sanda Manu, Ion Caramitru, Alice Georgescu, Ctlin tefnescu, Marius Manole, Ana-Ioana Macaria, Andreea Bibiri, Lucian Maxim, Cosmina Stratan, Bogdn Zsolt se regsesc n acest volum-puzzle, n calitate de semnatari ai textelor, martori ai atelierelor i creatori ai unei experiene colective indefinibile.
THE BOOK OF WORKSHOPS

his book is presenting the four editions of Andrei erban Itinerant Academy, attended by actors, directors, scenographers, visual artists, theatre critics and journalists who testify about this unique phenomenon. Peter Brook, Corina uteu, Tatiana Niculescu Bran, George Banu, Nicky Wolcz, Mircea Cantor, Sanda Manu, Ion Caramitru, Alice Georgescu, Ctlin tefnescu, Marius Manole, Ana-Ioana Macaria, Andreea Bibiri, Lucian Maxim, Cosmina Stratan, Bogdn Zsolt are part of this book-puzzle, signing texts, being witnesses to workshops and creators of a unique collective experience.
EDITURA NEMIRA
MUNCA ACTORULUI CU SINE NSUI
V
de KONSTANTIN SERGHEEVICI STANISLAVSKI
olumul, prefaat de cunoscutul regizor Yuri Kordonski, reprezint un gest necesar de restituire a Bibliei teatrului modern, aa cum este denumit lucrarea celebrului om de teatru care a influenat decisiv arta spectacolului din epoca modern. n profesia mea, folosesc aceast carte n fiecare zi. Ceea ce nu nseamn c o deschid n fiecare diminea sau c folosesc numai exerciiile lui Stanislavski. Din nefericire, nici mcar n-am timp s-o citesc foarte des. Dar ea este prezent n felul n care gndesc teatrul. mi amintete de profunzimea i de pasiunea cu care fiecare artist adevrat poate i trebuie s-i analizeze propria art, scrie Yuri Kordonski.
AN ACTORS WORK ON A ROLE

