HiIntervenia ANAF din cursul zilei de joi la sediul redacie Rise Project, vzut de muli ca o

tentativ de intimidare a liderul PSD, Liviu Dragnea, la adresa jurnalitilor, nate noi scenarii dup ce
materialul a cunoscut lumina tiparului.

Jurnalitii de la Rise Project au obinut un raport secret al Direciei Generale de

Protecie Intern (DGPI), elocvent i detaliat, despre relaiile efului PSD n judeul
Teleorman, controlul pe care Dragnea l are asupra firmei Tel Drum, lucrrile fictive
din jude, dar i obinerea nefondat a unor fonduri colosale din bugetul statului.
Dezvluirile fcute i pe care le putei citi n rndurile urmtoare sau pe riseproject,
ntresc un al doilea subiect al investigaiei, dar care se mbin perfect cu raportul
secret: dorina lui Dragnea de a avea controlul absolut asupra DGPI, fr s nu mai
existe avizul CSAT.
Actul secret se axeaz pe organizaia care conduce, sub bagheta lui Dragnea, ntregul
jude Teleorman. ntregul raport este din 2011, iar sub denumirea Not privind
aspecte care afecteaz climatul socio-economic al judeului Teleorman, acesta scoate
la iveal amnunte care ocheaz cetenii simpli. De menionat c raportul, n ciuda
faptului c ocheaz prin amnunte, nu a ieit niciodat din DGPI. Pn acum.
Incredibil, dar ADEVRAT! ORDINUL lui Kovesi a fost EXECUTAT. Ce a
cumprat DNA - FOTO
Sindromul Zuckerberg: Sentimentul VINOVIEI care determin Occidentul s se
PREDEA n faa TERORII islamice
Descrie o reea infracional compus din persoane cu putere de decizie n
jude prin care Liviu Dragnea, baron local, fraudeaz fonduri europene i
guvernamentale, se precizeaz n demersul jurnalistic.
n ciuda faptului c Dragnea s-a delimitat ntodeauna de controversata firm Tel
Drum, documentul l identific pe liderul PSD ca fiind deintorul majoritar al
aciunilor la purttor de la firm. Important n aceast meniune este termenul de
aciuni la purttor. Acestea sunt certificate anonime, iar aproape toate aciunile n
firm rmn secrete, departe de ochiul indiscret al curioilor.
La vedere, ns, corporaia este controlat de apropiaii lui Dragnea: Marian Ficuci-
prieten cu liderul PSD din coala general, Adrian Simionescu cumnatul lui
Dragnea, Cristian Duic, Petre Piti, dar i jurnaliti locali.
Prinii, vinovai de greelile profesorilor. Alte PERLE ale ministrului Pop
Dragnea, PROTEJAT de PROCURORI ani de zile! DGPI a reacionat la dezvluirile
Rise Project
Raportul secret al DGPI scoate la suprafa i o serie de tranzacii subevaluate ntre
Bombonica, fosta soie a lui Dragnea, tocmai cu liderul PSD, dar i finanri ilegale
de care PSD ar fi avut parte din partea Tel Drum n perioada 2008-2009.
Una dintre cele mai interesante pri ale notei secrete o reprezint relaia dintre Liviu
Dragnea i Clin Popescu-Triceanu.
Conform Riseproject, totul a nceput n 2005 cu 257 de miliarde de lei vechi pe care
Triceanu i le-a dat lui Dragnea pe mn. Primul era premier, cellalt conducea
Consiliul Judeean, iar n Teleoman erau inundaii grave n acel an. Apa spulberase un
pod pe care tocmai l reparase firma Tel Drum. A fost o lucrare fictiv, scriu ofierii
DGPI, dar pe fondul calamitilor naturale, Triceanu i-a alocat banii lui Dragnea cu
titlu de for major. Asta a permis negocieri cu o singur surs, evitarea lictaiilor
publice, pn cnd fondurile au ajuns la Tel Drum constatau ofierii DGPI.
Un an mai trziu, tot pe bani publici, a venit adevrata infuzie de capital.

Informarea fcut de DGPI este clar i ocant n acelai timp: n cursul anului
2006, datorit lipsei fondurilor la capitolul drumuri judeene, Liviu Nicolae Dragnea
propune i obine aprobarea consilierilor judeeni pentru contractarea unui credit pe
20 de ani n valoare de 400 milioane de euro pentru refacerea drumurilor judeene
() ctigtorul fiind tot SC Tel Drum SA, care i-a asigurat lucrri pe o p
gh quality product photography is essential for apparel ecommerce. For many
customers, your product images will determine whether or not they buy your product.

