1 2 0 d e a n i

de organi zare
pr of e s i onal
i nv mnt
superi or de
a r h i t e c t u r
3
Cuprins / Content
1. Introducere
Introduction 5
2. Aniversri
Aniversary Events 55
3. Expoziia concurs de proiecte
Design Competition Exibition 143
4. Manifestri conexe
Related Events 605
5. Organizatori, parteneri BNAB 2012
BNAB 2012 Organising Committee and Partners 619
Organizator Comisar Bienal
Uniunea Arhitecilor din Romnia Prof.dr.arh. Cristina Olga Gociman
Preedinte dr.arh. Viorica Curea
Editori
Prof.dr.arh. Cristina Gociman Seciunile: Introducere, Aniversri, Manifestri
conexe, Organizatori i parteneri BNAB 2012
Conf.dr.arh. Andra Panait Seciunea Expoziia Concurs de proiecte
Identitate vizual & graphic design
Conf.dr. arh. Andra Panait
Corectur
Arh. Maria Mnescu
2013, Editura Universitar Ion Mincu
A l b u m f i n a n a t d e A r C u B
Centrul de Proiecte Culturale al Primriei Municipiului Bucureti
Descrierea CIP a Bibliotecii Naionale a Romniei
Catalogul proiectelor participante la Bienala Naional de Arhitectur
Bucureti 2012, Uniunea Arhitecilor din Romnia - Bucureti: Editura
Universitar Ion Mincu, 2013
CONTENTS
CUPRINS
5
1
n cutarea justei msuri / Searching for the Proper Measure
Proceduri pregtitoare B.N.A.B. 2012 / The 2012 Bucharest National Architecture Biennale - Preparatory Procedures
Opinii despre B.N.A.B. 2012 / Opinions on the 2012 BNAB
Raportul comisarului / Report of the 2012 B.N.A.B. Commissioner
Locurile de desfurare a Bienalei / Biennale Venues
INTRODUCTION
INTRODUCERE
5
7
Vlad Eftenie 2012
9
Searching for the Proper Measure
The idea of measure, highly appreciated in ancient Greek, meant harmony, balance, chariness, temperance,
wisdom and it found its place not only in philosophy but also, through concrete presentation, in architecture. In
this large perspective, we are searching for a proper measure. After 1992, the Union of Architects from Romania
has organized the Bucharest Architecture Biennale. On this occasion the projects elaborated during the past two
years are selected for the contest and from these projects, the specialized juries are nominating and recompensing
the works they find to be the best.
This year, for the 10th Bucharest National Architecture Biennale, the two years time frame did not convince us and
we introduced time loop, works and personalities from the past in the exhibition Romanian Architects Creators of
Patrimony starting from the end of the 19th century, highlighting especially the personality of the architect Ion
Mincu, and reaching to present works, urban perspective studies until 2020, including also projects of architecture
students. The analyzed sections encompass a large spread of works, including architecture, town planning, design,
restoration works, written words, etc.
What are we learning for the future, what are the conclusions, what are the proper measure and the perspective
for the design of the future objectives? Globally, we are crossing a stage of searching for the improvement of the
built environment. Extravagantly luxuriously and high buildings are emerging in the United Arab Emirates, United
States or Near East or Far East, up to China or Japan, but also ecologic constructions, with an organic structure and a
minimumcost for materials and the execution. Europe is searching for an impressive architecture for newbuildings but
also for improving or expanding solutions for buildings started fifty years ago. For example, the buildings in Paris, in
the La Defense area, are forming an ensemble which is naturally continuing the existing structure of the city, within a
well thought concept, designed in harmony with the specific structure of this big metropolis.
What would be the proper measure for Bucharest? The international competition launched for Bucharest 2000
was ignored and we are wondering when will the planning of a high ensemble in the area of Casa Poporului be
resumed? The high buildings erected in the old parts of the city are not blending in the existing historic ensemble,
but on the contrary, for example, the BANCOREX building was not assimilated in the past years and it is still an
aggressive vertical which is contrasting to the CEC palace and the entire historic complex built over time.
The reaction of the citizens and of the majority of the architects has succeeded in stopping other high buildings from
being erected, in contrast to the harmony of the area. In this way, the proposals for building in Cimigiu were stopped,
but many other buildings were erected in existing areas, against any reason and professional culture. The Bucharest
National Architecture Biennale aims to be primarily a time for thinking about the road to be taken by the architects
professional practice, about cherishing the culture and the past and about finding a proper measure for the future.
UAR President
Ph.D. arch. Viorica Curea
Introducere / Introduction
n cutarea justei msuri
Ideea de msur, mult apreciat n Grecia Antic, nsemna armonie, echilibru, chibzuial, cumptare, nelepciune
i ea i-a gsit locul nu numai n filozofie ci, printr-o reprezentare concret, i n arhitectur. n aceast perspectiv
larg cutm o just msur. Din 1994, Uniunea Arhitecilor din Romnia a organizat Bienala de Arhitectura
Bucureti. Cu aceast ocazie sunt selecionate proiecte elaborate ntr-o perioad de doi ani care intr n concurs i
din care juriile de specialitate nominalizeaz i premiaz lucrrile pe care le consider cele mai reuite.
n acest an, la a zecea Bienal Naional de Arhitectur Bucureti, perioada de doi ani nu ni s-a prut elocvent i,
de aceea am creat un arc peste timp, introducnd lucrri i personaliti din trecut n expoziia ,,Arhiteci Romni
Creatori de Patrimoniu Cultural, care acoper o perioad ce pornete de la sfritul secolului al XIX-lea - prin
marcarea n mod special a personalitii arhitectului Ion Mincu - i ajunge pn la lucrri actuale, studii urbane
de perspectiv pn n 2020, incluznd chiar i proiecte ale studenilor arhiteci. Seciunile analizate cuprind deci o
plaj larg de lucrri, fiind incluse lucrri de arhitectur, urbanism, design, restaurri, cuvnt scris etc.
Ce reinem pentru viitor, ce concluzii tragem, care este justa msur i perspectiva n care s concepem obiectivele
viitoare?
Pe plan mondial trecemprintr-o etap de cutri pentru ameliorarea mediului construit. Apar construcii de un lux
i nlimi exorbitante n Emiratele Arabe Unite, n Statele Unite sau n Orientul Apropiat sau mai ndeprtat, pn
n China sau Japonia, dar i construcii ecologice, cu o structur organic, cu un cost minim privind materialele i
execuia. n Europa se caut o arhitectur impresionant pentru construcii noi dar i ameliorarea sau extinderea
unor ansambluri ncepute deja cu cincizeci de ani n urm. De exemplu, construciile nalte grupate la Paris n zona
La Dfense formeaz un ansamblu care continu firesc structura existent a oraului ntr-un concept bine gndit,
compus n armonie cu structura specific acestei mari metropole.
Care ar fi justa msur pentru Bucureti?
Concursul internaional lansat pentru ,,Bucureti 2000 a fost ignorat i ne ntrebm cnd se va relua planificarea
unui ansamblu cu regim mare de nlime n zona ,,Casei Poporului? Construciile nalte care au fost ridicate
n zonele vechi ale oraului nu se integreaz armonios n ansamblul istoric existent, ci dimpotriv. Cldirea
,,BANCOREX, de exemplu, nu a fost asimilat n cursul anilor care au trecut, rmnnd i astzi o vertical
agresiv care scoate din scar palatul CEC i tot ansamblul istoric constituit n timp.
Reacia locuitorilor i a majoritii arhitecilor a reuit s stopeze alte construcii ieite din scara oraului i din
armonia ansamblului. Aa s-au oprit propunerile de a se construi n Cimigiu, dar multe altele s-au materializat
n construcii implantate n zone existente, mpotriva oricrei raiuni i culturi profesionale. Bienala Naional de
Arhitectur Bucureti se dorete a fi, n primul rnd, un moment de cugetare despre drumul pe care ar trebui s
l urmeze practica profesional a arhitecilor, despre preuirea culturii i a trecutului i despre gsirea unei juste
msuri pentru viitor.
Preedinte UAR
Dr.arh. Viorica Curea
11
Vlad Eftenie 2012
13
The 2012 Bucharest National Architecture Biennale - 2011 Preparatory Procedures
APPOINTING THE COMMISSIONER
Regarding the 2006, 2008 and 2010 editions of the BAB, the UAR Senate accepted to assign the event organization
to ARHITECTURA review editorship. Once their collaboration with the respective review came to an end, they
selected another team. Having in view the development of the 2010 edition when a honorific commissioner was
appointed, they thought the commissioners appointment would settle the team matter by the fact that such an
appointed commissioner was to make up his/her own team.
In the autumn of 2011, they requested name suggestions from architecture higher education institutions as it
was believed that ensuring the events theoretical and professional quality involved the work of a trainer. The
UAR Senate appointed Professor Architect Cristina Gociman, Ph.D. from among a list of three names of professor
architects from various UAIM sections. Their choice was based on Mrs. Gocimans involvement in the activities of
Bucharest OAR, having her expertise acquired by the organization of Architecture Annuals of Bucharest subsidiary.
THE CONTEXT
The tenth edition of the 2012 Bucharest Architecture Biennale (original title) was to take place in a special
context conditioned by several new elements: the BAB overlapped the celebration of 120 years since the SAR came
into being (preceding the UAR) and the early times of public architecture education along with the celebration
of 100 years since the death of Ion Mincu, a famous professor, an innovator of Romanian architecture and the
economic crisis circumstances.
Taking the opportunity of the above-mentioned events to emphasize the BAB among other similar events yet
with regional or county extensions, it was decided to take the name Bucharest National Architecture Biennale.
The change in its change resulted from the comments and debates on a potential correlation of all similar events
particularly the Architecture Annual of Bucharest OAR, of the exhibitions of organizations in Timi, Suceava, Sibiu.
DEFININIG THE THEME
The themes of previous BAB editions have continuously evolved: the exhibition including the architectural output of
the last 2 years made the passage to diversifying constituent sections and connecting the main event with collateral
manifestations (conferences, workshops, debates etc.) which were increasingly numerous and varied. Additionally,
the jury made up of members from our country gradually turned into several juries with more foreign members.
Taking account of the crisis situation, the UAR recommended that the BNAB should resume its presentation of
the last two years outcomes subject to analyses, debates, thorough polls, critical endeavors which were meant to
double both the event in the capital and the events generated by the exhibitions itineration about the country. The
previous editions had already outlined the fact that too many collateral events could overshadow the main goal:
reviewing the strengths and weaknesses of the recent architectural outcomes in Romania.
Bienala Naional de Arhitectur Bucureti 2012 - Proceduri pregtitoare 2011
NUMIREA COMISARULUI
Pentru ediiile din anii 2006, 2008 i 2010 ale BAB, Senatul UAR a acceptat atribuirea organizrii ctre echipa
Redaciei revistei ARHITECTURA. Odat cu ncetarea colaborrii cu respectiva echip, s-a trecut la selectarea altei
echipe. Avnd n vedere modul de funcionare a ediiei din 2010, cnd s-a numit un comisar onorific, s-a apreciat
c desemnarea comisarului va rezolva i problema echipei, prin faptul c acest comisar numit urma s-i formeze
o echip proprie.
n toamna anului 2011 s-au solicitat propuneri de nume din cadrul nvmntului superior de arhitectur,
considerndu-se c asigurarea nivelului teoretic i profesional al manifestrii impune implicarea unui cadru
didactic. Din lista coninnd numele a 3 colege, profesoare doctor arhitect din diverse seciuni ale UAIM, Senatul
UAR a numit pe doamna Cristina Gociman. Alegerea a luat n considerare implicarea doamnei Gociman n
activitatea OAR Bucureti i experiena nsuit prin organizarea Anualelor de Arhitectur ale filialei din Capital.
CONTEXTUL
Ediia a X-a a Bienalei de Arhitectur Bucureti (titulatura originar) din 2012 urma s se desfoare ntr-un
context deosebit, condiionat de cteva elemente inedite: suprapunerea BAB cu mplinirea a 120 de ani de la
fondarea SAR (premergtoarea UAR) i nceputul nvmntului de stat n arhitectur i a 100 de ani de la
moartea lui Ion Mincu, profesor renumit i inovator al arhitecturii romneti. La aceste elemente comemorative
s-a adugat, din pcate, i situaia de criz economic.
Profitnd de evenimentele menionate pentru evidenierea BAB ntre alte manifestri de factur similar, dar de
extensie regional sau judeean, s-a czut de acord ca denumirea s devin Bienala Naional de Arhitectur
Bucureti. Schimbarea denumirii a survenit i ca urmare a comentariilor i discuiilor legate de eventuala
(posibila) corelare a tuturor manifestrilor similare, n spe Anuala de Arhitectur a OAR Bucureti, a expoziiilor
organizaiilor din Timi, Suceava, Sibiu.
DEFINIREA TEMEI
Tematica ediiilor anterioare ale BAB a evoluat continuu: de la expoziia cuprinznd producia de arhitectur
a ultimilor 2 ani, s-a trecut la diversificarea seciunilor componente i la nsoirea evenimentului principal cu
manifestri colaterale (conferine, ateliere, dezbateri etc.), din ce n ce mai numeroase i variate. De asemenea, de
la juriul cu membri din ar s-a trecut treptat la mai multe jurii cu membri din strintate mai numeroi.
Avnd n vedere situaia de criz, recomandarea conducerii UAR a fost ca BNAB s revin la prezentarea produciei
pe ultimii 2 ani, care s fie exploatat prin analize, dezbateri, sondaje aprofundate, demersuri critice care
urmau s dubleze deopotriv manifestarea din Capital i cele prilejuite de itinerarea expoziiei prin ar. Ediiile
anterioare puseser n eviden faptul c prea multe evenimente colaterale pot umbri scopul principal: trecerea
n revist a calitii i defectelor produciei recente de arhitectur din Romnia.
15
ECONOMIC ASPECTS
In compliance with the financial agreements of the latest BAB, the UAR Senate provided the necessary funds (taken
from the Architecture Stamp Duty) in the budgets of 2011 and 2012. The UAR management warned that the
amount made available and originally representing a quarter of the total cost would now mean probably almost a
third of it. This presumption was based on the difficulty in attracting sponsorship and on the potential decrease of
ministries contribution (MDRT and MCPN) as a result of budget adjustments.
It supposed radical changes in the 2010 BAB budget structure placed at the Commissioners disposal in order to get
informed. The entire event should have been made up of the architecture exhibition illustrating the outcomes of
2011-2012 accompanied by critical comments, debates, analyses that it generated. The judging was to be carried
out by only one jury mainly (if not wholly) made up of Romanian professionals to be more deeply involved into
the research and assessment of architecture in Romania. Thus, the events on the occasion of the BAB the series
of panels, symposia etc. could also pursue the itineration about the country.
President of the Romanian Union of Architects (between 2009-may 2012)
Prof. Ph.D. Arch. Peter DERER
ASPECTE ECONOMICE
n acord cu ncheierile financiare ale ultimei BAB, Senatul UAR a prevzut fondurile necesare (din Timbrul
Arhitecturii) n bugetele pe 2011 i 2012. Conducerea UAR a avertizat c suma pus la dispoziie, care reprezenta
nainte un sfert din costul total, va reprezenta acum probabil cca. o treime. Prezumarea s-a bazat pe dificultile
de atragere a sponsorizrilor i pe posibila reducere a contribuiei ministerelor (MDRT i MCPN) ca urmare a
tierilor bugetare.
Aceasta presupunea modificri radicale fa de structura bugetului BAB 2010, pus la dispoziia comisarului spre
informare. ntreaga manifestare ar fi trebuit s constea n expoziia de arhitectur ilustrnd producia anilor
2011-2012, nsoit de comentarii, dezbateri, analize critice generate de aceasta. Jurizarea urma s fie efectuat
de un singur juriu, compus majoritar (dac nu integral) din profesioniti romni, care s se implice mai profund n
cercetarea i evaluarea arhitecturii din Romnia. Astfel, manifestrile prilejuite de BAB - suita de mese rotunde,
simpozioane etc. - puteau urmri i itinerarea prin ar.
Preedinte UAR (2009 mai 2012)
Prof. dr. arh. Peter DERER
17
Vlad Eftenie 2012
19
JAMES F. HORAN - DipArch FRIAI RIBA MIDI ARB
Professor Emeritus, The Dublin School of Architecture, Ireland
The BNAB2012 in October/November of this year provided a wonderful opportunity for the members of the Jury to
experience the contemporary architecture of Romania.
The Architectural projects which were visited ranged from very modest domestic works, commercial and public
buildings, to extremely large projects which had significant impact on the urban fabric and the environment in
which they were located.
The assessment process involved visiting each building to fully understand its context, its architectural realisation
and its detail. This experience of the actual building, as opposed to studying photographs and drawings proved the
most useful of activities. It prompted a new and deeper level of discussion among the members of the jury, and gave
a greater level of credibility to the Jurys decisions.
Because of the geographical spread of the buildings to be visited, the task of the Jury was both onerous and time
consuming. Travelling conditions were often difficult and the shorter hours of daylight in the month of October
presented particular challenges.
Nevertheless, it cannot be underestimated how important and valuable the actual visits to the individual building
were. Initial opinions based on the photographic and graphic submissions were often changed radically when
members of the jury stood within the space, and experienced the full impact of the building and the design
intention behind it at close quarters.
Generally the quality of the architectural work was very high, reaching exceptional levels in some cases. The jury
was conscious of the difficulty in making comparisons and judgements about buildings, found in the same category
which differentiated substantially both in function and scale. For example, comparing the arena in Cluj with a
sculptural project like the tower within a tower was extremely difficult, as, although they are both public buildings,
the scale, nature and the problems encountered in their realisation could be more different. In future, it may be
necessary to consider sub-sections based on scale and complexity in some of the existing categories. This is a topic
which should be discussed and debated.
The lecture series and exhibition which accompanied the work of the various juries and dealing with many
aspects of architecture, urban design, interior architecture, photography and design generally proved to be
most informative and interesting. The coinciding of some of these lectures with studio programmes within the
University of Architecture meant that many students missed the opportunity to attend and experience some of these
fascinating events.
The BNAB was a full, rich and complex event. The organisers of the BNAB 2012 are to be congratulated for the
enormous effort they have clearly dedicated, and the consequential recognition that such an event brings to the
architectural profession and to those involved in architecture, design, and the education of these disciplines in
Romania.
JAMES F. HORAN - arhitect diplomat FRIAI RIBA MIDI ARB
Profesor emerit, coala de Arhitectur din Dublin, Irlanda
BNAB 2012 (Bienala naional de arhitectur Bucureti) din octombrie / noiembrie anul acesta a oferit o
oportunitate minunat membrilor Juriului de a experimenta arhitectura contemporan din Romnia.
Proiectele de arhitectur care au fost vizitate au variat de la lucrri gospodreti foarte modeste, proiecte pentru
cldiri comerciale i publice, pn la proiecte foarte mari care au avut un impact semnificativ asupra structurii
urbane i mediului nconjurtor n care sunt situate.
Procesul de evaluare a implicat vizitarea fiecrei cldiri pentru a-i nelege pe deplin contextul, realizarea
arhitectural i detaliile. Experiena cldirii concrete, spre deosebire de studierea fotografiilor i a desenelor, s-a
dovedit a fi cea mai util dintre activiti, determinnd un nivel nou i mai profund al discuiilor ntre membrii
juriului i aducnd un plus de credibilitate n ceea ce privete deciziile acestora.
Avnd n vedere aria larg de rspndire geografic a cldirilor care urmau s fie vizitate, sarcina juriului a fost
n egal msur costisitoare i consumatoare de timp. Condiiile de cltorie au fost adesea dificile iar perioada
scurt de expunere la lumin natural specific lunii octombrie a adugat un plus de dificultate.
Cu toate acestea, nu putem subestima importana i valoarea vizitelor efective la fiecare cldire n parte. Primele
impresii care au avut la baz fotografiile i desenele prezentate s-au schimbat adesea radical atunci cnd membrii
juriului au vzut cu ochii lor spaiul respectiv i au simit impactul direct al cldirii i inteniile care au stat la baza
proiectului. n general, calitatea proiectelor de arhitectur a fost foarte ridicat, n unele cazuri atingnd chiar
un nivel excepional. Juriul a fost contient de dificultatea de a face comparaii i judeci privind cldirile din
aceeai categorie, care se deosebeau n mod substanial din punct de vedere funcional sau prin scar. De exemplu,
compararea arenei din Cluj cu un proiect sculptural de tipul turn n turn a fost extrem de dificil ntruct, dei
ambele sunt cldiri publice, scara, natura i problemele ntmpinate n realizarea acestora ar fi putut fi mai
diferite. n viitor, ar fi necesar ca sub-seciunile s fie considerate pe baza scrii i complexitii n unele dintre
categoriile existente. Acesta este un subiect care ar trebui discutat i dezbtut.
Seria de prelegeri i expoziia asociate activitii membrilor juriului i care au tratat multe aspecte legate de
arhitectur, design urban, arhitectur de interior, fotografiile i proiectarea n general s-au dovedit a fi cele mai
informative i interesante. Desfurarea acestor prelegeri simultan cu orele de atelier din cadrul Universitii de
Arhitectur a nsemnat c muli studeni au ratat oportunitatea de a participa i de a experimenta multe dintre
aceste evenimente fascinante.
B.N.A.B. 2012 a fost un eveniment deplin, bogat i complex. Organizatorii trebuie felicitai pentru efortul enormpe
care n mod evident l-au depus i pentru recunoaterea pe care un astfel de eveniment o aduce profesiei de arhitect
i celor implicai n arhitectur, design i studierea acestor discipline n Romnia.
21
Ph.D. Arch.Rosa Cervera and Ph.D. Arch.Javier Pioz
Professors at Polytechnic University, Madrid, Spain
Having the opportunity to be a member of the jury of the Biennale National of Architecture, was a great occasion
to get in touch with todays prominent architectural world in Romania.
The organization of the Biennale decided that the jury could visit all those buildings that have reached the final
stage of screening, which were considered appropriate. This approach to the selection of the winners, which is
not the usual biennial and other architectural competitions for the time and effort involved, while this led us to
an amazing journey that could be called architect-venture and that allowed us to know the architecture the best
way you can, that is to visit and see it in person, appreciate its setting, its spatiality, the details, which usually in a
photograph is elusive.
There were more than 20 buildings that we had a chance to visit, located in cities like Bucharest, Brasov and Cluj-
Napoca and some rural places with great beauty, which sometimes is difficult to access. We were immersed in the
cultural image, where the main way of knowing art and architecture is often limited to the images that the media
transmits us, it was enormously instructive recovering direct confrontation with the buildings, enjoying and tasting
them alive and not delayed through nice, but sometimes misleading photographs.
We had the occasion to feel the brilliance and quality of architecture of public and productive work. From large-
scale works, such as stadiums and office buildings, to medium and small scales to production sites, all have a
commitment to excellence is reflected in its implementation in place, in search of space, the resolution of the
program, the design and the quality of care and construction details.
The situation was different with the category of housing. Very few were collective housing buildings presented to
the Biennial and also small and very exclusive those submitted as individual homes. The collective homelessness,
housing and even public advocacy, is possibly an indicator of time of low economic activity and architecture in the
country. We cannot do anything but regret this lack of leaves orphaned because of architectural production in
Romania. On the other hand, and paradoxically, the examples presented individual home to the Biennale showed
a tendency to greatness and the surplus in contrast to the virtual absence of public housing. Surfaces and volumes of
some past excesses and incorporating idioms and architectural design tell us of other national reality is interpreted
through the houses chosen by certain strata of society. The jury, as a manifesto, decided to award the prize to a
humble dwelling house very low budget which recycled prefabricated materials belonging to a common past.
We cannot end this little reflection without mentioning social projects, which will volunteer in the recovery of the
city, as is the case of Matache Urban Regeneration Plan.
Finally we congratulate the organization and the Commissioner of the Biennale for the excellent work done in an
event of such importance.
Dr.arh. Rosa Cervera, Dr.arh. Javier Pioz
Profesori la Universitatea Politehnic, Madrid, Spania
Calitatea mea de membru al juriului n cadrul Bienalei Naionale de Arhitectur a nsemnat un bun prilej de a face
cunotin cu breasla arhitecilor din Romnia din ziua de azi.
Comitetul de organizare a Bienalei a decis ca juriul s viziteze toate acele cldiri care au ajuns n etapa final
de examinare i care au ntrunit cerinele. Aceast abordare privind modul de selecie a ctigtorilor, care nu se
ncadreaz n mod obinuit n tipologia competiiilor n arhitectur bienale sau de alt natur, din punct de vedere
al timpului i efortului alocat, ne-a condus ntr-o uluitoare cltorie ce s-ar putea numi o aventur n domeniul
arhitectural i care ne-a facilitat cunoaterea arhitecturii n cel mai bun mod, adic prin vizitarea construciilor i
examinarea lor la faa locului, aprecierea amplasrii, spaialitii, detaliilor lor, care adesea nu pot fi observate
ntr-o fotografie.
Ni s-a oferit ocazia de a vizita peste 20 de cldiri aflate n Bucureti, Braov, Cluj-Napoca i n cteva zone rurale
de o rar frumusee, adesea greu de gsit n alt parte. Ne-amcufundat n privelitile cu valoare cultural, n ciuda
faptului c principala cale de a cunoate arta i arhitectura se limiteaz deseori la imaginile pe care mass-media ni
le prezint. A fost extremde instructiv s experimentmn mod direct frumuseea cldirilor, s ne bucurmde ele,
s le admirm pe viu i s nu ne lsm captivai de fotografii plcute la vedere, dar adesea amgitoare.
Amavut prilejul de a simi strlucirea i calitatea arhitecturii lucrrilor publice i de creaie. Toate lucrrile, pornind
de la cele realizate la scar mare, precum stadioane i cldiri de birouri, pn la cele la scar mic i antiere de
creaie, sunt devotate excelenei, acest lucru reflectndu-se n implementarea lor pe un amplasament, n cutarea
spaiului adecvat, stabilirea unui anumit program, schiele i preocuparea sporit pentru detaliile construciei.
Situaia a fost puin diferit n ceea ce privete categoria locuinelor. La aceast Bienal, au fost prezentate doar
cteva cldiri de apartamente, iar casele individuale supuse analizei au fost de asemenea mici i puine. Numrul
persoanelor fr locuine, susinerea sczut a sectorului imobiliar i chiar susinerea public pot fi un indicator al
unei insuficiente activiti economice i de construcie n aceast ar. Nu putemdect s ne exprimmregretul fa
de aceast lips care are legtur i cu cei ce rmn orfani din cauza lipsei construciilor n Romnia. Pe de alt
parte i n mod paradoxal, exemplele de case individuale prezentate n cadrul acestui eveniment aveau tendina
spre extravagan i exces, n contrast cu absena real a locuinelor pentru majoritatea populaiei. Suprafeele
analizate i cantitatea unor excese cu rdcini n trecut, ncorporarea obiectelor i schiele arhitecturale ne arat o
alt realitate la nivel naional, i anume cea legat de locuinele alese de persoane aparinnd anumitor straturi
ale societii. Ca un manifest, juriul a hotrt s premieze o locuin modest, n care, cu un buget redus, s-au
reciclat prefabricate aparinnd unui trecut comun tuturor romnilor.
Nu putem ncheia aceast expunere fr s menionm proiectele sociale care vor ajuta la reabilitarea oraului,
cum ar fi, de exemplu, Planul pentru Regenerare Urban a zonei Matache Bucureti.
n ncheiere, felicitm Comisarul Bienalei i echipa organizatoric pentru eforturile deosebite depuse n cadrul
unui eveniment de asemenea importan.
23
Ph.D. Arch. Key Imaguire Junior Ph.D. Arch. Marialba Imaguire
Professor at University of Curitiba, Brasil
Countries, as well as their people, become known all over the world by a triad. For Italy, we have pizza, opera and
Sophia Loren. For Brazil it is beach, carnival and soccer. And for Romania of course it is Dracula, Nadia
Comneci and Ceauescu. To sum it up: Italy is sensuality, Brazil is irresponsibility and Romania is a weird place.
We dont believe in stereotypes, and we had an enormous curiosity about the region generally known as the
European East and about this country with a shape so similar to our state of Paran.
Our participation in the BNAB was a great opportunity to quench, in a conclusive way, this curiosity. This perfectly
organized event gave us the opportunity to be in contact with one of the greatest artistic expressions in every
civilization: its architecture.
We learned about the extraordinary spatial historic formulations: bisericas, monasteries, castles and fortifications
in the Romanian territory. We also learned about the existence of many wonderful cities not only Bucharest
one of the most charming European capitals, but also the fascinating Timisoara, Cluj-Napoca, Brasow, Alba Iulia
and this jewel among cities, Sibiu.
We also learned that Romanians are proud of this heritage, which is being restored, valorized, and curated with
ability and professionalism. From the Dacians to modernity, a great heritage is being studied and redeemed.
And architectural modernity in Romania shows demonstrates that this rich heritage is well understood and
maintained. We saw surprising use of iron and metal; respectful use of wood, and competence in the use of energy
and natural resources. This is a widespread attitude among established professionals and students being prepared
to work in the field at Ion Mincu University.
This contact with professionals, sponsored by the BNAB, has revealed an enormous variety of ways of thinking and
doing good architecture.
Back to typecasting: we must understand stereotypes in their symbolic contours.
Walter Benjamin says that every document of culture is also a document of barbarism. Ceausescu was a cruel
dictator, but the world is full of cruel dictators that did not leave behind grand emblematic buildings to their
countries. Nadia Comaneci worked and trained hard for years to stun the world with her performance in Montreal.
And Vlad Dracul, well, beyond the legends of cruelty, remains a king that saved Europe from a Turkish invasion.
We hope you Romanians will excuse us for touching upon these sensitive points for your country. We Brazilians feel
offended when somebody talks about Romania using the triad as much as when our country is identified like this:
Oh, I know everything about you Brazilians! Pele, Copacabana, carnival
When somebody does this, we remember the monasteries and cities in the Carpathian Mountains. We remember
the cordiality and good manners of the Romanian people. We remember all the intense cultural life in Bucharest.
We remember the excellent architecture that has been produced and is being done now
To sum it up: we feel like RomaniansThank you for all this BNAB Romania!
Dr.arh.Key Imaguire Junior Dr.arh. Marialba Imaguire
Profesor la Universitatea din Curitiba, Brazilia
rile, ca i oamenii lor, devin cunoscui peste tot n lume, printr-o triad. Pentru Italia, avem pizza, opera
i pe Sophia Loren. Pentru Brazilia exist plaja, carnavalul i fotbalul. Iar pentru Romnia exist, desigur,
Dracula, Nadia Comneci i Ceauescu. Pentru a rezuma: Italia este senzualitate, Brazilia este iresponsabilitate
i Romnia este un loc ciudat. Noi nu credemn stereotipuri i amavut o curiozitate enorm relativ la regiune, n
general cunoscut drept Europa de Est i despre aceast ar cu o form att de asemntoare cu statul nostru
Paran.
Participarea noastr la B.N.A.B. a fost o mare oportunitate de a potoli, ntr-un mod concludent, aceast curiozitate.
Aceste eveniment perfect organizat ne-a oferit oportunitatea s venim n contact cu una dintre cele mai mari
expresii artistice pentru fiecare civilizaie: arhitectura sa.
Am aflat despre extraordinarele formulri istorice spaiale: biserici, mnstiri, castele i fortificaii de pe teritoriul
Romniei. Am nvat de asemenea despre existena multor orae minunate nu doar Bucureti, una dintre
cele mai fermectoare capitale europene, dar i despre fascinantele Timioara, Cluj-Napoca, Braov, Alba Iulia i
aceast bijuterie ntre orae, numit Sibiu. Am aflat de asemenea, c romnii sunt mndri de acest patrimoniu,
care este restaurat, valorizat i gestionat cu abilitate i profesionalism. De la daci la modernitate este studiat i
restaurat un mare patrimoniu.
i modernitatea arhitectural n Romnia demonstreaz faptul c acest bogat patrimoniu este bine neles i
pstrat. Am vzut utilizarea surprinztoare a fierului i metalului; utilizarea respectuoas a lemnului i
competena n uzul energiei i resurselor naturale. Aceasta este o atitudine larg rspndit printre profesionitii i
studenii pregtii s lucreze n domeniu, la Universitatea Ion Mincu.
Acest contact cu profesionitii, sponsorizat de ctre B.N.A.B., a dezvluit o varietate enorm de modaliti de
gndire i de a face arhitectur bine.
napoi la typecasting: trebuie s nelegem stereotipurile n contururile simbolice ale acestora.
Walter Benjamin spune c fiecare document de cultur este de asemenea un document de barbarism. Ceauescu
a fost un dictator crud, dar lumea este plin de dictatori cruzi care nu au lsat n urma lor cldiri grandioase
emblematice pentru rile lor. Nadia Comneci a lucrat i s-a antrenat din greu ani de zile pentru a uimi lumea
cu performana sa la Montreal. Iar Vlad Dracul, mai mult dect oricare dintre legendele de cruzime, rmne un
domnitor care a salvat Europa de la o invazie a turcilor.
Sperm ca, voi romnii, ne vei scuza pentru atingerea acestor puncte sensibile pentru ara dumneavoastr. Noi,
brazilienii, ne simim ofensai atunci cnd cineva vorbete despre Romnia folosind triada, la fel de mult ca
atunci cnd ara noastr este identificat astfel: Oh, tiu totul despre brazilieni! Pele, Copacabana, carnaval
Atunci cnd cineva face asta, ne amintim de mnstirile i oraele din munii Carpai. Ne amintim cordialitatea
i bunele maniere ale poporului romn. Ne amintim toat viaa cultural intens din Bucureti. Ne amintim
arhitectura excelent ce a fost produs i este produs i n prezent
Pentru a rezuma: ne simim de parc am fi romniMulumim pentru toate acestea B.N.A.B. Romnia!
25
Ph.D. Arch.Eleni G. Gavra
Assistant Professor at Western University of Macedonia, Greece
First and foremost, I would like to assert that participation in an event as the ARCHITECTURE BIENNALE is to each
architect an honour and a unique experience.
On the other hand, I think the 2012 BNAB which took place in Bucharest met all the standards to be successful:
from the perspective of its organization and achievement.
I think this result is firstly due to the organizations which were fully supported from the very beginning (I
particularly refer to the UAR and Ion Mincu University), and to their people/members.
Separately, I would like to mention their entire support from the beginning to the end of this event. In addition,
I should state: the works quality, the scheme of the works assessment, the choice of exhibition and activity
venue for the evaluation commission (the history museum building situated in the commercial historic centre of
Bucharest), the events along with the works exhibition and assessment and especially the hospitality of people, of
our colleagues in Romania under the (material and moral) support of the BNAB Commissioner, Professor Architect
Cristina Olga Gociman, Ph.D.
Along with all the other things, I would like to express my satisfaction and my personal gratitude to everyone. I
hope our collaboration will go on in the future.
Dr.arh. Eleni G. Gavra
Lector la Universitatea de Vest a Macedoniei, Grecia
Pentru nceput, a vrea s confirmc pentru fiecare arhitect, participarea la un eveniment ca BIENALA ARHITECTURII
este o onoare i, n acelai timp, o experien unic.
Pe de alt parte, cred c BNAB 2012 a avut toate atuurile succesului, la nivelul organizrii i realizrii.
Cred c acest succes se datoreaz n primul rnd organizaiilor care, de la bun nceput pn n ultimul moment,
i-au oferit tot sprijinul (m refer, mai ales, la U.A.R. i la Universitatea Ion Mincu), dar i oamenilor, membrilor
acestora.
De asemenea, trebuie s menionez calitatea lucrrilor, schema organizrii evalurii lor, alegerea amplasamentului
de expoziie i de lucru al comisiei de evaluare, cldirea Muzeului Naional de Istorie a Romniei, situat n
centrul istoric comercial al Bucuretiului, evenimentele paralele cu expoziia i, mai ales, ospitalitatea oamenilor, a
colegilor din Romnia, sub coordonarea i sprijinul material i moral al comisarului BNAB, profesor doctor arhitect
Cristina Olga Gociman.
Pe lng toate acestea, a vrea s transmit tuturor satisfacia i mulumirile mele, s-mi exprim dorina de a
continua colaborarea dintre noi.
27
Arch. Victor Moraru
Visiting Professor at the Ion Mincu University of Architecture and Urbanism Restoration Department, Sibiu,
Romania
I was honored to be part of the jury of the 2012 BNAB architecture biennale for the first time.
With projects selected during three previous biennales, I noticed how in each of its edition, this event of our
fellowship is better and better organized, having international juries, specific regulations including new sections,
also involving other professional architecture organizations, creation unions, the mass media.
I can state that the tenth anniversary edition of the 2012 BNAB took place successfully during a month due to good
organization coordinated by a vivacious commissioner and due to the conception of an ample program including
any events associated to the contest exhibition of projects.
I would particularly like to outline that by means of provisions of the biennale regulation, the jury members were
given the opportunity to get involved easily, democratically in the contest development and related events.
Thus, the regulation was analyzed online by all the members of the jury who made observations which were
subsequently accepted after their analysis undertaken by a curators team.
The judgments were made individually by each jury member, online, according to a specially created full program
which allowed the visualization of posters and all the pictures/plans/drawings under separate folders; the grades
were registered in a nominal table accessed only by means of a personal password.
Along with other colleagues, members in the juries of other sections, I participated in a marathon-like trip on the
following route: Bucharest Horezu Sibiu Timisoara Alba Iulia Cluj Napoca Cmpia Turzii Sighioara
Braov Bucharest, to pay visits to the locations of the potential nominated projects in the contest.
The jury members were invited to the conference with the title Quality in Architecture with brief introductions
about the quality of works they designed. For the conference, I chose the theme: Public, squares, supporting walls,
urban stairs, parking plots in the historic centre of Sibiu.
Another opportunity provided to the jury members was the organization of their own personal exhibitions. The
organizers chose from the suggested titles In the backstage of urban rebuilding in the historic centre of Sibiu/
Hermannstadt.
And another provision in the Biennale regulation that I benefited fromas a jury member was the chance to submit
projects in contest sections different from the one whose jury I was a member of, namely section Architecture by
Pictures with my project called Charm of Sibius architectural heritage depicted in drawings and paintings.
I felt good in all my participations in the 2012 BNAB, beside the organizers, jury members, friends and my former
classmates.
Arh.Victor Moraru
Profesor invitat Universitatea de Arhitectura si Urbanism Ion Mincu Secia Restaurare, Sibiu, Romania
Am fost onorat s fac parte pentru prima dat din juriul bienalei de arhitectur B.N.A.B. 2012.
Avnd proiecte selectate n trei bienale anterioare, am observat cum, de la o ediie la alta, acest eveniment al
breslei noastre a fost din ce n ce mai bine organizat, cu jurii internaionale, regulamente specifice cuprinznd noi
seciuni, implicnd i alte organizaii profesionale de arhitectur, uniuni de creaie, mass media.
Pot afirma c a 10-a ediie aniversar a B.N.A.B. 2012 s-a desfurat, timp de o lun de zile, cu mare succes,
datorit bunei organizri coordonate de un energic comisar i conceperii unui program amplu, ce a cuprins, n
afara expoziiei concurs de proiecte, o multitudine de evenimente asociate acesteia.
A dori s subliniez, n mod deosebit, cum membrilor juriului li s-au creat, prin prevederile regulamentului de
desfurare a Bienalei, condiiile implicrii nemijlocite, democratice, n desfurarea concursului i a evenimentelor
conexe.
Astfel, regulamentul a fost supus on-line analizrii tuturor membrilor juriului care au fcut observaii acceptate
ulterior, n urma analizei echipei curatoriale.
Jurizarea s-a fcut individual de ctre fiecare membru al juriului, on-line, pe un program foarte complet, special
conceput, care a permis vizualizarea panourilor i a tuturor fotografiilor/planurilor,desenelor, n fiiere separate;
notele trecndu-se ntr-un tabel nominal accesat numai cu parol personal.
Am participat, alturi de ali colegi membri, n juriile altor seciuni, la o excursie-maraton pe traseul Bucureti
Horezu Sibiu Timioara Alba Iulia Cluj Napoca Cmpia Turzii Sighioara Braov Bucureti,
vizitnd amplasamentele proiectelor din concurs candidate la nominalizare.
Membrii juriilor au fost invitai s participe la conferina Calitatea n arhitectur, cu scurte prezentri despre
calitatea lucrrilor pe care le-au proiectat. Am ales pentru conferin tema: Piee publice, ziduri de sprijin, scri
urbane, parcri din centrul istoric Sibiu.
O alt oportunitate oferit membrilor juriului a fost organizarea unei expoziii personale. Din oferta propus,
organizatorii au ales Culisele renovrilor urbane n centrul istoric Sibiu/Hermannstadt.
O ultim prevedere a regulamentului Bienalei, de care am beneficiat ca membru al juriului, a fost posibilitatea
prezentrii n concurs cu lucrri la alt seciune dect cea pe care am jurizat-o, respectiv la seciunea Arhitectura
prin imagine cu proiectul Farmecul patrimoniului arhitectural sibian surprins in desene i acuarele.
La toate participrile legate de B.N.A.B. 2012 m-am simit bine lng organizatori, membri ai juriului, prieteni,
foti colegi de grup.
29
Ph.D. Marina Teodorescu
Associate Professor at Bucharest National University of Arts , Romania
The impressive scale of the 2012 Bucharest National Architecture Biennale was rendered by the multitude and
diversity of contest sections, by the unique and genuine character of themes and by the quality of projects submitted.
It may be surprising at first sight to come across a visual communication section within an architecture contest. If
ingenious, new, surprising, original architecture is presented through image, then the architectural image offered
an interesting, appealing section to the audience.
The Bucharest National Architecture Biennale proved to be a cultural event that not only envisages architects and
people interested in architecture, but also addresses the entire society. Solutions for private projects or large scale
rehabilitation projects and solutions for historic or modern public spaces, all refer to the society in its entirety. The
organizers idea of including the sections called Architecture by Words and Architecture by Views rank the BNAB
as an event of cultural dialogues.
Ph.D. Vlad Eftenie
Assistant Professor Ion Mincu University of Architecture and Urbanism, Bucharest, Romania
In my opinion, it was one of the best organized editions of the Architecture Biennale, both from the perspective
of how the internal communication took place and from the perspective of substance, diversity and quality of
architectural products in its various forms, as it was seen from the outside. In my capacity as a jury member, I
was always in touch with the development of specific stages in order to properly manage the activities with my
commission colleagues. As an architect, I was opened a wide range of options from exhibitions to valuable
professional conferences and meetings. There was certainly an increase in the quality and accuracy of the general
publics perception referring to the architectural phenomenon in which is absolutely extremely worth praising.
Dr. Marina Teodorescu
Confereniar la Universitatea Naional de Arte Bucureti, Romnia
Amploarea impresionant a Bienalei Naionale de Arhitectur Bucureti 2012 s-a constituit prin multitudinea i
diversitatea seciunilor de concurs, prin ineditul i originalitatea tematicilor i prin calitatea proiectelor prezentate.
Poate la prima vedere este surprinztor s ntlnim o seciune de comunicare vizual n cadrul unui concurs
de arhitectur. Dac imaginea este cea care ne face cunoscut arhitectura ingenioas, inedit, surprinztoare,
original, atunci imaginea pus n slujba arhitecturii a oferit publicului o seciune interesant i seductoare.
Bienala Naional de Arhitectur Bucureti s-a dovedit a fi un eveniment cultural ce vizeaz nu doar arhitecii i
publicul interesat de arhitectur, ci ntreaga societate. De la soluiile oferite unor persoane private, pn la proiecte
ample i soluii de reabilitare a unor spaii publice istorice sau moderne, soluiile i proiectele prezentate vizeaz
societatea n ansamblul su. Ideea organizatorului de a include seciunile Arhitectura prin cuvnt i Arhitectura
prin imagine poziioneaz B.N.A.B. ca eveniment al dialogului cultural.
Dr. arh. Vlad Eftenie
Lector la Universitatea de Arhitectur i Urbanism Ion Mincu, Bucuresti, Romania
Din punctul meu de vedere a fost una dintre cele mai bine organizate ediii ale Bienalei de Arhitectur, n ceea
ce privete desfurarea comunicrii interne i consistena, diversitatea i calitatea produsului de arhitectur sub
diversele sale forme, aa cum a fost el privit din exterior. Ca membru al juriului am fost permanent la curent cu
desfurarea etapelor specifice pentru o bun gestionare a activitilor alturi de colegii din comisii. Ca arhitect
mi-a fost deschis o palet vast de opiuni de la expoziii la conferine i ntlniri profesionale valoroase. S-a
realizat cu siguran o cretere a calitii i acuitii percepiei publicului larg cu privire la fenomenul arhitectural
din Romnia, ceea ce este, cu siguran, extrem de ludabil.
31
Ph.D. Arch. Nicolas Mircea Lupu
Professor Honoris Causa at Ion Mincu University of Architecture and Urbanism, Bucharest, Romania
A Biennale is part of major cultural events as it can polarize local, national, international concerns.
Its public goal generally and largely corresponding to the reality is opening an artistic sector to the public.
Secondly, many arguments related to rankings, trends, people or groups may arise.
To some let us take the most innocent example it is about high-level elitist celebrity. I cannot forget the
sarcasm of an architect fellow from Geneva when the S.I.A (Socit des Ingnieurs et des Architects Suisses)
proposed that an Annual Architecture Award be granted: Let us grant one more medal to one of us. In real
terms, there are more than just a few who find themselves rewarded for their true merits or rankings they have
had over the years. Still, let us not forget that a Biennale is part of life and fortunately life is not monochrome.
Now, let me go back to the truly important aspects.
The ability to deeply drain a significant territorial area is primordial. Besides organizational efforts, the
guarantee of a jury being competent and upright may invite to certain participation. The jury also has a difficult
but emulous role to understand and outline by the awards they grant what is essential in the relationship
between architecture and the society generating it.
The winning works are not only interesting in themselves, but they also represent, each in its own specific field,
issues to be investigated at general, yet urgent level.
I think it can be said that the 2012 BNAB successfully passed this exam.
At this moment, we are reaching what can be called the key point of an operation. The fellowship responsibly
submits its choices urbi et orbi. Although relatively anonymous until now, the works can show their entire value
only if they are joined by enough ways of making themunderstood, appreciated and loved. (Just, fair) marketing
can be fundamental. But unfortunately, this ultimate sprint does not always find one ready enough!
Knowing that the final buzz is from the perspective of efficiency, at least equal to the huge amount of work and
energy used previously, should the organizers start with the end?
Leaving my (arguably unfair) malice aside a great Biennale such as the BNAB is an event that cannot be
replaced in the emotions of a nations architecture.

Dr.arh.Nicolas Mircea Lupu
Profesor Honoris Causa al Universitii de Arhitectur i Urbanism Ion Mincu, Bucureti, Romnia
O Bienal face parte dintre manifestrile culturale majore, putnd polariza interese locale, naionale,
internaionale.
Mobilul su anunat care corespunde, n general, n mare msur, realitii este deschiderea unui sector
artistic spre marele public.
n subsidiar, pot avea loc confruntri de poziii, tendine, persoane, grupuri.
Pentru unii s lum cazul cel mai nevinovat este vorba de o celebrare elitist la scar mare. Nu pot uita
sarcasmul unui coleg arhitect genevez cnd S.I.A (Socit des Ingnieurs et des Architects suisses) a propus crearea
unui Premiu anual de arhitectur: s ne mai dm o mic medalie ntre noi. n realitate este mai mult de un
dramde adevr sub aparena cinismului dezabuzat. O amabil ceremonie unde unii i alii se gsesc recompensai
pentru merite reale sau poziii ocupate n timp. Dar s nu uitmc o Bienal face parte din via, iar viaa nu este,
din fericire, monocrom.
S revenim la aspectele cu adevrat importante.
Capacitatea de a drena n profunzime o arie teritorial reprezentativ este primordial. n afara eforturilor
organizatorice, garania competenei i probitii juriilor poate incita la o anumit participare. Este, de asemenea,
rolul dificil, dar stimulant, al juriului de a nelege i pune n eviden prin premiile pe care le acord ceea ce
este esenial n raporturile arhitecturii cu societatea care o genereaz.
Lucrrile premiate nu sunt numai interesante n sine, ele se nscriu, fiecare n domeniul su specific, ca teme de
aprofundat pe plan general, adesea urgent.
Se poate spune c B.N.A.B. 2012 a trecut cu bine acest examen.
Ajungem, n acest moment, la ceea ce putem numi punctul cheie al operaiei.
Responsabil, breasla prezint urbi et orbi alegerile sale. Scoase dintr-un relativ anonimat, operele pot s-i
afirme ntreaga valoare numai nconjurate de suficiente modaliti de a le face nelese, apreciate, iubite. Un
marketing (just, echitabil) este fundamental.
Din pcate, acest sprint final nu ne gsete totdeauna suficient pregtii!
tiind c buzzul ultim este cel puin egal, n termeni de eficacitate, enormei munci i energii desfurate n
prealabil, poate c organizatorii ar trebui s nceap cu partea final?
Lsnd maliiozitatea (fr ndoial, nedreapt) deoparte, o mare Bienal este cazul BNAB este un eveniment
de nenlocuit n rezonana arhitecturii unei naiuni.
33
Ph.D. Arch. Anca Sandu Tomaevschi
Professor at Spiru Haret University, Faculty of Architecture, Bucharest, Romania
The Biennale, an event in itself, has been another important moment in the lives of architects. I would like to
believe it heads towards the ideal of being an event in the world of Bucharests cultural elite, too. The location
chosen was a very good idea: it was on Calea Victoriei, close to pavements, easily accessed through several
doors. I wish it had been even more present on the outside by an arrangement on the stairs of Palatul Potelor,
meant to draw the attention of passers-by. The exhibitions were beautiful, yet only retrospective. However, they
were counterbalanced by the exhibition of projects submitted in the contest most of which were involved in the
contemporary direction of creativity.
Such contest participations were generally honorable. I was particularly surprised by the presence of publishing
works numerous, belonging to various genres and having high quality. Maybe those who hope that energies
come together at times of crisis and wait for better times are right.
PhD. Arch. Teodor Octavian Gheorghiu
Professor at Technical University Timioara, Romania, Faculty of Architecture
Being relatively in touch with the magnitude and content of Bucharest architecture biennales, the one held this year
seemed one of the richest and most diverse. I refer to the topics assumed by the designs and particularly to those
published. In this respect, I have a twofold comment to make:
-The number, diversity and quality of projects submitted at the Biennale are a great surprise and make one think
as long as it is known Romania has been going through a long crisis and its signs are especially visible in the
construction field. I understand this fact as the outcome of less hasty approaches. There may have been more time
for and, implicitly, less interest in quality.
- The number and diversity of themes, and the quality of products issued are an instance of normality with the
architects released from some of their daily tasks feeling the need for theoretical studies or research. Their
outcomes should be presumably visible after a certain period of time. From this point of view, I notice the themes
meant to recover historical events in the Romanian and foreign architectures, theoretical themes, current themes
(especially city planning activism), of approaching arts and archaeology. I do not think there is any field included
into or associated to urbanism or architecture that might have been missing.
The foregoing makes me a little more optimistic than I usually amwhen I think of ones resources for high-quality
architecture and urban planning. Generally speaking, the results acquired theoretically all those years should
add as some more quality to the practical ones which are already visible. Last but not least, the organizers (the
commissioner, work groups, institutions) deserve everyones admiration.
Dr.Arh. Anca Sandu Tomaevschi
Profesor la Facultatea de Arhitectur, Universitatea Spiru Haret, Bucureti
Bienala, ca manifestare, a fost din nou un eveniment n viaa noastr, a arhitecilor. A vrea s cred c se ndreapt
ctre idealul de fi un eveniment i n lumea elitei culturale bucuretene. Alegerea locului de desfurare a fost
o idee bun: pe Calea Victoriei, aproape de trotuar, cu acces direct prin cteva ui. Mi-ar fi plcut s fie mai
prezent i la exterior, printr-o amenajare pe treptele Palatului Potelor, care s atrag trectori. Expoziiile au
fost frumoase, dar numai retrospective. Ele au fost ns compensate de expoziia de proiecte participante la concurs,
cele mai multe angajate n direcia contemporan a creativitii.
Aceste participri la concurs au fost, n medie, onorabile. n mod special m-a surprins prezena publicaiilor
numeroase, din genuri diverse i de foarte bun calitate. Poate c au dreptate cei care sper c n timpul crizei se
adun energii care ateapt timpurile mai bune.
Dr. arh. Teodor Octavian Gheorghiu
Profesor la Universitatea Tehnic Timioara, Romnia, Facultatea de Arhitectur
Fiind relativ la curent cu amploarea i coninutul bienalelor de arhitectur bucuretene, cea de anul acesta mi s-a
parut una dintre cele mai bogate i de o remarcabil diversitate. M refer la subiectele asumate prin proiectare i,
mai ales, la cele publicate. Referitor la toate acestea, am un dublu comentariu:
- Numrul, diversitatea i calitatea proiectelor construite prezentate la Bienal sunt o mare surpriz
i ndeamn la reflecie, tiut fiind faptul c Romnia parcurge o perioad de criz ndelungat, semnele crizei
fiind ndeosebi vizibile n domeniul construciilor. Eu interpretez acest fapt ca rezultat al unor abordri mai puin
grbite. Probabil, a fost mai mult timp si, implicit, mai mare interes pentru calitate.
- Numrul, diversitatea temelor i calitatea produselor publicate reprezint un caz de normalitate,
arhitecii eliberai de unele dintre sarcinile cotidiene simind nevoia unor studii teoretice sau cercetri proprii.
Ar fi de presupus ca rezultatele lor s fie vizibile peste un timp oarecare. Din acest punct de vedere, remarc temele
de recuperare a unor episoade de istorie a arhitecturii romneti sau strine, temele teoretice, temele de mare
actualitate (activism mai ales urbanistic), apropierea de arte i arheologie. Nu cred c exist domeniu inclus sau
asociat urbanisticii i arhitecturii care s fi fost absent.
Cele spuse mai sus m fac s fiu ceva mai optimist dect sunt de obicei cnd m gndesc la resursele noastre pentru
o arhitectur i un urbanism de calitate. n mod normal, rezultatele obtinute teoretic n aceti ani ar trebui s se
adauge, ca un plus de calitate, celor practice, vizibile deja.
Nu n ultimul rnd, organizatorii (comisar, grupuri de lucru, instituii) merit un cuvnt de admiraie.
35
Vlad Eftenie 2012
37
Report of the 2012 B.N.A.B. Commissioner
1. GENERAL INFORMATION
The 2012 BUCHAREST NATIONAL ARCHITECTURE BIENNALE (BNAB) is the most important professional event of
the architects fellowship which has been ceaselessly organized since 1994.
On the 26th of February 2011, during the period between the previous 2010 BAB Biennale until the 2012 BNAB,
the architects fellowship celebrated 120 years since the foundation of the Romanian Society of Architects and on
the 15th of October 2012 it will celebrate 120 years since the beginning of architecture higher education by the
National School of Architecture. In addition, celebrating 160 years since Ion Mincus birth and 100 years since his
death, his name being the name of the Bucharest University of Architecture and Urbanism, in the Mincu Year, marks
the year 2012 even more.
In this respect, the Senate upon the Commissioners proposal approved the theme of the biennale, namely 120
Years of Architectural Professional Organization and Higher Education.
The Biennale focused on the heritage values of architectural spaces and on the chances to improve life quality by
architecture, urbanism, restoration, indoor architecture, product architecture. Being aware that the progress of
built spaces is directly influenced by the interaction among authorities, architects and beneficiaries, the organizers
wanted to create an interactive platform for the communication among such players.
This Biennale aimed at inviting direct partners, namely all the professional organizations, specialty higher
education institutions in the fields of architecture, urbanism, restoration, indoor architecture, product architecture,
landscape in Romania.
Defining a highly performing built environment meant to meet the needs of direct beneficiaries and of the
community required the presence of public institutions involvement, local and central administrations concern,
regulation and coordination bodies engagement in specialty activities.
A work of architecture, urban design, restoration, indoor architecture, product architecture, landscape cannot turn
into something real without the contribution of specialists such as: design engineers of structures and installations,
construction engineers, economists, material and service suppliers which make them partners.
The BNAB 2012 has been a complex program made up of 8 exhibitions, 3 professional conferences, 8 theme
seminars, and many events that took place during 2 years since its opening the events are organized in
Bucharest, in county centers and foreign cultural offices meant in this context to celebrate 120 years of architectural
professional organization and higher education in Romania.
Raportul Comisarului B.N.A.B. 2012
1. GENERALITI
BIENALA NAIONAL DE ARHITECTUR BUCURETI 2012 (B.N.A.B.) a fost i este cel mai important eveniment
profesional al breslei arhitecilor organizat nentrerupt din 1994.
n intervalul dintre precedenta Bienal BAB 2010 i B.N.A.B. 2012, breasla arhitecilor a srbtorit 120 de ani de
la nfiinarea Societii Arhitecilor Romni pe 26 februarie 2011 i 120 de ani de la nfiinarea nvmntului
superior de arhitectur prin coala Naional de Arhitectur pe 15 octombrie 2012. Totodat, anul 2012 a fost
proclamat Anul Mincu, avnd n vedere aniversarea n acest an a 160 de ani de la naterea i 100 de ani de
la moartea lui Ion Mincu, cel al crui nume l poart cu mndrie Universitatea de Arhitectur i Urbanism din
Bucureti.
Lund n consideraie toate aceste evenimente care au marcat anul 2012, la propunerea comisarului, Senatul a
aprobat ca tem a Bienalei 120 de ani de organizare profesional i de nvmnt superior de arhitectur.
Bienala s-a concentrat pe valorile patrimoniale ale spaiului arhitectural i pe posibilitile de ameliorare a
calitii vieii prin arhitectur, urbanism, restaurare, arhitectur de interior, design de produs. Contieni de faptul
c evoluia spaiului construit este direct influenat de interaciunea dintre autoriti, proiectani i beneficiari,
organizatorii au dorit crearea unei platforme interactive de comunicare ntre aceti actori.
Aceast Bienal i-a propus ca toate organizaiile profesionale, toate instituiile de nvmnt superior de profil
de arhitectur, urbanism, restaurare, arhitectur de interior, design de produs, peisagistica din Romnia s
participe ca parteneri direci.
Edificarea unui mediu construit performant care s satisfac i nevoile beneficiarului direct i pe cele ale
comunitii nu poate exista fr implicarea instituiilor statului, a administraiei centrale i locale, a organismelor
de reglementare i de coordonare a activitii de profil.
O oper de arhitectur, de design urban, restaurare, arhitectur de interior, design de produs, peisagistica nu poate
deveni realitate fr aportul altor specialiti: ingineri proiectani de structur, de instalaii, ingineri constructori,
economiti, furnizori de materiale i servicii, ceea ce i-a transformat n parteneri.
B.N.A.B. 2012 a fost un program cultural complex reunind 8 expoziii, 3 conferine profesionale, 8 seminarii
tematice i evenimente ce s-au desfurat pe durata a 2 ani de la lansare, evenimente organizate n Bucureti,
centre judeene i reprezentane culturale externe menite, n contextul menionat, s celebreze aniversarea a 120
de ani de organizare profesional i de nvmnt superior de arhitectur n Romnia.
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Locations of the Biennale:
The Romanian National History Museum in Bucharest, Calea Victoriei no. 12
Ion Mincu University of Architecture and Urbanism, Bucharest, Academiei street no. 18-20
Ion Mincu House, Pictor Verona street no. 19
Architectural Culture Centre, Calea Jean Louis Calderon no. 48
The National Bank of Romania, Lipscani street, no.25
The main event of the Biennale was: the Project Contest Exhibition in its tenth edition.
2. The 2012 BNAB PROJECT CONTEST EXHIBITION was organized at the Romanian Museum of National
History (MNIR), Calea Victoriei no. 12, and composed of the following sections:
Dwelling Architecture (a dwellings design is one of the fundamental designs in a society which by
its compliance, endowment or adequacy influences a familys balance and, implicitly, a communitys
balance).
Architecture of Community and Production Endowments designs promoting the specific endowments
of a community (offices, administration, services, trade, culture, education, health, sports, recreation,
places of worship, production areas) significantly contributing by their compliance, equipment and
adequacy in organizing a built habitat.
Technology, Innovation and Sustainability in Architecture designs that apply innovating technologies
related to the reduction of energy and raw material consumption, the decrease of negative influences
upon the climate by the use of environment-friendly technologies, the limitation of non-renewable
resource consumption, energy preservation (passive house) and the production of non-polluting
energy.
Cultural Heritage Architecture (designs for the preservation, rehabilitation, conversion and restoration
of the already existing built heritage).
Indoor Space Architecture, Product Design and Scenography designs that promote interior spaces,
quality objects and meaningful performance areas.
Architecture of Public Areas - urban building designs, permanent or temporary improvements of public
areas, landscape painting, contributions adding cultural components to the public infrastructure.
Spatial Planning, sustainable urban, improvement strategies and operations in territories suggesting
a change in perceptions when approaching growth by means of surveys and projects that convey much
information to urban players and succeed in truly catalyzing the amount of quality built spaces.
Architecture by Pictures, photography, drawings, graphics, graphic designs, fine arts, decorative arts,
television or other visual communication methods.
Architecture by Words, publications, journalism, reports, written studies and scenarios that contribute
Locurile de desfurare a Bienalei:
Muzeul Naional de Istorie a Romniei Bucureti, Calea Victoriei nr.12
Universitatea de Arhitectur i Urbanism Ion Mincu Bucureti, str. Academiei nr.18-20
Casa Ion Mincu, str. Pictor Verona nr.19
Centrul de Cultur Arhitectural, Str. Jean Louis Calderon nr. 48
Banca Naional a Romniei, str. Lipscani nr. 25
Bienala a avut ca eveniment central Expoziia Concurs de proiecte, concurs aflat la a X-a ediie.
2. EXPOZIIA CONCURS DE PROIECTE B.N.A.B. 2012 a avut loc la Muzeul Naional de Istorie a Romniei
(MNIR) Calea Victoriei nr.12, fiind compus din urmtoarele seciuni:
Arhitectura locuinei: proiectul locuinei este unul din proiectele fundamentale ale societii care prin
conformare, echipare, adecvare, influeneaz echilibrul familiei i, implicit, echilibrul colectivitii.
Arhitectura dotrilor comunitare i de producie: proiecte care promoveaz dotrile specifice ale
comunitii (birouri, administraie, servicii, comer, cultur, nvmnt, sntate, sport, agrement,
spaii de cult, spaii de producie), aducnd prin conformarea, echiparea i adecvarea lor contribuii
semnificative la organizarea habitatului construit.
Tehnologie, inovaie i sustenabilitate n arhitectur, proiecte care aplic tehnologii inovatoare privind
reducerea consumului de energie i materii prime, reducerea influenelor negative asupra climei prin
utilizarea de tehnologii nepoluante, limitarea consumului resurselor neregenerabile, conservarea
energiei (casa pasiv) i producerea de energie nepoluant.
Arhitectura patrimoniului cultural, proiecte de conservare, reabilitare, conversie i restaurare a
patrimoniului construit existent.
Arhitectura spaiului interior, design de produs i scenografie: proiecte care promoveaz spaiul
interior i obiectele purttoare de calitate i un spaiu sugestiv al spectacolului.
Arhitectura spaiului public: proiecte de design urban, amenajri permanente sau temporare ale
spaiilor publice, peisagistic - contribuii care adaug infrastructurii publice componente culturale.
Planificare spaial, strategii, operaiuni urbane i de amenajare a teritoriului sustenabile, care propun
schimbarea percepiei asupra modului de abordare a dezvoltrii prin studii i proiecte cu mare putere
de comunicare ctre actorii urbani i care reuesc s catalizeze real generarea de spaii construite de
calitate.
Arhitectura prin imagine: fotografie, desen, grafic, graphic design, arte plastice, arte decorative film,
tv sau alte modaliti vizuale de comunicare.
Arhitectura prin cuvnt: publicaii, publicistic, reportaje, studii scrise i scenarii - care contribuie la
41
in promoting the values of architecture, built, interior and public spaces.
Completed and Unaccomplished Surveys and Designs, studies and designs left on paper, design projects
whose creative concepts can contribute in developing the architectural spaces of dwellings, community
endowments, production endowments, of cultural heritage, of public areas, of landscapes proposing
new concepts, applying high-level technologies able to change the field specific approach.
The project contest developed according to the regulation approved by the Senate.
Participants and Jury of the Exhibition
All graduates of specialty higher education institutions in the fields of architecture, cultural heritage, spatial
planning, landscape painting, indoor architecture, product design, art history and criticism from Romania or from
abroad were allowed to participate, holding degrees or certificates recognized by the Romanian government and
specialty professional organizations.
They registered online during 1-30 June and 358 projects were submitted.
The jury was made up per sections of three up to seven famous people of whom one was elected president by
the other members. The jury also includes nominated authors and prize winners from previous editions of the
biennales and other famous contests in Romania and abroad as well as specialty professionals from Romania and
from abroad, representatives of professional organizations proposed by the curators team and approved by the
UAR Senate.
Members of the Jury:
Dwelling Architecture
Architecture of Community and Production Endowments
Technology, Innovation and Sustainability in Architecture
Completed and Unaccomplished Surveys and Designs
- James Horan (Dublin, Ireland)
- Rosa Cervera (Madrid,Spain)
- Javier Pioz (Madrid,Spain)
- Viorel Simion (Paris, France)
- Viorel Hurduc (Bucharest, Romania)
- Iulia Stanciu (Bucharest, Romania)
- Tiberiu Buca (Cluj, Romania)
Cultural Heritage Architecture
- Eleni G. Gavra (Greece)
- Constana Carp (Bucharest, Romania)
- Clin Hoinrescu (Ploieti, Romania)
promovarea valorilor arhitecturii, a patrimoniului cultural construit, a spaiului interior si public.
Studii i proiecte finalizate i nerealizate, studii i proiecte de sertar, proiecte de idei ale cror concepte
creative pot contribui la dezvoltarea spaiului arhitectural al locuinei, a dotrilor comunitare i de producie, a
spaiului patrimoniului cultural, a spaiului public, a peisajului, i care propun concepte inedite, aplicarea unor
tehnologii de vrf apte s modifice abordarea specific a domeniului.
Concursul de proiecte s-a desfurat conform regulamentului aprobat de Senat.
Participare i jurizare expoziie
La concurs au putut participa toi absolvenii instituiilor de nvmnt superior de specialitate din domeniul
arhitecturii, patrimoniului cultural, planificrii spaiale, peisagisticii, arhitecturii de interior, designului de produs,
istoriei i criticii de art, din Romnia sau din strintate cu diplome i atestate recunoscute de statul romn i de
organizaiile profesionale de profil.
nscrierea s-a fcut online n perioada 1-30 iunie i au fost nscrise 358 proiecte.
Juriul a fost format pe seciuni, fiind alctuit din 3-7 membri, dintre care un preedinte de seciune ales de ceilali
membri. Membrii juriului au fost personaliti ale domeniului, autori nominalizai i premiai n cadrul ediiilor
precedente ale bienalelor i al altor concursuri de specialitate de renume din Romnia i strintate, precum i
profesioniti de renume din ar i strintate, reprezentani ai organizaiilor profesionale propui de echipa
curatorial i aprobai de Senatul U.A.R. Astfel, membrii juriului au fost, dup cum urmeaz:
Arhitectura locuinei
Arhitectura dotrilor comunitare i de producie
Tehnologie, inovaie i sustenabilitate n arhitectur
Studii i proiecte finalizate i nerealizate
- Rosa Cervera (Madrid,Spania)
- Javier Pioz (Madrid, Spania)
- James Horan (Dublin, Irlanda)
- Viorel Simion (Paris, Frana)
- Viorel Hurduc (Bucureti, Romnia)
- Iulia Stanciu (Bucureti, Romnia)
- Tiberiu Buca (Cluj, Romnia)
Arhitectura patrimoniului cultural
- Eleni G. Gavra (Salonic,Grecia)
- Constana Carp (Bucureti, Romnia)
- Clin Hoinrescu (Romnia, Ploieti)
43
Indoor Space Architecture
- Cristina Mnciulescu (Paris, France)
- Gabriela Tabacu (Bucharest, Romania)
- Cristian Corvin (Bucharest, Romania)
- Andi Negoescu (Paris, France) alternate judge
Architecture of Public Areas
Spatial Planning
- Constantin Spiridonidis (Salonic,Greece)
- Key Imaguire Junior (Curitiba,Brazil)
- Alexandru Sandu (Bucharest, Romania)
- Tiberiu Florescu (Bucharest, Romania)
- Victor Moraru (Sibiu, Romania)
- Marialba Imaguire (Curitiba, Brazil) alternate judge
Architecture by Pictures
- Marina Teodorescu (Bucharest, Romania)
- Vlad Eftenie (Bucharest, Romania)
- Hortensia Anton (Botescu) (Timioara, Romania)
Architecture by Words
- Mircea Lupu (Switzerland)
- Teodor Octavian Gheorghiu (Timioara, Romania)
- Vlad Gaivoronschi (Timioara, Romania)
- Mihaela Criticos (Bucharest, Romania)
- Anca Sandu Tomaevschi (Bucharest, Romania)
Jury Awards per Sections
Firstly, the jury voted for the projects online. Then, each member of the jury voted and gave grades from 1 to 10.
The grades were confidential; no jury member could see the others grades, but the final average grades.
The projects assessed below 5 were not passed on to the next stage.
Total number of projects accepted: 297 (Table of projects submitted/accepted per sections)
Arhitectura spaiului interior
- Cristina Mnciulescu (Paris, Frana)
- Gabriela Tabacu (Bucureti, Romnia)
- Cristian Corvin (Bucureti, Romnia)
- Andi Negoescu (Paris, Frana) membru supleant
Arhitectura spaiului public
Planificare spaial
- Constantin Spiridonidis (Salonic, Grecia)
- Key Imaguire Junior (Curitiba, Brazilia)
- Alexandru Sandu (Bucureti, Romnia)
- Tiberiu Florescu (Bucureti, Romnia)
- Victor Moraru (Sibiu, Romnia)
- Marialba Imaguire (Curitiba,Brazilia) membru supleant
Arhitectura prin imagine
- Marina Teodorescu (Bucureti, Romnia)
- Vlad Eftenie (Bucureti, Romnia)
- Hortensia Anton (Botescu) (Timioara, Romnia)
Arhitectura prin cuvnt
- Mircea Lupu (Elveia)
- Teodor Octavian Gheorghiu (Romnia, Timioara)
- Vlad Gaivoronschi (Romnia, Timioara)
- Mihaela Criticos (Romnia, Bucureti)
- Anca Sandu Tomaevschi (Romnia, Bucureti)
Premiile juriului pe seciuni
Juriul a fcut n prima etap o votare online a proiectelor.
Fiecare membru al juriului a votat individual cu note de la 1 la 10. S-a asigurat confidenialitatea notrii,
membrilor juriului fiindu-le vizibil doar media general.
Proiectele cu media sub 5 nu au fost promovate n etapa a II-a.
Total proiecte admise 297 (Tabel pe seciuni nscrise/admise)
45
SECTION PROJECTS SUBMITTED PROJECTS ACCEPTED
Dwelling Architecture 62 47
Architecture of Community and Production Endowments 42 37
Technology, Innovation and Sustainability in Architecture 7 7
Cultural Heritage Architecture 21 18
Indoor Space Architecture 52 49
Architecture of Public Areas 15 10
Spatial Planning 20 13
Architecture by Pictures 30 21
Architecture by Words 32 32
Completed and Unaccomplished Surveys and Designs 77 63
TOTAL 358 297
During the second stage, when the pre-nominated projects were viewed in their locations, the final list of nominees
was prepared. Among the project nominees, the jury chose the prize for each and every section.
The UAR President Award and the BNAB Medal
The UAR President granted the UAR President Award and the BNAB Medal to two contest projects.
Award Granted by Partners/Sponsors
The partners and sponsors granted special awards to some projects they had selected according to the specific
criterion of their fields of activity.
Opera OMNIA Medal
The Opera OMNIA Medal was granted by the UAR Senate, upon the UAR Presidents proposal.
The Opera Omnia medal is granted to architects, town planners, landscape painters, indoor architects, product
designers, restoration architects, specialty survey authors, graduates of specialty higher education institutions
from Romania or from abroad, holders of professional degrees recognized by the Romanian government and
specialty organizations, who have reached a respectable age over 75, who by their performance have remarkably
contributed in the development of built-in spaces in specific fields: architecture, urbanism, landscape painting,
cultural heritage, indoor architecture, product design, publications and profile image.
3. FESTIVITIES
Welcoming of the members of the jury the 10th of October by the president and the senate of UAR at
Architectural Culture Centre, Calea Jean Louis Calderon no. 48
Opening and awarding festivity the 15th of October 2012, 5 oclock p.m., at the Romanian National History
SECIUNE PROIECTE NSCRISE PROIECTE ADMISE
Arhitectura locuinei 62 47
Arhitectura dotrilor comunitare i de producie 42 37
Tehnologie, inovaie i sustenabilitate n arhitectur 7 7
Arhitectura patrimoniului cultural 21 18
Arhitectura spaiului interior 52 49
Arhitectura spaiului public 15 10
Planificare spaial 20 13
Arhitectura prin imagine 30 21
Arhitectura prin cuvnt 32 32
Studii i proiecte finalizate i nerealizate 77 63
TOTAL 358 297
n etapa a doua, n urma vizionrii la amplasament a proiectelor prenominalizate s-a desemnat lista final a
nominalizrilor. Dintre lucrrile nominalizate, juriul a desemnat premiul pentru fiecare seciune n parte.
Premiul Preedintelui U.A.R. i medalia B.N.A.B., acordate de preedinte pentru dou lucrri din
concurs.
Premiul partenerilor / sponsorilor, premii speciale acordate de parteneri i sponsori unor lucrri
selecionate pe criteriul specific ariei lor de activitate.
Medalia Opera OMNIA, acordat la propunerea Preedintelui U.A.R. de ctre Senatul U.A.R.
n criteriile de acordare a medaliei se nscriu arhitecii, urbanitii, peisagitii, arhitecii de interior,
designerii de produs, arhitecii, restauratorii, autorii de studii de specialitate, absolvenii de instituii
de nvmnt de specialitate din Romnia sau strintate cu diplom, recunoscui de statul romn
i de organizaiile de profil, care au ajuns la o vrst respectabil de peste 75 de ani i care prin
activitatea lor au adus o contribuie remarcabil la dezvoltarea spaiului construit n domenii specifice:
arhitectur, urbanism, peisagistic, patrimoniu cultural, arhitectur de interior, design de produs,
publicaii i imagine de profil.
3. FESTIVITI
Festivitatea de primire a membrilor juriului (10 octombrie 2012, Centrul de Cultur Arhitectural, Jean Louis
Calderon nr.48) unde juriul a fost primit de ctre preedintele dr. arh. Viorica Curea i Senatul UAR.
Festivitatea de deschidere i premiere (15 octombrie 2012, Muzeul Naional de Istorie a Romniei, Calea
Victoriei nr.12) a nregistrat un maxim de audien, cu peste 300 de participani.
47
Museum, Calea Victoriei nr.12 - enjoyed a large audience with more than 300 attendants
Gala of Medals the 22nd of October 2012, 5 oclock p.m., the National Bank of Romania, Str. Lipscani no.25
- was an event organized on the occasion of granting the UAR President awards for the first time to a cultural
heritage work and to a contemporary architectural work, a future heritage object. Additionally, it was for the first
time to grant awards to those who contributed in achieving the architectural object building investor, building
designers, architects and other specialists, structure and installation design engineers, entrepreneurs.
4. ANNIVERSARY EVENTS
The main Anniversary exhibitions organized for the celebration of 120 years of architectural professional
organization and higher education aimed at highlighting the contribution of Romanian architects at the national
culture.
4.1. Memorabilis Medal
On the occasion of the opening festivity and the Gala of Medals, the Romanian Union of Architects awarded the
institutions and personalities that considerably helped in promoting the society of architects, higher education and
professional press institutions in Romania.
In addition, the personalities who contributed by their works with words or pictures in the promotion of architecture,
urbanism, landscape painting, cultural heritage, product design, indoor architecture and professional press in
Romania were also awarded.
For the first time the medals proposed by the organizer Memorabilis, Opera Omnia, BNAB were minted
in silver and bronze by the State Monetary with the support of the National Bank of Romania, especially of the
governor Mugur Isrescu.
4.2. Anniversary Exhibitions 15 October 15 November 2012
Romanian Architects, Creators of Cultural Heritage Exhibition, 1869-1989
National History Museum of Romania, Calea Victoriei no. 12
Ion Mincu Retrospective Exhibition 1852-1912
National History Museum of Romania, Calea Victoriei no. 12
BAB Retrospective Exhibition 1994-2010
National History Museum of Romania, Calea Victoriei no. 12
Exposition of architecture inscriptions and medals
National History Museum of Romania, Calea Victoriei no. 12
Opera Omnia Exhibition
National History Museum of Romania, Calea Victoriei no. 12
Gala medaliilor (22 octombrie 2012, Banca Naional a Romniei, Str. Lipscani nr.25) a fost o manifestare
special prilejuit de acordarea premiilor preedintelui U.A.R., pentru prima dat destinate unei opere de
patrimoniu cultural i unei opere de arhitectur contemporan, viitor obiect de patrimoniu. Tot n premier, s-au
acordat premii tuturor celor care au contribuit la realizarea obiectului de arhitectur, de la investitori i proiectani
arhiteci, ingineri de structuri i instalaii la antreprenori.
4. EVENIMENTE ANIVERSARE
Principalele expoziii aniversare prilejuite de celebrarea celor 120 de ani de existen profesional i de nvmnt
superior de arhitectur i-au propus evidenierea contribuiei arhitecilor romni la edificarea culturii naionale.
4.1. Medalia Memorabilis
Cu ocazia Festivitii de deschidere i a Galei Medaliilor, Uniunea Arhitecilor din Romnia a premiat cu Medalia
Memorabilis instituiile i personalitile care au contribuit considerabil la promovarea societii arhitecilor i
instituiilor de nvmnt superior i de pres profesional din Romnia, precumi personalitile care prin opera
lor au contribuit, prin cuvnt sau imagine, la promovarea arhitecturii, urbanismului, peisagisticii, patrimoniului
cultural, designului de produs, arhitecturii de interior publicaiilor de profil din Romnia.
Pentru prima dat, Medaliile Memorabilis, Opera Omnia i BNAB propuse de organizator au fost btute n argint
i bronz la Monetria Statului cu sprijinul Bncii Naionale a Romniei, n special al domnului guvernator acad.
dr. Mugur Isrescu.
4.2. Expoziii aniversare 15 octombrie-15 noiembrie 2012
Expoziia Arhiteci romni creatori de patrimoniu cultural 1869-1989
(Muzeul Naional de Istorie a Romniei, Calea Victoriei nr.12, Bucureti)
Expoziia retrospectiv Ion Mincu(1852-1912)
(Muzeul Naional de Istorie a Romniei, Calea Victoriei nr.12, Bucureti)
Expoziia Retrospectiv B.A.B. (1994-2010)
(Muzeul Naional de Istorie a Romniei, Calea Victoriei nr.12, Bucureti)
Expoziia de nscrisuri i medalii de arhitectur aniversare
(Muzeul Naional de Istorie a Romniei, Calea Victoriei nr.12, Bucureti)
Expoziia Opera Omnia
(Muzeul Naional de Istorie a Romniei, Calea Victoriei nr.12, Bucureti)
5. MANIFESTRI PROFESIONALE SPECIALE
B.N.A.B. ediia 2012 a continuat deschiderea iniiat de ediiile precedente i seria de colaborri cu specialiti
din domenii conexe arhitecturii, urbanismului, patrimoniului cultural i amenajrii interioare. n acest sens,
49
5. SPECIAL PROFESSIONAL EVENTS
The 2012 edition of the BNAB made it possible to continue the openness arising during the previous editions and
the series of partnerships with specialists in fields related to architecture, urbanism, cultural heritage and indoor
design. In this respect, the architectural submissions and interactive exhibitions meant an efficient communication
element between specialists and the civil society.
5.1. Associated Exhibitions:
Schools and degree project works (architecture, urban planning, landscape, design, product design)
National History Museum of Romania, Calea Victoriei no. 12
Exhibition of jury members works Exhibition Hall Ion Mincu University of Architecture and
Urbanism in Bucharest, str. Academiei no. 18-20
Inobuild exhibition of innovative materials and technologies in architecture and constructions
National History Museum of Romania, Calea Victoriei no. 12
5.2. BNAB Conferences, UAR-UAUIM Partnership (Romanian union of architects - Ion Mincu University of
Architecture and Urbanism):
Quality in Architecture Ion Mincu University of Architecture and Urbanism in Bucharest 16
October 2012 moderator Ph.D. Arch. Prof. Cristina Olga Gociman
Built-in Heritage and Landscape Ion Mincu University of Architecture and Urbanism in Bucharest
24 October 2012 moderator assistant professor PhD. arch. Tana Lascu
Sustainable Architecture and Emerging Issues Poverty and Multihazard Ion Mincu University of
Architecture and Urbanism in Bucharest 26 October 2012 - moderator assistant professor PhD. arch.
Sergiu Petrea
5.3. Theme Seminars, Bursa Construciilor Magazine Romanian union of architects (UAR) Partnership,
Building Stock Exchange 15 October 15 November 2012 National History Museum of Romania, Bucharest,
Calea Victoriei no. 12
Energy Efficiency of Buildings 18 October 2012
Highly Performing Closures 23 October 2012
Information Technology in Architecture 25 October 2012
Efficient Covers of Buildings 30 October 2012
Indoor Space Ergonomics 2 November 2012
Outdoor Designs Public Areas Gardens 6 November 2012
Protection, Fire Safety, Surveillance Systems 9 November 2012
Restoring and Renovating Solutions 14 November 2012
prezentrile de arhitectur i expoziiile interactive au constituit un element de comunicare eficient ntre specialiti
i societatea civil.
5.1. Expoziii asociate 15 octombrie-15 noiembrie 2012:
Expoziia coli i proiecte de diplom de arhitectur, urbanism, peisagistic, arhitectur de interior,
design de produs promoia 2012 (Muzeul Naional de Istorie a Romniei, Calea Victoriei nr.12,
Bucureti)
Expoziia membrilor juriului (Sala de expoziie, Universitatea de Arhitectur i Urbanism Ion Mincu,
str. Academiei nr.18-20, Bucureti)
Inobuild, expoziie de materiale i tehnologii inovative n arhitectur i construcii (Muzeul Naional
de Istorie a Romniei, Calea Victoriei nr.12, Bucureti)
5.2. Conferine B.N.A.B. 2012 parteneriat U.A.R.-U.A.U.I.M. (Uniunea Arhitecilor din Romnia i Universitatea de
Arhitectur i Urbanism Ion Mincu):
Calitatea n arhitectur, 16 octombrie 2012 (Universitatea de Arhitectur i Urbanism Ion Mincu,
Bucureti) moderator prof. dr. arh. Cristina Olga Gociman
Patrimoniu construit i peisaj, 24 octombrie 2012 (Universitatea de Arhitectur i Urbanism Ion
Mincu, Bucureti) moderator lect. dr. arh. Tana Lascu
Arhitectura durabil i problemele emergente srcia i multihazardul, 26 octombrie 2012
(Universitatea de Arhitectur i Urbanism Ion Mincu, Bucureti) moderator lect. dr. arh. Sergiu
Petrea
5.3. Seminarii tematice B.N.A.B. 2012
Parteneriat ntre Uniunea Arhitecilor din Romnia i revista Bursa Construciilor, 15 octombrie-15 noiembrie
2012 (Muzeul Naional de Istorie a Romniei, Calea Victoriei nr.12, Bucureti)
Eficiena energetic a cldirilor, 18 octombrie 2012
nchideri performante, 23 octombrie 2012
Tehnologia informaiei pentru arhitectur, 25 octombrie 2012
Anveloparea eficient a cldirilor, 30 octombrie 2012
Ergonomia spaiului interior, 2 noiembrie 2012
Amenajri exterioare Spaii publice Grdini, 6 noiembrie 2012
Sisteme de protecie, siguran la foc, supraveghere, 9 noiembrie 2012
Soluii pentru restaurri i renovri, 14 noiembrie 2012
51
5.4. Associated Events 15 October 15 November 2012
Device-like City Arhitext, National History Museumof Romania, Bucharest, Calea Victoriei no. 12 - 18
October 2012
Presentation of the Romanian pavilion at Venice Biennale National History Museum of Romania,
Bucharest, Calea Victoriei no. 12 23 October 2012
The opening festivity of Ion Mincu House, no. 19, Pictor Verona str., 26 October 2012
Traditions by Parametric Modeling National History Museum of Romania, Bucharest, Calea Victoriei
no. 12 13, November 2012
Visit of the UIA Delegation (the International Union of Architects) National History Museum of
Romania, Bucharest, Calea Victoriei no. 12
Release of BNAB Documentary Film and Panel the Architectural Culture Centre, Calea Jean Louis
Calderon no. 48, 14 Dec. 2012
6. BNAB 2012 Travelling Exhibition
BNAB 2012 National Travelling Exhibition
February 2013 Craiova The National Museum of Craiova
March 2013 Cluj-Napoca The Art Museum Ethnographic Museum Faculty of
Architecture - Cluj-Napoca Technical University
May 2013 Suceava Office of U.A.R. O.A.R. Suceava
June 2013 Bacau The expo center of Bacau
September 2013 Iai Muntenia room
November 2013 Sibiu City Hall of Sibiu
Romanian Architects Creators of Cultural Heritage International Travelling Exhibition, partnership UAR-
Romanian Cultural Institute
3-14 june 2013 ICR Bucharest, Aleea Alexandru
10-20 june 2013 ICR London, within London Festival of Architecture (1-30 june)
2-23 october 2013 ICR Praga within Architectural Week 2013 architectonic heritage and
contemporany architecture (23.09-20.10)
8 october 2 december 2013 ICR Budapest
17december 201324january 2014 ICR Bucharest, Aleea Alexandru
Commissioner of the Biennale,
PhD. Arch. Prof. Cristina Olga Gociman
5.4. Evenimente asociate, 15 octombrie-15 noiembrie 2012
Oraul ca dispozitiv, Arhitext, 18 octombrie 2012 (Muzeul Naional de Istorie a Romniei, Calea
Victoriei nr.12, Bucureti)
Prezentarea pavilionului Romniei la Bienala de la Veneia, 23 octombrie 2012 (Muzeul Naional de
Istorie a Romniei, Calea Victoriei nr.12, Bucureti)
Ion Mincu, 26 octombrie 2012 (str. Pictor Verona nr.19)
Tradiional prin modelare parametric, Atelierul de proiectare 13 noiembrie 2012 (Muzeul Naional de
Istorie a Romniei, Calea Victoriei nr.12, Bucureti
Vizita delegaiei U.I.A. (Uniunea Internaional a Arhitecilor), 10 noiembrie 2012 (Muzeul Naional
de Istorie a Romniei, Calea Victoriei nr.12, Bucureti)
Lansare film documentar B.N.A.B. 2012 i masa rotund, 14 decembrie 2012, Centrul de Cultur
Arhitectural, Jean Louis Calderon nr.48, Bucureti)
6. ITINERAREA B.NA.B. 2012
Itinerarea B.N.A.B. 2012 la nivel naional
februarie 2013 Craiova Muzeul de Istorie al Olteniei
martie 2013 Cluj-Napoca Muzeul de Art Muzeul Etnografic Facultatea de Arhitectur
Universitatea Tehnic Cluj-Napoca
mai 2013 Suceava Sediul U.A.R O.A.R. Suceava
iunie 2013 Bacu - Centrul Expoziional Bacu / Sediul UAR/OAR Bacu
septembrie 2013 Iai - Sala Muntenia
noiembrie 2012 Sibiu Primria Oraului Sibiu
Itinerarea Arhiteci romni creatori de patrimoniu cultural parteneriat UAR i Institutul Cultural Romn
03-14 iunie 2013 - sediul I.C.R. Bucureti, Aleea Alexandru
10-20 iunie 2013 - sediul I.C.R. Londra, n cadrul London Festival of Architecture (1-30 iunie)
2-23 octombrie 2013 - sediul I.C.R. Praga n cadrul Architectural week 2013 architectonic heritage and
contemporany architecture (23.09-20.10)
8 octombrie 2 decembrie 2013 - sediul I.C.R. Budapesta
17 decembrie 2013 24 ianuarie 2014 - sediul I.C.R. Bucureti, Aleea Alexandru
Comisar Bienal,
prof. dr. arh. Cristina Olga Gociman
53
Biennale Venues
The National History Museum of Romania Bucharest, Calea Victoriei no.
12, Manager, Ph.D. Ernest Oberlander Trnoveanu,
It is the work of Architect Alexandru Svulescu for Palatul Potelor and it
was completed in 1900. It was presented in the first issue of Arhitectura
Review which made the organizers recommend it thanks to its monumental
qualities, to the generosity of interior spaces of more than 3000 m2 for
exhibitions, to its location in the neighbourhood of the historic centre
and to the premises of Romanias Union of Architects and of Ion Mincu
University of Architecture and Urbanism. The manager of the museum,
Mr. PhD. Ernest Oberlander Trnoveanu and the economic manager Mrs.
Cristina Moisescu organised an anniversary exposition with architecture
medals and inscriptions.
Ion Mincu University of Architecture and Urbanism Bucharest, 18-20,
Academiei Str. It is the masterpiece of Engineer Architect Grigore Cerchez
and Architect Iorgu Ciortan, commenced in 1912 and completed in 1927.
It hosted the BNAB Conferences and the jury member works exhibition.
The Architectural Culture Centre Bucharest, 48, Jean Louis Calderon
Str. It is the work of Architect Siegfried Kofczinsky, it was purchased by
the UAR in 2002 in order to carry out is cultural performance. Here took
place the debates of the contest exhibition regulation, the presentation
of the accepted projects, the biennale events, welcome party for the jury
and release of BNAB 2012 documentary movie and the round table 14
December 2012.
Ion Mincu House Bucharest, 19, Pictor Verona Str. It was inaugurated
after a long, difficult restoration process coordinated by Architect erban
Sturdza on the occasion of the Biennale and housed the first open evening
with guests during the La Mincu event 26 October 2012.
The Palace of The National Bank of Romania, Bucharest, Lipscani street
no. 25. The first Palace of The National Bank of Romania was built in the
oldest commercial area of Bucharest, delimited in the second half of the
nineteenth century Lipscani streets (the oldest),Calea Victoriei (formerly
Mogooaia), Smrdan street and Doamnei street.
Locurile de desfurare ale Bienalei