he present volume prefaced by the renowed director Yuri Kordonski is a necessary gesture of return of the modern theatre Bible, as was called the work written by the famous theatre man who influenced the performing arts in modern times. In my profession Im using this book everyday. This does not mean that I open it every morning or that I use only Stanislavkis exercises. Unfortunately, I did not even have time to read it very often. But it is present in the way I think theater. If reminds me of the depth and the passion with which each artist really can and should analyze his own art, writes Yuri Kordonski.
by KONSTANTIN SERGHEEVICI STANISLAVSKI
EDITURA NEMIRA
NOCTURNE
N
octurne, unul dintre cele dou albume ale lui George Banu, se consacr dimensiunilor secrete ale omului la care privirea i lumina acced greu. Ele reclam efort i druire. Ele sunt un test. Noaptea mi curge n vene, scria Cioran i sub semnul acestui destin stau rndurile i imaginile reunite aici. George Banu descoper i comenteaz nopile picturii moderne, solitare i individuale, de la C.D. Friedrich la Van Gogh, de la Paul Klee la Marc Chagall. Dar, totodat, George Banu reveleaz atracia marilor regizori pentru experiena nopii teatrale a crei seducie, de la Kantor i Wilson, Chreau i Mniuiu, se generalizeaz azi.
NOCTURNE
octurne, is one of the two albums signed by George Banu and dedicated to secret human dimensions to which the sight and light hardly accede. It requires effort and dedication.There are like a test. The night runs through my veins wrote Emil Cioran and under this sign, the images and lines of this album are gathered. George Banu discovers and comments the nights of the modern solitary and individual painting from C.D. Friedrich to Van Gogh, Paul Klee and Marc Chagall. But he also reveals the attraction of some great directors for the experience of theatrical nights whose seduction, from Kantor and Wilson, Chreau and Mniuiu is nowadays generalized.
EDITURA RAO
BINE AI VENIT N ORICEZIA!
F
RAO PUBLISHING HOUSE
aimosul detectiv Geronimo Stilton, da ai citit bine, Stilton, la fel ca celebra brnz englezeasc Stilton, v invit s-l nsoii n tot felul de aventuri, care mai de care mai misterioase i mai palpitante. Cci viaa lui Geronimo nu e defel simpl. Pe lng faptul c trebuie s rezolve cazuri dificile, el trebuie s se lupte i cu rudele sale care-i fac viaa grea.
WELCOME TO MOUSELAND!
he famous detective Geronimo Stilton, yes you read right, Stilton, like the famous English Stilton cheese, invites you to join him in all sorts of adventures, all mysterious and thrilling. For Geronimos life is not at all simple. Besides the fact that he has to solve difficult cases, he has to fight with his relatives that make his life difficult.
List cu Premiile de Excelen n animaia romneasc, oferite de Teatrul NDRIC, Primria Municipiului Bucureti i UNIMA-Romnia List of Excellence Awards in Romanian Animation offered by NDRIC Animation Theatre, Bucharest City Hall and UNIMA-Romania
Dorina Tnsescu Aneta Forna Christu Ildiko Kovacs Brndua Zaia Silvestru Liviu Steciuc Valeriu Simeon Margareta Niculescu Mircea Nicolau Rudolf Moca Lic Gherghilescu Constantin Brehnescu Carmen Mrginean Aurica Dobrescu Maria Mierlu
200 0 200 1 200 2 200 3 200 4 200 5 200 6 200 7 200 8 200 9 20 10 20 11 20 12 20 13
PREMIUL MICHAELA TONITZA IORDACHE DE EXCELEN N ANIMAIA ROMNEASC PE 2013 2013 MICHAELA TONITZA IORDACHE EXCELLENCE AWARD IN ROMANIAN ANIMATION
Maria Mierlu (Mimi pentru prieteni i colegi) este una dintre cele mai talentate actrie i regizoare din teatrul romnesc de ppui. A nceput prin a fi o mnuitoare de rafinat, inspirat, de o extraordinar inventivitate, capabil s se adapteze cu uurin la fiecare tip de ppu, dublat de o subtil interpret a textului. n minile ei ppuile prindeau via, se micau cu precizie, cu graie i finee, transmiteau gnduri i emoie, mbinarea perfect a mnuirii cu rostirea textului fcndu-le expresive i convingtoare. A abordat apoi regia. n creaia din acest domeniu i-a valorificat din plin cultura vast, respectul deosebit fa de operele literare de calitate, capacitatea de analiz multilateral a operei, fantezia bogat, dar i rigoarea n respectul unitii ideatice i stilistice a spectacolului. n lunga sa carier regizoral a mbinat cu miestrie tradiia mai ales filonul popular - cu inovaia, cu experimentul, fiind deschis nnoirilor cu adevrat valoroase i inteligente. Spectacolele sale, ntotdeauna rafinat stilizate i concentrate, reduse la esen, sunt rezultatul unor cutri comune cu scenograful (i a colaborat mereu cu scenografi de prim mrime), pe care l consider creatorul cel mai important n teatrul de ppui. Iar experiena de actri tie s o transmit, cu har pedagogic, interpreilor cu care lucreaz. Zeno Fodor Maria Mierlu (Mimi for friends and colleagues) is one of the most gifted actresses and director of the Romanian Puppet theatre. She started out as a puppeteer of refined inspiration by an extraordinary