But essential doesnt have to mean expensive. The difference between professional
and amateur is talent, equipment, and experience. If you have an eye for photography
and a modest budget, follow these 7 steps to benefit from our experience and create
beautiful apparel product images.

1. Prepare Your Garment

Your products should look their absolute best in your images. Its an unfortunate fact
of life that clothing can become wrinkled, creased, and begin to look worn from
storage and transport. Clothing samples face a particularly rough time of it, as they
often cover a lot of miles and may not have been perfectly constructed to begin with.

Preparing garments to be photographed is a crucial starting point for photographing

apparel, yet many photographers skip this step and rely on Photoshop to fix wrinkles,
stains, and other visible defects. Dont do that. Photoshop isnt magic: it takes time
and expertise to master advanced editing techniques, and excessive editing risks
compromising image quality.

Try to capture your garment in a state as close to perfect as possible and use
Photoshop only to add final touches and color correction.
 Steaming will help your product look its best before photographing it.

Thoroughly examine your product from top to bottom, inside and out. Are there any
tags, stickers, and other types of identifying materials that need to be removed? Do so.
Has the product become wrinkled or creased during storage? Iron or steam it. Repair
damages and remove distractions; for example, use lint rollers or tape to remove dust
and strings.

2. Set Up Your Studio

With a few items, you can turn nearly any room with space into a photography studio.
If youre on a shoestring budget, you can get by with a camera, tripod, seamless white
paper, duct tape, and natural light. If you have a little more to spend and want control
over when and where you shoot, its worth investing in a few more pieces of
equipment.
Studio setup with camera, tripod, c-stand, seamless paper, mannequin, monolight kit.

If you're shooting smaller items like jewelry, bags, wallets or other accessories, you
can get a mini portable photo studio like the Foldio. The Foldio comes with several
different backdrops, LED lights and an iOS app to help you capture professional
product photos from the comfort of your home or office.
HYPERLINK
"https://stockroom.shopify.com/collections/photography/products/foldio2-mini-
studio"

Everything included with the Foldio: The Portable Mini Studio.

Backdrop
Always use a white or light grey backdrop to prevent distractions and ensure you
capture colors as accurately as possible. Seamless rolls of white paper are ideally
suited, cheap, and readily available at any photography supply store. If you have one,
use a c-stand to hold the seamless. Sweep the roll to the floor so that it is curved,
preventing creases and distracting shadows, and fasten it with tape.

Using a stand will give you more flexibility in where you position your background,
allowing you room to maneuver around the studio. If youre on a bootstrapped
budget, you can tape the seamless roll to the ceiling or a wall.

Position your product on a model or mannequin in the middle of the backdrop and
directly in front of where your camera will be.

Camera
Your camera is a vital part of your product photography, but dont make the mistake
of assuming it alone will determine your success. Its just one piece of the puzzle, and
you dont have to put your entire budget into it. We recommend you use a DSLR that
has, at a minimum, manual exposure and aperture settings, or using a very
inexpensive alternative right at your fingerprints, your smartphone!

Use a tripod. The stability will eliminate camera shake and ensure your shots are
consistent, while also freeing you to use your hands on other tasks. You dont need to
spend a lot of money on a tripod, but its essential that you use one.

Position your tripod and camera so that it directly faces the product. Most of the time,
you will not move the camera throughout the shoot. For different angles of the
product, you will move the product.
 Mount your camera on a tripod and directly face the product.

Lighting
Natural window light is an inexpensive and high quality light source for any apparel
photographer. If you have a large window and abundant natural light, great! It may be
all you need. However, if you have the means, we highly recommend that you rent or
invest in an easy-to-use lighting kit.

Having artificial lighting equipment at your disposal will enable you to shoot when
there simply isnt enough light coming in through the window. The added versatility
can dramatically increase your efficiency, while consistent lighting helps you set a
professional standard. For a single light setup, youll need a light head, softbox, c-
stand, battery pack, and pocket wizard.

The light head is what you might think of as the light itself. We suggest you start
with a mono strobe light head, called a monolight. This may be the most expensive
portion of your kitpossibly more expensive than your cameraso take some time
to research and find your best long term fit.

A softbox is necessary to diffuse light and capture your product in an evenly lit
and appealing manner. The c-stand will hold your light head and the softbox
around it. A pocket wizard will sync your camera and the light, essentially
turning your light head into its flash. The battery pack does exactly what you
think it does; it powers your light.

3. Position Lighting
If youre using natural light, position your product near a window where it can get
even, indirect light. If youre using a monolight setup, below is a diagram of a birds-
eye view of an effective single light setup.