Muzeul Naional de Istorie al Romniei, Bucureti, Calea Victoriei nr. 12
este opera arhitectului Alexandru Svulescu, funciunea iniial fiind aceea
de Palat al Potelor. A fost inaugurat n 1900 i a aprut n primul numr
al Revistei Arhitectura.
Calitile sale monumentale, generozitatea spaiului interior, suprafaa
expoziional de peste 3000 mp, precum i poziia sa n proximitatea
centrului istoric, a sediilor Uniunii Arhitecilor din Romnia i a Universitii
de Arhitectur i Urbanism Ion Mincu, sunt atuuri care i-au determinat
pe organizatori s propun aceast cldire ca principal loc de desfurare
a evenimentelor prilejuite de Bienal. Directorul Muzeului dr. Ernest
Oberlander Trnoveanu i doamna director economic Cristina Moisescu au
organizat o expoziie de nscrisuri i medalii de arhitectur aniversare.
Universitatea de Arhitectur i Urbanism Ion Mincu, Bucureti, Str.
Academiei nr.18-20 este opera inginerului arhitect Grigore Cerchez i a
arhitectului Iorgu Ciortan. Construcia a nceput n 1912 i s-a finalizat n
1927. A gzduit Conferinele B.N.A.B. i expoziia Membrilor Juriului.
Centrul de Cultur Arhitectural, Bucureti, Str. Jean Louis Calderon nr. 48,
este opera arhitectului Siegfried Kofczinsky, achiziionat de U.A.R. n 2002
pentru desfurarea activitilor culturale. Aici au avut loc dezbaterile pe
tema regulamentului expoziiei concurs, prezentarea proiectelor admise, a
evenimentelor bienalei, primirea membrilor juriului cat si lansarea filmului
documentar BNAB 2012 si masa rotunda de pe 14 decembrie 2012.
Casa Ion Mincu, Bucureti, Str. Pictor Verona nr. 19, cas de sfrit de
secol XIX - nceput de secol XX, a aparinut arhitectului Antonio Gaetano
Burelli i din 1890, lui Ion Mincu, care a locuit-o pn n 1912, aducnd
cteva modificri. n prezent, cldirea este proprietatea Ordinul Arhitecilor
din Romania (O.A.R.), fiind restaurat de o echip coordonat de arhitectul
erban Sturdza ntre 2004 i 2012. Casa a fost inaugurat cu ocazia Bienalei
i a gzduit prima sear deschis cu invitai, denumit La Mincu pe 26
octombrie 2012.
Palatul Bncii Naionale a Romniei, Bucureti, Str. Lipscani nr. 25
Primul palat al Bncii Naionale a Romniei a fost ridicat n cea mai veche
zon comercial a oraului Bucureti, delimitat n a doua jumtate a
secolului al XIX-lea de strzile Lipscani (cea mai veche), Calea Victoriei
(fost Mogooaia), Smrdan i Doamnei.
55
2
Istoricul organizrii profesionale a arhitecilor / Historical Background of the Professional
Organization of the Romanian Architects
Preedini ai Societii Arhitecilor romni / Preedini ai Uniunii Arhitecilor din Romnia/
Presidents of the Romanian Society of Architects / Presidents of the Union of Architects of Romania
Istoricul nvmntului superior de arhitectur din Romnia - UAUIM / Historical Background
of The Romanian Higher Education In Architecture - UAUIM
Conductori ai colii de Arhitectur din Bucureti de-a lungul timpului / Leaders of the School
of Architecture in Bucharest over the years
Lumea arhitecilor romni acum 100 de ani / The World of the Romanian Architects One
Hundred Years Ago
Conductori ai revistei Arhitectura / Arhitectura Review of The Romanian Union of
Architects Founded In 1906
Ion Mincu la aniversare / Ion Mincu at the Anniversary (1852 -1912)
Arhiteci romni creatori de patrimoniu cultural / Romanian Architects, Creators Of Cultural Heritage
Retrospectiva BAB / BAB Retrospective
Expoziia de proiecte de diplom de arhitectur, urbanism, peisagistic, arhitectur de interior i
design de produs promoia 2012 / Exhibition of Diploma Projects Of Architecture, Urban Planning,
Landscape Planning, Restoration, Interior Architecture, Product Design
Diplome de excelen i Medalii Memorabilis acordate de Senatul Uniunii Arhitecilor din
Romnia / Diplomas of Excellence, Memorabilis Medals And Bnab2012 Medals
Medalia Opera Omnia Acad. prof. dr. arh. Romeo Belea / Romeo Belea: Opera Omnia Medal
ANIVERSARY
ANIVERSRI
55
57
59
Historical Background of the Professional Organization of the Romanian
Architects
1864 Ruler Alexandru Ioan Cuza passed the High Approval of the Regulation regarding the Organization
of Architecture Services for Civil Buildings upon the suggestion of Mihail Koglniceanu, State Minister
in the Department of Domestic Affairs, Agriculture and Public Works.
1874 Establishing of the Regulation for the classification and preservation of our public monuments
presided by the Minister of Training and Cults.
1882 V. A. Ureche prepares the draft of a law for the preservation of public historical monuments.
1890 Publishing of the Annals of Architecture and Arts It Is Related to under the careful supervision of
Architects I. N. Socolescu and G. Sterian.
1891 26 February Establishment of the Romanian Society of Architects (Ro.SAR), following the 1890-1891
international contest for the Chamber of Deputies. The contest enjoyed the participation of 37 projects
fromBucharest, Vienna, Berlin, London, Paris, Rome, Brussels, Stuttgart and Munich. An international
jury had awarded the first prize for the Chamber of Deputies building erected on the Patriarchate Hill
to Architect Dimitrie Maimarolu. Ion Mincus project ranked the third. After the end of the contest and
upon the jurys proposal, a group of architects initiated the set-up of the SAR. We, the undersigned,
acting as architects, have gathered here on the 26th of February 1891 as stated in the Societys
articles of incorporation , we have approached the issue of setting up an organization including the
Romanian architects and after we have on one hand discussed about the role such a society might
have, and on the other, about the urge to make our association of architects livelier, as it is spread all
over, therefore we have decided to set up an architects society The present report acknowledges
the meeting held on the evening of 26 February 1891, lays down the foundation of the Romanian
Society of Architects and the undersigned, from the bottom of our hearts, wish it good luck and a long
life . Among the 24 founding members, there were Alexandru Orscu, the architect of the Bucharest
University, Alexandru Svulescu, the author of the present History Museum, Ion Mincu, Grigore Cechez,
George Sterian, the founder of Arhitectura magazine, Dimitrie Maimarolu. The acts and the election
of the first president Alexandru Orscu were adopted on 4 March 1891 and still at that time the
Society laid down its priorities : its recognition as a moral entity , its premises, the foundation of the
Architecture School and the Technical Architecture Council.
Istoricul organizrii profesionale a arhitecilor romni
1864 Domnitorul Alexandru Ioan Cuza d nalta Aprobare regulamentului pentru Organisarea Serviciului
de Architectura alla Bastimenteloru Civile la propunerea lui Mihail Koglniceanu, ministru de stat la
departamentul Interne, Agricultur i Lucrri Publice.
1874 Instituirea regulamentului pentru a clasa i a conserva monumentele noastre publice avnd ca
preedinte pe ministrul Instruciunii i Cultelor
1882 V.A. Ureche ntocmete un proiect de lege pentru conservarea monumentelor publice
1890 Apare publicaia Analele arhitecturii i artelor cu care se leag sub ngrijirea arhitecilor I. N.
Socolescu i G. Sterian.
1891 26 februarie nfiinarea Societii Arhitecilor Romni (S.A.R.), dup concursul internaional din
1890-1891 pentru Camera Deputailor. Au participat la acest concurs 37 de proiecte din Bucureti,
Viena, Berlin, Londra, Paris, Roma, Bruxelles, Stuttgart i Mnchen. Un juriu internaional acordase
primul premiu pentru cldirea Camerei Deputailor (construit pe Dealul Patriarhiei) arhitectului
Dimitrie Maimarolu. Proiectul lui Ion Mincu a obinut premiul trei. Dup ncheierea concursului i la
ndemnul juriului, un grup de arhiteci a iniiat formarea S.A.R.: Subsemnaii, arhiteci ntrunii la
26 februarie 1891, se spune n actul constitutiv al Societii, am luat n discuie chestiunea nfiinrii
unei societi de arhiteci romni i dup ce am discutat, pe de o parte, rolul ce ar putea sa l aibe o
atare societate...iar pe de alta de a da via corpului nostru de arhiteci care astzi se gsete risipit,
s-a hotrt nfiinarea unei societi de arhiteci...Prezintele proces verbal ia act de ntrunirea fcut
n seara zilei de 26 februarie 1891, hotrte nfiinarea Societii Arhitecilor Romni i din adncul
inimii lor, subscriii i cei dintiu i ureaz bun succes i trai lung. Printre cei 24 subscrii membri
fondatori se aflau: Alexandru Orscu, arhitectul Universitii din Bucureti, Alexandru Svulescu,
autorul actualului Muzeu de Istorie, Ion Mincu, Grigore Cerchez, George Sterian, iniiatorul revistei
Arhitectura, Dimitrie Maimarolu. Statutele i alegerea primului preedinte Alexandru Orscu au
fost adoptate n 4 martie 1891 i tot atunci Societatea i-a formulat prioritile: recunoaterea ca
persoan moral, cutarea unui sediu, nfiinarea colii de Arhitectur i a unui Consiliu tehnic al
Arhitecturii.
61
1892 The Law of Historical Monuments was issued, enacted and voted.
The Romanian Society of Architects establishes the l School of Architecture, a private architecture
school.
1893 Takes place the first endeavour directed towards a specific law for architects. The 2nd Article of the Law
of the Technical Corpus of Engineers states the difference between the concerns of engineers and those
of architects.
1897 On the basis of the Al. I. Cuza Koglniceanu Regulation of 1864, Gh. Mrzescu and further on Spiru
Haret founded and contributed to the functioning of a Department of Architecture within the School of
Fine Arts.
1902 After the intervention of the Romanian Society of Architects, the profession of architect was mentioned
for the first time in the list of professions and trades.
1904 The Spiru Haret Law which aimed at defining the architect profession was not voted. The Higher School
of Architecture became a independent institution of state, a higher education at the initiative of Spiru
Haret.
1906 Architect G. Sterian organized the chair of Architecture within the Section of National and Decorative
Arts of the Bucharest Academy of Fine Arts and within Regina Maria Institute of Decorative Arts.
Architect George Sterian founded also the Arhitectura magazine, the oldest and the longest lasting
Romanian architecture publication.
1907 Ion Mincu, one of the founding members and former president of the Romanian Society of Architects,
submitted a draft law to the Government which stipulated the definition of architects duties, the use of
freelance certificates, the organization of government architecture services, the foundation of a Higher
Architecture Council to supervise the construction of public buildings.
Ermil Pangrati, the former Headmaster of the Architecture School advocated the 1904 Spiru Haret Law
to be brought forward again.
1911 The mayor of Bucharest, Vintil Bratianu, organized a commission to draw up and furnish the town
halls with the technical files of certified architects and technicians able to introduce their projects. The
1892 Este emis, votat i promulgat Legea Monumentelor Istorice;
Pe lng Societatea Arhitecilor Romni se nfiineaz coala de Arhitectur, o coal privat de
arhitectur.
1893 Primul demers pentru o Lege a Arhitecilor. n articolul 2 al Legii Corpului Tehnic al Inginerilor este
formulata distincia dintre preocuprile inginerilor i cele ale arhitecilor.
1897 Gh. Mrzescu i apoi Spiru Haret, n baza regulamentului Al. I. Cuza Koglniceanu din 1864,
nfiineaz i contribuie la funcionarea unei secii de arhitectur a colii de Belle-Arte.
1902 La intervenia Societii Arhitecilor Romni, profesiunea de arhitect este menionat n nomenclatorul
legii meseriilor.
1904 Legea Spiru Haret care propune definirea profesiunii de arhitect nu este votat. coala Superioar de
Arhitectur devine instituie independent de stat de nvmnt superior la iniiativa lui Spiru Haret.
1906 Arhitectul George Sterian organizeaz catedra de arhitectur la Secia de art naional i arte
decorative de pe lng Academia de arte frumoase din Bucureti i la Institutul de Arte Decorative
Regina Maria;
George Sterian fondeaz revista Arhitectura, cea mai veche i longeviv publicaie de arhitectur
romneasc.
1907 Ion Mincu, unul din fondatori i fost preedinte al Societii Arhitecilor Romni, prezint guvernului
un proiect de lege care prevede definirea obligaiilor arhitectului, introducerea certificatelor de liber
practic, organizarea serviciilor de arhitectur ale statului, nfiinarea unui consiliu superior de
arhitectur sub supravegherea cruia s se execute cldirile publice;
Ermil Pangrati, fostul Director al colii de Arhitectur, militeaz pentru rediscutarea Legii Spiru Haret
din 1904.
1911 Primarul Bucuretiului, Vintil Brtianu, formeaz o comisie care s ntocmeasc pentru primrii
tablourile tehnice ale arhitecilor i tehnicienilor autorizai s prezinte proiecte. Din aceast comisie
fac parte Ion Mincu, Emil Pangratti i inginerul Alexandru Davidescu.
63
commission was to include Ion Mincu, Emil Pangratti and Alex Davidescu, engineer.
1912 The building of the School of Architecture begins, in compliance with the project of the architect-
engineer Grigore Cerchez, assisted by Architect Iorgu Ciortan. The construction was to be finished in
1927.
1918 Architect I. D. Berindei prepared and submitted a draft of a law meant to defend the architectural
profession.
1916, 1924, 1928 The Law of professional practice is discussed and encouraged during the congresses held by
the Romanian Society of Architects.
1921 The Law to organize the Corpus of Architects employed in the Public Services was proposed by Professor
Ioan Petrovici, as a result of the efforts of the Romanian Architect Society Committee whose members
at the time were Architects: Petre Antonescu president, Statie Ciortan and Paul Smrndescu,
Ion.D. Berindei, tefan Burcu, Dimitrie Renard, Dumitru Hrjeu, Ioan Socolescu, Simion Vasilescu,
N. Stnescu and I. Trajanescu. The Law was signed by I. Petrovici, Minister of Public Works, Nicolae
Titulescu, Minister of Finance and M. Antonescu, Minister of Justice. The Law was enacted by King
Ferdinand on 4 July 1921.
1929 February 26 The inauguration of the R.S.A. headquarters took place on no. 2, Episcopiei Street.
When the Architects House was inaugurated on Episcopiei Street, a document was issued. The text of
that document is nowadays similar to a testament, a mission one cannot ignore, which states duties for
each and everyone as time goes by. On 26 February 1929, the Memorial Document for Inaugurating
the Architects House stated that the Romanian Society of Architects, in its endeavours to consecrate
the Architects House in the country capital declared: Let it be known forever that ... the first and
foremost place owned by the Romanian Society of Architects is the result of its members efforts in
order to reach development and progress. Let it be known that the premises of the Society will be
temporary, until the Society has its own palace built to embody perfect art... Let it be known that the
initiative to make the dreams of the Romanian Society of Architects come true and therefore have its
own place belongs to Architect Ion Mincu, the former President of the Society and it has been eventually
put in practice by the efforts of his former students and by the support of all his fellow members in
the Society with all their partners. The efforts made in the past being celebrated in the House of
Future Statie Ciortan, President of the Architects Society said at the opening ceremony should be
appreciated by everybody and by means of sincere solidarity the performance of architects should be
1912 ncepe construcia coalei de Arhitectur, dup proiectul arhitectului-inginer Grigore Cerchez, asistat
de arhitectul Iorgu Ciortan. Cldirea va fi terminat n 1927.
1918 Arhitectul I. D. Berindei ntocmete i nainteaz spre aprobare un proiect de lege pentru aprarea
profesiunii de arhitect.
1916, 1924, 1928 Legea exercitrii profesiunii este discutat i susinut de congresele Societii Arhitecilor
Romni
1921 Legea pentru organizarea Corpului Arhitecilor din Serviciile Publice este propus de prof. Ioan Petrovici,
ca urmare a struinelor Comitetului Societii Arhitecilor Romni din care fceau parte la acea dat
arhitecii: Petre Antonescu preedinte, Statie Ciortan i Paul Smrndescu, Ion. D. Berindei, tefan
Burcu, Dimitrie Renard, Dumitru Hrjeu, Ioan Socolescu, Simion Vasilescu, N. Stnescu i I. Trajanescu.
Legea semnat de Ioan Petrovici Ministrul Lucrrilor Publice, Nicolae Titulescu Ministrul Finanelor
i M. Antonescu Ministrul Justiiei, a fost promulgat de Regele Ferdinand la 4 iulie 1921.
1929 26 februarie Inaugurarea sediului S.A.R. n str. Episcopiei nr.2. La inaugurarea Casei Arhitectului
din strada Episcopiei a fost ntocmit un act. Acest text sun astzi ca un testament, o misiune peste
care nu putem trece i care formuleaz peste timp ndatoriri pentru noi toi. n 26 februarie 1929,
se spune n Actul comemorativ pentru inaugurarea Casei Arhitectului, Societatea Arhitecilor
Romninvrednicindu-se s sfineasc Casa Arhitecilor din capitala rii declar: S se tie
pentru totdeauna ccel dinti local al Societii Arhitecilor Romni este rezultatul strduinelor
membrilor ei, n tendina lor de consolidare i progres. S se tie c acestsediu al Societii va servi
provizoriu pn ce Societatea i va construi singur un palat care s sintetizeze arta desvrit. S
se tie c iniiativa mplinirii nzuinelor Societii Arhitecilor Romni de a avea locul propriu a fost
luat deArhitectul Ion Mincu, fost Preedinte al Societii i desvrit n timpul din urm prin
strduina fotilor lui elevicu sprijinul tuturor colegilor membri ai Societii i al colaboratorilor lor
. Srbtorindu-se strduinele trecutului n Casa viitorului spunea la ceremonia de inaugurare
Statie Ciortan, Preedintele Societii Arhitecilor urmeaz s se chibzuiasc de toi ca, printr-o
solidaritate sincer, munca arhitecilor s se organizeze, s se sistematizeze, asigurndu-se reuita
deplin i progresul specialitii...Fie ca aezarea Societii Arhitecilor Romni n cas proprie s fie
ntr-un ceas bun.
1932 Legea pentru nfiinarea i organizarea Corpului Arhitecilor din Romnia propus de guvern prin
Preedintele Consiliului de Minitri i Ministrul Instruciunii, al Cultelor i Artelor, istoricul Nicolae
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organized, systemized, thus ensuring the complete success and progress of this field. May the home of
the Romanian Society of Architects last long.
1932 Submission to the Parliament the Law for the foundation and organization of the Romanian Corpus of
Architects indicated by the Government with the President of the Council of Ministers and by Historian
Nicolae Iorga, the Minister of Education, Cults and Arts. The Law was voted by the Assembly of
Deputies led by President Doctor Petre Topa, by the Senate presided by Mihail Sadoveanu and it was
enacted by King Carol II on 15 April 1932. In November 1932, the Regulation prepared by the Minister
of Education and Cults, Dimitrie Gusti, was confirmed by royal decree.
1932 December 1st The meeting to found the Romanian Corpus of Architects on the basis of the Law for the
foundation and organization of the Romanian Corpus of Architects takes place. 234 voters were present
of the total number of 340 architects enlisted. The elections of the Council and of the Ethics Commission
were made during several polls. The following were elected in the Council of the Corpus of Architects:
Professor Architect Statie Ciortan, Professor Architect Petre Antonescu, Professor Architect C. Iotzu,
Professor Architect I. Trajanescu, Architect Georgescu, Architect Fl. Stnculescu and Architect Constantin
Dobrescu. Statie Ciortan, inspector-architect, Professor at the Academy of Architecture, was the first
Dean of the Corpus of Architects. According to its regulation, the President of the Romanian Society of
Architects, Ion Enescu, was appointed Prime Dean of the Corpus of Architects. Scarlat Petculescu was
appointed President of the Ethics Commission.
1933 In November, the Index of Architects Registered in the Romanian Association of Architects, Complying
with the Law for the Foundation and Organization of the Corpus of Architects Law enacted by
High Royal Decree no.1607 of 9 May 1932 is published.. The Index had several headings and was
organized taking into account the professional post of the architects, the towns and historical regions
in Romania Bucharest, the Old Kingdom, Transylvania, Bucovina and also included certifications.
The List of minimal fees was drafted. The Corpus issued documents regarding the payment of fees and
suggested a standard contract template for design activities.
The Ministry Decision on the rules for enrolling in the Corpus of Architects those who practiced the
profession on the countrys territory and for establishing the category of accredited architects is
published.
The Corpus of Architects received money donations from Architects Rafiroiu Silvestru, A. Cernea, St.
Heller, D. Gospodinof, G. Ivanof; St. Ciortan donated a council table, a carpet and a leather armchair;
Iorgu Ciortan donated a classoir desk, a peg and four chairs; Master Carpenter N. Andreescu donated
an oak roller cabinet; The OMEGA factory donated an iron safe.
Iorga, este naintat parlamentului. Legea a fost votat de Adunarea deputailor sub preedinia dr.
Petre Topa, de Senatul prezidat de Mihail Sadoveanu i promulgat de Regele Carol II la 15 aprilie
1932. n noiembrie 1932, Regulamentul ntocmit de Ministrul Instruciunii i Cultelor Dimitrie Gusti a
fost confirmat prin decret regal.
1932 1 decembrie edina de constituire a Corpului Arhitecilor din Romnia n baza Legii pentru
nfiinarea i organizarea Corpului Arhitecilor din Romnia. Din 340 de arhiteci nscrii au fost
prezeni 234 votani. Alegerea Consiliului i a comisiei de disciplin s-a desfurat n mai multe tururi
de scrutin. Au fost alei n Consiliului Corpului Arhitecilor: prof. arh. Statie Ciortan, prof. arh. Petre
Antonescu, prof. arh. C. Iotzu, prof. arh. I. Trajanescu, arh. Georgescu, arh. Florea Stnculescu i arh.
Constantin Dobrescu. Statie Ciortan, arhitect-inspector, profesor al Academiei de Arhitectur, a fost
primul decan al Corpului Arhitecilor. Prin regulament, preedintele Societii Arhitecilor Romni,
Ion Enescu, a primit funcia de prim prodecan al Corpului Arhitecilor. Lui Scarlat Petculescu i s-a
ncredinat preedinia Comisiei disciplinare.
1933 n luna noiembrie este publicat Tabloul Arhitecilor nscrii n Corpul Arhitecilor din Romnia,
ndeplinind condiiunile Legei pentru nfiinarea i organizarea acestui Corp lege promulgat prin
naltul Decret Regal no.1607 din 9 mai 1932. Tabloul are mai multe capitole i este organizat pe
criteriul sediului profesional al arhitecilor, pe orae i pe provinciile istorice ale Romniei Bucureti,
Vechiul Regat, Transilvania, Bucovina i pe baza legitimaiilor;
Este instituit Tabloul onorariilor minimale. Corpul emite documente privitoare la modul de plat al
onorariilor i propune un contract - standard de proiectare;
Apare Decizia Ministerial privind normele de nscriere n corpul Arhitecilor a celor care au practicat
meseria pe cuprinsul rii i nfiinarea categoriei de Arhitect recunoscut;
Corpul Arhitecilor a primit donaii n bani de la arhitecii Rafiroiu Silvestru, A. Cernea, t. Heller,
D. Gospodinof, G. Ivanof; St. Ciortan a donat masa de consiliu, covorul i un fotoliu din piele; Iorgu
Ciortan a donat un pupitru classoir, un cuier i patru scaune; meterul tmplar Andreescu N. a donat un
dulap de stejar cu rulouri; Fabrica de case de fier OMEGA a donat o cas de bani din fier.
1934 Este ntocmit Tabloul Arhitecilor funcionari din serviciile Statului, Judeelor i Comunelor. Tabloul
este organizat dup titluri de funcii arhiteci inspectori generali clasa I i II, arhiteci efi clasa I i II,
arhiteci ordinari clasa I, II i III i arhiteci stagiari. Patru arhiteci Petre Antonescu, I. Ghika Budeti,
V. tefnescu, Statie Ciortan, Paul Smrndescu au primit titlul de architect inspector general clasa I;
Corpul arhitecilor respinge nscrierea n Corp a unor arhiteci de naionalitate strin (este vorba de
arhiteci francezi), dar la intervenia guvernului francez care cere respectarea condiiilor de reciprocitate,
67
1934 The Index of Clerk Architects working for the Government, counties and villages was drawn up. The
Index was organized by titles first and second class general inspector architects, first and second class
chief architects, first, second and third class ordinary architects and trainee architects. Four architects
Petre Antonescu, I. Ghika Budeti, V. tefnescu, Statie Ciortan, Paul Smrndescu were awarded the
title of first class general inspector architects.
The Corpus of Architects rejected the subscription within the Corpus of foreign architects (namely,
French architects) but after the intervention of the French Government which required the observance of
mutuality conditions, it decided to enroll themunder a special heading, respectively that of accredited
architects. A Commission to assess all the requests for enrolling in the category of accredited architects
is founded. The teaching staff of the Academy of Architecture ratified the Commissions works.
The Ethics Commission starts working by handling the first three definitive sanctions against fellow
architects Biliargiu, Seevald and Jean Monda. The Council debated the situation of architects that used
to sign design plans drafted illicitly. The Ethics Commission began to mediate the misunderstandings
among architects and apply sanctions, all shown in the Coprus Bulletin.
In the end of the year, the Association comprised 428 diplomat architects.
1935 The Index of Diplomat Architects was enriched by two new headings. The first category of accredited
architects included Marcel Iancu, Leonida Plmdeal, Grigore Cerchez (engineer by formation)
and Herman Clejan. The second category was included in the Additional Index of professionals with
limited rights and included chief architectural drawers, master builders, authorized builders, master
bricklayers and master carpenters.
The Corpus of Architects collaborated with town halls regarding the sanctions applied to architects for the
infringement of the building regulation, also regarding the implementation of the systematization
plan and the promotion of public architecture contests, whereas the Corpus Studies Office suggested
a standard content of municipal regulations, the Professional Code showing the duties, rights
and ethics of professional architects and the entrepreneurship for the Law of Public Architecture
Contests.
1936 The President of the Corpus delivered a speech to his colleagues where he emphasizes that the first
law should still serve the society; all we need is something that entirely depends on us architects and
that is consistency in our relations with the public and the authorities. We must impose a certain well-
defined conduct on ourselves and meet our obligations whatever it takes.
The Minister of Education and the Deanship of the Corpus of Architects provided the town halls and
county prefectures with the Official Index of Architects and some directions for the strict application of
decide introducerea lor ntr-o categorie aparte, cea a arhitecilor recunoscui. Se nfiineaz o Comisie
de evaluare a cererilor pentru categoria de arhitect recunoscut. Consiliul profesoral al Academiei de
Arhitectur ratific lucrrile Comisiei;
ncepe s funcioneze Comisia de disciplin, care administreaz primele trei sanciuni definitive
colegilor Biliargiu, Seevald i Jean Monda. Consiliul discut chestiunea arhitecilor care semneaz
planuri ntocmite de clandestini. Comisia de disciplin va media divergenele ntre arhiteci i va
aplica sanciuni, toate publicate n buletinul Corpului.
La sfritul anului, Corpul cuprinde 428 de arhiteci diplomai.
1935 Tabloul arhitecilor diplomai este completat cu dou categorii noi. n prima categorie, cea a
arhitecilor recunoscui, i gsimpe Marcel Iancu, Leonida Plmdeal, Grigore Cerchez (de formaie
inginer), Herman Clejan. Cea de-a doua categorie este listat n Tabloul suplimentar al profesionitilor
cu drepturi limitate i include: conductori desenatori de arhitectur, maetri constructori, constructori
autorizai, maetri zidari i dulgheri.
Corpul Arhitecilor colaboreaz cu primriile n ceea ce privete sanciunile ce se aplic arhitecilor
pentru derogare de la regulamentul de construciuni, aplicarea planului de sistematizare i
promovarea concursurilor publice de arhitectur; Oficiul de studii al Corpului propune un coninut-
tip pentru regulamente comunale, Codul Profesiunii, artnd ndatoririle, drepturile i disciplina
Arhitecilor Profesioniti i un antreprenoriat pentru Legea concursurilor publice de arhitectur.
1936 Preedintele Corpului adreseaz un Cuvnt ctre colegi n care arat c pentru ca legea s se
menin n serviciul societii, ne mai trebuie ceva ce depinde numai de noi, Arhitecii consecvena
n raporturile noastre cu publicul i cu autoritile. Trebuie s ne impunem o linie de conduit bine
definit i s ne ndeplinim obligaiile cu orice sacrificiu.
Ministrul Instruciunii i Decanatul Corpului Arhitecilor transmit municipiilor oraelor i prefecturilor
Tabloul oficial al arhitecilor i Dispoziia pentru aplicarea cu strictee a prevederilor legii Corpului
Arhitecilor.
1936/37 Corpul Arhitecilor particip la organizarea concursurilor publice pentru Piaa 8 Iunie, Palatul Municipal
din Bucureti i Pavilionul romnesc la Expoziia Internaional de la Paris 1937, un hotel la Balcic,
o Biseric n Parcul Domeniilor, Sistematizarea oraului Belgrad, monumental Regelui Ferdinand de
la Cernui. Proiectul Cetii Universitare i atribuirea lui fac obiectul unei dezbateri intense i unor
polemici prelungite.
69
the legal provisions of the Law of the Corpus of Architects.
1936/37 The Corpus of Architects participated in the organization process of public contests for the 8 Iunie
Square, Bucharest Municipal Palace, the Romanian section in the foreign exhibition at Paris in 1937,
a hotel in Balcic, a church in the Park of Estates, the systematization of Belgrad and the monument of
King Ferdinand in Cernui. The project of the University Citadel and its assignment led to vivid debates
and long controversies.
1937 The Corpus contacted the editorial boards of most newspapers in order for the authors names to
be published along with pictures of their architectural works in compliance with the Law of Artistic
Property.
By means of its Studies Office, the Corpus replied to all the requests of local town halls in reference with
the implementation of the Law of the Corpus of Architects. Negotiations were held with the Association
of Romanian Engineers for the architecture projects of any kind which had to be signed also by a civil
engineer.
1938 The Romanian Corpus of Architects was dissolved and replaced by the Romanian Architects College,
along with the creation of the National Renaissance Front and the corporate structuring of the civil
society. The History of the Romanian Architecture by Grigore Ionescu was issued and its publication was
financed from its own sources.
1948 The Romanian Architects College and the Romanian Society of Architects were dissolved. Architects
became members of the Scientific Association of Engineers and Technicians.
1950 The architects freelancer status and his right to free practice were removed and the Union of Architects
of Romania was founded (U.A.R.).
1990 The Union of Architects of Romania was reformed; adopted a newstatus and assumed the responsibility
to reestablish the traditions of the Corpus of Architects.
1991 February 26 100 years after the foundation of the Romanian Society of Architects, the tradition of the
architects Annual Ball was resumed and it was to be held each year from that moment on.
1992 Romania resumed its participation in the Biennale of Venice.
1937 Corpul Arhitecilor intervine la redaciile tuturor ziarelor pentru ca numele autorului s apar odat cu
publicarea fotografiilor dup lucrrile arhitecilor, n conformitate cu Legea proprietii artistice.
Prin Oficiul de studii, Corpul Arhitecilor rspunde solicitrilor unor primrii locale privind aplicarea
legii Corpului Arhitecilor. Au loc tratative cu Asociaia General a Inginerilor din Romnia (A.G.I.R.)
privind obligativitatea semnrii proiectelor de arhitectur de orice fel i de ctre un inginer constructor.
1938 Corpul Arhitecilor din Romnia este desfiinat i nlocuit cu Colegiul Arhitecilor Romni, odat cu
Crearea Frontului Renaterii Naionale i structurarea corporatist a organizaiilor societii civile.
Finanarea din surse proprii a apariiei Istoriei Arhitecturii din Romnia de Grigore Ionescu.
1948 Colegiul Arhitecilor Romni i Societatea Arhitecilor din Romnia sunt desfiinate. Arhitecii devin
membri ai Asociaiei tiinifice a Inginerilor i Tehnicienilor (A.S.I.T.).
1950 Este suprimat statutul liber profesionist al arhitectului i dreptul la liber practic i se nfiineaz
Uniunea Arhitecilor din Romnia (U.A.R.)
1990 U.A.R. este restructurat, adopt un statut nou i i asum misiunea restabilirii tradiiei Corpului
Arhitecilor.
1991 26 februarie La 100 de ani de la nfiinarea Societii Arhitecilor Romni se reia tradiia Balului
Arhitecilor, ce se va organiza anual ncepnd cu 1991.
1992 Reluarea participrii Romniei la Bienala de la Veneia.
1994 Organizarea primei Bienale de Arhitectur n Bucureti.
1995 U.A.R. devine membru al Alianei Naionale a Uniunilor de Creatori din Romnia (ANUC)
1999 Se nfiineaz Registrul Naional al Arhitecilor (R.N.A.), prima form de liceniere n exercitarea
arhitecturii ca profesie liberal. R.N.A. va definitiva Legea pentru organizarea i exercitarea profesiunii.
2000 Organizarea concursului internaional Bucureti 2000.
71
1994 The organization of the first Biennale of Architecture in Bucharest.
1995 The U.A.R. became member of the National Alliance of the Romanian Unions of Creators.
1999 The National Registry of Architects (N.R.A.) was set up as the first way to be licensed in practicing
architecture as a freelance profession. The N.R.A. was to lay down the law for organizing and practicing
the profession.
2000 The organization of the Bucharest 2000 International Contest.
On 22-23 October, the UIA International Conference in Bucharest on Genius Loci takes place.
2001 The Law 184/2001 for the organization and practice of the architectural profession was enacted. In
June, the first National Conference of the Romanian Order of Architects was held. At that time, the
Order had 20 branches and 2700 members. erban Sturdza was elected the first President of the OAR.
On January 22, the U.A.R. in a partnership with the Special Constructions and Assembling Company in
Bucharest started building the Dem Dobrescu House.
2004 November 14 The building process was completed. The U.A.R. moved its headquarters to the new
location.
2008 The acquisition of the building on J.L.Calderon street no.48 where is organize the Cultural Center of
Architecture.
La 23 octombrie are loc la Bucureti Conferina internaional UIA cu tema Genius Loci
2001 Este promulgat Legea 184/2001 pentru organizarea i exercitarea profesiunii de arhitect. n luna
iunie are loc prima Conferin Naional a Ordinului Arhitecilor din Romnia. Ordinul avea la acea
data 20 de filiale i 2700 de membri. erban Sturdza devine, dup alegeri, primul preedinte O.A.R.
La 22 ianuarie, U.A.R. ncepe execuia casei din strada Dem Dobrescu, n asociaie cu Antrepriza de
Construcii Montaj Special Bucureti. Autori: arh. Dan Marin i arh. Zeno Bogdnescu.
2004 14 noiembrie Finalizarea construciei. U.A.R. i mut sediul n noua construcie.
2008 Achiziia cldirii din str. Jean Louis Calderon nr.48 i organizarea Centrului de Cultur Arhitectural
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75
Presidents of the ROMANIAN SOCIETY OF ARCHITECTS
1891 - 1894 Alexandru Orscu
1895 - 1900 Alexandru Svulescu
1901 - 1902 Ion Socolescu
1903 - 1911 Ion Mincu
1912 Petre Antonescu
1912 - 1913 Ion Socolescu, Toma Dobrescu, Dimitrie Hrjeu
1913 - 1918 Grigore Cerchez
1919 - 1921 Petre Antonescu
1922 - 1924 tefan Burcu
1925 - 1926 Spiridon Cegneanu
1926 -1927 Ion Pompilian
1928 tefan Burcu
1929 - 1932 Statie Ciortan
1933 - 1941 Ion D. Enescu
1944 C. D. Dobrescu
1945 Ion Al. Davidescu
1946 - 1948 Petre Antonescu
Presidents of the UNION OF ARCHITECTS OF ROMANIA
1952 - 1966 Duliu Marcu
1966 - 1971 Pompiliu Macovei
1971 - 1987 Cezar Lzrescu
1990, martie-oct. Ascanio Damian
1990 - 1999 Alexandru Beldiman
1999 - 2002 erban Sturdza
2002 - 2004 tefan Lungu
2004 - 2007 Peter Derer
2007 - 2009 tefan Lungu
2009 tefan Ghenciulescu (interim)
2009 - 2012 Peter Derer
since 2012 Viorica Curea
Preedini ai SOCIETII ARHITECILOR ROMNI
1891 - 1894 Alexandru Orscu
1895 - 1900 Alexandru Svulescu
1901 - 1902 Ion Socolescu
1903 - 1911 Ion Mincu
1912 Petre Antonescu
1912 - 1913 Ion Socolescu, Toma Dobrescu, Dimitrie Hrjeu
1913 - 1918 Grigore Cerchez
1919 - 1921 Petre Antonescu
1922 - 1924 tefan Burcu
1925 - 1926 Spiridon Cegneanu
1926 -1927 Ion Pompilian
1928 tefan Burcu
1929 - 1932 Statie Ciortan
1933 - 1941 Ion D. Enescu
1944 C. D. Dobrescu
1945 Ion Al. Davidescu
1946 - 1948 Petre Antonescu
Preedinti ai UNIUNII ARHITECILOR DIN ROMNIA
1952 - 1966 Duliu Marcu
1966 - 1971 Pompiliu Macovei
1971 - 1987 Cezar Lzrescu
1990, martie-oct. Ascanio Damian
1990 - 1999 Alexandru Beldiman
1999 - 2002 erban Sturdza
2002 - 2004 tefan Lungu
2004 - 2007 Peter Derer
2007 - 2009 tefan Lungu
2009 tefan Ghenciulescu (interimar)
2009 - 2012 Peter Derer
din 2012 Viorica Curea
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Andra Panait 2004
79
Historical Background of the Romanian Higher Education in Architecture
In Romania, the first form of architectural education was legally established in 1864, based on an Act issued by
Alexandru Ioan Cuza, Prince of Moldavia and Walachia, as a part of the School of Bridges and Roads, Mines and
Architecture. However, due to the lack of funds and students, it was closed down shortly after. The first Romanian
architects studied mostly in Paris, at the Ecole des Beaux-Arts (the first DPLG being Ion Mincu in 1883) and their
enthusiastic undertaking lead to the true foundation of a school of architecture in Bucharest. Thus, in 1892 the
Romanian Society of Architects set up a private school of architecture under its authority. The Education Reform
in 1897 transformed the private school into the National School of Architecture (financed by the government)
as a part of the School of Fine Arts; in 1904 it became an independent institution named the Higher School of
Architecture. In 1931 the School was renamed the Academy of Architecture. The first law concerning architectural
education recognized its university level preserving yet the title of Academy; the same law regulated the use of
the title of architect and the professional practice. In 1938 the Academy of Architecture was integrated into the
Polytechnic School in Bucharest, under the name of the Faculty of Architecture. Additionally, a special program
dedicated to the study of urbanism functioned between 1943 and 1948.
In 1948 the Faculty of Architecture became independent under a new name - the Institute of Architecture. After a
short period of independence, it was incorporated to the recently created Civil Engineering Institute and renamed
Faculty of Architecture. In 1952 the Faculty became independent again, retaking the name of the Institute of
Architecture; by a decree issued in 1953, the Institute was named after Ion Mincu.
Until 2000 the institution functioned under the title of Ion Mincu Institute of Architecture. In 2000, by a decision of
the Academic Senate, the name was changed to Ion Mincu University of Architecture and Urban Planning, which
is still the current official denomination. This change was closely linked with the broadening of the educational
offer after 1990. Thus, two new Faculties were added to the old Faculty of Architecture in the last decades: the
Faculty of Urbanism in 1997 and the Faculty of Interior Design in 2003, each of them offering several degree
programs.
In 1970 were founded by law the Faculties of Architecture within the Polytechnical Universities from Cluj, Iai and
Timioara, nowadays Technical Universities.
In 1995 was founded the Faculty of Architecture within the private University of Spiru Haret.
Istoricul nvmntului superior de arhitectur din Romnia
n Romnia, nvmntul de Arhitectur a fost nfiinat n temeiul decretului domnitorului Alexandru Ioan Cuza
din 1 octombrie 1864, cu denumirea de coal de Poni i osele, de Mine i Arhitectur. Aceast prim secie
de arhitectur a disprut n scurt timp din lipsa fondurilor i a elevilor. n aprilie 1891, Comitetul de Conducere al
Societii Arhitecilor Romni a luat hotrrea s constituie, sub auspiciile sale, o coal particular de arhitectur.
Aprobat n august 1892 i condus de Ion Socolescu, coala de Arhitectur a Societii Arhitecilor Romni a
funcionat cu regularitate timp de 5 ani i a fost oficializat ca nvmnt de stat n decembrie 1897, prin reforma
nvmntului iniiat de ministrul Spiru Haret, sub denumirea de coala Naional de Arhitectur, secie a
colii de Belle-Arte din Bucureti. Ulterior, printr-o decizie ministerial, Arhitectura a fost scoas de sub tutela
colii de Belle Arte, n toamna anului 1904 crendu-se coala Superioar de Arhitectur, instituie independent
de nvmnt superior, cu un director propriu, n persoana lui Ermil Pangratti. nvmntul de arhitectur i-a
cptat pentru prima oar o lege a sa proprie n mai 1932.
Echivalnd-o n grad cu universitatea i pstrndu-i titulatura de Academia de Arhitectur pe care i-o dduse un
decret din 15 iulie 1931, noua lege reglementa, totodat, i dreptul purtrii titlului de arhitect i al exercitrii
profesiei de arhitect n Romnia. Academia de Arhitectur a funcionat sub rectoratul profesorului Petre Antonescu
pn n 1938. Din toamna anului 1938, fr s-i modifice profilul, dar regrupndu-i disciplinele, Academia de
Arhitectur a fost nglobat cu o titulatur nou - Facultatea de Arhitectur - n structura Politehnicii din Bucureti.
Pentru pregtirea specialitilor n construcia i reconstrucia oraelor a fost nfiinat i a funcionat pe lng
Facultatea de Arhitectur (1943-1948) o secie de specializare n Urbanism, sub conducerea profesorului Duiliu
Marcu.
Desprins din cadrul Politehnicii n urma reformei nvmntului din 1948, Facultatea de Arhitectur a devenit
instituie independent de nvmnt superior, cu titulatura Institutul de Arhitectur, cu sediul n strada Biserica
Enei nr. 3-5. Dup o scurt perioad de independen, n octombrie 1949 Institutul a fost ncorporat cu numele de
Facultatea de Arhitectur n Institutul de Construcii, nou nfiinat prin restructurarea Politehnicii.
Prin Hotrrea CC al PMR i a Consiliului de Minitri al RPR cu privire la construcia i reconstrucia oraelor i
organizarea activitii din domeniul arhitecturii din 14 noiembrie 1952, Facultatea a redevenit independent, sub
denumirea de Institutul de Arhitectur. Institutului i s-a conferit numele lui Ion Mincu prin Decretul nr. 147/1953.
Sub aceast titulatur instituia a funcionat pn n anul 2000 cnd, n urma hotrrii Senatului universitar,
denumirea a fost modificat n Universitatea de Arhitectur i Urbanism Ion Mincu, care este i n prezent
titulatura oficial.
Modificarea denumirii a fost impus de schimbrile care au avut loc n structura intern a instituiei, generate de
necesitatea diversificrii ofertei educaionale. Astfel, dac actuala Facultate de Arhitectur este continuatoarea
vechii coli de Arhitectur, dup 1990 au fost nfiinate dou noi faculti: n 1997, Facultatea de Urbanism, n
2003, Facultatea de Arhitectur de Interior.
n 1970 s-au nfiinat prin decret Facultile de Arhitectur din cadrul Universitilor Politehnice de la Cluj, Iai i
Timioara, n prezent Universiti Tehnice.
n 1995 s-a nfiinat Facultatea de Arhitectur din cadrul Universitii Spiru Haret sistem privat.
81
Leaders of the School of Architecture in Bucharest over the years
Ion N. Socolescu, architect, 1892-1897
Constantin Stncescu, painter, 1897-1899
George Mirea, painter, 1899-1904
Ermil Pangrati, engineer, 1904-1931
Petre Antonescu, architect, 1931-1938
Statie Ciortan, architect, 1938-1938
Paul Smarandescu, architect, 1938-1940
Constantin Iotzu, architect, 1940-1944
Grigore Ionescu, architect, 1944-1952
Niculae Bdescu, architect, 1952-1953
Niculae Lupu, architect, 1953-1959
Ascano Damian, architect, 1959-1971
Cezar Lzrescu, architect, 1971-1980
Cornel Dumitrescu, architect, 1980-1989
Alexandru Sandu, architect, 1989-2000
Emil Barbu Popescu, architect, 2000-2008
tefan Scafa Udrite, architect, 2008-2012
Zeno Bogdnescu, architect, since 2012
Conductori ai colii de Arhitectur din Bucureti de-a lungul timpului
Ion N. Socolescu, arhitect, 1892-1897
Constantin Stncescu, pictor, 1897-1899
George Mirea, pictor, 1899-1904
Ermil Pangrati, inginer, 1904-1931
Petre Antonescu, arhitect, 1931-1938
Statie Ciortan, arhitect, 1938-1938
Paul Smrndescu, arhitect, 1938-1940
Constantin Iotzu, arhitect, 1940-1944
Grigore Ionescu, arhitect, 1944-1952
Niculae Bdescu, arhitect, 1952-1953
Niculae Lupu, arhitect, 1953-1959
Ascanio Damian, arhitect, 1959-1971
Cezar Lzrescu, arhitect, 1971-1980
Cornel Dumitrescu, arhitect, 1980-1989
Alexandru Sandu, arhitect, 1989-2000
Emil Barbu Popescu, arhitect, 2000-2008
tefan Scafa-Udrite, arhitect, 2008-2012
Zeno Bogdnescu, arhitect, 2012-prezent
83
85
THE WORLD OF THE ROMANIAN ARCHITECTS ONE HUNDRED YEARS AGO
This year marks 107 years since the ARHITECTURA Magazine a landmark publication to the entire class of
Romanian architects emerged in the rich environment of the Romanian press in the early 20th century.
It was probably some time in late February, 1906 the year of the General Romanian Exposition held to celebrate
40 years of the highly inspired, widely providential reign of Charles the First. Those were times of extraordinary
cultural turmoil and outstanding economic boom meant to grab the young Romanian kingdom from the secular
inaction of the Byzantine patterns and safely guide it towards the highly civilized world of Western Europe.
To Romanian architects, there were years of grace when there were a lot of building activities and the people had
finally started to understand what their role in the borough was. During the first decade of the new century, they
used to ground their hopes on the meaningful gestures and deeds they had accomplished during the previous
decade.
As the years 1990 of the previous century had proven to be simply miraculous: never before in the history of this
profession had such a wide range of essential events ever happened or been about to happen as it did during those
years. The decade had begun with its first avant-garde magazine especially dedicated to the respective field and
to everyone willing to approach it: ANNALS OF ARCHITECTURE AND ARTS IT IS RELATED TO, issued in January
1890, under the careful guidance of Architect Ion Socolescu. The year 1891, which is famous in the history of the
corpus of architects, gathered the members who founded the ROMANIAN SOCIETY OF ARCHITECTS (R.S.A) on
the 26th of February by exceptional organizational efforts. A year and a half after this event, in August 1892, the
Society decided to set up a specialized school at its own expense: the first actual form of architecture education in
Romania. On the 17th of November the same year, the COMMISSION FOR HISTORIC MONUMENTS was founded by
a royal decree and soon after the Law for the preservation and rehabilitation of public monuments was approved.
In 1897, the architecture division belonging to the Fine Arts School in Bucharest was reestablished which was the
reason why the Societys school was closed down.
Therefore, it was a decade when architects had taken up writing about their profession, had managed to organize
themselves into a body of itself, they had a school where they passed on to the new generations everything they
had been learning with hard work, far from their country and moreover they had acquired a law to protect the
architectural heritage and not only it. That signified long years of torment and striving to them and to their
predecessors. So, they were entitled to be proud and confident in the century to come.
ARHITECTURA magazine until 1944
Publishing, Periodicity, Editorial Boards
Consequently, in 1906, twelve years after the ANNALS OF ARCHITECTURE ceased to be issued, during an absolute
rest period of the architects guild in terms of publishing, Architect George Sterian and a prestigious editorial
Lumea arhitecilor romni acum 100 de ani
Anul acesta se mplinesc 107 ani de cnd revista ARHITECTURA - publicaie de reper pentru breasla arhitecilor
romni - i fcea apariia n peisajul luxuriant al presei romneti a nceputului de secol XX.
Era, probabil, cndva pe la sfritul lunii februarie 1906: era anul Expoziiunii Generale Romne, dedicate
mplinirii a 40 de ani de inspirat i cu totul providenial domnie a regelui Carol I. Erau vremuri de extraordinar
fierbere cultural i de formidabil avnt economic, menite s smulg tnrul regat romnesc din torpoarea
secular a tiparelor bizantine i s l ndrepte cu pai siguri spre lumea evoluat a Occidentului european.
Pentru arhitecii romni erau ani de graie, n care se construia enorm iar lumea ncepuse s neleag care le era
rostul, locul i importana n cetate. n acest primdeceniu al unui nou secol, ei i ntemeiau speranele pe gesturile
i faptele fondatoare pe care le mpliniser n deceniul precedent.
Cci anii 90 ai secolului de dinainte se dovediser a face parte din zodia miracolelor: nicicnd altdat in istoria
profesiei nu se mai ntmplase i nu urma s se mai ntmple o asemenea concentrare de evenimente eseniale
pentru profesie ca n acei ani. Deceniul ncepuse avnd n avangarda sa o prim revist adresat cu dedicaie
domeniului i celor care voiau s l ptrund: ANALELE ARCHITECTUREI I ALE ARTELOR CU CARE SE LEAG,
aprut n ianuarie 1890 sub direcia arhitectului Ion Socolescu. Anul 1891, scris cu litere de aur n istoria breslei,
adunase la un loc membrii acesteia pentru ca la 26 februarie, printr-un excepional efort organizatoric, s fondeze
SOCIETATEA ARCHITECILOR ROMNI. La un an i jumtate de la eveniment, n august 1892, Societatea decide s
deschid pe cheltuial proprie o coal de profil: prima form efectiv de nvmnt de arhitectur din Romnia.
n acelai an, la 17 noiembrie, se nfiineaz prin decret regal COMISIUNEA MONUMENTELOR ISTORICE i,
imediat dup aceea, se voteaz Legea pentru conservarea i restaurarea monumentelor publice. n anul 1897 se
renfiineaz secia de Arhitectur de pe lng coala de Belle Arte din Bucureti, prilej cu care coala Societii
i nchide porile.
Fusese, aadar, un deceniu n care arhitecii ncepuser s scrie despre profesia lor, izbutiser s se organizeze ntr-
un corp de sine stttor, aveau o coal unde transmiteau noilor generaii ceea ce ei nvaser cu mari eforturi,
departe de ar i, mai mult chiar, obinuser o lege care s protejeze patrimoniul arhitectural i nu numai. Erau
lucruri care nsemnaser ani ntregi de zbucium i de strdanie pentru ei i pentru cei de dinaintea lor. Aveau
aadar de ce s fie mndri i ncreztori n noul secol.
Revista ARHITECTURA pn n 1944
Apariie, periodicitate, colectiv de redacie
Aadar, n 1906, la 12 ani de la ncetarea apariiei ANALELOR ARCHITECTUREI, ntr-o perioad de tcere
publicistic absolut a breslei arhitecilor, se public la Bucureti, sub direcia arhitectului George Sterian i a unui
prestigios comitet de redacie, ARCHITECTURA Revist Romn de Art. Dei cu multe i, uneori, ndelungi
87
board supervised and issued in Bucharest ARHITECTURA Romanian Art Magazine. Although with many and
sometimes long delays, its pre-communist series was to become the symbol of the Romanian Society of Architects
for thirty-eight years, namely until 1944. The Society relied on some ideology that was evidently compliant with the
official one and it surely found the magazine as the proper environment to be defined and successful.
Keeping a constant pace of issues publishing to such a limited range of readers and with its budget depending on
how punctual the payments of contributions were made at the Societys cash-desk might have been a difficult test
to its editors. This is why the ARHITECTURA Magazine could not at all keep its periodicity promise. Thus, since it
was published quarterly, it managed to have only two issues per year only in 1906, 1916, 1919 and 1920, whereas
in 1924, 25, 26, 30 and 34, it issued only one volume annually. Still a single volume was hardly issued for the
period 1931-1933. Only in 1935 did they find again the strength to reorganize the magazine, bearing the sub-title
Quarterly Issue on Architecture and Urbanism of the Romanian Society of Architects, inaugurating a new series
to generate up to four volumes a year, amounting to the total number of twenty-four volumes until 1944 when it
ceased its pre-communist publication.
Therefore, the magazines life was divided by hiatuses and crises whose details and origins are to remain
unknown. Various articles on this topic published in the magazine describe the scanty participation of architects in
the Societys and the professions matters in general which is actually easy to explain in the context of rising social
demand, which refers to active professionals becoming too busy with works. It is already well-known that peace
and prosperity times are not favorable for architects in terms of creative writing. Therefore, they would rather
dedicate themselves to doing what they know best, namely to designing.
Program, Major Themes, Related Topics
It is certain that the frequent pauses and changes in the editorial teams along with changes in the magazines
configuration had visible consequences upon the content of the magazine which was often weak and conventional,
and lacked the necessary power to impose this profession in the cultural life of the time. Additionally, the content
could not shape progressive directions in architectural thinking of various times.
The magazines program evolves from tackling the social mission to educate public tastes by informing people
about Arts and Architecture to the mission of structuring and supporting the profession status as well as to the
mission of supplying in-field information by showing view trends, accomplishments and novelties in this field.
Whereas in 1906, the magazine was mainly oriented towards topics connected to artistic traditions and Romanian
architecture monuments, leaving a small part available for professional matters (it included only an architect-
related bill and a comment on the professions status and duties in its issues of 1906), the year 1916 was its
beginning in extending the latter category and comprising data on the Societys activities and architecture
theoretical notions.
Nevertheless, the irregularities in publishing made the presentation of the Societys activities quite incongruous
and left major areas unsolved. For this reason, the magazine cannot be regarded as a genuine body to represent
ntreruperi, seria sa ante-comunist va fi vreme de 38 de ani, adic pn n 1944, purttorul de cuvnt al Societii
Arhitecilor Romni, a crei ideologie, altminteri vizibil pliat pe aceea oficial, va gsi aici spaiu de definire i
afirmare.
Pesemne c meninerea unui ritm constant de apariie pentru o publicaie cu adresabilitate att de restrns i
cu un buget dependent de punctualitatea plii cotizaiilor la casieria Societii va fi reprezentat o grea piatr de
ncercare pentru redactori. Aa se face c revista ARHITECTURA nu reuete defel s-i respecte periodicitatea
promis. Astfel, publicaie trimestrial fiind, ea izbutete s scoat doar dou numere pe an i numai n 1906,
1916, 1919 i 1920, pentru ca n 1924, 25, 26, 30 i 34, s publice un singur volum anual. Pentru perioada
1931-1933, apare cu greu tot un singur volum. Abia n 1935, revista gsete fora s se reorganizeze i, cu subtitlul
Trimestrial de Arhitectur i Urbanistic al Societii Arhitecilor Romni, iniiaz o serie nou care va produce
1-4 volume pe an, n total 24 de volume pn n 1944, cnd i nceteaz apariia ante-comunist. *
Existena revistei este, aadar, fracturat de hiatusuri i crize, a cror origine ne va rmne necunoscut n
amnuntele sale. Articole pe aceasta tem, aprute n paginile ei, vorbesc despre o insuficient participare a
arhitecilor la problemele Societii, ale revistei i ale profesiunii n general, fapt explicabil, altminteri, n condiiile
unei comenzi sociale n cretere, deci a supra-aglomerrii cu lucrri a profesionitilor activi. Este deja un lucru tiut
c vremurile de pace i prosperitate nu sunt propice scrisului pentru breasla arhitecilor. Ei vor prefera atunci s se
dedice ndeletnicirii lor de cpti, i anume proiectarea.
Program, teme majore, subiecte colaterale
Cert este c desele ntreruperi i schimbrile de echipe redacionale, nsoite de modificri n configuraia revistei
au urmri vizibile asupra coninutului, care este de multe ori diluat i convenional, fr fora de a impune profesia
n viaa cultural a vremii i, cu att mai puin, de a contura direcii progresiste n gndirea de arhitectur din
diverse perioade.
Programul revistei evolueaz de la abordarea misiunii sociale de educare a gustului public, prin popularizarea
artelor i arhitecturii, la aceea de structurare i susinere a statutului profesiunii, precum i la cea de informare n
domeniu, prin prezentarea curentelor de opinie, a realizrilor i noutilor din interiorul su.
Dac la 1906, revista se orienteaz mai cu seam ctre subiecte legate de tradiiile artistice i monumentele
romneti de arhitectur, dedicnd un spaiu restrns problemelor profesionale (un proiect de lege al corpului
arhitecilor i un comentariu legat de starea profesiunii i ndatoririle arhitectului, n numerele din 1906), ncepnd
cu 1916, acest spaiu se extinde, ncepnd s cuprind date legate de activitatea Societii, precum i elemente de
teoria arhitecturii.
Cu toate acestea, apariia haotic a revistei face ca prezentarea activitii Societii s fie incongruent i s lase
neelucidate zone importante. Din acest motiv, revista nu poate fi considerat un veritabil organ de reprezentare
al Societii. Ea rmne o publicaie care, susinut material din fondurile acesteia i aprnd dup posibiliti,
se socotea ndreptit s nfieze problemele generale precum i pe cele momentane ale profesiunii, dar nu
* n tot acest rstimp,
responsabilitatea alctuirii
revistei cade n sarcina unui
comitet de redacie, patronat
sau nu de un redactor ef. De
multe ori, comitetul de redacie
este acelai cu comitetul S.A.R.
Redactori efi sau directori numii
ca atare, au fost, dup G. Sterian
n 1906, Spiridon Cegneanu n
1926, Statie i Iorgu Ciortan n
1930, Florea Stnculescu ntre
1935-1936, i Victor Smigelschi
n 1941. Ali arhiteci activi n
S.A.R. i n comitetele de redacie
ale revistei au fost: Ion D.
Berindei, Ion I. Berindei, tefan
Burcu, Grigore Cerchez, tefan
Ciocrlan, George Dobrescu,
Toma Dobrescu, Ioan D. Enescu,
Dumitru Hrjeu, Grigore Ionescu,
Constantin Iotzu, Constantin
Nnescu, Stavri Opari, Ioan C.
Rou, Gheorghe Simotta, Pandele
erbnescu, Paul Smrndescu,
Toma T. Socolescu, Victor
tephnescu, Ion D. Trajanescu,
Simion Vasilescu i alii.
* During this period, the
responsibility of publishing
the magazine was held by an
editorial board run (or not) by
a chief editor. An editorial board
was often the same as a RSA
board.
Editors in chief or managers
appointed as such followed
G. Sterian in 1906: Spiridon
Cegneanu in 1926, Statie and
Iorgu Ciortan in 1930, Florea
Stnculescu between 1935 and
1936, and Victor Smigelschi in
1941.
Other architects actively involved
in the RSA and the editorial
boards were: Ion D. Berindei, Ion
I. Berindei, tefan Burcu;, Grigore
Cerchez, tefan Ciocrlan, George
Dobrescu, Toma Dobrescu, Ioan
D. Enescu, Dumitru Hrjeu,
Grigore Ionescu, Constantin
Iotzu, Constantin Nnescu, Stavri
Opari, Ioan C. Rou, Gheorghe
Simotta, Pandele erbnescu,
Paul Smrndescu, Toma T.
Socolescu, Victor tephnescu, Ion
D. Trajanescu, Simion Vasilescu
and others.
89
the Society. It is nothing but a publication which, if materially supported fromits own funds and if issued according
to its capacity, was seemingly entitled to depict the generic matters and the current problems of the profession, yet
not at random, but in a way accepted by its sponsor.
The professions major themes in the order of appearance in the magazine are: shaping the status of architecture
and architects, field promotion, setting out laws to confine professional practice, and achieving the exact picture of
professionals that have the right to sign.
The same category of topics on the organization of ways to performsuch a profession includes the Societys and the
magazines repeated requests to make public competitions legal in relation with major governmental architectural
goals, the attempts to reassess the fees for various work types in the field, the set-up of status for architects as public
workers, the creation of a pension fund for old architects etc.
The topics approaching the theoretical aspects of this field, apart from trying to conceptualize the notions of art,
architecture, urbanism, style, composition etc. which generally and unfortunately takes place in a clumsy manner,
also include articles that debate on the stylistic and ideological issues of the time.
In this respect, the conflict between traditionalism and modernism finds itself in the structural axis of the content
especially after the First World War. A periodicals view is to remain the same with the Societys, therefore typically
imitating political discourses of the epoch.
This justifies the fact that the projects published in the magazine mirror the theoretical debates in the field in favor
of the nationalism the magazine pleads for, so that the true progress of the Romanian architectural phenomenon
cannot be perceived after reading through its content, especially between the two World Wars.
However, the projects and pictures of buildings of the time printed in the magazine represent a very important,
even comprehensive document regarding the respective period in the Romanian architecture and such a document
provides data on several architects lists of works and idiolect, on the changes in the structure of important programs
as for instance housing and, in general, on how to approach architecture from the perspective of most architects.
Another less quantitatively important section in the magazine refers to methods for the preservation of the
Romanian architectural heritage and to the issues concerning the monuments rehabilitation. The less apparent
introduction of this theme is explained by the fact that another famous publication at that time seized the topic,
the BULLETIN OF THE HISTORICAL MONUMENTS COMMISSION which, after its release in 1908, dedicated itself
exclusively to introducing topics on the national architectural heritage.
The section concerning urbanism, systematization and urban problems starts to acquire within the content its
presence which mainly mirrors the evolution of thinking in this field along with the state governments concern with
all its related matters. The first, very schematic discussion about urbanismand organization is found in the content
of the ANNALS OF ARCHITECTURE and envisages the administrative organization of the new state made up by
the unification of the Romanian Principalities. Another circumstance meant to bring these topics forth occurred
after the First World War once Romania had reunited, when the integrating enthusiasm of various players in the
government hierarchy was felt by the organization of contents on urban planning and systematization. Although
oricum, ci n viziunea acceptat de finanator.
Temele majore ale profesiunii, n ordinea n care apar acestea n revist, sunt: conturarea statutului arhitecturii
i al arhitectului, promovarea domeniului, ngrdirea prin legiferare a practicii profesionale i realizarea unui
tablou exact al profesionitilor cu drept de semntur.
n aceeai categorie de subiecte viznd organizarea modului de exercitare al profesiei se ncadreaz solicitrile
repetate ale Societii i ale revistei pentru legiferarea concursurilor publice privind obiectivele arhitecturale
majore ale statului, ncercrile de cuantificare a onorariilor pentru diferite categorii de lucrri din domeniu,
precizarea statutului arhitecilor funcionari la stat, crearea unui fond de pensii pentru arhitecii btrni .a.
n seciunea subiectelor ce iau n discuie aspectele teoretice ale domeniului, pe lng diferite ncercri de
conceptualizare a noiunilor de art, arhitectur, urbanism, stil, compoziie etc. care se realizeaz, n general, la un
nivel, din pcate, amatorist, apar i articole care pun n discuie problemele stilistice i ideologice ale momentului.
Pe aceast direcie, disputa dintre tradiionalism i modernism se constituie ca ax structurant a coninutului
revistei, mai cu seam dup primul rzboi mondial. Poziia periodicului va fi aceea a Societii, reproducnd n not
caracteristic discursul politic al epocii. Aa se face c proiectele aprute n revist oglindesc dezbaterile teoretice
din domeniu n favoarea cauzei naionalismului susinut de aceasta, astfel nct evoluia real a fenomenului
arhitectural romnesc, mai cu seam n perioada interbelic, nu poate fi cunoscut n urma parcurgerii coninutului
su.
Cu toate acestea, proiectele i fotografiile construciilor din epoc publicate n revist se constituie ca un fond
documentar foarte important, chiar dac nu exhaustiv, pentru etapa respectiv a arhitecturii romneti, furniznd
date privind lista de lucrri i idiolectul diferiilor arhiteci, evoluia structurii unor programe importante (ca de
pild, cel de locuire) i, n general, modul de abordare a arhitecturii din perspectiva majoritii corpului su
profesional.
O alt seciune a revistei, mai puin important cantitativ, se refer la modaliti de conservare a patrimoniului
arhitectural romnesc i la problemele restaurrii monumentelor. Faptul prezentrii aparent subsidiare a
acestei teme se explic prin preluarea subiectului de ctre o alt publicaie important a vremii BULETINUL
COMISIUNII MONUMENTELOR ISTORICE care, dup apariia sa n 1908, se va dedica n exclusivitate prezentrii
chestiunii patrimoniului arhitectural naional.
Seciunea referitoare la urbanism, sistematizare i probleme edilitare ocup n economia de coninut a revistei o
poziie ce oglindete, n mare, evoluia gndirii n acest domeniu, n paralel cu interesul acordat de administraia
de stat chestiunilor ce i se circumscriau. O prim i foarte schematic luare n discuie a chestiunii urbanismului i
sistematizrii avusese loc n cuprinsul ANALELOR ARCHITECTUREI, avnd ca mobil organizarea administrativ a
noului stat alctuit prin unirea Principatelor Romne. Un alt moment de natur s aduc n atenie aceste subiecte
se configureaz dup primul rzboi mondial, odat cu rentregirea Romniei, cnd zelul integrator al diferiilor
pioni din ierarhia administrativ se manifest i prin organizarea unor concursuri de urbanism i sistematizare.
Chiar dac realizrile nu sunt remarcabile cantitativ i pot fi discutabile ca soluie, faptul marcheaz un important
91
the accomplishments were not remarkable from the quantitative perspective and not too reliable as solutions, this
event signified a major step forward in the professions history by giving details about how its representatives and
beneficiaries acquired an integrating view of the architectural domain and its role in peoples lives.
Architectural education is present in the magazine moreover as anniversary items containing historical shades, or
reports which are usually congratulatory and self-sufficient. The few critical items among which there are some
composed by Spiridon Cegneanu, a tough man in the Societys team, refer to a number of essential problems in
the organization of the Architecture School while the basic ideas are often avoided.
Some interesting and worthwhile part of the magazines content refers to elements of building technology,
construction details and modules, new working materials and techniques. This section and the pages containing
advertisements on the same topic may emphasize the way and pace of novelties in the building technology as well
as focus on professionals penetration into this phenomenon.
As a worthy successor of the ANNALS OF ARCHITECTURE, the magazine consequently succeeds in approaching
most of the modern, urging topics of this profession and field but, despite its objectivity claimed in some
programmatic contributions, it shows them all from the perspective of the architects views and interests grouped
under the R.S.A. name, often avoiding certain aspects inconvenient to its ideology.
Ideological Affiliation
Marked by its official status as spokesperson of the most powerful (actually, for quite a long time, the only)
organization of architects, the magazine pursued all throughout its publishing to show a balanced attitude to the
excessive opinions or avant-garde views expressed within this profession.
This publication was issued during a boosting time of the Neo-Romanian trend in architecture and it was the ardent
supporter of such a visual expression manner. It justified its choice by the need to enhance the Romanian cultures
national feature recently born among European cultures, so by joining the ideals dating back in 1848 that used to
revive the Romanian elite, ever since mid 20th century.
It enjoyed an editorial board which was often identical to the Leading Board of the Society of Architects and thus
it faithfully embodied the views of the personalities included in the board. Thats the reason why sometimes its
position was absolutely conservative, as compared to the evolution of the architectural phenomenon. This situation
was due to the fact that the same famous architects were continuously members of the Leading Board for several
years. In fact, the Societys management underwent two major reconfiguration stages: the stage of patriarchs
- Ion Mincu, Ion Socolescu, George Mandrea, tefan Ciocrlan, tefan Burcu, George Sterian, Ion D. Berindei,
Grigore Cerchez, Dumitru Hrjeu, Statie Ciortan and others and the stage of disciples - Ion Trajanescu, Ion Enescu,
Ioan Rou, Spiridon Cegneanu, Florea Stnculescu, Simion Vasilescu, Scarlat Petculescu, Constantin Iotzu, Ion I.
Berindei, Constantin Hrjeu and many others. The two generations succeeded and overlapped into the Leading
Board of the Society, gradually learning how to pass on the torch of nationalistic ideals which were highly, fervently
praised by this organization until its closing.
pas nainte n istoria profesiei: arhitecii i beneficiarii lor deopotriv capt o viziune integratoare asupra
spaiului arhitectural i a rolului su n viaa obtii.
nvmntul de arhitectur este prezent n paginile revistei ARHITECTURA mai cu seam sub forma unor
articole aniversare cu tent istoric sau de dare de seam, n general laudative i autosuficiente. Cele cteva
articole critice, printre care se numr unele semnate de Spiridon Cegneanu, un dur n echipa Societii, se
refer la o serie de probleme de amnunt n organizarea colii de arhitectur, n vreme ce chestiunile de principiu
sunt, n general, eludate.
O parte interesant i meritorie a cuprinsului revistei se refer la elemente de tehnologia construciilor, detalii
i subansambluri, materiale i tehnici noi de lucru n construcii. Aceast parte, mpreun cu paginile dedicate
publicitii, cu referire la acelai subiect, sunt de natur s pun n eviden modul i ritmul de ptrundere a noului
n tehnologia construciilor, precum i permeabilitatea profesionitilor la acest fenomen.
Ca o demn continuatoare a ANALELOR ARCHITECTUREI, revista ARHITECTURA izbutete, deci, s abordeze
majoritatea subiectelor actuale i presante ale profesiei i ale domeniului, pe care le prezint ns, n pofida
obiectivitii pe care i-o arog n unele din articolele programatice, sub raportul viziunii sau intereselor cercului
de arhiteci grupat n S.A.R., eludnd adesea anumite aspecte neconvenabile ideologiei acesteia.
Afiliere ideologic
Marcat de poziia sa oficial de purttor de cuvnt al celei mai puternice organizaii a corpului arhitecilor (de
fapt, mult vreme, singura), revista va cuta, totui, pe parcursul apariiei sale, s afieze o atitudine echilibrat
fa de curentele de opinie excesive ori expresiile avangardiste manifestate n cmpul profesiei.
Aprut n plin perioad de afirmare a curentului neoromnesc n arhitectur, publicaia va fi susintoarea
fervent a acestei modaliti de expresie plastic. Ea i va motiva opiunea prin necesitatea ntririi caracterului
naional al culturii romne, nou aprute pe firmamentul culturii europene, deci prin aderarea la idealurile de
origine paoptist care animau elitele romneti nc de la mijlocul secolului trecut.
Beneficiind de un colegiu de redacie adesea identic cu comitetul de conducere al Societii Arhitecilor, revista va
marca n chip fidel opiniile personalitilor care o alctuiau, ceea ce va conduce adesea la situarea sa pe poziii
absolut conservatoare fa de evoluia fenomenului arhitectural. Aceast situaie se datoreaz perpeturii pe
poziiile de conducere din comitet a acelorai figuri de arhiteci vreme de muli ani. De fapt, conducerea Societii
cunoate dou etape majore de configurare: etapa patriarhilor - Ion Mincu, Ion Socolescu, George Mandrea,
tefan Ciocrlan, tefan Burcu, George Sterian, Ion D. Berindei, Grigore Cerchez, Dumitru Hrjeu, Statie Ciortan
.a. i etapa discipolilor - Ion Trajanescu, Ion Enescu, Ioan Rou, Spiridon Cegneanu, Florea Stnculescu, Simion
Vasilescu, Scarlat Petculescu, Constantin Iotzu, Ion I. Berindei, Constantin Hrjeu .a. Cele dou generaii se vor
succeda la conducerea Societii, suprapunndu-se i prelund din mers tafeta idealurilor naionaliste al cror
stindard va fi fluturat cu fervoare de aceast organizaie pn la desfiinarea sa.
Din acest motiv, n anumite perioade, revista opereaz o abordare selectiv a temelor de interes i a proiectelor
93
It is for this reason that at certain times the magazine had a selective approach of interesting themes and projects
submitted. Thus, during its first publishing years, it almost completely avoided eclectic projects except for those
drawn up by the Societys outstanding members such as tefan Burcu, Ion Berindei, Dumitru Hrjeu etc.; during
its second decade, it eluded modern projects. Then, such projects were published as theoretical contributions that
advocate for traditional architecture and during its last six, seven years of functioning it presented them partially
in the context of their political role, as symbols of national rebirth.
The Importance to the Profession History
In spite of all the dangers in its existence and of all the ideological conflicts, the ARHITECTURA Magazine
managed during the pre-communist period to be the longest lasting specialized periodical and, due to its concerns
with the field matters, the richest periodical in terms of themes approached.
Although connected only to a small part of architectural reality, the data provided by the magazine are often
absolutely unique and inestimably valuable. Enriched by the information taken fromother architecture periodicals
of the time and by archive applied research, these data might render a full, vivid picture of the Romanian
architecture world in the early 20th century without which ones view of the present and, more importantly, of
being an architect in the future will probably never be clear enough.
Prof. PhD. Arch. Gabriela TABACU
prezentate. Astfel, n primii ani de apariie, va eluda aproape total proiectele eclectice (excepie fcnd cele
realizate de membrii marcani ai Societii: tefan Burcu, Ion Berindei, Dumitru Hrjeu etc.), iar n deceniul
al doilea va ocoli proiectele moderne. Le va publica apoi pe fondul unor articole teoretice susinnd arhitectura
tradiional, pentru ca n ultimii si 6-7 ani de apariie s le prezinte parial, n contextul rolului lor politic, ca
simboluri ale renaterii naionale.
Importana pentru istoria profesiei
Cu toate comoiile din traiectoria sa i cu toate derapajele sale ideologice, n epoca ante-comunist revista
ARHITECTURA izbutete s fie periodicul de specialitate cu existena cea mai ndelungat i, lund n considerare
interesul fa de problemele domeniului, cel mai complet din punct de vedere al temelor abordate.
Dei branate doar la o anumit parte a realitii arhitecturale, datele furnizate de revist sunt adesea absolute
unice i prin aceasta de o inestimabil valoare. Coroborate cu informaii preluate din alte periodice de arhitectur
din epoc i cu o aplicat cercetare de arhiv, acestea permit compunerea unui tablou complet i viu al lumii
arhitecturii romneti din prima jumtate a secolului al XX-lea, fr de care imaginea noastr asupra prezentului
i mai cu seam asupra viitorului profesiunii de arhitect nu va putea fi probabil niciodat ndeajuns de limpede.
Prof. dr. arh. Gabriela TABACU
95
Arhitectura Review of the Romanian Union Of Architects Founded in 1906
BOARD OF ARHITECTURA REVIEW
Architecture
1906 Manager: George Sterian
1919 Review Committee: Ion D. Berindey, Duiliu Marcu, Paul Smrndescu, Victor tefnescu,
Ion D. Trajanescu, Simion Vasilescu
1920 Review Committee: Ion D. Berindey, tefan Burcu, Nicolae Ghica-Budeti, Duiliu Marcu,
Paul Smrndescu, Victor tefnescu, Ion D. Trajanescu, Simion Vasilescu
1923 Review Committee (SAR Committee): tefan Burcu President, Grigore Cerchez, Statie
Ciortan Vice-Presidents; Dumitru Hrjeu, tefan Ciocrlan, Ion D. Trajanescu, Nicolae
Stnescu, Virginia Andreescu - Members
1924 Review Committee (SAR Committee): tefan Burcu President, I. D. Trajanescu, Statie
Ciortan, Simion Vasilescu, Florea Stnculescu, Victor Rdulescu, Nicolae Georgescu, Nicolae
Stnescu, Ion I. Berindey, Constantin Nnescu, Gheorghe Simotta, Roger Bolomei
1925 Review Committee (SAR Committee): Spiridon Cegneanu President; Ion D. Trajanescu,
Ion D. Enescu, Constantin Pomponiu, Constantin Cnnu, Toma T. Socolescu, Eugen
Grossu, tefan Burcu, Ion D. Berindey, Statie Ciortan, Constantin Iotzu
1926 Review edited by Spiridon Cegneanu.
1930 Review edited by Statie and Iorgu Ciortan.
1931-1933 Review Committee (SAR Committee): Statie Ciortan Honorific President, I.D.Enescu
President; Simion Vasilescu, Scarlat Petculescu, Leon Silion, Gheorghe Negoescu, Florea
Stnculescu, Ioan C. Rou, Alexandru Iliescu, Daniel Renard, Constantin Iotzu, Jean Burcu,
Achile Ghiaciu
1934 Review Committee (SAR Committee): Statie Ciortan Honorific President; Ion D. Enescu,
Simion Vasilescu, Daniel Renard, Gheorghe Negoescu, Ion arueanu, Constantin D.
Dobrescu, Vasile Rdulescu, Alexandru Iliescu, Scarlat Petculescu, Ion C. Rou, George
Cristinel, Achile Ghiaciu
1935-1937 Manager: Florea Stnculescu
1937 (Issues 7, 8, 9, 10) - Prime Editor: Ion C. Rou
1937 (Issues 11, 12) Editing Committee: Ion C. Rou, Pandele erbnescu, Ion I. Berindei,
Stavri Opari
1938 Editing Committee: Ion C. Rou, Pandele erbnescu, Ion I. Berindei, Stavri Opari
Conducerea Revistei Arhitectura
Arhitectura
1906 Director: George Sterian
1919 Comitetul revistei: Ion D. Berindey, Duiliu Marcu, Paul Smrndescu, Victor tefnescu, Ion
D. Trajanescu, Simion Vasilescu
1920 Comitetul revistei: Ion D. Berindey, tefan Burcu, Nicolae Ghica-Budeti, Duiliu Marcu,
Paul Smrndescu, Victor tefnescu, Ion D. Trajanescu, Simion Vasilescu
1923 Comitetul revistei (Comitetul SAR): tefan Burcu President, Grigore Cerchez, Statie
Ciortan Vice-Presidents; Dumitru Hrjeu, tefan Ciocrlan, Ion D. Trajanescu, Nicolae
Stnescu, Virginia Andreescu - Membri
1924 Comitetul revistei (Comitetul SAR): tefan Burcu President, I. D. Trajanescu, Statie
Ciortan, Simion Vasilescu, Florea Stnculescu, Victor Rdulescu, Nicolae Georgescu, Nicolae
Stnescu, Ion I. Berindey, Constantin Nnescu, Gheorghe Simotta, Roger Bolomei
1925 Comitetul revistei (Comitetul SAR): Spiridon Cegneanu President; Ion D. Trajanescu, Ion
D. Enescu, Constantin Pomponiu, Constantin Cnnu, Toma T. Socolescu, Eugen Grossu,
tefan Burcu, Ion D. Berindey, Statie Ciortan, Constantin Iotzu
1926 Revist redactat de Spiridon Cegneanu.
1930 Revist redactat de Statie i Iorgu Ciortan.
1931-1933 Comitetul revistei (Comitetul SAR): Statie Ciortan Honorific President, I.D.Enescu
President; Simion Vasilescu, Scarlat Petculescu, Leon Silion, Gheorghe Negoescu, Florea
Stnculescu, Ioan C. Rou, Alexandru Iliescu, Daniel Renard, Constantin Iotzu, Jean Burcu,
Achile Ghiaciu
1934 Comitetul revistei (Comitetul SAR): Statie Ciortan Honorific President; Ion D. Enescu,
Simion Vasilescu, Daniel Renard, Gheorghe Negoescu, Ion arueanu, Constantin D.
Dobrescu, Vasile Rdulescu, Alexandru Iliescu, Scarlat Petculescu, Ion C. Rou, George
Cristinel, Achile Ghiaciu
1935-1937 Director: Florea Stnculescu
1937 (Numerele 7, 8, 9, 10) - Prim redactor: Ion C. Rou
1937 (Numerele 11, 12) Comitetul de redacie: Ion C. Rou, Pandele erbnescu, Ion I.
Berindei, Stavri Opari
1938 Comitetul de redacie: Ion C. Rou, Pandele erbnescu, Ion I. Berindei, Stavri Opari
1939-1940 Redactori: Stavri H. Opari, Victor Smighelschi
97
1939-1940 Editors: Stavri H. Opari, Victor Smighelschi
1941 (Jubilee book) Editors: Stavri H. Opari, Victor Smighelschi
1941 Editors: Stavri H. Opari, Victor Smighelschi, Spiridon Cegneanu
1942 (First issue): Editors: Stavri H. Opari, Victor Smighelschi
1942 (Issues 3 and 4) Editors: Stavri H. Opari, Victor Smighelschi, Dan Virgil Marinescu
1944 Editor: Victor Smighelschi
Buildings (AGIR Collection)
1947 Members of the editing committee: Ion Al. Davidescu, Duiliu Marcu
Architecture and buildings (AGIR Collection)
1948 Editor in charge (Architecture Department): Gustav Gusti
Architecture (AST Technical Reviews)
1950 is issued under the careful attention of an editing committee.
Architecture and Urbanism
1951-1952 is issued under the careful attention of an editing committee.
Architecture
1953-1960 Editorial Board: M. Alifanti, M. Bercovici, M. Caff, M. Locar, A. Lupescu, M. Melicson, C.
Moinschi, Gh. Pavlu, G. Ptracu
1961-1971 Chief Editor: Marcel Melicson
1972-1981 Chief Editor: Mircea Lupu
1981-1989 Editor: tefan Radu Ionescu
1989 Editors: Anca Tomaevschi Sandu, tefan Radu Ionescu
1990 Editors: Anca Tomaevschi Sandu, Adrian Dan
1991 Editor: Anca Tomaevschi Sandu
1992-1999 Chief Editor: Augustin Ioan
2000-2010 Chief Editor: tefan Ghenciulescu
2011 Chief Editor: Franoise Pamfil
1941 (Caiet jubiliar) Redactori: Stavri H. Opari, Victor Smighelschi
1941 Redactori: Stavri H. Opari, Victor Smighelschi, Spiridon Cegneanu
1942 (Primul numr): Redactori: Stavri H. Opari, Victor Smighelschi
1942 (Numerele 3 i 4) Redactori: Stavri H. Opari, Victor Smighelschi, Dan Virgil Marinescu
1944 Redactor: Victor Smighelschi
Construcii (Colecia AGIR)
1947 In comitetul de redacie: Ion Al. Davidescu, Duiliu Marcu
Arhitectur i Construcii (Colecia AGIR)
1948 Redactor responsabil (secia arhitectur): Gustav Guti
Arhitectura (Revistele tehnice AST)
1950 apare sub ngrijirea unui comitet de redacie
Arhitectur i Urbanism
1951-1952 apare sub ngrijirea unui comitet de redacie
Arhitectura
1953-1960 Colegiul de redacie: M. Alifanti, M. Bercovici, M. Caff, M. Locar, A. Lupescu, M. Melicson,
C. Moinschi, Gh. Pavlu, G. Ptracu
1961-1971 Redactor ef: Marcel Melicson
1972-1981 Redactor ef: Mircea Lupu
1981-1989 Redactor: tefan Radu Ionescu
1989 Redactori: Anca Tomaevschi Sandu, tefan Radu Ionescu
1990 Redactori: Anca Tomaevschi Sandu, Adrian Dan
1991 Redactor: Anca Tomaevschi Sandu
1992-1999 Redactor ef: Augustin Ioan
2000-2010 Redactor ef: tefan Ghenciulescu
2011 Redactor ef: Franoise Pamfil
99
Ion Mincu la aniversare (1852 -1912)
Ion Mincu at the Anniversary (1852 -1912)
Vlad Eftenie 2012
101
Design Andra Panait 2012
103
Ion Mincu at the Anniversary (1852 -1912)
160 years since birth - 100 years since being disappeared - 60 years since the name of Ion Mincu was given to the
Bucharest Institute of Architecture
Graduate of the School of Bridges and Roads in Bucharest in 1875, Ion Mincu continued to study in Paris, at
the famous cole des Beaux Arts, where most of the Romanian architects active at the time were prepared up
toward the First World War. He was the brightest Romanian student according by his unmatched number of awards
received for his school projects.
His professional career between 1885 the year when he returned to the country after a long study trip to Italy,
Spain, Greece and Istanbul and 1912, the year of his death, was not materialised by a very large number of
works. However, the importance of his entire work for the Romanian architecture is quite special.
Mincus early career coincides with a sensitive change in the architectural directions existing in Romania, particularly
in Bucharest from the late classicism to the eclecticism of the era, especially the French style, in the context of
increased westernisation of the country, after the proclamation of the kingdom, as an obvious sign of modernity.
The penetration of eclecticism is partly due to the active presence of a significant number of Romanian architects,
most of them trained in the same cole de Beaux Arts in Paris where Mincu studied Alexandru Svulescu, Ion
Socolescu, Leonida Negrescu, Dumitru Maimarolu etc., as well as to the presence of some French architects, such as
Paul Gottereau, Albert Galleron and Cassien Bernard or of the Swiss architect Louis Blanc.
The other important direction at the end of the 19th Century, simultaneously present with the massive penetration
of the eclecticism, was that of affirming the national identity by means of the specific architectural language, whose
first and most important exponent was Ion Mincu. This direction is part of the strong European cultural trend at the
end of the 19th Century, eager to search for an expressivity that is specific to each nation.
The remarkably complex personality of Ion Mincu recommends him as a most valuable representative of both
directions. The rigor and logic of thinking were associated with the artistic sense and interest to understand the
national architectural tradition; the perfect knowledge of the French eclecticism was doubled by searching for
a character of the traditional architecture which he interpreted with sensitivity; finally, he was a charismatic
professor of the School of Architecture in Bucharest, worshipped by his students, appreciated and recognized by
the professionals, who honored him several years with the management of the Society of Romanian Architects.
Ion Mincus achievements during the early years of his activity represent perfectly the double architectural
experiment. During the first years of his career, the few buildings of eclectic style the elegant and magnificent
restorations of the luxurious residences of Monteoru and Vernescu (1887-1889), the interiors of the Palace of
Justice or the project for the headquarters of the Chamber of Deputies proved Ion Mincus ability, in the spirit
of his Parisian training, to develop articulated, refined, breezy compositions, denoting a perfect knowledge of the
science of proportions.
After 1890, the eclectic architecture disappeared from his creative concerns which were reoriented towards the
architecture of traditional inspiration, by means of which he opened the path of affirming the national identity
in architecture. He starts building the modern image of the Romanian architecture, transposing old architectural
forms into a considerable typological variety of new architectural forms. His first works the Lahovary House
Ion Mincu la aniversare (1852 -1912)
160 de ani de la natere - 100 de ani de la dispariie - 60 de ani de la acordarea numelui su Institutului de
Arhitectur Bucureti
Absolvent n 1875 al colii de Poduri i osele din Bucureti, Ion Mincu i-a continuat studiile la Paris, la celebra
cole des Beaux Arts, acolo unde s-au format, pn spre Primul Rzboi Mondial, mare parte din arhitecii romni
activi ai perioadei. A fost cel mai strlucit student romn, prin numrul neegalat de recompense primite pentru
proiectele sale de coal.
Cariera profesional, desfurat ntre 1885 anul ntoarcerii sale n ar, dup o lung cltorie de studii prin
Italia, Spania, Grecia, i la Istanbul i 1912, anul decesului su, nu s-a concretizat printr-un numr foarte mare
de lucrri. Importana lor pentru arhitectura romneasc este, ns, cu totul deosebit.
nceputul carierei lui Mincu coincide cu o modificare sensibil a orientrilor arhitecturale existente n Romnia i,
n mod special, n Bucureti, de la clasicismul trziu spre eclectismul epocii, n special cel de factur francez, n
contextul occidentalizrii accentuate a rii, dup proclamarea regatului, ca semn evident al modernitii.
Ptrunderea eclectismului este datorat, pe de o parte, prezenei active a unui numr apreciabil de arhiteci
romni, cei mai muli formai, ca i Mincu, la cole des Beaux Arts din Paris Alexandru Svulescu, Ion Socolescu,
Leonida Negrescu, Dumitru Maimarolu etc. i, pe de alt parte, prezenei unor arhiteci francezi ca Paul Gottereau,
Albert Galleron i Cassien Bernard sau a elveianului Louis Blanc.
Cealalt orientare important a sfritului secolului al XIX-lea, prezent practic simultan cu ptrunderea masiv
a eclectismului, a fost afirmarea identitii naionale prin formele specifice arhitecturii, orientare al crei prim
reprezentant i cel mai nsemnat n Romnia a fost Ion Mincu. Aceast direcie se nscrie n puternicul curent
cultural european de la sfritul secolului al XIX-lea, de cutare a unei expresiviti proprii fiecrei naiuni.
Ambele direcii i-au gsit n personalitatea de o complexitate remarcabil a lui Ion Mincu un exponent de
mare valoare. Rigoarea i logica gndirii s-au asociat simului artistic i interesului pentru nelegerea tradiiei
arhitecturale naionale; cunoaterea desvrit a eclectismului francez a fost dublat de cutarea unui caracter
al arhitecturii tradiionale pe care l-a interpretat cu sensibilitate; n fine, a fost un profesor carismatic al colii de
Arhitectur din Bucureti, adulat de studenii si, apreciat i recunoscut de breasl, care l-a onorat civa ani la
rnd cu conducerea Societii Arhitecilor Romni.
Realizrile primilor ani de activitate ai lui Mincu pun n eviden dublul experiment arhitectural. n primii ani ai
carierei, cele cteva cldiri de factur eclectic elegantele i fastuoasele refaceri ale luxoaselor reedine Monteoru
i Vernescu (1887-1889), interioarele Palatului de Justiie sau proiectul pentru sediul Camerei Deputailor atest
capacitatea lui Ion Mincu de a elabora, n spiritul formaiei sale pariziene, compoziii articulate, rafinate, pline de
verv, denotnd o tiin desvrit a proporiilor.
Dup 1890, arhitectura eclectic a disprut din preocuprile sale creatoare, lundu-i locul arhitectura de inspiraie
tradiional, prin care a deschis calea spre afirmarea identitii naionale n arhitectur. El ncepe edificarea
imaginii moderne a arhitecturii romneti, prelund forme ale vechii arhitecturi pentru a le utiliza ntr-o varietate
tipologic apreciabil. Primele sale lucrri n stilul de inspiraie tradiional casa Lahovary (1886), coala
Central de Fete (1890) i Bufetul de la osea (1892), construit pe baza proiectului nerealizat al pavilionului
105
(1886), the Central Girls School (1890), as well as the Buffet on the Road (1892), built based on the unachieved
project of the Romanian Pavilion for the Universal Exhibition in Paris in 1889 are justly deemed to be the
manifesto buildings of the new direction of Romanian architecture. They are all relatively small buildings, which
enabled the use and interpretation of the assumed elements and patterns at the scale of traditional examples
which represented his sources of inspiration.
The last period of his work is placed under the sign of monumental temptation. The only achievement which
doesnt fit to the monumental type of creation is the house of his friend and biographer, Nicolae Petracu. The large
scale projects the Communal Palace and the Ministry of War in Bucharest, the Administrative Palace of Covurlui
County in Galai and the Bank of Commerce in Craiova represent almost simultaneous attempts to transpose the
architecture of traditional inspiration to large-scale buildings imposing large compositions of academic type.
The tombs in Bucharest and Focani represent achievements of a completely outstanding value, with strong
symbolic emphasis, where the aspiration towards expressing supreme human values is done by suggesting a
reticent, solemn monumentality.
His last work, the restoration of Stavropoleos Church and completion of the enclosure are some kind of testament.
This work represents, probably, the moment of thorough knowledge, in architectural terms, of a historical
monument. The architectural culture which Ion Mincu acquired in a profession of a lifetime is expressed in a project
of great complexity, accuracy and refinement. The scale of the new buildings which formthe enclosure of the church
expresses, clearly and unequivocally, the relations of architecture with the context of the city.
In his works, Ion Mincu used a relatively small number of elements which belonged, in his view, to the local
tradition or were taken from older architectures belonging to a varied historical heritage, from the popular one
to the religious one and then to the more recent urban heritage with obvious emphasis of the Balkans origin: the
gazebo, three-lobed arch, polychrome decoration, in various plastic expressions, from studs to friezes with vegetal
elements or others which reproduced names of some outstanding historical personalities or places of particular
resonance. Many of thembecame leitmotifs of a large number of projects, but the shapes, sizes, ways of treatment,
composition with other architecture elements are different, adapted to the scale of the building, its function and
role in the urban configuration. They are associated with the construction materials used, particularly wood, the
finishes in white plaster of the large surfaces of the facades, the small presence of windows, the picturesque of some
compositions which they all belong to traditional construction.
For Ion Mincu, the ambiance, the architectural expression as a whole (inclusively by proportions and relations
between elements), the spirit of tradition were essential. The real sources of inspiration had a secondary role,
all being filtered through his personal sensitivity. This view on the traditional values rendered his architecture so
personal and impossible to be imitated by successors.
The ION MINCU Exhibition has been conceived by the Ion Mincu University of Architecture and Urbanism in
2002, when celebrating 150 years since the birth of the architect.
Organising team: Ph.D.arch prof. Nicolae Lascu (Curator of the exhibition), PhD. assist. prof. arch. Gianini
Georgescu, PhD. assoc. arch. prof. Marius Marcu Lapadat, PhD. assist. prof. arch. Horia Moldovan, PhD. assist. prof.
arch. Radu Ponta, PhD.Mihaela chiopu.
PhD. Arch. Prof. Nicolae Lascu
Romniei la expoziia universal din Paris din 1889 sunt considerate, pe bun dreptate, cldiri manifest ale
noii orientri a arhitecturii romneti. Toate sunt cldiri de dimensiuni relativ reduse, care au permis utilizarea
i interpretarea elementelor i motivelor preluate la scara exemplelor tradiionale ce i-au constituit surse de
inspiraie.
Ultima perioad a creaiei sale st sub semnul tentaiei monumentalului. Singura realizare care iese din
aceast categorie de preocupri este locuina prietenului i biografului su, Nicolae Petracu. Proiectele de mari
dimensiuni ca Palatul Comunal i Ministerul de Rzboi, Palatul Administrativ al Judeului Covurlui din Galai i
Banca Comerului din Craiova, reprezint ncercri cvasi simultane de transpunere a arhitecturii de inspiraie
tradiional la construcii de scar mare care impun compoziii ample de factur academic.
Cavourile din Bucureti i cel din Focani reprezint, n ansamblul lor, realizri de o valoare cu totul remarcabil,
cu puternice accente simbolice, n care aspiraia spre exprimarea valorilor umane supreme se face simit prin
sugerarea unui caracter monumental reinut, solemn.
Ultima sa lucrare, restaurarea bisericii Stavropoleos i completarea incintei acesteia, reprezint un fel de testament.
Este, probabil, momentul de cunoatere aprofundat, din punct de vedere arhitectural, al unui monument al
trecutului. Cultura arhitectural pe care o acumulase de-a lungul ntregii sale viei profesionale este transpus
ntr-un proiect de mare complexitate, precizie i rafinament. Scara noilor adugiri exprim clar i fr echivoc
raporturile arhitecturii cu oraul.
n opera sa, Ion Mincu a folosit un numr relativ restrns de elemente care, n viziunea sa, aparineau tradiiei
locale sau care fuseser preluate din arhitecturile mai vechi aparinnd unui patrimoniu istoric variat, de la cel
popular la cel religios pn la cel urban i, mai recent, cu accente evidente de origine balcanic: foiorul, arcul
trilobat, decoraia policrom, sub diferite expresii plastice, de la butoni la frize cu elemente vegetale sau altele care
reproduceau nume ale unor personaliti marcante ale istoriei sau ale unor localiti cu rezonan particular.
Multe din acestea vor deveni leitmotivele unui mare numr de proiecte, dar forma, dimensiunile, modul de tratare,
compunerea cu alte elemente de arhitectur sunt diferite, adaptate scrii cldirii, funciunii sale i rolului acesteia
n configuraia urban. Acestea sunt asociate materialelor de construcie utilizate, n special lemnul, finisajele n
tencuial alb a marilor suprafee ale faadelor, prezena redus a ferestrelor, pitorescul unor compoziii care
aparin, toate, construciei tradiionale.
Pentru Ion Mincu erau eseniale ambiana, expresia arhitectural de ansamblu (inclusiv prin proporii i raporturile
dintre elemente), prezena spiritului tradiiei. Sursele de inspiraie concrete aveau un rol secundar, totul fiind filtrat
prin propria sa sensibilitate. Aceast perspectiv asupra valorilor tradiionale a fcut ca arhitectura sa s fie att
de personal, imposibil de imitat de ctre urmai.
Expoziia ION MINCU a fost realizat de Universitatea de Arhitectur i Urbanism Ion Mincu n anul 2002, cu
ocazia aniversrii a 150 de ani de la naterea arhitectului.
Colectiv de elaborare: prof.dr.arh.Nicolae Lascu (curatorul expoziiei), lect.dr.arh. Gianini Georgescu, conf.dr.arh.
Marius Marcu Lapadat, lect.dr.arh. Horia Moldovan, lect.dr.arh. Radu Ponta, dr. Mihaela chiopu.
Prof.dr.arh. Nicolae Lascu
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Romanian Architects, Creators of Cultural Heritage
- A Necessary Exhibition -
During the large number of events celebrating the 2012 Bucharest National Architecture Biennale taking place in
an aristocratic setting - one of the main hall exedras inside the Romanian National History Museum there was
also an exhibition entitled Romanian Architects, Creators of Cultural Heritage which aimed at marking 120 years
of existence of architects and architecture education fellowship in Romania.
Subsequent to a huge effort of gathering often unique data (research was undertaken in the UAR Archives, the
National Archives, The National Institute of Historical Monuments, the Romanian Academy Library etc., interviews
were conducted with specialists in history and architecture history, with architects or followers and friends of
architects whose works were exhibited etc.) and of taking pictures of some hundreds of architectural sites all
throughout the country, we realized a valuable mosaic was being built which eventually could end up having
the chance to restore the dignity of Romanian architects current status - unfortunately, a status that has been
too much burdened with mercantilism, relation systems, unfavorable policies, the need to survive in a world of
fiction. Despite the two World Wars and the hard years under the Communist regime, we surprisingly and happily
discovered that architecture education and profession in Romania have a certain continuity that one can see after
all, provided it is regarded carefully and impartially. Such continuity and its connection with the sequence of trends
and styles all of Europe has lived through over the last 120 years have guided us towards a time scale whose stages
do not practically include any year left unmarked by some remarkable architectural accomplishment.
We started our exhibition with the works of Alexandru Orscu, the president of the Romanian Society of Architects
(set up in 1891) and we formally ended it with Romeo Belea (the laureate of the Opera Omnia Section in the 2012
Bucharest National Architecture Biennale). We did not actually end the exhibition as it went on by the high quality
architectural works exhibited during the 10 Romanian Architecture Biennales. By means of the current pictures,
vintage pictures, plans, drawings, sketches and various data, we displayed more than 100 buildings achieved
between 1869 and 1989 by 50 architects, practitioners of different styles, from different epochs, with different
tenets. We were ready to particularly bring forth less famous architects, although at the same time heritage
creators, among whom many play remarkable roles within their fellowship and in architectural education, such
as: Virginia Andreescu-Haret, Spiridon Cegneanu, Radu Dudescu, Dumitru Ionescu-Berechet, Marcel Locar,
George Mandrea, Paul Emil Miclescu, Florea Stnculescu and others.
Working on this exhibition developed my special sensitivity to the buildings that I walk past every day so much
that when I look at a familiar faade, I almost see its architect a portrait, a life, a work and maybe even dreams,
failures, troubles. Choosing from among thousands of modern artworks was very difficult and time was the only
limit as the desire to restore the dignity of Romanian architecture needs to be firmly pursued since the examples of
the past are so generous and they hardly wait to be made public or brought to light.
Ranging fromthe francophone Academicismof architect Berindei to the audacious pursuits later on called the Neo-
Romanian Style - Socolescu, Mincu, Grigore Cerchez, Cristofi Cerchez, so on and so forth, to evolving towards the
Arhiteci romni creatori de patrimoniu cultural
- O expoziie necesar -
n cadrul bogiei de evenimente care au marcat Bienala Naional de Arhitectur Bucureti 2012, prezentat
ntr-un cadru aristocratic - una dintre exedrele holului principal al Muzeului Naional de Istorie a Romniei - s-a
aflat i expoziia Arhiteci Romni Creatori de Patrimoniu, care i-a propus s marcheze cei 120 de ani de existen
a breslei arhitecilor i de nvmnt de arhitectur n Romnia.
n urma unui efort uria de colectare a unor date de multe ori inedite (s-au consultat Arhiva UAR, Arhivele Naionale,
Institutul National al Monumentelor Istorice, Biblioteca Academiei Romne etc., au fost intervievai specialiti n
istorie i istoria arhitecturii, arhiteci n via sau urmai i cunoscui ai arhitecilor expui etc.) i de fotografiere
a ctorva sute de obiective de arhitectur din ntreaga ar, ne-am dat seama c se compunea un mozaic valoros
care, ntr-un final, putea avea ansa de a reda demnitatea statutului actual al arhitectului romn - din pcate, un
statut mult prea ncercat de mercantilisme, sisteme de relaii, politici nefericite, nevoia de subzisten ntr-o lume a
nefirescului. n ciuda a dou rzboaie mondiale i a anilor grei de comunism, amdescoperit cu fericit surprindere
c coala i profesia de arhitectur n Romnia au o continuitate pe care, privind-o cu atenie i neprtinire, o poi
vedea, pn la urm. Aceast continuitate i dialogul ei cu succesiunea de curente i stiluri pe care le-a traversat
ntreaga Europ n ultimii 120 de ani ne-au ghidat de-a lungul unei scale temporale pe treptele creia nu exist,
practic, nici un an care s nu fie marcat de o realizare arhitectural remarcabil.
Amnceput expoziia noastr cu Alexandru Orscu, preedintele Societii Arhitecilor Romni (nfiinat n 1891),
i am ncheiat-o formal cu Romeo Belea (laureatul seciunii Opera Omnia al Bienalei Naionale de Arhitectur
Bucureti 2012). De fapt, nu amncheiat expoziia, ea rmnnd s se continue cu creaia de arhitectur de calitate
expus de-a lungul celor 10 Bienale romneti de arhitectur. Am expus, prin intermediul fotografiilor actuale,
fotografiilor de epoc, planurilor, desenelor i diverselor date, peste 100 de construcii realizate n intervalul 1869-
1989 de 50 de arhiteci, practicani a diferite stiluri, din diferite epoci, cu diferite crezuri. Am avut grij s aducem
n faa publicului larg i arhiteci mai puin cunoscui ndeobte, dei creatori de patrimoniu n egal msur,
dintre care muli i cu un rol remarcabil n breasl i n nvmntul de arhitectur, cumar fi: Virginia Andreescu-
Haret, Spiridon Cegneanu, Radu Dudescu, Dumitru Ionescu-Berechet, Marcel Locar, George Mandrea, Paul Emil
Miclescu, Florea Stnculescu i alii.
Lucrul la aceast expoziie mi-a dezvoltat o sensibilitate special pentru cldirile pe lng care trec zi de zi, pn
ntr-acolo nct, privind o faad cunoscut, l vd n spate pe arhitectul ei - portret, via, oper i poate chiar
vise, nempliniri, necazuri. Alegerea dintre miile de creaii moderne de calitate a fost foarte grea i timpul a fost
singura limit, dorina de restituire a demnitii arhitecturii romneti cerndu-se continuat cu asiduitate, fiindc
exemplele trecutului sunt generoase i ateapt cu nerbdare s fie popularizate ori scoase la lumin.
De la academismul de vibraie francofon al arhitectului Berindei la ndrzneele cutri numite mai trziu stil
neoromnesc - Socolescu, Mincu, Grigore Cerchez, Cristofi Cerchez i atia alii, la evoluia ctre simplitate formal
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formal simplicity brought in by Petre Antonescu, Octav Doicescu, Constantin Iotzu, G. M. Cantacuzino and then to
the avant-gardes frenzy (Marcel Iancu, Horia Creang, Henrieta Delavrancea, Tiberiu Niga), to the high-quality
architecture practised during the Communist period in spite of the systems dilettantish oppression (Tiberiu Ricci,
Horia Maicu, Alexandru Iotzu, Nicolae Cucu etc.) - I have only mentioned a few of the architects whose works were
displayed at the exhibition - our itinerary gradually turned into a masterly lecture on high-quality design. On this
occasion, I discovered that the examples are much closer than one might think. Moreover, I found out something
about the secret methods helping excellence architecture resist despite social and political pressures, perpetuating
itself discreetly, yet steadily.
An exhibition of such significance can only be in progress, it should be continued in an ongoing pursuit for data,
information organization and updating. Besides, as far as I am concerned, I regarded it as a personal (obviously
modest) homage paid to the valuables personalities of the Romanian architecture and to the endeavors to
perpetuate them. Actually, its early form was set on the celebration of 120 years of architecture education at Ion
Mincu University of Architecture and Urbanism of Bucharest (the ROCAD Congress, May 2012). A lot of people got
involved in order for this initiative to be fulfilled. It is important, yet risky that I should enumerate the members of
the organization team because I am sure I cannot mention each and every single person that helped us. This way
I thank them whether they are on the list below or not:
The team making the bilingual exhibition (Romanian and English): Romanian Architects, Creators
of Cultural Heritage (January-October 2012):
Coordination: Prof. Ph.D. Arch. Cristina Olga Gociman
Exhibition design and organization: Assoc. Prof. Ph.D. Arch. Codina Duoiu, Arch. Mihaela Blan (Lazr)
Graphic design: Assoc. Prof. Ph.D. Arch. Andra Panait
Typewriting: Codina Duoiu, Mihaela Blan (Lazr), tefania Bobaru, Iulia Flcu, Adelaida Oprea, Alexandra
Stamate, student architects: Raluca Bratu, Alexandra Diaconu, Bianca Diaconu, Alexandra Dinu, Mihaela Dobra,
Ana Mohonea, Elena Postu, tefan Prigoreanu, Laura Udrescu, architects
Pictures: Codina Duoiu, Mihaela Blan (Lazr), Raluca Diaconescu, student architects: Mihaela Dobra, Claudia
Dulgheriu, Ana Mohonea, Mdlina Ion, Alexandra Pun, Alina Stan, architects
Documentation and translations: Codina Duoiu, Mihaela Blan (Lazr), Iulia Flcu, Adelaida Oprea, student
architects: Raluca Bratu, Alexandra Diaconu, Bianca Diaconu, Alexandra Dinu, Mihaela Dobra, Ana Mohonea,
Elena Postu, Laura Udrescu, architects
Acknowledgements for documents and pictures made available: Architects Romeo Belea, Mirela Duculescu,
Professor Architect Nicolae Lascu, Ph.D. from the UAR
Assoc. Prof. Ph.D. Arch. Codina DUOIU
adus de Petre Antonescu, Octav Doicescu, Constantin Iotzu, G. M. Cantacuzino i apoi la frenezia avangardei
(Marcel Iancu, Horia Creang, Henrieta Delavrancea, Tiberiu Niga), la arhitectura de calitate practicat n perioada
comunist, n ciuda opresiunii diletante a sistemului (Tiberiu Ricci, Horia Maicu, Alexandru Iotzu, Nicolae Cucu etc.)
- am numit n fug doar civa dintre arhitecii prezentai n cadrul expoziiei - itinerarul nostru s-a transformat
treptat ntr-o magistral lecie de proiectare de nalt nivel. Amdescoperit cu acest prilej c exemplele sunt mult mai
aproape de noi dect am putea crede. Totodat, am aflat cte ceva despre resorturile secrete prin care arhitectura
de excelen rezist n ciuda presiunilor sociale i politice, perpetundu-se discret, dar sigur.
O expoziie de aceast factur nu poate fi dect in progress, cu va urma, ntr-o continu cutare de date, organizare
i actualizare a informaiei. De altfel, n ceea ce m privete, am gndit-o ca pe un omagiu personal (modest,
firete), adus valorilor arhitecturii romneti i eforturilor de perpetuare a lor. O form incipient a sa a fost
montat, de altfel, cu prilejul srbtoririi de ctre Universitatea de Arhitectur i UrbanismIon Mincu din Bucureti
a 120 de ani de nvmnt de arhitectur (congresul ROCAD, mai 2012). Muli oameni s-au implicat pentru ca
aceast iniiativ s se finalizeze. Enumerarea membrilor colectivului de elaborare este un gest necesar, ns
riscant, fiindc sunt sigur c nu i-am putut prinde pe toi aceia care ne-au ajutat. Le mulumesc pe aceast cale,
fie c se regsesc sau nu n lista de mai jos:
Colectivul de realizare al expoziiei bilingve (romn, englez): Arhiteci Romni Creatori de
Patrimoniu (ianuarie-octombrie 2012) :
Coordonare: prof. dr. arh. Cristina Olga Gociman
Concept i realizare expoziie: conf.dr. arh. Codina Duoiu, asist.drd. arh. int.Mihaela Balan (Lazr)
Concept grafic: conf.dr. arh. Andra Panait
Tehnoredactare: Codina Duoiu, Mihaela Balan (Lazr), tefania Bobaru, Iulia Flcu, Adelaida Oprea, Alexandra
Stamate, studeni arhiteci: Raluca Bratu, Alexandra Diaconu, Bianca Diaconu, Alexandra Dinu, Mihaela Dobra,
Ana Mohonea, Elena Postu, tefan Prigoreanu, Laura Udrescu, arhiteci
Fotografii: Codina Duoiu, Mihaela Balan (Lazr), Raluca Diaconescu, studeni arhiteci: Mihaela Dobra, Claudia
Dulgheriu, Ana Mohonea, Mdlina Ion, Alexandra Pun, Alina Stan, arhiteci
Documentare i traduceri: Codina Duoiu, Mihaela Balan (Lazr), Iulia Flcu, Adelaida Oprea, studeni arhiteci:
Raluca Bratu, Alexandra Diaconu, Bianca Diaconu, Alexandra Dinu, Mihaela Dobra, Ana Mohonea, Elena Postu,
Laura Udrescu, arhiteci
Mulumiri pentru documente i informaii puse la dispoziie: arh. Romeo Belea, Mirela Duculescu, prof. dr. arh.
Nicolae Lascu, UAR
Conf. dr. arh. Codina DUOIU
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Design Andra Panait 2012
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RETRO BAB
The attempt to comment upon a review of previous biennales can be hazardous.
It can be seen that the first biennales namely those of 1994, 1996, 1998 and 2000 were organized in 5 section
(Architecture, Urban Planning, Interior Architecture and Design, Restoration of Monuments, Architecture
Publications); a sixth section emerged in the 2004 biennale by separating Interior Architecture from Design.
Ever since 2006, the number of sections has risen by dividing the Architecture section into two parts (Less than
1000 m2 Architecture and More than1000 m2 Architecture) and by separating the Restoration of Monuments
section from Rehabilitation of Buildings.
In the 2008 and 2010 biennales, the 6-section structure was used again, as follows:
Architecture (less than 1000 m2)
Architecture(more than1000 m2)
Urban Planning and Arrangements of Urban Areas
Interior Architecture, Product Design and Set Design
Restoration of Architectural Monuments and Rehabilitation of Buildings
Architecture Publications
The Urban Planning, Arrangement of Urban Areas and Architecture Publications and Studies were always
present.
During the 2000 Biennale, the UAR President Prize was awarded for the first time and in 2002 the special prizes
awarded by partners were made public.
The juries were global or specialized in sections, with national and foreign members. The nominees and the prizes
awarded for specialty production were increasing continuously.
I have not made up a ranking of the architects receiving most medals as the role of biennales is not reaching a
scoring but encouraging those talented to come up and compete. In thinks a review in itself deserves a story, a book
about architecture in full progress.
PhD. Arch. Prof. Cristina Olga Gociman