resourcefulness, able to adapt easily to each puppet, accompanied by a subtle interpreter of the text. In her hands, the puppets came to life, they moved with grace and preciseness, conveying thoughts and emotions. Then she approached directing. She tried to capitalize her wide culture, the great respect for the literary quality of the work, the ability of multilateral analysis, her rich imagination, but also the rigour in respect of ideas and stylistic unity of the show. In her long career as a director she masterly combined tradition- especially the folk one- with innovation, experiment, being open to all valuable and intelligent innovations. Her performances, exquisitely refined and concetrated, reduced to the essence, are the result of common seekings with the scenographer (she collaborated with important scenographers), whom she considered the most important creator of the puppet theatre. And she knows to convey her experience as an actress to the puppeteers with whom she works. Zeno Fodor
O ARTIST DE EXCEPIE
Maria Mierlu
List cu Premiile de excelen pentru corpul tehnic n animaia romneasc, oferite de Teatrul NDRIC, Primria Municipiului Bucureti i UNIMA-Romnia List of Excellence Awards for Technical Staff in Romanian Animation offered by NDRIC Animation Theatre, Bucharest City Hall and UNIMA-Romania
Din anul 2010 se instituie Premiul de Excelen pentru Corpul Tehnic n Teatrul de Animaie The Animation Theater Technical Staff Excellence Award was instituted in 2010
Gheorghe Vasile 20 10 Victor Tru 20 11 Andrei Gheorghiu 20 12 Geambec Muezel 20 13
PREMIUL DE EXCELEN PENTRU CORPUL TEHNIC N ANIMAIA ROMNEASC PE 2013 EXCELLENCE AWARD FOR TECHNICAL STAFF IN ROMANIAN ANIMATION - 2013
Geambec Muezel Din anul 1956, cnd a luat fiin secia de ppui a Teatrului de stat, doamna GEAMBEC MUEZEL (nscut la data de 05 iunie 1937 n localitatea Hrova) a ocupat pe rnd funcia de dansatoare, figurant, casier i organizator de spectacole, n cea din urm ipostaz regsind-o i astzi, dup mai bine de 55 de ani. Este omul care a fcut legtura ntre generaii de copii, unii dintre ei fiind astzi bunici. Dragostea pentru copii i pentru teatru au determinat-o s rmn n activitate chiar i dup pensionare, reprezentnd pentru colectivul tnr al teatrului un reper moral i profesional. Este o legend vie a teatrului de ppui constnean pe care trebuie s o respectm i s o cinstim cum se cuvine ori de cte ori avem ocazia pentru c astfel de oameni pasionai i devotai sunt, din pcate, din ce n ce mai rari. From 1956, when the Puppet Depatment of the State was founded, Mrs. GEAMBEC MUEZEL (born June 05, 1937 in the town Hrova) took on the function of dancer, extra, cashier and agent . Today, after 55 years, she is working in the same place. She is the person who made the connection between generations of children, some of whom are now grandparents. The love for children and for the theatre led her to remain active even after retirement, representing for the young staff of the theatre a mental and professional mark. She is a living legend of the puppet theatre from Constana that we have to respect and to honor whenever we have the opportunity, because such dedicated and passionate people are unfortunately increasingly rare.
Teatrul NDRIC cu sprijinul Primriei Municipiului Bucureti i Ministerul Culturii i Cultelor a prezentat ediia a 2-a a Festivalului Internaional al Teatrului de Animaie Bucurii pentru copii. Spectacole de colecie care a avut loc 6-10 decembrie 2006. La aceast ediie au participat n concurs 5 trupe din ar i 4 din strintate, teatrul gazd, iar n afara concursului studenii de la Secia Arta Actorului Mnuitor de Ppui i Marionete, U.N.A.T.C, Bucureti.
2006
2005
Teatrul NDARIC cu sprijinul Primriei Municipiului Bucureti a prezentat ediia I a Festivalului Internaional al Teatrului de Animaie Bucurii pentru copii. Spectacole de colecie n perioada 1-4 decembrie 2005. Acesta ediie a constat ntr-o microstagiune a Teatrului ndric i a ctorva teatre invitate din ar, precum i studenii de la secia Secia Arta Actorului Mnuitor de Ppui i Marionete, U.N.A.T.C, Bucureti. La aceast prim ediie nu s-au acordat premii, meniuni sau alte distincii. Teatrul NDRIC si UNIMA Romnia au acordat doar PREMIUL DE EXCELEN n arta animaiei maestrului Valeriu Simeon.