RETRO BAB
ncercarea de a comenta o retrospectiv a precedentelor bienale poate constitui o iniiativ hazardat.
Se poate constata c primele bienale, respectiv cele din 1994, 1996, 1998 i 2000, au fost organizate pe 5 seciuni
(Arhitectur, Urbanism, Arhitectur de interior i design, Restaurare de monumente, Publicaii de
arhitectur); la bienala din 2004 a aprut o a 6-a seciune prin separarea Arhitecturii de Interior de Design.
ncepnd cu 2006, numrul seciunilor a crescut prin separarea seciunii de Arhitectur n dou (Arhitectur
< 1000 mp i Arhitectur > 1000 mp) i prin separarea seciunii de Restaurare de monumente de cea de
Reabilitarea cldirilor.
La bienalele din 2008 i 2010 s-a revenit la structura pe 6 seciuni, astfel:
Arhitectur <1000 mp
Arhitectur >1000 mp
Urbanism i Amenajarea spaiilor urbane
Arhitectur de interior, scenografie, design de obiect
Restaurare de monumente de arhitectur i reabilitarea cldirilor
Publicaii de arhitectur
Seciunile de Urbanism i Amenajarea Spaiului Urban i cea de Publicaii i studii de arhitectur au fost o
prezen constant.
La bienala din 2000 s-a acordat pentru prima dat Premiul Preedintelui UAR, iar din 2002 au aprut premiile
speciale ale partenerilor.
Juriile au fost globale sau specializate pe seciuni, cu reprezentare naional i internaional. Nominalizrile i
premiile acordate pentru producia de specialitate au fost n permanent cretere.
Nu amfcut clasamente cu cei mai medaliai arhiteci, pentru c rolul bienalelor nu este cel de a obine un scor ci de
a ncuraja ieirea n ring i competiia. Cred c retrospectiva n sine merit o poveste, o carte despre arhitecturile
n cretere.
Prof. dr. arh. Cristina Olga Gociman
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Design Andra Panait 2012
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Exhibition of schools and diploma projects of architecture, urban
planning, landscape planning, restoration, interior architecture, product
design
This exhibition celebrates a moment of maturity of the architectural higher education. Beside the degrees of
the three faculties within Ion Mincu University of Architecture and Urban Planning, namely the Faculties of
Architecture, Urban Planning and Interior Architecture, the exhibits also included architects licensed within
the Faculties of Architecture in the Technical Universities of Cluj, Iai, Timioara whose teaching expertise have
a major role to play during 40 years of specialty education. There were also architects licensed at the Faculty
of Architecture at Spiru Haret University as they are now in an ascending trend. The Landscape Planning
department graduates from the Universities of Agricultural Sciences of Bucharest and Iai were invited to exhibit
their works as future landscape creators and collaborating partners of architects and town planners to be.
One should notice the diversity of themes and places extending into the European area, the concept as well as
the relationship with the modern issues regarding the preservation of built and natural heritage, the use of eco-
technologies in terms of the sustainability of built areas have all proven the quality of the future professional
generations.
PhD. Arch. Prof. Cristina Olga Gociman
Expoziia de coli i proiecte de diplom de arhitectur, urbanism,
peisagistic, restaurare, arhitectur de interior, design de produs
Aceast expoziie celebreaz un moment de maturitate a nvmntului superior de arhitectur. Alturi de
diplomele celor 3 faculti ale Universitii de Arhitectur i Urbanism Ion Mincu Arhitectur, Urbanism i
Arhitectur de interior, au fost expuse diplomele Facultilor de Arhitectur din cadrul Universitilor Tehnice
Cluj, Iai, Timioara, a cror experien didactic acumulat n 40 de ani de nvmnt de specialitate i spune
cuvntul. Acestora li se altur i diplomai ai Facultii de Arhitectur din cadrul Universitii Spiru Haret, care
se afl n prezent ntr-un trend ascendent. Au fost invitai s expun i diplomaii seciilor de peisagistic de la
Universitile de tiine Agricole din Bucureti i Iai n calitate de viitori modelatori de peisaj i colaboratori ai
viitorilor arhiteci i urbaniti.
Diversitatea temelor abordate i a amplasamentelor care s-au extins n spaiul european, conceptul i racordarea
la problematica actual a protejrii patrimoniului construit i natural, folosirea eco-tehnologiilor n spiritul
sustenabilitii spaiului construit, toate dovedesc calitatea viitoarelor generaii de profesioniti.
Prof. dr. arh. Cristina Olga Gociman
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Vlad Eftenie 2012
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DIPLOMAS OF EXCELLENCE, MEMORABILIS MEDALS AND BNAB2012 MEDALS
T H E O P E N I N G S E S S I O N O F B . N . A . B . 2 0 1 2 1 5 o c t o b e r 2 0 1 2
DIPLOMAS OF EXCELLENCE AND MEMORABILIS MEDALS
granted by Architect Viorica Curea, PhD, President of the Romanian Union of Architects (Ro. UAR) to the:
University of Architecture and Urban Planning Ion Mincu, Bucharest
for outstanding contributions in promoting the Romanian architecture and the architecture higher
education, on the occasion of the 120th anniversary celebrated since the foundation date of the
Architecture Graduate School (15 October 1892 - 15 October 2012);
Arhitectura Magazine
for outstanding contributions in promoting the Romanian architecture by means of the written press,
on the occasion of the 105th anniversary since its foundation date;
Following personalities:
Architect Professor Ascanio Damian (post mortem award), UAR President March 1990 - October 1990
Architect Alexandru Beldiman, UAR President, 1990 - 1999
Architect erban Sturdza UAR President, 1999 - 2002, President of the Romanian Order of Architects (Ro. OAR)
2001-2010, Member of the Romanian Academy
Lecturer Architect tefan Lungu (post mortem award), UAR President, 2002 - 2004, 2007 - 2009
Associate Professor Architect tefan Ghenciulescu, PhD, UAR Interim President, 2009
Professor Architect Peter Derer, PhD, UAR President, 2004 - 2007, 2009 -2012
Architect Viorica Curea, PhD, UAR President, 2012
Architect erban igna, PhD, OAR President, 2010-2012
for outstanding contributions in promoting Romanian architecture and in organizing the professional
association of architects, on the occasion of the 120th anniversary since the Romanian Architect
Organization was founded (26 February 1891 26 February 2011);
Following personalities:
Professor PhD Architect Sandu Alexandru, UAUIM Rector, 1990 - 2000, RUR President
Professor PhD Architect Barbu Emil Popescu, UAUIM Rector, 2000 - 2008
DIPLOME DE EXCELEN, MEDALII MEMORABILIS I MEDALII B.N.A.B.
F E S T I V I T A T E D E D E S C H I D E R E A B . N . A . B . 1 5 o c t o m b r i e 2 0 1 2
DIPLOME DE EXCELEN i MEDALII MEMORABILIS
acordate de ctre dr. arh. Viorica Curea preedinte UAR:
Universitii de Arhitectur i Urbanism Ion Mincu, Bucureti,
pentru contribuii deosebite la promovarea arhitecturii romneti i a nvmntului superior de
arhitectur, cu ocazia aniversrii a 120 ani de la nfiinarea colii Superioare de Arhitectur 15
octombrie 1892 - 15 octombrie 2012;
Revistei ARHITECTURA,
pentru contribuii deosebite la promovarea arhitecturii romneti prin presa scris, cu ocazia aniversrii
a 105 ani de la nfiinare;
Urmtoarelor personaliti:
Prof. arh. Ascanio Damian (post mortem), preedinte UAR martie 1990 - oct.1990,
Arh. Alexandru Beldiman, preedinte UAR 1990 1999,
Arh. erban Sturdza, preedinte UAR 1999 - 2002 / preedinte OAR 2001 2010, membru al Academiei Romne,
Lector arh. tefan Lungu (post mortem), preedinte UAR 2002 - 2004 / 2007 - 2009
Conf. dr. arh. tefan Ghenciulescu, preedinte interimar UAR 2009
Prof. dr. arh. Peter Derer, preedinte UAR 2004 - 2007 / 2009 2012
Dr. arh. Viorica Curea, preedinte UAR 2012
Dr. arh. erban igna, preedinte OAR 2010-2012
pentru contribuii deosebite la promovarea arhitecturii romneti i a organizrii profesionale
a arhitecilor, cu ocazia aniversrii a 120 ani de la nfiinarea Societii Arhitecilor Romni 26
februarie 1891 - 26 februarie 2011;
Urmtoarelor personaliti:
Prof. dr. arh. Sandu Alexandru, rector UAUIM 1990 - 2000 / preedinte RUR
Prof. dr. arh. Barbu Emil Popescu, rector UAUIM 2000 2008
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Design obiect: Andra Panait 2012
Foto: Iulia Mlina Stanescu 2012
133
Professor PhD Architect tefan Scafa Udrite, UAUIM Rector, 2008 - 2012
Professor PhD Architect Zeno Bogdnescu, UAUIM Rector, 2012
Professor PhD Architect Nicolas Mircea Lupu, Editor in Chief of the Arhitectura Magazine, professor Honoris
Causa of the UAUIM
for outstanding contributions in promoting the Romanian architecture and the architecture higher
education, on the occasion of the 120th anniversary celebrated since the foundation date of the
Architecture Graduate School (15 Oct. 1892 - 15 Oct. 2012)
DIPLOMAS OF EXCELLENCE AND BNAB MEDALS
granted to the:
Following members of the BNAB jury:
Prof. PhD arch. James Horan (Dublin, Ireland)
Prof. PhD arch. Rosa Cervera (Madrid,Spain)
Prof. PhD arch. Javier Pioz (Madrid,Spain)
Arch. Viorel Simion (Paris, France)
PhD arch. Viorel Hurduc (Bucharest, Romania)
Assoc. Prof. PhD arch. Iulia Stanciu (Bucharest, Romania)
Arch. Tiberiu Buca (Cluj, Romania)
Assoc. Prof. PhD arch. Eleni G. Gavra (Greece)
Arch. Constana Carp (Bucharest, Romania)
Arch. Clin Hoinrescu (Ploieti, Romania)
Arch. Cristina Mnciulescu (Paris, France)
Assoc. Prof. PhD arch. Gabriela Tabacu (Bucharest, Romania)
Arch. Cristian Corvin (Bucharest, Romania)
Arch. Andi Negoescu (Paris, France) alternate judge
Assoc. Prof. PhD arch. Constantin Spiridonidis (Salonic,Greece)
Prof. PhD arch. Key Imaguire Junior (Curitiba,Brazil)
Prof. PhD arch. Alexandru Sandu (Bucharest, Romania)
Assoc. Prof. arch. Tiberiu Florescu (Bucharest, Romania)
Prof. dr. arh. tefan Scafa Udrite, rector UAUIM 2008 2012
Prof. dr. arh. Zeno Bogdnescu, rector UAUIM 2012
Prof. dr. arh. Nicolas Mircea Lupu, redactor ef revista Arhitectura, Profesor Honoris Causa al UAUIM
pentru contribuii deosebite la promovarea arhitecturii romneti i a nvmntului superior de
arhitectur, cu ocazia aniversrii a 120 ani de la nfiinarea colii Superioare de Arhitectur 15
octombrie 1892 - 15 octombrie 2012;
DIPLOME DE EXCELEN I MEDALII BNAB acordate:
Urmtoarelor personaliti, membrii juriului BNAB:
Prof. dr. arh. James Horan (Dublin, Irlanda)
Prof. dr. arh. Rosa Cervera (Madrid,Spania)
Prof. dr. arh. Javier Pioz (Madrid, Spania)
Arh. Viorel Simion (Paris, Frana)
Drd. arh. Viorel Hurduc (Bucureti, Romnia)
Conf. dr. arh. Iulia Stanciu (Bucureti, Romnia)
Arh. Tiberiu Buca (Cluj, Romnia)
Conf. dr. arh. Eleni G. Gavra (Salonic,Grecia)
Arh. Constana Carp (Bucureti, Romnia)
Arh. Clin Hoinrescu (Ploieti, Romnia)
Arh. Cristina Mnciulescu (Paris, Frana)
Prof. dr. arh. Gabriela Tabacu (Bucureti, Romnia)
Arh. Cristian Corvin (Bucureti, Romnia)
Arh. Andi Negoescu (Paris, Frana) membru supleant
Conf. dr. arh.Constantin Spiridonidis (Salonic, Grecia)
Prof. dr. arh. Key Imaguire Junior (Curitiba, Brazilia)
Prof. dr. arh. Alexandru Sandu (Bucureti, Romnia)
Conf. dr. arh.Tiberiu Florescu (Bucureti, Romnia)
Drd. arh. Victor Moraru (Sibiu, Romnia)
Arh. Marialba Imaguire (Curitiba,Brazilia) membru supleant
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Design obiect: Andra Panait 2012
Foto: Iulia Mlina Stanescu 2012
137
PhDc arch. Victor Moraru (Sibiu, Romania)
Marialba Imaguire (Curitiba, Brazil) alternate judge
Assoc. Prof. PhD arch. Marina Teodorescu (Bucharest, Romania)
Assist. Prof. PhD arch. Vlad Eftenie (Bucharest, Romania)
Arch. Hortensia Anton (Botescu) (Timioara, Romania)
Prof. PhD arch. Nicolas Mircea Lupu (Switzerland)
Prof. PhD arch. Teodor Octavian Gheorghiu (Timioara, Romania)
Assoc. Prof. PhD arch. Vlad Gaivoronschi (Timioara, Romania)
Assoc. Prof. PhD arch. Mihaela Criticos (Bucharest, Romania)
Prof. PhD arch. Anca Sandu Tomaevschi (Bucharest, Romania)
for promoting the good quality of the Romanian built space, of architecture, public space, heritage,
urban planning, interior architecture, by word and image
Following personalities:
Prof. PhD arch. Cristina Olga Gociman, commissioner of the BNAB 2012
Assoc. Prof. PhD arch. Codina Duoiu, vice-commissioner of the BNAB 2012
Teach. assist. PhD int. arch. Mihaela Blan, vice-commissioner of the BNAB 2012
Teach. assist. PhD int. arch. Dan Adrian Ionescu, vice-commissioner of the BNAB 2012
Assoc. Prof. PhD arch. Andra Panait, graphic designer of the BNAB 2012
for the organisation of the BNAB 2012.
THE GALA OF THE NATIONAL BANK OF ROMANIA 22 october 2012
DIPLOMAS OF EXCELLENCE AND MEMORABILIS MEDALS granted by Architect PhD Viorica Curea, President of the
Romanian Union of Architects (Ro. UAR)
for outstanding contributions in promoting Romanian architecture and for the advocacy of the
Bucharest National Architecture Biennale of 2012, to the following personalities:
- Academician Mugur ISRESCU, Governor of the National Bank of Romania.
- Mr. Puiu Haotti, Minister at the Ministry of Culture and National Heritage.
- Mr. Eduard Hellvig, Minister at the Ministry of Regional Development and Tourism.
- Professor PhD Sorin Mircea Oprescu, General Mayor of Bucharest.
- Associate Professor PhD Sergiu Nistor, Secretary of State at the Ministry of Culture and National Heritage.
- PhD Ernest Oberlnder-Trnoveanu, Manager of the National History Museum of Romania.
Conf. dr. Marina Teodorescu (Bucureti, Romnia)
Lect. dr. arh.Vlad Eftenie (Bucureti, Romnia)
Arh. Hortensia Anton (Botescu) (Timioara, Romnia)
Prof. dr. arh. Nicolas Mircea Lupu (Elveia)
Prof. dr. arh. Teodor Octavian Gheorghiu (Timioara, Romnia)
Conf. dr. arh.Vlad Gaivoronschi (Timioara, Romnia)
Conf. dr. arh. Mihaela Criticos (Bucureti, Romnia)
Prof. dr. arh. Anca Sandu Tomaevschi (Bucureti, Romnia)
pentru promovarea calitii spaiului construit, arhitecturii, spaiului urban, patrimoniului, planificrii
urbane, arhitecturii de interior, prin cuvnt i imagine.
Urmtoarelor personaliti:
Prof. dr. arh. Cristina Olga Gociman, comisar BNAB2012
Conf. dr. arh. Codina Duoiu, vicecomisar BNAB2012
Asist. drd. arh. int Mihaela Blan, vicecomisar BNAB2012
Asist. drd. arh. int. Dan Adrian Ionescu, vicecomisar BNAB2012
Conf. dr. arh. Andra Panait, imagine, graphic design BNAB2012
pentru organizarea Bienalei Naionale de Arhitectur Bucureti 2012
GALA BNCII NAIONALE A ROMNIEI 22 octombrie 2012
DIPLOME DE EXCELEN I MEDALIILE MEMORABILIS acordate de ctre dr. arh. Viorica Curea preedinte UAR
pentru contribuii deosebite la promovarea arhitecturii romneti i pentru susinerea Bienalei
Naionale de Arhitectur Bucureti 2012 urmtoarelor personaliti:
- domnului academician Mugur ISRESCU, guvernatorul Bncii Naionale a Romniei,
- domnului Puiu Haotti, Ministrul Culturii i Patrimoniului Naional
- domnului Eduard Hellvig, ministrul Dezvoltrii Regionale i Turismului
- domnului prof. dr. Sorin Mircea Oprescu, primar general al Municipiului Bucureti
- domnului conf. dr. arh. Sergiu Nistor, secretar de stat, Ministerul Culturii i Patrimoniului Naional
- domnului dr. Ernest Oberlnder-Trnoveanu, director al Muzeului Naional de Istorie al Romniei.
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Design obiect: Andra Panait 2012
Foto: Iulia Mlina Stanescu 2012
141
Design Andra Panait 2012
143
ROMEO BELEA: OPERA OMNIA - LAUDATIO
Academician Professor PhD arch. Romeo Belea has a special rank in the elite of architects class thanks to his works,
his role as a mentor and his public presence. He was born in Tulcea, he attended the classes of various schools in
Craiova and then became acquainted with the courses and workshops of the Ion Mincu Institute of Architecture
which he eventually graduated in 1958.
He had the opportunity to substantiate his career in two of the most important design institutes (IPROBUC and
Carpai) before working together with Professor Horia Maicu in the activity of designing large show halls such
as the so-called Republic Palace Hall (1960) and the new National Theatre (1973) as part of the Capital Citys
landmark series.
He has been a member of the Architects Union, a professor at Ion Mincu Architecture Institute, he has got involved
in the professional field especially by the number of architecture and town planning competitions the he has won
in teams made up with Dinu Gheorghiu and Gabriel Cristea (Iai, Craiova, Piteti etc.). The competition related
to Ploieti Civic Centre (1959) is worth mentioning as it is one of the very few subsequently actually implemented.
After the events in 1989, he has tested pragmatic approaches that were quite innovative to Bucharests architecture
of the time, such as headquarters for private universities (The Romanian-American University), office blocks
in private residence districts (Charles de Gaulle-Dorobani Square) or hotels in historic places (Novotel, whose
construction was preceded by the rebuilding of the old National Theatres portals on Calea Victoriei in 2002).
In his belief regarding the renewing mission of an architect, Academician Romeo Belea has started his connections
with the works of his predecessors: he has had some interference at the Romanian Academys Palace in Cciulai-
Ilfov, he has worked on the Continental Hotel chain project (Bucharest, Cluj, Constana, 1997), he has contributed
to the Capa House refurbishment and has daringly suggested the extension of the access hallway to Duiliu Marcus
interwar work after he was in charge of a project on the new building of the Romanian Academy Library (1993).
An expert in reshaping the great show halls, he is currently engaged in rebuilding and extending the National
Theatre area in Bucharest as if checking the time durability of works performed long ago, in his very beginnings.
A highly appreciated (also controversial) author of many other projects and works mainly located in the Capital
City, a forerunner of modern architecture defined by plastic materiality, a realistic (even cynical) observer of the
real estate environment, a careful, innovative mentor to numerous student generations, an objective participant
in the architects debates, an active advocate of fellow architects (in this respect, he has encouraged support for the
Romanian Academys awarding the annual architecture prize again).
That being said, the Architect Professor Romeo Belea, Ph.D. deserves to be awarded for his entire work at the tenth
edition of Bucharest National Architecture Biennale.
President of the Romanian Union of Architects (between 2009-may 2012)
Prof. PhD Arch. Peter DERER
ROMEO BELEA: OPERA OMNIA - LAUDATIO
n elita breslei arhitecilor, acad. prof. dr. Arh. Romeo Belea ocup un loc distinct datorat lucrrilor, rolului de
mentor, prezenei publice. Nscut la Tulcea, s-a format n colile din Craiova, dup care a frecventat cursurile i
atelierele Institutului de Arhitectur Ion Mincu, pe care l-a absolvit n 1958.
A avut ansa de a-i fundamenta cariera n dou din cele mai importante institute de proiectare (IPROBUC i
Carpai), nainte de a colabora cu profesorul Horia Maicu la proiectarea unor mari sli de spectacole, respectiv
Sala Palatului Republicii (1960) i noul Teatru Naional (1973), parte dintr-un ansamblu emblematic al Capitalei.
Membru al Uniunii Arhitecilor, cadru didactic la Institutul de Arhitectur Ion Mincu, s-a implicat n viaa
profesional inclusiv prin seria de concursuri de arhitectur i urbanism ctigate n echipa format cu Dinu
Gheorghiu i Gabriel Cristea (Iai, Craiova, Piteti etc.) Merit menionat concursul pentru Centrul civic din Ploieti
(1959), unul dintre puinele transpus ulterior n realitate.
Dup evenimentele din 1989 a ncercat abordri programatice pn atunci inedite pentru arhitectura bucuretean,
precum sedii pentru universiti private (Universitatea romno-american), turnuri de birouri n cartiere de vile
(Piaa Charles de Gaulle-Dorobani) sau complexe hoteliere pe amplasamente istorice (Novotel, precedat de
arcadele reconstituite ale vechiului Teatru Naional de pe Calea Victoriei, 2002).
Convins de menirea nnoitoare a arhitectului, acad. Romeo Belea a intrat n dialog cu opera naintailor:
a intervenit pe Palatul de la Cciulai-Ilfov al Academiei Romne, a lucrat pentru lanul hotelier Continental
(Bucureti, Cluj, Constana, 1997), a operat pe complexul Capa i a ndrznit s propun extinderea holului de
acces la lucrarea interbelic a lui Duiliu Marcu dup ce a rspuns de proiectul pentru corpul nou al Bibliotecii
Academiei Romne (1993).
Specialist n remodelarea marilor sli de spectacole, este implicat actualmente n reconstituirea i extinderea
ansamblului Teatrului Naional din Bucureti, o verificare peste timp a lucrrilor de nceput.
Autor apreciat (i comentat) a numeroase alte proiecte i lucrri plasate cu precdere n Capital, promotor al
unei arhitecturi contemporane definite prin materialitatea plastic, observator realist (pn la cinism) a scenei
imobiliare, mentor atent i inovator a numeroase serii de studeni, participant obiectiv la dezbaterile breslei,
susintor activ al arhitecilor (a susinut reintroducerea premiului anual pentru arhitectur al Academiei Romne),
prof. dr. arh. Romeo Belea merit din plin acordarea premiului pentru ntreaga oper la cea de a X-a ediie a
Bienalei Naionale de Arhitectur Bucureti.
Preedinte UAR (2009 mai 2012)
Prof. dr. arh. Peter DERER
145
147
3
THE DESIGN
CONTEST
EXHIBITION
EXPOZIIA
CONCURS DE
PROIECTE 2012
Regulament privind desfurarea Expoziiei Concurs de Proiecte / Regulation of the Design Contest Exhibition
Premiile preedintelui U.A.R. i medaliile B.N.A.B. / The U.A.R. Presidents Prizes and B.N.A.B. Medals
A. Arhitectura locuinei / A. Architecture of dwelling
B. Arhitectura dotrilor comunitare i de producie / B. Architecture of community and production facilities
C. Tehnologie, inovaie i sustenabilitate n arhitectur / C. Technology, innovation and sustainability in architecture
D. Arhitectura patrimoniului cultural / D. Architecture of the cultural heritage
E. Arhitectura spaiului interior, design de produs i scenografie / E. Architecture of the interior space,
product design and staging
F. Arhitectura spaiului public / F. Architecture of the public space
G. Planificare spaial / G. Spatial planning
H. Arhitectura prin imagine / H. Architecture by image
I. Arhitectura prin cuvnt / I. Architecture by word
J. Studii i proiecte finalizate i nerealizate / J. Completed and unbuilt studies and projects
147
149
Vlad Eftenie 2012
151
1. GENERAL INFORMATION
The 2012 BUCHAREST NATIONAL ARCHITECTURE
BIENNALE (BNAB), previously called the Bucharest
Architecture Biennale, is the most important
professional event of architects fellowship that has
been ceaselessly organized since 1994.
The Biennale had a concept typical to each edition,
proposed by the curators team as a complex cultural
program.
The territorial representation extending every year
and the anniversary nature of this edition, the tenth,
made the Senate of the Romanian Union of Architects
entitle it the Bucharest National Architecture
Biennale. On the 26 February 2011, during the
period between the previous 2010 BAB Biennale until
the 2012 BNAB, the architects fellowship celebrated
120 years since the foundation of the Romanian
Society of Architects and on the 15 October 2012 it will
celebrate 120 years sins the begging of architecture
higher education buy the National School of
Architecture. In addition, celebrating 160 years since
Ion Mincus birth and 100 years since his death, his
name being the name of the Bucharest University of
Architecture and Urbanism, in the Mincu Year, marks
the year 2012 further more.
The Biennale will focus on the heritage values of
architectural spaces and on the chances to improve life
quality by architecture. Being aware that the progress
of built spaces is directly influenced by the interaction
among authorities, architects and beneficiaries, the
organizers would like to create an interactive platform
for the communication among such players.
2. DESIGN CONTEST EXHIBITION
2.1. Sections:
a) Architecture of Dwelling (a dwellings design is
one of the fundamental designs in a society which by
its compliance, endowment or adequacy influences
a familys balanced and, implicitly, a communitys
balance).
b) Architecture of Community and Production
Facilities (Designs promoting the specific facilities of
a community (offices, administration, services, trade,
culture, education, health, sports, recreation, places of
worship, production areas) significantly contributing
by their compliance, equipment and adequacy in
organizing a built habitat).
c) Technology, Innovation and Sustainability
in Architecture (Designs that apply innovating
technologies related to the reduction of energy and
raw material consumption, the decrease of negative
influences upon the climate by the use of environment-
friendly technologies, the limitation of non-renewable
resource consumption, energy preservation (passive
house) and the production of non-polluting energy).
d) Architecture of the Cultural Heritage (Designs
for the preservation, rehabilitation, conversion and
restoration of the already existing built heritage).
e) Architecture of the Interior Space, Product Design
and Set Design (Designs that promote interior spaces,
quality objects and meaningful performance sets).
f) Architecture of the Public Space (Urban building
designs, permanent or temporary improvements of
1. GENERALITI
BIENALA NAIONAL DE ARHITECTUR BUCURETI
2012 (BNAB), denumit anterior Bienala de
Arhitectur Bucureti (BAB), este cel mai important
eveniment profesional al breslei arhitecilor
organizat nentrerupt din 1994.
Bienala a avut un concept specific fiecrei ediii,
propus de echipa curatorial ca un program cultural
complex.
Reprezentarea teritorial extins de la un an la altul,
ct i caracterul aniversar al acestei ediii, a X-a, a
determinat Senatul Uniunii Arhitecilor din Romnia
s-o denumeasc Bienala Naional de Arhitectur
Bucureti. n intervalul scurs de la precedenta
Bienal BAB 2010 pn la BNAB 2012, breasla
arhitecilor a srbtorit pe 26 februarie 2011, 120
de ani de la nfiinarea Societii Arhitecilor Romni
iar pe 15 octombrie 2012 va srbtori 120 de ani de
la nfiinarea nvmntului superior de arhitectur
prin coala Naional de Arhitectur. De asemenea,
aniversarea a 160 de ani de la naterea i 100 de ani
de la moartea lui Ion Mincu, al crui nume l poart
Universitatea de Arhitectur i Urbanism Bucureti,
prin anul Mincu, marcheaz suplimentar anul 2012.
Bienala se va concentra asupra valorilor patrimoniale
ale spaiului arhitectural ct i asupra posibilitilor
de ameliorare a calitii vieii prin arhitectur.
Contieni de faptul c evoluia spaiului construit este
direct influenat de interaciunea dintre autoriti,
arhiteci i beneficiari, organizatorii vor dori crearea
unei platforme interactive de comunicare ntre aceti
actori.
2. EXPOZIIA CONCURS DE PROIECTE
2.1. Seciuni:
a) Arhitectura locuinei (proiectul locuinei este
unul din proiectele fundamentale ale societii care
prin conformare, echipare, adecvare, influeneaz
echilibrul familiei i implicit echilibrul colectivitii.
b) Arhitectura dotrilor comunitare i de producie,
proiecte care promoveaz dotrile specifice ale
comunitii (birouri, administraie, servicii, comer,
cultur, nvmnt, sntate, sport, agrement,
spaii de cult, spaii de producie), aducnd prin
conformarea, echiparea i adecvarea lor contribuii
semnificative la organizarea habitatului construit.
c) Tehnologie, inovaie i sustenabilitate n arhitectur
- proiecte care aplic tehnologii inovative privind
reducerea consumului de energie i materii prime,
reducerea influenelor negative asupra climei prin
utilizarea de tehnologii nepoluante, limitarea
consumului resurselor neregenerabile, conservarea
energiei (casa pasiv) i producerea de energie
nepoluant.
d) Arhitectura patrimoniului cultural proiecte de
conservare, reabilitare, conversie i restaurare a
patrimoniului construit existent.
e) Arhitectura spaiului interior, design de produs
i scenografie - proiecte care promoveaz spaiul
interior i obiectele purttoare de calitate ct i un
spaiu sugestiv al spectacolului.
f) Arhitectura spaiului public - design urban,
amenajri permanente sau temporare ale spaiilor
publice, peisagistic - contribuii care adaug
infrastructurii publice componente culturale.
g) Planificare spaial, strategii, operaiuni urbane i
REGULAMENT PRIVIND DESFURAREA EXPOZIIEI CONCURS DE PROIECTE REGULATION OF THE DESIGN CONTEST EXHIBITION
153
public areas, landscape planning, contributions adding
cultural components to the public infrastructure).
g) Spatial Planning (Sustainable urban, improvement
strategies and operations in territories suggesting
a change in perceptions when approaching growth
by means of studies and projects that convey much
information to urban players and succeed in truly
catalyzing the amount of quality built spaces).
h) Architecture by Image (Photography, drawings,
graphics, graphic-design, fine arts, decorative arts,
television or other visual communication methods).
i) Architecture by Word (Publications, journalism,
reports, written studies and scenarios that contribute
in promoting the values of architecture, built, interior
and public spaces).
j) Completed and Unbuilt Studies and Designs
(studies and designs left on paper, design projects
whose creative concepts can contribute in developing
the architectural spaces of dwellings, community
and production facilities, cultural heritage buildings,
public spaces, landscapes proposing new concepts,
applying high-level technologies able to change the
field specific approach).
2.2. Events associated to the design contest exhibition:
- specialty exhibitions
- conferences
- panels
- professional debates
- scientific sessions
- cultural parts
3. GENERAL PARTICIPATION CONDITIONS
3.1. All graduates of specialty higher education
institutions in the fields of architecture, cultural
heritage, spatial planning, landscape planning, interior
architecture, product design, art history and criticism,
fine arts, decorative arts, scenography, photography
and media from Romania or from abroad, holding
degrees or certificates recognized by the Romanian
government and specialty professional organizations.
3.2. Works completed until the 21st of June
2012 can be submitted on condition they have not been
presented in previous biennales.
The term completed work refers to works at
least 90% completed (architecture of dwellings,
architecture of community and production facilities,
technology, innovation and sustainability in
architecture, architecture of public areas, cultural
heritage architecture, set scenography, completed
interior arrangements), documentation handed in
and approved (in the spatial planning category),
executed products or prototypes (in the interior design
architecture category), published works (in the section
of architecture by words) and completed works in
the category of architecture by words, completed and
unaccomplished studies and designs, studies and
designs left on paper, design projects.
3.3. It is not allowed that one should participate
with works submitted in previous editions unless
during certain previous stages having an essential
share within highly significant projects or during
new editions of reviews substantially amended and
completed.
3.4. One cannot submit the same paper
in several sections unless one can clearly confine
de amenajare a teritoriului sustenabile, care propun
schimbarea percepiei asupra modului de abordare
a dezvoltrii prin studii i proiecte cu mare putere
de comunicare ctre actorii urbani i care reuesc s
catalizeze real generarea de spaii construite de calitate.
h) Arhitectura prin imagine, fotografie, desen, grafic,
graphic-design, arte plastice, arte decorative film, tv
sau alte modaliti vizuale de comunicare.
i) Arhitectura prin cuvnt - publicaii, publicistic,
reportaje, studii scrise i scenarii care contribuie
la promovarea valorilor arhitecturii, a patrimoniului
cultural construit, a spaiului interior si public.
j) Studii i proiecte finalizate i nerealizate, studii i
proiecte de sertar, proiecte de idei, a cror concepte
creative pot contribui la dezvoltarea spaiului
arhitectural al locuinei, dotrilor comunitare i de
producie, al spaiului patrimoniului cultural, al
spaiului public, al peisajului, care propun concepte
inedite, aplicarea unor tehnologii de vrf apte s
modifice abordarea specific a domeniului.
2.2. Evenimente asociate expoziiei concurs de proiecte
- expoziii de specialitate
- conferine
- mese rotunde
- dezbateri profesionale
- sesiuni tiinifice
- momente culturale
3. CONDIII GENERALE DE PARTICIPARE
3.1. La concurs pot participa toi absolvenii
instituiilor de nvmnt superior de specialitate
din domeniul arhitecturii, patrimoniului cultural,
planificrii spaiale, peisagisticii, arhitecturii de
interior, designului de produs, istoriei i criticii de
art, artelor plastice, artelor decorative, scenografiei,
fotografiei i media, din Romnia sau din strintate
cu diplome i atestate recunoscute de statul romn i
de organizaiile profesionale de profil.
3.2. Se vor prezenta opere finalizate pn la data
de 1 iunie 2012, care nu au mai fost prezentate n
precedentele bienale.
Prin termenul de oper finalizat se nelege
o lucrare terminat n proporie de cel puin 90 %
(arhitectura locuinei, arhitectura dotrilor comunitare
i de producie, tehnologie, inovaie i sustenabilitate
n arhitectur, arhitectura spaiului public, arhitectura
patrimoniului cultural, scenografii montate,
amenajri interioare finalizate), documentaii
predate i aprobate (pentru categoria planificare
spaial), produse sau prototipuri executate (pentru
categoria arhitectura spaiului interior), lucrri
publicate (pentru seciunea arhitectura prin cuvnt)
i lucrri finalizate pentru categoria arhitectura prin
imagine, studii i proiecte finalizate i nerealizate,
studii i proiecte de sertar - proiecte de idei.
3.3. Nu se admite participarea cu lucrri prezentate
n cadrul ediiilor anterioare, dect n cazul unor
faze ulterioare cu pondere esenial n cadrul unor
proiecte de mai mare anvergur, sau al unor ediii
noi ale unor publicaii, revizuite i adugite n mod
substanial.
3.4. Aceeai lucrare nu poate fi prezentat n mai
multe seciuni, dect n cazul n care se pot delimita n
mod clar diferitele domenii de intervenie (operaiune
urban i obiect arhitectural, proiectul propriu-zis i o
155
the different intervention fields (urban operation
and architectural object, the project itself and a
review dedicated to it). However, we recommend an
integrated presentation and interior architecture
and arrangement within the same object cannot be
submitted separately unless their authors are different.
3.5. The jury members are not allowed to
submit their works in the exhibition section they
judge.
4. SUBMISSION OF PROJECTS
In order to simplify the pre-selection and judgment
conditions, the project submission is to take placed in
two stages.
4.1. STAGE 1 Submission of projects to be pre-
selected
During the first (pre-selection) stage, the applicants
fill in an online registration form including data on
their projects and they must upload digital documents
in .jpg, .png or .tif formats according to the indications
to be found in the online registration form on the
biennale web site (www.bnab.ro).
4.2. STAGE 2 Final submission of selected projects
Not more than two display posters including project-
related graphics and texts must be submitted during
the second stage. Posters must be in a 70x100 cm
format, made of 5mm muss with vertical layout
and their layout can downloaded for each section
on the biennale web site (www.bnab.ro). Additional
materials, patterns, films, prototypes can also be
submitted.
5. PARTICULAR PARTICIPATION CONDITIONS
(per sections)
5.1. Architecture Projects designed by
architects, conducting architects who have relevant
contributions in ranking architecture as an important
factor of life quality.
Architecture of Dwelling (a dwellings design is one
of the fundamental designs in a society which by
its compliance, endowment or adequacy influences
a familys balanced and, implicitly, a communitys
balance).
Architecture of Community and Production
Facilities (designs promoting the specific facilities of
a community (offices, administration, services, trade,
culture, education, health, sports, recreation, places of
worship, production areas) significantly contributing
by their compliance, equipment and adequacy in
organizing a built habitat).
Technology, Innovation and Sustainability
in Architecture (designs that apply innovating
technologies related to the reduction of energy and
raw material consumption, the decrease of negative
influences upon the climate by the use of environment-
friendly technologies, the limitation of non-renewable
resource consumption, energy preservation (passive
house) and the production of non-polluting energy).
Completed and Unbuilt Studies and Designs
(studies and designs left on paper, design projects
whose creative concepts can contribute in developing
the architectural spaces of dwellings, community
facilities, production facilities, of cultural heritage, of
public areas, of landscapes proposing new concepts,
applying high-level technologies able to change the
field specific approach).
publicaie dedicat acestuia etc.). Recomandm totui
o prezentare integrat, iar arhitectura i amenajarea
interioar n cadrul aceluiai obiect nu vor putea fi
prezentate separat, dect n cazul n care autorii sunt
diferii.
3.5. Nu pot participa la expoziie membrii juriului cu
lucrri la seciunea pe care o jurizeaz.
4. PREDAREA PROIECTELOR
Pentru simplificarea condiiilor de preselecie i
jurizare, predarea proiectelor se va desfura n dou
etape.
4.1. ETAPA I - Predarea proiectelor pentru preselecie
La etapa 1 (preselecie) concurenii vor completa
online un formular de nscriere cu datele proiectului
i vor ncrca materiale digitale n format jpg, png
sau tif, conform indicaiilor ce vor fi prezente n
formularul de nscriere online de pe site-ul bienalei
(www.bnab.ro).
4.2. ETAPA II - Predarea final a proiectelor selectate
Pentru etapa 2 vor fi predate maxim 2 panouri de
expunere coninnd materiale grafice i texte aferente
proiectului. Panourile vor avea formatul 70x100cm
din muss de 5mm cu paginare vertical, iar layout-ul
lor va putea fi descrcat pentru fiecare seciune de pe
site-ul bienalei (www.bnab.ro). Vor putea fi predate
i alte materiale suplimentare, machete, filme,
prototipuri.
5. CONDIII PARTICULARE DE PARTICIPARE (pe
seciuni)
5.1. Arhitectur - proiecte realizate de arhiteci,
conductori arhiteci care se constituie n contribuii
relevante la poziionarea arhitecturii ca factor
important al calitii vieii
Arhitectura locuinei (proiectul locuinei este
unul din proiectele fundamentale ale societii care
prin conformare, echipare, adecvare, influeneaz
echilibrul familiei i implicit echilibrul colectivitii.
Arhitectura dotrilor comunitare i de producie
( proiecte care promoveaz dotrile specifice ale
comunitii (birouri, administraie, servicii, comer,
cultur, nvmnt, sntate, sport, agrement, spaii
de cult, spaii de producie) aducnd prin conformarea,
echiparea i adecvarea lor contribuii semnificative la
organizarea habitatului construit).
Tehnologie, inovaie i sustenabilitate n
arhitectur - proiecte care aplica tehnologii inovative
privind reducerea consumului de energie i materii
prime, reducerea influenelor negative asupra climei
prin utilizarea de tehnologi nepoluante, limitarea
consumului resurselor neregenerabile, conservarea
energiei ( casa pasiv) i producerea de energie
nepoluant.
Studii i proiecte finalizate i nerealizate, studii i
proiecte de sertar, proiecte de idei, ale cror concepte
creative pot contribui la dezvoltarea spaiului
arhitectural al locuinei, dotrilor comunitare i de
producie, al spaiului patrimoniului cultural, al
spaiului public, al peisajului, care propun concepte
inedite, aplicarea unor tehnologii de vrf apte s
modifice abordarea specific a domeniului).
5.1.1. Condiii de participare
Pot participa:
157
5.1.1. Participation conditions
The following may participate:
- Architects, conducting architects, graduates of
specialty higher education institutions from Romania
or from abroad, holders of degrees or certificates
recognized by the Romanian government and
specialty professional organizations.
5.1.2. Project presentation
5.1.2.1. Stage 1 Pre-selection
1.1. Online registration form including
identification data of projects/studies with the
following information:
- Name of project/study
- Representative picture of project/study
- Placement of project/study (country, county, town/
city, street)
- Beneficiary/beneficiaries name, address
- Author/authors - name, address, telephone number,
email address (including a pdf attachment of higher
education degree or certificate)
- Picture of author/authors (in a pdf attachment)
- CV of author/authors approximately A4 (in a pdf
attachment)
- Office/institution - name, address
- Collaborators/consultants on project/study/
publication
- Description of project/study in not more than 150
words.
1.2. Posters in a 70x100 cm format a pdf format,
with vertical layout according to section layout
downloaded on the biennale web site (www.bnab.ro).
Contents of posters:
- identification data of project name, place,
beneficiary
- identification data of author/co-authors, office,
collaborators, consultants
- concept of project text, sketches (functional,
volumetric and technological configuration)
- plan of context localized by Google Earth application
- project integration into a context, developments,
volumetrics
- plans, sections, faades
- outdoor and indoor pictures, 3D views, pattern
pictures, drawings
- details on execution
- indicators (of built, unfolded surface, CUT, POT, RH.)
1.3. Information on posters not more than
20 distinct pictures must be submitted separately in
order to more clearly view a project.
5.1.2.2. Stage 2 Final submission
2.1. Two posters in a 70x100 cmformat made of 5 mm
muss, with vertical layout according to section layout
downloaded on the biennale web site (www.bnab.ro).
2.2. digital presentation of project or even a film
(a slideshow)
2.3. an architectural model (optionally)
5.1.3. Project evaluation criteria maximum 10
points (the evaluation can have decimal points)
- Concept peculiarity 2 points
- Spatial and aesthetic innovation 1 point
- Framing within a context, the way interventions can
emphasize a project 1 point
- Added cultural and social value 2 points
- Identity pursuit 1 point
- Quality of built spaces 2 points
- Sustainability and technical innovation level 1
point
5.1.4. Awarding
One can be nominated three times and can be granted
- arhiteci, conductori arhiteci absolveni ai
instituiilor de nvmnt superior de specialitate din
Romnia sau din strintate, cu diplome i atestate
profesionale recunoscute de statul romn i de
organizaiile de profil.
5.1.2. Prezentare proiect
5.1.2.1.Etapa 1 - Preselecie
1.1. formular de nscriere online cu date de identificare
proiect / studiu cu urmtoarele
informaii :
- Denumire proiect / studiu
- Fotografie reprezentativ proiect / studiu
- Amplasament proiect / studiu (ara, jude, localitate,
strad)
- Beneficiar / beneficiari - denumire, adres
- Autor / autori nume, adres, telefon, e-mail (
de ataat pdf cu diplom absolvire a instituiei de
nvmnt superior, atestat)
- Fotografie autor / autori ( de ataat format pdf )
- CV autor / autori aprox. A4 ( de ataat format pdf)
- Birou / instituie - denumire, adres
- Colaboratori / consultani proiect / studiu / publicaie
- Descriere proiect / studiu maxim 150 cuv.
1.2. panouri format 70x100cm format pdf, paginare
vertical conform layout seciune
descrcat de pe site-ul bienalei (www.bnab.ro ).
Coninut panouri:
- date identificare proiect denumire, locaie,
beneficiar
- date identificare autor/coautori, birou, colaboratori,
consultani
- conceptul proiectului text, schie (configurri
funcionale, volumetrice i tehnologice)
- plan situaie, ncadrare n Google Earth
- integrarea proiectului n context, desfurri,
volumetrizri
- planuri, seciuni, faade
- imagini exterioare i interioare, imagini 3D, imagini
machete, desene
- detalii de execuie
- indicatori ( suprafaa construit, desfurat, CUT,
POT, RH.)
1.3. Informaiile de pe panouri maxim 20 de
imagini distincte vor fi prezentate separat pentru
o mai clar vizualizare a proiectului.
5.1.2.2.Etapa 2 Predare final
2.1. 2 panouri format 70x100cmmuss 5mm, paginare
vertical conform layout seciune descrcat de pe
site-ul bienalei ( www.bnab.ro)
2.2. prezentarea digital a proiectului eventual film
(slideshow)
2.3. machet - opional
5.1.3. Criterii de evaluare a proiectului maxim 10
puncte (evaluare se poate face cu zecimale)
- Particularitatea conceptului 2 puncte
- Inovaia spaial i estetic 1 punct
- ncadrare n context, modul n care interveniile
reuesc s-l pun n valoare 1 punct
- Valoarea cultural i social adugat 2 puncte
- Cutarea identitii 1 punct
- Calitatea spaiului construit 2 punct
- Gradul de sustenabilitate i inovaie tehnic 1 punct
5.1.4. Premiere
Se acord 3 nominalizri i un premiu. Dac juriul
159
one award. If the jury believes there is no winner,
there will be no award, but only nominations.
5.2. Architecture of the Cultural Heritage
(designs meant to emphasize the cultural resource
of built heritage, designs for the preservation,
rehabilitation, conversion and restoration of the
already existing built heritage)
5.2.1. Participation conditions
The following may participate:
- Architects, conducting architects, graduates of
specialty higher education institutions from Romania
or from abroad, holders of degrees or certificates
recognized by the Romanian government and
specialty professional organizations.
5.2.2. Project presentation
5.2.2.1. Stage 1 Pre-selection
1.1. online registration form including identification
data of projects with the following information:
- Name of project
- Representative picture of project
- Placement of project (country, county, town/city,
street)
- Beneficiary/beneficiaries name, address
- Author/authors - name, address, telephone number,
email address (including a pdf attachment of higher
education degree or certificate)
- Picture of author/authors (in a pdf attachment)
- CV of author/authors approximately A4 (in a pdf
attachment)
- Office/institution - name, address
- Collaborators/consultants on project
- Description of project/study in not more than 150
words.
1.2. Posters in a 70x100 cm format a pdf format,
with vertical layout according to section layout
downloaded on the biennale web site (www.bnab.ro).
Contents of posters:
- identification data of project name, place,
beneficiary
- identification data of author/co-authors, office,
collaborators, consultants
- conclusions of historic study
- decision during intervention stage
- indoor and outdoor surveys
- project concept text, sketches (functional,
volumetric and technological configuration)
- conceptual innovation
- plan of context localized by Google Earth application
- project integration into a context, developments,
volumetrics
- plans, sections, faades intervention suggestions
- outdoor and indoor pictures, 3D views, drawings
- details on execution
- indicators (of built, unfolded surface, CUT, POT, RH.)
1.3. Information on posters not more than 20
distinct pictures must be submitted separately in order
to more clearly view a project.
5.2.2.2. Stage 2 Final submission
2.1. Two posters in a 70x100 cm format made of 5
mmmuss, with vertical layout according to section
layout downloaded on the biennale web site
(www.bnab.ro).
2.2. digital presentation of project or even a film
(a slideshow)
2.3. an architectural model (optionally)
5.2.3. Project evaluation criteria maximum 10
consider c nu exist nici un ctigtor nu se acord
premiul ci doar nominalizrile.
5.2. Arhitectura patrimoniului cultural -
proiecte de punere n valoare a resursei culturale
de patrimoniu construit, proiecte de conservare,
reabilitare, conversie, restaurare a patrimoniului
construit existent
5.2.1. Condiii de participare
Pot participa:
- arhiteci, conductori arhiteci absolveni ai
instituiilor de nvmnt superior de specialitate
din Romnia sau din strintate, cu diplome i
atestate profesionale recunoscute de statul romn i
organizaiile de profil.
5.2.2. Prezentare proiect
5.2.2.1.Etapa 1 - Preselecie
1.1. formular de nscriere online cu date de identificare
proiect cu urmtoarele informaii
- Denumire proiect
- Fotografie reprezentativ proiect
- Amplasament proiect (ar, jude, localitate, strad)
- Beneficiar / beneficiari - denumire, adres
- Autor / autori nume, adres, telefon, e-mail
(de ataat pdf cu diploma absolvire a instituiei de
nvmnt superior, atestat)
- Fotografie autor / autori (de ataat format pdf )
- CV autor / autori aprox. A4 ( de ataat format pdf)
- Birou / instituie - denumire, adres
- Colaboratori / consultani proiect
- Descriere proiect maxim 150 cuv.
1.2. panouri format 70x100cm format pdf, paginare
vertical conform layout seciune descrcat de pe site-
ul bienalei (www.bnab.ro).
Coninut panouri:
- date identificare proiect denumire, locaie,
beneficiar
- date identificare autor/coautori, birou, colaboratori,
consultani
- concluzii studiu istoric
- decizia etapei de intervenie
- relevee interioare i exterioare
- conceptul proiectului - text, schie (configurri
funcionale, volumetrice i tehnologice)
- inovaie conceptual
- plan situaie, ncadrare n Google Earth
- integrarea proiectului n context, desfurri,
volumetrizri
- planuri, seciuni, faade - propuneri de intervenie
- imagini interioare i exterioare, 3D, desene
- detalii de execuie
- indicatori (suprafa construit, desfurat, POT,
CUT, RH)
1.3. Informaiile de pe panouri maxim 20 de
imagini distincte vor fi prezentate separat
pentru o mai clar vizualizare a proiectului.
5.2.2.2.Etapa 2 Predare final
2.1. 2 panouri format 70x100 cmmuss 5mm, paginare
vertical conform layout seciune descrcat de pe
site-ul bienalei (www.bnab.ro)
2.2. prezentarea digital a proiectului-film(slideshow)
161
points (the evaluation can have decimal points)
- Rigor of historic study 1 point
- Scientific and practical clarity of intervention decision
1 point
- Highlighting the cultural resource value 1 point
- Intervention quality (preservation, restoration,
rehabilitation) 2 points
- Framing within a context, the way interventions can
emphasize a project 1 point
- Added cultural and social value 1 point
- Keeping or restoring identity - 1 point
- Quality of built spaces 1 point
- Sustainability and technical innovation level 1
point
5.2.4. Awarding
One can be nominated three times and can be granted
one award. If the jury believes there is no winner,
there will be no award, but only nominations.
5.3. Architecture of the Interior Space, Product
Design and Set Design projects and designs
that promote interior spaces, quality objects and
meaningful performance sets.
5.3.1. Participation conditions
The following may participate:
- Architects, conducting architects, interior architects,
product designers, designers, scenographers,
graduates of specialty higher education institutions
from Romania or from abroad, holders of degrees or
certificates recognized by the Romanian government
and specialty professional organizations.
5.3.2. Project presentation
5.3.2.1. Stage 1 Pre-selection
1.1. online registration form including identification
data of projects with the following information:
- Name of project
- Representative picture of project
- Placement of project (country, county, town/city,
street)
- Beneficiary/beneficiaries name, address
- Author/authors - name, address, telephone number,
email address (including a pdf attachment of higher
education degree or certificate)
- Picture of author/authors (in a pdf attachment)
- CV of author/authors approximately A4 (in a pdf
attachment)
- Office/institution - name, address
- Collaborators/consultants on project
- Description of project/study in not more than 150
words.
1.2. Posters in a 70x100 cm format a pdf format,
with vertical layout according to section layout
downloaded on the biennale web site (www.bnab.ro).
Contents of posters:
- identification data of project name, place,
beneficiary
- identification data of author/co-authors, office,
collaborators, consultants
- project concept text, sketches (functional,
volumetric and technological configuration)
- plans, sections, elevations
- 3D views, patterns, prototype pictures, indoor
pictures, drawings
- details on execution
1.3. Information on posters not more than 20
distinct pictures must be submitted separately in order
to more clearly view a project.
5.3.2.2. Stage 2 Final submission
2.1. Two posters in a 70x100 cm format, made of 5
mm muss, with vertical layout according to section
2.3. machet - opional
5.2.3. Criterii de evaluare a proiectului maxim 10
puncte (evaluarea se poate face cu zecimale)
- Rigoarea studiului istoric 1 punct
- Claritatea tiinific i practic a deciziei de
intervenie 1 punct
- Punerea n evident a valorii de resurs cultural
1 punct
- Calitatea interveniei (conservare, restaurare,
reabilitare) 2 puncte
- ncadrare n context, modul n care interveniile
reuesc s-l pun n valoare 1 punct
- Valoarea cultural i social adugat 1 punct
- Pstrarea sau redobndirea identitii 1 punct
- Calitatea spaiului construit 1 punct
- Gradul de sustenabilitate i inovaie tehnic 1
punct
5.2.4. Premiere
Se acord 3 nominalizri i un premiu. Dac juriul
consider c nu exist nici un ctigtor nu se acord
premiul ci doar nominalizrile.
5.3. Arhitectura spaiului interior - proiecte care
promoveaz un spaiu interior inovativ, proiecte care
promoveaz spaiul interior, obiecte purttoare de
calitate i un spaiu sugestiv al spectacolului
5.3.1.Condiii de participare
Pot participa:
- arhiteci, conductori arhiteci, arhiteci de interior,
designeri de produs, designeri, scenografi,
absolveni ai nvmntului superior de specialitate
din Romnia sau din strintate cu diplome i
atestate profesionale recunoscute de statul romn i
de organizaiile de profil.
5.3.2.Prezentare proiect
5.3.2.1. Etapa 1 - Preselecie
1.1. formular de nscriere online cu date de identificare
proiect cu urmtoarele informaii:
- Denumire proiect
- Fotografie reprezentativ proiect
- Amplasament proiect (ar, jude, localitate, strad )
- Beneficiar / beneficiari - denumire, adres
- Autor / autori nume, adres, telefon, e-mail (
de ataat pdf cu diploma absolvire a instituiei de
nvmnt superior, atestat)
- Fotografie autor / autori ( de ataat format pdf )
- CV autor / autori aprox. A4 ( de ataat format pdf)
- Birou - denumire, adres
- Colaboratori / consultani proiect
- Descriere proiect maxim 150 cuv.
1.2. panouri format 70x100cm format pdf, paginare
vertical conform layout seciune descrcat de pe site-
ul bienalei ( www.bnab.ro ).
Coninut panouri:
- date identificare proiect denumire, locaie,
beneficiar
- date identificare autor/coautori, birou, colaboratori,
consultani
- conceptul proiectului - text, schie (configurri
funcionale, volumetrice i tehnologice)
- planuri, seciuni, elevaii
163
layout downloaded on the biennale web site (www.
bnab.ro).
2.2. digital presentation of project or even a film
(a slideshow)
2.3. an architectural model, a prototype optionally
5.3.3. Project evaluation criteria maximum 10
points (the evaluation can have decimal points)
- Concept peculiarity 2 points
- Spatial and aesthetic innovation 2 points
- Added cultural and social value 2 points
- Identity pursuit 2 points
- Technology and innovation 2 points
5.3.4. Awarding
One can be nominated three times and can be granted
one award. If the jury believes there is no winner,
there will be no award, but only nominations.
5.4. Urban Planning and Land Management
Architecture of the Public Space - urban design,
permanent or temporary improvements of public
areas, landscape planning, contributions adding
cultural components to the public infrastructure.
Spatial Planning, sustainable urban, improvement
strategies and operations in territories suggesting
a change in perceptions when approaching growth
by means of studies and projects that convey much
information to urban players and succeed in truly
catalyzing the amount of quality built spaces.
5.4.1. Participation conditions
The following may participate:
- architects, conducting architects, town planners,
landscape planners, graduates of specialty higher
education institutions from Romania or from abroad,
holders of professional degrees or certificates
recognized by the Romanian government and
specialty professional organizations.
- specialists from related fields (geographers,
sociologists, demographers, topographers,
horticulturists etc.) having completed their specialty
studies in Romania or abroad, holding professional
degrees or certificates recognized by the Romanian
government.
5.4.2. Project submission
5.4.2.1. Stage 1 Pre-selection
1.1. online registration form including identification
data of projects/studies with the following
information:
- Name of project/study
- Representative picture of project/study
- Placement of project/study (country, county, town/
city, street)
- Beneficiary/beneficiaries name, address
- Author/authors - name, address, telephone number,
email address (including a pdf attachment of higher
education degree or certificate)
- Picture of the author/authors (in a pdf attachment)
- CV of author/authors approximately A4 (in a pdf
attachment)
- Office/institution - name, address
- Collaborators/consultants on project
- Description of project in not more than 150 words.
1.2. Posters in a 70x100 cm format a pdf format,
with vertical layout according to section layout
downloaded on the biennale web site (www.bnab.ro).
Contents of posters:
- identification data of project name, place,
beneficiary
- identification data of author/co-authors, office,
- imagini 3D, machete, imagini prototip, imagini
interioare, desene
- detalii de execuie
1.3. Informaiile de pe panouri maxim 20 de
imagini distincte vor fi prezentate separat pentru o
mai clar vizualizare a proiectului.
5.3.2.2. Etapa 2 Predare final
2.1. 2 panouri format 70x100cmmuss 5mm, paginare
vertical conform layout seciune descrcat de pe
site-ul bienalei ( www.bnab.ro)
2.2. prezentarea digital a proiectului film
(slideshow)
2.3. machet, prototip opional
5.3.3. Criterii de evaluare a proiectului maxim 10
puncte (evaluarea se poate face cu zecimale)
- Particularitatea conceptului 2 puncte
- Inovaia spaial i estetic 2 puncte
- Valoarea cultural i social adugat 2 puncte
- Cutarea identitii 2 puncte
- Tehnologie i inovaie 2 puncte
5.3.4. Premiere
Se acord 3 nominalizri i un premiu. Dac juriul
consider c nu exist nici un ctigtor nu se acord
premiul ci doar nominalizrile.
5.4. Urbanism i amenajarea teritoriului
Arhitectura spaiului public - design urban,
amenajri permanente sau temporare ale spaiilor
publice, peisagistic - contribuii care adaug
infrastructurii publice componente culturale.
Planificare spaial, strategii, operaiuni urbane
i de amenajare a teritoriului sustenabile care
propun schimbarea percepiei asupra modului de
abordare a dezvoltrii prin studii i proiecte cu
mare putere de comunicare ctre actorii urbani i
care reuesc s catalizeze real generarea de spaii
construite de calitate.
5.4.1. Condiii de participare
Pot participa:
- arhiteci, conductori arhiteci, urbaniti, peisagiti
absolveni ai instituiilor de nvmnt superior de
specialitate din Romnia sau strintate cu diplome
i atestate profesionale recunoscute de statul romn
i de organizaiile de profil.
- specialiti din domenii conexe (geografi, sociologi,
demografi, topografi, horticultori etc.) cu studiile de
specialitate efectuate n Romnia sau n strintate
cu diplome i atestate profesionale recunoscute de
statul romn.
5.4.2. Prezentare proiect
5.4.2.1. Etapa 1 - Preselecie
1.1. formular de nscriere online cu date de identificare
proiect / studiu cu urmtoarele informaii:
- Denumire proiect
- Fotografie reprezentativ proiect / studiu
- Amplasament proiect (ar, jude, localitate, strad )
- Beneficiar / beneficiari - denumire, adres
- Autor / autori nume, adres, telefon, e-mail
(de ataat pdf cu diploma absolvire a instituiei de
nvmnt superior, atestat)
165
collaborators, consultants
- cadastral study plans
- territorial localization in Google Earth application
- classification in specific documentations (PATN,
PATJ, PUG, PUZ etc.)
- classification of site according to growth policies
- functional, spatial, juridical analyses of existing
networks
- project concept text, sketches (functional,
volumetric and technological configuration)
- regulation recommendations functional, spatial,
juridical and network regulations
- section plans, spreading, volumetric illustrations
proposed
- urban and territorial indicators
1.3. Information on posters not more than 20
distinct pictures must be submitted separately in order
to more clearly view a project.
5.4.2.2. Stage 2 Final submission
2.1. Two posters in a 70x100 cm format, made of 5
mm muss, with vertical layout according to section
layout downloaded on the biennale web site (www.
bnab.ro).
2.2. digital presentation of project or even a film
(a slideshow)
2.3. an architectural model, a prototype optionally
5.4.3. Project evaluation criteria maximum 10
points (the evaluation can have decimal points)
- Concept peculiarity 2 points
- Spatial and aesthetic innovation 1 point
- Classification within a territory, town/city, area 1
point
- Framing within territorial growth strategies 1
point
- Quality of growth proposal 1 point
- Added economic, functional, social and cultural
value 2 points
- Sustainable approach of project 2 points
5.4.4. Awarding
One can be nominated three times and can be granted
one award. If the jury believes there is no winner,
there will be no award, but only nominations.
5.5. Architecture by Image. The section envisages
the promotion of architecture by means of visual
images, of all types of media support, photography,
drawing, graphic design, fine arts, decorative arts,
television or other visual communication methods
films and all other ways to promote architectural,
urban spaces, interior spaces and heritage.
5.5.1. Participation conditions
The following may participate:
- architects, conducting architects, town planners,
landscape planners, interior architects, product
designers, illustrators, fine artists, photographers,
directors, graduates of specialty higher education
institutions from Romania or from abroad, holders of
professional degrees or certificates recognized by the
Romanian government and specialty organizations.
5.5.2. Project presentation
5.5.2.1. Stage 1 Pre-selection
1.1. online registration form including identification
data of pictures with the following information:
- Name of picture project
- Representative picture
- Placement of picture (country, county, town/city,
street)
- Beneficiary/beneficiaries name, address
- Fotografie autor / autori ( de ataat format pdf )
- CV autor / autori aprox. A4 ( de ataat format pdf)
- Birou / instituie - denumire, adres
- Colaboratori / consultani proiect
- Descriere proiect maxim 150 cuv.
1.2. panouri format 70x100cm format pdf, paginare
vertical conform layout seciune descrcat de pe site-
ul bienalei (www.bnab.ro ).
Coninut panouri:
- date identificare proiect denumire, locaie,
beneficiar
- date identificare autor/coautori, birou, colaboratori,
consultani
- planuri topografice
- ncadrri teritoriale fcute pe Google Earth
- ncadrri n documentaii specifice ( PATN, PATJ,
PUG, PUZ etc.)
- ncadrarea obiectivului in politicile de dezvoltare
- analize funcionale, spaiale, juridice, de reele
existente
- conceptul proiectului text, schie (configurri
funcionale, volumetrice i tehnologice)
- reglementri propuse funcionale, spaiale,
juridice i de reele
- planuri seciuni, desfurri, ilustrri volumetrice
propuse
- indicatori urbanistici i teritoriali
1.3. Informaiile de pe panouri maxim 20 de
imagini distincte vor fi prezentate separat
pentru o mai clar vizualizare a proiectului.
5.4.2.2.Etapa 2 Predare final
2.1. 2 panouri format 70x100cmmuss 5mm, paginare
vertical conform layout seciune descrcat de pe
site-ul bienalei (www.bnab.ro)
2.2. prezentarea digital a proiectului film
(slideshow)
2.3. machet - opional
5.4.3. Criterii de evaluare a proiectului maxim 10
puncte (evaluarea se poate face cu zecimale)
- Particularitatea conceptului 2 puncte
- Inovaia spaial i estetic 1 punct
- ncadrarea n teritoriu, localitate, zon 1 punct
- ncadrarea n strategii teritoriale de dezvoltare - 1
punct
- Calitatea propunerii de dezvoltare - 1 punct
- Valoarea economic, funcional, social i cultural
adugat 2 puncte
- Abordarea durabil a proiectului 2 puncte
5.4.4. Premiere
Se acord 3 nominalizri i un premiu. Dac juriul
consider c nu exist nici un ctigtor nu se acord
premiul ci doar nominalizrile.
5.5. Arhitectura prin imagine. Seciunea i
propune promovarea arhitecturii prin intermediul
vizualului, al tuturor tipurilor de suport media, al
fotografiei, al desenului, al graficii, al graphic design-
ului, al artelor plastice, al artelor decorative, al
filmelor i a oricrei modaliti vizuale de promovare
a spaiului arhitectural, urbanistic, al spaiului interior
i al celui patrimonial.
5.5.1. Condiii de participare
Pot participa:
167
- Author/authors - name, address, telephone number,
email address (including a pdf attachment of higher
education degree or certificate)
- Picture of author/authors (in a pdf attachment)
- CV of author/authors approximately A4 (in a pdf
attachment)
- Office/institution - name, address
- Collaborators/consultants on picture
- Description of picture in not more than 150 words.
1.2. posters in a 70x100 cm format a pdf format,
with vertical layout according to section layout
downloaded on the biennale web site (www.bnab.ro).
Contents of posters:
- identification data of project name, place,
beneficiary
- identification data of author/co-authors, office,
collaborators, consultants
- picture concept
- photographs/drawings/graphics/graphic design/fine
arts/decorative arts/film (photographic sequences,
advertisement, media)
1.3. Information on posters not more than 20
distinct pictures must be submitted separately in order
to more clearly view a project.
5.5.2.2. Stage 2 Final submission
2.1. Two posters in a 70x100 cm format, made of 5
mm muss, with vertical layout according to section
layout downloaded on the biennale web site (www.
bnab.ro).
2.2. digital presentation of project or even a film
(a slideshow)
5.5.3. Project evaluation criteria maximum 10
points (the evaluation can have decimal points)
- Significance of theme approached 1 point
- Relevance of theme approached 1 point
- Concept peculiarity 2 points
- Aesthetic innovation 1 point
- Added cultural and social value 2 points
- Picture quality 1 point
- Quality of communicated values 2 points
5.5.4. Awarding
One can be nominated three times and can be granted
one award. If the jury believes there is no winner,
there will be no award, but only nominations.
5.6. Architecture by Word - publications,
journalism, reports, written studies and scenarios that
contribute in promoting the values of architecture,
built, interior and public spaces (books, reviews,
albums, articles, writing collections, reports, film
scenarios, TV)
5.6.1. Participation conditions
The following may participate:
- architects, conducting architects, town planners,
landscape planners, interior architects, designers,
writers, art and architecture critics and theoreticians,
journalists, reporters, graduates of specialty higher
education institutions from Romania or from abroad,
holders of professional degrees or certificates
recognized by the Romanian government and
specialty organizations.
5.6.2. Project submission
5.6.2.1. Stage 1 Pre-selection
1.1. online registration form including identification
data of project/study/review/picture with the
following information:
- Name of review
- arhiteci, conductori arhiteci, urbaniti, peisagiti,
arhiteci de interior, designeri de produs, graficieni,
artiti plastici, fotografi, regizori absolveni
ai nvmntului superior de specialitate din
Romnia sau din strintate cu diplome i atestate
profesionale recunoscute de statul romn i
organizaiile de profil.
5.5.2.Prezentare proiect
5.5.2.1. Etapa 1 - Preselecie
1.1. formular de nscriere online cu date de identificare
imagine cu urmtoarele informaii:
- Denumire proiect imagine
- Fotografie reprezentativ imagine
- Amplasament imagine (ar, jude, localitate)
- Beneficiar / beneficiari - denumire, adres
- Autor / autori nume, adres, telefon, e-mail (
de ataat pdf cu diploma absolvire a instituiei de
nvmnt superior, atestat)
- Fotografie autor / autori ( de ataat format pdf )
- CV autor / autori aprox. A4 ( de ataat format pdf)
- Birou / companie - denumire, adres
- Colaboratori / consultani imagine
- Descriere imagine maxim 150 cuv.
1.2. panouri format 70x100cm format pdf, paginare
vertical conform layout seciune
descrcat de pe site-ul bienalei (www.bnab.ro ).
Coninut panouri:
- date identificare proiect denumire, locaie,
beneficiar
- date identificare autor/coautori, birou, colaboratori,
consultani
- conceptul imaginii
- fotografii / desene / grafic / graphic design / arte
plastice / arte decorative / film(secvene fotografice,
spot publicitar, media)
1.3. Informaiile de pe panouri maxim 20 de
imagini distincte vor fi prezentate separat pentru
o mai clar vizualizare a proiectului.
5.5.2.2.Etapa 2 Predare final
2.1. 2 panouri format 70x100 cmmuss 5mm, paginare
vertical conform layout seciune descrcat de pe
site-ul bienalei (www.bnab.ro)
2.2. prezentarea digital a proiectului film
(slideshow)
5.5.3. Criterii de evaluare a proiectului maxim 10
puncte (evaluarea se poate face cu zecimale)
- Semnificaia temei abordate 1 punct
- Relevana temei abordate 1 punct
- Particularitatea conceptului 2 puncte
- Inovaia estetic 1 punct
- Valoarea cultural i social adugat 2 puncte
- Calitatea imaginii 1 punct
- Calitatea valorilor comunicate 2 puncte
5.5.4. Premiere
Se acord 3 nominalizri i un premiu. Dac juriul
consider c nu exist nici un ctigtor nu se acord
premiul ci doar nominalizrile.
5.6. Arhitectura prin cuvnt - publicaii,
publicistic, reportaje, studii scrise i scenarii care
contribuie la promovarea valorilor arhitecturii, a
patrimoniului cultural construit, a spaiului interior
i public (cri, reviste, albume, articole, colecii de
scrieri, reportaje, scenarii de film, TV)
5.6.1. Condiii de participare
Pot participa:
169
- Representative picture of review
- Beneficiary/beneficiaries name, address
- Author/authors - name, address, telephone number,
email address (including a pdf attachment of higher
education degree or certificate)
- Picture of author/authors (in a pdf attachment)
- CV of author/authors approximately A4 (in a pdf
attachment)
- Publishing house - name, address
- Collaborators/consultants on review
- Description of text in not more than 150 words.
1.2. posters in a 70x100 cm format a pdf format,
with vertical layout according to section layout
downloaded on the biennale web site (www.bnab.ro).
Contents of posters:
- identification data of review name, publishing
house, collection, review type, production studio
- identification data of author/co-authors,
collaborators, consultants
- concept of review, report, article, show if applicable
- the text itself presentation
- graphic illustrations if necessary
1.3. Information on posters not more than 20
distinct pictures must be submitted separately in order
to more clearly view a project.
5.6.2.2. Stage 2 Final submission
2.1. Two posters in a 70x100 cm format, made of 5
mm muss, with vertical layout according to section
layout downloaded on the biennale web site (www.
bnab.ro).
2.2. digital presentation of project or even a film
(a slideshow)
5.6.3. Project evaluation criteria maximum 10
points (the evaluation can have decimal points)
- Significance of the theme 1 point
- Relevance of the theme 1 point
- Clarity of focused elements 1 point
- Relationship with literature 1 point
- Research methodology - 1 point
- Analyzed data sources, covering areas -1 point
- Use of theoretical elements - 1 point
- Text features - 1 point
- Conclusions presented - 1 point
- Quality of communicated elements - 1 point
5.6.4. Awarding
One can be nominated three times and can be granted
one award. If the jury believes there is no winner,
there will be no award, but only nominations.
6. THE JURY
6.1. The is made up per sections, of three up to seven
famous people of which one is elected president by the
other members. The jury members do not submit their
works in the section they judge. The commissioner
and vice-commissioners are not part of the jury.
The jury also includes nominated authors and prize
winners from previous editions of the biennales and
other famous contests in Romania and abroad as well
as specialty professionals from Romania and from
abroad, representatives of professional organizations
proposed by the curators team and approved by the
UAR Senate.
6.2. The juries are assisted by a Biennale secretary
that has no voting right and prepares the jury reports
which are then signed by all the jury members, at the
same time ensuring the good running of the debates.
6.3. The jurys decisions cannot be subject to litigations
as they are the outcome of collective evaluations.
- arhiteci, conductori arhiteci, urbaniti, peisagiti,
arhiteci de interior, designeri, scriitori, critici i
teoreticieni de art i arhitectur, ziariti, reporteri,
absolveni ai instituiilor de nvmnt superior de
specialitate din Romnia sau strintate cu diplome
i atestate profesionale recunoscute de statul romn
i de organizaiile de profil.
5.6.2.Prezentare proiect
5.6.2.1.Etapa 1 - Preselecie
1.1. formular de nscriere online cu date de
identificare proiect / studiu / publicaie / imagine
cu urmtoarele informaii :
- Denumire publicaie
- Fotografie reprezentativ publicaie
- Beneficiar / beneficiari - denumire, adres
- Autor / autori nume, adres, telefon, e-mail
(de ataat pdf cu diploma absolvire a instituiei de
nvmnt superior, atestat)
- Fotografie autor / autori (de ataat format pdf )
- CV autor / autori aprox. A4 (de ataat format pdf)
- Editur - denumire, adres
- Colaboratori / consultani publicaie
- Prezentare text maxim 150 cuv.
1.2. panouri format 70x100cm format pdf, paginare
vertical conform layout seciune
descrcat de pe site-ul bienalei (www.bnab.ro ).
Coninut panouri:
- date identificare publicaie denumire, editura,
colecie, tip publicaie, casa producie
- date identificare autor/coautori, colaboratori,
consultani
- conceptul publicaiei reportajului, articolului,
emisiunii dac este cazul
- textul propriu zis - prezentare
- ilustrri grafice dac este cazul
1.3. Informaiile de pe panouri maxim 20 de
imagini distincte vor fi prezentate separat pentru
o mai clara vizualizare a proiectului.
5.6.2.2. Etapa 2 Predare final
2.1. 2 panouri format 70x100cmmuss 5mm, paginare
vertical conform layout seciune descrcat de pe
site-ul bienalei ( www.bnab.ro)
2.2. prezentarea digital a proiectului film
(slideshow)
5.6.3. Criterii de evaluare a publicaiei maxim 10
puncte (evaluarea se poate face cu zecimale)
- Semnificaia temei 1 punct
- Relevana temei 1 punct
- Claritatea elementelor focusate 1 punct
- Relaia cu literatura 1 punct
- Metodologia de cercetare 1 punct
- Date analizate surse, arii de cuprindere 1 punct
- Folosirea elementelor teoretice 1 punct
- Calitile textului 1 punct
- Concluzii expuse 1 punct
- Calitatea elementelor comunicate 1 punct
5.6.4. Premiere
Se acord 3 nominalizri i un premiu. Dac juriul
consider c nu exist nici un ctigtor nu se acord
premiul ci doar nominalizrile.
6. JURIUL
6.1. Juriul este format pe seciuni, fiind alctuit dintr-
171
7. JURY STAGES
7.1. Selection
The selection helping one in their exhibition
participation is done by each sections jury, according
to the materials submitted online, based on the
criteria listed in the regulation of each section.
7.2. Awarding
7.2.1. Jurys awards per sections
Each sections jury shall select 3 nominees of which
they choose a winner.
The jury vies the project posters in the exhibition and
proposes the nominated projects. Subsequent to the
visit of proposed works in their places, the short list of
nominees shall be prepared. From among the project
nominees, the jury shall award the first prize of each
section.
The jury reserves the right of not granting meals or
nominations in any section if too few works have been
submitted (at least 5 works) or if they do not comply
with the Biennales standards.
The nominees shall be announced publicly at the
exhibitions festive opening and the awards shall be
given out during the prize-giving event.
7.2.2. Medal awarded by the UAR President
The USAR President has the honor of granting the
UAR President Medal to any of the works submitted
in the exhibition without asking the jury.
7.2.3. Award of partners/sponsors
The partners and sponsors can prepare special
prizes they shall award to certain works selected
in compliance with their field of activity while also
asking the jury.
7.2.4. Civil society award
The civil society award shall be granted without the
jurys opinions, by famous representatives of creation
unions, professional press, non-governmental
organizations invited by the UAR Senate.
7.2.5. Opera Omnia Medal
The Opera Omnia medal shall be granted upon the
proposal of the UAR President, by the UAR Senate
to architects, conducting architects, town planners,
landscape planners, interior architects, product
designers, restoration architects, specialty study
authors, graduates of specialty higher education
institutions from Romania or from abroad, holders
of professional degrees recognized by the Romanian
government and specialty organizations, who have
reached a respectable age over 75, who by their
performance have remarkably contributed in the
development of built-in spaces in specific fields:
architecture, urbanism, landscape planning, cultural
heritage, interior architecture, product design.
Furthermore, it can be granted to professionals who
have contributed by their works, by words or pictures,
in the promotion of architecture, urbanism, landscape
planning, cultural heritage, product design, interior
architecture in Romania.
Evaluation criteria
- Unitary structure on an obvious concept of
professional performance
- Specialization in fields that has led to the emergence
of masterpieces of the Romanian modern times
- Participation in national and international
exhibitions
- Visible work by its being cited by specialty authors
- Publication of books, studies, articles, project
collections, feature reports, films in the listed fields
un numr de 3 pn la 7 personaliti, dintre care
un preedinte de seciune ales de ceilali membri.
Membrii juriului nu particip cu lucrri la seciunea
pe care o jurizeaz. Comisarul i vice-comisarii
nu fac parte din juriu. Din juriu fac parte autori
nominalizai i premiai n cadrul ediiilor precedente
ale bienalelor i a altor concursuri de renume din
Romnia i strintate precumi profesioniti de profil
din tara i strintate, reprezentani ai organizaiilor
profesionale propui de echipa curatorial i aprobai
de Senatul UAR.
6.2. Juriile sunt asistate de un secretar al Bienalei,
fr drept de vot, care ntocmete procesele
verbale semnate de toi membrii juriului i asigur
buna desfurare a dezbaterilor.
6.3. Hotrrile juriului nu pot face obiectul nici unor
contestaii, ele fiind rodul unei evaluri colective.
7. ETAPE JURIZARE
7.1. Selecia
Selecia pentru participarea la expoziie se face de
ctre juriul fiecrei seciuni, pe baza
materialelor predate on-line n baza criteriilor listate
prin regulament la fiecare seciune.
7.2. Premierea
7.2.1. Premiile juriului pe seciuni
Juriul fiecrei seciuni va selecta 3 nominalizri din
care va desemna 1 premiu.
Juriul vizioneaz panourile proiectelor din expoziie
i propune proiectele nominalizate. n urma vizionrii
la amplasament a propunerilor se desemneaz
lista final a nominalizrilor. Dintre lucrrile
nominalizate, juriul desemneaz premiul pentru
fiecare seciune n parte.
Juriul i rezerv dreptul de a nu acorda medalii sau
nominalizri la oricare dintre seciuni, n
cazul n care sunt prezentate prea puine lucrri
(minim 5 lucrri), sau acestea nu corespund nivelului
Bienalei.
Nominalizrile vor fi fcute public la deschiderea
expoziiei, iar premiile vor fi anunate n cadrul Galei
de premiere.
7.2.2. Medalia Preedintelui UAR
Preedintele UAR are privilegiul de a acorda Medalia
Preedintelui UAR oricreia dintre lucrrile din
expoziie fr consultarea juriului.
7.2.3. Premiul partenerilor / sponsorilor
Partenerii, sponsorii pot institui premii speciale, pe
care le vor acorda unor lucrri selecionate pe criteriul
specific ariei lor de activitate cu consultarea juriului.
7.2.4. Premiul societii civile
Premiul societii civile se acord fr consultarea
juriului de ctre reprezentanii de marc ai uniunilor
de creaie, ai presei profesionale, ai organizaiilor
neguvernamentale invitate de Senatul UAR.
7.2.5. Medalia Opera OMNIA
Medalia Opera OMNIA se acord la propunerea
Preedintelui UAR de ctre Senatul UAR, arhitecilor,
conductorilor arhiteci, urbaniti, peisagiti, arhiteci
de interior, designeri de produs, arhiteci restauratori,
173
- Group and individual exhibitions of works, projects,
books, pictures (photographs, drawings, graphic
design, fine art works, decorative art works, films)
The Opera Omnia Medal winners shall enjoy a
personal exhibition including 30 posters of 70x100
cm, of 5mm muss, with vertical layout according to
biennale layout standards.
8. Relatedexhibitions not subject tojurys decisions
The exhibition of graduation papers prepared by
specialty institutions graduates (in architecture,
restoration, urban planning, landscape planning,
interior architecture, product design)
Participation conditions:
- Graduates of higher education institutions accredited
by the Romanian government may participate.
- Every higher education specialty institution may
propose 3-5 degrees related to the specialties listed.
- The works shall be laid out on two 70x100 cm/5 mm
thickness muss cardboard posters according to the
exhibition layout standards presented on web site
www.bnab.ro.
- One can submit: patterns, CDs/DVDs
Project presentation:
The project contents must comply with the instructions
provided in specific contest sections.
UAR President
Arch. PhD Viorica Curea


Biennale Commissioner
Prof. PhD Arch. Gociman Cristina Olga
autori de studii de specialitate, absolveni ai
instituiilor de nvmnt de specialitate din Romnia
sau strintate cu diplom, recunoscute de statul
romn i de organizaiile de profil, care au ajuns la
o vrst respectabil, peste 75 de ani, i care prin
activitatea lor au adus o contribuie remarcabil la
dezvoltarea spaiului construit n domeniile specifice:
arhitecturii, urbanismului, peisagisticii, patrimoniului
cultural, arhitecturii de interior, designului de produs.
De asemenea, se poate acorda acelor profesioniti
care prin opera lor au contribuit , prin cuvnt sau
imagine la promovarea arhitecturii, urbanismului,
peisagisticii, patrimoniului cultural, designului de
produs, arhitecturii de interior din Romnia.
Criterii de evaluare
- Structurare unitar pe un concept evident al
activitii profesionale
- Specializarea pe domenii care au determinat
apariia unor capodopere ale spaiului contemporan
romnesc
- Participri la expoziii naionale i internaionale
- Vizibilitatea operei prin citarea de ctre autori de
specialitate
- Publicarea de cri, studii, articole, colecii de
proiecte, reportaje, filme n domeniile listate -
Expoziii colective i personale de lucrri, proiecte,
carte, imagini ( fotografii, desene, graphic design,
lucrri de arte plastice, arte decorative, filme)
Medaliaii cu Opera Omnia vor beneficia de
organizarea unei expoziii personale cu 30 de panouri,
70x100cmdin muss 5mm, paginaie vertical conform
layout bienal.
8. Expoziii asociate nu sunt supuse jurizrii
Expoziia proiectelor de diplom ale absolvenilor
instituiilor de specialitate (arhitectur, restaurare,
urbanism, peisagistic, arhitectur de interior, design
de produs)
Condiii de participare:
- Pot participa absolvenii instituiilor de nvmnt
superior de specialitate acreditate de statul romn.
- Fiecare instituie de nvmnt superior de
specialitate va propune 3-5 diplome aferente
specialitilor listate.
Ele vor fi redactate pe 2 panouri din carton muss
70x100cm grosime 5mm respectnd layout-ul
expoziiei publicat pe site-ul www.bnab.ro.
Pot fi predate: machete, CD/DVD
Prezentare proiect:
Coninutul proiectelor va fi conformindicaiilor date la
seciunile de concurs specifice.
Preedinte U.A.R.
dr. arh. Viorica Curea
Comisar bienal,
Prof. dr. arh. Gociman Cristina Olga
175
Proiect RESTAURARE, CONSOLIDARE I RECONFIGURARE
A PALATULUI VECHI A BNCII NAIONALE A ROMNIEI,
str. Lipscani nr. 25, Bucureti
Pentru INVESTIIE
Premiul preedintelui U.A.R. i medalia B.N.A.B. acordate Bncii
Naionale a Romniei, reprezentate de guvernatorul B.N.R., domnul
academician Mugur Isrescu.
Pentru ARHITECTURA PATRIMONIULUI CULTURAL
Premiul preedintelui U.A.R. i medalia B.N.A.B. acordate domnului
arhitect Gabriel Tureanu (coordonator-autor), doamnei arhitect
Vasilica Stnescu (coautor), domnului arhitect Mircea Boiangiu
(coautor), domnului arhitect Tudor Vespremeanu (coautor).
Pentru STRUCTUR
Premiul preedintelui U.A.R. i medalia B.N.A.B. acordate domnului
ing. Teodor Stoian expert, autor al proiectului de consolidare
Pentru CARTE DE ARHITECTUR DE PATRIMONIU
Premiul preedintelui U.A.R. i medalia B.N.A.B. acordate doamnei
dr. arhitect Cristina urlea, autor al prezentrii proiectului de
restaurare, consolidare i reconfigurare a Palatului Vechi al Bncii
Naionale a Romniei.
Pentru EXECUIE
Premiul preedintelui U.A.R. i medalia B.N.A.B. acordate S.C.
Aedificia Carpai S.A., reprezentat de domnul ing. Petre Badea,
director general.

Proiect CLUJ ARENA, str. Stadionului nr. 2, Cluj-Napoca,
judeul Cluj
Pentru INVESTIIE
Premiul preedintelui U.A.R. i medalia B.N.A.B., acordate Consiliului
Judeean Cluj, reprezentat de domnul Horea Uioreanu, preedinte.
Pentru ARHITECTUR
Premiul preedintelui U.A.R. i medalia B.N.A.B., acordate domnului
dr. arh. Drago erban igna (coordonator-autor), domnului ing.
Florin Marius Dico (coautor), domnului arh. Levente Kornis (coautor),
domnului arh. Cristian Remus Urcan (coautor).
Pentru STRUCTUR
Premiul preedintelui U.A.R. i medalia B.N.A.B. acordate domnului
prof. dr. ing. Mircea Petrina (director de proiect, Universitatea
Tehnic Cluj-Napoca) i domnului prof. dr. ing. Nicolae Socaciu (S.C.
BOGART S.R.L.).
Pentru INSTALAII
Premiul preedintelui U.A.R. i medalia B.N.A.B. acordate doamnei
ing. Alexandra Stoica (DAS Engineering Grup S.R.L.) i domnului
ing. Grigore Muatescu (Grup 4 Instalaii S.A.).
Pentru EXECUIE
Premiul preedintelui U.A.R. i medalia B.N.A.B. acordate S.C. A.C.I.
CLUJ S.A., reprezentat de domnul dr. ing. Dorin Aschilean (director
general).
Premiul preedintelui U.A.R. i medalia B.N.A.B. acordate S.C.
Transilvania Construcii S.A., reprezentat de domnul Andrei Timofte
(director general).
Premiul preedintelui U.A.R. i medalia B.N.A.B. acordate S.C. CON-A
S.R.L., reprezentat de domnul ing. Sorin Cristea (director general).
Project: REHABILITATION, REINFORCEMENT AND
RECONFIGURATION OF THE NATIONAL BANK OF ROMANIA
OLD PALACE, 25 Lipscani Street, Bucharest
For INVESTMENT
The U.A.R. Presidents Prize and the B.N.A.B. Medal, awarded to the
National Bank of Romania, represented by its Governor, Academician
Mugur Isrescu.
For CULTURAL HERITAGE ARCHITECTURE
The U.A.R. Presidents Prize and the B.N.A.B. Medal, awarded to:
architect Gabriel Tureanu (coordinator and author), architect Vasilica
Stnescu (co-author), architect Mircea Boiangiu (co-author) and
architect Tudor Vespremeanu (co-author).
For STRUCTURE
The U.A.R. Presidents Prize and the B.N.A.B. Medal, awarded to
engineer Teodor Stoian, expert and author of the reinforcement
project.
For BOOKS ON HERITAGE ARCHITECTURE
The U.A.R. Presidents Prize and the B.N.A.B. Medal, awarded to
architect Ph.D. Cristina urlea, author of the projects presentation.
For EXECUTION
The U.A.R. Presidents Prize and the B.N.A.B. Medal, awarded to S.C.
Aedificia Carpai S.A., represented by engineer Petre Badea, General
Director.
Project: CLUJ ARENA, Stadionului Street, Cluj-Napoca,
Cluj County
For INVESTMENT
The U.A.R. Presidents Prize and the B.N.A.B. Medal, awarded to the
Cluj County Council whose President is Mr. Horea Uioreanu.
For ARCHITECTURE
The U.A.R. Presidents Prize and the B.N.A.B. Medal, awarded to
architect Ph.D. Drago erban Tigna (coordinator and author), to
engineer Florin Marius Dico (co-author), to architect Levente Kornis
(co-author), to architect Cristian Remus Urcan (co-author).
For STRUCTURE
The U.A.R. Presidents Prize and the B.N.A.B. Medal for structure,
awarded to Professor Engineer Ph.D. Mircea Petrin (Project Manager,
Cluj-Napoca Technical University) and to Professor Engineer Ph.D.
Nicolae Socaciu (S.C. BOGART S.R.L.).
For EQUIPMENT
The U.A.R. Presidents Prize and the B.N.A.B. Medal, awarded to
engineer Alexandra Stoica (DAS Engineering Group S.R.L.) and to
engineer Grigore Muatescu (Group 4 Instalaii S.A.).
For EXECUTION
The U.A.R. Presidents Prize and the B.N.A.B. Medal, awarded
S.C. ACI CLUJ S.A., represented by engineer Ph.D. Dorin Aschilean
(General Director).
The U.A.R. Presidents Prize and the B.N.A.B. Medal, awarded to
S.C. Transilvania Construcii S.A., represented by Mr. Andrei (General
Director).
The U.A.R. Presidents Prize and the B.N.A.B. Medal, awarded to S.C.
CON-AS.R.L., represented by engineer Sorin Cristea (General Director).
Premiile preedintelui U.A.R. i medaliile B.N.A.B.
acordate de ctre dr. arh. Viorica Curea, preedinte U.A.R.
The U.A.R. Presidents Prizes and B.N.A.B. Medals,
awarded by the president of U.A.R., Viorica Curea, Ph.D. Architect
Dr.arh.Viorica CUREA:
Se acord 2 premii ale preedintelui: un premiu pentru o lucrare venit din trecut
i un premiu pentru o lucrare pregtita pentru viitor.
Premiul venit din trecut este acordat domnului arhitect Gabriel Tureanu pentru
lucrrile de restaurare de la Palatul BNR.
Al doilea premiu, pentru o lucrare prezent cu deschidere pentru viitor, revine
domnului arhitect erban igna pentru Cluj Arena: o bijuterie arhitectural de o
performan cu totul deosebit i cu o funciune complex, mult extins fa de ceea
ce tiam pn acum c este un stadion.
Ph.D.arch.Viorica CUREA :
Two President Awards have been presented: one award given for a work coming
from the past and one award for a future oriented work.
The first President Award for a work coming from the past has been granted to
Architect Gabriel Tureanu for the restoration works for the Palace of the National
Bank of Romania. The latter President Award for a future oriented work was granted
to Architect erban igna for the Cluj Arena Stadium, an architectural jewel whose
special performance and complex function is highly expanded as compared to the
common knowledge related to stadiums.

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BNAB 2012 - Ar h i t e c t u r a p a t r i mo n i u l u i c u l t u r a l 179
BNAB 2012 - Ar c hi t ec t ur e of t he c ul t ur al her i t age
Premiul Preedintelui UAR/ UAR President Prize
Romnia, jud. Ilfov, Bucuresti, str. Lipscani nr. 25
Autor/Author
Gabriel Tureanu, Vasilica Stnescu, Mircea Boiangiu, Tudor Vespremeanu
Palatul BNR a fost edificat n perioada 1884-1890 pe baza proiectului arhitecilor francezi Cassien-
Bernard i Albert Galleron. Suprafaa construit este 3800 mp i suprafaa desfurat de circa 20000
mp. Faada principal, lung de circa 73 m, se desfoar pe strada Lipscani i cele laterale, de 52 m,
pe strzile Smrdan i Carada. Construcia a introdus n Bucureti stilurile arhitecturii vest-europene.
Compoziional, un puternic ax central grupeaz principalele spaii reprezentative. De-a lungul celor
120 de ani de existen, construcia a suferit modificri i a acumulat efecte ale aciunilor naturale.
Intervenia din perioada 2005-2011 a cuprins ample lucrri de consolidare i restaurare a elementelor
structurale. Consolidarea s-a realizat la interior, prin turnare de diafragme i refacere integral a
planeelor. Lucrrile au cuprins, pe parcursul a apte ani, restaurarea elementelor degradate i a
tuturor componentelor artistice: pavimente, decoraii parietale, plafoane, luminatoare, lambriuri,
ancadramente, eminee i lucrri de art. Proiectul a armonizat cerinele de funcionalitate ale Bncii
Centrale cu constrngerile impuse de construcie ca monument de arhitectur. Conservarea i punerea
n valoare au fost cuvintele de ordine.
Retrofitting, restoration and refurbishment Old Palace of the National
Bank of Romania
Designed by French architects Cassien Bernard and Albert Galleron, the Old Palace of the National
Bank of Romania was built between 1884-1890. The built area is of 3.800 sqm and the gross area is
of 20.000 sqm. The building introduced the western-European architectural styles to Bucharest. The
perfectly symmetrical composition has a powerful main axis grouping the main public representative
areas. During its 120 years of existence, the building suffered countless alterations and was subject of
major natural disasters. The structure was deeply affected and the building was subject of numerous
changes of use. The new project had to accommodate the contemporary Central Bank functional
requirements within a historic landmark building. Our intervention, between 2005 - 2011, consisted
of important consolidation work starting from foundations up to the roof and included all structural
elements such as walls, pillars and ceilings. The reinforcement of the structure was operated from
inside and all structure elements were reinforced and restored. All valuable interior decorations were
restored by experts and artists including pavements, decorations, ceiling, wood works, chimneys, and
paintings. Preserve and bring splendor back was our commandment.
Consolidare, restaurare
i refuncionalizare
Palatul Vechi al BNR
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BNAB 2012 - Ar h i t e c t u r a d o t r i l o r c o mu n i t a r e i d e p r o d u c i e 183
BNAB 2012 - Ar c hi t ec t ur e of c ommuni t y and pr oduc t i on f ac i l i t i es
Cluj Arena
Romnia, jud. Cluj, Cluj-Napoca, Aleea Tineretului
Autori/Authors
Drago erban igna, Florin Marius Dico, Levente Kornis, Cristian Remus Urcan
Elementele conceptuale definitorii ale acestui proiect sunt transparena i conexiunile vizuale ntre
mediul contextual i interiorul construciei. Proiectul propune crearea unui reper contemporan simbolic
al oraului optnd pentru un macro-relief aflat n dialog cu meandra Someului i organicitatea
parcului. Volumul e diminuat pe zonele de contact cu circulaiile de la nord i sud, fragmentnd
obiectul dup o strategie de simetrie diagonal. Taluzul care nconjoar perimetral tribunele face
trecerea de la parc la construcie, diminueaz scara i ofer o a doua promenad din care publicul din
afar poate vedea nuntru viaa de zi cu zi a arenei. n replic, din interior privirea scap prin zonele
de articulaii ale celor patru corpuri spre zonele nalte ale oraului i peisaj. Faadele sunt translucide,
permind vederea nestingherit ctre mprejurimi prin branhiile din tabl perforat. Imaginea
de zi mizeaz pe diversitatea condiiilor de nsorire i mai ales pe lumina razant a dimineii i a
apusului n lungul rului, iar noaptea, cnd spectacolul aprinde arena, aceasta devine cea mai mare
lamp din ora i se dematerializeaz prin transparen.
Cluj Arena
The defining conceptual elements of this project are the transparency and the visual dialog between
the environment and the indoor spaces. The project proposes a symbolic contemporary city landmark
through a mixture of flowing shapes and a macro-structure harmonized with the Somes River loop and
the landscape of the nearby park. The volume is highly decreased in the areas adjacent to the North
and South traffic, producing a fragmentation of the object in diagonal symmetry. The perimeter slope
surrounding the tribunes creates a transition between the park and the construction and offers a second
walkway wherefromthe public can glimpse at the everyday life in the arena. Fromthe inside, the joints
of the four frames offer a filtered view to the city and the park. Following the same visual strategy of
transparency, the facades are translucent, allowing an unhindered view to the surroundings through
the gills made of punctured metal sheets. The day view is a play on various natural light conditions
and at night the arena becomes the largest lamp in the city, dematerialized by its transparency.
Premiul Preedintelui UAR/ UAR President Prize
185
Opinia juriului prezentat de prof.dr.arh. JAMES HORAN,
preedintele juriului Seciunilor A, B, C, J
Activitatea juriului a nceput cu multe luni n urm, examinnd imaginile tuturor proiectelor depuse pe e-mail. Dup deliberri dificile, lista
acestor proiecte a fost redus la un numr de aproximativ 25 proiecte, amplasate pe teritoriul Romniei. Proiectele apreciate de acest juriu au
fost mprite n patru categorii:
Rezideniale
Cldiri Publice
Proiecte ce folosesc inovaia i tehnologia
Proiecte nerealizate
Juriul s-a ntrunit pentru prima dat ca echip, mari 9 octombrie. Juriul a avut la dispoziie notele pe care fiecare membru le acordase pentru
fiecare proiect pe baza panourilor prezentate i notele acelor membri ai juriului care au vzut materialele depuse, dar nu au putut fi disponibili
pentru a vizita cldirile personal.
A nceput apoi procesul de vizitare a cldirilor individuale, nti a celor din Bucureti i apoi a celor din restul Romniei.
Vorbind despre cltorie, Henry Miller spunea: Destinaia nu este niciodat un loc, ci o nou modalitate de a vedea lucrurile.
A fost un test de rezisten pentru juriu s cltoreasc pn la 14 ore pe zi, pierzndu-se printre orae i case, conducnd pe drumuri dificile i
ajungnd adesea la punctele de destinaie zilnice, trziu n noapte.
Vizitele au presupus trecerea cmpurilor i mlatinilor n timpul lsrii ntunericului i, de multe ori, s-a ntmplat ca un membru al juriului s
mearg pe jos n faa mainii, testnd cu un b lung adncimea blilor de pe drum, pentru ca maina s poat nainta.
Timpul necesar cltoriei de la un loc la altul a fost considerabil mai mare dect s-a anticipat, ceea ce a condus de multe ori la sosiri mult dup
cderea ntunericului.
Totui, acest timp de cltorie mai extins a oferit juriului o ocazie minunat de a se angaja n discuii i de a face lumin asupra complexiti
i detaliilor proiectelor.
Juriul a lucrat ca o adevrat echip, iar acordarea medaliilor a ntrunit unanimitate, cu decizii majoritare doar n ceea ce privete unele dintre
proiectele de pe listele nominale.
Unul dintre cele mai interesante aspecte ale ntregului exerciiu a fost diferena ntre experiena ctigat din vizionarea panourilor prezentate
i vizita propriu-zis a cldirilor. n ciuda dificultii de a cltori de-a lungul i de-a latul rii, valoarea vizitrii in situ a cldirilor este
inestimabil.
Opinion of the Jurys President for Sections A, B, C, J
Presented by Professor PhD Architect James Horan
The jurys activity started several months ago examining the email pictures of all the projects submitted. After considerable deliberations, the
projects were narrowed down to a short list including almost 25 projects representing places all over Romania. The projects appreciated by this
jury were divided into four categories:
Residential
Public buildings
Projects depicting innovation and technology
Unaccomplished projects
The jury met for the first time on Tuesday, the 9th of October. The jury members knew the grades they had given to each project based on its
posters submitted. In addition, they had at their disposal the grades of all the other jury members who had seen everything that had been
submitted but they could not be available to personally visit the buildings.
Then they started a series of visits of the buildings taken individually first those in Bucharest and then the others in Romania.
Henry Miller, when speaking about travelling, stated that a Destination is never a place, but a new way of seeing things.
That was a stress test to the jury, as they had to travel up to 14 hours a day, mingling through towns and houses, driving on difficult roads and
often reaching their daily destinations so late at night.
Their various visits meant they had to pass through fields and swamps while it was getting dark and not only once did a jury member have to walk
in front of their car holding a long stick to test the depth of puddles on the roads before the car could go any further.
The time they needed to travel from one place to another was considerably longer than it had been estimated often resulting in their arrivals
long after midnight.
Nevertheless, such an extended travelling time offered the jury a wonderful opportunity to talk to one another and to clarify the complexity
and details of projects.
The jury worked as a true team and the results regarding the medals they granted were accepted unanimously and their decisions were made in
their majority only in terms of some projects on the nominal lists.
One of the most interesting aspects of this whole process was the difference between the experience they acquired after having viewed the
posters submitted and the actual visits of the buildings. Despite the travelling difficulties about the country, the value of visiting the buildings is
immeasurable.

187
Vlad Eftenie 2012
189
A
Arhitectura locuinei
Architecture of dwelling
Juriu/Jury
Rosa Cervera (Spania)
Javier Pioz (Spania)
James Horan (Irlanda)
Viorel Simion (Frana)
Viorel Hurduc (Romnia, Bucureti)
Iulia Stanciu (Romnia, Bucureti)
Tiberiu Buca (Romnia, Cluj)
191
P R E MI I A C O R D A T E D E P A R T E N E R I
Atelierul de Proiectare
A327 Casa Moza, Timioara, Gheorghe
Ranetti, nr.22, jud. Timi
Autor: Bogdan Demetrescu
Reynaers
A345 Cas lng Bucureti, sat Bragadiru,
jud. Ilfov
Autor: Cristina Constantin / Cosmin Pavel
Al Prompt
Premiul Al prompt s-a acordat tuturor premiilor
acordate de juriul BNAB 2012.
Opinia juriului - Seciunea
A prezentat de arhitect
TIBERIU BUCA
Experiena noastr a presupus intruziunea n privat.
La toate seciunile, diferena ntre panou i ceea ce
am gsit n realitate a fost ocant, ns la aceast
seciune a existat i o component n plus, care
adaug abstractului pe care l reprezint planele un
spaiu locuit, luat n posesie, mobilat i folosit. Ne-am
ntlnit cu situaii diferite i extreme, am vzut case
foarte mari i case extremde mici, amvzut case cu un
buget enorm i case cu un buget aproape de minim,
amntlnit beneficiari care ludau casa n care triesc,
dar am ntlnit i situaii n care criticile veneau direct
de la cei care au luat n posesie spaiul. Avem un mic
regret legat de aceast seciune: faptul c am avut
foarte puine proiecte care aveau alt tem dect
tipologia locuinei individuale. Probabil este o situaie
datorat contextului de criz n care trim.
The jurys opinion -
Section A Presented by
Architect TIBERIU BUCA
Our expertise has meant intrusion into privacy. At
all sections, the difference between what has been
shown on the panel and what has been found in
reality on the sites has been shocking, but this
section had an additional component, which adds a
living, appropriated, furnished and dwelt space to
the abstractness of drawings. We have come across
various, extreme situations, we have visualized very
large and also very small houses, houses built with
huge amounts of money and some built with so little
money, we have encountered beneficiaries praising
the houses they live in and we have also met house
owners themselves criticizing their dwellings. We have
small regrets concerning this section: we have seen too
few projects which were dealing with other typologies
than that of individual homes. This is probably due to
the crisis context we are all living in.
AWARDS GRANT E D BY T HE PART NE RS
Atelierul de Proiectare Magazine
A327 Moza House, Timioara, Gheorghe
Ranetti no. 22, Timi County
Author: Bogdan Demetrescu
Reynaers
A345 House in the proximity of Bucharest,
village Bragadiru, Ilfov County
Authors: Cristina Constantin / Cosmin Pavel
Al Prompt
The Al Prompt prize was awarded along with all the
other awards granted by the BNAB 2012 jury.
B. SECIUNEA Arhitectura locuinei B. Architecture of Dwelling SECTION

P R E MI I I N O MI N A L I Z R I A C O R D A T E D E J U R I U
NOMINALIZRI:
A023 Casa BS, sat Bancu, 199, jud. Harghita
Autor: Alpr Andrs / Barna Lrincz / Zsolt Tvissi
A327 Casa Moza, Timioara, Gheorghe Ranetti, nr.22, jud. Timi
Autor: Bogdan Demetrescu
A345 Cas lng Bucureti, sat Bragadiru, jud. Ilfov
Autor: Cristina Constantin / Cosmin Pavel
PREMIU:
A345 Cas lng Bucureti, sat Bragadiru, jud. Ilfov
Autor: Cristina Constantin / Cosmin Pavel
N O MI N A T I O N A N D A WA R D S G R A N T E D B Y T H E J U R Y
NOMINATIONS:
A023 BS House, village Bancu, no. 199, Harghita County
Authors: Alpr Andrs / Barna Lrincz / Zsolt Tvissi
A327 Moza House, Timioara, Gheorghe Ranetti no. 22, Timi County
Author: Bogdan Demetrescu
A345 House in the proximity of Bucharest, village Bragadiru, Ilfov County
Author: Cristina Constantin / Cosmin Pavel
AWARD:
A345 House in the proximity of Bucharest, village Bragadiru, Ilfov
County
Author: Cristina Constantin / Cosmin Pavel
Proiectul locuinei este unul din proiectele fundamentale ale societii care prin conformare, echipare, adecvare, influeneaz echilibrul familiei
i, implicit, echilibrul colectivitii.
A dwellings design is one of the fundamental designs in a society which by its compliance, endowment or adequacy influences a familys balance
and, implicitly, a communitys balance.
BNAB 2012 - A r h i t e c t u r a l o c u i n e i 193
BNAB 2012 - Ar c hi t ec t ur e of dwel l i ng
192 BNAB 2012 - A r h i t e c t u r a l o c u i n e i
BNAB 2012 - Ar c hi t ec t ur e of dwel l i ng
BNAB 2012 - A r h i t e c t u r a l o c u i n e i 195
BNAB 2012 - Ar c hi t ec t ur e of dwel l i ng
Premiul seciunii/ Section Prize
Cas lng Bucureti
Romnia, jud. Ilfov, Bragadiru
Autori/Authors
Cristina Constantin, Cosmin Pavel
Casa de la Bragadiru este o cas construit din garaje prefabricate de beton. Martor al Epocii de
Aur acest modul prefabricat de 3,0 x 5,6m devenise deja ceva mai mult dect un garaj. Convertit n
cmar, atelier, birou, fostul garajul era o adevrat prelungire a locuinei de la bloc. Prin recuperate,
alturare, relaionare, cele cinci garaje merg mai departe, sunt altceva dect ceea ce au fost menite
s fie la nceput. Proiectul pornete de afar, cu multe curi i o hain modest. Fostele garajele pot
fi recunoscute ns mai ales la interior. Fiecare dintre cele cinci module ajunge s conin, s strng
laolalt lucruri felurite, s adposteasc altfel. Locuit, casa joas se adun n sine pentru a se ntoarce
ctre afar, n limita strns a zidului de mprejmuire.
House near Bucharest
The house in Bragadiru is a house built from prefabricated concrete garages. Witness of the Golden
Age this 3.0 x 5.6m prefabricated module was something more than a garage. Converted to cellar,
workshop, office, the former garage was a real extension of the apartment. Through recovery,
juxtaposition, connection, the five garages go further, they become something else than they were
meant to be. The project begins from outside with several courtyards and a modest coat. Yet its on
the inside that the former garages can be recognized mostly. Each of the five modules ends up by
containing, gathering all kinds stuff, sheltering in a different way. Inhabited, the low house huddles
inside, but also turns to the exterior within the tight enclosure wall.
BNAB 2012 - A r h i t e c t u r a l o c u i n e i 195
BNAB 2012 - Ar c hi t ec t ur e of dwel l i ng
BNAB 2012 - A r h i t e c t u r a l o c u i n e i 197
BNAB 2012 - Ar c hi t ec t ur e of dwel l i ng
Casa BS
Romnia, jud. Harghita, Bancu
Autori/Authors
Alpr Andrs, Barna Lrincz, Zsolt Tvissi
Cldirea ocup locul fostei ure cu o volumetrie care prin scara elementelor de acoperi se ncadreaz n
imaginea satului tradiional. Ea se compune pe schema de funcionare a unei gospodrii tradiionale.
Livingul i sufrageria stau n miezul cldirii, ca o curte nconjurat de camere de locuit - casele
gospodriei rneti exprimate volumetric prin acoperiurile de tip arpant. Casa are o relaie
nemijlocit cu grdina nconjurtoare prin amplasarea ei la nivelul solului, prin marile suprafee
vitrate i prin terasa acoperit amplasat spre vest i nu n ultimul rnd prin anfilada spaiilor
transparente care o traverseaz n mai multe direcii. Acoperiul este nvelit cu indril, panourile
tencuite pe ipci alterneaz cu cele de scndur.
BS House
The building replacing the old barn has a special shape of roofs, scaled to the mass of traditional
peasant houses and the texture of the village. The spatial composition follows the order of a traditional
courtyard. Living and dining halls are placed in the middle, surrounded by the rooms like some
houses of a peasants farmyard, signified with their own parts of roof. This house is in a close
relation with the garden through its single level, the great windows, the western terrace and, last but
not least, through the transparent space sequences cutting it in several directions. The roof is covered
with shingle and the traditional plastered panels of the facade alternate with deck.
Nominalizare/ Nomination
BNAB 2012 - A r h i t e c t u r a l o c u i n e i 199
BNAB 2012 - Ar c hi t ec t ur e of dwel l i ng
Casa Moza
Romnia, jud. Timi, Timioara, str. Gheorghe Ranetti nr. 22
Autor/Author
Bogdan Demetrescu
Proiectul vizeaz o cas prsit dintr-un cartier modest i tipic pentru Banat, n care alinierea faadei
principale ctre strad prin dou camere, n care una de oaspei i cealalt de inut zestrea, erau
permanent obturate de rulouri din lemn. Camere mari, rcoroase, cu miros de naftalin, icoane, poze
de familie fcute pe litoral n anii 60, o buctrie improvizat pe hol alturi de o cmar din care
parc se mai simea miros de afumtur, volumetrie simpl, arpant n dou ape, planimetrie rigid
i nefuncional fa de cerinele beneficiarului, degradri ale finisajelor i nu n ultimul rnd dizlocri
n zidria veche din crmid de Jimbolia. Rezolvarea nu putea fi ns dect demolarea casei existente
i propunerea unei arhitecturi contemporane care s epateze. Casa Moza este n primul rnd un
exerciiu de sinceritate al arhitectului fa de locul gsit, propunnd o arhitectura care caut memoria
locului i respect vecintatea printr-o volumetrie modest, ce va mixa detaliile contemporane cu
materiale i tehnologii aproape uitate n ara noastr.
Moza House
The project pertains to a house that stood abandoned for years in a modest and typical neighborhood
of the Banat region, with its main facade aligned to the street side and its two traditional rooms, one
for guests and the other for dowry, permanently closed with wooden rollers. Large, cool rooms filled
with naphthalene odor, religious icons, and family pictures from vacations to the seaside in the 60s,
an improvised kitchen in the hallway with a closet attached from which you could still feel the scent of
smoked ham, a simple volumetric shape, a two way sloped roof, a rigid plan functionality for what the
owners requested, degraded masonry work and finishes. All these factors were leading to the simple
solution of demolishing the existing house and to provide a new, contemporary type of architecture to
astound. The Moza House is first of all an exercise of honesty the architect made in relation with the
existing built environment, suggesting an architecture which tackles the memory and the surroundings
of that peculiar place by solving the contemporary demands through the usage of archaic technologies
and materials.
Nominalizare/ Nomination
BNAB 2012 - A r h i t e c t u r a l o c u i n e i 201
BNAB 2012 - Ar c hi t ec t ur e of dwel l i ng
Casa Hajd - Vil contemporan pe teren n pant
Hajd House - Contemporary villa on a slope
Romnia, jud. Harghita, Odorheiu Secuiesc, str. Szeles Jnos nr. 10
Autori/Authors
Istvn Benedek, Arnold Macalik
BNAB 2012 - A r h i t e c t u r a l o c u i n e i 203
BNAB 2012 - Ar c hi t ec t ur e of dwel l i ng
202 BNAB 2012 - A r h i t e c t u r a l o c u i n e i
BNAB 2012 - Ar c hi t ec t ur e of dwel l i ng
Cas din Odorheiu Secuiesc
House in Odorheiu Secuiesc
Romnia, jud. Harghita, Odorheiu Secuiesc, str. Bir Lajos nr. 5
Autori/Authors
Gbor Tthfalusi, Lszl Tulogdy
Locuin individual Izbiceni 95
Izbiceni 95 House
Romnia, Bucureti, str. Izbiceni nr. 95
Autori/Authors
Liviu Ion, Iulia Iatagan
BNAB 2012 - A r h i t e c t u r a l o c u i n e i 205
BNAB 2012 - Ar c hi t ec t ur e of dwel l i ng
204 BNAB 2012 - A r h i t e c t u r a l o c u i n e i
BNAB 2012 - Ar c hi t ec t ur e of dwel l i ng
Casa Cotar
The Cotar house
Romnia, jud. Cluj, Cluj-Napoca, str. Gaudi nr. 11
Autor/Author
Ciprian imon
Csu cu pridvor
The porch house
Romnia, jud. Cluj, Snpaul, str. Pe Deal nr. 67
Autor/Author
Ciprian imon
BNAB 2012 - A r h i t e c t u r a l o c u i n e i 207
BNAB 2012 - Ar c hi t ec t ur e of dwel l i ng
206 BNAB 2012 - A r h i t e c t u r a l o c u i n e i
BNAB 2012 - Ar c hi t ec t ur e of dwel l i ng
Casa Dinc C.
Dinc C. House
Romnia, Bucureti, str. Gura Fgetului nr. 77
Autor/Author
Silviu Mihilescu
Imobil locuine str. Xenopol nr. 2, Bucureti
Apartment building, 2 Xenopol st., Bucharest
Romnia, Bucuresti, str. A. D. Xenopol nr. 2
Autor/Author
Ioana Duescu
BNAB 2012 - A r h i t e c t u r a l o c u i n e i 209
BNAB 2012 - Ar c hi t ec t ur e of dwel l i ng
208 BNAB 2012 - A r h i t e c t u r a l o c u i n e i
BNAB 2012 - Ar c hi t ec t ur e of dwel l i ng
Ansamblu rezidenial Meteor 19
Meteor 19 special housing
Romnia, jud. Cluj, Cluj-Napoca, str. Meteor nr. 19
Autori/Authors
Drago erban igna, Florin Marius Dico, Iustinian Marius Orza
Ansamblu rezidenial Transilvania
Transilvania apartment building
Romnia, jud. Cluj, Cluj-Napoca, str. Dorobanilor nr. 132-134
Autori/Authors
Drago erban igna, Florin Marius Dico, Iulia Maria Kulcsar, Ioan Bera
BNAB 2012 - A r h i t e c t u r a l o c u i n e i 211
BNAB 2012 - Ar c hi t ec t ur e of dwel l i ng
210 BNAB 2012 - A r h i t e c t u r a l o c u i n e i
BNAB 2012 - Ar c hi t ec t ur e of dwel l i ng
Locuin Snagov
House in Snagov
Romnia, jud. Ilfov, Snagov, str. Zorelelor, nr.cad. 262
Autor/Author
Radu Canciovici
Caban la lacul Tarnia
Lodge at Tarnia Lake
Romnia, jud. Cluj, comuna Gilu, loc. Someul Rece, Tarnia, Plaja
Autori/Authors
Lszl Tulogdy, Gbor Tthfalusi
BNAB 2012 - A r h i t e c t u r a l o c u i n e i 213
BNAB 2012 - Ar c hi t ec t ur e of dwel l i ng
212 BNAB 2012 - A r h i t e c t u r a l o c u i n e i
BNAB 2012 - Ar c hi t ec t ur e of dwel l i ng
Ansamblu rezidenial Felicity
Felicity Residential Housing
Romnia, Bucureti, str. Drumul Opalului nr. 1-43
Autor/Author
Georgic Mitrache
Locuin individual Leca
Leca House
Romnia, jud. Ilfov, comuna Corbeanca, bd. Erou Iancu Nicolae
Autor/Author
Bogdan-Constantin Neagu
BNAB 2012 - A r h i t e c t u r a l o c u i n e i 215
BNAB 2012 - Ar c hi t ec t ur e of dwel l i ng
214 BNAB 2012 - A r h i t e c t u r a l o c u i n e i
BNAB 2012 - Ar c hi t ec t ur e of dwel l i ng
Locuin individual erban
erban House
Romnia, jud. Ilfov, comuna Corbeanca, str. Primverii
Autor/Author
Bogdan-Constantin Neagu
Imobil locuine colective P+2E+M
P+2E+M housing
Romnia, Bucureti, str. Prof. Gh. Costaforu nr. 5
Autor/Author
Bogdan-Constantin Neagu
BNAB 2012 - A r h i t e c t u r a l o c u i n e i 217
BNAB 2012 - Ar c hi t ec t ur e of dwel l i ng
216 BNAB 2012 - A r h i t e c t u r a l o c u i n e i
BNAB 2012 - Ar c hi t ec t ur e of dwel l i ng
Locuin individual
Individual housing
Romnia, Bucureti
Autor/Author
Dan Corneliu erban
Casa Lara
Lara House
Romnia, jud. Timi, Timioara, str. Traian Vuia nr. 1B
Autor/Author
Mihai Mircea Tudose
BNAB 2012 - A r h i t e c t u r a l o c u i n e i 219
BNAB 2012 - Ar c hi t ec t ur e of dwel l i ng
218 BNAB 2012 - A r h i t e c t u r a l o c u i n e i
BNAB 2012 - Ar c hi t ec t ur e of dwel l i ng
Locuin K.M. / dialect
The K.M. house / dialect
Romnia, jud. Harghita, Ciumani
Autor/Author
Mikls Kll
Casa H
H House
Romnia, jud. Cluj, Cluj-Napoca, str. Milcov nr. 18
Autori/Authors
Gbor Tthfalusi, Lszl Tulogdy
BNAB 2012 - A r h i t e c t u r a l o c u i n e i 221
BNAB 2012 - Ar c hi t ec t ur e of dwel l i ng
220 BNAB 2012 - A r h i t e c t u r a l o c u i n e i
BNAB 2012 - Ar c hi t ec t ur e of dwel l i ng
Cas n Sibiu
House in Sibiu
Romnia, jud. Sibiu, Sibiu, bd. Victoriei nr. 47
Autor/Author
Radu Teac
Ansamblu rezidenial Plopilor Vest
Central Park Residence Plopilor Vest
Romnia, jud. Cluj, Cluj-Napoca, str. Calvaria
Autori/Authors
Drago erban igna, Florin Marius Dico, Levente Kornis
BNAB 2012 - A r h i t e c t u r a l o c u i n e i 223
BNAB 2012 - Ar c hi t ec t ur e of dwel l i ng
222 BNAB 2012 - A r h i t e c t u r a l o c u i n e i
BNAB 2012 - Ar c hi t ec t ur e of dwel l i ng
Locuin unifamilial
House
Romnia, Bucureti, str. Mueteti nr. 47
Autor/Author
Florin Alexandrescu
Casa G
G house
Romnia, jud. Arge, comuna Bascov, sat Valea Ursului
Autor/Author
Mihaela Eliza Buzil
BNAB 2012 - A r h i t e c t u r a l o c u i n e i 225
BNAB 2012 - Ar c hi t ec t ur e of dwel l i ng
224 BNAB 2012 - A r h i t e c t u r a l o c u i n e i
BNAB 2012 - Ar c hi t ec t ur e of dwel l i ng
Casa C
House C
Romnia, jud. Arad, Arad, str. Romei nr. 5
Autor/Author
Drago Petru Bocan
Casa CN
CN House
Romnia, Bucuresti, Aleea Codrii Neamului nr. 3M
Autor/Author
Eliodor Streza
BNAB 2012 - A r h i t e c t u r a l o c u i n e i 227
BNAB 2012 - Ar c hi t ec t ur e of dwel l i ng
226 BNAB 2012 - A r h i t e c t u r a l o c u i n e i
BNAB 2012 - Ar c hi t ec t ur e of dwel l i ng
Imobil locuine, Bucureti, str. Cderea Bastiliei nr. 43
Blockhouse, Bucharest, 43 Cderea Bastiliei St.
Romnia, Bucureti, str. Cderea Bastiliei nr. 43
Autor/Author
Silvia Costescu
Locuin unifamilial, Snagov
Single family house, Snagov
Romnia, jud. Ilfov, Snagov, oseaua Snagov, nr.cad. 472/2, parcela 126
Autori/Authors
Vlad Popescu, Melania Dulmea
BNAB 2012 - A r h i t e c t u r a l o c u i n e i 229
BNAB 2012 - Ar c hi t ec t ur e of dwel l i ng
228 BNAB 2012 - A r h i t e c t u r a l o c u i n e i
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Locuin unifamilial, Voluntari
Single family dwelling, Voluntari
Romnia, jud. Ilfov, Voluntari, str. Constantin Brncoveanu nr. 5
Autor/Author
Asociaia Zeppelin
Reabilitarea i extinderea unei locuine interbelice, Bucureti
Rehabilitating and extending an interwar house, Bucharest
Romnia, Bucureti, str. epes Vod nr. 47
Autor/Author
Asociaia Zeppelin
BNAB 2012 - A r h i t e c t u r a l o c u i n e i 231
BNAB 2012 - Ar c hi t ec t ur e of dwel l i ng
230 BNAB 2012 - A r h i t e c t u r a l o c u i n e i
BNAB 2012 - Ar c hi t ec t ur e of dwel l i ng
Locuin individual n Mogooaia
Individual house in Mogooaia
Romnia, jud. Ilfov, Mogooaia, Valea Merilor nr. 3C
Autor/Author
Drago Mihai Dordea
Reabilitare i mansardare locuin individual Bucureti
Consolidating and expanding individual house Bucharest
Romnia, Bucureti, str. Sabinelor nr. 34F
Autor/Author
Drago Mihai Dordea
BNAB 2012 - A r h i t e c t u r a l o c u i n e i 233
BNAB 2012 - Ar c hi t ec t ur e of dwel l i ng
232 BNAB 2012 - A r h i t e c t u r a l o c u i n e i
BNAB 2012 - Ar c hi t ec t ur e of dwel l i ng
Imobil birouri i locuine S+P+2E str. Duzilor, Bucureti
House and offce building, Duzilor street, Bucharest
Romnia, Bucureti, str. Duzilor nr. 2
Autor/Author
Cristina Olga Gociman
Casa Vintilescu
Vintilescu House
Romnia, jud. Constana, Constana, Bd. Mamaia nr. 427
Autor/Author
Adrian Rzvan Calot
BNAB 2012 - A r h i t e c t u r a l o c u i n e i 235
BNAB 2012 - Ar c hi t ec t ur e of dwel l i ng
234 BNAB 2012 - A r h i t e c t u r a l o c u i n e i
BNAB 2012 - Ar c hi t ec t ur e of dwel l i ng
ATR House
ATR House
Romnia, jud. Vaslui, Vaslui, str. Tipografiei nr. 2
Autor/Author
Drago Rugin
Casa Badea
Badea House
Romnia, Bucureti, str. Elena Clucereasa nr. 49B
Autor/Author
Bogdan Tofan
BNAB 2012 - A r h i t e c t u r a l o c u i n e i 237
BNAB 2012 - Ar c hi t ec t ur e of dwel l i ng
236 BNAB 2012 - A r h i t e c t u r a l o c u i n e i
BNAB 2012 - Ar c hi t ec t ur e of dwel l i ng
Locuine sociale i cabinet medical
Social housing and medical center
Spania, Alp, carrer del Cad, 4
Autori/Authors
Luis Gimnez Mateu, Elena Nedelcu
Locuin unifamilial
Single family house
Romnia, Bucureti, str. Poetului nr. 25
Autori/Authors
Anca Mihaela Constantin, Ionu Constantin
BNAB 2012 - A r h i t e c t u r a l o c u i n e i 239
BNAB 2012 - Ar c hi t ec t ur e of dwel l i ng
238 BNAB 2012 - A r h i t e c t u r a l o c u i n e i
BNAB 2012 - Ar c hi t ec t ur e of dwel l i ng
Casa C
C House
Romnia, Bucureti, str. Vasile Lascr
Autori/Authors
Mihai Ene, tefan Cristescu
Locuin str. Colonia Radio, Timioara
Individual home Colonia Radio st, Timioara
Romnia, jud. Timi, Timioara, Colonia Radio
Autor/Author
Mihai Botescu
BNAB 2012 - A r h i t e c t u r a l o c u i n e i 241
BNAB 2012 - Ar c hi t ec t ur e of dwel l i ng
240 BNAB 2012 - A r h i t e c t u r a l o c u i n e i
BNAB 2012 - Ar c hi t ec t ur e of dwel l i ng
Dantela
Lace
Romnia, jud. Ilfov, Pipera, bd. Erou Iancu Nicolae
Autori/Authors
Andrei Mihilescu, Oana Mihilescu
Durante
Durante
Romnia, jud. Prahova, Ploieti, str. Anton Pann
Autori/Authors
Andrei Mihilescu, Oana Mihilescu
BNAB 2012 - A r h i t e c t u r a l o c u i n e i 243
BNAB 2012 - Ar c hi t ec t ur e of dwel l i ng
242 BNAB 2012 - A r h i t e c t u r a l o c u i n e i
BNAB 2012 - Ar c hi t ec t ur e of dwel l i ng
Cas pe parter n Mogooaia
One foor house in Mogooaia
Romnia, jud. Ilfov, Mogooaia, str. Doinei nr. 14D
Autor/Author
Alexandru Marinescu
Locuin unifamilial n cartierul rezidenial Brates Lake
Single family house in Brates Lake residence
Romnia, jud. Galai, Vntori, str. Soarelui nr. 1-10
Autori/Authors
Alexandru Marinescu, Rzvan Furnicescu
BNAB 2012 - A r h i t e c t u r a l o c u i n e i 245
BNAB 2012 - Ar c hi t ec t ur e of dwel l i ng
244 BNAB 2012 - A r h i t e c t u r a l o c u i n e i
BNAB 2012 - Ar c hi t ec t ur e of dwel l i ng
Locuin unifamilial cu piscin n cartierul Brates Lake
Single family house with swimming pool in Brates
Lake residence
Romnia, jud. Galai, Vntori, str. Soarelui nr. 1-10
Autori/Authors
Rzvan Furnicescu, Alexandru Marinescu
Casa See You!
See you! House
Romnia, jud. Mure, Trgu Mure, str. Bradului
Autori/Authors
Alexandru Adam, Roger Pop
247
B
Architecture of community and production facilities
Arhitectura dotrilor comunitare i de producie
Juriu/Jury
Rosa Cervera (Spania)
Javier Pioz (Spania)
James Horan (Irlanda)
Viorel Simion (Frana)
Viorel Hurduc (Romnia, Bucureti)
Iulia Stanciu (Romnia, Bucureti)
Tiberiu Buca (Romnia, Cluj)
249
B-051 Arena Cluj
Autori: Drago erban igna, Florin Marius Dico, Levente
Kornis, Cristian Remus Urcan
Un proiect extrem de complex i multi faetat, care pe lng funcia
sa de stadion, ofer o real contribuie n contextul urban n care este
aezat i care permite o relaie puternic cu publicul, chiar i atunci
cnd nu este utilizat ca aren sportiv.
B-230 Pensiune Atra Doftana
Autori: Bogdan Babici, Alexandru Maftei
Un plan neltor de simplu, care a crescut direct din contururile
peisajului, recunoscndu-i poziia unic, cu vedere spre lac.
Proiectul a avut succes n mod special n rezolvarea geometriei
sale, interne i externe. Se ncadreaz n peisaj i, la rndul su,
ncadreaz peisajul, crend o atmosfer care atrage vizitatorul s
zboveasc pentru a-i absorbi compoziia, claritatea conceptului i
expresia detaliului. Acest proiect nfieaz o uurin a atingerii,
care rezult ntr-o fluen cu sensibilitate fa de mprejurimi.
B-289 Sediul Unicredit iriac Bank
Autori: Vladimir Arsene, Mihai Ene, tefan Cristescu
O cldire cu un design de calitate superioar, tehnologie i detalii,
care recunoate responsabilitile legate de performanele energetice
n timp ce i identific prezena comercial n ora. Relaia acesteia
cu planul terestru permite existena zonelor de contact public, care nu
sunt normal asociate cldirilor cu grad sporit de securitate.
B-085 Crama Avincis
Autor: Alexandru Beldiman
Forma acestei cldiri pare a fi o extensie a dealului pe care este
aezat, oferind un contrapunct contemporan vilei tradiionale
adiacente. Utiliznd materiale locale, aceasta combin forma cu
funcia de fabricare de vinuri. Separarea funciilor, accesul industrial,
rezidenial i public sunt clar articulate.
B-234 Turnul din interiorul turnului
Autor: Justin Baroncea
Dificultatea asociat cu introducerea unei intervenii contemporane
prin contact minim ntr-o cldire istoric este clar adresat.
Materialele, culorile i texturile interacioneaz puternic cu turnul
istoric, permind acestuia s fie apreciat i neles dint-un punct de
vedere unic, abordare susinut de refleciile din sticl, exploatarea i
expunerea unic a spaiului interior al structurii originale.
B-031 coala de Muzic i Arte
Autori: Liviu Marian Fabian, Lucian Marius Lu
Autori: Liviu Marian Fabian, Lucian Marius Lu
O cldire a crei funcie i semnificaie se extind ctre comunitatea
local. Interaciunile dinamice dintre amfiteatrele exterioare i spaiul
central din interior evoc n mod clar relaia dintre artist i public, o
caracteristic ce recomand aceast cldire ca coal de Muzic.
B-016 Reea de refugii turistice n Munii
Harghita
Autori: Arnold Macalik, Istvn Benedek
O ambiie nobil de a oferi o expresie a tipologiilor tradiional rurale
ntr-o form modern. Reeaua ofer posibilitatea de interaciune
ntre cltor i structur, ntre materialitatea i expresia unui artefact
arhitectural.
B-051 Cluj Arena
Architects: Drago erban igna, Florin Marius Dico, Levente
Kornis, Cristian Remus Urcan
A highly complex project with a multitude of facets which beside its
function as a stadium provides true contribution to the urban context
it is located in and allows for a strong interaction with people even
when it is used as a sports arena
B-230 Atra Doftana Guest House
Authors: Bogdan Babici, Alexandru Maftei
A deceivingly simple plan which rose right fromthe landscape shapes
recognizing its unique lake view location. The project was particularly
successful when taking care of its geometry both on the inside and on
the outside. It is both framed within and frames the landscape thus
creating an atmosphere which demands a visitor to abide in order
to feel its composition, its concept clarity and its detail expression.
The project depicts the easiness to touch resulting fromfluency that is
highly sensitive to its surroundings.
B-289 Unicredit iriac Bank Premises
Authors: Vladimir Arsene, Mihai Ene, tefan Cristescu
A building with high-quality design, technology and details,
recognizing the responsibilities to energy performance whereas
identifying its commercial presence in the city. The buildings
relationship with the land allows the existence of public contact areas
which are not normally associated with high security buildings.
B-085 Avincis Wine Cellar
Author: Alexandru Beldiman
The shape of the building can be an extension of the hill it is placed
on, providing a contemporary counterpoint to an adjacent traditional
villa. By the use of local materials, it combines shape with the
function of wine production. Separating the functions, the industrial,
residential and public access ways are all clearly set.
B-234 Tower inside a tower
Author: Justin Baroncea
The difficulty related to bringing a contemporary contribution by a
minimum contact into a historic building is clearly approached. The
materials, colors, textures strongly interact with the historic tower
which makes it possible for its being appreciated and understood
from a unique point of view. That is assisted by the glass reflections,
the exclusive use and display of the original structures interior space.
B-031 School of Music and Arts
Authors: Liviu Marian Fabian, Lucian Marius Lu
A building whose function and meaning extend within the local
community. The dynamic interactions between outdoor auditoriums
and the central indoor area obviously evoke the relationship of an
artist with their audience which is a feature to exemplify a School
of Music.
B-016 Network of tourist getaways in the Harghita
Mountains
Authors: Arnold Macalik, Istvn Benedek
A noble endeavor to showthe expression of traditional rural typologies
in a modern form. That gives the possibility of an interaction between
a traveller and a structure, between the materiality and expression of
an architectural artifact.