AU FOST NMNATE URMTOARELE PREMII: PREMIUL PENTRU INGENIOZITATEA RESTITUIRII OPEREI CLASICE, Teatrul Colibri din Craiova cu spectacolul Ruca cea urt, regia: Todor Valov (Bulgaria) PREMIUL PENTRU ARTA COMUNICRII MESAJULUI SPECIFIC SPECTACOLULUI DE ANIMAIE, Teatrul NDRIC din Bucureti cu spectacolul Alb ca Zpada, regia: Cristian Pepino PREMIUL PENTRU PROSPEIMEA EVOCRII COMEDIEI DELLARTE, Teatrul Puck din Cluj-Napoca, cu spectacolul Vrjitorul i corbul, regia: Mona Chiril PREMIUL PENTRU AUTENTICITATE ETNOGRAFIC N SPECTACOLUL PENTRU COPII, Teatrul pentru Copii i Tineret Ariel din Trgu Mure, cu spectacolul Zurinka, regia: Gavril Cadariu PREMIUL PENTRU VIRTUOZITATEA EFECTELOR VIZUALE, Teatrul de Ppui Gulliver din Galai, cu spectacolul Castelul din Carpai, regia: Bogdan Drgulescu PREMIUL PENTRU RECONSIDERAREA TEHNICILOR TRADIIONALE TEATRULUI DE PPUI, Teatrul Gong din Sibiu, cu spectacolul Cenureasa, regia: Dan Hndoreanu. PREMIUL PENTRU TEATRU MINIATURAL DE ANIMAIE, Compania El Retablo din Spania, cu spectacolul Animals (Animale), reprezentaie semnat de El Retablo PREMIUL PENTRU ARTA MNUIRII PPUILOR, Compania Purgatetrium-Maskars din Ungaria, cu spectacolul Marketplace(Piaa), regia: Ildik Kovcs PREMIUL PENTRU ORIGINALITATEA SPECTACOLULUI DE ANIMAIE, Teatro dei Piedi din Italia, cu spectacolul Gone with the Feet (Unde te duc picioarele), reprezentaie de Laura Kibel PREMIUL PENTRU INGENIOZITATE I RITM N ARTA SPECTACOLULUI DE ANIMAIE, Compania Trule din Portugalia, cu spectacolul Puppet Variations on a Musical Theme (Variaiuni ppureti pe tem muzical), o reprezentaie de Manuel Fernando da Costa Dias.
2007
Teatrul NDRIC cu sprijinul Primriei Municipiului Bucureti, Ministerul Culturii i Cultelor i al Intitutului Cervantes, prezint ediia a 3-a a Festivalului Internaional al Teatrului de Animaie Bucurii pentru copii. Spectacole de colecie a avut loc 3-9 decembrie 2007. La aceast ediie au participat n concurs 8 trupe din ar i 6 din strintate, teatrul gazd, iar n afara concursului studenii de la Secia Arta Actorului Mnuitor de Ppui i Marionete de la U.N.A.T.C, Bucureti.
AU FOST NMNATE URMTOARELE PREMII: PREMIU PENTRU ORIGINALITATE SCENOGRAFIC spectacolului PRINUL MIRKO, Teatrul Ariel,Tg. Mure, Romnia. PREMIU PENTRU CALITATE I VARIETATE REPERTORIAL, VIRTUOZITATE INTERPRETATIV N ARTA ANIMAIEI Teatrul ndric, Bucureti, Romnia PREMIU PENTRU EXPRESIVITATE I RAFINAMENTUL IMAGINII N ARTA ANIMAIEI spectacolului CRIASA ZPEZII, Teatrul Gulliver din Galai, Romnia PREMIU PENTRU FOLOSIREA ORIGINAL A TEHNICII DIGITALE N ARTA ANIMAIEI spectacolului MOTANUL NCLAT, Teatrul pentru copii i tineret, Constana, Romnia PREMIU PENTRU OMOGENITATE I EXUBERAN spectacolului LOVE THEE, Horizon Theater, Australia PREMIU PENTRU CALITATEA POETIC a spectacolului CRIASA ZPEZII, Teatrul Kover Bela, Ungaria PREMIU PENTRU VIGOAREA I UMORUL DIALOGULUI ACTOR - PPU, spectacolului PUNGUA CU DOI BANI, Teatrul PUCK din Cluj Napoca, Romnia PREMIU PENTRU ACURATEEA I VIRTUOZITATEA TEHNICII DE MNUIRE spectacolului ANTOLOGIA, Compania Jordi Bertran, Spania PREMIU PENTRU INGENIOZITATE, RAFINAMENT I MODERNITATE N ARTA ANIMAIEI spectacolului CRIASA ZPEZII, Teatrul de marionete din Arad, Romnia PREMIUL SPECIAL AL JURIULUI acordat regizorului Cristian Pepino pentru diversitatea mijloacelor de expresie artistic a spectacolelor prezentate n festivalul Bucurii pentru copii. Spectacole de colecie
Teatrul NDRIC cu sprijinul Primriei Municipiului Bucureti, Ministerul Culturii i Cultelor, Centrului Cultural al Republicii Ungare, Ambasadei Olandei i sub egida UNIMA Romnia, a organizat n perioada 30 noiembrie - 7 decembrie 2008 cea de a 4-a ediie a Festivalului Internaional al Teatrului de Animaie Bucurii pt copii. Spectacole de colecie.La aceast ediie au participat n concurs 10 trupe din ar i 4 din strintate, teatrul gazd, iar in afara concursului studenii de la Secia Arta Actorului Mnuitor de Ppui i Marionete de la U.N.A.T.C, Bucureti. AU FOST NMNATE URMTOARELE PREMII I DIPLOME: PREMIU PENTRU IMAGISTIC - Teatrul pentru copii i tineret Constana. PREMIU PENTRU ORIGINALITATEA I ANVERGURA DEMERSULUI ARTISTIC - Teatrul Gulliver - Galai. PREMIU PENTRU ORIGINALITATEA I PROFESIONALISMUL DISCURSULUI ARTISTIC - Compania Jordi Bertran - Spania. PREMIU PENTRU INGENIOZITATE I RAFINAMENT - Teatrul de marionete Arad. PREMIU PENTRU EXPRESIVITATE I MISTER - Teatrul t`Magisch - Olanda. PREMIU PENTRU RELAIA ACTOR - PPU - MUZIC NTR-UN SPECTACOL DE ANIMAIE - Teatrul Puck - Cluj-Napoca. PREMIUL PENTRU SAVOAREA DRAMATIZRII, MODERNITATE SCENOGRAFIC I VIGOARE INTERPRETATIV - Teatrul de animaie ndric.
2008
PREMIU PENTRU CRITIC TEATRAL N DOMENIUL ANIMAIEI se acord Dlui Ion Parhon. PREMIU PENTRU EXCELEN N ANIMAIA ROMNEASC se acord Dlui Rudolf Moca.
2009
Teatrul NDRIC cu sprijinul Primriei Municipiului Bucureti a organizat n perioada 28 noiembrie i 6 decembrie 2009 la cea de-a 5-a Ediie a Festivalul Internaional al Teatrului de Animaie BUCURII PENTRU COPII. SPECTACOLE DE COLECIE. AU FOST NMNATE URMTOARELE PREMII, MENIUNI I DIPLOME: PREMIU PENTRU ORIGINARITATE I VIRTUOZITATE Teatrului PUCK din Cluj Napoca PREMIU PENTRU VALENELE POETICE ALE RELAEI DINTRE ACTORI - MTI I PPUI Teatrului GULLIVER din Galai PREMIU PENTRU VARIETATEA LIMBAJULUI ARTISTIC I VALENELE EDUCATIVE ALE LECTURII SCENICE Teatrului NDRIC din Bucureti PREMIU PENTRU PLASTICITATEA GESTUAL A DISCURSULUI SCENIC Teatrului K3 din Polonia PREMIU PENTRU INVENTIVITATEA I RAFINAMENTUL NTREGULUI SPECTACOL Teatrului A Gadit din Israel
2010