Opinion of the Jury Section B Architecture of community and production

facilities Presented by Ph.D. Professor Architect James Horan
The category consists in many types of buildings which varied considerably in terms of their scales, complexity and programs. That caused a lot of
difficulties when measuring and assessing a project as compared to another.
The nominees in the category of Public Buildings are:

Opinia juriului Seciunea B Arhitectura dotrilor comunitare i de

producie prezentat de prof.dr.arh. JAMES HORAN
Aceast categorie este alctuit din multe tipuri de cldiri, care au variat considerabil ca scar, complexitate i program, ceea ce a creat mari
dificulti n msurarea i evaluarea unui proiect n favoarea altuia.
Nomi nal i zr i l e l a cat egor i a Cl di r i publ i ce sunt :
251
Vlad Eftenie 2012
253
P R E MI I A C O R D A T E D E P A R T E N E R I
Atelierul de Proiectare
B230 Pensiune Atra Doftana, Valea Doftanei,
jud. Prahova
Autor: Bogdan Babici / Alexandru Maftei
Al Prompt
Premiul Al prompt s-a acordat la toate premiile
acordate de juriul BNAB 2012.
B. SECIUNEA Arhitectura dotrilor comunitare i de producie
AWARDS GRANT E D BY T HE PART NE RS
Atelierul de Proiectare Magazine
B230 Atra Doftana Guest House, Valea
Doftanei, Prahova County
Authors: Bogdan Babici / Alexandru Maftei
Al Prompt
The Al Prompt prize was awarded along with all the
other awards granted by the BNAB 2012 jury.
A. Architecture of community and production facilities SECTION
P R E MI I I N O MI N A L I Z R I A C O R D A T E D E J U R I U
NOMINALIZRI:
B016 Reea de refugii turistice n Munii Harghita, sat Tometi, jud.
Harghita
Autor: Arnold Macalik / Istvn Psztor
B031 coala de Muzic i Arte, Bucureti, str. Gheorghe Petracu nr. 49
Autor: Liviu Marian Fabian / Lucian Marius Lu
B051 Cluj Arena, Cluj Napoca, Aleea Tineretului f.n., jud. Cluj
Autor: Drago erban igna / Florin Marius Dico / Levente Kornis / Cristian Remus
Urcan
B085 Crama Avincis, sat Dobrusa, Drgani, str. Valea Caselor, nr. 1A,
jud. Vlcea
Autor: Alexandru Beldiman
B230 - Pensiune Atra Doftana, jud. Prahova, Valea Doftanei
Autor: Bogdan Babici / Alexandru Maftei
B234 Turnul din interiorul turnului, Braov, jud. Braov
Autor: Justin Baroncea
B289 Sediul Unicredit iriac Bank, Bucureti, Expoziiei, nr 1F
Autor: Vladimir Arsene
PREMIU:
B230 - Pensiune Atra Doftana, Valea Doftanei, jud. Prahova
Autor: Bogdan Babici / Alexandru Maftei
N O MI N A T I O N A N D A WA R D S G R A N T E D B Y T H E J U R Y
NOMINATIONS:
B016 Network of tourist getaways in the Harghita Mountains, Harghita
County, Tometi, w/o number
Authors: Arnold Macalik / Istvn Psztor
B031 Music and Arts School, Bucharest, str. Gheorghe Petracu no. 49
Authors: Liviu Marian Fabian / Lucian Marius Lu
B051 Cluj Arena, Cluj Napoca, Aleea Tineretului f.n., Cluj County
Authors: Drago erban igna / Florin Marius Dico / Levente Kornis / Cristian
Remus Urcan
B085 Avincis Wine Cellar, Dobrusa Village, Drgani, str. Valea Caselor,
no. 1A, Vlcea County
Author: Alexandru Beldiman
B230 - Atra Doftana Guest House, Valea Doftanei, Prahova County
Authors: Bogdan Babici / Alexandru Maftei
B234 Tower inside a tower, Braov, Braov County
Author: Justin Baroncea
B289 Unicredit iriac Bank Premises, Bucharest, Expoziiei no. 1F
Author: Vladimir Arsene
AWARD:
B230 - Atra Doftana Guest House, Valea Doftanei, Prahova County
Authors: Bogdan Babici / Alexandru Maftei
Proiecte care promoveaz dotrile specifice ale comunitii (birouri, administraie, servicii, comer, cultur, nvmnt, sntate, sport,
agrement, spaii de cult, spaii de producie) aducnd prin conformarea, echiparea i adecvarea lor contribuii
semnificative la organizarea habitatului construit.
Projects promoting the specific facilities of a community (offices, administration, services, trade, culture, education, health, sports, recreation,
places of worship, production areas) significantly contributing by their compliance, equipment and adequacy in organizing a built habitat.
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Pensiune Atra Doftana
Romnia, jud. Prahova, Valea Doftanei
Autori/Authors
Bogdan Babici, Alexandru Maftei
Cldirea este situat pe malul unui lac de munte i configurat pe dou volume majore urmnd forma
natural a terenului, ce prezint dou cderi de nivel majore intercalate cu dou zone aproximativ
plane. Primul volum, care adpostete unitile de cazare, este amplasat cu un nivel sub zona de
acces pe teren, genernd pe acoperiul su platforma necesar parcrii automobilelor. Volumul se afl
ntr-o poziie subteran fa de cota de nivel a accesului, lsnd neatins imaginea cadrului natural.
Al doilea volum, care adpostete unitile de divertisment i de utiliti, speculeaz declivitatea mare
a terenului nspre zona luciului de ap i este amplasat sub primul volum conferindu-i o extindere
a spaiului verde de curte, permindu-se astfel deschiderea spre privelite a tuturor spaiilor de
cazare. Cldirea este finisat folosind materiale specifice locului i construcia profit de natura
terenului, exhibnd minimumde suprafa, cu excepia suprafeelor vitrate, majoritatea anvelopantei
fiind nvelit de pmnt sporind astfel eficiena energetic. Cldirea conine de-a lungul volumului
ngropat o serie de containere de ap ce capteaz apa de pe terasele nierbate i o introduce n
circuitul domestic. De asemenea, pe teras sunt dispuse un numr de panouri solare.
Hotel Atra Doftana
The building is situated nearby a mountain lake and exhibits two major volumes, taking advantage of the
natural form of the site, which presents two major level drops intercalated with two relatively flat areas:
one volume houses the rooms and reception, and the second volume contains living and dining spaces,
the kitchen and utility spaces. Both volumes are articulated to benefit from the configuration of the land
and aim to create a dialogue of the building with its environment. The first volume is located below the
access level, providing thus parking space on its roof and leaving untouched the natural space. The second
volume takes advantage of the steep slope towards the water and is located under the first volume,
leading thus to an extension of the green space and enabling an open view for all guest rooms. The
building uses for finishing mainly site-specific materials. Also, using the form of the site and reducing at
minimumthe surfaces exposed to the exterior, the building is more energy efficient. Aiming to extensively
use renewable resources, the building contains along its underground side a number of water tanks that
retrieve and reuses the rainwater captured on the terrace. Also, a number of solar panels are disposed on
the little terrace above the utility spaces.
Premiul seciunii/ Section Prize
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Cluj Arena
Romnia, jud. Cluj, Cluj-Napoca, Aleea Tineretului
Autori/Authors
Drago erban igna, Florin Marius Dico, Levente Kornis, Cristian Remus Urcan
Elementele conceptuale definitorii ale acestui proiect sunt transparena i conexiunile vizuale ntre
mediul contextual i interiorul construciei. Proiectul propune crearea unui reper contemporan simbolic
al oraului optnd pentru un macro-relief aflat n dialog cu meandra Someului i organicitatea
parcului. Volumul e diminuat pe zonele de contact cu circulaiile de la nord i sud, fragmentnd
obiectul dup o strategie de simetrie diagonal. Taluzul care nconjoar perimetral tribunele face
trecerea de la parc la construcie, diminueaz scara i ofer o a doua promenad din care publicul din
afar poate vedea nuntru viaa de zi cu zi a arenei. n replic, din interior privirea scap prin zonele
de articulaii ale celor patru corpuri spre zonele nalte ale oraului i peisaj. Faadele sunt translucide,
permind vederea nestingherit ctre mprejurimi prin branhiile din tabl perforat. Imaginea
de zi mizeaz pe diversitatea condiiilor de nsorire i mai ales pe lumina razant a dimineii i a
apusului n lungul rului, iar noaptea, cnd spectacolul aprinde arena, aceasta devine cea mai mare
lamp din ora i se dematerializeaz prin transparen.
Cluj Arena
The defining conceptual elements of this project are the transparency and the visual dialog between
the environment and the indoor spaces. The project proposes a symbolic contemporary city landmark
through a mixture of flowing shapes and a macro-structure harmonized with the Somes River loop and
the landscape of the nearby park. The volume is highly decreased in the areas adjacent to the North
and South traffic, producing a fragmentation of the object in diagonal symmetry. The perimeter slope
surrounding the tribunes creates a transition between the park and the construction and offers a second
walkway wherefromthe public can glimpse at the everyday life in the arena. Fromthe inside, the joints
of the four frames offer a filtered view to the city and the park. Following the same visual strategy of
transparency, the facades are translucent, allowing an unhindered view to the surroundings through
the gills made of punctured metal sheets. The day view is a play on various natural light conditions
and at night the arena becomes the largest lamp in the city, dematerialized by its transparency.
Nominalizare/ Nomination
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Romnia, jud. Harghita, Tometi
Autori/Authors
Arnold Macalik, Istvn Psztor
Reeaua cuprinde zona montan a inutului Secuiesc, susinnd att drumeiile pe traseele turistice ct
i unele dotri necesare precum puncte de observare n rezervaii ornitologice i baze Salvamont. S-a
ales un proiect tip, rapid implementabil, ce permite posibilitatea variaiei funcionale i volumetrice,
inclusiv din punctul de vedere al adaptrii la condiiile topografice, geotehnice i microclimatice
locale. Primul refugiu, finalizat la Tometi n 2011, a fost realizat din investiia administraiei locale,
a Consiliului Judeean Harghita i a Ministerului Dezvoltrii Regionale a Turismului. Cldirea are ca
reper att construciile gospodreti ale satului, utilizate permanent, ct i saivanele utilizate temporar.
Pavilionul interpreteaz volumetria, structura i detaliile modelului construciei gospodreti utiliznd
materialul regional tradiional, lemnul de rinoase. n locul repetrii nostalgice a structurilor
tradiionale este propus adaptarea acestora la modul de via actual. Pavilionul va servi ca
destinaie i refugiu n natur: acoperit, umbrit, dotat cu zon pentru odihn, prepararea hranei i
nclzire, suficient dimensionat pentru a putea servi inclusiv ca platform de ntrunire tiinific sau
comunitar, pentru evenimente organizate sau spontane.
Refuge network in Harghita Mountains
The network spreads over the mountain area of the Szekler sub-region, supporting both hiking
activities and related facilities: bird-watch points and mountain rescue units. A prototype project was
selected which was quick to implement and allowed for functional and volumetric variation, including
adjustment to the local topographic, geotechnical and microclimatic conditions. The first shelter,
completed at Tomesti in 2011, was funded through the joint investment of the local administration,
Harghita County Council and the Ministry of Regional Development and Tourism. The design of the
building is based both on grange constructions for regular use and stables for seasonal use, scattered
on the higher grazing fields. Traditional volumes, structure and details are reinterpreted using local
material: conifer wood. The pavilion is adapted to current needs as a destination point and retreat:
covered, shaded, it has spaces dedicated to resting, preparing or warming up food, yet its large enough
for being used as a scientific or community meeting platform for organized or spontaneous events.
Reea de refugii turistice
n Munii Harghita
Nominalizare/ Nomination
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Romnia, Bucureti, str. Gheorghe Petracu nr. 49
Autori/Authors
Lucian Marius Lu, Liviu Marian Fabian
coala de Muzic i Arte este un proiect destinat copiilor cu vrste ntre 8-18 ani i cuprinde urmtoarele
discipline artistice: muzic, arte plastice, teatru, coregrafie. coala este situat n apropierea unui nod
urban important (P-a Muncii) i va fi un element polarizator al zonei. Spaiile sunt grupate dup criteriul
funcional dar cu o comunicare cursiva ntre ele. Parterul i o parte din subsol sunt zone de interfa cu
publicul. Foyerul poate fi folosit i ca spaiu expoziional, comunicnd vizual cu spaiul artelor plastice i
forumul de la subsol. Forumul este un spaiu central al cldirii, vizibil din multe spaii ale colii. Este un
spaiu polivalent ce se poate extinde i n exterior prin dou terase cu gradene. Parterul conine ateliere,
o sal de lectur, o garderob i un laborator web-art. Etajul 1 i o parte a etajului 2 sunt dedicate zonei
de muzic. Structura i finisajele pereilor i tavanelor au fost stabilite n urma calculelor acustice. Etajul 2
este mprit n dou zone, separate i prin diferena de nivel. Zona mai joas este compus din spaii mai
ample iar zona mai nalt este destinat artei coregrafice. Cele dou sli de dans interacioneaz vizual
cu exteriorul prin deschiderea ampl a peretelui vitrat dinspre sud.
School of Music and Arts
The School of Music and Arts is a project for children aged 8-18 years and is dedicated to the study
of music, art, theater, and choreography. Located near a major urban node (Piaa Muncii), the school
will constitute a cultural focal point in the neighborhood. Its areas are grouped by functional criteria
for a clear zonification of study areas and fluid communication between them. The ground floor and
part of the basement are public areas. The Foyer can be used as exhibition space and communicates
visually with the Forum space in the basement. A central and versatile space of the building, the
Forum is visible from many parts of the school. In addition to art workshops, the ground floor also
offers a reading room, a coatroom, and a web-art laboratory. The first floor and a part of second floor
are dedicated to music. The structure and finishings were determined after acoustic calculations. The
exterior view of first floor of music offers a unification of space through a horizontal glass strip along
the music rooms. The second floor is divided into two areas, separated also by the the level difference.
Lower area is composed of larger rooms and the upper area is for dance performances. The two dance
halls visually interact with the outside through a large glazed wall.
coala de Muzic i Arte
Nominalizare/ Nomination
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Romnia, jud. Vlcea, sat Dobrusa, Drgani, str. Valea Caselor nr. 1A
Autor/Author
Alexandru Beldiman
La Dobrua, n iunie 2007, pe locul unde trebuia construit crama Avincis, se gsea un conac de
factur neo-romneasc aflat n stare de semi-ruin. Dei de dimensiuni modeste, el ordona spaiul
platoului pe care fusese construit cu un secol n urm. Armonia n care se afla cu situl i buna calitate a
arhitecturii au impus restaurarea i refuncionalizarea conacului. Construciile noi urmau s graviteze
n jurul acestuia, pentru a-i pstra rolul de ordonator al spaiului n ciuda volumului mai mare al
cramei. Conacul se afla n drumul principal de acces, cap de perspectiv, i a fost pstrat ca un reper
pentru axul de compoziie al universului Avincis. De aceea, Pavilionul Belle-vue a fost plasat dincolo
de conac, constituind un contrapunct cramei. Pentru a realiza proiectul n spiritul conceptului de
sustainable building au fost instalate puuri termice i panouri solare i a fost creat un rezervor
de colectare a apelor pluviale i reziduale pentru irigarea parcului. S-a optat de asemenea pentru
acoperirea cu iarb a teraselor ce ncheie fiecare corp nou de cldire, crend cea de-a 5-a faad.
Avincis Winery
At Dobrusa, in June 2007, on the place where the Avincis winery was going to be built there was a
mansion in neo-romanian style, in a state of disrepair. Although of modest size, it ordered the space
of the plateau where it was built a century ago. Its harmony with the site and its architectural quality
asked for the restoration and reusability of the mansion. The ensemble to be build proposed that the
new buildings should revolve around it in order to maintain its role as coordinator of space regardless
of its smaller size compared to the winery. The planimetry of the complex and its architecture are the
result of this idea. The mansion is located on the main access road, remaining a point of focus on the
axis of Avincis composition. The Belle-vue Pavilion was thus placed beyond the mansion in order to
create a counterpoint to the winery. In accordance with the sustainable building practice, thermal wells
and solar panels were installed and a rainwater tank was built in order to use this water to irrigate the
park and the green terraces from the top of the new building, which create a fifth faade.
Crama Avincis
Nominalizare/ Nomination
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Romnia, jud. Braov, Braov
Autor/Author
Justin Baroncea
S-a optat pentru o soluie reversibila i ct mai puin intruziv. Aa s-a ajuns la montarea unui turn
care s adposteasc o cafenea i un punct de informare turistic. Intervenia nu afecteaz bastionul
original, restaurat i independent de noua construcie. Cu excepia fundaiei, turnul de corten poate
fi demontat fr a afecta bastionul. Turnul nou, complet reciclabil, face posibil percepia bastionului
pe toat nlimea sa fr a fi intruziv. Din turnul-cafenea se vd gurile de tragere ale bastionului
i prin ele fragmente ale contextului. Turnul nou instalat este mecanismul care l ajut pe vizitator
s parcurg bastionul. Lipsa drumului de straj intermediar este suplinit prin deschiderile noii
construcii. Spaiul intermediar, rmas neacoperit, dintre cele dou turnuri sporete att complexitatea
relaiei interior-exterior ct i gradul de transparen spaial a noului ansamblu. Turnul nou nu
are sens fr raportarea la geometria, perforaiile i textura Bastionului Postvarilor. Rezonana
spaiului, sonoritatea lui i iregularitile oxidului duc cu gndul la zngnitul de arme. S-a construit
un turn de asediu n miezul unui bastion de aprare, un oximoron menit s funcioneze la nivelul
relecturrii spaiului rmas ntre cele dou coji verticale.
The Tower inside the Tower
Weve opted for a reversible and unobtrusive solution, which was to built an interior tower housing
a caf and a tourist info point. The new building doesnt interfere structurally with the original
monument, Bastionul Postavarilor, which was restored and kept independent from the new building.
The whole structure and corten steel tower can be easily removed, with the exception of the concrete
foundation. The steel tower is also completely recyclable. One can see the shooting holes fromthe caf
tower and, through them, fragments of the context. The new tower is the tool that helps the visitor
see the entire bastion. The newly built tower draws its meaning from its relation with the geometry,
perforation and texture of the old bastion. The space resonance, sonority and irregularities of the
oxide, echoes the medieval clanging of arms. We built a siege tower within a defense bastion, an
oxymoron that we want to help re-read the space left between the two vertical shells.
Turnul din interiorul
turnului
Nominalizare/ Nomination
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Romnia, Bucureti, bd. Expoziiei nr. 1F
Autor/Author
Vladimir Arsene
Orice mare corporaie i dorete un sediu care s prezinte urbei o imagine reprezentativ pentru
prestigiul i importana ei n societate. Cum noiunile de imagine i reprezentare corporatist sunt
mai apropiate marketingului i imobiliarului dect demersului arhitectural, traducerea dezideratelor
bncii a constituit una din principalele provocri ale acestui proiect. Situat pe bulevardul Expoziiei,
cldirea face dou micri volumetrice definitorii pentru compoziia proiectului. Una este orientarea
ctre nord i intrarea n ora i a doua este relaia cu Pavilionul Expoziiei, principalul eveniment
arhitectural al zonei. Sediul bncii apeleaz la configurarea volumului prin translaie i deplasare
i, n acest proces, proiectul i apropriaz spaii dramatic dimensionate, att la interior n atrium ct
i la exterior, prin acoperirea piaetei intrrii. Att structura de oel ct i anvelopa exterioar devin
aici unelte cu care cldirea i modeleaz silueta i i marcheaz spaiile. Prin faptul c sediul bncii
se definete volumetric prin poziia fa de vectori importani ai oraului n zon i creeaz spaii de
utilitate public, el devine o structur eminamente urban.
Unicredit Tiriac Bank Hq
Any large corporation aims to showcase a representative building for its headquarters that will enhance
its status in society. As notions of corporate image and representation relate more to marketing and
real estate rather than architecture, translating this desideratum in architectural terms was a major
challenge of the project. Located on the Expozitiei Blvd, the building addresses the same two site
issues as the neighboring Gate Towers. One is the orientation towards the north and the entry into the
city, the other is the relation with the National Exhibition Pavilion the main three dimensional event
in the area. While The Gate buildings use duality and axial perspective in order to relate to these
issues, Unicredit building employs translation and displacement. In the process, the building creates
dramatically sized spaces, both in the interior atrium and the exterior covered entry plaza. Both the
steel structure and the exterior envelope become tools for the building to carve its shape and mark its
spaces. By volumetrically defining its stance towards important city vectors and monuments, and by
creating contrasting public spaces, the building becomes essentially urban.
Sediul Unicredit Tiriac
Bank
Nominalizare/ Nomination
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Birou de arhitectur ntr-o cas veche
Architecture offce in an old house
Romnia, jud. Maramure, Baia Mare, str. Victoriei nr. 36
Autori/Authors
Alexandru Baban, Petru Roca
Biserica Romano-Catolic Trupul Domnului
The Body of the Lord Roman Catholic Church
Romnia, jud. Neam, Gherieti
Autor/Author
Nicolae Munteanu
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Extindere birou Tektum
Tektum offce extension
Romnia, jud. Cluj, Cluj-Napoca, str. Cardinal Iuliu Hossu nr. 13
Autori/Authors
Gbor Tthfalusi, Lszl Tulogdy
Biroul negru - extindere birou
Black offce - extension of an offce builing
Romnia, jud. Cluj, Cluj-Napoca, Piaa 14 Iulie nr. 16
Autori/Authors
Gbor Tthfalusi, Lszl Tulogdy
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Crystal Tower Business Center
Crystal Tower Business Center
Romnia, Bucureti, bd. Iancu de Hunedoara nr. 48
Autor/Author
Adrian Spirescu
Spaii pentru conferine i cazare Olneti
Hotel and conference centre in Olneti
Romnia, jud. Vlcea, Olnesti
Autor/Author
Adrian Spirescu
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Extindere Liceu Teoretic Dante Alighieri
Dante Alighieri High School Building Expansion
Romnia, Bucureti, str. Fuiorului nr. 9
Autori/Authors
Liviu Marian Fabian, Lucian Marius Lu
Concept Trenta Pizza Take Away
Trenta Pizza Concept take away
Romnia, Bucureti, bd. Uverturii / Prelungirea Ghencea / os. Pantelimon
Autori/Authors
Daniel Nicolae Popescu, Andreea Stoenescu, Irina Stinghe, Anca Drgni
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Imobil birouri Golden Blitz Center
Offce building Golden Blitz Center
Romnia, Bucureti, str. Rzoare nr. 32
Autor/Author
Radu Teac
Showroom Multibrand iriac Auto
Showroom Multibrand iriac Auto
Romnia, jud. Arge, Albota, E574
Autor/Author
Florin Alexandrescu
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Clopotni, Cimitirul Sracilor Sighet
Bell tower, Cemetery of the Poor Sighet
Romnia, jud. Maramure, Sighetu Marmaiei
Autor/Author
tefan Radocea
Imobil birouri S+P+2E, str. Amman nr 2b, Bucureti
Offce building S+P+2E, Amman 2b street, Bucharest
Romnia, Bucureti, str. Amman 2B
Autori/Authors
Andra Rdulescu, Radu Rdulescu
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Back Offce Building
Back Offce Building
Romnia, Bucureti, str. George Constantinescu nr. 3A
Autori/Authors
Andrei Uleia, Oana Pnoiu, Cristina Chelrescu, Monica Lzric, Drago Fianu, Magda Bescu
Hotel Floreasca
Floreasca Hotel
Romnia, Bucureti, str. Mircea Eliade nr. 113
Autori/Authors
Maria Mdlina Iftimi, Dorin tefan Adam
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Imobil birouri - Gabriel Business Center - Iai
Offce building - Gabriel Business Center - Iai
Romnia, jud. Iai, Iai, str. Sf. Lazr nr. 56
Autori/Authors
Constantin Medaru, Drago Ciolacu
Sediul administrativ al Ageniei pentru Protecia Mediului - Bacu
Administrative head office - Environmental Protection Agency - Bacu
Romnia, jud. Bacu, Bacu, str. Oituz
Autori/Authors
Constantin Medaru, Drago Ciolacu
BNAB 2012 - Ar h i t e c t u r a d o t r i l o r c o mu n i t a r e i d e p r o d u c i e 285
BNAB 2012 - Ar c hi t ec t ur e of c ommuni t y and pr oduc t i on f ac i l i t i es
284 BNAB 2012 - Ar h i t e c t u r a d o t r i l o r c o mu n i t a r e i d e p r o d u c i e
BNAB 2012 - Ar c hi t ec t ur e of c ommuni t y and pr oduc t i on f ac i l i t i es
Auditorium Pallady
Auditorium Pallady
Romnia, Bucureti, bd. Theodor Pallady nr. 40G
Autor/Author
Floriana Mihescu
Sal de conferine i corp secundar birouri
Conference hall and offce building
Romnia, jud. Sibiu, Sibiu, bd. General Magheru nr. 14
Autor/Author
Adrian Gndil
BNAB 2012 - Ar h i t e c t u r a d o t r i l o r c o mu n i t a r e i d e p r o d u c i e 287
BNAB 2012 - Ar c hi t ec t ur e of c ommuni t y and pr oduc t i on f ac i l i t i es
286 BNAB 2012 - Ar h i t e c t u r a d o t r i l o r c o mu n i t a r e i d e p r o d u c i e
BNAB 2012 - Ar c hi t ec t ur e of c ommuni t y and pr oduc t i on f ac i l i t i es
Centrul de echitaie Herneacova
Equestrian Center Herneacova
Romnia, jud. Timi, Herneacova
Autori/Authors
Camelia Covaci Preda, Nicolae Covaci Preda
Grdini municipal
Municipal Nursery School
Spania, Hostalets de Pierola, C. de lEsglsia / Ronda del Ponent
Autori/Authors
Luis Gimnez Mateu, Elena Nedelcu
BNAB 2012 - Ar h i t e c t u r a d o t r i l o r c o mu n i t a r e i d e p r o d u c i e 289
BNAB 2012 - Ar c hi t ec t ur e of c ommuni t y and pr oduc t i on f ac i l i t i es
288 BNAB 2012 - Ar h i t e c t u r a d o t r i l o r c o mu n i t a r e i d e p r o d u c i e
BNAB 2012 - Ar c hi t ec t ur e of c ommuni t y and pr oduc t i on f ac i l i t i es
Cldire de birouri str. Izbiceni
Offce building, Izbiceni street
Romnia, Bucureti, str. Izbiceni nr. 17-19
Autori/Authors
Mihai Ene, tefan Cristescu, Adela Ene
Turn info
Info tower
Romnia, jud. Harghita, Ciumani, Piaa Borsos Mikls
Autor/Author
Macalik Arnold
BNAB 2012 - Ar h i t e c t u r a d o t r i l o r c o mu n i t a r e i d e p r o d u c i e 291
BNAB 2012 - Ar c hi t ec t ur e of c ommuni t y and pr oduc t i on f ac i l i t i es
290 BNAB 2012 - Ar h i t e c t u r a d o t r i l o r c o mu n i t a r e i d e p r o d u c i e
BNAB 2012 - Ar c hi t ec t ur e of c ommuni t y and pr oduc t i on f ac i l i t i es
Moineti Offces
Moineti Offces
Romnia, jud. Bacu, Moineti
Autori/Authors
Liviu Gabriel Zgan, Ioana Secrea, Octavian Gugu
Pavilion
Pavilion
Romnia, jud. Teleorman, Videle
Autori/Authors
Liviu Gabriel Zgan, Adriana Drgnescu, Costin Beekman, Ioana Secrea
BNAB 2012 - Ar h i t e c t u r a d o t r i l o r c o mu n i t a r e i d e p r o d u c i e 293
BNAB 2012 - Ar c hi t ec t ur e of c ommuni t y and pr oduc t i on f ac i l i t i es
292 BNAB 2012 - Ar h i t e c t u r a d o t r i l o r c o mu n i t a r e i d e p r o d u c i e
BNAB 2012 - Ar c hi t ec t ur e of c ommuni t y and pr oduc t i on f ac i l i t i es
Petromar
Petromar
Romnia, jud. Constana, Constana
Autori/Authors
Liviu Gabriel Zgan, Costin Beekman, Alexandra Nicolau
Imobil de birouri Agressione
Agressione offce building
Romnia, jud. Cluj, Cluj-Napoca, str. Tietura Turcului nr. 47C
Autori/Authors
Cristian Bnu, Mihai Drgan, Horea Rusu
BNAB 2012 - Ar h i t e c t u r a d o t r i l o r c o mu n i t a r e i d e p r o d u c i e 295
BNAB 2012 - Ar c hi t ec t ur e of c ommuni t y and pr oduc t i on f ac i l i t i es
294 BNAB 2012 - Ar h i t e c t u r a d o t r i l o r c o mu n i t a r e i d e p r o d u c i e
BNAB 2012 - Ar c hi t ec t ur e of c ommuni t y and pr oduc t i on f ac i l i t i es
Centru de sprijinire i dezvoltare a afacerilor IDEO Iai
Business support and development center IDEO Iai
Romnia, jud. Iai, Iai, os. Pcurari nr. 138
Autor/Author
Iulian Nicolau
Reabilitare i extindere Hotel Olt Bile Tunad, jud. Harghita
Rehabilitation and extension Hotel Olt - Bile Tunad, Harghita
Romnia, jud. Harghita, Tunad
Autori/Authors
Nicolae aric, Marton Albert, Laszlo Grancsa, Lorand Bartha
C
Technology, innovation and sustainability in architecture
Tehnologie, inovaie i sustenabilitate n arhitectur
Juriu/Jury
Rosa Cervera (Spania)
Javier Pioz (Spania)
James Horan (Irlanda)
Viorel Simion (Frana)
Viorel Hurduc (Romnia, Bucureti)
Iulia Stanciu (Romnia, Bucureti)
Tiberiu Buca (Romnia, Cluj)
297
299
P R E MI I A C O R D A T E D E P A R T E N E R I
Atelierul de Proiectare
C011 Swan Office & Technology Park,
Bucureti, os. Bucureti Nord
Autor: Adrian Emilian Zerva
Reynaers
C011 Swan Office & Technology Park,
Bucureti, os. Bucureti Nord
Autor: Adrian Emilian Zerva
Sika
C224 Locuin sustenabil n Carpai, Sat
Hale, com. Tisu, jud. Buzu
Autor: Sergiu Ctlin Petrea / Cristina Petrea
Al Prompt
Premiul Al prompt s-a acordat la toate premiile
acordate de juriul BNAB 2012.
C. SECIUNEA Tehnologie, inovaie i sustenabilitate n arhitectur
AWARDS GRANT E D BY T HE PART NE RS
Atelierul de Proiectare Magazine
C011 Swan Office & Technology Park,
Bucharest, os. Bucureti Nord
Author: Adrian Emilian Zerva
Reynaers
C011 Swan Office & Technology Park,
Bucharest, os. Bucureti Nord
Author: Adrian Emilian Zerva
Sika
C224 Sustainable dwelling in the
Carpathians, Hale Countryside, Tisu Village,
Buzu County
Authors: Sergiu Ctlin Petrea / Cristina Petrea
Al Prompt
The Al Prompt prize was awarded along with all the
other awards granted by the BNAB jury.
C. Technology, innovation and sustainability in architecture SECTION
P R E MI I I N O MI N A L I Z R I A C O R D A T E D E J U R I U
NOMINALIZRI:
C011 Swan Office & Technology Park, Bucureti, os. Bucureti nord
Autor: Adrian Emilian Zerva
C077 Pavilionul inteligent sustenabil UIA Tokio 2011, Japonia, Tokio,
3-5-1 Marunouchi str.
Autor: Bogdan Pop, Astrid Rottman, Marius Urzica - LEED AP, Lidia Stoica, Cassandra
Pop
C367 Institutul CDI: Produse High Tech pentru Dezvoltare Durabil
PRO-DD, Braov, str. Institutului, jud. Braov
Autor: Nicolae aric / Roxana Clipea / Lorand Bartha / Olah tefan
N O MI N A T I O N A N D A WA R D S G R A N T E D B Y T H E J U R Y
NOMINATIONS:
C011 Swan Office & Technology Park, Bucharest, os. Bucureti Nord
Author: Adrian Emilian Zerva
C077 UIA Tokio smart sustainable hall, 2011, Japan, Tokio, 3-5-1
Marunouchi Str.
Author: Bogdan Pop, Astrid Rottman, Marius Urzica - LEED AP, Lidia Stoica,
Cassandra Pop
C367 CDI institute: PRO-DD High Tech products for sustainable growth,
Braov, County, Braov, str. Institutului
Authors: Nicolae aric / Roxana Clipea / Lorand Bartha / Olah tefan
Opinia juriului - Seciunea
C prezentat de prof.dr.
arhitect Rosa Cervera
Juriul a considerat c nu s-a putut acorda nicio
medalie la aceast categorie. Sunt necesare i alte
evoluii la aceast categorie. Juriul i pune chiar
ntrebarea dac aceast categorie ar trebui s existe.
Cultura responsabilitii fa de mediu i tehnologiile
sustenabile ar trebui s fac parte din toate proiectele
de arhitectur.
The jurys opinion - Section
C Presented by Professor
PhD Architect Rosa Cervera
The jury considered that he couldnt give an award
at this category. Other developments on this category
are necessary. The jury asks whether this category
should be separate. A culture of responsibility of the
environment and sustainable technologies should be
part of all projects of architecture.

Proiecte care aplic tehnologii inovative privind reducerea consumului de energie i materii prime, reducerea influenelor negative asupra climei
prin utilizarea de tehnologii nepoluante, limitarea consumului resurselor neregenerabile, conservarea energiei (casa pasiv) i producerea de
energie nepoluant.
Designs that apply innovating technologies related to the reduction of energy and raw material consumption, the decrease of negative influences
upon the climate by the use of environment-friendly technologies, the limitation of non-renewable resource consumption, energy preservation
(passive house) and the production of non-polluting energy.
BNAB 2012 - Te h n o l o g i e , i n o v a i e i s u s t e n a b i l i t a t e n a r h i t e c t u r 301
BNAB 2012 - Tec hnol ogy, i nnov at i on and s us t ai nabi l i t y i n ar c hi t ec t ur e
Nominalizare/ Nomination
Romnia, Bucureti, os. Bucureti Nord
Autor/Author
Adrian Emilian Zerva
Arhitectura ansamblului urmrete crearea unei identiti puternice, avnd ca idee central unitatea
i varietatea. Unitatea accentueaz calitatea unui spaiu urban personalizat iar varietatea permite
individualizarea cldirilor. Retragerile ultimului nivel al cldirilor asigur o luminare natural bun a
bulevardului i curilor interioare. Faadele comunic ideea culorii albe a lebedei, simbolul ansamblului,
i totodat permite vizibilitatea de la distan. Ferestrele pe nlimea etajului permit luminarea optim a
interiorului. Zonele de lucru beneficiaz de lumin suficient i vederi exterioare bune. Ferestrele se deschid
din dou n dou. Parasolare interioare sunt prevzute pentru protecie la radiaia solar. Accesele principale
ale cldirilor de birouri sunt orientate spre bulevard i au o nlime de dou niveluri pentru a fi mai uor de
reperat pentru vizitatori. Zona pietonal este agrementat cu spaii verzi, ochiuri de ap i fntni decorative,
crend aspectul general de parc de birouri. Seara, iluminatul artificial al elementelor decorative, precum
lebda simbol, ofer o ierarhizare spaial i o focalizare a punctelor importante.
Swan Office & Technology Park
This architecture ensemble aims to create a strong visual identity built on the central idea of unity and
variety. The unity emphasizes the personalized urban features of the ensemble and the variety allows
for individual features in each of the buildings. The top floor withdraw design allows for natural light of
the boulevard and patios. The colour of the facades communicates the idea of white swan which is the
symbol of the ensemble and also allows to be seen froma long distance. Floor height windows throughout
allow for optimal lightning of the space. All work areas receive enough light and have good views. Every
other window can be opened. The building is fitted with brise-soleils for solar protection. Main access to
buildings are oriented towards the street and are 2 storey high to be more representative and easier to be
located by the visitors. Pedestrian area is interwoven with green spaces, fountains and decorative reflective
pools, creating the overall look of a park office. At night, the artificial lightning of the decorations, such as
the swan symbol placed in the center of the boulevard, provides a spatial hierarchy and key focus points.
Swan Offce &
Technology Park
BNAB 2012 - Te h n o l o g i e , i n o v a i e i s u s t e n a b i l i t a t e n a r h i t e c t u r 303
BNAB 2012 - Tec hnol ogy, i nnov at i on and s us t ai nabi l i t y i n ar c hi t ec t ur e
Japonia, Tokio, 3-5-1, Marunouchi str.
Autor/Author
Bogdan Pop
Pavilionul romnesc de la Congresul Internaional UIA Tokyo 2011 a fost conceput i amenajat de
echipa ASDESIGN 95. Ideea central pentru amenajare ilustreaz convingerea c arhitectura anului
2050 va fi una inteligent i sustenabil. Ca urmare, pentru obinerea unui spaiu minimalist
i interactiv, fr energii i resurse suplimentare s-au folosit doar materialele aflate la dispoziie.
Valoarea resurselor existente a fost astfel transferat dinspre o investiie de unic folosin - pavilionul
expoziional - nspre una cu componente inteligente. Acestea au fost chiar materialele informative:
rame foto digitale care conin pe USB-uri conceptul nostru i care puteau fi reutilizate de vizitator.
Vizitatorii au putut s priveasc proieciile sau s ia o ram fotografic digital. Publicul a fost astfel
pus n situaia de a face un act decizional cu conotaii n lumea real a consumului de resurse finite,
amintind conceptul central al sustenabilitii: responsabilitatea fa de generaiile viitoare, prin
analogie acum cu grija pentru generaiile urmtoare de vizitatori. Pentru realizarea instalaiei
ramele foto digitale au fost achiziionate de la productorii japonezi pentru ncurajarea produciei
locale i reducerea costurilor de transport.
The intelligent - sustainable pavilion UIA Tokyo 2011
The design for the Romanian Pavilion at the International Congress of UIA in Tokyo 2011 belongs to
the ASDESIGN 95 team. The theme of the congress was DESIGN 2050 Architects acting, through
solidarity, away from disasters towards durable development. The design of the pavilion used available
and reusable resources to create a minimalist and interactive space. In this case, the resources were the
information kits. Minimalism was chosen out of consideration for the difficult time our hosts were going
through. The value of resources was transferred from a single use investment (the exhibition space) to
intelligent components. The components were informative brochures in digital format. Digital photo
frames contained the pavilion concept and the visitors could either reuse themor donate themto children
of disaster victims. The pavilions transient existence was sketched-up in real time by the installations
disappearance as frame after frame were removed by the visitors. The digital photo frames were
purchased fromJapanese manufacturers in order to support the local industry and reduce shipping costs.
Pavilionul inteligent -
sustenabil UIA Tokio 2011
Nominalizare/ Nomination
BNAB 2012 - Te h n o l o g i e , i n o v a i e i s u s t e n a b i l i t a t e n a r h i t e c t u r 305
BNAB 2012 - Tec hnol ogy, i nnov at i on and s us t ai nabi l i t y i n ar c hi t ec t ur e
Nominalizare/ Nomination
Romnia, jud. Braov, Braov, str. Institutului
Autori/Authors
Nicolae aric, Roxana Clipea, Lorand Bartha, Olah tefan
Institutul de cercetare PRO-DD face parte din proiectul Universitii Transilvania de a construi un
campus universitar complex cu cldiri pentru educaie, cazare, spaii de agrement etc. Proiectul a
demarat n 2010 cu construirea Institutului de Cercetare, care este compus dintr-un ansamblu de
dousprezece corpuri de cldire incluznd att spaii de laboratoare i studiu ct i spaii publice
(cafenea, spaii de expoziie etc.). Institutul se vrea un exemplu de cldire cu consumredus de energie,
care s nglobeze surse de energie alternativ unul din domeniile de cercetare ale universitii.
Cldirea e proiectat s corespund cerinelor privind consumul redus de energie. Astfel, s-a pus accent
pe alegerea compoziiei pereilor exteriori i a suprafeelor vitrate. De asemenea, n poziionarea
cldirii i a spaiilor interioare s-a inut cont de orientarea fa de punctele cardinale. Pentru reducerea
consumului de energie n spaiile de studiu s-au instalat tuburi solare care s asigure lumina natural
n adncimea cldirii. Pe acoperi se vor instala panouri solare iar n jurul cldirii s-au instalat pompe
de cldur care s produc energia necesar funcionrii i dezvoltrilor ulterioare.
CDI Institute: High Tech Products for Sustainable Development Pro-DD
The PRO-DD Research Institute, dedicated to Master and PhD research programs, is part of a larger
plan for the new Transylvania University Campus, which will include educational, housing and leisure
facilities. The construction of the institute started in 2010 and consists of 12 independent laboratory
units connected by a central enclosed area working as the main access area and also including
public facilities (cafeteria, exhibition area etc.). The institute building was designed for low energy
consumption and incorporates alternative energy sources a major research area of the University
(solar panels, geothermal heat pump systems). Consequently, the right materials for the exterior
enclosure were crucial (25 cmof aerated concrete insulation were used plus 10 cmof insulation panels;
for the windows a three layered high quality glass was used). Also the building was positioned to get
an optimumsolar energy. Also solar tubes were used in the open space areas on the first floor in order
to eliminate the need for artificial lighting during the day and different types of solar panels will be
installed on the roof.
Institutul CDI: Produse
High Tech pentru
Dezvoltare Durabil
PRO-DD
BNAB 2012 - Te h n o l o g i e , i n o v a i e i s u s t e n a b i l i t a t e n a r h i t e c t u r 307
BNAB 2012 - Tec hnol ogy, i nnov at i on and s us t ai nabi l i t y i n ar c hi t ec t ur e
306 BNAB 2012 - Te h n o l o g i e , i n o v a i e i s u s t e n a b i l i t a t e n a r h i t e c t u r
BNAB 2012 - Tec hnol ogy, i nnov at i on and s us t ai nabi l i t y i n ar c hi t ec t ur e
Locuin sustenabil n Carpai
Sustainable Carpathian Lodge
Romnia, jud. Buzu, sat Hale, com. Tisu
Autori/Authors
Sergiu Ctlin Petrea, Cristina Petrea
Steaua de mare
Starfsh
Romnia, jud. Neam, Lacul Bicaz, golful Potoci
Autor/Author
Laureniu Dumitrac
BNAB 2012 - Te h n o l o g i e , i n o v a i e i s u s t e n a b i l i t a t e n a r h i t e c t u r 309
BNAB 2012 - Tec hnol ogy, i nnov at i on and s us t ai nabi l i t y i n ar c hi t ec t ur e
308 BNAB 2012 - Te h n o l o g i e , i n o v a i e i s u s t e n a b i l i t a t e n a r h i t e c t u r
BNAB 2012 - Tec hnol ogy, i nnov at i on and s us t ai nabi l i t y i n ar c hi t ec t ur e
Prima casa pasiv construit n 2004, Romnia
The frst passive house built in 2004, Romania
Romnia, jud. Arge, comuna Ciofringeni, sat Burlui, str. Fureasa nr. 125
Autor/Author
Ruxandra Cruescu
Prima cldire pasiv de birouri din Romnia
The frst passive offce building from Romania
Romnia, jud. Ilfov, Bragadiru, os. Alexandriei nr. 292
Autor/Author
Ruxandra Cruescu
311
D
Arhitectura patrimoniului cultural
Architecture of the cultural heritage
Juriu/Jury
Eleni G. Gavra (Grecia)
Constana Carp (Romnia, Bucureti)
Clin Hoinrescu (Romnia, Ploieti)
313
n urma analizrii lucrrilor prezentate i ca urmare a deliberrii juriului s-au stabilit nominalizrile i premiile.
Lucrrile nominalizate au respectat i evideniat principiile majore privind consolidarea, restaurarea i punerea n valoare a unui monument,
indiferent de epoc, stil, materiale componente etc. i anume:
Cercetarea preliminar istoric, arheologic, de parament etc., asigurat de un colectiv pluridisciplinar;
Stabilirea de ctre eful de proiect a unei decizii corecte de intervenie cu evidenierea etapelor cronologice de dezvoltare a
monumentului;
Intervenia de consolidare, fr a agresa monumentul, cu pstrarea componentelor decorative valoroase i a materialelor specifice;
Conversie funcional compatibil cu statutul de monument, cu deschidere ctre spaiul public;
Reconstrucia selectiv cu pstrarea caracteristicilor spaiului urban tradiional.
Juriul a decis acordarea a dou premii I, avnd n vedere complexitatea abordrii interveniilor i calitatea deosebit a realizrii lucrrilor de
consolidare - restaurare, pentru dou edificii care aparin unor epoci i stiluri diferite. Performanele complexe nu pot fi ierarhizate, nefiind
comparabile:
D-299 Reabilitare sanctuar i cor Catedrala Sfntul Mihail Alba Iulia
Autor: Macalik Arnold
Proiectul a luat n considerare obiectul n ansamblu, n sens de totalitate a elementelor componente constitutive i interrelaiilor care le leag,
conferindu-i monumentului un caracter de integralitate.
D-204 Restaurare, consolidare i reabilitare Casa Avramide Tulcea
Autori: Aurel Ioan Eugen Botez, Andrei Atanasiu
Proiectul configureaz relaiile de intercondiionare dintre funciune, soluia constructiv de consolidare - restaurare i expresia plastic
corespunztoare unei etape optime a existenei monumentului.
Opinia juriului Seciunea D prezentat de arhitect CONSTANA CARP
Following the examinations of works submitted and pursuant to the jury decisions, the nominations and prizes were established.
The works nominated herein have observed and emphasized the main principles on the enhancement, restoration and highlighting of a
monument irrespective of its epoch, style, constituent materials etc. namely:
Preliminary research historical, archaeological, parament research etc. provided by a multidisciplinary team;
Project managers right decision on intervention aiming at highlighting chronological stages of monument improvement;
Enhancement intervention without deteriorating a monument while keeping valuable decorative parts and specific materials;
Functional conversion that is compatible with a monuments status being open to the public area;
Selective reconstruction while sticking to the peculiarities of traditional urban areas.
The jury has decided to award two first prizes. This decision has been made due to the complexity of interventional approaches and to high quality
while carrying out enhancement and restoration works of two sites belonging to different eras and styles. Complex performance cannot be ranked
as it is not comparable:
D-299 Rehabilitation of the sanctuary and kliros of St. Mihail Cathedral Alba Iulia
Author: Macalik Arnold
The project has envisaged the site in its entirety in terms of the totality of constitutive elements and of their interrelations rendering the monument
complete.
D-204 Restoration, enhancement and rehabilitation of Avramide House Tulcea
Authors: Aurel Ioan Eugen Botez, Andrei Atanasiu
The project has configured the interdependence relationships among functions, the betterment solution of enhancement and restoration, and the
visual expression corresponding to an optimum stage during monument existence.
The jurys opinion Section D Presented by Architect CONSTANA CARP

BNAB 2012 - Ar h i t e c t u r a p a t r i mo n i u l u i c u l t u r a l 315
BNAB 2012 - Ar c hi t ec t ur e of t he c ul t ur al her i t age
314 BNAB 2012 - Ar h i t e c t u r a p a t r i mo n i u l u i c u l t u r a l
BNAB 2012 - Ar c hi t ec t ur e of t he c ul t ur al her i t age
317
D. SECIUNEA Arhitectura patrimoniului cultural A. Architecture of community and production facilities SECTION
P R E MI I I N O MI N A L I Z R I A C O R D A T E D E J U R I U
D168 Reabilitare gospodrie rneasca i conversie n cas de oaspei,
Valea Zlanului, str. Principal, jud. Covasna
Autor: Silvia Demeter-Lowe
D204 Restaurare, consolidare i reabilitare Casa Avramide, Tulcea, Str.
Progresului, nr.32, jud. Tulcea
Autor: Aurel Ioan Eugen Botez / Andrei Atanasiu
D299 Reabilitare sanctuar i cor la catedrala Sfntul Mihail din Alba
Iulia, AlbaIulia, str. Mihai Viteazu, nr. 19, jud. Alba
Autor: Macalik Arnold
PREMII:
D204 Restaurare, consolidare i reabilitare Casa Avramide, Tulcea, Str.
Progresului, nr.32, jud. Tulcea
Autor: Aurel Ioan Eugen Botez / Andrei Atanasiu
D299 Reabilitare sanctuar i cor la catedrala Sfntul Mihail din Alba
Iulia, Alba Iulia, str. Mihai Viteazu, nr. 19, jud. Alba
Autor: Macalik Arnold
N O MI N A T I O N A N D A WA R D S G R A N T E D B Y T H E J U R Y
NOMINATIONS:
D168 Rehabilitation of peasant household and conversion into a guest
house, Valea Zlanului, str. Principal, Covasna County
Author: Silvia Demeter-Lowe
D204 Restoration, enhancement and rehabilitation of Avramide House,
Tulcea, Str. Progresului no. 32, Tulcea County
Authors: Aurel Ioan Eugen Botez / Andrei Atanasiu
D299 Rehabilitation of sanctuary and choir place in Sfntul Mihail
Cathedral, Alba Iulia, str. Mihai Viteazu no. 19, Alba County
Author: Macalik Arnold
AWARDS:
D204 Restoration, enhancement and rehabilitation of Avramide House,
Tulcea, Tulcea County, Str. Progresului no. 32
Authors: Aurel Ioan Eugen Botez / Andrei Atanasiu
D299 Rehabilitation of sanctuary and choir place in Sfntul Mihail
Cathedral, Alba Iulia, str. Mihai Viteazu no. 19, Alba County
Author: Macalik Arnold
Proiecte de conservare, reabilitare, conversie i restaurare a patrimoniului construit existent. Designs for the preservation, rehabilitation, conversion and restoration of the already existing built heritage.
P R E MI I A C O R D A T E D E P A R T E N E R I
Atelierul de Proiectare
D315 Imobil n centrul istoric, Cluj-Napoca,
Str. Georges Clemenceau, nr 3, jud. Cluj
Autor: Michael Buck / Adrian Borda
Al Prompt
Premiul Al prompt s-a acordat la toate premiile
acordate de juriul BNAB.
AWARDS GRANT E D BY T HE PART NE RS
Atelierul de Proiectare Magazine
D315 Historic centre property, Cluj-Napoca,
Str. Georges Clemenceau no. 3, Cluj County
Authors: Michael Buck / Adrian Borda
Al Prompt
The Al Prompt prize accompanied all the other
prizes granted by the BNAB jury.
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Premiul seciunii/ Section Prize
Restaurare, consolidare
i reabilitare Casa
Avramide, Tulcea
Romnia, jud. Tulcea, Tulcea, str. Progresului nr. 32
Autori/Authors
Aurel Ioan Eugen Botez, Andrei Atanasiu
Casa Avramide a fost edificat n 1890 de ctre armatorul grec A. Avramide, avnd funciunea iniial
de locuin. ncepnd cu 1950 construcia devine Muzeu al tiinelor Naturii. Aceast nou funciune
s-a dovedit incompatibil cu edificiul, aducnd prejudicii att componentelor artistice, prin alterarea
elementelor decorative exterioare i interioare, ct i elementelor constructive prin expunerea
demisolului la umiditate excesiv. Conceptul de intervenie a urmrit aducerea construciei ct mai
aproape de forma iniial, asigurnd att stabilitatea structural ct i integrarea funciunii propuse
de Muzeu al Coleciilor. Astfel, s-a avut n vedere nlturarea construciilor i amenajrilor parazitare,
consolidarea structurii, restaurarea componentelor artistice i dotarea cu instalaii adecvate funciunilor
muzeale. A fost creat de asemenea o alee de legtur ntre dou obiective culturale: Casa Avramide
i Teatrul Jean Bart. Toate interveniile noi att la faade ct i la amenajrile exterioare au fost
realizate ntr-o manier modern pentru a se evidenia etapa istoric a interveniilor.
Restoration, consolidation and rehabilitation of Avramide House, Tulcea
The Avramide house was built in 1890 by a Greek ship owner named Avramide, as a family home.
Around 1950, the house was transformed into The Museum of Natural Sciences. This conversion
brought major mutations to the building. Some openings fromsouth and west facades were obstructed
and parasitic constructions were added. The interventions had a high negative impact on both the
building and the outdoor ladscape. This new function proved to be incompatible with the historic
monument status of the building, causing damage both to artistic elements by destroying interior and
exterior decorations, and to structural components by exposure to excessive humidity. The objectives
of the project were thus to recover the original aspect of the building, secure its structural stability
and incorporate a new function, that of the Collection Museum. A new design of the exterior resulted
in two additional entrances: one to the ground floor level through a metal walkway and the other
to the basement level. The exterior area of the building was transformed into a park, creating new
connections between adjacent streets and cultural landmarks. All new interventions and elements
added to the facades and landscape aim to emphasize this phase of intervention.
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Premiul seciunii/ Section Prize
Reabilitare sanctuar i
cor la catedrala Sfntul
Mihail Alba Iulia
Romnia, jud. Alba, Alba Iulia, str. Mihai Viteazu nr. 19
Autor/Author
Macalik Arnold
Obiectul studiat este cel mai important edificiu sacral monumental din istoria arhitecturii medievale
est-europene. n pofida istoriei sale extrem de zbuciumate, cldirea pstreaz nfiarea general
original. Zona restaurat a fost atins foarte puin de interveniile din ultimul secol. Astfel, aceast
parte a cldirii, modificat doar la nivelul amenajrii spaiului liturgic, prezenta att la interior ct i
la exterior necesitatea unor intervenii de reabilitare general. Dei istoricii noteaz sanctuarul ca fiind
unul dintre cele mai timpurii exemple ale goticului de factur francez de pe teritoriul transilvnean,
n faza studiilor premergtoare proiectrii s-a descoperit faptul c acest corp a fost demolat integral
pn la soclu i recldit din propriile piese de piatr fasonat n anii 1752-53. Aceast descoperire
surprinztoare a constituit i tema principal a restaurrii. Scopul a fost prezentarea alturrii
straturilor istorice succesive de dinainte i de dup reconstruire, integrate ntr-un tot n care ct mai
multe nuane s prind culoare. n consecin ntreaga plastic arhitectural i sculptural interioar
s-a restaurat n forma strii ruinate medievale, pstrndu-se totui i urmele interveniilor perioadei
baroce timpurii.
Rehabilitation of sanctuary and choir at Sfntul Mihail Cathedral in Alba
Iulia
The object of our study is the most important sacral monumental building in medieval architecture
of Eastern Europe. Despite its turbulent history, the building has preserved its original form and
appearance. The area restored was almost untouched by the interventions in the last century. Thus, this
part of the building, on which only the design of liturgical area was modified, needed rehabilitation
interventions both inside and outside. Although historians note that this sanctuary is one of the earliest
examples of French Gothic-style in Transylvania, pre-design studies have revealed that this body of
building was completely demolished and rebuilt, by using the original pieces of shaped stone, in the
years 1752-53. This astonishing discovery was also the main theme of restoration. The aim was to
present successive historical layers before and after reconstruction joined together, integrated into a
whole, with as many subtle distinctions as possible. Therefore all architectural and sculptural interior
was restored in the form of medieval ruined state while keeping the traces of early Baroque period
interventions.
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Romnia, jud. Ilfov, Bucuresti, str. Lipscani nr. 25
Autor/Author
Gabriel Tureanu, Vasilica Stnescu, Mircea Boiangiu, Tudor Vespremeanu
Palatul BNR a fost edificat n perioada 1884-1890 pe baza proiectului arhitecilor francezi Cassien-
Bernard i Albert Galleron. Suprafaa construit este 3800 mp i suprafaa desfurat de circa 20000
mp. Faada principal, lung de circa 73 m, se desfoar pe strada Lipscani i cele laterale, de 52 m,
pe strzile Smrdan i Carada. Construcia a introdus n Bucureti stilurile arhitecturii vest-europene.
Compoziional, un puternic ax central grupeaz principalele spaii reprezentative. De-a lungul celor
120 de ani de existen, construcia a suferit modificri i a acumulat efecte ale aciunilor naturale.
Intervenia din perioada 2005-2011 a cuprins ample lucrri de consolidare i restaurare a elementelor
structurale. Consolidarea s-a realizat la interior, prin turnare de diafragme i refacere integral a
planeelor. Lucrrile au cuprins, pe parcursul a apte ani, restaurarea elementelor degradate i a
tuturor componentelor artistice: pavimente, decoraii parietale, plafoane, luminatoare, lambriuri,
ancadramente, eminee i lucrri de art. Proiectul a armonizat cerinele de funcionalitate ale Bncii
Centrale cu constrngerile impuse de construcie ca monument de arhitectur. Conservarea i punerea
n valoare au fost cuvintele de ordine.
Retrofitting, restoration and refurbishment Old Palace of the National
Bank of Romania
Designed by French architects Cassien Bernard and Albert Galleron, the Old Palace of the National
Bank of Romania was built between 1884-1890. The built area is of 3.800 sqm and the gross area is
of 20.000 sqm. The building introduced the western-European architectural styles to Bucharest. The
perfectly symmetrical composition has a powerful main axis grouping the main public representative
areas. During its 120 years of existence, the building suffered countless alterations and was subject of
major natural disasters. The structure was deeply affected and the building was subject of numerous
changes of use. The new project had to accommodate the contemporary Central Bank functional
requirements within a historic landmark building. Our intervention, between 2005 - 2011, consisted
of important consolidation work starting from foundations up to the roof and included all structural
elements such as walls, pillars and ceilings. The reinforcement of the structure was operated from
inside and all structure elements were reinforced and restored. All valuable interior decorations were
restored by experts and artists including pavements, decorations, ceiling, wood works, chimneys, and
paintings. Preserve and bring splendor back was our commandment.
Consolidare, restaurare
i refuncionalizare
Palatul Vechi al BNR
Nominalizare/ Nomination
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Romnia, jud. Covasna, Valea Zlanului, str. Principal
Autor/Author
Silvia Demeter-Lowe, Kalnoky Estate
Acest proiect a urmrit salvarea i reabilitarea unei gospodrii rneti iar abordarea, funciunea i
realizarealucrrilor au urmat dezideratul beneficiarului de conservare mai degrabdect restaurare.
Dei conversia presupunea asigurarea unui confort de locuin contemporan, interveniile necesare
urmau a fi minimale astfel nct s se menin caracterul ansamblului i al cldirilor. Ansamblul
este compus din dou gospodrii: casa de sus (cas, ur, grajd i op de lemne) i casa de jos.
S-a considerat esenial pstrarea aspectului ansamblului i spaiilor interioare, a autenticitii de
material i a tehnicilor de construcie. Sustenabilitatea a fost de asemenea un principiu de baz n
abordarea proiectului. S-au utilizat pe ct posibil materiale de provenien local (igl i crmid
fcute manual n Bani, plci ceramice din Sighioara, varul bulgri din Vrghi), iar unele elementele
arhitecturale au fost reciclate de la construcii n ruin; lutul, nisipul, paiele i pleava, blegarul, toate,
bineneles, au fost achiziionate din sat sau din vecintate. Doar pentru conversia grajdului s-a optat
pentru o izolaie ecologic din fibr lemnoas adus din Germania.
Rehabilitation of a homestead and conversion into a guesthouse, Valea
Zlanului, Covasna County
The goal of project was to restore and repurpose a farmhouse and its adjoining properties. The
repurposing was to be carried out with minimum impact on the appearance and the character of the
buildings. Sustainability was another important principle. Most of the construction materials used have
been locally sourced. Also whole architectural elements such as windows, doors, floorboards, stone
treads have been recycled from local buildings in an advanced state of disrepair. The only imported
materials used were the ecological wood fiberboards selected for their constructive advantages such as
high volumetric heat storage capacity, high diffusion permeability, which does not require the use of
a vapour barrier or membrane, and not least for their green benefits. The water comes from a spring
above the house therefore is gravity fed. The sewage system relies on a septic tank with biological
treatment. And for the future, there is a plan to produce electricity by harnessing the energy of the
nearby stream and to introduce a reed bed sewage treatment pond.
Nominalizare/ Nomination
Reabilitare gospodrie
rneasca i conversie
n cas de oaspei, Valea
Zlanului, jud. Covasna
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Restaurarea Capelei Sf. Ana / Straturi
The restoration of St. Anas Chapel / layers
Romnia, jud. Harghita, Gheorgheni
Autor/Author
Mikls Kll
Restaurarea turnului bisericii romano-catolice din
Joseni / epoci
The restoration of the church tower of Joseni / epochs
Romnia, jud. Harghita, Joseni
Autor/Author
Mikls Kll
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Vitrinele din Piaa Libertii Gheorgheni / Momente
The shop windows in Liberty Square, Gheorgheni /
Moments
Romnia, jud. Harghita, Gheorgheni, Piaa Libertii
Autor/Author
Mikls Kll
Restaurare, reamenajare imobil S+P+2, categoria B
Rehabilitation of a dwelling S+P+2 and of additional
buildings P+M, the house of General Arion
Romnia, Bucureti, str. Nicolae Iorga nr. 21
Autor/Author
Mircea Silviu Chira
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(Re) Reabilitare piaa Badea Cran, Timioara
(Re) Rehabilitation of the Badea Cran Market,
Timioara
Romnia, jud. Timi, Timioara, Piaa Badea Cran
Autor/Author
Vlad Gaivoronschi
Sediul regional CFR Marf Timioara
The Romanian Railway Freight Company
Headquarters Timioara
Romnia, jud. Timi, Timioara, bd. General Ion Dragalina
Autor/Author
Ioan Andreescu
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Reabilitare i conversie cas la ar
Country house restoration and conversion
Franta, Fneyrols
Autor/Author
Vlad Sebastian Rusu
Restaurare, consolidare i reabilitare Muzeul de
Art, Tulcea
Restoration, consolidation and rehabilitation of Tulcea
Museum of Art
Romnia, jud. Tulcea, Tulcea, str. Grigore Antipa nr. 2
Autori/Authors
Andrei Atanasiu, Aurel Ioan Eugen Botez
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CJM_2
CJM_2
Romnia, jud. Clrai, Calarai
Autor/Author
Justin Baroncea
Consolidare i restaurare imobil str. Colei nr. 3,
Bucureti
Building consolidation and restoration, 3 Colei street,
Bucharest
Romnia, Bucureti, str. Colei nr. 3
Autor/Author
Ruxandra Nemeanu
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Imobil str. Palanca nr.4 Timioara: reparaii, consolidare,
amenajare mansard - corp C1, reconstruire
Building on Palanca st. Timioara: repairs,
consolidation, ftting attic in the C1 unit, reconstruction
Romnia, jud. Timi, Timioara, str. Palanca nr. 4
Autor/Author
Mihai Botescu
Imobil n centrul istoric, Cluj-Napoca
Mixed use building in the historical city, Cluj-Napoca
Romnia, jud. Cluj, Cluj-Napoca, str. Georges Clemenceau nr. 3
Autori/Authors
Adrian Borda, Michael Buck
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Reabilitarea reabilitrii - Teatrul de Art Deva
The Reabilitation of reabilitation - The Art Theatre of Deva
Romnia, jud. Hunedoara, Deva, str. 1 Decembrie 1918 nr. 13-15
Autor/Author
Dan Idiceanu-Mth
Reabilitarea unei cldiri de secol XIX
Rehabilitation of a XIX century old building
Romnia, Bucureti, str. Logoft Luca Stroici nr. 37
Autori/Authors
Cristina Petrea, Sergiu Ctlin Petrea
341
E
Architecture of the interior space, product design and staging
Arhitectura spaiului interior, design de produs i scenografe
Juriu/Jury
Cristina Mnciulescu (Frana)
Gabriela Tabacu (Romnia, Bucureti)
Cristian Corvin (Romnia, Bucureti)
343
NOMINALIZRI
Cafenea Atelier Timioara, jud. Timi, Romnia
Autor: arh. Bogdan Demetrescu
Spaiul destinat studenilor Facultii de Arte Plastice aflate n
vecintate, precum i artitilor plastici locali, integreaz fluid mai
multe funciuni ntr-un volum compact care i reveleaz calitile
polimorfe i devine elastic, extinzndu-se i depliindu-se neateptat
cu ajutorul unor piese de mobilier ingenios croite i articulate.
Ambiana intrig fr s prseasc, totui, teritoriul familiarului,
recrendu-se continuu cu ajutorul unui sistem de lumini gndit
scenografic.
TRI.FOI
Autor: arh. Ruxandra Sacalis
Un scaun din lemn, aparent modest i lipsit de aplomb, altminteri,
deloc oarecare: o form redus la esenial, care se las generat
de fibra materialului, de articularea perfect stpnit a osaturii de
susinere, de o ergonomie filtrat prin tradiii multicentenare; o
form adus pe lume cu graie, inteligen i o bun cunoatere a
meteugului.
Decor i costume pentru spectacolul Hedda Gabler de Henrik Ibsen
Autor: arh. Irina Moscu
ntr-o viziune regizoral de natur s aduc n actualitate piesa
lui Ibsen, conceptul scenografic limiteaz la un minim plin de
expresivitate obiectele care populeaz scena i care conin, fiecare,
conotaii cu o ncrctur simbolic special legat de aciune i de
personaje.
Cadrul-poart, fundalul oglindat, modulul alb, devenind pe
rnd mas, scaun, canapea i pian n acelai timp obiect-feti i
ntruchipare a feminitii i stabilitii, compun un spaiu sugestiv i
plin de caracter n care se consum drama Heddei o Hedda a lui
Ibsen, dar i a contemporaneitii i a lumii.
PREMII EX AEQUO
Scenografie de eveniment la Palatul Cultural din Blaj, jud. Alba,
Romnia
Autori: arhitecii Silviu Aldea, Ctlin Marius Moga, Camelia
Sisak, Tam Sisak
Proiectul este menit s creeze cadrul de desfurare a unei serii
de evenimente din programul Transilvania Fest: o expoziie de
proiecte de conservare a patrimoniului arhitectural, o cin festiv
acompaniat de un concert de coarde i o pies de teatru, scenografia
fiind constituit de nsui palatul ruinat. Atmosfera este ncrcat
de dramatism i tensiune. Punerea n scen conteaz pe ideea
contrastului dintre zidurile arse i npdite de vegetaie slbatic i
traseul expoziiei: alb, controlat, exact.
Lumina i instalaiile cinetice accentuez misterul i foreaz
diferenele. Un proiect plin de for i de subtext, cu mare miz
cultural.
Pavilionul colii de Art i Design Massana, Barcelona, Spania
Autori: arhitecii Jenic Craiu, Ricardo Marsicano
Recurgnd la materiale minimale i expresive, insolite ca prezen,
dar familiare n sine, autorii i propun s realizeze pavilionul
ntr-o manier plin de miez: ei au ca obiectiv s delimiteze, nu s
construiasc, s semnaleze, s informeze, nu s sufoce prin exces,
oferind, astfel, publicului o interesant experien a percepiei i a
spiritului. Ei induc n acest chip subtil, prin mijloace proprii, ideea de
design, modelaj, art.
Redus la un minim aflat la limita expresiei, purificat de orice exces,
pavilionul-semnificant i atinge cu brio scopul de a deveni o prezen
puternic i limpede n atmosfera vibrant a trgului.
Opinia juriului Seciunea E prezentat de prof. dr. arh. GABRIELA TABACU
NOMINATIONS:
Workshop caf in Timioara, Timi county, Romania
Author: Architect Bogdan Demetrescu
The area meant for the students of the Faculty of Fine arts located
in the neighborhood as well as for the local fine artists easily
integrates several functions into a compact volume which reveals
its polymorphic traits and becomes elastic, unexpectedly extending
and unfolding by means of cleverly created pieces of furniture which
are so well defined. The ambiance is intriguing yet without leaving
the territory of familiarity, continuously recreating itself through a
scenographically thought out system of lights.
TRI.FOI
Author: Architect Ruxandra Sacalis
A seemingly modest, lifeless wooden chair, otherwise not at all
common: a shape narrowed down to its core which lets itself
generated by the material fiber, by the perfectly mastered articulation
of its supporting framework, by ergonomics filtered by traditions that
are many centuries old; a shape brought to life with much grace,
intelligence and good knowledge of craftsmanship.
Setting and costumes for the Hedda Gabler show by Henrik Ibsen
Author: Architect Irina Moscu
In a directors vision meant to bring Ibsens play up to date, the
scenographic concept limits to a minimum full of eloquence all the
objects making up the stage and each including specially symbolic
connotations related to the plot and characters.
The gate-frame, the mirror background, the white cupboard
gradually transformed into a table, a chair, a sofa and then a piano
at the same time fetish object and the embodiment of femininity
and stability -, compose a meaningful area filled with character
where Heddas story develops the Hedda of Ibsen and of his
contemporaneousness and of the world.
EX AEQUO AWARDS
Event scenography at the Culture Palace of Blaj, Alba County,
Romania
Authors: Architects Silviu Aldea, Ctlin Marius Moga, Camelia Sisak,
Tam Sisak
The project is meant to create the development framework of a series
of events in the Transylvania Fest Program: an exhibition displaying
projects for the architectural heritage preservation, a festive dinner
accompanied by a string orchestra concert and a play.
The atmosphere was full of dramatism and tension. The staging
relies on the idea of a contrast between burned walls covered with
wild vegetation and the exhibition pathway: white, well controlled,
precise.
The lights and the kinetic facilities emphasize mystery and push
differences. A project full of power and subtext, of great cultural
importance.
Hall of the Massana School of Art and Design, Barcelona, Spain
Authors: Architects Jenic Craiu, Ricardo Marsicano
Resorting to minimal, expressive, unusual by their presence, yet
familiar materials, the authors aim at accomplishing the hall in a
manner full of substance: their goal is to confine, not to build, to
signal, to inform, not to suffocate by being excessive, thus providing
the audience with an interesting experience of perception and spirit.
They subtly induce by their own means the ideas of design, modeling
and art.
Being reduced to a minimumlevel at the limits of expression, purified
by any excess, the significant hall successfully fulfills its goal of
becoming the strong, clear presence in the citys bustling life.
Opinion of the Jury Section E presented by PhD. Professor arch.
GABRIELA TABACU

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Vlad Eftenie 2012
347
E. SECIUNEA Arhitectura spaiului interior, design de produs i
scenografie
E. Architecture of the Interior Space, Product Design and Set Design
SECTION
P R E MI I I N O MI N A L I Z R I A C O R D A T E D E J U R I U
NOMINALIZRI:
E043 .tri.foi, Romnia
Autor: Ruxandra Sacalis
E326 Decor i costume pentru Hedda Gabler de Henrik Ibsen,
Romnia
Autor: Irina Moscu
E334 Cafenea Atelier, Romnia, jud. Timi, Timioara, str. Oituz, nr.5
Autor: Bogdan Demetrescu
E284 Scenografie de eveniment, Palatul Cultural din Blaj, Romnia,
jud. Alba, Blaj
Autor: Silviu Aldea / Ctlin Marius Moga / Camelia Sisak / Tams Sisak
E349 Pavilionul colii de Art i Design Massana, Barcelona, Spania,
Plaza Espaa
Autor: Jenic Craiu / Ricardo Marsicano
PREMII:
E284 Scenografie de eveniment, Palatul Cultural din Blaj, Romnia,
jud. Alba, Blaj
Autor: Silviu Aldea / Ctlin Marius Moga / Camelia Sisak / Tams Sisak
E349 Pavilionul colii de Art i Design Massana, Barcelona, Spania,
Plaza Espaa
Autor: Jenic Craiu / Ricardo Marsicano
N O MI N A T I O N A N D A WA R D S G R A N T E D B Y T H E J U R Y
NOMINATIONS:
E043 .tri.foi, Romania
Author: Ruxandra Sacalis
E326 Setting and costumes for Hedda Gabler by Henrik Ibsen,
Romania
Author: Irina Moscu
E334 Workshop caf, Romania, Timi County, Timioara, Str. Oituz no. 5
Author: Bogdan Demetrescu
E284 Event scenography, Culture Palace of Blaj, Romania, Alba County,
Blaj
Authors: Silviu Aldea / Ctlin Marius Moga / Camelia Sisak / Tams Sisak
E349 Hall of the Massana School of Art and Design, Barcelona, Spain,
Plaza Espaa Authors: Jenic Craiu / Ricardo Marsicano
AWARDS:
E284 Event scenography, Culture Palace of Blaj, Romania, Alba County,
Blaj
Authors: Silviu Aldea / Ctlin Marius Moga / Camelia Sisak / Tams Sisak
E349 Hall of the Massana School of Art and Design, Barcelona, Spain,
Plaza Espaa
Authors: Jenic Craiu / Ricardo Marsicano
Designs that promote interior spaces, quality objects and meaningful performance areas.
P R E MI I A C O R D A T E D E P A R T E N E R I
Atelierul de Proiectare
E349 Pavilionul colii de Art i Design
Massana, Barcelona, Spania, Plaza Espaa
Autor: Jenic Craiu / Ricardo Marsicano
Bo Concept
E349 Pavilionul colii de Art i Design
Massana, Barcelona, Spania, Plaza Espaa
Autor: Jenic Craiu / Ricardo Marsicano
Al Prompt
Premiul Al prompt s-a acordat la toate premiile
acordate de juriul BNAB.
AWARDS GRANT E D BY T HE PART NE RS
Atelierul de Proiectare Magazine
E349 Hall of the Massana School of Art and
Design, Barcelona, Spain, Plaza Espaa
Authors: Jenic Craiu / Ricardo Marsicano
Bo Concept
E349 Hall of the Massana School of Art and
Design, Barcelona, Spain, Plaza Espaa
Authors: Jenic Craiu / Ricardo Marsicano
Al Prompt
The Al Prompt prize accompanied all the other
prizes granted by the BNAB jury.
Proiecte care promoveaz spaiul interior, obiectele purttoare de calitate i un spaiu sugestiv al spectacolului.
BNAB 2012 - Ar h i t e c t u r a s p a i u l u i i n t e r i o r, d e s i g n d e p r o d u s i s c e n o g r a f i e 349
BNAB 2012 - Ar c hi t e c t ur e of t he i nt e r i or s pac e , pr oduc t de s i gn and s e t de s i gn
Premiul seciunii/ Section Prize
Romnia, jud. Alba, Blaj
Autori/Authors
Silviu Aldea, Ctlin Marius Moga, Camelia Sisak, Tams Sisak
Organizatorii festivalului TransilvaniaFest din iulie 2011 au atras atenia asupra patrimoniului
arhitectural aflat ntr-o avansat stare de degradare prin organizarea unor evenimente n Palatul
Cultural din Blaj, lsat n ruin n urma unui incendiu. Constrni de buget i de cerina ca materialele
ntrebuinate s poat fi refolosite n totalitate, autorii proiectului au mizat pe contrastul interveniei
fa de materialul existent. Zona platformei corespunde fostei sli de spectacole, devenit o curte
interioar n care vegetaia i-a intrat n drepturi. Platforma central a fost gndit ca o suprafa
alb abstract care n extremitatea dinspre turnul scenei se pliaz geometric pentru a forma o colin
topografic suport al evenimentelor colaterale cinei onorifice: concert cvartet i pies de teatru. Un
turn cu rol de periscop permite perceperea vegetaiei din balcon de la nivelul pardoselii. Ansamblul
platform - scen geometric - turn constituie un obiect complex introdus prin contrast n ruina slii
de spectacole i care contamineaz prin intermediul luminii albe pardoseala carbonizat i zidria
existent. Un nou spaiu este creat n care cina elegant se desfoar ntr-o atmosfer de linite i
deschidere ctre cer.
Event design Cultural Palace Blaj
After a fire and many years of neglect, TransilvaniaFest has successfully reinstated this buildings
original function as a performance hall, even if only temporarily. The main constraints in designing
the spaces for events were the budget and the requirement that all materials used to be recycled or
repurposed at the end. Hence, the design focused on the contrast between the interventions and the
existing structure: new elements were raised and detached from the walls and their juxtaposition
was emphasized by the lighting. The pathway leading to the open-air platform went past two kinetic
installations that gave depth and dynamism to the event. The platform was a complex object made
of three parts: the folded stage, the dining area, and the vertical element of the tower. The stage
hosted two supporting events to the formal dinner: a quartet concert and a theatrical play. The tower
worked as a periscope to offer a view of the vegetation grown wild in the balcony and it gives the
intervention a spatial quality. The three-part object creates a new space for the dinner, calmand under
the open sky. The lighting display on the ruins continued the same theme of abstract geometry and
white light.
Scenografe de
eveniment Palatul
Cultural din Blaj
BNAB 2012 - Ar h i t e c t u r a s p a i u l u i i n t e r i o r, d e s i g n d e p r o d u s i s c e n o g r a f i e 351
BNAB 2012 - Ar c hi t e c t ur e of t he i nt e r i or s pac e , pr oduc t de s i gn and s e t de s i gn
Premiul seciunii/ Section Prize
Spania, Barcelona, Plaza Espaa
Autori/Authors
Jenic Craiu, Ricardo Marsicano
Proiectul este rezultatul concursului pentru proiectarea i execuia unui stand de 38 mp care s
reprezinte coala de Art i Design Massana la Trgul de nvmnt din Barcelona pe durata a
patru ediii. ntr-un trg, experiena utilizatorului poate fi obositoare prin cantitatea i excesul de
informaie. A fost propus deci un volum uor, agat de o structur metalic proiectat pentru a
susine propunerea arhitectonic. Pereii i tavanul sunt suspendate. Tavanul, format din multiple
cabluri, creeaz un volum iluminat de mari dimensiuni care protejeaz i definete standul. Zona
de expunere se transform ntr-un container gol configurat prin toate limitele sale: vertical - pereii,
orizontal - pardoseal i tavanul. Iluminarea este fixat peste aceeai structur suspendat.
Pavilion of Massana Art and Design School, Barcelona
The project is the result of the competition to design and execute a 38m2 interior pavilion to represent
the Massana Art and Design School at the Barcelona Educational Fair for 4 editions. The experience
of visiting a fair can be overwhelming and exhausting due to the large amount of information. Each
stand competes to stand out and make a lasting impression to the visitor. Therefore, a light volume
suspended on a specially designed metallic structure was proposed. The walls and the ceiling are
suspended. The ceiling, consisting of knitted nautical rope (almost 60km in total), creates a wide and
light volume which protects and defines the pavilion. The display area turns into an empty container
shaped through all its limits: vertically the walls, horizontally the floor onto the same suspended
structure. A net of projectors directs the light in the information area (the table).
Pavilionul colii de Art
i Design Massana,
Barcelona
BNAB 2012 - Ar h i t e c t u r a s p a i u l u i i n t e r i o r, d e s i g n d e p r o d u s i s c e n o g r a f i e 353
BNAB 2012 - Ar c hi t e c t ur e of t he i nt e r i or s pac e , pr oduc t de s i gn and s e t de s i gn
Nominalizare/ Nomination
Autor/Author
Ruxandra Sacali
.tri.foi. este un scaun simplu, din lemn, care exploreaz cultura rural i n special obiectele
meteugite, tradiionale din lemn. Obiectul propus face referin la scaunul rnesc de lemn cu
trei picioare care, n majoritatea regiunilor din Romnia, nsoea masa de lng vatr ce aduna n
jurul ei familia. Scaunul propus ncearc s exploreze echilibrul relaiei dintre funciune, construcie i
meteug, ns caut moduri contemporane de reinterpretare prin intermediul mbinrilor de lemn i
prin forma acestuia. Asemeni scaunului rnesc, structura este minimal i este menit s fie vizibil
devenind, de asemenea, elementul decorativ caracteristic: mbinrile sunt vizibile la faa ezutului.
.tre.foil.
.tre.foil. is a simple wooden stool that explores the rural culture, particularly the traditional hand-
crafted wooden objects. The inspiration comes from the low three-legged stool that in most regions
of Romania accompanied the dinning table that gathered the family around in a farmers house.
The stool proposed here tries to explore the relation between function, construction and craft, but
employing contemporary means of expression through the wooden joints. The minimal structure of the
stool and the way it is constructed is meant to be easily understood and to define its aesthetic features.
.tri.foi.
BNAB 2012 - Ar h i t e c t u r a s p a i u l u i i n t e r i o r, d e s i g n d e p r o d u s i s c e n o g r a f i e 355
BNAB 2012 - Ar c hi t e c t ur e of t he i nt e r i or s pac e , pr oduc t de s i gn and s e t de s i gn
Nominalizare/ Nomination
Autor/Author
Irina Moscu
Ideea de contemporaneitate a decorului a pornit de la viziunea regizorului de a aduce aciunea n
prezent. S-a ncercat crearea unei atmosfere reci, sterile, decorul venind n ntmpinarea actorilor
n primul rnd la nivel funcional i apoi plastic. n aceast soluie s-a pstrat ideea cadrului/porii
de trecere, acest element cu greutate avnd rolul de a separa spaiile de joc. Este elementul vertical,
masculin, de for al scenei, care face referire la brbaii din viaa Heddei. Pe buza frontal a cadrului
este poziionat o draperie de fire albe prin care sunt filtrate zonele de interes, dar care are i rolul de
a deveni suprafa de video-proiecie. Pe buza din spate a porii exist o suprafaa oglindat care face
ca zona de joc din faa porii s se reflecte i s concentreze atenia asupra personajelor din primplan.
Tot aa se pstreaz i ideea refleciei multiple a Heddei. Al doilea element important este modulul
alb, elementul orizontal care simbolizeaz feminitatea i stabilitatea (echilibreaz scena). Conceput
ca obiect multifuncional, el devine pe rnd mas, scaun, canapea i pian. Pianul este un element
neateptat, deoarece este nglobat n blatul modulului. E fetiul Heddei, doar ea are voie s urce pe el
fiind totodat i locul unde ea i ademenete victimele.
Set design and costumes for Hedda Gabler by Henrik Ibsen
This set design follows the directors vision of bringing Ibsens play in present time, with an emphasis
on its the dark realities. Consequently, the set creates a bleak mood where the acting takes even more
prominence. I kept the idea of the door frame/gate which also helps in creating different areas on
stage. It is the vertical element, representing masculinity and power and represents symbolically the
men in Heddas life. On the front edge of the frame I placed a white curtain that separates the areas of
interest, but also acts as a projection screen. The back edge of the gate has a reflective Plexiglas wall
and door that enhances the actors presence on the stage. It also renders a multiplied/multifaceted
image of Hedda. Another important element is the white module, designed as a multipurpose
object: table, chair, sofa and the famous piano. The piano is an unexpected facet of the object because
its embedded in the countertop of the module and, although a crucial element, its not visible at the
beginning. The white module is the horizontal element that symbolizes femininity; an element of
stability and balance on the stage, it belongs entirely to Hedda, its her fetish. She is the only one
allowed to climb on it and its the place where she lures her victims.
Decor i costume
pentru Hedda Gabler
de Henrik Ibsen
BNAB 2012 - Ar h i t e c t u r a s p a i u l u i i n t e r i o r, d e s i g n d e p r o d u s i s c e n o g r a f i e 357
BNAB 2012 - Ar c hi t e c t ur e of t he i nt e r i or s pac e , pr oduc t de s i gn and s e t de s i gn
Nominalizare/ Nomination
Romnia, jud. Timi, Timioara, str. Oituz nr. 5
Autor/Author
Bogdan Demetrescu
Conceptul s-a nscut din dorina de a crea un spaiu scenografic dedicat artitilor locali i studenilor
Facultii de Arte Plastice, situat n imediata vecintate a locaiei. Ideea din care s-au nscut att
mobilierul ct i zonele de servicii are la baz teoria pliului. Astfel, prin operaii de pliere, depliere,
incizie etc., ia form ntregul ansamblu, devenind un obiect dominant ce ncheag spaiul, un mobilier
la alta scar, un podium de teatru, arte... Ca funcionalitate, spaiul se mparte n mai multe zone
fiecare avnd ca element de accent un obiect de mobilier care completeaz ansamblul suport-
bibliotec, barul, podiumul-canapea i panourile de expunere caerate cu hrtie.
Cafe Atelier
The concept arose from our wish to create a scenographic space dedicated to local artists and students
from the School of the Arts (Facultatea de Arte Plastice) located in close vicinity of the site.The idea of
the furniture and the service areas has the fold theory at its heart. Therefore, the whole ensemble takes
shape by folding and incision operations, becoming a dominant object that unifies the whole space,
a piece of furniture at another scale, a stage for theatre and arts... From a functional standpoint, the
space is divided in several areas, each having a piece of furniture as means of accent: the library, the
couch-podium and the display panels covered in paper.
Cafenea Atelier
BNAB 2012 - Ar h i t e c t u r a s p a i u l u i i n t e r i o r, d e s i g n d e p r o d u s i s c e n o g r a f i e 359
BNAB 2012 - Ar c hi t e c t ur e of t he i nt e r i or s pac e , pr oduc t de s i gn and s e t de s i gn
Symbolon. Verighet[e]
Symbolon. Wedding ring[s]
Autori/Authors
Paul Mihai Moldovan, Anamaria Moldovan
BNAB 2012 - Ar h i t e c t u r a s p a i u l u i i n t e r i o r, d e s i g n d e p r o d u s i s c e n o g r a f i e 361
BNAB 2012 - Ar c hi t e c t ur e of t he i nt e r i or s pac e , pr oduc t de s i gn and s e t de s i gn
360 BNAB 2012 - Ar h i t e c t u r a s p a i u l u i i n t e r i o r, d e s i g n d e p r o d u s i s c e n o g r a f i e
BNAB 2012 - Ar c hi t e c t ur e of t he i nt e r i or s pac e , pr oduc t de s i gn and s e t de s i gn
Amenajare spaiu birouri Chartis Romnia
Offce design for Chartis Romania
Romnia, Bucureti, Calea Victoriei nr. 145
Autor/Author
Corina Maxim
Design de obiect // lavoar / desk recepie // clinic
stomatologic DentalMed
Object design // sink / desk reception // DentalMed
dental clinic
Romnia, Bucureti, Calea 13 Septembrie nr. 102
Autori/Authors
Radu Rdulescu, Andra Rdulescu
BNAB 2012 - Ar h i t e c t u r a s p a i u l u i i n t e r i o r, d e s i g n d e p r o d u s i s c e n o g r a f i e 363
BNAB 2012 - Ar c hi t e c t ur e of t he i nt e r i or s pac e , pr oduc t de s i gn and s e t de s i gn
362 BNAB 2012 - Ar h i t e c t u r a s p a i u l u i i n t e r i o r, d e s i g n d e p r o d u s i s c e n o g r a f i e
BNAB 2012 - Ar c hi t e c t ur e of t he i nt e r i or s pac e , pr oduc t de s i gn and s e t de s i gn
Amenajare spaii birouri Arval
Offce space design for Arval
Romnia, Bucureti, str. Banu Antonache nr. 40-44
Autor/Author
Corina Maxim
Amenajare locuin unifamilial | Otopeni
Interior design | House in Otopeni
Autor/Author
Silviu Mihilescu
BNAB 2012 - Ar h i t e c t u r a s p a i u l u i i n t e r i o r, d e s i g n d e p r o d u s i s c e n o g r a f i e 365
BNAB 2012 - Ar c hi t e c t ur e of t he i nt e r i or s pac e , pr oduc t de s i gn and s e t de s i gn
364 BNAB 2012 - Ar h i t e c t u r a s p a i u l u i i n t e r i o r, d e s i g n d e p r o d u s i s c e n o g r a f i e
BNAB 2012 - Ar c hi t e c t ur e of t he i nt e r i or s pac e , pr oduc t de s i gn and s e t de s i gn
Lobby Europe House
Europe House Lobby
Romnia, Bucureti, bd. Lascr Catargiu
Autori/Authors
Emil Burbea-Milescu, Oana Gabriela Coarf, Alexandra Liu, Radu Tudor Ponta
Amenajare interioar locuin
Interior design - dwelling
Romnia, Bucureti, str. oimretilor nr. 19
Autor/Author
Anca Mitrache
BNAB 2012 - Ar h i t e c t u r a s p a i u l u i i n t e r i o r, d e s i g n d e p r o d u s i s c e n o g r a f i e 367
BNAB 2012 - Ar c hi t e c t ur e of t he i nt e r i or s pac e , pr oduc t de s i gn and s e t de s i gn
366 BNAB 2012 - Ar h i t e c t u r a s p a i u l u i i n t e r i o r, d e s i g n d e p r o d u s i s c e n o g r a f i e
BNAB 2012 - Ar c hi t e c t ur e of t he i nt e r i or s pac e , pr oduc t de s i gn and s e t de s i gn
Amenajare Plafar
Plafar interior design
Romnia, Bucureti, bd. Carol I nr. 12
Autor/Author
Bogdan-Constantin Neagu
LaLiLe (LAmpaLIniar cu LEduri)
LaLiLe (LAmpLInear with LEds)
Autor/Author
Tudor Constantinescu
BNAB 2012 - Ar h i t e c t u r a s p a i u l u i i n t e r i o r, d e s i g n d e p r o d u s i s c e n o g r a f i e 369
BNAB 2012 - Ar c hi t e c t ur e of t he i nt e r i or s pac e , pr oduc t de s i gn and s e t de s i gn
368 BNAB 2012 - Ar h i t e c t u r a s p a i u l u i i n t e r i o r, d e s i g n d e p r o d u s i s c e n o g r a f i e
BNAB 2012 - Ar c hi t e c t ur e of t he i nt e r i or s pac e , pr oduc t de s i gn and s e t de s i gn
Phill
Phill
Romnia, jud. Ilfov, Voluntari, str. Potcoavei nr. 120
Autor/Author
Robert Marin
La adpost
Sheltered
Romnia, Bucureti
Autor/Author
Robert Marin
BNAB 2012 - Ar h i t e c t u r a s p a i u l u i i n t e r i o r, d e s i g n d e p r o d u s i s c e n o g r a f i e 371
BNAB 2012 - Ar c hi t e c t ur e of t he i nt e r i or s pac e , pr oduc t de s i gn and s e t de s i gn
370 BNAB 2012 - Ar h i t e c t u r a s p a i u l u i i n t e r i o r, d e s i g n d e p r o d u s i s c e n o g r a f i e
BNAB 2012 - Ar c hi t e c t ur e of t he i nt e r i or s pac e , pr oduc t de s i gn and s e t de s i gn
Amenajare locuin Voluntari
Voluntari house interior design
Romnia, jud. Ilfov, Voluntari, str. George Enescu
Autori/Authors
Dorin tefan Adam, Maria Mdlina Iftimi
Cafenea / club biliard Ploieti
Cafe / billiards club Ploieti
Romnia, jud. Prahova, Ploieti, oseaua Nordului
Autori/Authors
Dorin tefan Adam, Maria Mdlina Iftimi
BNAB 2012 - Ar h i t e c t u r a s p a i u l u i i n t e r i o r, d e s i g n d e p r o d u s i s c e n o g r a f i e 373
BNAB 2012 - Ar c hi t e c t ur e of t he i nt e r i or s pac e , pr oduc t de s i gn and s e t de s i gn
372 BNAB 2012 - Ar h i t e c t u r a s p a i u l u i i n t e r i o r, d e s i g n d e p r o d u s i s c e n o g r a f i e
BNAB 2012 - Ar c hi t e c t ur e of t he i nt e r i or s pac e , pr oduc t de s i gn and s e t de s i gn
Expoziia Activri Urbane n Romnia
Urban Activations in Romania Exhibition
Romnia, Muzeul Naional de Art Contemporan
Autor/Author
Asociaia Zeppelin
A51 - 51 birouri de arhitectur
A51 - 51 architecture bureaus
Romnia, Bucureti, Sala Dalles
Autori/Authors
Alex Axinte, Cristi Borcan
BNAB 2012 - Ar h i t e c t u r a s p a i u l u i i n t e r i o r, d e s i g n d e p r o d u s i s c e n o g r a f i e 375
BNAB 2012 - Ar c hi t e c t ur e of t he i nt e r i or s pac e , pr oduc t de s i gn and s e t de s i gn
374 BNAB 2012 - Ar h i t e c t u r a s p a i u l u i i n t e r i o r, d e s i g n d e p r o d u s i s c e n o g r a f i e
BNAB 2012 - Ar c hi t e c t ur e of t he i nt e r i or s pac e , pr oduc t de s i gn and s e t de s i gn
Apartament BG
BG fat
Romnia, Bucureti, str. Pristolului nr. 1984
Autor/Author
Asociaia Zeppelin
Densifcare - amenajare de apartament, Bucureti
Densifcation - a fats redesign, Bucharest
Romnia, Bucureti, str. Crciun nr. 1984
Autor/Author
Asociaia Zeppelin
BNAB 2012 - Ar h i t e c t u r a s p a i u l u i i n t e r i o r, d e s i g n d e p r o d u s i s c e n o g r a f i e 377
BNAB 2012 - Ar c hi t e c t ur e of t he i nt e r i or s pac e , pr oduc t de s i gn and s e t de s i gn
376 BNAB 2012 - Ar h i t e c t u r a s p a i u l u i i n t e r i o r, d e s i g n d e p r o d u s i s c e n o g r a f i e
BNAB 2012 - Ar c hi t e c t ur e of t he i nt e r i or s pac e , pr oduc t de s i gn and s e t de s i gn
Arhitectur de culise
(back)stage architecture
Romnia, Bucureti, Calea Victoriei
Autor/Author
Cristian Stnoiu
2C_RDX
2C_RDX
Autor/Author
Justin Baroncea
BNAB 2012 - Ar h i t e c t u r a s p a i u l u i i n t e r i o r, d e s i g n d e p r o d u s i s c e n o g r a f i e 379
BNAB 2012 - Ar c hi t e c t ur e of t he i nt e r i or s pac e , pr oduc t de s i gn and s e t de s i gn
378 BNAB 2012 - Ar h i t e c t u r a s p a i u l u i i n t e r i o r, d e s i g n d e p r o d u s i s c e n o g r a f i e
BNAB 2012 - Ar c hi t e c t ur e of t he i nt e r i or s pac e , pr oduc t de s i gn and s e t de s i gn
CND_B
CND_B
Autor/Author
Justin Baroncea
SNW_SKT
SNW_SKT
Autor/Author
Justin Baroncea
BNAB 2012 - Ar h i t e c t u r a s p a i u l u i i n t e r i o r, d e s i g n d e p r o d u s i s c e n o g r a f i e 381
BNAB 2012 - Ar c hi t e c t ur e of t he i nt e r i or s pac e , pr oduc t de s i gn and s e t de s i gn
380 BNAB 2012 - Ar h i t e c t u r a s p a i u l u i i n t e r i o r, d e s i g n d e p r o d u s i s c e n o g r a f i e
BNAB 2012 - Ar c hi t e c t ur e of t he i nt e r i or s pac e , pr oduc t de s i gn and s e t de s i gn
Amenajare toalete publice Maritimo Shopping Center
Constana
Interior design for public toilets Maritimo Shopping
Center Constana
Romnia, jud. Constana, Constana, bd. Aurel Vlaicu nr. 220
Autor/Author
Cosana Tudor
Toujours le printemps
Toujours le printemps
Autori/Authors
Anca Cioarec, Brndua Tudor
BNAB 2012 - Ar h i t e c t u r a s p a i u l u i i n t e r i o r, d e s i g n d e p r o d u s i s c e n o g r a f i e 383
BNAB 2012 - Ar c hi t e c t ur e of t he i nt e r i or s pac e , pr oduc t de s i gn and s e t de s i gn
382 BNAB 2012 - Ar h i t e c t u r a s p a i u l u i i n t e r i o r, d e s i g n d e p r o d u s i s c e n o g r a f i e
BNAB 2012 - Ar c hi t e c t ur e of t he i nt e r i or s pac e , pr oduc t de s i gn and s e t de s i gn
Amenajare salon de nfrumuseare
Bubble Room
Romnia, jud. Iai, Iai
Autor/Author
Marian-Bogdan Curelariu
Cltoriile lui Gulliver
Gullivers Travels
Romnia, jud. Neam, Piatra Neam
Autor/Author
Laureniu Dumitrac
BNAB 2012 - Ar h i t e c t u r a s p a i u l u i i n t e r i o r, d e s i g n d e p r o d u s i s c e n o g r a f i e 385
BNAB 2012 - Ar c hi t e c t ur e of t he i nt e r i or s pac e , pr oduc t de s i gn and s e t de s i gn
384 BNAB 2012 - Ar h i t e c t u r a s p a i u l u i i n t e r i o r, d e s i g n d e p r o d u s i s c e n o g r a f i e
BNAB 2012 - Ar c hi t e c t ur e of t he i nt e r i or s pac e , pr oduc t de s i gn and s e t de s i gn
Spargere fr proft
A break with no gain
Romnia, jud. Neam, Piatra Neam
Autor/Author
Laureniu Dumitrac
Senzorial
Sensorial
Autori/Authors
Liviu Gabriel Zgan, Costin Beekman, Alexandra Nicolau
BNAB 2012 - Ar h i t e c t u r a s p a i u l u i i n t e r i o r, d e s i g n d e p r o d u s i s c e n o g r a f i e 387
BNAB 2012 - Ar c hi t e c t ur e of t he i nt e r i or s pac e , pr oduc t de s i gn and s e t de s i gn
386 BNAB 2012 - Ar h i t e c t u r a s p a i u l u i i n t e r i o r, d e s i g n d e p r o d u s i s c e n o g r a f i e
BNAB 2012 - Ar c hi t e c t ur e of t he i nt e r i or s pac e , pr oduc t de s i gn and s e t de s i gn
Quattro core
Quattro core
Autori/Authors
Ioana Secrea, Liviu Gabriel Zgan, Costin Beekman
Mihai Viteazul
Mihai Viteazul
Romnia, jud. Neam, Piatra Neam, Teatrul Tineretului
Autor/Author
Laureniu Dumitrac
BNAB 2012 - Ar h i t e c t u r a s p a i u l u i i n t e r i o r, d e s i g n d e p r o d u s i s c e n o g r a f i e 389
BNAB 2012 - Ar c hi t e c t ur e of t he i nt e r i or s pac e , pr oduc t de s i gn and s e t de s i gn
388 BNAB 2012 - Ar h i t e c t u r a s p a i u l u i i n t e r i o r, d e s i g n d e p r o d u s i s c e n o g r a f i e
BNAB 2012 - Ar c hi t e c t ur e of t he i nt e r i or s pac e , pr oduc t de s i gn and s e t de s i gn
Baba Hrca
Baba Hrca
Romnia, jud. Neam, Piatra Neam, Teatrul Tineretului
Autor/Author
Laureniu Dumitrac
Conu Leonida fa cu reaciunea
Conu Leonida
Romnia, jud. Neam, Piatra Neam, Teatrul Tineretului
Autor/Author
Laureniu Dumitrac
BNAB 2012 - Ar h i t e c t u r a s p a i u l u i i n t e r i o r, d e s i g n d e p r o d u s i s c e n o g r a f i e 391
BNAB 2012 - Ar c hi t e c t ur e of t he i nt e r i or s pac e , pr oduc t de s i gn and s e t de s i gn
390 BNAB 2012 - Ar h i t e c t u r a s p a i u l u i i n t e r i o r, d e s i g n d e p r o d u s i s c e n o g r a f i e
BNAB 2012 - Ar c hi t e c t ur e of t he i nt e r i or s pac e , pr oduc t de s i gn and s e t de s i gn
Herr Hauptmann
Herr Hauptmann
Romnia, jud. Neam, Piatra Neam, Teatrul Tineretului
Autor/Author
Laureniu Dumitrac
Osmosis
Osmosis
Coreea de Sud, Yeosu
Autori/Authors
Andrei Mihilescu, Oana Mihilescu
BNAB 2012 - Ar h i t e c t u r a s p a i u l u i i n t e r i o r, d e s i g n d e p r o d u s i s c e n o g r a f i e 393
BNAB 2012 - Ar c hi t e c t ur e of t he i nt e r i or s pac e , pr oduc t de s i gn and s e t de s i gn
392 BNAB 2012 - Ar h i t e c t u r a s p a i u l u i i n t e r i o r, d e s i g n d e p r o d u s i s c e n o g r a f i e
BNAB 2012 - Ar c hi t e c t ur e of t he i nt e r i or s pac e , pr oduc t de s i gn and s e t de s i gn
Violet
Violet
Romnia, Bucureti
Autori/Authors
Andrei Mihilescu, Oana Mihilescu
Reciclabile
Reciclabile
Autor/Author
Dorina Onescu-Trbujaru
BNAB 2012 - Ar h i t e c t u r a s p a i u l u i i n t e r i o r, d e s i g n d e p r o d u s i s c e n o g r a f i e 395
BNAB 2012 - Ar c hi t e c t ur e of t he i nt e r i or s pac e , pr oduc t de s i gn and s e t de s i gn
394 BNAB 2012 - Ar h i t e c t u r a s p a i u l u i i n t e r i o r, d e s i g n d e p r o d u s i s c e n o g r a f i e
BNAB 2012 - Ar c hi t e c t ur e of t he i nt e r i or s pac e , pr oduc t de s i gn and s e t de s i gn
Apartament A.B.
Apartment A.B.
Romnia, jud. Cluj, Cluj-Napoca
Autori/Authors
Paul Mihai Moldovan, Florin Vasile Lazr
Decor i costume pentru Manhattan Medea de Dea Loher
Set design and costumes for Manhattan Medea by
Dea Loher
Autor/Author
Irina Moscu
BNAB 2012 - Ar h i t e c t u r a s p a i u l u i i n t e r i o r, d e s i g n d e p r o d u s i s c e n o g r a f i e 397
BNAB 2012 - Ar c hi t e c t ur e of t he i nt e r i or s pac e , pr oduc t de s i gn and s e t de s i gn
396 BNAB 2012 - Ar h i t e c t u r a s p a i u l u i i n t e r i o r, d e s i g n d e p r o d u s i s c e n o g r a f i e
BNAB 2012 - Ar c hi t e c t ur e of t he i nt e r i or s pac e , pr oduc t de s i gn and s e t de s i gn
Vegetal - Sistem de expunere produse premium
Wienerberger-Porotherm. Prototip
Vegetal - Modular showcase system for
Wienerberger-Porotherm. Prototype
Autori/Authors
Paul Mihai Moldovan, Florin Vasile Lazr, Anamaria Moldovan
Birouri Mapcom - amenajare interioar
Mapcom offces - interior design
Romnia, jud. Mure, Trgu Mure, str. Insulei nr. 1
Autori/Authors
Oliver Neme, Adrian Roca
BNAB 2012 - Ar h i t e c t u r a s p a i u l u i i n t e r i o r, d e s i g n d e p r o d u s i s c e n o g r a f i e 399
BNAB 2012 - Ar c hi t e c t ur e of t he i nt e r i or s pac e , pr oduc t de s i gn and s e t de s i gn
398 BNAB 2012 - Ar h i t e c t u r a s p a i u l u i i n t e r i o r, d e s i g n d e p r o d u s i s c e n o g r a f i e
BNAB 2012 - Ar c hi t e c t ur e of t he i nt e r i or s pac e , pr oduc t de s i gn and s e t de s i gn
Decor i costume pentru Auto de Ernesto Caballero
Set design and costumes for Auto by Ernesto Caballero
Autor/Author
Irina Moscu
Convergent network
Convergent network
Romnia, Bucureti, os. Mihai Bravu
Autori/Authors
Oana Mihilescu, Andrei Mihilescu
BNAB 2012 - Ar h i t e c t u r a s p a i u l u i i n t e r i o r, d e s i g n d e p r o d u s i s c e n o g r a f i e 401
BNAB 2012 - Ar c hi t e c t ur e of t he i nt e r i or s pac e , pr oduc t de s i gn and s e t de s i gn
400 BNAB 2012 - Ar h i t e c t u r a s p a i u l u i i n t e r i o r, d e s i g n d e p r o d u s i s c e n o g r a f i e
BNAB 2012 - Ar c hi t e c t ur e of t he i nt e r i or s pac e , pr oduc t de s i gn and s e t de s i gn
Best Value - walkthrough shop
Best Value - walkthrough shop
Romnia, jud. Ilfov, Otopeni, Aeroportul Internaional Henri Coand
Autor/Author
Adrian Roca
La Sarmale - Restaurant cu specifc romnesc cu
autoservire, Aeroportul Internaional Henri Coand
La Sarmale - Romanian traditional restaurant, Henri
Coand International Airport, Bucharest
Romnia, jud. Ilfov, Otopeni
Autor/Author
Emilia ugui
BNAB 2012 - Ar h i t e c t u r a s p a i u l u i i n t e r i o r, d e s i g n d e p r o d u s i s c e n o g r a f i e 403
BNAB 2012 - Ar c hi t e c t ur e of t he i nt e r i or s pac e , pr oduc t de s i gn and s e t de s i gn
402 BNAB 2012 - Ar h i t e c t u r a s p a i u l u i i n t e r i o r, d e s i g n d e p r o d u s i s c e n o g r a f i e
BNAB 2012 - Ar c hi t e c t ur e of t he i nt e r i or s pac e , pr oduc t de s i gn and s e t de s i gn
Em
Em
Autori/Authors
Alexandru Adam, Roger Pop, Monika Koryczan
Mood
Mood - lamp
Autori/Authors
Monika Koryczan, Alexandru Adam, Roger Pop
405
F
Architecture of the public space
Arhitectura spaiului public
Juriu/Jury
Constantin Spiridonidis (Grecia)
Key Imaguire Junior (Brazilia)
Alexandru Sandu (Romnia, Bucureti)
Tiberiu Florescu (Romnia, Bucureti)
Victor Moraru (Romnia, Sibiu)
407
Juriul a formulat, de acord n unanimitate, urmtoarele criterii:
Particularitatea conceptului i afirmarea metodei cu valoare de model
Inovarea spaial i configurativ estetic
ncadrarea i impactul n teritoriu, la nivel spaial, social i cultural, n condiiile impuse prin reglementrile Uniunii Europene
Calitatea propunerii ca expresie strategic i instrument de dezvoltare durabil
Calitatea ca act de cercetare profesionist
Calitatea de exprimare specific limbajului profesional
S-a detaat pentru premiu lucrarea Grdina cu vise Bastionul Theresia din Timioara. O realizare ntr-o abordare stilistic, configurativ,
contemporan, ntr-o stare de contrast cu contextul n care era realizat, respectiv interiorul bastionului.
Bastionul Theresia
Pentru noi, este cea mai bun propunere arhitectural a Bienalei. Pentru a realiza aa ceva, arhitecii trebuie s fie peisagiti pentru a
ndeprta interferenele de pe proprietate; proiectani pentru a propune convieuirea ntre construciile vechi i noi i pentru a respecta
principiile conservrii cldirilor istorice, de prim importan pentru ora. Proiectul se remarc i prin stpnirea structurilor, echipamentelor i
instalaiilor, prin materialele folosite de arhitectura de interior, precum i printr-un bun gust impecabil.
Triunghiul
Acest proiect are un concept interesant, simplu i eficient pentru scopul su. ntr-un mediu fr caliti arhitectonice sau spaiale, proiectul
propune un punct de interaciune social foarte atractiv am vzut oamenii din zon cum se adun n acest spaiu. Copiii se joac, tinerii se
ntlnesc i discut, oamenii n vrst i plimb cinii. Aceast atmosfer este rezultatul interaciunii dintre compoziia arhitectural plcut i
simplitatea materialelor i echipamentelor, elemente ale unui concept spaial bun.
Pieele Cluj-Napoca i Braov
Avnd n vedere mediul monumental istoric puternic ce definete peisajul urban i prima serie de cldiri arhitecturale, conceperea unor asemenea
spaii trebuie s fie n mod necesar curat, fr volume de interferen. Arhitecii au neles acest lucru i au respectat mediul ambiant, propunnd
o soluie nepretenioas i adecvat. Chiar dac Piaa Braov are probleme cu echipamentele impuse, acestea sunt simplu de rezolvat.
Opinia juriului Seciunea F prezentarea prof. dr. arh. ALEXANDRU SANDU
Opinia juriului Seciunea F prezentat de prof. dr. arh. KEY IMAGUIRE
JUNIOR i dr. arh. MARIALBA IMAGUIRE
The jury formulated, unanimously, the following criteria:
The particularity of the concept and the affirmation of the method as a model
The spatial and configurative-aesthetic innovation
The framing in the territory and the impact in the territory, at spatial, social and cultural level, according to the conditions imposed
by the European Unions regulations.
The quality of the proposition as a strategic expression and sustainable development tool
Quality as a professional research act
The quality of expression specific to the professional language
The project entitled Garden of dreams The Bastion of Theresia in Timioara has been selected for winning the prize. A stylistic, configurative,
contemporary approach, in a status of contrast with its context, respectively the bastions interior.
The Bastion of Theresia
For us, its the best architectural proposal in the Biennale. To do such a work, the architects must be landscape designers for cleaning the
property from interferences; building designers to propose the cohabitation between old and new constructions and respect the principles
of historic buildings conservation, a question of first grade importance for the city. The project is remarkable for the good control of structures,
equipment and installations, for the simplicity of materials used for the interior design and for its impeccable good taste.
The Triangle
This project has an interesting concept, simple and efficient for its purposes. In an environment without special architectural and spatial qualities,
it proposes a very attractive social interaction point we have seen people living in the neighborhood gathering in this public space. Children are
playing, young people are meeting and talking, old people are walking their dogs. This atmosphere is the result of the interaction of a special
architectural composition with the simplicity of materials and equipment, both elements of a good spatial concept.
Plazas at Cluj-Napoca and Brasow
Considering the powerful historical monumental environment which defines the urban landscape and the first range of architectural buildings,
conceiving such spaces must be necessarily a cleaning process, with no interfering volumes. The architects understood this and respected the cities,
proposing an unpretentious and adequate solution. Even if the Brasow Plaza encountered some problems with the imposed equipment, these
are easy to solve.
The jurys opinion Section F presented by PhD. Arch. Prof. ALEXANDRU SANDU
The jurys opinion Section F presented by Prof. PhD Arch. KEY
IMAGUIRE JUNIOR and Arch. PhD MARIALBA IMAGUIRE

BNAB 2012 - A r h i t e c t u r a s p a i u l u i p u b l i c 409
BNAB 2012 - Ar c hi t ec t ur e of t he publ i c s pac e
408 BNAB 2012 - A r h i t e c t u r a s p a i u l u i p u b l i c
BNAB 2012 - Ar c hi t ec t ur e of t he publ i c s pac e
Vlad Eftenie 2012
411
F. SECIUNEA Arhitectura spaiului public F. Architecture of the Public Spaces SECTION
P R E MI I I N O MI N A L I Z R I A C O R D A T E D E J U R I U
NOMINALIZRI:
F015 Triunghi. Un experiment urban, jud. Cluj, Cmpia Turzii, Mureului
Autor: Paul Mihai Moldovan / Florin Vasile Lazr
F049 Grdina cu vise - Bastionul Theresia din Timioara, jud. Timi, Str.
Hector nr. 2
Autor: Marius Miclu
F233 Reamenajarea Pieei Unirii, Braov, jud. Braov
Autor: Michael Buck / Eugen Pnescu / Benjamin Kohl
F235 Reamenajarea Pieei Unirii, Cluj-Napoca, jud. Cluj
Autor: Adrian Borda / Tudor Pnescu / Tiberiu Ciolacu / Flavia Cozma / Oana
Stncioiu / Michael Buck / Eugen Pnescu / Benjamin Kohl
PREMIU:
F049 Grdina cu vise - Bastionul Theresia din Timioara, jud. Timi, Str.
Hector nr. 2
Autor: Marius Miclu
N O MI N A T I O N A N D A WA R D S G R A N T E D B Y T H E J U R Y
NOMINATIONS:
F015 Triangle. An urban experiment, Cluj County, Cmpia Turzii,
Mureului
Authors: Paul Mihai Moldovan / Florin Vasile Lazr
F049 Garden of dreams The Theresia bastion in Timioara, Timi
County, Str. Hector no. 2
Author: Marius Miclu
F233 Rearrangement of Piaa Unirii, Braov, Braov County
Authors: Michael Buck / Eugen Pnescu / Benjamin Kohl
F235 Rearrangement of Piaa Unirii, Cluj-Napoca, Cluj County
Authors: Adrian Borda / Tudor Pnescu / Tiberiu Ciolacu / Flavia Cozma / Oana
Stncioiu / Michael Buck / Eugen Pnescu / Benjamin Kohl
AWARD:
F049 Garden of dreams The Theresia bastion in Timioara, Timi
County, Str. Hector no. 2
Author: Marius Miclu
Urban building designs, permanent or temporary improvements of public Spaces, landscape planning, contributions adding cultural components
to the public infrastructure.
P R E MI I A C O R D A T E D E P A R T E N E R I
Atelierul de Proiectare
F015 Triunghi. Un experiment urban, jud.
Cluj, Cmpia Turzii, Mureului
Autor: Paul Mihai Moldovan / Florin Vasile Lazr
Al Prompt
Premiul Al prompt s-a acordat la toate premiile
acordate de juriul BNAB.
AWARDS GRANT E D BY T HE PART NE RS
Atelierul de Proiectare Magazine
F015 Triangle. An urban experiment, Cluj
County, Cmpia Turzii, Mureului
Authors: Paul Mihai Moldovan / Florin Vasile Lazr
Al Prompt
The Al Prompt prize accompanied all the other
prizes granted by the BNAB jury.
Proiecte de design urban, amenajri permanente sau temporare ale spaiilor publice, peisagistic, contribuii care adaug infrastructurii publice
componente culturale.
BNAB 2012 - A r h i t e c t u r a s p a i u l u i p u b l i c 413
BNAB 2012 - Ar c hi t ec t ur e of t he publ i c s pac e
Romnia, jud. Timi, Timioara, str. Hector nr. 2
Autor/Author
Marius Miclu
Pentru reabilitarea Bastionului Theresia (datnd de la 1738) s-au luat n calcul potenialitile
spaiilor interioare, a spaiilor nefolosite (mansarda) i definirea unor noi volume contemporane
pentru funciuni predominant culturale. Conceptual, intervenia se bazeaz pe cteva principii:
eliminarea mortarelor pe baz de ciment i a betoanelor turnate n reabilitarea din anii 70,
realizarea noilor instalaii doar prin pardoseli i elemente metalice care s exclud intervenia n
substana istoric i folosirea de materiale noi (reversibile) uor de eliminat n interveniile ulterioare.
O etap important a fost analiza materialului istoric tencuieli, crmid (5 tipuri), piatr (2 tipuri)
i lemn ca i comportare n timp i ca reacie la intervenia din anii 70. Materialele nou folosite au fost
alese sa mbtrneasc frumos n contrast uor cu suprafeele istorice. Ca suport pentru monument
a fost aleas o piatr din calcar ce ascunde spaiile din curtea de onoare dar poteneaz prin contrast
i reinventeaz locuri nefolosite.
Garden Dreams - Theresia Bastion from Timioara
The rehabilitation of the Theresia Bastion (built in1738) centered on reintegrating and defining a new
urban pole by applying creativity to the public space an area in which too little has been invested in the
past twenty years in Romania. Part of the structure dating from the 18th century had incurred numerous
changes in time due to the development of the city. We paid great attention to the potential of interior
spaces, including those currently unused (e.g. the attic) as well as to defining new contemporary volumes
for cultural use. The intervention aimed to eliminate cement mortars and the concrete poured during
the 1970s restoration process, as well as the interventions on the historical surfaces due to the use of
such materials. All plumbing and electrical installations were inserted under the floor or mounted on
metal supports, thus reducing to the minimum the intervention on the historical core of the building.
Existing materials were analyzed by experts before any intervention was undertaken and new, reversible
materials, easy to eliminate in following interventions, were used throughout.
Premiul seciunii/ Section Prize
Grdina cu vise -
Bastionul Theresia din
Timioara
BNAB 2012 - A r h i t e c t u r a s p a i u l u i p u b l i c 415
BNAB 2012 - Ar c hi t ec t ur e of t he publ i c s pac e
Nominalizare/ Nomination
Romnia, jud. Cluj, Cmpia Turzii, Mureului
Autori/Authors
Paul Mihai Moldovan, Florin Vasile Lazr
Triunghi. Un experiment urban a fost iniial un proiect care cerea proiectarea tehnic i execuia unei
fntni arteziene trilobate n municipiul Cmpia Turzii. Analiza situaiei existente a dus la un inventar
al spaiilor publice din cartierul muncitoresc, construit n anii 80. Aceste spaii au fost transformate
de-a lungul timpului n parcri, garaje ori au fost ngrdite, devenind astfel spaii semi-private. Acest
inventar a dus la schimbarea radical a temei de proiectare prin poziionarea fntnii arteziene pe
un loc secund, prioriti devenind crearea unui spaiu public cu rol de catalizator social dar i infuzia
de noi spaii verzi. Procesul de design al noului spaiu a pornit de la forma de triunghi a sitului.
Dou bariere de vegetaie separ zona pietonal de cea carosabil a strzii Mureului i totodat
protejeaz fonic locuinele din vecintate. S-a renunat la ideea fntnii decorative n favoarea unui
obiect care s permit interaciunea cu apa dar i cu el nsui, fiind n acelai timp integrat spaiului
din care face parte. Semn c rolul de catalizator social a fost ndeplinit este prezena uman cvasi-
permanent indiferent de anotimp sau de existena apei.
Triangle. An urban experiment
Triangle. An Urban Experiment started as a technical and detailed project for a trefoiled fountain
commissioned by Cmpia-Turzii City Hall. The work started with a detailed inventory of public spaces
available in the working-class neighborhood, which had been built in the 80s. These spaces have
been transformed into parking lots, garages or fenced spaces, thus becoming semi-private areas. The
findings lead to the shift of the project focus, in which the fountain becomes a secondary element in
relation to new priorities: one was the creation of a public space able to establish the fountain as a
place of social interaction and the second was the infusion of new green spaces. The design process
of the new space started from the triangular shape of the site. Two blocks of vegetation protect the
pedestrian area from ongoing traffic and the surrounding apartment buildings from urban noise.
The idea of a decorative fountain was abandoned in favor of an object that allows interaction, while
blending in the surrounding space. The project aims to show that the creation of social reflexes is part
of the architectural practice: the quasi-permanent human presence in this space confirms that its role
as a social and spatial catalyst has been accomplished.
Triunghi.
Un experiment urban
BNAB 2012 - A r h i t e c t u r a s p a i u l u i p u b l i c 417
BNAB 2012 - Ar c hi t ec t ur e of t he publ i c s pac e
Nominalizare/ Nomination
Romnia, jud. Braov, Braov, Piaa Unirii
Autori/Authors
Michael Buck, Benjamin Kohl, Eugen Pnescu
Piaa Unirii se afl n centrul cartierului istoric Schei i este ncadrat de imobile cu importan
patrimonial. Tradiia bogat a locului, poziia sa n ora i prezena n vecintatea unor atracii
importante confer pieei Unirii potenialul unui centru urban cu identitate i caracter unic. Iniial
pavat, piaa a fost acoperit n anii 1990 cu asfalt i transformat ntr-un nod de trafic i parcaj.
Asfaltul a fost acum nlocuit cu bazalt, dispus n arcuri de cerc, tradiional n Braov. Proiectul
a urmrit reducerea suprafeelor carosabile, lrgirea suprafeei pietonale multifuncionale i
consolidarea rolului de centru de cartier. Elemente punctuale o fntn din granit i doi arari
solitari articuleaz n jurul lor spaii publice cu caractere diferite. Fronturile pieei sunt mrginite
de Gherghini (Crataegus Carrieri), arbori decorativi uor adaptabili mediului urban. Perspectivele n
direcia bisericii, a cldirilor valoroase i a masivilor montani sunt pstrate libere i accentuate. Pentru
restaurantele i cafenelele aflate la parterul cldirilor sunt rezervate suprafee pentru terase. Cile
de acces auto rezervate riveranilor i vehiculelor de aprovizionare sunt integrate n pavajul pietonal.
Refurbishment Piaa Unirii, Braov
Piaa Unirii is positioned at the heart of Schei, an historic district of
Braov, and surrounded by buildings of patrimonial importance. The
exceptional qualities of this urban space along with its location and the
proximity of major attractions, gives Piaa Unirii the potential of an urban
center with a strong identity and unique character. Furthermore, the rich
tradition of Schei as a social space in Piaa Unirii confirms the need of
its rehabilitation. Originally paved, the square was covered with asphalt
in 1990 and later transformed into a traffic and parking hub. Now the
main paving type used is that of basalt arranged in arcs, in accordance
with the local tradition. The projects goal is to decrease roadway surfaces
in favor of the pedestrian ones while strengthening the role of the main
neighborhood social center, animated by various activities. The squares
fronts are lined with hawthorn (Crataegus Carrieri) - easily adaptable
urban ornamental trees. The perspectives towards the church, the
valuable buildings and the mountains are kept open and intensified.
Reserved ground floor terrace areas are considered for restaurants and
cafes. The reserved vehicle access routes for dwellers and supply vehicles
are integrated into the pedestrian pavement.
Reamenajarea Pieei
Unirii, Braov
BNAB 2012 - A r h i t e c t u r a s p a i u l u i p u b l i c 419
BNAB 2012 - Ar c hi t ec t ur e of t he publ i c s pac e
Nominalizare/ Nomination
Romnia, jud. Cluj, Cluj-Napoca, Piaa Unirii
Autori/Authors
Michael Buck, Tiberiu Ciolacu, Flavia Cozma, Benjamin Kohl, Tudor Pnescu, Eugen Pnescu, Oana
Stncioiu, Adrian Borda
Piaa Unirii este cea mai important pia urban a zonei centrale. n anii 90, datorit amenajrilor
fragmentare, creterii accelerate a traficului auto i a altor inconveniente, ansamblul pieei a fost neglijat,
pierzndu-i funciunea real. n 2005 administraia local a lansat un concurs pentru reabilitarea
spaiului public din zona central, bazat pe eliminarea traficului de tranzit din centrul oraului,
promovarea transportului public i identificarea traseelor care puteau fi transformate n zone pietonale.
Proiectul este rezultatul acestui concurs. Suprafaa pieei, conceput unitar, atinge i unete pe direcia
est-vest cele dou fronturi construite. n acest fel imobilele sunt aduse din nou n pia. Zona sitului
arheologic care se afla n pia este ncadrat n amenajare, n jurul ei configurndu-se un loc de repaus.
Un front de trepte pierdute preia configuraia topografic a laturii de vest, funcionnd n acelai timp ca
o graden orientat spre pia. Pe latura de sud un sistem de fntni nsoite de platani ofer un loc de
odihn i o atracie pentru copii. ntreaga suprafa pietonal este pavat cu piatr natural. Odat cu
reamenajarea spaiului urban este modernizat i sistemul de iluminat public.
Refurbishment Piaa Unirii, Cluj-Napoca
Piata Unirii is the most important square in the city center of Cluj. Unfortunately, since the 1990s,
this ensemble was neglected and lost its initial functionality. The excavations during the 1990s
resulting in the creation of archaeological sites in the middle of the square claimed a large part, which
became inaccessible to the public. In 2005, the new administration has launched a competition for
the rehabilitation of this public space in the city center. Our project proposed a homogenous surface
stretching along the buildings from east to west. The buildings are located directly adjacent to the
square as they were in the past, and they now help define the space. An extended system of low steps
along the western side of the square softly accentuates the downward slope and also serves as seating
a tribune - facing the square. Ten sycamore trees and a fountain, consisting of a water basin, an
open field with jets and a water table, enclose the squares southern end. All of the surfaces used by
pedestrians are covered in local natural stone. The remaining archaeological site was covered with a
horizontal glass surface, surrounded by a wooden bench.
Reamenajarea Pieei
Unirii, Cluj-Napoca
BNAB 2012 - A r h i t e c t u r a s p a i u l u i p u b l i c 421
BNAB 2012 - Ar c hi t ec t ur e of t he publ i c s pac e
Echipamente publice
Public Equipments
Romnia, Brno, Geneva, Tbilisi, Sinaia, Bucureti, Braov
Autori/Authors
Alex Axinte, Cristi Borcan
BNAB 2012 - A r h i t e c t u r a s p a i u l u i p u b l i c 423
BNAB 2012 - Ar c hi t ec t ur e of t he publ i c s pac e
422 BNAB 2012 - A r h i t e c t u r a s p a i u l u i p u b l i c
BNAB 2012 - Ar c hi t ec t ur e of t he publ i c s pac e
Ansamblul arhitectural - Hotel Roman
Architectural ensemble - Hotel Roman
Romnia, jud. Neam, Roman
Autor/Author
Laureniu Dumitrac
Amenajare teras restaurant
Restaurant terrace design
Romnia, Bucureti, str. Batitei nr. 14
Autor/Author
Robert Zotescu
BNAB 2012 - A r h i t e c t u r a s p a i u l u i p u b l i c 425
BNAB 2012 - Ar c hi t ec t ur e of t he publ i c s pac e
424 BNAB 2012 - A r h i t e c t u r a s p a i u l u i p u b l i c
BNAB 2012 - Ar c hi t ec t ur e of t he publ i c s pac e
Festival Huet Urban goes Baroc, 19-20 mai 2012
Huet Urban Goes Baroc Festival, May 19-20, 2012
Romnia, jud. Sibiu, Sibiu, Piaa Huet
Autor/Author
Tudor tefan Popa
Barja - arhitectura unui spaiu public de-a lungul
canalului Bega din Timioara
Barge - the architecture of a public space along the
Bega Canal in Timioara
Romnia, jud. Timi, Timioara, Bd. Regele Ferdinand
Autor/Author
Bogdan Demetrescu
427
G
Planificare spaial
Spat i al pl anni ng
Juriu/Jury
Constantin Spiridonidis (Grecia)
Key Imaguire Junior (Brazilia)
Alexandru Sandu (Romnia, Bucureti)
Tiberiu Florescu (Romnia, Bucureti)
Victor Moraru (Romnia, Sibiu)
429
Juriul a formulat, de acord n unanimitate, urmtoarele criterii:
Particularitatea conceptului i afirmarea metodei cu valoare de model
Inovarea spaial i configurativ estetic
ncadrarea i impactul n teritoriu, la nivel spaial, social i cultural, n condiiile impuse prin reglementrile Uniunii Europene
Calitatea propunerii ca expresie strategic i instrument de dezvoltare durabil
Calitatea ca act de cercetare profesionist
Calitatea de exprimare specific limbajului profesional
Primete premiul lucrarea Plan de amenajare a teritoriului zonal Parcul Naional Apuseni, fiind apreciat n mod deosebit valoarea de model
a acestei lucrri.
Propuneri de planificare regional
Aceast categorie trebuie analizat i evaluat de pe panou, avnd n vedere c propunerile vor fi implementate pe parcursul unei perioade lungi
de timp. Probabil vor fi necesari muli ani pn s se vad rezultatele.
Astfel, atenia noastr s-a concentrat pe metodologie i pe calitatea exprimrii arhitectonice a ideilor. Considerm c propunerea pentru Sibiu
este n mod special interesant, bazat pe dezvoltarea istoric a configuraiei oraului.
Opinia juriului Seciunea G prezentarea prof. dr. arh. ALEXANDRU SANDU
Opinia juriului Seciunea F prezentat de prof. dr. arh. KEY IMAGUIRE
JUNIOR i dr. arh. MARIALBA IMAGUIRE
The jury formulated, unanimously, the following criteria:
The particularity of the concept and the affirmation of the method as a model
The spatial and configurative-aesthetic innovation
The framing in the territory and the impact in the territory, at spatial, social and cultural level, according to the conditions imposed
by the European Unions regulations.
The quality of the proposition as a strategic expression and sustainable development tool
Quality as a professional research act
The quality of expression specific to the professional language
The award goes to Plan of zonal territorial planning Apuseni National Park, the value as a model of this work being strongly appreciated.
Regional planning proposals
This category must be analyzed and assessed at the panel, considering the fact that the proposals will be implemented in a large period of time.
Perhaps visible results will be seen many years from now.
So, our attention was focused on the methodology and on the quality of the architectural expression of ideas. We consider that the proposal for
Sibiu, based on the historical development of the city configuration, is particularly interesting
The jurys opinion Section G presented by PhD. Arch. Prof. ALEXANDRU SANDU
The jurys opinion Section F presented by Prof. PhD Arch. KEY
IMAGUIRE JUNIOR and Arch. PhD MARIALBA IMAGUIRE

BNAB 2012 - Pl ani f i c ar e s pa i al 431
BNAB 2012 - S p a t i a l p l a n n i n g
430 BNAB 2012 - Pl ani f i c ar e s pa i al
BNAB 2012 - S p a t i a l p l a n n i n g
Vlad Eftenie 2012
433
G. SECIUNEA Planificare spaial G. Spatial Planning SECTION
P R E MI I I N O MI N A L I Z R I A C O R D A T E D E J U R I U
NOMINALIZRI:
G067 Plan de amenajare a teritoriului zonal Parcul Natural Apuseni,
jud Alba i Ghid ilustrat Romnia, jud. Alba, Parcul Natural Apuseni
Autor: Marius Radu Dorel Barbieri / Alexandru Damian / Laura Nsui
G069 Plan Urbanistic General comuna Slciua, jud. Alba i Reglementri
Urbanistice Ilustrate, jud. Alba, Slciua
Autor: Marius Radu Dorel Barbieri / Alexandru Damian / Laura Nsui
G216 Conceptul de dezvoltare a aezrilor umane incuse n parcuri
naionale. Studiu pilot Sat Petera, jud. Braov, Moieciu
Autor: Constantin Enache / Mihai Alexandru / Nicolas Triboi / Ctlina Ioni
G229 Plan urbanistic general, Sibiu, jud. Sibiu
Autor: Adrian Borda / Tudor Pnescu / Tiberiu Ciolacu / Michael Buck / Eugen
Pnescu / Benjamin Kohl
G338 Linia albastr, Ucraina, Kiev
Autor: Gabriel Pascariu
PREMIU:
G067 - Plan de amenajare a teritoriului zonal Parcul Natural Apuseni,
jud Alba i Ghid ilustrat Romnia, jud. Alba, Parcul Natural Apuseni
Autor: Marius Radu Dorel Barbieri / Alexandru Damian / Laura Nsui
N O MI N A T I O N A N D A WA R D S G R A N T E D B Y T H E J U R Y
NOMINATIONS:
G067 Development plan of Parcul Natural Apuseni regional area,
Alba County and Illustrated Guidebook about Romania, Alba County,
Parcul Natural Apuseni
Authors: Marius Radu Dorel Barbieri / Alexandru Damian / Laura Nsui
G069 General Urban Plan of Slciua Village, Alba County and Illustrated
Urban Regulations, Alba County, Slciua
Authors: Marius Radu Dorel Barbieri / Alexandru Damian / Laura Nsui
G216 Concept of human settlements growth inside national parks,
proof study about Petera Village, Braov County, Moieciu
Authors: Constantin Enache / Mihai Alexandru / Nicolas Triboi / Ctlina Ioni
G229 General Urban Plan of Sibiu, Sibiu County
Authors: Adrian Borda / Tudor Pnescu / Tiberiu Ciolacu / Michael Buck / Eugen
Pnescu / Benjamin Kohl
G338 Blue line, Ukraine, Kiev
Author: Gabriel Pascariu
AWARD:
G067 - Development plan of Parcul Natural Apuseni regional area,
Alba County and Illustrated Guidebook about Romania, Alba County,
Parcul Natural Apuseni
Authors: Marius Radu Dorel Barbieri / Alexandru Damian / Laura Nsui
Sustainable urban, improvement strategies and operations in territories suggesting a change in perceptions when approaching growth by means
of surveys and projects that convey much information to urban players and succeed in truly catalyzing the amount of quality built spaces.
P R E MI I A C O R D A T E D E P A R T E N E R I
Ministerul Dezvoltrii Regionale i Turismului
G099 Conceptul Strategic Bucureti 2035
Autor: Liviu Iani / Constantin Enache / Nicolae
arlung / Sorina Racoviceanu / Mircea Enache /
Mihai Alexandru
Atelierul de Proiectare
G338 Linia albastr, Ucraina, Kiev
Autor: Gabriel Pascariu
Al Prompt
Premiul Al prompt s-a acordat la toate premiile
acordate de juriul BNAB.
AWARDS GRANT E D BY T HE PART NE RS
Ministry of Regional Development and Tourism
G099 2035 Bucharest strategic concept
Authors: Liviu Iani / Constantin Enache / Nicolae
arlung / Sorina Racoviceanu / Mircea Enache /
Mihai Alexandru
Atelierul de Proiectare Magazine
G338 Blue line, Ukraine, Kiev
Author: Gabriel Pascariu
Al Prompt
The Al Prompt prize accompanied all the other
prizes granted by the BNAB jury.
Strategii, operaiuni urbane i de amenajare a teritoriului sustenabile, care propun schimbarea percepiei asupra modului de abordare a
dezvoltrii prin studii i proiecte cu mare putere de comunicare ctre actorii urbani i care reuesc s catalizeze real generarea de spaii construite
de calitate.
BNAB 2012 - Pl ani f i c ar e s pa i al 435
BNAB 2012 - S p a t i a l p l a n n i n g
Premiul seciunii/ Section Prize
Romnia, jud. Alba, Parcul Natural Apuseni
Autori/Authors
Marius Radu Dorel Barbieri, Alexandru Damian, Laura Nsui
Dezvoltarea durabil a comunitilor din zon, n condiiile integrrii n UE, impun valorificarea
resurselor naturale i umane locale, prin dezvoltarea economiei tradiionale i a turismului, n
condiiile pstrrii i conservrii mediului natural. Scopul PATZ-ului i Ghidului Ilustrat l reprezint
pregtirea unei platforme de lucru pentru administraia local i crearea un instrument care s
faciliteze gestionarea coordonat a dezvoltrii acestei zone naturale protejate i a patrimoniului
construit. Se urmrete ca activitile umane s genereze turism i servicii de calitate, integrnd
natura i arhitectura tradiional n proces. Acestea vor fi nsoite de o utilizare durabil a resurselor
locale, de o infrastructur de transport i reele tehnico-edilitare ce vor fi suportul dezvoltrii,
adaptate la specificul local. Comunitile locale au un rol esenial n dezvoltarea Parcului prin faptul
c ele pstreaz i menin tradiiile i elementele cu valoare cultural (construcii, anexe, obiecte
tradiionale), sunt implicate direct n conservarea peisajului natural antropizat i de asemenea
dezvolt n mod participativ servicii de calitate care sporesc atractivitatea pentru zon, avnd un
impact minim asupra mediului.
Territorial Development Plan for the Apuseni Natural Park in Alba
County + Illustrated Guide
The sustainable development of the local communities translates in the efficient use of natural and
cultural resources, through the growth of the local economy and tourism, while preserving the natural
environment. The purpose of the Territorial Plan along with the Illustrated Guide is to outline a
working plan for the Alba County Council, the local councils and the Park Administration, and to create
the necessary tools for the coordinated management and development of this protected natural area
and its cultural heritage. This document is a platform for cooperation and teamwork for the use of
local administrators, planners or architects who create and implement projects in this area, alongside
with the Park management team, and the interested investors, in order to coordinate multi-sectorial
investments. Its purpose is to generate economic growth and sustainability, and to increase local
living standards. By correlating the current situation analysis with the proposals addressing different
issues, this Plan provides the working tools necessary for different types of activities, such as design,
conservation, local and regional management, and socio-economic activities in general.
Plan de amenajare a
teritoriului zonal Parcul
Natural Apuseni, jud
Alba + ghid ilustrat
BNAB 2012 - Pl ani f i c ar e s pa i al 437
BNAB 2012 - S p a t i a l p l a n n i n g
Nominalizare/ Nomination
Romnia, jud. Alba, Slciua
Autori/Authors
Marius Radu Dorel Barbieri, Alexandru Damian, Laura Nsui
PUG-ul comunei Slciua, ca documentaie tehnic de urbanism cu caracter de reglementare, a avut
ca obiectiv principal direcionarea i coordonarea lucrrilor de amenajarea teritoriului i urbanism
precum i identificarea unor direcii de dezvoltare a localitilor pe termen scurt, mediu i lung.
Folosind ca metod de lucru analiza multicriterial a situaiei existente i a tendinelor de dezvoltare,
documentaia scoate n eviden disfuncionalitile i prioritile de intervenie n teritoriu i propune
orientarea politicilor de amenajare a teritoriului n condiiile respectrii dreptului de proprietate,
promovrii interesului public i dezvoltrii durabile a comunei. Acest PUG este nsoit de un
Regulament Ilustrat de Urbanism i Arhitectur, care arat cum se pot valorifica elemente precum
obiective turistice, tradiii, cursuri de ap, linia mocniei, construcii tradiionale, pentru a genera
dezvoltare i pentru a promova localitile. n plus, acest regulament prezint n mod detaliat tipurile
de arhitectur tradiional din zon i elementele definitorii ale acesteia i promoveaz pstrarea
construciilor tradiionale, chiar dac pe acestea se pot face intervenii pentru refuncionalizare i
reabilitare.
General Urban Plan for the commune of Slciua, Alba county, + Illustrated
Planning Regulations
The main objective of the General Urban Plan for the Salciua Commune is to guide and coordinate
the urban planning projects and also to identify main short, medium and long-term development
directions of the village. In order to assess the current situation and the development trend, we have
used a multi-criteria analysis highlighting the dysfunctions and intervention priorities within the
territory, and proposed planning policies that respect property rights and promote the sustainable
development of the village. This General Plan is accompanied by an Illustrated Regulation Guide
for Urban Planning and Architecture. The latter advises how to harness elements such as tourist
landmarks, traditions, river fronts, the heritage narrow railway, traditional architecture, in order to
generate and promote rural development. Also, the Guide illustrates in detail the types of traditional
architecture present in the area (from the settlements in the river valley to the ones on the hills and
mountains), and its defining building elements preserved and emphasized. Finally, this Guide has a
chapter on sustainable construction, which summarizes the methods through which constructions can
be built or adapted, in order to have as little impact on the environment as possible.
Plan Urbanistic General
comuna Slciua, jud.
Alba, + Reglementri
Urbanistice Ilustrate
BNAB 2012 - Pl ani f i c ar e s pa i al 439
BNAB 2012 - S p a t i a l p l a n n i n g
Romnia, jud. Sibiu, Sibiu
Autori/Authors
Adrian Borda, Michael Buck, Tiberiu Ciolacu, Eugen Pnescu, Tudor Pnescu
n decada 2000-2010 investiiile n industrie performant i servicii, emergena sectorului universitar,
reabilitarea Centrului Istoric i titlul de Capital Cultural European au dat Sibiului renumele unui
ora prosper i au fcut din el o destinaie turistic de prim rang. Evoluia dinamic a ultimilor ani
reactiveaz ns disfuncii structurale istorice i programeaz configuraii potenial conflictuale
i costisitoare pe termen mediu i lung. Printre provocrile urmtorilor zece ani se numr, astfel,
controlarea extinderii oraului n peisaj, valorificarea culoarelor ecologice existente sau posibile,
protejarea elementelor de patrimoniu extra-muros, regenerarea ansamblurilor de locuine colective,
re-echilibrarea relaiilor n teritoriu, restructurarea sistemului de transport, reabilitarea reelei de
spaii publice .a.. Respectnd documentaiile de rang superior PATN, PATJ Sibiu i PATZ Zona
Periurban Sibiu PUG are la baz strategia de dezvoltare a oraului, cuprins n documente-
program, ghiduri de dezvoltare i planuri de management elaborate anterior, precum i documente,
acorduri i directive internaionale privind dezvoltarea durabil.
Zoning plan, Sibiu
In the 2000-2010 decade, the investments in services and industry, the emergence of the university
sector, the rehabilitation of the historic center and the title of European Cultural Capital have enhanced
Sibius reputation as a prosperous city transforming it in a sought-after tourist destination. However,
the dynamic evolution of the last years reactivates historic structural dysfunctionalities potentially
costly in the medium/long term. The challenges of the following 10 years include regulating the
expansion of the city, reevaluating existing or potential ecological corridors, protecting the extra-
muros heritage elements, rehabilitating the collective housing complexes, re-balancing the territorial
relationships, restructuring the transport system, and rehabilitating the public space network. Drawing
from documentations such as the national, regional and local peripheral zoning plan, the masterplan
is based on the citys development strategy, development guidelines and previously developed
management plans and documents, agreements and international guidelines on sustainable
development.
Nominalizare/ Nomination
Conceptul de dezvoltare a
aezrilor umane incluse
n parcuri naionale -
studiu pilot - Sat Petera
BNAB 2012 - Pl ani f i c ar e s pa i al 441
BNAB 2012 - S p a t i a l p l a n n i n g
Nominalizare/ Nomination
Romnia, jud. Sibiu, Sibiu
Autori/Authors
Adrian Borda, Michael Buck, Tiberiu Ciolacu, Eugen Pnescu, Tudor Pnescu
n decada 2000-2010 investiiile n industrie performant i servicii, emergena sectorului universitar,
reabilitarea Centrului Istoric i titlul de Capital Cultural European au dat Sibiului renumele unui
ora prosper i au fcut din el o destinaie turistic de prim rang. Evoluia dinamic a ultimilor ani
reactiveaz ns disfuncii structurale istorice i programeaz configuraii potenial conflictuale
i costisitoare pe termen mediu i lung. Printre provocrile urmtorilor zece ani se numr, astfel,
controlarea extinderii oraului n peisaj, valorificarea culoarelor ecologice existente sau posibile,
protejarea elementelor de patrimoniu extra-muros, regenerarea ansamblurilor de locuine colective,
re-echilibrarea relaiilor n teritoriu, restructurarea sistemului de transport, reabilitarea reelei de
spaii publice .a.. Respectnd documentaiile de rang superior PATN, PATJ Sibiu i PATZ Zona
Periurban Sibiu PUG are la baz strategia de dezvoltare a oraului, cuprins n documente-
program, ghiduri de dezvoltare i planuri de management elaborate anterior, precum i documente,
acorduri i directive internaionale privind dezvoltarea durabil.
Zoning plan, Sibiu
In the 2000-2010 decade, the investments in services and industry, the emergence of the university
sector, the rehabilitation of the historic center and the title of European Cultural Capital have enhanced
Sibius reputation as a prosperous city transforming it in a sought-after tourist destination. However, the
dynamic evolution of the last years reactivates historic structural dysfunctionalities potentially costly in
the medium/long term. The challenges of the following 10 years include regulating the expansion of the
city, reevaluating existing or potential ecological corridors, protecting the extra-muros heritage elements,
rehabilitating the collective housing complexes, re-balancing the territorial relationships, restructuring
the transport system, and rehabilitating the public space network. Drawing fromdocumentations such as
the national, regional and local peripheral zoning plan, the masterplan is based on the citys development
strategy, development guidelines and previously developed management plans and documents,
agreements and international guidelines on sustainable development.
Plan urbanistic general,
Sibiu
BNAB 2012 - Pl ani f i c ar e s pa i al 443
BNAB 2012 - S p a t i a l p l a n n i n g
Nominalizare/ Nomination
Ucraina, Kiev
Autor/Author
Gabriel Pascariu
Linia albastr este un proiect ctigtor al concursului Perlele Niprului organizat de administraia
oraului Kiev n septembrie 2011. Concursul a avut ca obiectiv principal identificarea unui concept
de conservare a valorilor cadrului natural i de dezvoltare spaial pentru Insulele Niprului, un
arhipelag format din 37 de insule aflate pe cursul fluviului Nipru. n acelai timp, concursul a urmrit
atingerea unor obiective secundare precum atenionarea opiniei publice cu privire la problemele
de calitate a mediului i stare a peisajului urban. Cele 2500 de hectare ale insulelor reprezint un
vast teritoriu foarte puin antropizat, situat n arealul central al metropolei ucrainene. Acest teritoriu
se constituie ca un amplu coridor care se desfoar pe o direcie nord-sud i care mparte practic
suprafaa oraului n dou pri aproximativ egale genernd probleme de conectivitate i mpiedicnd
o funcionare eficient a organismului urban.
The blue line
The Blue Line teamwon an urban planning competition organized by the city administration of Kiev
in September 2011, titled The Pearls of the Dnieper, and was consequently invited to participate in
the masterplan development of the river area. The competition aimed to identify the main concept
of conservation of natural values and spatial development framework for Islands Dnieper, an
archipelago consisting of 37 islands located on the Dnieper River. Also, the competition aimed at
other objectives such as drawing public attention to the environmental problems and condition of the
urban landscape. The islands, spanning over 2500 hectares, are a vast territory with little anthropic
interference, located in the central area of the Ukrainian metropolis. This territory is a wide corridor
which runs on a north-south direction and divides the municipality into two approximately equal
areas, which creates connectivity problems and prevents the efficient functioning of the urban body.
Linia albastr
BNAB 2012 - Pl ani f i c ar e s pa i al 445
BNAB 2012 - S p a t i a l p l a n n i n g
444 BNAB 2012 - Pl ani f i c ar e s pa i al
BNAB 2012 - S p a t i a l p l a n n i n g
Piaa Justiiei
Justice Square
Romnia, Bucureti, Splaiul Independenei
Autor/Author
Bogdan-Constantin Neagu
Conceptul Strategic Bucureti 2035
Bucharest Strategic Development Concept 2035
Romnia, Bucureti
Autori/Authors
Liviu Iani, Constantin Enache, Nicolae arlung, Sorina Racoviceanu, Mircea Enache, Mihai Alexandru
Premiul Ministerului Dezvoltrii Regionale i Turismului/ MDRT Prize
BNAB 2012 - Pl ani f i c ar e s pa i al 447
BNAB 2012 - S p a t i a l p l a n n i n g
446 BNAB 2012 - Pl ani f i c ar e s pa i al
BNAB 2012 - S p a t i a l p l a n n i n g
P.U.Z. Insul de agrement Bacu
P.U.Z. Pleasure island Bacu
Romnia, jud. Bacu, Bacu
Autor/Author
Drago Ciolacu
Reabilitare platform industrial Cuprom
Rehabilitation of the Cuprom brown-feld
Romnia, jud. Maramure, Baia Mare, str. Electrolizei
Autor/Author
Alexandru Baban
BNAB 2012 - Pl ani f i c ar e s pa i al 449
BNAB 2012 - S p a t i a l p l a n n i n g
448 BNAB 2012 - Pl ani f i c ar e s pa i al
BNAB 2012 - S p a t i a l p l a n n i n g
Plan Urbanistic General, Miercurea Ciuc
Zoning plan, Miercurea Ciuc
Romnia, jud. Harghita, Miercurea Ciuc
Autori/Authors
Tiberiu Ciolacu, Eugen Pnescu, Endre Vnyols
Studiu de fezabilitate - PUZ - traseu turistic Muntele Pietricica
Touristic route - Pietricica Mountain
Romnia, jud. Neam, Piatra Neam
Autor/Author
Laureniu Dumitrac
BNAB 2012 - Pl ani f i c ar e s pa i al 451
BNAB 2012 - S p a t i a l p l a n n i n g
450 BNAB 2012 - Pl ani f i c ar e s pa i al
BNAB 2012 - S p a t i a l p l a n n i n g
Strategie de regenerare urban a unei zone istorice -
studiu de caz Cetate Timioara
Urban regeneration strategy for historic areas - case
study Cetate Timioara
Romnia, jud. Timi, Timioara, Cetate
Autori/Authors
Radu Radoslav, Marius Stelian Gman, Ana-Maria Branea
Plan urbanistic zonal Bile Tinca
Urbanistic zone plan Bile Tinca
Romnia, jud. Bihor, Bile Tinca
Autor/Author
Laureniu Dumitrac
453
H
Architecture by image
Arhitectura prin imagine
Juriu/Jury
Marina Teodorescu (Romnia, Bucureti)
Vlad Eftenie (Romnia, Bucureti)
Hortensia Anton (Botescu) (Romnia, Timioara)
455
Pornind de la criteriile de evaluare a proiectelor care au funcionat
pentru etapa jurizrii preliminare, juriul a formulat n unanimitate
urmtoarele criterii pentru jurizarea n etapa expoziional:
semnificaia temei abordate
relevana temei abordate
originalitatea conceptului
valoarea estetic i cultural a proiectului
calitatea imaginii prezentate
Pe parcursul jurizrii, juriul s-a confruntat cu categorii de lucrri
foarte diferite, astfel preocupndu-se s stabileasc echivalene n
ce privete criteriile de jurizare menionate, ntre imaginile aflate n
concurs.
Lund ca referin criteriile menionate i evalund lucrrile
prezentate n expoziie juriul a hotrt n unanimitate urmtoarele:
Lucrrile nominalizate n ordinea nscrierii n concurs sunt:
Farmecul patrimoniului arhitectural sibian n desene i acuarele
Autor: Victor Moraru
Pentru arhitectul Victor Moraru, ctigtorul premiului seciunii,
aceast lucrare reprezint descoperirea i nfiarea prin desen i
acuarel a unor locuri dragi: peisajul sibian n accepiunea sa de
valoare patrimonial.
Graphic design pentru Anuala de Arhitectur Bucureti
Autor: Andra Panait
Seria de afie a Andrei Panait, arhitect care a optat pentru excelen
n domeniul designului grafic, a propus un proiect provocator.
Nominalizarea acestui proiect confirm conexiunea dintre exprimarea
prin mijloacele arhitecturii i imaginea pe care o dezvluie publicului.
Vernacular
Autor: Cristina Olga Gociman
Pentru Cristina Gociman, acest proiect reprezint analiza, dar i
redarea ntr-o not sentimental a unor imagini ale arhitecturii
istorice.
Pavilionul cunoaterii Lisabona
Autor: Bogdan Teodor
Parcursurile frontalitii
Autor: Andrei Mrgulescu
Dup cum ne ateptam, fotografia a fost prezent. Proiectele
nominalizate sunt exemple elocvente care demonstreaz de ce
arhitectura nu se poate lipsi de reprezentarea fotografic pentru a fi
neleas n aspectele sale mai puin evidente.
PREMIUL juriului pentru Seciunea H a fost acordat proiectului:
Farmecul patrimoniului arhitectural sibian n desene i acuarele
Autor: Victor Moraru
De la desene care surprind peisajul arhitectural la fotografie i chiar
afi destinat evenimentelor create de arhiteci, lucrrile prezentate
n cadrul seciunii Arhitectura prin imagine s-au remarcat prin
varietate i originalitate. Experiena de a participa la juriul acestei
seciuni a nsemnat descoperirea a ce reprezint imaginea arhitecturii
pentru diveri creatori, artiti plastici i arhiteci.
Opinia juriului Seciunea H prezentat de
conf. dr. MARINA TEODORESCU
Starting from the project evaluation criteria which operated for the
preliminary judgments, the jury unanimously stated the following
criteria to be taken into account in the stage of exhibition-related
judgments:
- significance of the theme approached
- relevance of the theme approached
- genuineness of the concept
- aesthetic and cultural value of the project
- quality of pictures shown
While judging, the jury had to deal with different categories of works
thus being concerned with setting equivalents regarding the above
judging criteria among the pictures submitted in the contest.
By reference to the criteria set above and after having evaluated the
works displayed at the exhibition, the jury unanimously decided the
following:
The nominee works in the order of their contest submission are:
Charm of Sibius architectural heritage depicted in drawings and
paintings
Author: Victor Moraru
To architect Victor Moraru, the winner of the section prize, this work
means to discover and depict in drawings and paintings his beloved
places: Sibius landscapes having, in his opinion, a heritage value.
Graphic design for the Bucharest Architecture Annual
Author: Andra Panait
The series of posters made by Andra Panait, an architect that
has chosen excellence in the field of graphic design, submitted a
challenging project: Graphic design for the Bucharest Architecture
Annual. Nominating this project confirms the connection between
expression through architecture and the picture revealed to the
people.
Vernacular
Author: Cristina Olga Gociman
To Cristina Gociman, her Vernacular project means emotional
analysis and introduction of historic architectural views.
Hall of knowledge in Lisbon
Author: Bogdan Teodor
Pathways of frontality
Author: Andrei Mrgulescu
As we had expected, photographs could not be left aside. The nominee
projects Pathways of frontality Andrei Mrgulescu and Hall of
knowledge in Lisbon Bogdan Teodor are good examples to prove
why architecture cannot do without photographic representations in
order to be understood in its less evident aspects.
The jurys AWARD in Section H is:
Charm of Sibius architectural heritage depicted in drawings and
paintings
Author: Victor Moraru
With drawings of architectural landscapes, photographs and even
posters meant for the events created by architects, the works submitted
in section Architecture by Pictures stood out by their variety and
originality. The experience of participating in this sections jury was to
me the discovery of what the image of architecture means to various
creators, fine artists and architects.
Opinion of the Jury Section H presented by associate professor
PhD MARINA TEODORESCU

BNAB 2012 - Ar hi t ec t ur a pr i n i magi ne 457
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Vlad Eftenie 2012
459
H. SECIUNEA Arhitectura prin imagine H. Architecture by Image SECTION
P R E MI I I N O MI N A L I Z R I A C O R D A T E D E J U R I U
NOMINALIZRI:
H012 Farmecul patrimoniului arhitectural sibian surprins n desene i
acuarele, jud. Sibiu, Sibiu, Centrul Istoric Sibiu/Hermannstadt
Autor: Victor Moraru
H220 Vernacular
Autor: Cristina Olga Gociman
H014 Graphic design pentru Anuala de Arhitectur Bucureti
Autor: Andra Panait
H045 Parcursurile frontalitii, Romnia
Autor: Andrei Mrgulescu
H354 Pavilionul Cunoaterii, Lisabona, Portugalia
Autor: Bogdan Teodor
PREMIU:
H012 Farmecul patrimoniului arhitectural sibian surprins n desene i
acuarele, jud. Sibiu, Sibiu, Centrul Istoric Sibiu/Hermannstadt
Autor: Victor Moraru
N O MI N A T I O N A N D A WA R D S G R A N T E D B Y T H E J U R Y
NOMINATIONS:
H012 The charm of the architectural heritage of Sibiu depicted in
drawings and paintings, Sibiu County, Sibiu, Sibiu/Hermannstadt historic
centre
Author: Victor Moraru
H220 Vernacular
Author: Cristina Olga Gociman
H014 Graphic design for the Bucharest Architecture Annual
Author: Andra Panait
H045 Pathways of frontality, Romania
Author: Andrei Mrgulescu
H354 Hall of knowledge, Lisbon, Portugal
Author: Bogdan Teodor
AWARD:
H012 The charm of the architectural heritage of Sibiu depicted in
drawings and paintings, Sibiu County, Sibiu, Sibiu/Hermannstadt historic
centre
Author: Victor Moraru
Photography, drawings, graphics, graphic-design, fine arts, decorative arts, television or other visual communication methods.
P R E MI I A C O R D A T E D E P A R T E N E R I
Atelierul de Proiectare
H014 Graphic design pentru Anuala de
Arhitectur Bucureti
Autor: Andra Panait
Al Prompt
Premiul Al prompt s-a acordat la toate premiile
acordate de juriul BNAB.
AWARDS GRANT E D BY T HE PART NE RS
Atelierul de Proiectare Magazine
H014 Graphic design for the Bucharest
Architecture Annual
Author: Andra Panait
Al Prompt
The Al Prompt prize accompanied all the other
prizes granted by the BNAB jury.
Fotografie, desen, grafic, graphic-design, arte plastice, arte decorative film, TV sau alte modaliti vizuale de comunicare.
BNAB 2012 - Ar hi t ec t ur a pr i n i magi ne 461
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Premiul seciunii/ Section Prize
Romnia, jud. Sibiu, Sibiu, Centrul Istoric Sibiu / Hermannstadt
Autor/Author
Victor Moraru
Acuarelele i desenele redau imagini din centrul istoric al Sibiului, ncercnd s surprind pitorescul
n toat complexitatea sa: amplasamentele, varietatea formelor stilurilor arhitecturale, diversitatea i
expresivitatea spaiilor publice i private, bogia coloritului faadelor, sinuoasele trasee ale strzilor.
Cele 60 de lucrri sunt grupate tematic: panorame, aeriene, strzi, pasaje, piee, scri urbane, fronturi
de cldiri, curi interioare, detalii. La valoarea cultural a conceptului coleciei s-a adugat i o valoare
social - un demers, prin care publicul larg, turitii s fie atenionai i s se implice n nelegerea
valorilor patrimoniului arhitectural sibian prin organizarea a dou expoziii la Sibiu, n 2002 i
2007, i prin participri la expoziii colective n Bucureti (Cumvd arhitecii Sibiul - 2007 i Dincolo
de arhitectur - 2011). De asemenea, n 2007 au fost tiprite dou mape format A4 cu reproduceri
color i alb-negru dup lucrrile coleciei, ntr-un tiraj mediu, care i astzi pot fi achiziionate de ctre
turitii romni i strini.
The Charm of Sibiu Architectural Heritage Captured in Drawings and
Aquarelles
The aquarelles and drawings render images from the historic centre of Sibiu, trying to capture
the picturesque in all its complexity: locations, the variety of architectural styles, the diversity and
expressiveness of public and private places, the rich colors of the building faades, the winding of street
routes. The 60 pieces of work are grouped thematically: panoramas, aerial views, streets, passages,
squares, urban stairs, front of buildings, interior courtyards and details. In addition to the cultural value
of the collections concept, a social value has been added as well. Thus, in order to raise awareness
and involve the general public and tourists in understanding the architectural heritage of Sibiu I have
organized two exhibitions in Sibiu, in 2002 and 2007, and also participated to group exhibitions in
Bucharest (Sibiu Seen by Architects 2007 and Beyond Architecture 2011). In addition to these,
in 2007 I have published two albums in A4 paper size format, containing color, as well as black and
white reproductions of the artwork, which can still be purchased by Romanian and foreign tourists.
Farmecul patrimoniului
arhitectural sibian
surprins n desene i
acuarele
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Nominalizare/ Nomination
Romnia, Bucureti
Autor/Author
Andra Panait
Adresat iniial doar arhitecilor
membri ai filialei, Anuala de
Arhitectur Bucureti a devenit
n ultimii ani un festival urban
bucuretean, concentrndu-i atenia
asupra valorilor spaiului arhitectural
i posibilitilor de ameliorare a
calitii vieii urbane prin arhitectur,
incluznd totodat i manifestri de
art contemporan, proiecii de film,
spectacole, expoziii etc. Imaginile
prezentate reprezint o selecie a
posterelor de eveniment ale ultimelor
3 ediii, avnd ca scop promovarea
arhitecturii prin intermediul vizualului.
Graphic design for the
Bucharest Architecture
Annual
Initially addressed only to the OAR
Bucharest branch members, the
Bucharest Architecture Annual became
in the recent years a city festival
focusing on values of architectural
space and possibilities of improving
the quality of urban life through
architecture, including contemporary
art exhibitions, filmprojections, shows
etc. These images represent a selection
of posters for events from the last
three editions, aimed at promoting
architecture through visual means.
Graphic design pentru
Anuala de Arhitectur
Bucureti
BNAB 2012 - Ar hi t ec t ur a pr i n i magi ne 465
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Nominalizare/ Nomination
Autor/Author
Andrei Mrgulescu
Utilizarea criteriului unificator, abstractizant i sublimant al frontalitii aplicat att formei ct
i spaiului ca protagoniti ai centralitii imaginilor. Frontalitatea este gndit ca un activator al
semnificaiilor. Am dorit o referin la metafizica italian a anilor 30 i o explorare a funciunii
contemplative a fotografiei de arhitectur.
The frontalitys ways
The overall idea of these photographs is the use of the unifying, abstracting and sublimating criteria
of the frontal image. The space and form as main actors within the images become the subjects of
frontality which is considered a tool to actuate the meaning. The images are inspired by the Italian
metafisica of the 30s and explore the contemplative function of the architectural photography.
Parcursurile frontalitii
BNAB 2012 - Ar hi t ec t ur a pr i n i magi ne 467
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Nominalizare/ Nomination
Autor/Author
Cristina Olga Gociman
Desenul este un mod de apropiere, de cunoatere prin care fixm locul n memoria noastr i poate
a celorlali. Desenul este un exerciiu al admiraiei. Devenim, investigm, descoperim, ne uimim iar
ghemul de linii aaz povestea bucuriei pe hrtie. Srbtorim, un port care rostogolete abrupt albul
teraselor peste albastrul mrii.
Vernacular
The drawing approach is a mode of knowledge that anchors the place in our memory and perhaps
the memory of others. Drawing is an exercise of admiration. We become, investigate, discover and are
amazed: a riot of lines imprinting a trace of joy on paper. We celebrate, a port tumbles steeply its white
terraces over the blue sea.
Vernacular
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Nominalizare/ Nomination
Portugalia, Lisabona
Autor/Author
Bogdan Teodor
Pavilionul de cunoaterii - Cincia Viva - este situat n Lisabona, lng promenada central i doc.
Acesta este alctuit din dou volume, unul vertical care conine zona de expunere i unul orizontal,
care sunt desprite de un patio de acces ptrat ce se ridic la intrare printr-o ramp pe conturul
acestuia. Blocul orizontal este suspendat virtual permind continuitatea spaiului public ntre
promenad i doc. Cele dou volume se intersecteaz n form de cruce ca doi megalii albi de beton.
Patio-ul i rampele sunt placate cu gresie. Pmntul este acoperit cu o pelicul de ap. Unele ziduri
sunt acoperite de ieder.
Pavilion of Knowledge Lisbon
The Pavilion of Knowledge - Cincia Viva - is located in Lisbon next to the central boardwalk and
the dock. It consists of two volumes with an access patio between them: one is vertical - the ship
containing the vessels or fragments, and its the center of the exhibition area while the second is a
horizontal block. The horizontal block is virtually suspended, allowing thus the continuity of the public
area between the boardwalk and the dock. Two white concrete megaliths, the vertical volume and the
suspended horizontal block intersect each other in a cross shape. The access patio is square. It rises up
to the entrance by a ramp which accompanies the periphery of the square. This patio and the ramps
are lined with grit sandstone. The ground is covered in water. Some walls are covered in ivy.
Pavilionul Cunoaterii
Lisabona
BNAB 2012 - Ar hi t ec t ur a pr i n i magi ne 471
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Punct de vedere
A point of view
Frana, Germania, Islanda, Suedia, Spania
Autor/Author
Cosana Tudor
BNAB 2012 - Ar hi t ec t ur a pr i n i magi ne 473
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Picnic n lanul de beton - Aventuri pe platforma
industrial
Picnic in concrete felds - Adventures on the
industrial platforms
Romnia, jud. Cluj, Cluj-Napoca
Autori/Authors
Zsolt Sznsi-Papp, Istvn Psztor, Istvn Benedek
Caiet de arhitect
An architects notebook
Autor/Author
Elena-Codina Duoiu
BNAB 2012 - Ar hi t ec t ur a pr i n i magi ne 475
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Flacara olimpic
Olympic Flame
Autor/Author
Maria Botenaru Dan
Treceri
Crossings
Autor/Author
Elena-Codina Duoiu
BNAB 2012 - Ar hi t ec t ur a pr i n i magi ne 477
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Iluzie optic n arhitectur
Optical illusion in architecture
Autori/Authors
Iulia Mlina Stnescu, Anca Elena Panait
Obiective majore n Paris
Major objectives in Paris
Autori/Authors
Iulia Mlina Stnescu, Anca Elena Panait
BNAB 2012 - Ar hi t ec t ur a pr i n i magi ne 479
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Istorie i art n Roma
History and arts in Rome
Autori/Authors
Anca Elena Panait, Iulia Mlina Stnescu
Povestea din cub
The story inside the cube
Romnia, Bucureti
Autor/Author
Andra Panait
BNAB 2012 - Ar hi t ec t ur a pr i n i magi ne 481
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Un altfel de ora
A different type of city
Autor/Author
Iulia Mlina Stnescu
Cltorie Spiritual
Spiritual Journey
Autor/Author
Iulia Mlina Stnescu
BNAB 2012 - Ar hi t ec t ur a pr i n i magi ne 483
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Govora: O incursiune n postistorie
Govora: an incursion in post-history
Autor/Author
Radu Constantin Sandovici
Regele rou, sau despre chipurile fulgurante ale
oraului
Red King, or speaking about the fulgurant faces of
the city
Autor/Author
Radu Constantin Sandovici
485
Architecture by word
Arhitectura prin cuvnt
I
Juriu/Jury
Mircea Lupu (Elveia)
Teodor Octavian Gheorghiu (Romnia, Timioara)
Vlad Gaivoronschi (Romnia, Timioara)
Mihaela Criticos (Romnia, Bucureti)
Anca Sandu Tomaevschi (Romnia, Bucureti)
487
Juriul seciunii a descoperit cu plcere i interes la aceast Bienal
o producie de arhitectur prin cuvnt numeroas (32 de titluri)
i de calitate.
Domeniile istorie, teorie-istorie, teorie, manifest se afl
reprezentate. Formele i genurile carte, revist, numere tematice
speciale, monografii, amintiri prezint o semnificativ varietate.
Calitatea general este remarcabil pe diverse planuri: interesul i
actualitatea temelor; acoperirea unor sectoare rmase mai puin
frecventate (de exemplu teoria pur); pertinena metodologic;
claritatea i chiar farmecul scrierii; rigoarea utilizrii instrumentelor
tiinifice.
n faa acestei bogate recolte, juriul a ncercat s reflecte ct mai
fidel realitatea printr-un numr de nominalizri mai mare dect de
obicei, ns probabil insuficient.
Premiul ex aequo reprezint direciile n care juriul a vzut o mare
necesitate: fundarea teoretic i aciunea incisiv pe plan urban i
patrimonial.
Un premiu special pune n eviden parcursul fecund i pro-activ, n
permanent ameliorare, al unei reviste larg cunoscute i n afara
cercului arhitecilor.
NOMINALIZRI
Peisaj cu grdin i cas
Autor: Kazmer Kovacs
Lucrarea propune o (re)interpretare critic a problematicii arhitecturii
moderne (n particular criza identitii i a capacitii de semnificare)
reflectate n metafora grdinii. Juriul a apreciat demersul teoretic
bine condus, dublat de o real sensibilitate poetic n cadrul
cruia grdina se constituie ca paradigm a reconcilierii dintre om
i mediul natural, n ultim instan a arhitecturii nsei ca gest de
transformare a naturii ntr-o lume a omului.
G.M. Cantacuzino (1899-1960). Arhitectura ca tem a gndirii
Autor: Mirela Duculescu
Cartea reprezint o contribuie necesar i ndelung ateptat n
peisajul literaturii romneti de specialitate. Rezultat al unei activiti
de cercetare ntreprinse cu seriozitate i pasiune, volumul monografic
realizat n condiii grafice de inut contureaz pentru prima dat o
imagine de ansamblu asupra operei lui G.M. Cantacuzino, probabil
figura cea mai complex a modernismului romnesc interbelic sub
aspectul mbinrii teoriei cu practica profesional i al diversitii
formulelor morfo-stilistice abordate.
Columna lui Traian: arhitectura de pe friza sculptat
Autor: Dinu Antonescu
Cartea este rezultatul unei cercetri fundamentale de lung durat
care, utiliznd o metod riguroas i inedit (la timpul respectiv),
propune n final reconstituiri grafice ale arhitecturii i urbanisticii
dacice. n spe, se evalueaz i se prelucreaz ntreaga informaie
care rezult din cercetarea reliefurilor columnei. Reine atenia opinia
arhitectului, vizibil mai ales n raport cu a celorlali participani la
actul cercetrii, privitoare la volumul, forma i sistemul constructiv ale
arhitecturilor dacice aa cum reies din imaginile Columnei. Juriul
remarc n egal msur calitatea grafic i macheta crii, datorate
grupului A.R.A i n special d-nei Monica Mrgineanu Crstoiu, care a
preluat manuscrisul ncredinat de autor i l-a fcut publicabil.
Urban Report #2 & #3
Autor: Asociaia Zeppelin
Temele celor dou volume aflate n concurs aduc mpreun arhitectura
i dimensiunea sa urban negnd dihotomia artificial, promovat
azi n Romnia, dintre arhitectur/arhiteci i urbanism/urbaniti.
Preocuparea pentru starea oraelor dup socialism (vol. 2) sau
incursiunea n snul practicii i al proiectelor emergente astzi (vol.
Opinia Juriului Seciunea I prezentat de prof. dr. arh. NICOLAS
MIRCEA LUPU
The sections jury gladly and interestingly discovered in this Biennale
a rich, high-quality production of architecture by words (thirty-two
works).
There were numerous fields represented here: history, history
theory, theory, manifests. An important variety was rendered by
various forms and genres: books, magazines, special theme issues,
monographs, memories.
The general quality is remarkable at different levels: the interesting,
up-to-date feature of themes; covering sectors that were less common
(for example, pure theory); methodological pertinence; clarity and
even charm of writings; rigor in using scientific instruments.
Having such a rich crop, the jury tried to reflect reality as accurately
as possible by a more nominees than usual yet maybe still not
enough.
The ex equo prize signifies the directions the jury thought the most
necessary: theoretical foundation and effective action at urban and
heritage levels.
A special prize outlines the fertile, proactive, always improving
endeavor of a widely known magazine outside the class of architects.
NOMINATIONS
Garden and house landscape
Author: Kazmer Kovacs.
The works envisages a critical (re)interpretation of the issue of
modern architecture (mainly the crisis of identity and significance
ability) reflected in the metaphor of a garden. The jury praised the
well conducted theoretical work, joined by true poetical sensitivity
within which the garden is a reconciliation paradigm of man and
his natural environment, last but not least of architecture itself as an
act of transformation in the world of man.
G.M. Cantacuzino (1899-1960). Architecture as a thinking theme
Author: Mirela Duculescu
The book is a necessary contribution that everyone has longed waited
for in the Romanian specialty literature. The outcome of research
activities undertaken seriously and passionately, the monographic
book accomplished with high-quality graphics shape an overview of
G.M. Cantacuzinos work for the first time, as he is probably the most
complex person in the Romanian Modernism between the two World
Wars in terms of intermingling professional theory and practice and
of the diversity of morphologic and stylistic formulas approached.
Trajans Column: architecture on carved frieze
Author: Dinu Antonescu
The book is the outcome of long-lasting fundamental research which,
using a rigorous, new (at the time) method, ultimately envisages
graphic reconstructions of Dacian architecture and urban planning.
More exactly, the entire information resulting from the research of
the column reliefs is evaluated and processed. Attention is drawn to
the architects opinion, especially visible as compared to the opinions
of other participants in the research referring to the amount, form
and building system of Dacian architecture as it can be seen in the
pictures of the Column. The jury equally remarks the books graphics
and pattern due to the A.R.A. Group and particularly to Mrs. Monica
Mrgineanu Crstoiu who took care of the manuscript she had
received from the author and made it publishable.
Urban Report #2 & #3
Author: the Zeppelin Association
The themes of the two books submitted in the contest bring together
architecture and its urban dimension denying what is being
promoted in Romania nowadays, namely the artificial dichotomy
between architecture/architects and urbanism/town planners. Their
concern with the condition of cities and towns after the Socialism
Opinion of the Jury - Section I presented by Arch. PhD Prof. NICOLAS
MIRCEA LUPU

489
3) au ca numitor comun discursul clar, structurat, incisiv, nscrierea
ntr-o actualitate arztoare, prin viziunea critic i teoretic coerent
asupra problemelor oraului, patrimoniului, spaiului public i
calitii vieii.
Nu n ultimul rnd, ntreaga strategie a proiectului Urban Report are
n vedere realitatea complex a mediului social/urban din Europa
estic postcomunist i este rodul efortului unui colectiv amplu, o
munc de echip de o real valoare.
PREMII
Premiu i medalie ex aequo
Transdisciplinaritate i arhitectur
Autor: Cosmin Caciuc
Cartea lui Cosmin Caciuc reprezint n realitate o continuare a
discursului critic din Suprateoretizarea arhitecturii, reflectnd de o
manier mult mai clar poziiile autorului privind situarea teoriei
arhitecturii n cadrul larg al gndirii i filozofiei actuale (sfritul
anilor 1990 i nceputul anilor 2000).
n acest sens, rmnnd aproape de fizicianul i filozoful romn
Basarab Nicolescu (la rndul su emul al lui Stephane Lupasco),
Cosmin Caciuc nu ezit s-i manifeste nc o dat proximitatea fa
de credina slbit a lui Gianni Vattimo, Umberto Eco, Richard
Rorty, Paul Ricoeur, probabil pentru calitile ei nefundamentaliste,
ca i pentru respectul fa de trecut i contextele particulare,
pluralismul, tolerana.
Transdisciplinaritatea, dup Cosmin Caciuc, aduce n prim plan,
dincolo de discipline, valorile sau aspiraiile culturale, n jurul crora
se es motivaii eseniale legate de nelegerea condiiei umane,
coerena aciunilor practice i consecvena cunoaterii specializate
(p. 313).
Extrem de interesant pe planul ideilor, Transdisciplinaritate i
arhitectur nu dezminte n domeniul scrisului calitile de pertinen
i rigoare proprii autorului. Pe cnd pasul urmtor, o Teorie a
Arhitecturii de Cosmin Caciuc?
Premiu i medalie ex aequo
Cui i-e fric de cartierul Matache? Principii de regenerare urban
pentru zona Matache Gara de Nord
Autor: Arhitecii Voluntari
(texte: Mariana Celac, Mirela Duculescu, Raluca Munteanu, erban
Sturdza; concept editorial Mirela Duculescu).
Lucrarea este un manifest civic prezentat n forma unei cri de
arhitectur publicaie inteligent militant ce reia o bun tradiie
modernist. Este o reacie pertinent la o situaie actual, grav
i stringent. Cartea adopt o poziie limpede asumat i indic o
direcie de soluionare convingtor argumentat i ilustrat.
Pstrnd msura lucrurilor, adresabilitatea depete aria strict a
profesionitilor, cu intenia de a antrena comunitatea spre o atitudine
fa de mediul de via care ne privete.
PREMIU SPECIAL AL JURIULUI
Revista Arhitext
Redactor-ef: Arpad Zachi
Revista Arhitext s-a remarcat prin activitatea sa susinut n aceti
22 de ani de dup 1989 prin perpetua sa mprosptare, chiar
reinventare. Este revista cu poze mai puine, dar cu articole incitante,
singura revist din Romnia care a nscut o sor mai mic a
Bienalei Naionale de Arhitectur, oferind la rndul ei distincii
pentru realizrile naionale n arhitectur, urbanism, design
interior, genernd evenimente marcante, expoziii, festivaluri, etc.
Este de remarcat fenomenul Dealu Frumos, caracterul nomad al
evenimentelor, organizarea lor i n alte orae dect capitala (Sibiu,
Cluj, Timioara). Este, de asemenea, meritorie recalibrarea revistei
n aceti ultimi ani, atragerea unor voci emergente nearhitecte,
restructurarea revistei pe teme clare teoretice, dublate de cele mai
practice. Revista a generat primele monografii ale unor arhiteci
romni contemporani, stimulnd i alte reviste s fac acelai efort.
Fenomenul Fluene este ultimul pas important al revistei, nefiind
vorba aici doar de un volum (aflat la rndu-i n concursul Bienalei),
ci de un ansamblu de evenimente expoziii, conferine, work-
shopuri cu btaie lung, de preocuparea pentru starea arhitecturii
din rile Europei de margine i centru, de la Rusia la Turcia, de la
Romnia la Austria.
Paii urmtori ai revistei vor fi cel puin la fel de stimulani, intenia
de a organiza o Trienal Internaional de Arhitectur fiind deja
public, anunat n cadrul Bienalei Internaionale de la Veneia din
acest an.
(Volume 2) or the incursion into the practice and projects emerging
today (Volume 3) have in common the speech which is clear, well
structured, offensive, the belonging to stringent reality, by the
coherent critical, theoretical vision of the issues related to cities,
heritage, public areas and life quality.
Last but not least, the entire strategy of the Urban Report project
aims at the complex reality of the social/urban environment in
Eastern Post-Communist Europe and it is the result of a teams ample
efforts, embodying teamwork which is worth praising.
AWARDS
Ex equo award and medal
Transdisciplinarity and architecture
Author: Cosmin Caciuc
The book by Cosmin Caciuc is actually the continuation of the critical
speech in Overtheorization of Architecture, more clearly reflecting the
authors views regarding the ranking of architecture theory within
the wide framework of current thinking and philosophy (the late
1990s and the early 2000s).
In this respect, staying close to Romanian physicist and philosopher
Basarab Nicolescu (in his turn the emulator of Stephane Lupasco),
Cosmin Caciuc did not hesitate to show once again his proximity to
the weak beliefs of Gianni Vattimo, Umberto Eco, Richard Rorty,
Paul Ricoeur, maybe due to their non-fundamentalist traits as well
as due to their respect for the past and particular contexts, pluralism
and tolerance.
Transdisciplinarity, in Cosmin Caciucs opinion, brings forth the
cultural values or aspirations beyond disciplines around which
essential motivations are woven regarding the understanding of
human status, the coherence of practical actions and the consistency
of specialized knowledge (p. 313).
Very interesting in terms of its ideas, Transdisciplinarity and
architecture does not invalidate the pertinent, rigorous writing
ability of the author. When will a new step be made in the form of
Architecture Theory by Cosmin Caciuc?
Ex equo award and medal
Who is afraid of Matache quarter? Urban regrowth principles for
Matache - Gara de Nord area
Author: Volunteering Architects
(texts by: Mariana Celac, Mirela Duculescu, Raluca Munteanu, erban
Sturdza; publishing concept: Mirela Duculescu)
The work is a civic manifest in the form of an architecture book a
smart, militant publication that resumes a good modernist tradition.
It is a pertinent response to a current, serious stringent matter. The
book chooses a clearly assumed position and indicates a solution
direction with persuasive arguments and illustrations.
Keeping the measure of all things, addressability exceeds the strict
area of professionals in order to attract the community towards a
good attitude for everyones living environment.
THE JURYS SPECIAL PRIZE