Teatrul de Animaie NDRIC cu sprijinul Primriei Municipiului Bucureti a organizat n perioada 26 noiembrie - 5 decembrie 2010 cea de a 6-a Ediie a Festivalul Internaional al Teatrului de Animaie BUCURII PENTRU COPII. SPECTACOLE DE COLECIE. AU FOST NMNATE URMTOARELE PREMII: PREMIUL PENTRU VALOAREA REPERTORIULUI I CALITATEA TRANSPUNERII SCENICE se acord spectacolului Apolodor - Teatrul Puck din Cluj Napoca PREMIUL PENTRU VALENELE POETICE I PLASTICE se acord spectacolului Motanul nclat - Teatrul Gulliver din Galai PREMIUL PENTRU VARIETATEA I MODERNITATEA LIMBAJULUI se acord spectacolului Galaxia Svejk - Teatrul ndric din Bucureti PREMIUL MERITA RESTITUTIO PENTRU CALITATEA RESTITUIRII UNEI OPERE CLASICE se acord spectacolului Pinocchio - Teatrului ndric din Bucureti PREMIUL PENTRU INVENTIVITATEA I RAFINAMENTUL SPECTACOLULUI THE RAIN BIRD se acord Teatrului Train din Ierusalim, Israel
2011
Teatrul de Animaie NDRIC cu sprijinul Primriei Municipiului Bucureti a organizat n perioada 24 noiembrie - 4 decembrie 2010 cea de a 7-a Ediie a Festivalul Internaional al Teatrului de Animaie BUCURII PENTRU COPII. SPECTACOLE DE COLECIE. AU FOST NMNATE URMTOARELE PREMII: PREMIUL MIHAELA TONITZA IORDACHE DE EXCELEN N ANIMAIA ROMNEASC - Carmen Mrginean, (Arad) PREMIUL DE EXCELEN PENTRU CORPUL TEHNIC N ANIMAIA ROMNEASC - Victor Tru, (Galai) PREMIUL PENTRU SPECTACOL DE ANIMAIE COPII Teatrul de Animaie ndric (Bucureti, Romnia) - Alice n ara Minunilor pentru anvergura montrii i pitorescul personajelor PREMIUL PENTRU SPECTACOL DE ANIMAIE COPII - Teatrul Luceafrul (Iai, Romnia) - Dumbrava Minunat pentru fidelitatea i ingenuitatea restituirii textului clasic PREMIUL PENTRU SPECTACOL DE ANIMAIE COPII - Teatrul Train (Ierusalim, Israel) - Gulliver n Lilliput pentru unicitatea limbajului teatral PREMIUL PENTRU SPECTACOL DE ANIMAIE ADULI - Teatrul de Animaie ndric (Bucureti, Romnia)- Play Shakespearepentru originalitate, virtuozitate i umor PREMIUL PENTRU SPECTACOL DE ANIMAIE ADULI - Teatrul Pinokio (Lodz, Polonia) - Bruno Schultz, Istoria Imaginaiei Pctoase, pentru ingeniozitate i virtuile interpretative PREMIUL DE INTERPRETARE - Compania Girovago i Rondella (Italia) - Mano Viva, pentru tehnica de mnuire PREMIUL DE INTERPRETARE - Ovidiu Crian pentru rolul titular din spectacolul Dnil Prepeleac (Teatrul Puck, Cluj-Napoca) PREMIUL PENTRU ONE MAN SHOW - Bence Sarkadi (Budapesta, Ungaria) - Figura Ex Machina PREMIUL PENTRU ONE MAN SHOW - Toni Rumbau (Barcelona Spania) - Full Hands
aional n r e t n I l u Festival maie i n A e d i lu al Teatru
-a Ediia a 8 2012 . c e d 1 22 nov.- TRUL TEA IC NDR
2012
Teatrul de Animaie NDRIC cu sprijinul Primriei Municipiului Bucureti a organizat n perioada 22 noiembrie - 1 decembrie 2012 cea de a 8-a Ediie a Festivalul Internaional al Teatrului de Animaie BUCURII PENTRU COPII. SPECTACOLE DE COLECIE. AU FOST NMNATE URMTOARELE PREMII:
din Romania
PREMIUL PENTRU ORIGINALITATEA VIZIUNII SPECTACOLULUI N PERSPECTIVA CONFLUENELOR CULTURALE - Teatrului tru copii. ia n e p i er i m ed ri n u te BEILEI - Guangzhou, China c ar Bu ia p er i m ed colecie p ar te n e or ga ni za d le ed ia o to ri or ga m c i PREMIUL PENTRU BOGIA CROMATIC I VIRTUOZITATEA ta er ni za to ri te n Spec or ga ni za ia p ar to ri pa rte er i m ed ne ri pa rte p ar te n ia JOCULUI CU MTI - Teatrului BEILEI - Guangzhou, China ed ne ri cu sp rij in ul p ar te n er i m PREMIUL PENTRU MANAGEMENT CULTURAL DIN PERSPECTIVA CONTRIBUIEI LA PROMOVAREA TEATRULUI C CHINEZ N LUME - Domnului DENG CHIXIANG,manager general, Teatrul BEILEI - Guangzhou, China PREMIUL PENTRU CALITATEA IMAGINII I VALOAREA METAFOREI, spectacolului Momentum, Compania Ananda Puijk, Olanda PREMIUL PENTRU ATRACTIVITATEA I CANDOAREA DISCURSULUI SCENIC, spectacolului Cei trei purcelui, Teatrul Gulliver Galai PREMIUL PENTRU VIRTUOZITATEA MNUIRII n spectacolul Zulenka, Teatrul Prichindel, Alba Iulia PREMIUL DE INTERPRETARE, actriei Ilona Hrestic pentru evoluia din spectacolul Dnil Prepeleac, Teatrul de Animaie ndric, Bucureti PREMIUL DE INTERPRETARE, actorului Marin Fagu pentru evoluia din spectacolul Dnil Prepeleac, Teatrul de Animaie ndric, Bucureti PREMIUL DE INTERPRETARE, actriei Oana Stancu pentru rolul principal din spectacolul Inim de piatr, Teatrul Colibri, Craiova PREMIUL PENTRU PITORESCUL PERSONAJELOR I CALITATEA MUZICAL a spectacolului Frumoasa Rapunzel, Teatrul Arlechino, Braov PREMIUL PENTRU INGENIOZITATEA LECTURII SCENICE I INVENTIVITATEA MIJLOACELOR DE EXPRESIE ARTISTIC, spectacolului Rapunzel, Teatrul de Animaie ndric, Bucureti PREMIUL PENTRU PROFESIONALISMUL ELABORRII I CALITII INTERACTIVE A SPECTACOLULUI APROAPE I NU PREA, Teatrul GRIPS, Germania PREMIUL PENTRU ACTUALITATEA MESAJULUI I UMORUL DIALOGULUI TEATRAL MUZICAL Teatrului Batida, Danemarca PREMIUL SPECIAL AL JURIULUI ARTISTULUI TONI ZAFRA pentru fineea mnuirii din spectacolul Fragmente, Compania Toni Zafra
BUCURETI
MUNICIPIULUI
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Colectivul Teatrului de Animaie ndric

Echipa managerial / Management Department Clin Octavian MOCANU - Director / General Manager Florentina IORDACHE - Director Adjunct / Deputy Manager Catelua MURGU - Contabil ef / Chief Accountant Birou Resurse Umane / Human Resources Department: Florentina Iordache Paula Popescu Compartiment Marketing / Marketing Department: Raluca Tulbure Raluca Moldovean Monica Vlduu Iancu Ionu olescu
Compartiment Artistic / Artistic Department: Adrian Lefter Florentina Tnase Gabriel Apostol Daniel Stanciu Cristina Roiianu Angela Filipescu Liliana Gavrilescu Paul Ionescu Eugenia Barbu Mariana Zaharia Cristian Mitescu Ioan Brancu Ioana Chelaru Popovici Dora Ortelecan Dumitrescu Florin Mititelu Adrian Viorel Ionescu Mihai Dumitrescu Graiela Ene Roxana Vian Victor Bucur Petronela Purima Tnase Alina Petrescu Marin Fagu Alina Teianu Ilona Hrestic Geo Dinescu Daniela Ruxandra Mihai George Nstase Andreea Ionescu George Simian Dan Codreanu Alexandru Neculcea Olga Bela Jou-Jou Drgan Simina Constantin Ana Maria Blescu
Tandarica Animation Theatre Staff