Arhitext Magazine
Editor-in-Chief: Arpad Zachi
The Arhitext Magazine was remarked by its sustainable performance
for 22 years after 1989, by its ongoing renewal, even rebirth. The
magazine has few pictures, but a lot of thrilling articles, it is the only
magazine in Romania which has given birth to a younger one
about the National Architecture Biennale, also awarding honors
for national accomplishments related to architecture, urbanism,
interior design, generating significant events, exhibitions, festivals
etc. One should remember the Dealu Frumos phenomenon, the
migratory nature of events, their organization in other cities except
the capital (Sibiu, Cluj, Timioara). The magazines recalibration
over the last years is also worthwhile, along with attracting newly
emerging non-architects, the magazines restructuring according
to definite theoretical topics accompanied by practical themes. The
magazine generated the first monographs of modern Romanian
architects encouraging other magazines to do the same. The Fluene
phenomenon is the magazines last major step, and here it is not
only a single volume (found in the Biennales contest), but a series
of events - exhibitions, conferences, workshops on long term,
concerned with the architectural conditions in European countries,
from Russia to Turkey, from Romania to Austria.
The magazines next steps are to be at least equally encouraging
as the intention to organize an International Architecture Triennial
has already been announced at the International Biennale of Venice
this year.
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490 BNAB 2012 - Ar hi t e c t ur a pr i n c uvnt
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493
I. SECIUNEA Arhitectura prin cuvnt I. Architecture by Word SECTION
P R E MI I I N O MI N A L I Z R I A C O R D A T E D E J U R I U
NOMINALIZRI:
I025 Cui i-e fric de cartierul Matache? Principii de regenerare urban
pentru zona Matache - Gara de Nord
Autor: Mirela Duculescu
I027 G.M. Cantacuzino (1899-1960). Arhitectura ca tem a gndirii
Autor: Mirela Duculescu
I122 Peisaj cu grdin i cas
Autor: Kzmr Kovcs
I059 Revista Arhitext
Autor: Arpad Zachi
I175 Transdisciplinaritate i arhitectur
Autor: Cosmin Caciuc
I181 Urban Report #2 & #3
Autor: Asociaia Zeppelin
I333 Columna lui Traian : arhitectura de pe friza sculptat
Autor: Dinu Antonescu
PREMIU:
I025 Cui i-e fric de cartierul Matache? Principii de regenerare urban
pentru zona Matache - Gara de Nord
Autor: Mirela Duculescu
I175 Transdisciplinaritate i arhitectur
Autor: Cosmin Caciuc
PREMIUL SPECIAL:
I059 Revista Arhitext
Autor: Arpad Zachi
N O MI N A T I O N A N D A WA R D S G R A N T E D B Y T H E J U R Y
NOMINATIONS:
I025 Who is afraid of Matache quarter? Urban regrowth principles for
Matache - Gara de Nord area
Author: Mirela Duculescu
I027 G.M. Cantacuzino (1899-1960). Architecture as food for thought
Author: Mirela Duculescu
I122 Garden and house landscape
Author: Kzmr Kovcs
I059 Arhitext Magazine
Author: Arpad Zachi
I175 Transdisciplinarity and architecture
Author: Cosmin Caciuc
I181 Urban Report #2 & #3
Author: Zeppelin Association
I333 Trajans Column: architecture on carved frieze
Author: Dinu Antonescu
AWARDS:
I025 Who is afraid of Matache quarter? Urban regrowth principles for
Matache - Gara de Nord area
Author: Mirela Duculescu
I175 Transdisciplinarity and architecture
Author: Cosmin Caciuc
SPECIAL AWARD:
I059 Arhitext Magazine
Author: Arpad Zachi
Publications, journalism, reports, written studies and scenarios that contribute in promoting the values of architecture, built, interior and public
spaces.
P R E MI I A C O R D A T E D E P A R T E N E R I
Ministerul Dezvoltrii Regionale i Turismului
I286 Urbanismul - serie nou
Autor: Registrul Urbanitilor din Romnia
Atelierul de Proiectare
I312 Observatorul Urban
Autor: Catiua Ivanov / Ina Stoian / Florin Blteanu
Al Prompt
Premiul Al prompt s-a acordat la toate premiile
acordate de juriul BNAB.
AWARDS GRANT E D BY T HE PART NE RS
Ministry of Regional Development and Tourism
I286 Urbanism New Series
Author: Romanian Register of Urban Planners
Atelierul de Proiectare Magazine
I312 Urban observatory
Authors: Catiua Ivanov / Ina Stoian / Florin Blteanu
Al Prompt
The Al Prompt prize accompanied all the other
prizes granted by the BNAB jury.
Publicaii, publicistic, reportaje, studii scrise i scenarii care contribuie la promovarea valorilor arhitecturii, a patrimoniului cultural construit, a
spaiului interior i public.
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Premiul seciunii/ Section Prize
Cui i-e fric de cartierul
Matache?
Autor/Author
Mirela Duculescu
Volumul reprezint o carte-manifest i o carte-martor a unui fenomen
de activism urban concentrat care arat c oricine poate avea iniiativ
i propune soluii pentru cartier i ora. Cartea a fost lansat cu ocazia
Conferinei profesionale organizate de OAR cu tema Un alt fel de
arhitect o alt abordare a spaiului public (17 martie 2012). Cartea
prezint pe nelesul tuturor proiectul Regenerare urban pentru
zona Matache Gara de Nord din Bucureti, realizat la iniiativa unor specialiti grupai ad-hoc sub
numele de Arhitecii Voluntari. Un element central este pstrarea, reabilitarea i refuncionalizarea
Halei Matache Mcelaru, monument istoric, n scop comercial. De asemenea, volumul beneficiaz
de opinia experilor n alte domenii dezvoltarea oraelor, arhitectur, antropologie, literatur,
publicistic, peisaj urban care vorbesc despre principii europene de mobilitate urban, identitate
i memorie. La data publicaiei nsi supravieuirea pur fizic a Halei Matache Mcelaru sttea sub
semnul ntrebrii din cauza devastrii concertate. Credem c publicaia-manifest va fi citit n timp ca
parte din istoria recent a urbanismului din Romnia.
Whos afraid of the Matache district?
The book is a manifesto of a phenomenon of urban activism and
presents a collective initiative for proposing solutions to save a historic
neighborhood. It was launched at a professional conference organized
by OAR on the theme Another architect - a different approach to
public space (March 17, 2012). The book presents the project of urban
regeneration of the area Matache Northern Station in Bucharest, at
the initiative of the group Volunteer Architects. A central element is the
preservation and the rehabilitation of the Macelaru Matache Market
Hall, an historic monument. Experts in different such as fields urban
development, architecture, anthropology, literature, journalism, landscape urban, also contribute with
texts on European principles of urban mobility, identity and memory. At the time of publication, in
February 2012, the operation of North-South Diametral of Bucharest is far frombeing finished. Urban
regeneration of the area has an open-end. The physical survival itself of the Markethall Macelaru
Matache is under threat because of concerted devastation. We believe that publication manifesto will
be read as part of the recent history of planning in Romania.
Principii de regenerare urban pentru zona Matache - Gara de Nord
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Premiul seciunii/ Section Prize
Redactor ef/Editor in chief
Arpad Zachi
Cu o tradiie de peste 20 de ani, Arhitext este o publicaie de colecie cu greutate teoretic pentru
domeniul arhitecturii propunnd o abordare interdisciplinar a acestui domeniu. Numrul 2/2012
al revistei trateaz conceptele de urm i ecranare i aduce n prim plan i proiecte de arhitectur
interpretate drept case primitive. A vorbi despre urme ca ecranri nseamn n primul rnd a admite
o absen, o distan aparent irecuperabil fa de ceea ce a generat, printr-o complex relaie de
cauzalitate, urma care ni se ofer percepiei, ns mai puin nelegerii. Trim n prezent nconjurai
de urme, care menin numai iluzia continuitii devenirii noastre i ne anesteziaz angoasele
legate de pierderea unei legturi profunde, organice cu substana lucrurilor nconjurtoare. Miza
contemporaneitii este astfel de a depi urmele ca superficii opace, desemantizate, de a merge
n urm, dar dincolo de urm, regsind acele zone poroase, permeate dei ancorate n straturi de
semnificaie active. Tema Case primitive exploreaz modul n care unele lucrri de arhitectur
contemporan reiau i exprim trsturi primare / primordiale ale arhitecturii i actului edificrii,
respectiv ale unei arhitecturi intuite, a crei realizare nu este mediat (nc) de tipare culturale.
Arhitext Magazine
With more than 20 years of activity, Arhitext is one of the most important trend-setting magazine in
field of architecture. Proposing an inter-disciplinary approach, Arhitext is dedicated to groundbreaking
theoretical work. Its issue from 2/2012 addresses the concepts of trace and screening and brings into
light architectural projects interpreted as primitive houses. To speak of traces as screenings is to admit
an absence, an apparently irretrievable distance from what it has generated. Through a complex
relation of causality, the trace offers itself to our perception, but less to our understanding. We live
surrounded by traces that maintain only the illusion of continuity in our becoming and anaesthetize
our anxiety regarding the loss of a profound, organic relation with the substance of surrounding
things. The stake of contemporary world is to retrieve the substance of things beyond the screens which
the contemporary world relentlessly erects towards an arid reinvention of itself. Primitive houses
explores the means by which some contemporary architecture works re-assume and express primary /
primordial features of architecture and of the act of edification.
Arhitext Magazine
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Premiul seciunii/ Section Prize
Autor/Author
Cosmin Caciuc
ncercnd s cartografieze transformrile arhitecturii n zonele ei de grani disciplinar, acest
studiu confrunt turbulena discursiv din teoria de arhitectur pe fondul unor dezbateri filosofice
fundamentale. Prin urmare investigheaz slbirea granielor disciplinare, conflictele inter-discursive
i momentul de apariie al transdisciplinaritii n orizontul nostru profesional. Dup un scurt excurs
metodologic n care se reevalueaz tensiunea dintre epistemologie i hermeneutic, volumul prezint
dezbaterile pe tema transdisciplinaritii (Erich Jantsch, Basarab Nicolescu, Julie Thompson Klein,
Roland W. Scholz & David Marks, Ubiratan dAmbrosio, Douglas Kellner), dar i critica acesteia (Bruce
B. Janz, Jrgen Mittelstrass, Gavan McDonell, William H. Newell, Roderick Macdonald, Desmond
Manderson). Prin survolarea fundalului filosofic se disting apoi principiile transdisciplinare ale
gndirii radicale (Gilles Deleuze, Flix Guattari, Jean Baudrillard, Jacques Derrida) i ale gndirii
slabe (Gianni Vattimo, Richard Rorty, Wolfgang Welsch, Michel Serres). n miezul lucrrii se dezvolt
o analiz a transdisciplinaritii implicite i explicite n teoria arhitecturii.
Transdisciplinarity and architecture
Aiming to map the changes in the areas where the field of architecture transcends its border, this
study explores the discursive turbulence in the theory of architecture against the background of main
philosophical debates. It therefore explores the weakening of disciplinary borders, the inter-discursive
conflicts and the moment of emergence of transdisciplinarity in our profession. Following a short
methodological contribution re-assessing the tension between epistemology and hermeneutics, the
volume interprets the manifestoes/debates about transdisciplinarity (Erich Jantsch, Basarab Nicolescu,
Julie Thompson Klein, Roland W. Scholz & David Marks, Ubiratan dAmbrosio, Douglas Kellner), as
well as its critique (Bruce B. Janz, Jrgen Mittelstrass, Gavan McDonell, William H. Newell, Roderick
Macdonald, Desmond Manderson). The transdisciplinary principles of radical thinking come
out through the exploration of the philosophical background (Gilles Deleuze, Flix Guattari, Jean
Baudrillard, Jacques Derrida) but also those of a weak thinking (Gianni Vattimo, Richard Rorty,
Wolfgang Welsch, Michel Serres). The core of this volume covers an analysis of implicit and explicit
cross-disciplinarity in the theory of architecture.
Transdisciplinaritate i
arhitectur
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Nominalizare/ Nomination
Autor/Author
Mirela Duculescu
Volumul bilingv reprezint o monografie de arhitectur publicat n 2010, la mplinirea a jumtate de
secol de la dispariia lui GM Cantacuzino, un veritabil i demn intelectual. Cercetarea este i un gest de
recuperare critic a operei sale teoretice i de arhitectur, care adaug o pagin la istoria arhitecturii
romneti n context european. Fondator al Caietelor de Art i Critice Simetria (1939-1947), GM
Cantacuzino a fost o personalitate provocatoare prin dimensiunea cultural, neegalat de nici un
contemporan sau coleg de breasl din peisajul interbelic autohton. Arhitect i teoretician al arhitecturii,
urbanist, pictor, iar apoi scriitor lucid i analitic n penitenciarele comuniste, GM este cunoscut pentru
remarcabile lucrri de arhitectur din Bucureti precum Banca Chrissoveloni (1928), corpul Eforiei
Kreztulescu din Piaa Palatului (1938), imobilul Bragadiru din Piaa Lahovary (1935), vilele Nae Ionescu,
Mavrocordat i Florica Policrat (1935), proiecte la malul marii - vilele Aviana i Bibescu de la Eforie Nord
(1933), hotelul Rex din Mamaia (1940), pavilioanele Mitropoliei Iai (1960) i altele.
G.M. Cantacuzino (1899-1960). Architecture as a Subject of Thought
This bilingual volume is an architecture monograph published at the half-century anniversary of
the disappearance of the Romanian architect GM Cantacuzino (1890-1960). Founder of the Simetria
review (1939-1947), GM Cantacuzino is known for innovative architectural works in Bucharest such
as the palladian Chrissoveloni Bank Palace (1928), Corpus of the Kretzulescu Church Wardenship in
Palace Square (1938), the Bragadiru apartment building in Lahovary Square (1935), the villas Nae
Ionescu, Florica Mavrocordat and Policrate (1935), and the landmarks on the Black Sea shore villas
Aviana and Bibescu in Eforie Nord (1933), the hotel Rex in Mamaia (1940) or the neo-palladian
pavilions of the Metropolia Palace, Jassy (1960).
G.M. Cantacuzino
(1899-1960). Arhitectura
ca tem a gndirii
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Nominalizare/ Nomination
Autor/Author
Kzmr Kovcs
Fr a spera s identifice toate cauzele srcirii semantice a mediului locuit,
autorul abordeaz teme care repun n cauz nelesul locuirii. Consacrat n
aparen grdinilor, cartea e structurat n jurul chestiunilor legate de arhitectura i
urbanismul post-industriale. Fiind prezent la toate societile sedentare de oriunde
i oricnd, grdina poate fi reprezentativ pentru toate felurile de amenajare a
locuirii. n Europa modern, grdin i peisaj se manifest ca dou maniere de a
ne raporta la natur. Privii mpreun cei doi termeni confirm ipoteza de nceput a crii: criza de
sens a mediului locuit exprim o criz de identitate legat de inadecvarea relaiei noastre cu natura.
Din punct de vedere conceptual se poate vorbi de o criz a limitei. Interpretarea posteritii grdinii
peisajere n perspectiva crizei limitei poate explica mutaiile produse azi n amenajarea spaiilor
locuite nu ca deriv de la normalitate ci ca episod intermediar ntre dou viziuni ale lumii antropice.
Landscape with Garden and House
Without aiming to identify the causes leading to the semantic impoverishment of the inhabited milieu,
the author puts forth topics concerning the meaning of human dwelling. Seemingly dedicated to
gardens, the book is structured around general matters related to post-industrial architecture and
urban planning. Ubiquitous at sedentary societies everywhere in any age, gardens are representative
for every kind of inhabiting. In modern Europe, garden and landscape reflect two ways in which
humankind relates to nature. Seen together, the two terms confirm the hypothesis presented at the
beginning of the book, namely that the crisis of meaning visible in the inhabited milieu is the expression
of the identity crisis caused by the inadequacy of our relationship to nature. From a conceptual point
of view, this can be formulated as a crisis of the boundary. Interpreting the posterity of the landscape
garden from the perspective of the crisis of the boundary could explain the profound changes that
inhabited spaces are undergoing today, not as diverging fromnormality, but as being an intermediate
stage between two visions of the anthropic world.
Peisaj cu grdin i cas
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Nominalizare/ Nomination
Autor/Author
Asociaia Zeppelin
Urban Report e un studiu cross-culture ce reunete discursuri critice despre fenomenul urban
contemporan i arhitectura din Romnia, Ungaria, Serbia i Bulgaria. La studiu au contribuit un
grup de profesori, cercettori independeni, practicieni aparinnd unor organizaii independente
i instituii academice. Una dintre cele mai sensibile probleme ale post-socialismului a fost
abandonarea oricrui management urban orientat ctre comunitate. n mod spontan se nasc reacii
nevrotice de evadare din orice form de reglementare urban, un protest mpotriva ideii unicului
destin pe care un ora l poate crea n mod egal pentru toi locuitorii si. Acest fenomen este nsoit
de o explozie a individualitii ca form de expresie a libertii. Prin nelegerea acestui proces viu
volumul 2 Urban Report ncearc s imagineze viitorul oraelor din Est dincolo de stereotipuri i
sa transforme lipsurile n oportuniti. Cum ne-am lmurit ntre timp c aceast parte de Europ
nu va fi probabil comparabil cu cea vestic niciodat, al treilea volum Urban Report este dedicat
pionierilor unor practici arhitecturale desprinse din aceste vremuri i locuri. Este un numr dedicat
unor idei rebele, unor oameni care nu au ncotro i trebuie s fie exploratori, inovatori, pionieri
n necunoscut.
Urban Report #2 & #3
Urban Report is a cross-culture study covering critical theories and discourses on the contemporary
urban phenomenon and the architecture in 4 countries: Romania, Hungary, Serbia and Bulgaria.
It benefits from the contribution of academics, independent researchers, and practitioners from
independent organizations and universities. One of the most susceptible issues of post-socialist was
the abandon of any urban management directed to the community. It was the result of neurotic
reactions of refusing any kind of urban regulation, a protest against the concept of a standardized
mode of existence the cities might force on their residents. This was accompanied by an explosion
of individuality resulted from the eagerness to express the newly acquired freedom. Aiming to
understand this process, the 2nd volume of Urban Report attempts to imagine the future of Eastern
cities beyond clichs, based on a positive perspective that turns deficiencies into opportunities.
Urban Report
Urban Report #2 & #3
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Nominalizare/ Nomination
Autor/Author
Dinu Antonescu
Volumul are text bilingv romn-englez i cuprinde trei mari capitole, nsoite de 142 fotografii i
desene originale n care autorul studiaz tipul de reprezentare pe friza spiralat a Columnei a
entitilor arhitecturale, interpretrile innd cont de cteva criterii eseniale: arhitectura formeaz
exclusiv fundalul pentru evenimentele narate pe friza sculptat; se desfoar pe o suprafa
n spiral, reprezentrile suportnd deformaiile de reprezentare implicate; n citirea obiectelor
trebuie s se aib n vedere existena conveniilor de reprezentare existente n arta roman (n mare
parte necunoscute n ceea ce privete arhitectura); scenele narate pe friz reflect poziia oficial a
imperiului fa de evenimentele tratate - rzboaiele cu dacii - fiind un document oficial reflectat n arta
sculptural roman i, n consecin, dincolo de conveniile de reprezentare i de servituile impuse
de particularitile suprafeei pe care se desfoar, realitatea de pe teren nu poate fi reprezentat
deformat. Lucrarea reflect o modalitate de abordare n premier n tiina romneasc i un unicat
n vasta bibliografie internaional dedicat Columnei.
Trajans Column : the architecture on the sculpted frieze
The book features three extensive chapters (the text is bilingual, Romanian and English) and 142
original photographs and drawings to support the study of representations used on the spiral frieze
of the Column to depict architectural entities. The interpretation is based on a few essential criteria:
architecture is only shown as background for the events narrated on the sculpted frieze; the images
unfold on a spiral surface, undergoing the inherent deformations; on reading the objects one must
consider the conventions of representation used in Roman art (to a large extent unknown in regard
to architecture); the scenes narrated on the frieze reflect the official position of the Empire as to
the depicted events - the Dacian wars - being an official document reflected in sculptural art and
consequently, leaving aside the conventions and the peculiar surface onto which they unfold, the
ground reality could not be represented in a distorted fashion. The book reflects a novel approach in
the Romanian research practice and a unique work in the vast international bibliography dedicated
to the Column. The volume also comprises the editors introduction and notes, a glossary, the list of
figures, an index, bibliographical abbreviations and an autobiography of the author.
Columna lui Traian :
arhitectura de pe friza
sculptat
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O via printre case i culori
Life amongh houses and colours
Autor/Author
Gheorghe Leahu
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Regulamente urbane
Urban regulations
Autor/Author
Adrian Iancu
Fondul documentar de arhitectur din Romnia.
Raport preliminar de politic cultural
The Documentary Fund of Architecture in Romania.
Preliminary Report of Cultural Policy
Autor/Author
Mirela Duculescu
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Bucuretiul european
European Bucharest
Autor/Author
Bogdan Andrei Fezi
Lemn. Biserici din nordul Olteniei
Wood. Churches of northern Oltenia
Autor/Author
Maria-Luiza Zamora
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Evacuarea Fantomei. Arhitecturi ale Supravieuirii
Evicting the Ghost. Architectures of Survival
Autori/Authors
Alex Axinte, Cristi Borcan
Plcerea arhitecturii
The joy of architecture
Autor/Author
Adrian Spirescu
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Fluene. Arhitectura Europei Centrale i de Est
Fluencies. East and Central European Architecture
Autor/Author
Arpad Zachi
Evaluarea performanei structurale a msurilor de
consolidare pe cldiri caracteristice interbelice n Bucureti
Assessment of structural performance of retroft
measures on characteristic interwar structures in
Bucharest, Romania
Autor/Author
Maria Botenaru Dan
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Mobilitate i form urban aspecte teoretice
Mobility and Urban Form - Theoretical Aspects
Autor/Author
Mihaela Hermina Negulescu
Practica urbanistic de remodelare sustenabil a
mobilitii
Urban practice for sustainable (re)shaping mobility
Autor/Author
Mihaela Hermina Negulescu
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Al Cincilea Atelier de Arhitectur Romno-Spaniol
5th Architecture Romanian-Spanish Workshop
Autor/Author
Elena-Codina Duoiu
Monografi Eseniale cu Indici. Revista de Arhitectur
i Construcie; Cminul. Studii i planuri
Essential Monographs with Indices. Architecture and
Construction Magazine; Home; Studies and Plans
Autor/Author
Gabriela Tabacu
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Admitere arhitectur - propuneri i subiecte
Architecture admission - proposed ideas and
subjects
Autor/Author
Drago Ciolacu
Album omagial Toma T. Socolescu - arhitect romn
- 1883-1960
Toma T. Socolescu - a Romanian Architect - 1883-
1960
Autor/Author
Zina Macri
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Construind idei o introducere n teoria arhitecturii
Building ideas an introduction to architectural theory
Autor/Author
Jonathan A. Hale
Traductor/Translator
Cosmin Caciuc
Avangarda American. 50 de ani de arhitectur - de
la modernism la minimalism
American Avant-garde. 50 Years of Architecture:
from Modernism to Minimalism
Autor/Author
Cosmin Caciuc
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Cultura Central European refectat n evoluia
gndirii arhitecturale i urbanistice 1700-1945
The Central European Culture refected in the evolution
of architectural and urban thinking 1700-1945
Autor/Author
Gabriel Szekely
Arhitectura prin cuvnt
Architecture by word
Autor/Author
Laureniu Dumitrac
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Arhitectura unei viziuni. Motiv: pieele mobile
The architecture of a vision. Motive: mobile markets
Autori/Authors
Alexandru Cozma, Oana Simionescu
Urbanismul - serie nou
Urbanismul - new series
Autor/Author
Registrul Urbanitilor din Romnia
Premiul Ministerului Dezvoltrii Regionale i Turismului/ MDRT Prize
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Observatorul Urban Bucureti
Bucharest Urban Observatory
Autori/Authors
Catiua Ivanov, Ina Stoian, Adrian-Florin Blteanu
Caiete ARA - Arhitectur. Restaurare. Arheologie
ARA Reports - Architecture. Restoration. Archaeology
Autor/Author
Monica Mrgineanu Crstoiu
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Cluj-Napoca n proiecte, 50 de ani, 1960-2010
Cluj-Napoca in Projects, 50 years, 1960-2010
Autor/Author
Eugeniu Pnescu
Arheologia picturilor murale de la biserica Sf.
Nicolae Domnesc din Curtea de Arge
The Archaeology of Mural Paintings from the
Princely Church of St. Nicholas in Curtea de Arge
Autor/Author
Dan Mohanu
535
J
Juriu/Jury
Rosa Cervera (Spania)
Javier Pioz (Spania)
James Horan (Irlanda)
Viorel Simion (Frana)
Viorel Hurduc (Romnia, Bucureti)
Iulia Stanciu (Romnia, Bucureti)
Tiberiu Buca (Romnia, Cluj)
Completed and unbuilt studies and projects
Studii i proiecte finalizate i nerealizate
537
Aceast seciune a avut cel mai mare numr de participani, o mare varietate de proiecte, plecnd de la intervenii de design de obiect, design
interior, la obiecte de arhitectur, cu sau fr ncadrare n context, lucrri de restaurare, sistematizare, la intervenii n structura esutului urban.
n ciuda aceste varieti, a fost seciunea la care decizia juriului a fost adoptat rapid i cu unanimitate.
Nominalizrile s-au orientat ctre acele propuneri care au adugat valorii abstracte a proiectului o component cu impact direct n sensul
modificrii calitii vieii, o valoroas amprent comunitar.
NOMINALIZRI
Reabilitare zona central Dej
Pornind de la analiza structurii urbane a centrului istoric al oraului Dej, primul proiect nominalizat propune reconformarea pieei centrale
i a zonei imediat adiacente, prin modificarea schemei de trafic, intervenii la nivelul obiectelor de arhitectur, pn la nivelul detaliilor de
amplasare i rezolvare a mobilierului urban.
Regenerare urban pentru zona urban Matache Gara de Nord
Al 2-lea proiect nominalizat atinge un subiect fierbinte i sensibil pe harta oraului Bucureti, propunnd o esere alternativ a unei rni n
esutul urban.
Pornind ca iniiativ spontan de la un dat urban de mare actualitate, atrgnd n acest demers o echip ampl multidisciplinar de arhiteci,
arheologi, sociologi, istorici, oameni de cultur etc, proiectul Matache-gara de Nord reprezint o alternativ propus pentru dezbatere n faa
unui Plan Urbanistic Zonal iniiat de Primria Municipiului Bucureti.
Fr a da soluii pentru obiecte de arhitectur, proiectul este un manifest constructiv pentru regenerarea urban n sensul unei noi identiti
culturale a cartierului.
PREMII
PREMIUL juriului a fost acordat proiectului
Regenerare urban pentru zona urban Matache Gara de Nord
Opinia juriului - Seciunea J prezentat de conf. dr. arh. IULIA STANCIU
It was the section with the largest number of participants, with a wide range of projects, from object design interventions, interior design, to
architectural objects, with or without any relation to a context, restoration, systematization works, to interventions into the urban network.
Despite such variety, it was the section where the jurys decision came quickly and unanimously.
The nominees were oriented to the applications that added to projects abstractness a direct impact component in terms of changing life quality,
a valuable mark upon the community.
NOMINATIONS
Rehabilitation of the central area in Dej
Based on the analysis of the urban structure in the historic centre of Dej, the first nominated project aims at reshaping the central square and its
adjacent area by changing the traffic scheme, interventions in architectural locations, even details of placement and solution of urban endowment.
Urban re-growth principles for Matache - Gara de Nord area in Bucharest
The second nominated touches a major, sensitive issue on the map of Bucharest, suggesting the alternative weaving of a whole in the urban
network.
Starting as a spontaneous initiative in an urban context of great interest, attracting a large multidisciplinary team of architects, archaeologists,
sociologists, historians, men of culture etc., the Matache Gara de Nord project is a recommendable alternative to be debated as opposed to a
Zonal Urban Plan commenced by the Bucharest City Hall.
Without giving any architectural solutions, the project is a constructive manifesto for urban renewal in terms of a new cultural identity of the
neighborhood.
AWARDS
The jurys award was granted to the project
Urban re-growth principles for Matache - Gara de Nord area in Bucharest
Opinion of the Jury - Section J presented by assoc. prof. arch. PhD Iulia
Stanciu

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541
J. SECIUNEA Studii i proiecte finalizate i nerealizate J. Completed and Unbuilt Studies and Designs SECTION
P R E MI I I N O MI N A L I Z R I A C O R D A T E D E J U R I U
NOMINALIZRI:
J022 Regenerare urban pentru zona Matache - Gara de Nord din
Bucureti,
Romnia
Autor: Raluca Munteanu
J231 Reabilitarea zonei centrale, Dej, Romnia, jud. Cluj, Dej, zona
central
Autori: Adrian Borda / Tudor Pnescu / Tiberiu Ciolacu / Michael Buck / Eugen
Pnescu / Benjamin Kohl / Flavia Cozma / Endre Vnyols / Mihai Bogdan
Sngeorgean / Elena Stoian
PREMIU:
J022 Regenerare urban pentru zona Matache - Gara de Nord din
Bucureti,
Romnia
Autor: Raluca Munteanu
N O MI N A T I O N A N D A WA R D S G R A N T E D B Y T H E J U R Y
NOMINATIONS:
J022 Urban regrowth principles for Matache - Gara de Nord area in
Bucharest, Romania
Author: Raluca Munteanu
J231 Rehabilitation of the central area, Dej, Romania, Cluj County, Dej,
central area
Authors: Adrian Borda / Tudor Pnescu / Tiberiu Ciolacu / Michael Buck / Eugen
Pnescu / Benjamin Kohl / Flavia Cozma / Endre Vnyols / Mihai Bogdan
Sngeorgean / Elena Stoian
AWARD:
J022 Urban regrowth principles for Matache - Gara de Nord area in
Bucharest, Romania
Author: Raluca Munteanu
Studies and designs left on paper, design projects whose creative concepts can contribute in developing the architectural spaces of dwellings,
community facilities, production facilities, of cultural heritage, of public areas, of landscapes proposing new concepts, applying high-level
technologies able to change the field specific approach.
P R E MI I A C O R D A T E D E P A R T E N E R I
Atelierul de Proiectare
J353 Casa K, Romnia, jud. Mure, Chibed
Autor: Liviu Creosteanu / Cristian Mihai Oprea
Al Prompt
Premiul Al prompt s-a acordat la toate premiile
acordate de juriul BNAB.
AWARDS GRANT E D BY T HE PART NE RS
Atelierul de Proiectare Magazine
J353 K House, Romania, Mure County,
Chibed
Author: Liviu Creosteanu / Cristian Mihai Oprea
Al Prompt
The Al Prompt prize accompanied all the other
prizes granted by the BNAB jury.
Studii i proiecte de sertar, proiecte de idei ale cror concepte creative pot contribui la dezvoltarea spaiului arhitectural al locuinei, al dotrilor
comunitare i de producie, al spaiului patrimoniului cultural, al spaiului public, al peisajului, care propun concepte inedite, aplicarea unor
tehnologii de vrf capabile s modifice abordarea specific a domeniului.
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Romnia, Bucureti
Autor/Author
Raluca Munteanu
La sfritul anului 2010 Primria Municipiului Bucureti
a decis nceperea lucrrilor pentru Diametrala Nord-
Sud avnd la baz Planul Urbanistic Zonal pentru
Diametrala Buzeti-Berzei-Uranus. PUZ-ul este
nesustenabil i anacronic, cu premise i prioriti false,
care ignor realitatea complex a vieii n cartier. Planul
urbanistic aprobat de primrie contravine politicilor
urbane sustenabile pe care Romnia i le-a asumat prin
documente internaionale. Proiectul Arhitecilor Voluntari,
explicat n cartea Cui i-e fric de cartierul Matache?
Principii de regenerare urban pentru zona Matache
Gara de Nord din Bucureti (Pro Patrimonio 2012), pune n discuie faptul c zona este poarta de
intrare n ora i susine c fiecare cetean are dreptul la o locuire de calitate i la un mediu sntos,
iar infrastructura trebuie subordonat specificului fiecrui cartier. Chiar dac inteniile globale ale
PUZ-ului sunt justificate, modul de punere n aplicare, care duce la distrugerea unor zone nsufleite,
nu i asum consecinele sociale, culturale i economice. Regenerarea urban este un proces necesar
i urgent, dar care trebuie s refac logica economic i funcional, s ntreasc coeziunea social i
identitatea cultural a cartierului.
Urban regeneration for the Matache - Northern Station area of Bucharest
The City Hall of Bucharest has decided in 2010 to start the work on the North-South Diametral, based
on the Urban Zoning Plan for the Buzeti-Berzei-Uranus Diametral. The project is unsustainable,
presenting false priorities (car traffic growth) that ignore the complex reality of life in the neighborhood.
They are also contrary to public interest and sustainable urban policies to which Romania has officially
assented. Other expert opinions, such as those expressed in the book Whos Afraid of Matache District?
Urban regeneration principles for the MatacheNorthern Station area of Bucharest (Pro Patrimonio
2012) argues that all citizens have the right to quality of life and that the infrastructure should adapt to
the specificity of each district. Even if the intentions of the Diametral are understandable, the way they
are put in practice leads to negative consequences on the social, cultural and economic levels. Other
strategies, based on existing social, cultural and economic forces are possible, creating infrastructures
as well as a new urban fabric that would benefit the city as well not only this particular area. The group
of architects involved in presenting an alternative solution has worked on a purely volunteer basis.
Premiul seciunii/ Section Prize
Regenerare urban
pentru zona Matache
- Gara de Nord din
Bucureti
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Nominalizare/ Nomination
Romnia, jud. Cluj, Dej, zona central
Autori/Authors
Michael Buck, Tiberiu Ciolacu, Flavia Cozma, Benjamin Kohl, Tudor Pnescu, Eugen Pnescu, Mihai
Bogdan Sngeorgean, Elena Stoian, Endre Vnyols, Adrian Borda
Proiectul face parte dintr-un concept mai amplu care cuprinde reamenajarea Pieei Boblna i strzilor
adiacente, un parcaj public subteran, reabilitarea i extinderea galeriei de art, un muzeu de istorie
i o mediatec. Reorganizarea traficului i construirea unui parcaj subteran n zona central permit
crearea unei reele de piaete, strzi pietonale i scuaruri nverzite n jurul pieei principale. Piaa
este mprit n diferite zone funcionale iar jocurile de ap alterneaz cu jeturile integrate n pavaj
cu un sistem de pulverizare fin a apei, pentru mprosptarea aerului n zilele de var. Galeria de
art se afl ntr-un pavilion cu un singur nivel i n interior este refcut organizarea n anfilad
a spaiilor expoziionale i introdus o cafenea. Nivelul nou al cldirii este retras fa de conturul
corpului istoric, e susinut de o structur metalic i are o nchidere vitrat n totalitate. Grdina
amenajat alturi de muzeu protejeaz zona privat a locuinelor adiacente iar spaiile aflate la
parter comunic direct cu gangul pietonal, cu piaa central i cu grdina. Devierea traficului face
posibil amplasarea mediatecii ca extindere a cinematografului existent i refacerea coerenei spaiale
a acestei poriuni de ora.
Refurbishment of the city center, Dej
The project is part of a broader urban development concept, which includes a series of interventions
in the historical center: the renovation of Piaa Boblna and the adjacent streets, an underground
parking lot, the rehabilitation and extension of the art gallery, a history museumand a hybrid library.
Eliminating the car traffic in this area and building an underground parking allows for a continuous
network of public spaces varying from small squares, pedestrian streets to green squares. A unified
concept of paving, furniture, planting and lighting is developed in order to harmonize the urban
image and interconnect different spaces. Water fountains and a water spray system embedded in the
pavement will refresh the air during the summer. The gallery building is remade as a succession of
exhibition spaces and a coffee shop is added to the museum. The new building level is drawn back
from the outline of the historical body, supported by a metal structure and with a fully glazed closing.
In the museum, the ground floor spaces communicate directly with the pedestrian corridor, the central
square and the garden. The detour of car traffic allows to locate the hybrid libray as an extension of
the existing cinema and to restore the spatial coherence of this part of the town.
Reabilitarea zonei
centrale, Dej
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Casa H
H House
Romnia, jud. Ilfov, Sftica, str. Lunca Florilor nr. 7
Autor/Author
Cosana Tudor
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Restaurare, reabilitare faade i amenajare curte
casa Degenfeld
Degenfeld house, restauration, reabiltation of the
facades and courtyard
Romnia, jud. Maramure, Baia Mare, Piaa Libertii nr. 5
Autori/Authors
Petru Roca, Alexandru Baban
Unitatea Verde
Green Unit
Autori/Authors
Ernest Onu Atanasiu, Iulian Mou, tefan Dumitru Stana
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Ansamblu de locuit
Residential quarters
Romnia, jud. Cluj, Baciu, Strada Nou
Autor/Author
Ciprian imon
Podul Hermitage, Amsterdam Olanda
Hermitage Bridge, Amsterdam, The Netherlands
Olanda, Amsterdam, Hermitage
Autor/Author
Vasile Toch
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Catedrala Mntuirii Neamului
National Salvation Cathedral
Romnia, Bucureti, Calea 13 Septembrie nr. 4-60
Autori/Authors
Adrian Cristescu, Liviu Srb
Pavilion pentru Muzeul Etnografc al Transilvaniei
Pavilion for the Etnographic Museum of Transylvania
Romnia, jud. Cluj, Cluj-Napoca, str. Taietura Turcului
Autori/Authors
Drago erban igna, Paul Mihai Moldovan, Silviu Teofil Medean
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Complex sportiv ISJC
Educational sports complex ISJC
Romnia, jud. Cluj, Cluj-Napoca, str. Arge
Autori/Authors
Drago erban igna, Alexandrina Kiss
Imobil de locuine str. Dr. Staicovici
Dr. Staicovici residential building
Romnia, Bucureti, str. Dr. Staicovici
Autori/Authors
Daniel Nicolae Popescu, Andreea Stoenescu, Irina Stinghe, Anca Drgni
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In-tree house
In-tree house
Romnia, Bucureti, str. Codrii Cosminului
Autori/Authors
Daniel Nicolae Popescu, Andreea Stoenescu, Irina Stinghe, Anca Drgni
Locuin str. Redisoara, Bucureti
House - Redisoara street, Bucharest
Romnia, Bucureti, str. Redioara
Autori/Authors
Daniel Nicolae Popescu, Andreea Stoenescu, Irina Stinghe, Anca Drgni
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BNAB 2012 - Completed and unbuilt studies and projects, drawer studies and projects, projects of ideas
Concurs ThyssenKrupp Istanbul - Centru pentru
educarea i prevenirea n domeniul dezastrelor
Istanbul disaster prevention and education centrer
Turcia, Istanbul
Autor/Author
Bogdan-Constantin Neagu
Kiwi
Kiwi
Autori/Authors
Daniel Nicolae Popescu, Andreea Stoenescu, Irina Stinghe, Anca Drgni
BNAB 2012 - St udi i i pr oi ec t e f i nal i zat e i ner eal i zat e, s t udi i de s er t ar, pr oi ec t e de i dei 561
BNAB 2012 - Completed and unbuilt studies and projects, drawer studies and projects, projects of ideas
560 BNAB 2012 - St udi i i pr oi ec t e f i nal i zat e i ner eal i zat e, s t udi i de s er t ar, pr oi ec t e de i dei
BNAB 2012 - Completed and unbuilt studies and projects, drawer studies and projects, projects of ideas
Locuin individual Snagov
Snagov House
Romnia, jud. Ilfov, Snagov
Autori/Authors
Daniel Nicolae Popescu, Andreea Stoenescu, Irina Stinghe, Anca Drgni
Locuin individual parter
Ground foor house
Romnia, jud. Ilfov, comuna Corbeanca, str. Orhideelor
Autor/Author
Bogdan-Constantin Neagu
BNAB 2012 - St udi i i pr oi ec t e f i nal i zat e i ner eal i zat e, s t udi i de s er t ar, pr oi ec t e de i dei 563
BNAB 2012 - Completed and unbuilt studies and projects, drawer studies and projects, projects of ideas
562 BNAB 2012 - St udi i i pr oi ec t e f i nal i zat e i ner eal i zat e, s t udi i de s er t ar, pr oi ec t e de i dei
BNAB 2012 - Completed and unbuilt studies and projects, drawer studies and projects, projects of ideas
Regenerare urban prin (re)organizarea mobilitii n
Zona Parcului Carol
Urban regeneration through (re)shaping mobility in
Carol Park Area
Autor/Author
Mihaela Hermina Negulescu
C.R.E.I.C. - Centrul Regional de Excelen pentru
Industrii Creative
C.R.E.I.C. - Regional Center for Creative Industries
Romnia, jud. Cluj, Cluj-Napoca
Autori/Authors
Adrian Iancu, Florin Dascl
BNAB 2012 - St udi i i pr oi ec t e f i nal i zat e i ner eal i zat e, s t udi i de s er t ar, pr oi ec t e de i dei 565
BNAB 2012 - Completed and unbuilt studies and projects, drawer studies and projects, projects of ideas
564 BNAB 2012 - St udi i i pr oi ec t e f i nal i zat e i ner eal i zat e, s t udi i de s er t ar, pr oi ec t e de i dei
BNAB 2012 - Completed and unbuilt studies and projects, drawer studies and projects, projects of ideas
Amenajare pietonal i construire parking subteran
pe strada Mihail Koglniceanu, Cluj-Napoca
Pedestrian street and underground parking on
Koglniceanu street, Cluj-Napoca
Romnia, jud. Cluj, Cluj-Napoca, str. Mihail Koglniceanu
Autori/Authors
Florin Dascl, Adrian Iancu
Imobil de locuine colective
Rezidential building
Romnia, jud. Cluj, Cluj-Napoca, str. Tietura Turcului nr. 23
Autori/Authors
Adrian Iancu, Florin Dascl
BNAB 2012 - St udi i i pr oi ec t e f i nal i zat e i ner eal i zat e, s t udi i de s er t ar, pr oi ec t e de i dei 567
BNAB 2012 - Completed and unbuilt studies and projects, drawer studies and projects, projects of ideas
566 BNAB 2012 - St udi i i pr oi ec t e f i nal i zat e i ner eal i zat e, s t udi i de s er t ar, pr oi ec t e de i dei
BNAB 2012 - Completed and unbuilt studies and projects, drawer studies and projects, projects of ideas
Centru integrat pentru situaii de urgen 112 Bucureti
Emergency call center 112
Romnia, Bucureti, os. Cotroceni
Autor/Author
Lilian Captari
Judecatoria Rdui
Law Court Rdui
Romnia, jud. Suceava, Rdui, str. tefan cel Mare nr. 62
Autori/Authors
Drago erban igna, Iulia Maria Kulcsar
BNAB 2012 - St udi i i pr oi ec t e f i nal i zat e i ner eal i zat e, s t udi i de s er t ar, pr oi ec t e de i dei 569
BNAB 2012 - Completed and unbuilt studies and projects, drawer studies and projects, projects of ideas
568 BNAB 2012 - St udi i i pr oi ec t e f i nal i zat e i ner eal i zat e, s t udi i de s er t ar, pr oi ec t e de i dei
BNAB 2012 - Completed and unbuilt studies and projects, drawer studies and projects, projects of ideas
Imobil de birouri Expo 1
Expo 1 offce building
Romnia, Bucureti, bd. Expoziiei nr. 1
Autor/Author
Lilian Captari
Extindere Hotel Flora
Flora Hotel extension
Romnia, jud. Constana, Constana, Hotel Flora
Autor/Author
Lilian Captari
BNAB 2012 - St udi i i pr oi ec t e f i nal i zat e i ner eal i zat e, s t udi i de s er t ar, pr oi ec t e de i dei 571
BNAB 2012 - Completed and unbuilt studies and projects, drawer studies and projects, projects of ideas
570 BNAB 2012 - St udi i i pr oi ec t e f i nal i zat e i ner eal i zat e, s t udi i de s er t ar, pr oi ec t e de i dei
BNAB 2012 - Completed and unbuilt studies and projects, drawer studies and projects, projects of ideas
Trust Center
Trust Center
Autor/Author
Lilian Captari
Ventilatorul - proiect mixt
Ventilatorul - mixed use project
Romnia, Bucureti, str. Ion Nuu nr. 44
Autori/Authors
Alexandrina Kiss, Levente Kornis, Cristian Remus Urcan, Teodora Diana Dnil
BNAB 2012 - St udi i i pr oi ec t e f i nal i zat e i ner eal i zat e, s t udi i de s er t ar, pr oi ec t e de i dei 573
BNAB 2012 - Completed and unbuilt studies and projects, drawer studies and projects, projects of ideas
572 BNAB 2012 - St udi i i pr oi ec t e f i nal i zat e i ner eal i zat e, s t udi i de s er t ar, pr oi ec t e de i dei
BNAB 2012 - Completed and unbuilt studies and projects, drawer studies and projects, projects of ideas
Casa D
House D
Romnia, jud. Mure, Trgu-Mure, Sntana de Mure, str. Mrului
Autori/Authors
Liviu Vasiu, Tudor Vlsceanu, Romina Grillo
Concurs monument Ciprian Porumbescu
Competition Ciprian Porumbescu monument
Romnia, jud. Braov, Braov, irul Gheorghe Dima
Autori/Authors
Liviu Vasiu, Tudor Vlsceanu
BNAB 2012 - St udi i i pr oi ec t e f i nal i zat e i ner eal i zat e, s t udi i de s er t ar, pr oi ec t e de i dei 575
BNAB 2012 - Completed and unbuilt studies and projects, drawer studies and projects, projects of ideas
574 BNAB 2012 - St udi i i pr oi ec t e f i nal i zat e i ner eal i zat e, s t udi i de s er t ar, pr oi ec t e de i dei
BNAB 2012 - Completed and unbuilt studies and projects, drawer studies and projects, projects of ideas
O supraetajare uoar cu structur de beton pentru
reabilitarea blocurilor tipizate S+P+4E
A Light Attic with Concrete Structure for
Rehabilitation of Low Rise Prefab Housing Blocks
Autor/Author
Ctlina Maria Bocan
Concurs scenografe opera Lenfant et les
sortilges, premiul I
Competition Scenography for Lenfant et les
sortilges opera, frst prize
Franta, Aix-en-Provence
Autori/Authors
Liviu Vasiu, Tudor Vlsceanu, Romina Grillo
BNAB 2012 - St udi i i pr oi ec t e f i nal i zat e i ner eal i zat e, s t udi i de s er t ar, pr oi ec t e de i dei 577
BNAB 2012 - Completed and unbuilt studies and projects, drawer studies and projects, projects of ideas
576 BNAB 2012 - St udi i i pr oi ec t e f i nal i zat e i ner eal i zat e, s t udi i de s er t ar, pr oi ec t e de i dei
BNAB 2012 - Completed and unbuilt studies and projects, drawer studies and projects, projects of ideas
Tuzla 50
Tuzla 50
Romnia, Bucureti, str. Tuzla nr. 50
Autori/Authors
Andrei Uleia, Oana Pnoiu, Cristina Chelrescu, Magda Bescu
Casa Neagului
Neagului Residence
Romnia, Bucureti, str. Podul Neagului nr. 29-31
Autori/Authors
Andrei Uleia, Oana Pnoiu, Raluca atalan
BNAB 2012 - St udi i i pr oi ec t e f i nal i zat e i ner eal i zat e, s t udi i de s er t ar, pr oi ec t e de i dei 579
BNAB 2012 - Completed and unbuilt studies and projects, drawer studies and projects, projects of ideas
578 BNAB 2012 - St udi i i pr oi ec t e f i nal i zat e i ner eal i zat e, s t udi i de s er t ar, pr oi ec t e de i dei
BNAB 2012 - Completed and unbuilt studies and projects, drawer studies and projects, projects of ideas
Librria Humanitas ONE
Humanitas ONE bookstore
Romnia, bd. Regina Elisabeta
Autor/Author
Tudor Vlsceanu
Locuin individual _ Marius Moga
Single family house _ Marius Moga
Romnia, jud. Ilfov, Cernica
Autori/Authors
Dorin tefan Adam, Maria Mdlina Iftimi
BNAB 2012 - St udi i i pr oi ec t e f i nal i zat e i ner eal i zat e, s t udi i de s er t ar, pr oi ec t e de i dei 581
BNAB 2012 - Completed and unbuilt studies and projects, drawer studies and projects, projects of ideas
580 BNAB 2012 - St udi i i pr oi ec t e f i nal i zat e i ner eal i zat e, s t udi i de s er t ar, pr oi ec t e de i dei
BNAB 2012 - Completed and unbuilt studies and projects, drawer studies and projects, projects of ideas
Corp nou - depozit cu acces liber la raft BCU Lucian Blaga
Cluj National Library Extension
Romnia, jud. Cluj, Cluj-Napoca, str. Clinicilor nr. 2
Autori/Authors
Dorin tefan Adam, Maria Mdlina Iftimi, Artenian Nicolae oldea
Casa Talea
Talea House
Romnia, jud. Prahova, Talea
Autori/Authors
Dorin tefan Adam, Artenian Nicolae oldea
BNAB 2012 - St udi i i pr oi ec t e f i nal i zat e i ner eal i zat e, s t udi i de s er t ar, pr oi ec t e de i dei 583
BNAB 2012 - Completed and unbuilt studies and projects, drawer studies and projects, projects of ideas
582 BNAB 2012 - St udi i i pr oi ec t e f i nal i zat e i ner eal i zat e, s t udi i de s er t ar, pr oi ec t e de i dei
BNAB 2012 - Completed and unbuilt studies and projects, drawer studies and projects, projects of ideas
Murfatlar - Centrul Vinului
Murfatlar - Wine Centre
Romnia, jud. Constana, Murfatlar
Autor/Author
Silvia Andreea Dragomir
Ganztag Schule Schweich Gimnaziul Stefan
Andres proiect de concurs
Ganztag Schule Schweich The Stefan Andres
gymnasium competition project
Germania, Schweich, Stefan - Andres Strae
Autori/Authors
Vlad Gaivoronschi, Ioan Andreescu
BNAB 2012 - St udi i i pr oi ec t e f i nal i zat e i ner eal i zat e, s t udi i de s er t ar, pr oi ec t e de i dei 585
BNAB 2012 - Completed and unbuilt studies and projects, drawer studies and projects, projects of ideas
584 BNAB 2012 - St udi i i pr oi ec t e f i nal i zat e i ner eal i zat e, s t udi i de s er t ar, pr oi ec t e de i dei
BNAB 2012 - Completed and unbuilt studies and projects, drawer studies and projects, projects of ideas
Centrul de vizitare i teatrul n aer liber pentru
Parcul Naional Porile de Fier
Visitor centre and open air theatre for the Iron Gates
National Park on the Danube
Romnia, jud. Cara-Severin, Berzasca
Autor/Author
Ioan Andreescu
Amenajarea complex a rului Bahlui Iai
Complex arrangement of Iai Bahlui River
Romnia, jud. Iai, Iai
Autor/Author
Drago Ciolacu
BNAB 2012 - St udi i i pr oi ec t e f i nal i zat e i ner eal i zat e, s t udi i de s er t ar, pr oi ec t e de i dei 587
BNAB 2012 - Completed and unbuilt studies and projects, drawer studies and projects, projects of ideas
586 BNAB 2012 - St udi i i pr oi ec t e f i nal i zat e i ner eal i zat e, s t udi i de s er t ar, pr oi ec t e de i dei
BNAB 2012 - Completed and unbuilt studies and projects, drawer studies and projects, projects of ideas
Reabilitare i conversie cldire existent n lca de cult
Reconversion of an existing building into a church
Romnia, jud. Alba, Ocna Mure, str. Avram Iancu
Autor/Author
Vlad Sebastian Rusu
Casa cu lumini colorate, Timioara
The house with colored lights Timioara
Romnia, jud. Timi, Timioara, str. Ulpia Traiana nr. 76
Autor/Author
Vlad Gaivoronschi
BNAB 2012 - St udi i i pr oi ec t e f i nal i zat e i ner eal i zat e, s t udi i de s er t ar, pr oi ec t e de i dei 589
BNAB 2012 - Completed and unbuilt studies and projects, drawer studies and projects, projects of ideas
588 BNAB 2012 - St udi i i pr oi ec t e f i nal i zat e i ner eal i zat e, s t udi i de s er t ar, pr oi ec t e de i dei
BNAB 2012 - Completed and unbuilt studies and projects, drawer studies and projects, projects of ideas
Ecclesia 3D - Inventariere prin desen
Ecclesia 3D - Inventory by drawing
Autor/Author
Andreea Iosif
Casa de pe mal
House on the shore
Federaia Rus, Yaroslav
Autor/Author
Claudia Luca
BNAB 2012 - St udi i i pr oi ec t e f i nal i zat e i ner eal i zat e, s t udi i de s er t ar, pr oi ec t e de i dei 591
BNAB 2012 - Completed and unbuilt studies and projects, drawer studies and projects, projects of ideas
590 BNAB 2012 - St udi i i pr oi ec t e f i nal i zat e i ner eal i zat e, s t udi i de s er t ar, pr oi ec t e de i dei
BNAB 2012 - Completed and unbuilt studies and projects, drawer studies and projects, projects of ideas
Adpost bioclimatic de locuit / Casa M
Bioclimatic shelter for living / M House
Romnia, jud. Iai, Iai, comuna Brnova, sat Viani
Autor/Author
Adrian Moleavin
Consolidare, restaurare, reabilitare Castel
Oteteleeanu
Consolidation, restoration, rehabilitation of Castle
Oteteleeanu
Romnia, jud. Ilfov, Mgurele, str. Atomitilor nr. 409
Autor/Author
Cristina Olga Gociman
BNAB 2012 - St udi i i pr oi ec t e f i nal i zat e i ner eal i zat e, s t udi i de s er t ar, pr oi ec t e de i dei 593
BNAB 2012 - Completed and unbuilt studies and projects, drawer studies and projects, projects of ideas
592 BNAB 2012 - St udi i i pr oi ec t e f i nal i zat e i ner eal i zat e, s t udi i de s er t ar, pr oi ec t e de i dei
BNAB 2012 - Completed and unbuilt studies and projects, drawer studies and projects, projects of ideas
Incuboxx Timioara Infrastructura Regional de
Afaceri i Inovaie n sectorul IT&C
Incuboxx Timioara The Regional Business and
Inovation Infrastructure in IT&C
Romnia, jud. Timi, Timioara
Autori/Authors
Ioan Andreescu, Dan Munteanu-Murean
Reabilitarea cartierelor gri
Grey neighborhood rehabilitation
Autori/Authors
Oana Simionescu, Alexandru Cozma
BNAB 2012 - St udi i i pr oi ec t e f i nal i zat e i ner eal i zat e, s t udi i de s er t ar, pr oi ec t e de i dei 595
BNAB 2012 - Completed and unbuilt studies and projects, drawer studies and projects, projects of ideas
594 BNAB 2012 - St udi i i pr oi ec t e f i nal i zat e i ner eal i zat e, s t udi i de s er t ar, pr oi ec t e de i dei
BNAB 2012 - Completed and unbuilt studies and projects, drawer studies and projects, projects of ideas
Revigorarea urban a rului Dmbovia
New river memory
Romnia, Bucureti
Autor/Author
Bogdan Tofan
Soluii arhitecturale - nfinare reea alimentare cu
ap n satul Bicaz Chei, comuna Bicaz Chei
Architectural solutions - water System - Bicaz Chei
Romnia, jud. Neam, satul Bicaz Chei com. Bicaz Chei
Autor/Author
Laureniu Dumitrac
BNAB 2012 - St udi i i pr oi ec t e f i nal i zat e i ner eal i zat e, s t udi i de s er t ar, pr oi ec t e de i dei 597
BNAB 2012 - Completed and unbuilt studies and projects, drawer studies and projects, projects of ideas
596 BNAB 2012 - St udi i i pr oi ec t e f i nal i zat e i ner eal i zat e, s t udi i de s er t ar, pr oi ec t e de i dei
BNAB 2012 - Completed and unbuilt studies and projects, drawer studies and projects, projects of ideas
Dfense de la Cit
Dfense de la Cit (defence of the city)
Qatar
Autor/Author
Valentin Luca
Play On
Play On
Autori/Authors
Iulia Fril, Alexandru Mlescu
BNAB 2012 - St udi i i pr oi ec t e f i nal i zat e i ner eal i zat e, s t udi i de s er t ar, pr oi ec t e de i dei 599
BNAB 2012 - Completed and unbuilt studies and projects, drawer studies and projects, projects of ideas
598 BNAB 2012 - St udi i i pr oi ec t e f i nal i zat e i ner eal i zat e, s t udi i de s er t ar, pr oi ec t e de i dei
BNAB 2012 - Completed and unbuilt studies and projects, drawer studies and projects, projects of ideas
Reabilitarea unui ansamblu de cldiri tradiionale n
Llvia
Rehabilitation of a Traditional Ceretan Unit in Llvia
Spania, Llvia, Gorguja Petit
Autori/Authors
Luis Gimnez Mateu, Elena Nedelcu
Structur spaial tip piramid destinat nvechirii
vinului i a coniacului
Pyramid type space structure for aging wine and
cognac
Romnia, jud. Vrancea, Focani
Autor/Author
Laureniu Dumitrac
BNAB 2012 - St udi i i pr oi ec t e f i nal i zat e i ner eal i zat e, s t udi i de s er t ar, pr oi ec t e de i dei 601
BNAB 2012 - Completed and unbuilt studies and projects, drawer studies and projects, projects of ideas
600 BNAB 2012 - St udi i i pr oi ec t e f i nal i zat e i ner eal i zat e, s t udi i de s er t ar, pr oi ec t e de i dei
BNAB 2012 - Completed and unbuilt studies and projects, drawer studies and projects, projects of ideas
Structur spaial tip piramid destinat
comportamentului uman n incinta acesteia
Spatial structure pyramid for human behavior inside of it
Romnia, jud. Vrancea, Focani
Autor/Author
Laureniu Dumitrac
Studiu de fezabilitate - Restaurarea bisericii cu
hramul Adormirea Maicii Domnului
Feasibility study - restoration of the Adormirea
Maicii Domnului church
Romnia, jud. Iai, Ruginoasa
Autor/Author
Laureniu Dumitrac
BNAB 2012 - St udi i i pr oi ec t e f i nal i zat e i ner eal i zat e, s t udi i de s er t ar, pr oi ec t e de i dei 603
BNAB 2012 - Completed and unbuilt studies and projects, drawer studies and projects, projects of ideas
602 BNAB 2012 - St udi i i pr oi ec t e f i nal i zat e i ner eal i zat e, s t udi i de s er t ar, pr oi ec t e de i dei
BNAB 2012 - Completed and unbuilt studies and projects, drawer studies and projects, projects of ideas
Palatul Cantacuzino, Floreti, Prahova
Palatul Cantacuzino, Floreti, Prahova
Romnia, jud. Prahova, Floreti
Autor/Author
Mihaela Blan
Urban ID: Regenerarea urban a zonei stadionului
naional Lia Manoliu
Urban ID: Urban regeneration of the Lia Manoliu
national stadium area
Romnia, Bucureti
Autori/Authors
Ana-Maria Branea, Marius Stelian Gman
BNAB 2012 - St udi i i pr oi ec t e f i nal i zat e i ner eal i zat e, s t udi i de s er t ar, pr oi ec t e de i dei 605
BNAB 2012 - Completed and unbuilt studies and projects, drawer studies and projects, projects of ideas
604 BNAB 2012 - St udi i i pr oi ec t e f i nal i zat e i ner eal i zat e, s t udi i de s er t ar, pr oi ec t e de i dei
BNAB 2012 - Completed and unbuilt studies and projects, drawer studies and projects, projects of ideas
Arhitectura la grdini
Kindergarten architecture
Romnia, jud. Sibiu, Sibiu, str. Moldoveanu nr. 14
Autori/Authors
Anca Daniela Bordean, Ciprian Paca, Lucian Horia uvaina, Andreea Konnerth
Centrul de Afaceri Codlea
Codlea Business Center
Romnia, jud. Braov, Codlea, str. Constituiei 16
Autori/Authors
Liviu Creoteanu, Cristian Mihai Oprea
BNAB 2012 - St udi i i pr oi ec t e f i nal i zat e i ner eal i zat e, s t udi i de s er t ar, pr oi ec t e de i dei 607
BNAB 2012 - Completed and unbuilt studies and projects, drawer studies and projects, projects of ideas
606 BNAB 2012 - St udi i i pr oi ec t e f i nal i zat e i ner eal i zat e, s t udi i de s er t ar, pr oi ec t e de i dei
BNAB 2012 - Completed and unbuilt studies and projects, drawer studies and projects, projects of ideas
Pruitt Igoe acum ocupare natural
Pruitt Igoe Now Natural Reclaim
Statele Unite ale Americii, St. Louis
Autori/Authors
Ana-Maria Branea, Marius Stelian Gman, Alexandru Mlescu
Casa K
House K
Romnia, jud. Mure, Chibed
Autori/Authors
Liviu Creoteanu, Cristian Mihai Oprea
609
4
Conferina i expoziia Calitatea n arhitectur / Quality in Architecture Conference &
Exhibition
Conferina Patrimoniu construit i peisaj / Built Heritage and Landscape Conference
Conferina Arhitectura durabil i problemele emergente / Sustainable architecture and
emerging issues Conference
Seminarii tematice / Thematic seminars
Expoziia Innobuild / Innobuild Exhibition
Itinerare BNAB 2012 / BNAB 2012 Travelling Exhibition
RELATED
EVENTS
MANIFESTRI
CONEXE
609
611
Quality in Architecture
Conf er enc e and Exhi bi t i on
The conference and exhibition dealing with Quality in Architecture held by the members of the 2012 BNAB jury
means an act of exigency and maybe asceticism. Each of those displaying their works tried to tell about the pursuit
of highly-performing ego within ones own creation.
Professor Architect James Horan, pointed out the finesse of details, the harmony of spaces and poetry of lines which
also decrypt the great discoverer and creator of the world.
Professors PhDArchitects Rose Cervera and Javier Pioz overwhelmed us with the vivaciousness of their compositions,
with technological dreams or dreams technology without which our future can only be bionic.
Marialba and Key Imaguire Junior, university professors from remote Brazilian lands exposed their detailed
surveys on the constructions of the Ukrainian minority thus showing how ethnical and religious specificity is
preserved irrespective of the distance to its place of origin.
Architects Cristina and Andi Negoescu depicted in their posters the warmth and refinement of sumptuous interiors
which are so hard to maintain under the burden of costs.
Professor PhD Architect Nicolas Mircea Lupu cast a spell by his words and pictures and especially by the discretion
of his concept to integrate and generate facts.
Associate Professor PhD Architect Vlad Gaivoronschi revealed himself very complex, diverse, substantiated by
increased focus on the ability of a space to convey black and white feelings as in an old movie.
Architect Victor Moraru unfolded his works extensively in order to persuade us how ones eyes and steps measure
the details of our passage through the life of Sibiu which is restoring its fame. Details on squares, streets, alleyways,
paths, stairs that seem long forgotten yet rediscovered through the passion of a meticulous creator.
Professor PhD Architect Anca Sandu Tomaevschi leads us into the journey of a story about oneself, with stairs
made up of books, with window-like articles, with writing roads towards beauty.
Associate Professor PhD Architect Mihaela Criticos opens up the universe built as deco, by the words of a book
winning so many prizes and documents so carefully piled up.
Associate Professor PhD Architect Iulia Stanciu speaks about a house, about dynamically cut volumes, with uniquely
associated materials: visible concrete, metal sheets, polished wood and the monochrome of gesture asceticism
essentialized by architecture.
Assistant PhD Architect Vlad Eftenie convinced us that photography can be not only architectures means of
investigation, but also a way to potentiate values.
Architects Constana Carp and Clin Hoinrescu overwhelmed us by their professionalismillustrated in their ample
surveys and projects on the restoration of built heritage.
Architect Tiberiu Buca revealed the subtle story of living in the houses he has designed, the beneficiaries who fill
in, add something, changing ones initial perception about an uninhabited space.
Professor PhD Architect Cristina Olga Gociman
Calitatea n arhitectur
C o n f e r i n i e x p o z i i e
Expoziia i conferina Calitate n arhitectur susinute de membrii juriului BNAB 2012 se constituie ca gesturi
de exigen i poate chiar de ascez. Fiecare dintre expozani a ncercat s ne povesteasc despre cutrile sinelui
performant ascuns n propria creaie.
Profesorul arhitect James Horan ne-a relevat fineea detaliului, armonia spaiilor, poetica liniilor care decripteaz
deopotriv marele descoperitor i creator al lumii.
Profesorii doctor arhitect Rose Cervera i doctor arhitect Javier Pioz ne-au copleit cu verva compoziiilor, cu visul
tehnologic sau tehnologia visului fr de care viitorul nu poate fi dect bionic.
Marialba i Key Imaguire Junior, universitari din ndeprtate spaii braziliene, i-au expus studiile minuioase
despre construciile minoritii ucrainene, relevnd cumspecificul etnic i religios se conserv, indiferent de distana
fa de locul originar.
Arhitecii Cristina i Andi Negoescu au ilustrat prin panourile lor cldura, rafinamentul unor interioare somptuoase
att de greu de stpnit sub povara costurilor.
Profesor doctor arhitect Nicolas Mircea Lupu ne-a vrjit cu vorba i cu imaginea deopotriv, dar mai ales, cu
discreia conceptului integrator i generator de realiti.
Confereniar doctor arhitect Vlad Gaivoronschi ni s-a relevat extrem de complex, divers, fundamentat, remarcabil
prin atenia acordat capacitii spaiului de a transmite emoii n alb-negru, ca ntr-un film retro.
Arhitectul Victor Moraru s-a strduit s ne conving cum pasul i ochiul msoar semnele trecerii noastre prin
timpul unui ora ce-i recapt ncet-ncet strlucirea, Sibiul: detalii de piee, strzi, ganguri, pasaje, trepte ce par
uitate i apoi redescoperite prin pasiunea unui creator minuios.
Profesor doctor arhitect Anca Sandu Tomaevschi ne iniiaz n periplul unei poveti despre sine, cu scri de cri,
cu articole-ferestre, cu drumuri ale scrisului despre frumos.
Confereniar doctor arhitect Mihaela Criticos ne deschide universul construit deco, prin cuvntul crii
multipremiate, cu documente atent stivuite.
Confereniar doctor arhitect Iulia Stanciu ne povestete despre o cas, despre volume decupate dinamic, cu materiale
inedit asociate: beton aparent, tole de metal, lemn lustruit i monocromia unei asceze a gestului esenializat prin
arhitectur.
Lector doctor arhitect Vlad Eftenie ne-a convins c fotografia poate fi nu numai un mijloc de investigare a
arhitecturii ci i de potenare a valorilor.
Arhitecii Constana Carp i Clin Hoinrescu ne-au copleit cu profesionalismul ilustrat n amplele studii i proiecte
privind restaurarea patrimoniului construit.
Arhitectul Tiberiu Buca ne-a relevat subtila poveste a ocuprii caselor pe care le-a realizat, despre beneficiarii
care completeaz i adiioneaz, modificnd percepia iniial a spaiului nelocuit.
Profesor doctor arhitect Cristina Olga GOCIMAN
613
Design Andra Panait 2012
615
Sesiunea I, orele 15.30 17.00
Peisajul - concept integrator n dezvoltarea sustenabil - lect.dr.arh.
Tana Nicoleta Lascu, Facultatea de Arhitectur, UAUIM
Re-Compunerea peisajului rural romnesc. Studiu de caz - asist.drd.
arh. Mihaela Hrmnescu, Facultatea de Urbanism, UAUIM
Peisajul si dezvoltarea coridorului de transport n relaie cu evoluia
temporal a dezvoltrii urbane i teritoriale - urb.peisag. Ioana
Pnzaru, Facultatea de Urbanism, UAUIM
Reactivarea peisajului spaiilor abandonate - asist.drd.urb.peisag.
Sorina-Georgiana Rusu, Facultatea de Urbanism, UAUIM
Grdina zoologic - spaiu peisagistic integrat - asist.drd.urb.peisag.
Andreea Bunea, Facultatea de Urbanism, UAUIM
Devenirea peisajului - dialectic i de-teritorializare - conf.dr.arh.
Angelica Stan, Facultatea de Urbanism, UAUIM
Grdinile verticale, o soluie peisagistic pentru un Bucureti supra-
aglomerat - ing.hortic. Ileana Nicolae, Facultatea de Urbanism,
UAUIM
Sesiunea a II-a, orele 17.30 19.00
Patrimoniul industrial minier ca peisaj cultural, minele Anina
Steierdorf, Banat - lect.dr.arh. Codina Duoiu, Facultatea de
Arhitectur, UAUIM
Pereii vii: status quo i potenial n abordarea artistic post-dezastru
- asist.cercet.dr.arh. Maria Botenaru, Facultatea de Urbanism, UAUIM
Peisajul urban ca element de identitate social urban. Landscape
contests - IFLA 2012, Taichung Gateway Park 2011 - lect.dr.arh.
Cristina Enache, stud.peisag. L.Pitulicu, A.Matroz, L.Micu, G.Tanase,
Facultatea de Urbanism, UAUIM
Valorificarea rului Arge prin loisir si sport - asist.drd.urb. Sebastian
Guta, Facultatea de Urbanism, UAUIM
REFRESH SOVEJA 2012 - iniiativ de regenerare rural durabil -
arh. Alexandru Matei, coordonator grup Cubicsphere
Contribuia metodelor participative pentru sustenabilitatea
patrimoniului construit i peisaj - Anamaria Vrabie i Irina
Paraschivoiu - Asociatia Odaia Creativ, Fulbright Grantee 2010-2011
esutul urban bucuretean tradiional - funcia proiectiv a
reprezentrii fotografice - arh.drd. Andrei Mrgulescu
Design Andra Panait 2012
617
Strategii urbane pentru reducerea riscului n zona central protejat
studiu de caz zona destructurat din Bucureti - prof.dr.arh. Cristina
Olga Gociman, cercettor dr. arh. Maria Botenaru-Dan
Poverismul un concept revizita(n)t - prof.dr.arh. Augustin Ioan
Decodificarea conceptelor de dezvoltare durabil n arhitectur - prof.
dr.arh. Cristina Ochinciuc
Dezvoltarea durabil i sigurana mediului urban n condiii
multihazard: cercetri recente din URBAN INCERC, sucursala
INCERC Bucureti, n domeniul prevenirii i reducerii efectelor
hazardului seismic asupra fondului construit - E. S. Georgescu, I.-G.
Craifaleanu, I. S. Borcia, I. C. Praun, D. Dobre, C. S. Dragomir
Concept pentru vizualizarea digital a impactului cutremurului care
a afectat n 1775 Lisabona - cercettor dr. arh. Maria Botenaru-Dan,
arh. Thomas Panagopoulos
Tehnologii contemporane aplicabile n locuirea de urgen - asist.
dr.arh. Adrian Moleavin
Strategii de reconstrucie a zonelor afectate de hazard centrate pe
tradiie studiu de caz Japonia - asist.dr.arh. Sergiu Ctlin Petrea
Strategii de intervenie privind locuirea de urgen n urma dezastrelor
- asist.drd.arh. Alina Florea
Arhitectura social participativ i srcia extrem - asist.drd.arh.
Lorin Niculae
Elasticitatea procesului de (re)dezvoltare urban a zonei Girangaon/
Mumbai (India) - arh. Anamaria Vrabie
Design Andra Panait 2012
619
SEMINARII TEMATICE
prezentate de ing. Gina Dadu, redactor ef Bursa Construciilor
Peste 500 de arhiteci i ali profesioniti au urmrit aproape 50
de prezentri n cadrul celor opt seminarii tematice desfurate pe
perioada Bienalei de Arhitectura 2012.
Cel mai important eveniment de arhitectura al anului Bienala
2012 a oferit prilejul organizrii de ctre Uniunea Arhitecilor din
Romnia, mpreun cu revista Bursa Construciilor, a unei serii de
seminarii tematice. Astfel, pe parcursul Bienalei 2012, n perioada 15
octombrie - 15 noiembrie, n sediul Muzeului Naional de Istorie, de pe
Calea Victoriei din Bucureti, s-au desfurat urmtoarele seminarii:
1. Eficiena energetic obligaii impuse de UE, 18 octombrie
2. nchideri performante, 23 octombrie
3. Tehnologia informaiei pentru arhitectur i construcii, 25
octombrie
4. Amenajri exterioare, 30 octombrie
5. Ergonomia spaiului interior, 2 noiembrie
6. Anveloparea eficient a cldirilor, 6 noiembrie
7. Sisteme de protecie, siguran la foc, supraveghere, 9 noiembrie
8. Soluii de restaurare i renovare, 14 noiembrie
Revista Bursa Construciilor este cea mai important publicaie
de profil cu peste 15 ani de apariie nentrerupt, specializat n
publicarea informaiilor privind investiiile din construcii (www.
constructiibursa.ro)
THEMATIC SEMINARIES
presented by eng. Gina Dadu, editor at Bursa Construciilor magazine
More than 500 architects and other professionals have pursued about
50 presentations in the 8 thematic workshops held during the Biennale
of Architecture in 2012.
The most important architectural event of the year Biennale 2012
offered to the Union of Architects of Romania the opportunity
of organizing a series of thematic seminars, together with Bursa
Construciilor magazine. Thus, during the Biennale in 2012, between
October 15 and November 15, the Museum of National History (Calea
Victoriei, Bucharest) hosted the following seminars:
1. Energy Efficiency EU obligations, October 18th
2. Efficient Closings, October 23rd
3. Information Technology for Architecture and Construction, October
25th
4. Exterior Design, October 30th
5. Ergonomics of the interior space, November 2nd
6. Efficient building envelopes, November 6th
7. Protection systems, fire safety, surveillance, November 9th
8. Solutions for restoration and renovation, November 14th
The Bursa Construciilor magazine is the leading publication in the
field with over 15 years of continuous appearance, specialized in
the publication of information on construction investments (www.
constructiibursa.ro).
Design Andra Panait 2012
621
Expoziia a prezentat n peste 50 de panouri tehnologii i material de
construcii avansate.
Seciunea Tehnologie, Inovaie si Sustenabilitate n Arhitectur
din cadrul BNAB 2012 a premiat proiecte inovatoare conceptual i
tehnologic.
Innobuild a fost o extensie a acestei seciuni, promovnd materiale de
construcii i soluii tehnologice avansate, cu aplicabilitate n creterea
calitii i eficienei spaiului construit.
Innobuild a fost locul de ntlnire a inovatorilor cu arhitecii sau cu ali
specialiti din domeniul construciilor prezeni la Bienal.
The exhibition presented 50 panels with advanced technology and
materials.
The Technology, Innovation and Sustainability in Architecture
from BNAB 2012 awarded projects conceptually and technologically
innovative.
Innobuild was an extension of this section, promoting building
materials and advanced technology solutions, applicable in increasing
the quality and efficiency of the built space.
Innobuild was the meeting place for innovators with architects or other
construction specialists present at the Biennale.
623
BNAB 2012 Travelling Exhibition Itinerarea Expoziiei BNAB 2012
Itinerarea B.N.A.B. 2012 la nivel naional
Craiova: Muzeul de Istorie al Olteniei
Cluj: Muzeul de Art Muzeul Etnografic Facultatea de
Arhitectur Universitatea Tehnic Cluj-Napoca
Suceava: Sediul U.A.R O.A.R. Suceava
Bacu : Centrul Expoziional Bacu / Sediul UAR/OAR Bacu
Iai: Sala Muntenia
Sibiu: Primria Oraului Sibiu
ItinerareaArhiteci romni creatori depatrimoniucultural, parteneriat UAR-ICR
I.C.R. Bucureti
I.C.R. Londra (n cadrul London Festival of Architecture)
I.C.R. Praga (n cadrul Architectural Week 2013)
I.C.R. Budapesta
I.C.R. Bucureti
BNAB 2012 National Travelling Exhibition
Craiova: The National Museum of Craiova
Cluj: The Art Museum Ethnographic Museum Faculty of
Architecture - Cluj-Napoca Technical University
Suceava: Office of U.A.R. O.A.R. Suceava
Bacau: The Expo Center of Bacau
Iai: Muntenia Room
Sibiu: City Hall of Sibiu
Romanian Architects Creators of Cultural Heritage International
Travelling Exhibition, partnership UAR - Romanian Cultural Institute
ICR Bucharest
ICR London (within London Festival of Architecture)
ICR Praga (within Architectural Week 2013)
ICR Budapest
ICR Bucharest
625
5
ORGANISING
COMMITTEE
& PARTNERS
ORGANIZATORI
& PARTENERI
BNAB 2012
625
Organizatori / Organising Committee
Parteneri instituionali / Institutional parnerts
Parteneri pentru logistic / Logistics Partners
Date biografice ale membrilor juriului i ale organizatorilor / Biographical data of the Jury
Members & of the Organising Committee Members
627
UNION OF ROMANIAN
ARCHITECTS
President (*):
PhD Architect Viorica Curea,
President of the UAR, 2012
PhD Professor Architect Peter
Derer, President of the UAR, 2011
Vicepresidents (*):
Nicolae Lascu (C), PhD Professor
Architect
Vicepresident of the UAR
Deputy Commissioner of the 2012
BNAB
Curator of Ion Mincu
retrospective exhibition
Gabriel Davidenco (O), PhD
Architect
Doina Eleonora Marin (S),
Architect
Gelu Tudorache (E), Architect
Silvia Mldrescu, Architect
Treasurer, * (E)
Financial analysis costs of the
Biennale
Members of the Senate:
Peter Derer (E), Professor PhD
Architect
Marius Miclu (C), Architect
Mircea Ochinciuc (O), Professor
PhD Architect
Eugeniu Pnescu (O), Architect
Pavel Popescu (O, S), Architect
Emil Retegan (S), Architect
Marilena Riga Fereu (O), Architect
Milia Sion (C, E), Architect
erban Sturdza (*, C), Architect
Mircea ibuleac (E), Architect
Ionel Vitoc (C), Architect
LOGISTICS ORGANIZERS:
Dumitru Fanea, Architect
Chief Executive Officer of the UAR
Amalia Nstase
Manager of Calderon Architectural
Culture Centre
Mara Banu
Chief Financial Officer of the
BNAB Cultural Project
Ctlina Neagu
Economist of the UAR
Viorica epure
Assistant Manager of the UAR
Dana Cioca, lawyer
BNAB contracts
Ina Stoian, Architect PhD
Secretary of the BNAB Visual
Identity contest
Adrian Blteanu, Architect
Secretary of the BNAB Visual
Identity contest
Sanda Vian
Media consultant
Coordination of BNAB
documentary
Gheorghe uiu
Film operator of BNAB
documentary
GENERAL ORGANIZER OF THE
B.N.A.B
Gociman Cristina Olga
Individual Architecture Office
Cristina Olga Gociman, PhD
Professor Architect
Commissioner of the 2012 BNAB
Codina Duoiu, Associate Professor
PhD Architect
DeputyCommissioner of the2102BNAB
Curator of Opera Omnia and
Romanian Architects Creators of
Heritage exhibitions
Mihaela Blan (Lazr), Teaching
Assistant PhDc Interior Architect
Deputy Commissioner of the 2102
BNAB
Curator of Romanian architects
creators
Iulia Mlina Stnescu, Urban
Planner
Deputy Commissioner of the 2102
BNAB
Curator of jurys exhibition
Dan Adrian Ionescu, Teaching
Assistant PhDc Interior Architect
Deputy Commissioner of the 2102
BNAB
Arrangement of MNIR, UAUIM
exhibitions
Cristian Moscu, Urban Planner
Deputy Commissioner of the 2102
BNAB
Curator of Retro 10 BAB Exhibition
Irina Moscu, Teaching Assistant
PhDc Architect
Graphic design BNAB Visual
Identity contest
Ctlina Alina Rusnescu,
Economist
Financial Assistant of the 2012
BNAB
Claudiu Hogea, Architect
Project on MNIR indoor design
Felix Mocanu, Student Architect
Project on arrangement of MNIR
Exhibition
UNIUNEA ARHITECILOR DIN
ROMNIA
Preedinte:
Dr. arh. Viorica Curea, Preedinte
U.A.R. 2012
Prof. dr. arh. Peter Derer,
Preedinte U.A.R. 2011
Vicepreedini (*):
Nicolae Lascu (C), Prof. dr. arh.
Vicepreedinte UAR
Comisar adjunct B.N.A.B. 2012
Curator Expoziia Retrospectiv
Ion Mincu
Gabriel Davidenco (O), dr. arhitect
Doina Eleonora Marin (S), arhitect
Gelu Tudorache (E), arhitect
Silvia Mldrescu, arhitect
Trezorier,*(E)
Analiz financiar costuri bienal
Membri ai Senatului:
Peter Derer (E), prof. dr. arhitect
Marius Miclu (C), arhitect
Mircea Ochinciuc (O), prof. dr.
arhitect
Eugeniu Pnescu (O), arhitect
Pavel Popescu (O, S), arhitect
Emil Retegan (S), arhitect
Marilena Riga Fereu (O), arhitect
Milia Sion (C, E), arhitect
erban Sturdza (*, C), arhitect
Mircea ibuleac (E), arhitect
Ionel Vitoc (C), arhitect
ORGANIZATORI LOGISTIC:
Dumitru Fanea, arhitect
Director executiv U.A.R.
Amalia Nstase
Manager Centru de Cultur
Arhitectural (Calderon)
Mara Banu
Manager financiar Proiect Cultural
B.N.A.B.
Ctlina Neagu
Economist U.A.R.
Viorica epure
Asistent manager U.A.R.
Dana Cioca, avocat
Contracte B.N.A.B.
Ina Stoian, dr. arhitect
Secretar concurs Identitate Vizual
B.N.A.B.
Adrian Blteanu, arhitect
Secretar concurs Identitate Vizual
B.N.A.B.a
Sanda Vian
Consultant media
Coordonare filmdocumentar
B.N.A.B.
Gheorghe uiu
Operator imagine filmdocumentar
B.N.A.B.
ORGANIZATOR GENERAL B.N.A.B.
Biroul Individual de Arhitectur
Cristina Olga Gociman
Cristina Olga Gociman, prof. dr.
arhitect
Comisar B.N.A.B. 2012
Codina Duoiu, conf. dr. arhitect
Comisar adjunct B.N.A.B. 2012
Curator Expoziie Opera Omnia
i Expoziie Arhiteci Romni
Creatori de Patrimoniu Cultural
Mihaela Blan (Lazr), asist. drd.
arhitect interior
Comisar adjunct B.N.A.B. 2012
Curator Expoziie Arhiteci Romni
Creatori de Patrimoniu Cultural
Iulia Mlina Stnescu, urbanist
Comisar adjunct B.N.A.B. 2012
Curator expo juriu
Dan Adrian Ionescu, asist. drd.
arhitect interior
Comisar adjunct B.N.A.B. 2012
Amenajare expo M.N.I.R., U.A.U.I.M.
Cristian Moscu, urbanist
Comisar adjunct B.N.A.B. 2012
Curator Expoziia Retro 10 B.A.B.
Irina Moscu, asist. drd. arhitect
Graphic design, concurs identitate
vizual B.N.A.B.
Ctlina Alina Rusnescu,
economist
Asistent financiar B.N.A.B. 2012
Claudiu Hogea, arhitect
Proiect amenajri interioare M.N.I.R.
Felix Mocanu, student arhitect
Proiect amenajare expoziie MNIR
(*) membrii Colegiului
Director; (C) membrii Comisiei
Culturale; (E) membrii Comisiei
Economice; (O) membrii Comisiei
Organizatorice; (S) membrii
Comisiei Sociale
ORGANIZATORI ORGANIZERS OF THE 2012 BNAB
(*) members of the Board
of Directors; (C) members
of the Cultural Commission;
(E) members of the Economic
Commission; (O) members of
the Organizational Commission;
(S) members of the Social
Commission
629
The Ministry of Culture and
National Heritage
Puiu Haotti
Minister
Sergiu Nistor, Associate Professor
PhD Architect
Secretary of State
Victor Opaschi
Secretary of State
Irina Sanda Marin Cajal
Secretary of State
Monica Morariu
Director
Laura Oprea
Counselor
BNR THE NATIONAL BANK OF
ROMANIA BANCA NATIONALA A
ROMANIEI
Mugur Isrescu, PhD Academician
Governor of the BNR
Nicoleta Gheorghe
PR Counselor
Adriana Belghiru
PR Counselor
Aurelian Paraipan
PR Counselor
State Mint
Dan Punescu
Deputy Director
UAUIM - ION MINCU
UNIVERSITY OF ARCHITRECTURE
AND URBANISM
Zeno Bogdnescu, Professor PhD
Architect
Rector, 2012
Dan Corneliu erban, Professor
PhD Architect
President of the UAUIM Senate
Barbu Emil Popescu, Professor PhD
Architect
Honorary President of the UAUIM
Senate
tefan Scafa Udrite, Professor
PhDArchitect
Rector, 2008-2012
Beatrice Gabriela Joger,
Associate Professor PhD Architect
Prorector for International View
and Cooperation
Marian Moiceanu, Associate
Professor PhD Architect
Dean of the Faculty of Architecture
Tiberiu Florescu, Associate
Professor PhD Architect
Dean of the Faculty of Urban
Planning
Marius Marcu Lapadat, Associate
Professor PhD Architect
Dean of the Faculty of Interior
Architecture
Codina Duoiu, Associate Professor
PhD Architect
Deputy Commissioner of the 2102
BNAB
Curator of Opera Omnia Exhibition
Curator of the Romanian
Architects, Creators of Heritage
Exhibition
Mihaela (Blan) Lazr, Interior
Architect PhDc
Deputy Commissioner of the 2102
BNAB
Curator of the Romanian
Architects, Creators of Heritage
Exhibition
Lascu Tana, Assistant Professor PhD
Architect
Organizer of Conference on Built
Heritage and Landscape
Sergiu Petrea, Teaching Assistant
PhD Architect
Organizer of Conference on
Sustainable Architecture and
Emerging Issues Poverty and
Multihazards
Raluca Buzdugan, Assistant
Professor PhD Architect
MNIR lighting design
UAUIM PUBLISHING HOUSE
Visual Identity catalogue
Elena Dinu, Engineer
Manager
OAR - ROMANIAN ORDER OF
ARCHITECTS
erban Drago Ion igna, PhD
Architect
President of the OAR
Adriana Tnsescu, Lawyer
Chief Executive Officer
Silvia Ciocorlan, Economist
Chief Financial Officer
AFCN ADMINISTRATION OF THE
ROMANIAN CULTURAL FUND
Andreea Uveghes
General Manager
Carmen Constantin
Chief Financial Officer
MINISTERUL CULTURII I
PATRIMONIULUI NAIONAL
Puiu Haotti
Ministru
Sergiu Nistor, conf. dr. arhitect
Secretar de stat
Victor Opaschi
Secretar de stat
Irina Sanda Marin Cajal
Subsecretar de stat
Monica Morariu
Director
Laura Oprea
Consilier
BNR BANCA NAIONAL A
ROMNIEI
Mugur Isrescu, acad. dr.
Guvernatorul BNR
Nicoleta Gheorghe
Consilier PR
Adriana Belghiru
Consilier PR
Aurelian Paraipan
Consilier PR
Monetria Statului
Dan Punescu
Director adjunct
UAUIM UNIVERSITATEA DE
ARHITECTUR I URBANISM ION
MINCU
Zeno Bogdnescu, prof. dr. arhitect
Rector UAUIM 2012
Dan Corneliu erban, prof. dr.
arhitect
Preedinte Senat UAUIM
Barbu Emil Popescu, prof. dr.
arhitect
Preedinte onorific Senat UAUIM
Stefan Scafa Udrite, prof. dr.
arhitect
Rector UAUIM 2008-2012
Beatrice - Gabriela Joger, conf. dr.
arhitect
Prorector pentru Imagine i
Cooperare Internaional
Marian Moiceanu, conf. dr. arhitect
Decan Facultatea de Arhitectur
Tiberiu Florescu, conf. dr. arhitect
Decan Facultatea de Urbanism
Marius Marcu Lapadat, conf. dr.
arhitect
Decan Facultatea de Arhitectur de
Interior
Cristina Olga Gociman, prof. dr.
arhitect
Comisar BNAB2012
Codina Duoiu, conf. dr. arhitect
Comisar adjunct BNAB 2012
Curator Expoziia Arhiteci romni
creatori de patrimoniu cultural
Curator Opera Omnia
Mihaela Lazr Blan, asist. drd.
arhitect interior
Comisar adjunct BNAB 2012
Curator Expo Arhiteci romni
creatori de patrimoniu cultural
Tana Lascu, lector dr. arhitect
Organizator Conferina
Patrimoniu construit i peisaj
Sergiu Petrea, asist. dr. arhitect
Organizator Conferina Arhitectura
durabil i problemele emergente:
srcia i multihazardul
Raluca Buzdugan, lect. dr. arhitect
Proiect iluminare MNIR
EDITURA U.A.U.I.M. Catalog
Identitate Vizual
Elena Dinu, inginer
Director
O.A.R. - ORDINUL ARHITECILOR
DIN ROMNIA
erban Drago Ion igna,
arhitect
Preedinte OAR
Adriana Tnsescu, avocat
Director executiv OAR
Silvia Ciocorlan, economist
Director economic OAR
A.F.C.N. ADMINISTRAIA
FONDULUI CULTURAL ROMN
Andreea Uveghes
Director general
Carmen Constantin
Director economic
MINISTERUL DEZVOLTRII
REGIONALE I TURISMULUI
Eduard Hellvig
Ministru
Matache Iulian
Secretar de stat
Cristian Stamatiade, inginer
Director general al Direciei
Generale Tehnice n Construcii
Anca Ginavar, arhitect
Director general al Direciei
Generale de Urbanism
PARTENERII INSTITUIONALI INSTITUTIONAL PARTNERS
631
MINISTRY OF REGIONAL
DEVELOPMENT AND TOURISM
Eduard Hellvig
Minister
Matache Iulian
Secretary of State
Cristian Stamatiade, Engineer
General Manager of the General
Technical Directorate for
Constructions
Anca Ginavar, Architect
General Manager of the General
Directorate for Urbanism
Crian Popescu, Architect
Ministers Counselor
BUCHAREST CITY HALL
Sorin Mircea Oprescu Professor,
Doctor
General Mayor
Gheorghe Ptracu, Architect
Chief Architect
Radu Rizescu, Doctor
Counselor
ARCUB THE ROMANIAN
CULTURE Agency of Bucharest
Mihaela Pun
Manager
Eliza Bercu
Cultural Project Coordinator
Alina Teodorescu
Financial Advisor
ROMANIAN ORDER OF
ARCHITECTS BUCHAREST
TERRITORIAL BRANCH
Mircea Ochinciuc, Professor PhD
Architect
President
Cornelia Burcu, Architect
Executive Chief
Gabriela Teodorescu
Chief Financial Officer
Cristian Zaharia
Network Administrator
Marius Iordache
Data Base Operator
ROMANIAN ORDER OF
ARCHITECTS CLUJ TERRITORIAL
BRANCH
Szabolcs Guttman, Architect
President
ROMANIAN ORDER OF
ARCHITECTS TIMIOARA
TERRITORIAL BRANCH
Vlad Gaivoronschi, Associate
Professor PhD Architect
President
ROMANIAN ORDER OF
ARCHITECTS SIBIU TERRITORIAL
BRANCH
Mircea ibuleac, Architect
President
ROMANIAN ORDER OF
ARCHITECTS BRAOV
TERRITORIAL BRANCH
Nicolae Taric, Architect
President
RUR ROMANIAN REGISTER OF
URBAN PLANNERS
Alexandru Sandu, Professor PhD
Architect
President
Gabriel Pascariu, Associate
Professor PhD Architect
Member of the Superior Council
Tiberiu Florescu, Associate
Professor PhD Architect
Member of the Superior Council
UFAR THE ROMANIAN UNION
OF WOMEN ARCHITECTS
Georgeta Gabrea, Architect
President
UNRMI THE NATIONAL UNION
OF HISTORIC MONUMENTS
RESTORERS
Clin Hoinrescu, Architect
President
Aurel Botez, Architect
Member of the UNRMI
Constana Carp, Architect
Member of the UNRMI
ROMANIAN SOCIETY FOR
INTERIOR ARCHITECTURE AND
DESIGN
Silvia Oostven, Architect
President
ANUC THE NATIONAL ALLIANCE
OF CREATION UNIONS
Constantin Pivniceru
President
AICPS ASOCIAIA INGINERILOR
CONSTRUCTORI PROIECTANI DE
STRUCTURI
Petre Ioni, Engineer
President
Crian Popescu, arhitect
Consilier al ministrului
PRIMRIA CAPITALEI
Sorin Mircea Oprescu, prof. dr.
Primar general al Municipiului
Bucuresti
Gheorghe Ptracu, arhitect
Arhitect ef al Municipiului
Bucuresti
Radu Rizescu, dr.
Consilier
A.R.C.U.B. AGENIA ROMN
DE CULTUR BUCURETI
Mihaela Pun
Director
Eliza Bercu
Coordonator proiecte culturale
Alina Teodorescu
Consilier economic
ORDINUL ARHITECILOR DIN
ROMNIA FILIALA TERITORIAL
BUCURETI
Mircea Ochinciuc, prof. dr. arhitect
Preedinte
Cornelia Burcu, arhitect
Director executiv
Gabriela Teodorescu
Director economic
Cristian Zaharia
Administrator reea
Marius Iordache
Operator baz de date
ORDINUL ARHITECILOR DIN
ROMNIA FILIALA TERITORIAL
CLUJ
Szabolcs Guttman, arhitect
Preedinte
ORDINUL ARHITECILOR DIN
ROMNIA FILIALA TERITORIAL
TIMIOARA
Vlad Gaivoronschi, conf. dr. arhitect
Preedinte
ORDINUL ARHITECILOR DIN
ROMNIA FILIALA TERITORIAL
SIBIU
Mircea ibuleac, arhitect
Preedinte
ORDINUL ARHITECILOR DIN
ROMNIA FILIALA TERITORIAL
BRASOV
Nicolae Taric, arhitect
Preedinte
R.U.R. REGISTRUL
URBANITILOR DIN ROMNIA
Alexandru Sandu, prof. dr. arhitect
Preedinte
Gabriel Pascariu, conf. dr. arhitect
Membru Consiliu Superior
Tiberiu Florescu, conf. dr. arhitect
Membru Consiliu Superior
U.F.A.R. UNIUNEA FEMEILOR
ARHITECT DIN ROMNIA
Georgeta Gabrea, arhitect
Preedinte
U.N.R.M.I. UNIUNEA
NAIONAL A RESTAURATORILOR
DE MONUMENTE ISTORICE
Clin Hoinrescu, arhitect
Preedinte
Aurel Botez, arhitect
Membru UNRMI
Constana Carp, arhitect
Membru UNRMI
SOCIETATEA DE ARHITECTUR
DE INTERIOR I DESIGN DIN
ROMNIA
Silvia Oostven, arhitect
Vicepreedinte
A.N.U.C. ALIANA NAIONAL A
UNIUNILOR DE CREAIE
Constantin Pivniceru
Preedinte
A.I.C.P.S. ASOCIAIA
INGINERILOR CONSTRUCTORI
PROIECTANI DE STRUCTURI
Petre Ioni, inginer
Preedinte
633
1. Paloma Professional Events,
logistic organizer of the 2012 BNAB
Ph.D. Claudia Badiu, Manager
Ph.D. Theodor Badiu, Manager
2.The Romanian National History
Museum
PhD Ernest Oberlander
Trnoveanu, General Manager,
curator of architecture exhibition
medals
Economist Cristina Moisescu,
Financial Manager
3. Studio BIT
Andra Panait, Valentin Ungureanu
Web design & web development of
the 2012 BNAB
Visual identity & graphic design of
the 2012 BNAB
4.Advertigo, Innobuild organizer
Architect Jelea Florin, Manager
5. Building Stock Exchange,
organizer of thematic seminars
Engineer Gina Dadu, Manager
Engineer Cristina Hlmgeanu,
Deputy Manager
6. Design Workshop, logistic
organizer of the 2012 BNAB
Volunteering students
7. Kodex graphic production of
the 2012 BNAB
Gabriel Kovats, General Manager
Claudia Kovats, Technical Manager
8.Graphis graphic production of
the 2012 BNAB
Daliana Pcuraru, General
Manager
Ec.Vali Dobos, Accountant
Marius Barticel, Graphic Designer
9. Plot Studio - graphic production
of the 2012 BNAB
Architect Adrian Ibric, General
Manager
Architect Florin Cristache, Technical
Manager
Mircea Mihai, Advisor
10.MGT- advertising production
Engineer Liviu Rusu, Manager
11.Media PRO
Architect Vlad Panaitescu,
production of documentary filmon
Professor Nicolas Micea Lupu
12. IPT Recording SRL sound,
lights
Horia Panaitescu, Manager