Atelier scen / Stage workshop: Anioara Iovnescu Andrei Gheorghiu Dumitru Zaheu Constana Necula Ctlin Georgescu Nicolae Stoenescu Ctlin Neagu Simona Solomon Dana Iloviceanu Adrian Ghinea Mircea tir
Formaie muncitori / Stage crew department: Silviu Constantinescu Tudor Irimia Cornel Stroe Mihai Tudor Vasile Trufan Daniel Vintil Vasile Neacu Marian Toma Gabriel Solomon Marin Panait Birou organizare spectacole / Front desk department: Elena tirb Georgeta Ivan Maria Dumitru Elena Manda Tudor Manda Emilian Vornicu Emil Enghel Rzvan Tulea Despina Moraru Constantin Lupu Viorica Stoenescu Lucia Teodora Dumitru Camelia Feldrihan Liliana Toma Mariana Cazacu Mariana Floroiu
Secia producie aprovizionare / Production-Supplies Department: Eugenia Soare Dinu Carcaleeanu Anca Dodan Iuliana Mocanu Ion Neacu Dumitru Ghencea Mihai Ceobnel Florin Mateescu Gheorghe Ionescu Zamfira Alexe Emilia Furduiu Mircea Clin Gheorghe Neagu Ionu Cizescu Viorel Vaida Gabriel Constantin Roxana Grigore
Compartiment administrativ, Paz-Psi / Administrative, Guard Department:
Compartiment contabilitate-financiar / Account-Financial department: Ioana Ciobotaru Maria Dinu Teodora chiopu Daniela Eremia Eugen Solomon
20 13
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Catalog redactat i tradus de Raluca Tulbure i Raluca Moldovean grafica cristiandrei.ro 2013

Festival 2013

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TEATRUL DE ANIMAIE NDRIC Festivalul Internaional al Teatrului de Animaie Bucurii pentru copii.

Programul Festivalului Internaional al Teatrului de Animaie. Ediia a 9-a, 14 - 24 nov. 2013

12:00 12:30 13:00 17:00 17:15

Lansare carte Editura Nemira ndric - Foaier

Anglia, Londra A LA CARTE JOSE NAVARRO ndric - Sala Lahovari

Atelier A.C.T.O.R. AICI ACOLO ndric Sala Studio

Romnia, Bucureti COCOELUL NEASCULTTOR UNATC ndric - Sala Studio

Atelier ADRIAN LEFTER Ppui din baloane ndric - Foaier

Romnia, Bucureti N LARG UNATC ndric - Sala Studio

17:00 17:15 18:00

The Jury of the Festival

MANON VAN DE WATER

MARIUS ZARAFESCU IVICA SIMI

Regizor, Secretar general ASSITEJ

CRISTINA RUSIECKI MARIA SRBU

Clin Octavian Mocanu

Prof. Univ. Dr. Sorin Mircea Oprescu Primar General al Capitalei

Prof. univ. dr. Sorin Mircea Oprescu General Mayor of Bucharest

Clin Octavian Mocanu

Director Manager al Teatrului de Animaie NDRIC

Preedinte UNIMA Romnia

Preedinte ASSITEJ - Romnia Directorul Festivalului

General Manager NDRIC Animation Theatre President UNIMA Romania

Clin Octavian Mocanu

President ASSITEJ - Romnia Festival Director

Ion Parhon Preedinte Juriu

Ion Parhon President of the Jury

TEATRUL DE ANIMAIE NDRIC BUCURETI, ROMNIA

n romn in Romanian peste 3 ani over 3 years

NDRIC ANIMATION THEATRE BUCHAREST, ROMANIA

THE LITTLE MERMAID

in Romanian peste 3 ani over 3 years

TEATRUL DE ANIMAIE NDRIC BUCURETI, ROMNIA

FATA BABEI I FATA MONEAGULUI

n romn in Romanian peste 3 ani over 3 years

NDRIC ANIMATION THEATRE BUCHAREST, ROMANIA

THE OLD WOMANS DAUGHTER AND THE OLD MANS DAUGHTER

TEATRUL DE ANIMAIE NDRIC BUCURETI, ROMNIA

NDRIC ANIMATION THEATRE BUCHAREST, ROMANIA

n romn in Romanian peste 3 ani over 3 years

TEATRUL DE ANIMAIE NDRIC BUCURETI, ROMNIA

NDRIC ANIMATION THEATRE BUCHAREST, ROMANIA

ILONA HRESTIC BUCURETI, ROMNIA

ILONA HRESTIC BUCHAREST, ROMANIA

THE GOLDEN BIRD

A PERFORMANCE DEDICATED TO CONSTATIN BRNCUI

nonverbal nonverbal aduli adults

INIM RECE / COLD HEART

n romn in Romanian peste 4 ani over 4 years

TEATRUL DE ANIMAIE NDRIC BUCURETI, ROMNIA

BEAUTY AND THE BEAST

NDRIC ANIMATION THEATRE BUCHAREST, ROMANIA

n romn in Romanian peste 5 ani over 5 years

TRAGEDIA OMULEULUI / THE TRAGEDY OF THE LITTLE MAN

n maghiar in Hungarian peste 12 ani over 12 years

n romn in Romanian peste 6 ani over 6 years

TEATRUL DE ANIMAIE NDRIC BUCURETI, ROMNIA

NDRIC ANIMATION THEATRE BUCHAREST, ROMANIA

n romn in Romanian peste 3 ani over 3 years

JOSE NAVARRO LONDRA, MAREA BRITANIE

JOSE NAVARRO LONDON, GREAT BRITAIN

TEATRUL PENTRU COPII I TINERET CLUUL DE MARE CONSTANA, ROMNIA

PUNGUA CU DOI BANI