13. Triarh sound
Assistant PhDc Interior Architect
Dan Adrian Ionescu, musical
ilustration
1. Paloma Professional Events,
organizator logistic BNAB 2012
Dr. Claudia Badiu, director
Dr. Theodor Badiu, director
2. Muzeul Naional de Istorie a
Romniei
Dr. Ernest Oberlander Trnoveanu,
director general, curator expo
medalii de arhitectur
Ec. Cristina Moisescu, director
financiar
3.Studio BIT
Andra Panait, Valentin Ungureanu
Identitate vizual, graphic design
B.N.A.B. 2012
Web design i dezvoltare aplicaie
online B.N.A.B. 2012
4. Advertigo, organizator Innobuild
arh. Florin Jelea, director
5. Bursa Construciilor, organizator
seminarii tematice
Ing. Gina Dadu, director
Ing. Cristina Hlmgeanu, director
adjunct
6. Atelierul de proiectare,
organizator logistic B.N.A.B. 2102
Studeni voluntari
7. Kodex, producie grafic B.N.A.B.
2012
Gabriel Kovats, director general
Claudia Kovats, director tehnic
8. Graphis, producie grafic
B.N.A.B. 2012
Daliana Pcuraru, director general
Ec.Vali Dobo, contabil
Marius Barticel, grafician
9. Studio Plot, producie grafic
B.N.A.B. 2012
Arh. Adrian Ibric, director general
Arh. Florin Cristache, director tehnic
Mircea Mihai, referent
10. MGT, producie publicitar
Ing. Liviu Rusu, director
11. Media PRO
Arh. Vlad Panaitescu, producie film
documentar prof. Nicolas Micea
Lupu
12. IPT Recording SRL, sonorizare,
lumini
Horia Panaitescu, director
13. Triarh sound
Asist. drd. arh. int. Dan Adrian
Ionescu, ilustrare general
PARTENERII PENTRU LOGISTIC LOGISTICS PARTNERS
635
Biographical data of the Jury Members
& of the Organising Committee Members
Date biografce ale membrilor juriului
i ale organizatorilor BNAB 2012
Vlad Eftenie 2012
Arhitectura locuinei, Arhitectura dotrilor comunitare i de
producie, Tehnologie, inovaie i sustenabilitate n arhitectur,
Studii i proiecte fnalizate i nerealizate
Architecture of dwelling, Architecture of Community and
Production Facilities, Technology, Innovation and Sustainability
in Architecture, Completed and unbuilt studies and projects
637
Architect M. ROSA CERVERA, PhD of the Polytechnic University in Madrid.
Fellowship at the Academy of Spain in Rome;
Diploma at the Sommer Academie Fr Bildende Kunst (Salzburg) and at Dunankanyar University (Hungary);
Professor and current Director of the Master Avanzado en Poroyecto de Arquitectura y Ciudad at Alcal Univesity
and former Dean of the School of Architecture.
Architect JAVIER PIOZ, PhD of the Polytechnic University in Madrid.
Master of Science in Building Design (Columbia University, New York),
Fellowship at the Academy of Spain in Rome;
Professor at Madrid Polytechnic University;
CERVERA & PIOZ ARCHITECTS SLP
Rosa Cervera and Javier Pioz are partner and founder of CERVERA & PIOZ, Architects Slp, firm based in Madrid
and with representative offices in Shanghai and New Delhi.
GOLDEN GLOBAL AWARD, given by Architecture +Design and SpectrumFoundation (Singapur), Honours Award
given by the Foundation for Architectural and Environmental Awareness in India, Award of Madrid City Hall,
Award of Madrid Architects Association. Cervera & Pioz has won several international architectural competitions.
They are pioneers researching on Bionics and Bio-mimicry with the goal to apply this knowledge on more
sustainable & efficiency structures for building and planning. The result of this researching and practice has become
an innovative and architectural practice named Bionic Architecture.
Their Architecture has been widely published on a large set of magazines, news papers, TV Programs, Conferences
and Exhibitions all over the world.
They have lectured as Invited professors and speakers in USA (Columbia University, Cooper Union, University of
Miami), China (Zhengiang University, SMAD-Shanghai, Tonji University, Hong Kong University), India (Bombay
AEC World Expo; Bombay School of Architecture; Chandigarh School of Architecture, Indian Architects Association,
Delhi); Romania (Ion Mincu University of Bucharest); Colombia (SINU University), Portugal (National Institute-
Museumof Science and Technology of Coimbra, Portugal; Official Architects Association, Lisbon), Bolivia (Architects
Association in La Paz and UPB, Cochabamba); Per (University Ricardo Palma in Lima); Mexico (Veracruzana
University, Cordoba); El Salvador (UCA Univeristy), Yakarta (Indonesia) etc.
Cervera and Pioz are Co-Directors, since 1993, of the Architecture & Bionic International Workshop, and of the
Centre for Documentation in Bionics in Cuenca (Spain).
Arhitect ROSA CERVERA, doctor al Universitii Politehnice din Madrid.
Cercettor la Academia Spaniol din Roma.
Deintoare a diplomei Sommer Academie Fr Bildende Kunst (Salzburg) i a Universitatii Dunankanyar (Ungaria).
Profesor i actualmente director al Master Avanzado en Proyecto de Arquitectura y Ciudad la Universitatea Alcal i fost decan al Facultii de
Arhitectur.
Arhitect JAVIER PIOZ, doctor al Universitii Politehnice din Madrid.
Master of Science n Proiectare Cldiri (Universitatea Columbia New York)
Cercettor la Academia Spaniol din Roma;
Profesor la Universitatea Politehnic din Madrid;
CERVERA & PIOZ ARCHITECTS SLP
Rosa Cervera i Javier Pioz sunt parteneri i fondatori ai societii CERVERA & PIOZ, Architects Slp, cu sediul n Madrid i filiale n Shanghai i
New Delhi.
PREMIUL GOLDEN GLOBAL acordat de Fundaia pentru Arhitectur, Design i Spectru (Singapore), Premiul de Onoare acordat de Fundaia
pentru sensibilizare arhitectural i de mediu din India, Premiul Primriei din Madrid, Premiul Asociaiei Arhitecilor din Madrid. Societatea
Cervera & Pioz a ctigat mai multe concursuri internaionale de arhitectur.
Sunt pionieri n cercetarea bionicii i bio-mimetismului, cu scopul de a aplica aceste cunotine n structuri mai solide i mai eficiente, n vederea
construirii i planificrii. Rezultatul acestei activiti de cercetare i practic a devenit o metod inovatoare i arhitectural numit Arhitectur
bionic.
Lucrrile lor de arhitectur au fost publicate pe scar larg n numeroase reviste, ziare, au fost prezentate n programe TV, conferine i expoziii
din lumea ntreag.
Au inut cursuri n postura de profesori invitai i participani n SUA (Universitatea Columbia, Uniunea Cooper, Universitatea din Miami), China
(Universitatea Zhengiang, SMAD-Shanghai, Universitatea Tonji, Universitatea Hong Kong), India (Expoziia mondial Bombay AEC; Facultatea
de Arhitectur din Bombay; Facultatea de Arhitectur Chandigarh, Asociaia Arhitecilor din India, Delhi); Romnia (Universitatea Ion Mincu
din Bucureti); Columbia (Universitatea SINU), Portugalia (Institutul-Muzeu Naional de tiin i Tehnologie din Coimbra, Portugalia; Asociaia
arhitecilor cu drept de practic, Lisabona), Bolivia (Asociaia Arhitecilor din La Paz i UPB, Cochabamba); Per (Universitatea Ricardo Palma
din Lima); Mexic (Universitatea Veracruzana, Cordoba); El Salvador (Universitatea UCA ), Yakarta (Indonesia) etc.
Cervera i Pioz conduc mpreun, din anul 1993, Atelierul internaional de arhitectur i bionic i Centrul de documentare n bionic din
Cuenca (Spania).
ROSA CERVERA, JAVIER PIOZ
Arhitectura locuinei, Arhitectura dotrilor comunitare i de
producie, Tehnologie, inovaie i sustenabilitate n arhitectur,
Studii i proiecte fnalizate i nerealizate
Architecture of dwelling, Architecture of Community and
Production Facilities, Technology, Innovation and Sustainability
in Architecture, Completed and unbuilt studies and projects
639
Architect JAMES F. HORAN DipArch (Hons) FRIAI RIBA MIDI ARB is Professor Emeritus at Dublin School of
Architecture, Dublin Institute of Technology
From 2000 was elected as Chartered Member of the Royal Institute of British Architects
Since 2002 is member of Conservation Modules Royal Institute of the Architects of Ireland
His academic activity is very recognized: from 2001 to 2004 was External Examiner at the Ion Mincu School of
Architecture, Bucharest, Romania, in 2001 was appointed Head of School Dublin School of Architecture and since
2012 is visiting Consultant to Umea School of Architecture, Sweden
In 2011 is advisor to NC State School of Design on the establishment of a Professional Doctorate and in 2012 was
elected Vice-Commodore, Royal Irish Yacht Club, Dun Laoghaire, Co Dublin.
His research activity is very important:
2011: ENHSA IV Inhabiting the European Higher Architectural Education area
2012: Member of the project Archi-Mundus: Building up Quality in Architectural
Education, Rio de Janerio
Awards and distinctions:
IDI 2007, 17 Zion Road Protected Structure (highly commended)
IDI 2008, Nazareth House Nursing Home Sligo (commended)
Publications and exhibitions:
Exhibition of drawings and watercolours, University Hospital Galway Gallery (2010)
Exhibition at the RDS Art Fair, Dublin (2011)
Selected as contributor to the RIBAs Presidents artwork collection, London (2011)
Conversations with a drawing Plan Magazine, Dublin (2012)
Solo Exhibition of drawings and watercolours, Centre for Mediterranean Architecture, Chania, Crete (2012)
Arhitect JAMES F. HORAN, DipArch (Hons) FRIAI RIBA MIDI ARB, este Profesor Emerit la Facultatea de Arhitectur din Dublin, Institutul de
Tehnologie din Dublin.
Membru fondator al Institutului Regal al Arhitecilor Britanici din anul 2000
Membru al Modulelor de Conservare ale Institutului Regal al Arhitecilor din Irlanda din 2002.
Activitatea sa academic este foarte cunoscut: din 2001 pn n 2004, a fost examinator extern la Facultatea de Arhitectur Ion Mincu, Bucureti,
Romnia, n 2001 a fost numit Decan al Facultii de Arhitectur din Dublin i din 2012 este consultant asociat la coala de Arhitectur Umea,
din Suedia.
n 2011, a devenit consilier la NC State School of Design pentru organizarea unui Doctorat Profesional, iar n 2012 a fost ales Vice-comodor al
Clubului Regal Irlandez de Iahting, Dun Laoghaire, Co Dublin.
Activitatea sa de cercetare este foarte important:
2011: ENHSA IV Popularea spaiului nvmntului superior de arhitectur european
2012: Membru n proiectul Archi-Mundus: Cum crem calitatea n studiile de arhitectur, Rio de Janeiro.
Premii i distincii:
IDI 2007, Structur de protecie pentru 17 Zion Road (proiect foarte apreciat)
IDI 2008, Sanatoriul Nazareth Sligo (proiect apreciat).
Publicaii i expoziii:
Expoziie de desene i acuarele, University Hospital Galway Gallery (2010)
Expoziie la Trgul de Art RDS, Dublin (2011)
Selectat pentru a contribui la colecia de art a preedintelui RIBA, Londra (2011)
Conversaii cu un desen, Revista de schie, Dublin (2012)
Expoziia proprie de desene i acuarele, Centrul pentru arhitectur mediteranean, Chania, Creta (2012).
JAMES F. HORAN
Arhitectura locuinei, Arhitectura dotrilor comunitare i de
producie, Tehnologie, inovaie i sustenabilitate n arhitectur,
Studii i proiecte fnalizate i nerealizate
Architecture of dwelling, Architecture of Community and
Production Facilities, Technology, Innovation and Sustainability
in Architecture, Completed and unbuilt studies and projects
641
VIOREL HURDUC
Architect VIOREL HURDUC is a Visiting Professor at the Ion Mincu University of Architecture and Urbanism in
Bucharest since 2008, in the Department of Design Synthesis and also a Supervisor of the Urban Design Master
Programme, classes of 2010 and 2012.
Since 1991, he has been an Architect in Chief at S.C. HAX S.R.L. and General Manager of S.C. VAAL Arhitectura
S.R.L.since 2007.
Realised works:
Hanul lui Manuc (Manucs Inn) Four-Star Hotel, Bucharest; the Romanian Banking Institute, Bd. Unirii,
Bucharest, hotels Sportul and Bradul in Poiana Braov; Zonal Urban Plan and architectural concept - mixed
functions, Splaiul Unirii 165, Str. Luteran 7-9; Zonal Urban Plan and traffic study for os. Nordului, Blv Unirii,
Splaiul Unirii, Bucharest.
Prizes and awards in national and international contests:
Bucureti 2000, honourable mention (1996)
Civic Centre of Reia, 1st prize and honourable mention (1978)
Transilvania Cultural Centre, Cluj-Napoca, 1st prize (2011).
Other awards:
The prize of the Union of Romanian Architects for the participation at the systematization of the Central Area of
Brlad (1978)
The prize of the Union of Romanian Architects for his participation at the 13 Septembrie Housing Complex,
Bucharest (1979)
Member of the National Commission for Urbanism and Territory Planning of the Ministry for Development, Public
Works and Tourism since 2010.
President of the Technical Commission for Urbanism and Territory Planning of Bucharest City Hall (2005-2008)
President of the Order of Romanian Architects, Bucharest Branch (2000-2006). He planned the building of the
branch headquarters, initiated the issue of the information bulletin Arhitecii i Bucuretiul (Architects and
Bucharest) and the organization of the first Architecture Annual in 2003.
Arhitect VIOREL HURDUC este profesor invitat la Universitatea de Arhitectur i UrbanismIon Mincu din 2008, la Catedra de Sinteza Proiectrii
i Coordonator al Masterului de Proiectare Urban, promoiile 2010 i 2012.
Din anul 1991 este arhitect ef la S.C. HAX S.R.L. i din 2007, director general la S.C. VAAL Arhitectura S.R.L.
Lucrri realizate: Hotel 4 stele Hanul lui Manuc, Bucureti; Institutul Bancar Romn, Bd. Unirii, Bucureti; hotelurile Sportul i Bradul la Poiana
Braov, P.U.Z. i concept arhitectural - funciuni mixte, Splaiul Unirii 165, Str. Luteran 7-9; P.U.Z. i studiu de circulaie os. Nordului, Bd. Unirii,
Splaiul Unirii, Bucureti.
Premii la concursuri naionale i internaionale:
Bucureti 2000, meniune (1996)
Centru Civic Reia, premiul I +meniune (1978)
Centrul Cultural Transilvania, Cluj-Napoca, premiul I (2011)
Alte premii:
Premiul Uniunii Arhitecilor din Romnia pentru participarea la sistematizarea Zonei Centrale din Brlad (1978)
Premiul Uniunii Arhitecilor din Romnia pentru participarea la realizarea Ansamblului de locuine 13 Septembrie, Bucureti (1979)
Membru n Comisia naional de urbanism i amenajarea teritoriului a Ministerului Dezvoltrii, Lucrrilor Publice i Turismului din 2010.
Preedintele Comisiei tehnice de urbanism i amenajarea teritoriului a Primriei Municipiului Bucureti (2005-2008)
Preedintele Filialei Bucureti a O.A.R. (2000-2006). A amenajat sediul filialei, a iniiat apariia buletinului informativ Arhitecii i Bucuretiul
i organizarea primei Anuale de Arhitectur n 2003.
Arhitectura locuinei, Arhitectura dotrilor comunitare i de
producie, Tehnologie, inovaie i sustenabilitate n arhitectur,
Studii i proiecte fnalizate i nerealizate
Architecture of dwelling, Architecture of Community and
Production Facilities, Technology, Innovation and Sustainability
in Architecture, Completed and unbuilt studies and projects
643
MARIA-IULIA STANCIU
Architect MARIA-IULIA STANCIU is PhD in architecture and an Associate Professor at Ion Mincu University of
Architecture and Urbanism, in the Department of Basics of Architectural Design.
In 1996, she founded the STARH architecture office with Florian Stanciu.
Since 2010, she has been a member in the National Council of the Romanian Order of Architects.
Since 2006, she has been a member in the Council of the Order of Architects, in Bucharest Branch.
Since 2007, she has been a partner of EN STUDIO SYSTEMS, which is the Romanian partner of KNOLL.
Her Ph.D. Dissertation bears the title Intermediary Places Vague Areas, Mediation Areas.
She has had her works published in Phaidon World Atlas for Modern Architecture, specialty magazines such as
Arhitectura, Arhitext, Zeppelin, Igloo, Case Best.
Awards and nominations:
- U.A.R. Biennale of Bucharest, 1996: medal in the Architecture section for Chiajna Chapel
- Competition on Piaa Victoriei Office Building 1997, first prize
- U.A.R. Biennale of Bucharest, 1998: medal in the Architecture section for Budas House
- Arhitext Prize in the Architecture section, 1999, for Budas House
- U.A.R. Biennale of Bucharest, 2000: medal in the Design section for Oc-Eurocom headquarters
- U.A.R. Biennale of Bucharest, 2000: U.A.R. President medal for Danciu House
- Participation in Mies van der Rohe Awards 2001 Barcelona with the ProRapid Sports Base
- O.A.R. Annual of Bucharest, 2003: fourth prize for Stil Hotel
- O.A.R. Annual of Bucharest, 2008: prize in the Restoration section for the building at 2, Painter Verona
Street
- O.A.R. Annual of Bucharest, 2012: prize in the Restoration section for the building at 28 bis, General
Buditeanu Street.
Arhitect MARIA-IULIA STANCIU este doctor in arhitectura si confereniar la Universitatea de Arhitectur i UrbanismIon Mincu, Departamentul
Bazele Proiectrii. n anul 1996 a fondat mpreun cu Florian Stanciu biroul de arhitectur STARH.
Membru n Consiliul Naional al Ordinului Arhitecilor din Romnia din anul 2010.
Membru n Consiliul Ordinului Arhitecilor Filiala Teritorial Bucureti din anul 2006.
Asociat EN STUDIO SYSTEMS partener KNOLL n Romnia din anul 2007.
Lucrarea sa de doctorat s-a intitulat Locurile intermediare Arii vagi, arii de mediere.
Lucrri publicate n Phaidon World Atlas for Modern Architecture, revistele Arhitectura, Arhitext, Zeppelin, Igloo, Case Best.
Premii i nominalizri:
- Bienala U.A.R. Bucureti 1996: medalie seciunea Arhitectur pentru Capel la Chiajna
- Concurs Cldire birouri Piaa Victoriei, 1997, premiul 1
- Bienala U.A.R. Bucureti 1998: medalie seciunea Arhitectur pentru Casa Budi
- Premiul Arhitext la seciunea Arhitectur, 1999 pentru Casa Budi
- Bienala U.A.R. Bucureti 2000: medalie seciunea Design pentru Sediu Oc-Eurocom
- Bienala U.A.R. Bucureti 2000: medalia preedintelui U.A.R. pentru Casa Danciu
- Participare la Mies van der Rohe Awards 2001 Barcelona cu Baza sportiv ProRapid
- Anuala O.A.R. Bucureti 2003: premiul 4 pentru Hotel Stil
- Anuala O.A.R. Bucureti 2008: premiu seciunea Restaurare pentru Imobil strada Pictor Verona 2
- Anuala O.A.R. Bucureti 2012: premiu seciunea Restaurare pentru Imobil strada General Buditeanu 28 bis
Arhitectura locuinei, Arhitectura dotrilor comunitare i de
producie, Tehnologie, inovaie i sustenabilitate n arhitectur,
Studii i proiecte fnalizate i nerealizate
Architecture of dwelling, Architecture of Community and
Production Facilities, Technology, Innovation and Sustainability
in Architecture, Completed and unbuilt studies and projects
645
TIBERIU BUCA
Architect TIBERIU BUCA is a Visitor Teaching Assistant at the Faculty of Architecture and Urbanism, the Chair of
Design, from the Technic University Cluj.
As a partner, he laid the foundation of the architecture office Studio Kim Buca Diaconu in 2005.
His most important works were nominated and awarded at:
the OART BIENNALE 2011 special jury prize and two award nominations
Guest contest OAR Ball 2011 award
MIES VAN DER ROHE AWARDS, 2010 award nomination
BAB 2010 one prize and one award nomination, Section Interior Design
BAB 2010 one prize and one award nomination, Section Architecture <1000 square meters
ARHITEXT 2009 prize, Section Public Buildings
the OART BIENNALE OF 2009 prize, Section Interior Design
the OART BIENNALE OF 2009 third prize, Section Dwellings
MIES VAN DER ROHE AWARDS, 2008 award nomination
BAB 2008 prize, Section Interior Design
BAB 2008 prize, Section Architecture >1000 square meters
the OART BIENNALE OF 2007 the great prize and two award nominations.
Over the years he has participated in cultural projects, respectively:
2009-present: president, founder, coordinator of PLUSMINUS CLUJ
2008-present: founder, coordinator of MADEINCLUJ.ORG
2001-founder, coordinator of Architecture Days and of the Association of Architect Students.
Arhitect TIBERIU BUCA este asistent universitar asociat la Facultatea de Arhitectur i Urbanism, disciplina Proiectare, din cadrul Universitatii
Tehnice Cluj.
n anul 2005 a pus bazele biroului de arhitectur Studio Kim Buca Diaconu n calitate de asociat.
Proiectele sale au fost nominalizate i premiate la:
BIENALA OART 2011 premiul special al juriului i dou nominalizri
Concurs cu invitai pentru Balul OAR, 2011 premiu
PREMIILE MIES VAN DER ROHE, 2010 nominalizare
BAB 2010 un premiu i o nominalizare la Seciunea Amenajri Interioare
BAB 2010 un premiu i o nominalizare la Seciunea Arhitectura <1000mp
ARHITEXT 2009 premiul la Seciunea Cldiri publice
BIENALA OART 2009 premiul la Seciunea Amenajri Interioare
BIENALA OART 2009 premiul 3 la Seciunea Locuine
PREMIILE MIES VAN DER ROHE 2008 nominalizare
BAB 2008 premiu la Seciunea Amenajri Interioare
BAB 2008 premiu la Seciunea Arhitectur >1000 mp
BIENALA OART 2007 premiul cel mare i dou nominalizri
De-a lungul timpului s-a implicat n proiecte culturale:
2009-prezent: preedinte, fondator, coordonator PLUSMINUS CLUJ
2008-prezent: fondator, coordonator MADEINCLUJ.ORG
2001-fondator, coordonator Zilele Arhitecturii i Asociaia Studenilor Arhiteci
Arhitectura patrimoniului cultural
Architecture of the Cultural Heritage
647
ELENI GAVRA
Architect ELENI G. GAVRA is a graduate from the School of Architecture within the Aristotle University of
Thessaloniki (1986), she holds a Ph.D. degree in Architecture and Urban Planning fromthe same school (1997). It
is intern architect at West University of Macedonia.
She is the author of numerous scientific books and issues: Rural space and house in Pontus from 19th until
the beginning of 20th century (1998 and 2003), Cultural reserves and architectural heritage in Balkan -
Management within the European integration framework (2004), Routes and junctions of commerce and culture
in the Balkans. The Greeks commercial centers in Romania. Enhancement and promotion of the Greeks cultural
monumental heritage (2007).
She has major contributed to collective editions: Berlin after the Fall of the Wall: the formation of the new urban
space in Europe at the: . Kentrotis (edit.), Beyond the End of the History, .Sideris, .Sideris G.P. Athens
(2011), From the study of tradition to the projection of the character of the place. Protypon (Model) Centre of
Rural Hospitality and Open Education The Pontian Community at the Th. Kyriakides, K. Chatzikyriakides (edit.),
Approaches in the history of Euxine Pontus, Stamoulis, Thessaloniki (2012).
She participated until now in 26 research programs with emphasis in the management of ekistics cultural heritage
in S.E. Europe, as member of research groups or as a group coordinator.
She is a Member of Greek and international scientific organizations focused on the preservation of the cultural-
architectural heritage: the Technical Chamber of Greece - Department of Central Macedonia, ICOMOS-Greece,
the Society for Macedonian Studies, the Committee for Pontian Studies, the Panorama Cultural Society, charter
member of the outlier about Greek-Romanian Cooperation of the European Foundation Titulescu, the Society for
Greek-European Studies, the European Union of Cities through History and Culture.
Arhitect ELENI G. GAVRA este absolvent a colii de Arhitectur din cadrul Universitii Aristotel din Thessaloniki (1986), unde a obinut i titlul
de Doctor n Arhitectur i Urbanism (1997). Este asistent la Universitatea de Vest a Macedoniei.
Este autoarea a numeroase cri i articole de profil: Spaiul rural i case rurale n Pontus, din secolul XIX pn la nceputul secolului XX (1998
i 2003), Rezerve culturale i patrimoniu arhitectural n Balcani Management n cadrul integrrii europene (2004), Trasee i intersecii
ale comerului i culturii n Balcani. Centre comerciale greceti n Romnia. Consolidarea i promovarea patrimoniului monumentelor culturale
greceti (2007).
A contribuit semnificativ la ediii colective: Berlin dup cderea Zidului: formarea noului spaiu urban n Europa, . Kentrotis (edit.), Dincolo
de sfritul istoriei, . Sideris, . Sideris G.P. Atena 2011, De la studiul tradiiilor, pn la proiectarea caracterului locului. Centrul Protypon
(Model) al ospitalitii rurale i nvmntului deschis Comunitatea Pontian, Th. Kyriakides, K. Chatzikyriakides (edit.), Abordri n istoria
Pontului, Stamoulis, Thessaloniki 2012.
Pn n prezent, a participat la peste 26 programe de cercetare, ca membru n echipe de cercettori sau n calitate de coordonator al acestor echipe
axate pe managementul patrimoniului cultural rural i urban din sud-estul Europei n perspectiv istoric (echistica).
Membru al unor organizaii din Grecia i internaionale care se ocup cu protecia i proiectarea patrimoniului cultural-arhitectural: Camera
Tehnic din Grecia Departamentul Macedoniei Centrale, ICOMOS-Grecia, Societatea pentru studii macedonene, Comitetul pentru studii
pontiene, Societatea cultural Panorama, membru fondator al Fundaiei Europene Titulescu pe teme de cooperare greco-romn, Societatea
pentru studii greceti i europene, Unificarea european a oraelor prin istorie i cultur.
Arhitectura patrimoniului cultural
Architecture of the Cultural Heritage
649
CONSTANA CARP
Architect CONSTANA CARP is a graduate of Ion Mincu Institute of Architecture in Bucharest, expert certified
by the Ministry of Culture and National Heritage, a member of the Romanian Union of Architects, the Vice-
President of the National Union of Romanian Conservationists, the President of the Area Commission for Historical
Monuments in Bucharest, Ilfov, Giurgiu, a member of the National Commission of Historical Monuments the
section of Architecture and engineering, and she has been a nominee member of the European Council (Groupe de
coordination du Rseau Europen des mtiers du patrimoine).
She has been the author of several specialty works published in Arhitectura Review (no. 2/1981), Review of
Historical Monuments (no. 1-2/1994) or other papers such as Spirituality and History at ntorsura Carpailor,
Buzu, 1983.
During her 42 years of expertise in the field, in her capacity as a project manager, Constana Carp has coordinated
and executed numerous complex projects for the enhancement, restoration and highlighting of historical
monuments castles, mansions, memorial houses, museums, churches, schools, banks, hospitals, libraries
of which: Corvini Castle of Hunedoara, the Casino in Constana, head office of the National Bank of Romania,
Bucharest Patriarchal Cathedral, Trei Ierarhi Colea Church, Bucharest, Stavropoleos Monastery, Bucharest, Zamca
Monastery, Suceava, Sucevia Monastery, Nucet Monastery, the fortified buildings of Hrman Evangelical Church,
the fortified buildings of Snpetru Evangelical Church etc.
Prizes and awards: The Order of Cultural Merit, Commander Degree, awarded by the Romanian Presidency;
high performance and quality diplomas awarded by the Union of Romanian Conservationists for her outstanding
completion of restoration works at Trei Ierarhi Colea Church, Bucharest, St. Nicholas Church Udricani, Bucharest,
Zamca Monastery, Suceava, Sucevia Monastery, Nucet Monastery, St. Nicholas Church, Cinenii Mici; Certificate
of Excellence for outstanding contributions in promoting the Romanian architecture at Bucharest Architecture
Biennale (2012); Diploma of Nomination at Bucharest Architecture Biennale (November 2002) for St. Nicholas
Church in Hunedoara.
Arhitect Constana Carp este absolvent a Institutului de Arhitectur Ion Mincu, Bucureti, expert atestat Ministerul Culturii i Patrimoniului
Naional, vicepreedinte al Uniunii Naionale a Restauratorilor din Romnia, preedinte al Comisiei Zonale a Monumentelor Istorice Bucureti,
Ilfov, Giurgiu, membru al Comisiei Naionale a Monumentelor Istorice seciunea Arhitectur i inginerie. A fost nominalizat ca membru pentru
Consiliul Europei (Groupe de coordination du Rseau Europen des mtiers du patrimoine).
Semneaz mai multe articole de profil n revista Arhitectura (nr. 2/1981), n Revista monumentelor Istorice (nr. 1-2/1994) sau alte lucrri ca,
de exemplu, Spiritualitate i istorie la ntorsura Carpailor, Buzu, 1983.
Pe parcursul a 42 de ani de experien n domeniu, Constana Carp a coordonat i executat ca ef de proiect numeroase proiecte complexe
de consolidare, restaurare i punere n valoare pentru ansambluri monumente istorice castele, conace, case memoriale, muzee, biserici,
coli, bnci, spitale, biblioteci dintre care menionm: Castelul Corvinilor din Hunedoara, Cazinoul din Constana, sediul central al Bibliotecii
Naionale a Romniei, Catedrala Patriarhal Bucureti, Biserica Trei Ierarhi Colea, Bucureti, Mnstirea Stavropoleos, Bucureti, Mnstirea
Zamca, Suceava, Mnstirea Sucevia, Mnstirea Nucet, Ansamblul fortificat al Bisericii Evanghelice Hrman, Ansamblul fortificat al Bisericii
Evanghelice Snpetru etc.
Premii i distincii: Ordinul Meritul Cultural n grad de Comandor acordat de Preedinia Romniei; Diplome de performan i calitate
acordate de Uniunea Restauratorilor din Romnia pentru finalizarea, n condiii de excelen, a lucrrilor de restaurare la obiectivele: Biserica
Trei Ierarhi Colea, Bucureti, Biserica Sf. Nicolae Udricani, Bucureti, Mnstirea Zamca, Suceava, Mnstirea Sucevia, Mnstirea Nucet,
Biserica Sf. Nicolae Cinenii Mici; Diplom de excelen pentru contribuii deosebite n promovarea arhitecturii romneti la Bienala de
Arhitectur Bucureti (2012); Diplom de nominalizare la Bienala de Arhitectur Bucureti (noiembrie 2002) pentru Biserica Sf. Nicolae din
Hunedoara.
Arhitectura patrimoniului cultural
Architecture of the Cultural Heritage
651
CLIN HOINRESCU
Architect CLIN HOINRESCU is an expert in the restoration of historical monuments and historical urbanism. He
is a member of the National Certification Commission of Experts and Specialists and the President of the National
Union of Romanian Historical Restorers. He was a member of the National Commission of Historical Monuments
between 1990 and 2000.
He was a member of the European Committee for the Management of ECOVAST Company (1992-2008) whose
object of activity is preserving the rural areas of habitats, heritage, regional cultural landscapes.
During 1993-1994, he had the position of General Manager of the Department for Historical Monuments,
Ensembles and Sites.
He has carried out several restoration studies and works awarded in specialized events.
Since 2008, he has been a shareholder of S.C. RESTITUTION S.R.L. where he is in charge of restoring heritage sites.
Arhitect CLIN HOINRESCU este expert n restaurarea monumentelor istorice i urbanismistoric. Este membru n Comisia Naional de Atestare
a Experilor i Specialitilor i preedinte al Uniunii Naionale a Restauratorilor de Monumente Istorice din Romnia, membru al Comisiei
Naionale a monumentelor istorice ntre anii 1990 i 2000.
Membru n Comitetul European de conducere a Societii ECOVAST (1992 2008), care are ca obiect de activitate protejarea societii rurale a
habitatului, a patrimoniului, a peisajului cultural regional
Director general al Direciei Monumentelor, Ansamblurilor i Siturilor Istorice (1993-1994).
A realizat o serie de studii i lucrri de restaurare premiate la manifestrile de profil.
Din anul 2008 este acionar la S.C. RESTITUTION S.R.L. unde se ocupa de restaurarea obiectivelor de patrimoniu.
Arhitectura spaiului interior, design de produs i scenografe
Architecture of the interior space, product design and staging
653
CRISTINA NEGOESCU MNCIULESCU
ALEXANDRU and CRISTINA NEGOESCU are architects and interior designers
They started their activity in France with the famous Antiquaire Didier Aaron and the well- known Interior
Designer, Jacques Grange with whom they collaborated for 9 years.
In 2002 they founded S.E.L.A.R.L. Cabinet Alexandre et Cristina Negoescu Studio of Architecture, Interior Design
and Decoration, working with 7 assistants (architects, project managers, designers etc.)
Several years ago they founded a second company, Society of Restoration of Historical Monuments, together with
the Architect in Chief for Historical Monuments tefan Mnciulescu.
Their projects, developed especially in the private sphere, are remarkable for their large diversity: luxury and
prestigious apartments, Art galleries and Antiquities Fairs such as the Biennale des antiquaires, villas on French
Rivera, Alps chalets, theatres, luxury yachts and projects of restoration and decoration of the historical monuments.
ALEXANDRU i CRISTINA NEGOESCU sunt arhiteci i designeri n amenajri interioare.
i-au nceput activitatea n Frana, cu faimosul Anticar Didier Aaron i cu designerul pentru interior, Jacques Grange, cu care au colaborat 9 ani.
n 2002, au creat Biroul de arhitectur, design interior i decoraii S.E.L.A.R.L. Cabinet Alexandre et Cristina Negoescu compus din 7 asisteni
(arhiteci, manageri de proiect, designeri etc.)
Cu civa ani n urm, au creat o a doua companie, Societatea de Restaurare a Monumentelor Istorice, mpreun cu Arhitectul-ef pentru
monumente istorice tefan Mnciulescu.
Proiectele lor, dezvoltate mai ales n sfera privat, se remarc printr-o mare diversitate: apartamente de lux i prestigioase, galerii de art i
trguri de antichiti ca Biennale des antiquaires, vile pe Riviera Francez, cabane n Alpi, teatre, iahturi de lux i proiecte de restaurare i
decorare a monumentelor istorice.
Arhitectura spaiului interior, design de produs i scenografe
Architecture of the interior space, product design and staging
655
GABRIELA TABACU
Architect GABRIELA TABACU , PhD in architecture, is a graduate of Ion Mincu Institute of Bucharest, a Professor in
the Department of Basics of Architectural Design and Head of the Department for Information and Documentation
in Ion Mincu University of Architecture and Urbanism in Bucharest.
She signs as an author several editorial works among which: Monografii eseniale cu indici (Essential Monographs
on Indices): Architecture and Building Review; Cminul. Studii i Planuri de Case (Homes; Housing Studies
and Plans), Ion Mincu University Publisher, Bucharest, 2012. p. 247, ill. Arhitectura Review 1906-1944. Studiu
monografic i indici (Monographic Study and Indices), Humanitas Publisher, Bucharest, 2008. p. 446, ill. revised
and enlarged edition; Fapte i ntreprinderi fondatoare pentru breasla arhitecilor romni (Founding Deeds
and Endeavours in the Society of Romanian Architects, Ion Mincu University Publisher, Bucharest, 2005; Bruno
Zevis Modern Language of Architecture, Paideea Publisher, Bucharest, 2000 (translation); Dup-amiezele cetii
(Citadel Afternoons), Ion Mincu University Publisher, Bucharest, 2000.
She has coordinated several publications and collections in the field.
Prizes and awards:
Bucharest Architecture Biennale Prize, 2006, Rehabilitation section
Bucharest Architecture Annual Prize, 2006, Restoration section
Nomination in the National Annual Awards of the Ministry of Culture and Religious Affairs for the National Cultural
Heritage, Bucharest, 2007, Monument Restoration Prizes section
Nomination in Arhitext Design Prizes, 2007, Regeneration section
Nomination in Bucharest Architecture Annual, 2007, Publications section
Diploma of Honour from the Eco-Europa organization, 2010
OAR Medal of Honour, 2011
In Honoris Diploma of Bucharest General Mayor, 2012
Arhitect GABRIELA TABACU doctor in arhitectura, a absolvit Institutul de Arhitectur Ion Mincu, Bucureti, este profesor universitar la Catedra
Bazele proiectrii i director al Departamentului Informare-Documentare din Universitatea de Arhitectur i Urbanism Ion Mincu din
Bucureti.
Semneaz mai multe apariii editoriale printre care: Monografii eseniale cu indici: Revista de Arhitectur i Construcie; Cminul. Studii i
Planuri de Case, Ed. Universitar Ion Mincu, Bucureti, 2012. 247 p., ill. Revista Arhitectura 1906-1944. Studiu monografic i indici, Ed.
Humanitas, Bucureti, 2008. 446 p., ill. ediie revzut i adugit; Fapte i ntreprinderi fondatoare pentru breasla arhitecilor romni, Ed.
Universitar Ion Mincu, Bucureti, 2005; Limbajul modern al arhitecturii, Bruno Zevi, Ed. Paideea, Bucureti, 2000 (traducere); Dup-amiezele
cetii, Ed. Universitar Ion Mincu, Bucureti, 2000.
Coordoneaz o serie de publicaii i colecii de profil.
Premii i distincii:
Premiul Bienalei de Arhitectur Bucureti, 2006, seciunea Reabilitri
Premiul Anualei de Arhitectur a Municipiului Bucureti, 2006, seciunea Restaurare
Nominalizare la Premiile Naionale Anuale ale Ministerului Culturii i Cultelor pentru Patrimoniul Cultural Naional, Bucureti, 2007, seciunea
Premiile pentru Restaurarea Monumentelor
Nominalizare la Premiile Arhitext Design, 2007, seciunea Regenerri
Nominalizare n cadrul Anualei de Arhitectur a Municipiului Bucureti, 2007, seciunea Publicaii
Diploma de onoare a organizaiei Eco-Europa, 2010
Medalia de onoare OAR, 2011
Diploma In Honoris a Primarului General al Municipiului Bucureti, 2012
Arhitectura spaiului interior, design de produs i scenografe
Architecture of the interior space, product design and staging
657
CORVIN CRISTIAN
CORVIN CRISTIAN is a designer with architectural studies. He worked most of the last 10 years as an Art Director
on movie sets, including many major projects. Creating epoch or contemporary films helped him develop a special
kind of versatility rare to find by designing real life projects.
He designed trade fair pavilions (for Saab, Jeep, Chrysler, Dodge, Mercedes), bars, restaurants and clubs (Atelier
Mecanic, Nemo, La Bonne Bouche, Lacrimi si Sfinti, Energiea), scenography for brand launches and other corporate
events (Orange, Discovery), retail design (exclusively Nikon shop, Conformist: the Marithe +Franois Girbaud
shop in Bucharest) and offices (Headvertising, Saga film).
Awards:
Bucharest Architecture Biennale: Medal of the President of UAR for the conversion of the attic of the Gheorghe
Lazr building (2008)
Bucharest Architecture Biennale: Nominee for Headvertising Offices (2010)
Bucharest Architecture Annuale: Nominee for Headvertising Offices (2010)
Velux Daylight Architects Award for Gh. Lazar Attic Conversion (2011)
Fluente Arhitext Festival: Award for Headvertising offices (2011)
Bucharest Architecture Annuale: Interior design Award for Lacrimi i Sfini (Tears and Saints) restaurant (2012)
Media:
His works have been featured on major contemporary design sites as: dezeen.com, contemporist.com, Yatzer.com
or frame.comand have been published in more than 50 Interior design prestigious publications worldwide: FRAME
Magazine (Amsterdam), TeNeuess Cool Restaurants Top of the world (Berlin), FRAMEs Night fever 3, Interiors
(South Korea), Office hour (Hong Kong), OnOffice (London), GK (Greece), Nisha (Israel) and many others from
Romania and abroad.
CORVIN CRISTIAN este designer cu studii de arhitectur. A lucrat cea mai mare parte din ultimii 10 ani ca Director Artistic pe platouri de filmare,
incluznd multe proiecte importante. Crearea de filme de epoc i contemporane i-a dezvoltat o deosebit versatilitate greu de dobndit prin
proiecte reale.
A proiectat pavilioane pentru trguri (pentru Saab, Jeep, Chrysler, Dodge, Mercedes), baruri, restaurante i cluburi (Atelier Mecanic, Nemo,
La Bonne Bouche, Lacrimi i Sfini, Energiea), a realizat scenografii pentru lansrile unor mrci i pentru alte evenimente corporatiste
(Orange, Discovery), design comercial (exclusiv magazinul Nikon, Conformist: magazinul Marithe +Franois Girbaud din Bucureti) i birouri
(Headvertising, Saga film).
Premii:
Bienala de Arhitectur din Bucureti: Medalia Preedintelui Uniunii Arhitecilor din Romnia, pentru transformarea mansardei imobilului
Gheorghe Lazr (2008)
Bienala de Arhitectur din Bucureti: Nominalizat pentru birourile Headvertising (2010)
Anuala de Arhitectur din Bucureti: Nominalizat pentru birourile Headvertising (2010)
Premiul arhitecilor Velux Daylight pentru Transformarea mansardei Gh. Lazr (2011)
Festivalul Fluente Arhitext: Premiul pentru birourile Headvertising (2011)
Anuala de Arhitectur din Bucureti: Premiul la design interior pentru restaurantul Lacrimi i Sfini (2012)
Mass-media:
Lucrrile sale au fost prezentate pe site-uri importante de design contemporan, precum: dezeen.com, contemporist.com, Yatzer.com sau frame.
com i au aprut n peste 50 de publicaii prestigioase de design interior din lume: FRAME Magazine (Amsterdam), TeNeuess Cool Restaurants
Top of the world (Berlin), FRAMEs Night fever 3, Interiors (South Korea), Office hour (Hong Kong), OnOffice (London), GK (Grecia), Nisha
(Israel) i multe altele din Romnia i din strintate.
Arhitectura spaiului public | Planifcare spaial
Architecture of the public space | Spatial planning
659
CONSTANTIN-VICTOR SPIRIDONIDIS
Architect CONSTANTIN-VICTOR SPIRIDONIDIS is Phd in architecture, Associate Professor at the School of
Architecture of the Aristotle University of Thessaloniki.
He was Visiting Professor at different universities between 1991 and 2000.
He realized a lot of studies and projects such as: scientific coordinator of the compilation of the brief for the
International Architectural Competition for the rehabilitation of the Waterfront of Thessaloniki (1996-1997),
collaborator in the compilation of the brief for the International Architectural Competition for the Olympic Village
2004 (1999), collaborator in the compilation of the volume for the candidacy of Patras European Cultural
City (2001-2002), scientific coordinator of the study for the Perspectives for the effective use of the old quarry of
Galatista in Halkidiki, Greece (2001-2002), coordinator of the Socrates Thematic Network Project: European
Network of Heads of Schools of Architecture financed by the European Union (2001-2004), participation in the
team of architects for the project of the New School of Pharmacy of the Aristotle University of Thessaloniki (2005),
coordinator of the design team for the Redevelopment of the Parking area of the School of Technology of Aristotle
University of Thessaloniki (2006-2007).
Member of the Advisory Committee of the European Committee for the Education of Architects in the European
Commission from 1998 to 2009, representing the Greek Ministry of Education.
Member of the European Association for Architectural Education Council since 1993 and Vice-President from 1996
to 1998.
President of the European Association for Architectural Education from 1998 to 2001.
Member of the Scientific Committee of Grands Ateliers de lIsle dAbeau, France (1996-2005), of the National
association of the artistic and historic centers, Italy and of the Network EURAU (European Research in Architecture
and Urbanism)
Elected external advisory expert by the National Accreditation Board (NAAB) in the Five Presidents Meeting for
the review of the National Accreditation System in the USA.
Arhitect CONSTANTIN-VICTOR SPIRIDONIDIS este doctor in arhitectura, confereniar la Facultatea de Arhitectur, Universitatea Aristotel din
Thessaloniki.
ntre anii 1991-2000, a activat ca profesor invitat la diferite universiti.
A realizat numeroase studii i proiecte: coordonator tiinific al compilaiei referitoare la Concursul Internaional de Arhitectur pentru
reabilitarea rmului din Thessaloniki (1996-1997), colaborator la compilaia referitoare la Concursul Internaional de Arhitectur pentru Satul
Olimpic 2004 (1999), colaborator la compilaia volumului pentru candidatura Patras Capital Cultural European (2001-2002), coordonator
tiinific al studiului privind Perspectivele utilizrii eficiente a vechii cariere din Galatista n Halkidiki, Grecia (2001-2002), coordonator al
Proiectului Socrate de Reea Tematic Reeaua european a conductorilor colilor de arhitectur finanat de Uniunea European (2001-
2004), participare n echip de arhiteci la proiectul pentru Noua coal de Farmacie din cadrul Universitii Aristotel din Thessaloniki (2005),
coordonator al echipei de design pentru Reabilitarea zonei parcului aparinnd Facultii de Tehnologie din cadrul Universitii Aristotel din
Thessaloniki (2006-2007).
Membru al Comitetului de Consiliere din cadrul Comitetului European pentru Pregtirea Arhitecilor, n Comisia European, ntre 1998 i 2009,
ca reprezentant al Ministerului nvmntului din Grecia.
Membru al Asociaiei Europene pentru Consiliul nvmntului Arhitectural din anul 1993 i Vicepreedinte n perioada 1996 - 1998.
Preedinte al Asociaiei Europene pentru nvmntul Arhitectural (1998 2001).
Membru al Comitetului tiinific pentru Marile Ateliere din lIsle dAbeau, Frana (1996-2005), al Asociatiei Nationale al Centrelor Istorice si
Artistice, Italia i al Reelei EURAU (Cercetare european n arhitectur i urbanism).
Ales ca expert consilier extern de ctre Consiliului Naional de Acreditare (NAAB) n cadrul ntlnirii celor cinci preedini, pentru revizuirea
Sistemului Naional de Acreditare din SUA.
Arhitectura spaiului public | Planifcare spaial
Architecture of the public space | Spatial planning
661
KEY IMAGUIRE JUNIOR &
MARIALBA ROCHA GASPAR IMAGUIRE
Architect KEY IMAGUIRE JUNIOR is Born in Curitiba, Brasil, in 1946. Architect by Universidade Federal do Paran,
1972.
Master in Brasils History (1982) and PhD in History of Ideas (1999) by the same University.
Professor in History of Brazilian Architecture from 1974 to 2010.
Conferences and published papers in:
Chile, Uruguay, Argentina, Italy, Canada, Germany and Romania.
Idealizer of the Gibiteca de Curitiba, 1976.
Published books:
Acervo documental de Arquitetura Brasileira, 2012
A Casa de Araucaria, 2011
A Gibiteca de Curitiba, 2012.
Architect MARIALBA ROCHA GASPAR IMAGUIRE is born in Curitiba, Brasil, 1956. Architect by Universidade Catlica
do Paran, 1986.
Specialist in Research on History of Art by Arts Faculty of Paran, 2006.
Published books:
Ensaios sobre Arquitetura em Curitiba; conventos e seminarios, 2006
Igrejas Ucranianas Arquitetura da Imigrao no Paran (Sponsored by Petrobras, 2009)
A Casa de Araucaria (2011)
Winner of two national prizes:
the Rodrigo Mello Franco de Andrade Award, 2012
the Museu da Casa Brasileira Design Award, 2012.
Arhitectul KEY IMAGUIRE JUNIOR s-a nscut n Curitiba, Brazilia, n 1946. A obinut diploma de arhitect la Universidade Federal do Paran n
1972.
A absolvit studii de Master n Istoria Braziliei (1982) i doctoratul n Istoria ideilor (1999) la aceeai universitate.
A fost profesor la disciplina Istoria arhitecturii braziliene ntre 1974 i 2010.
A participat la conferine i a publicat lucrri n:
Chile, Uruguay, Argentina, Italia, Canada, Germania i Romnia.
Este colecionar i critic de benzi desenate, membru fondator al Bibliotecii de benzi desenate (Gibiteca) din Curitiba, 1976.
Cri publicate:
Acervo documental de Arquitetura Brasileira (Patrimoniul documentar al arhitecturii braziliene), 2012
A Casa de Araucaria (Cas n Araucaria), 2011
A Gibiteca de Curitiba (Biblioteca benzilor desenate, Curitiba), 2012.
Arhitect MARIALBA ROCHA GASPAR IMAGUIRE s-a nscut n Curitiba, Brazilia, n
1956. A obinut diploma de arhitect la Universidade Catlica do Paran, n 1986.
Este specialist n Cercetarea istoriei artei, titlu obinut la Facultatea de Arte din
Paran, 2006.
Cri publicate:
Ensaios sobre Arquitetura em Curitiba; conventos e seminarios (Eseuri despre
arhitectura din Curitiba: conferine i seminarii), 2006
Igrejas Ucranianas Arquitetura da Imigrao no Paran (Biserici ucrainene
Arhitectura imigranilor din Paran) Sponsorizat de Petrobras, 2009
A Casa de Araucaria (Cas n Araucaria), 2011
Ctigtoare a dou premii naionale:
Rodrigo Mello Franco de Andrade, 2012
Museu da Casa Brasileira (Muzeul Casei Braziliene), 2012.
Arhitectura spaiului public | Planifcare spaial
Architecture of the public space | Spatial planning
663
ALEXANDRU SANDU
Architect ALEXANDRU SANDU, PhD. in architecture, is a Professor Emeritus at the Faculty of Urbanism belonging
to University of Architecture and Urbanism Ion Mincu. He used to be the Rector of UAUIM (1990-2000) and Dean
of the Faculty of Urbanism (2004-2010).
Since 1997, he has been the President of the Superior Council of the Romanian Register of Urban Planners whose
foundation he has closely taken care of and President of the Development Commission of the territory within the
Ministry of Public Works, Transports and Housing.
In 1998, he became a member of UAR Board of Directors, member in the Romanian Association of Scientists,
member in the European Association for Architectural Education and Head of UIA-UNESCO European Working
group for architecture training.
He has been the author and co-author of more than 70 projects related to architecture, urban planning and
urban design, among which the General Urban Planning Plans of Bucharest, Constana, Iai, Trgovite, Sebe
etc. His most important projects have participated in national and international contests where they have received
nominations and prizes. He has been the author and co-author of over 60 research works referring to the theory
of the urban or urban remodelling.
Awards:
He has been awarded several prizes all throughout his career, among which:
Laureate of Harvard University (2001)
Laureate of the Architecture University in Moscow (1999)
Laureate of Frederico the Second University of Naples (1993)
Laureate of the Hungarian Society for Urban Planning (1983)
Laureate of the Polish Architecture Society (1977).
He has received several medals, prizes of the Romanian Union of Architects, the Ministry of Public Works, Transports
and Housings Golden Medal (1998)
Medal for his entire urban planning career awarded at the Architecture Biennale (1994).
He has been awarded the title of Professor Emeritus for outstanding professional merit.
Arhitect ALEXANDRU SANDU este doctor in arhitectura, profesor emerit la Facultatea de Urbanism a Universitatea de Arhitectura si Urbanism
Ion Mincu. A fost rector UAUIM (1990-2000) i decan al Facultii de Urbanism (2004-2010).
Din 1997 este Preedinte al Consiliului Superior al Registrului Urbanitilor din Romnia (de a crui nfiinare s-a ocupat ndeaproape) i
preedinte al Comisiei de Dezvoltare a teritoriului din cadrul Ministerul Lucrarilor Publice, Teritoriului si Locuintei.
n anul 1998 devine membru al consiliului de conducere al U.A.R., membru al Asociaiei Oamenilor de tiin din Romnia, membru al Asociaiei
europene de educaie arhitectural i ef al Grupului de lucru european UIA-UNESCO pentru formaia n arhitectur.
Este autor i coautor a peste 70 de proiecte de arhitectur, planificare urban i design urban, printre care se numr: Planurile de Urbanism
General ale oraelor Bucureti, Constana, Iai, Trgovite, Sebe etc. Cele mai importante proiecte au participat la concursuri naionale i
internaionale unde au obinut nominalizri i premii. Este autor si coautor a peste 60 de lucrri de cercetare privind teoria urbanului sau
remodelarea urban.
Premii:
Laureat al Universitii Harvard (2001)
Laureat al Universitii de Arhitectura din Moscova (1999)
Laureat al Universitii Frederico II din Napoli (1993)
Laureat al Societii maghiare de planificare urban (1983)
Laureat al Societii poloneze de arhitectur (1977)
Medalii i premii ale Uniunii Arhitecilor din Romnia
Medalia de Aur a MLPTL (1998)
Medalia pentru ntreaga sa activitate n planificare urban, acordat la Bienala de Arhitectur (1994)
Pentru merite profesionale deosebite i s-a acordat titlul de profesor emerit.
Arhitectura spaiului public | Planifcare spaial
Architecture of the public space | Spatial planning
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TIBERIU FLORESCU
Architect TIBERIU FLORESCU, PhD. In architecture, is an Associate Professor at Ion Mincu University of
Architecture and Urbanism in Bucharest, a PhD in Architecture and Dean of the Faculty of Urbanism.
He has been a member in numerous national and international juries of professional contests and student
workshops in the field of architecture and urbanism (2000 Paris, France; 2003 Sofia, Bulgaria; Media,
Romnia; 2004 Toulouse, France; Ankara, Turkey; Media, Romnia; 2005 Moscow, Russia; Media, Romnia;
2006 Marseille, France; 2007 Erevan, Armenia; 2008 Lille, France; 2009 Baku, Azerbaidjan; 2010
Paris, France; 2011 Victoria, Romnia; 2012 Rmnicu-Vlcea.
Published books
Form i trans-formare urban (Urban Formand Transformation), Ion Mincu University Publisher, Bucharest, 2006
Member of Honour of SEPOX (Greek Association of Urban Planners)
Member of the Council of AESOP Representatives (European Association of Urbanism Schools) representing
Romania
Member of REA (Architecture Schools Network in France, Central and Western Europe), representing Romania.
Arhitect TIBERIU FLORESCU este doctor n arhitectur, confereniar la Universitatea de Arhitectur i UrbanismIon Mincu din Bucureti i decan
al Facultii de Urbanism.
A fost membru n numeroase jurii naionale i internaionale pentru concursuri profesionale i workshop-uri studeneti de arhitectur i
urbanism (2000 Paris, Frana; 2003 Sofia, Bulgaria; Media, Romnia; 2004 Toulouse, Frana; Ankara, Turcia; Media, Romnia; 2005
Moscova, Rusia; Media, Romnia; 2006 Marsilia, Frana; 2007 Erevan, Armenia; 2008 Lille, Frana; 2009 Baku, Azerbaidjan; 2010
Paris, Frana; 2011 Victoria, Romnia; 2012 Rmnicu-Vlcea.
Cri publicate:
Form i trans-formare urban, Ed. Universitar Ion Mincu, Bucureti, 2006
Membru de Onoare al SEPOX (Asociaia Urbanitilor din Grecia)
Membru n Consiliul Reprezentanilor AESOP (Asociaia European a colilor de Urbanism) ca reprezentant al Romniei
Membru al REA (Reeaua colilor de Arhitectur din Frana, Europa Central i Oriental ca reprezentant al Romniei
VICTOR MORARU
Architect VICTOR I. MORARU is a Visiting Professor at the Department for Restoration and Preservation in Sibiu,
part of the Ion Mincu University of Architecture and Urbanismin Bucharest, teaching Study of Forms, Descriptive
Geometry, Prospects, Design.
Since 1992, he has been the manager of S.C. MORA S.R.L. Company where he has designed numerous projects of
urbanism and design of public areas, which have been highly appreciated.
He was a collaborator at the publication Primria Sibiului (Sibiu Town Hall) (1992-2006).
Collaborator with GTZ Office (a German company for technical collaboration), where he carried out rehabilitation
projects in the historical centre of Sibiu, completed and co-financed by the German Government (2001-2007)
Since 2006, he has been a specialist and an assessor certified by the Ministry of Culture and Religious Affairs in the
field of Architectural Restoration.
He has won several public design and urbanism prizes in specialized national and international contests.
Arhitect MORARU I. VICTOR este cadru didactic asociat la Secia de Restaurare
Conservare Sibiu din cadrul Universitii de Arhitectur i UrbanismIon Mincu din
Bucureti unde pred Studiul Formei, Geometrie Descriptiv, Perspectiv, Proiectare.
Din 1992 este managerul firmei S.C. MORA S.R.L., n cadrul creia a proiectat o serie
de lucrri de urbanism i de design de spaii publice foarte apreciate.
Colaboreaz la realizarea publicaiei Primria Sibiului (1992-2006).
Colaborator al Biroului GTZ (Societatea German pentru Colaborare Tehnic) la
proiecte de reabilitare n centrul istoric al Sibiului, executate cu cofinanare din
partea statului german (2001-2007)
Din anul 2006 este specialist i verificator atestat de Ministerul Culturii i Cultelor n
domeniul Restaurare de arhitectur
A ctigat o serie de premii de design de spaii publice i urbanism la concursurile
naionale i internaionale de profil.
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MARINA THEODORESCU, Ph.D. in Visual Arts, is an Associate Professor at the National Art University of Bucharest.
She has worked as a graphic and industrial designer in various companies.
Since 1992, she has been a free-lance graphic designer and since 2004 she has been a partner and an Art Director
at Spiral Design.
She has carried out projects related to visual identity, graphic design, advertising, protocol graphic materials
conceived and achieved for: Design Print, Romanian Commercial Bank, Agnor High Tech, Universul Tehnic,
ArsMedica Foundation, Casa Noastr Guest House, Arca East Invest, Credo, Maria Design, Teletrans, Exact Tours.
She has displayed her works in many exhibitions, such as:
Design in Romania, Berlin, 1987
National Design Salons, Bucharest, 1990, 1992
Group Design Exhibitions:
Fashion, Cenaclu Art Gallery, Hanul cu Tei, Bucharest, 1988
Graphic Design, Cminul Artei Gallery, Bucharest, 1996
Prototype, Apollo Gallery, Bucharest, 2005
Design R-08, Galateca Gallery, Bucharest, 2008
MARINA THEODORESCU
MARINA THEODORESCU este doctor in arte vizuala si confereniar la Universitatea Naional de Arte din Bucureti.
A activat ca designer grafic i industrial la diverse ntreprinderi.
Din anul 1992 este designer grafic liber profesionist iar din anul 2004 este asociat i director de creaie la Spiral Design.
A realizat proiecte de identitate vizual, grafic design, reclam, materiale grafice de protocol concepute i realizate pentru: Design Print, Banca
Comercial Romn, Agnor High Tech, Universul Tehnic, Fundaia ArsMedica, Pensiunea Casa Noastr, Arca East Invest, Credo, Maria Design,
Teletrans, Exact Tours.
A participat la mai multe expoziii:
Design din Romnia, Berlin, 1987
Saloanele Naionale de Design, Bucureti, 1990, 1992
Expoziii de design de grup:
Mod, Galeria Cenaclu, Hanul cu Tei, Bucureti, 1988
Graphic Design, Galeria Cminul Artei, Bucureti, 1996
Prototip, Galeria Apollo, Bucureti, 2005
Design R-08, Galeria Galateca, Bucureti, 2008
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Architect HORTENSIA BOTESCU (maiden name Anton) worked at IPROTIM Timioara between 1976 and 1999 and
since 1999 until now she has been the partner of S.C.BOTESCU M & H ARHITECTI SRL Company.
Among her works, there are: the Amphitheatre of Timioara Clinical Hospital (1978), the Laboratory Building of
the Faculty of Mechanical Engineering at IP Timioara (1985), Plug in Collective Dwellings in the Cetate District of
Timioara (1985), Dr. Berghian Ophthalmology Clinic (2008).
She participated as a collaborator in the works for Timioara Orthodox Church, tefan cel Mare Str. (1990-1991),
work submitted at the Biennale in Venice of 1991, in the exhibition entitled Sacredness within Modernity, Venice,
1992 and selected by the Royal Institute of British Architecture to be part of an itinerant exhibition in Germany,
England, Greece, Vatican; the project of the Orthodox Church in Dacia Square of Timioara, submitted at the
Architecture Biennale in Venice, 1996; the Expansion of the University Central Library of Timioara, 1995 -1999;
Renovation of Faades, House in Romanilor Square, tefan cel Mare Street, 2009; the MERCEDES-BENZ Central
Office Motor House in Timioara, 2004; the Greek-Catholic Church, Gh. Doja Street in Timioara, 2000; Faade
Renovation and Repairs of the Roman-Catholic Cathedral in Unirii Square, Timioara, 2003; Attic Floor Repairs,
Enhancement and Improvement of Building in No.4, Planca Street, Timioara, 2007.
She realized and elaborated a series of ground surveys for churches, parishes and chapels in the Roman-Catholic
cemeteries of the Roman Catholic Diocese in Timioara. (Timi, Arad, Cara Severin Counties).
She is the author of numerous architectural and restoration works.
She has proved herself a talented photographer of architectural and urban heritage, judging by the quality of the
pictures displayed in specialized exhibitions.
HORTENSIA BOTESCU
Arhitect HORTENSIA BOTESCU (n. Anton ) a activat ntre anii1976 - 1999 la IPROTIM Timioara iar din anul1999 pn n prezent este asociat
n cadrul firmei S. C. BOTESCU M & H ARHITECI SRL.
Dintre lucrrile sale realizate amintim: Amfiteatru la spitalul clinic judeean din Timioara (1978), Corp de laboratoare al Facultii de mecanic
IP Timioara (1985), Locuine colective tip plomb n Cartierul Cetate din Timioara (1985), Clinica de oftalmologie Dr. Berghian (2008).
n calitate de colaborator, a participat la lucrrile: Biserica ortodox Timioara, str. tefan cel Mare (1990-1991), lucrare prezentat la Bienala
de le Veneia, 1991, la expoziia Spaiul sacru n modernitate, Veneia, 1992, selecionat de Royal Institute of British Arhitecture pentru o
expoziie itinerant n Germania, Anglia, Grecia, Vatican; Biserica ortodox Piaa Dacia din Timioara, prezentat la Bienala de Arhitectur de
la Veneia, 1996; Extinderea Bibliotecii Centrale Universitare din Timioara,1995 1999; Renovare faade, imobil P-a Romanilor str. tefan
cel Mare, 2009; Sediu MERCEDESBENZ Casa Auto, Timioara, 2004; Biseric Greco-Catolic str. Gh. Doja din Timioara, 2000; Renovare
i reparaii faade Catedrala Romano Catolic din Piaa Unirii din Timioara, 2003; Reparaii, consolidare, amenajare mansard imobil str.
Planca nr.4, Timioara, 2007.
A executat i redactat relevee de biserici, parohii, capele din cimitire romano-catolice din cadrul Diocezei Romano-Catolice de Timioara ( jud.
Timi, Arad, Cara Severin).
Autor a numeroase lucrri de arhitectur i restaurare.
S-a remarcat prin fotografiile prezentate n expoziiile de profil, n special legate de problema patrimoniului arhitectural i urban.
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Architect VLAD EFTENIE is a Teaching Assistant at Ion Mincu University of Architecture and Urbanism and a
PhD of Architecture, with a doctoral research entitled Photography, a Methodological Instrument to Study Urban
Image.
He coordinates the theoretical lecture Photography, a Knowledge Instrument in Architecture.
Published works:
Fotografia, instrument de cunoatere i investigare metodic n planul imaginii urbane (Photography, an
Instrument for Knowledge and Methodological Research in Urban Image), Ion Mincu University Press, 2012.
He is the author and co-author of numerous architecture/urbanism studies and projects in the fields of education,
trade, administration and residential dwelling.
He is the author of many articles in specialized reviews on topics such as architecture and architecture photography.
He is a member of professional organizations such as the Order of Romanian Architects (O.A.R.) and Romanian
Register of Urban Planners (R.U.R.)
He has been a member of juries in the fields of architecture and architecture image.
He has coordinated and supported many workshops and lectures referring to the dynamics of the urban
environment, integrating photography as a methodological work instrument both in Romania and abroad, within
the Network of Francophone Schools of Architecture (R.E.A.).
He has been the author/co-author of numerous urban and architecture photography exhibitions both in Romania
(Bucharest, Timioara, Baia Mare) and abroad (Berlin, Lisbon, Toulouse, Padova, Dublin).
Awards:
CBRE Urban Photographer of the Year, International contest for urban photography, 2011.
Art Nomade International architecture contest, organized by EALR-GAIA, France, honourable mention
Online gallery: http://www.veftenie.daportfolio.com, http://veftenie.blogspot.ro
Contact: veftenie@hotmail.com
VLAD EFTENIE
Arhitect VLAD EFTENIE este lector la Universitatea de Arhitectur i Urbanism Ion Mincu i doctor n arhitectur, cercetarea sa doctoral avnd
ca subiect Fotografia, instrument metodic de studiu n planul imaginii urbane.
Este titular al cursului teoretic Fotografia ca instrument de studiu i cunoatere n arhitectur.
Cri publicate:
Fotografia, instrument de cunoatere i investigare metodic n planul imaginii urbane, Editura Universitar Ion Mincu, 2012.
Autor i co-autor al unor numeroase studii i proiecte de arhitectur i urbanism n domeniile educaiei, comercial, administrativ i rezidenial.
Autor a numeroase articole n reviste de specialitate avnd ca subiect arhitectura i fotografia de arhitectur.
Membru al asociaiilor profesionale O.A.R. i R.U.R.
Prezent n jurii de specialitate din domeniul arhitecturii i imaginii de arhitectur.
Coordoneaz i particip la susinerea a numeroase workshopuri i prelegeri avnd ca subiect dinamica mediului urban, integrnd fotografia ca
instrument metodic de lucru, n ar i n strintate, n cadrul Reelei de coli de Arhitectur Francofone (R.E.A).
Autor/co-autor al unor numeroase expoziii de fotografie urban i de arhitectur, n Romnia (Bucureti, Timioara, Baia Mare) i n strintate
(Berlin, Lisabona, Toulouse, Padova, Dublin).
Premii:
C.B.R.E. Urban Photographer of the Year, competiie internaional de fotografie urban, 2011.
Art Nomade, concurs internaional de arhitectur organizat de EALR-GAIA, Frana, meniune.
Galerie on-line: http://www.veftenie.daportfolio.com, http://veftenie.blogspot.ro
Contact: veftenie@hotmail.com
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NICOLAS MIRCEA LUPU
Architect NICOLAS MIRCEA LUPU is a graduate of Ion Mincu Institute of Architecture in 1962 and became a PhD
in Architecture in 1976. He begins his working activity as a Teaching Assistant of Professor Petracu and becomes
Associate Professor in the late 1970s.
During 1962-1981, while working in Romania, he was the author of numerous projects for competitions or built
such as hotels, holiday homes, schools, exhibition pavilions, tourist resorts. He receives the Union of Romanian
Architects Award for the Lebda Hotel.
During 1984-2003, he was a Professor and a Private Lecturer in the Architecture Department of the Federal
Polytechnical School in Lausanne (EPFL), coordinator of the lecture entitled Construction 2, joint coordinator of
the lecture Architecture-Equipment, responsible for two Education and Research Units.
Member of juries meant to assessing projects, diplomas, PhD commissions.
In 1995, he became a visiting professor at the School of Architecture in the University of Montreal.
Editor-in-chief of Schweizer Architektur-Architecture Suisse (1992-1994).
President of Socit des ingnieurs et des architectes suisses of Geneva (1991-1992).
As a partner of Dunant & Lupu architectes SIA Office (1983-1992) he is the author of various projects in
domains such as: urbanism, housing, schools, retail centres, facilities for pedestrians, art facilities and projects for
competitions.
Since 1992, he has managed Nicolas Lupu architecte EPF SIA Office in Geneva, within which he designs
urban facilities, rehabilitation of buildings included in the national heritage, housing buildings, an industrial and
artisanal centre, a sports hall, energy-saving buildings, mountain area buildings, projects for competitions.
He published articles, studies and books.
Awards
The Union of Romanian Architects Award for the book coli naionale n arhitectur (National Schools of
Architecture)
The third prize and bronze medal at the UIA World Congress in Madrid, 1972 for the Arhitectura Review whose
Editor in Chief he used to be.
The Union of Romanian Architects Award for the Lebda Hotel, 1972.
He was appointed as a Honoris Causa Professor at Ion Mincu University of Architecture and Urbanism in
Bucharest, for his entire professional career.
Arhitect NICOLAS MIRCEA LUPU a absolvit Institutul de Arhitectur Ion Mincu n 1962 i devine Doctor n arhitectur n 1976. i ncepe
activitatea ca asistent al profesorului Petracu i la sfritul anilor 70 devine confereniar universitar.
ntre anii 1962-1981, ct a activat n Romnia, a fost autorul a numeroase proiecte pentru concursuri sau realizate (hoteluri, case de vacan,
coli, pavilioane de expoziii, staiuni turistice).
n perioada 1984-2003 a fost profesor i lector privat la Departamentul de Arhitectur al colii politehnice Federale din Lausanne (EPFL), titular
al cursului Construction II, Co-titular al cursului Architecture-Equipement, responsabil a dou Uniti de nvmnt i cercetare.
Membru n jurii de proiecte, de diplome, n comisii de doctorat.
Profesor invitat la Facultatea de arhitectura a Universitii din Montreal n 1995.
Redactor ef al revistei Schweizer Architektur - Architecture Suisse (1992-1994)
Preedinte al Societii Inginerilor i Arhitecilor Elveieni (Socit des ingnieurs et des architectes suisses) din Geneva (1991-1992).
Ca asociat n Biroul de arhitectur Dunant & Lupu architectes SIA (1983-1992) proiecteaz n domenii variate urbanism, locuine, coli,
cldiri comerciale, amenajri pentru pietoni, amenajri pentru art i particip la concursuri.
Din 1992 deschide la Geneva Biroul Nicolas Lupu architecte EPF SIA n cadrul cruia proiecteaz amenajri urbane, reabilitri de cldiri de
patrimoniu, locuine, un Centru industrial-meteugresc, o sal de sport, cldiri cu consum redus de energie, cldiri n zona montan, particip
la concursuri.
Este autorul a numeroase articole, studii, cri.
Premii:
Premiul Uniunii Arhitecilor pentru Hotelul Lebda, 1972
Premiul Uniunii Arhitecilor pentru volumul coli naionale n arhitectura
Premiul III i medalia de bronz la Congresul Mondial al UIA, Madrid 1972, pentru revista Arhitectura al crui redactor ef a fost.
Profesor Honoris Causa al Universitii de Arhitectur i Urbanism Ion Mincu din Bucureti pentru ntreaga sa activitate.
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TEODOR OCTAVIAN GHEORGHIU
Architect TEODOR OCTAVIAN GHEORGHIU, PhD in Architecture, is a Professor at the Faculty of Architecture at the
Technic University of Timioara,.
His proficiency is the history and theory of architecture and urbanism, dwelling, rural architecture, restoration,
urban rehabilitation, other fields under the scope of subjects he coordinates in the faculty, at all levels.
He has been or still is part of management boards of the Romanian Union of Architects, the History Commission
of Towns/Cities under the auspices of the Romanian Academy, the National Commission for Historical Monuments,
and of various regional commissions or organizations.
He is a member in the editing teams of some prestigious reviews: Historia urbana (Romanian Academy
Publisher), Transsylvania nostra , Historical Monuments Review and Bulletin of the Commission for Historical
Monuments.
Published books:
Arhitectura medieval de aprare din Romnia (Medieval Defence Architecture in Romania), Technical Publisher,
Bucharest, 1985
Cetile oraelor (Fortified Towns), Simetria Publisher, Bucharest, 2000
Locuire i neaezare (Dwelling and Non-Settlement), Paideia Publisher, 2002
Locuirea tradiional rural din zona Banat-Criana (Traditional Rural Dwelling in Banat-Criana), Timioara,
2008
Aezri umane (Human Settlements), 3 volumes, Timioara, 2009-2010
15 rural guidebooks in the region of Banat-Criana, Timioara, 2010
Awards
A lot of articles issued in Romanian and foreign specialized journals add to the published books mentioned above.
He has received awards and special prizes from the Romanian Union of Architects and other fora in book fair
Bookarest 2000 and Bucharest Architecture Biennale of 2010.
Arhitect TEODOR OCTAVIAN GHEORGHIU, doctor in arhitectura, este profesor universitar la Facultatea de Arhitectur din cadrul Universitatii
Tenice din Timioara.
Este specializat n istoria i teoria arhitecturii i urbanismului, locuire, arhitectur rural, restaurare, reabilitare urban, domenii care fac obiectul
disciplinelor pe care le susine n facultate, n toate ciclurile.
A fcut sau face parte din structurile de conducere ale Uniunii Arhitecilor din Romnia, Comisiei de Istorie a Oraelor de sub egida Academiei
Romne, Comisiei Naionale a Monumentelor Istorice i ale unor comisii sau fundaii regionale.
Este membru al unor Colegii de redacie ale unor reviste prestigioase: Historia urbana (ed. Academiei Romne), Transsylvania nostra,
Revista monumentelor istorice si Buletinul Comisiei Monumentelor Istorice.
Cri publicate:
Arhitectura medieval de aprare din Romnia, ed. Tehnic, Bucureti, 1985
Cetile oraelor - Fortified Towns, ed. Simetria, Bucureti, 2000
Locuire i neaezare, ed. Paideia 2002
Locuirea tradiional rural din zona Banat- Criana, Timioara 2008
Aezri umane, 3 volume, Timioara 2009-2010
15 ghiduri rurale din zona Banat-Criana, Timioara, 2010
La acestea se adaug numeroase articole publicate n reviste de specialitate romneti i strine.
Premii
Premii i meniuni din partea Uniunii Arhitecilor din Romnia i a altor foruri, la trgul de carte Bookarest 2000 i la Bienala de Arhitectura,
Bucureti, 2010.
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VLAD ALEXANDRU GAIVORONSCHI
Architect VLAD ALEXANDRU GAIVORONSCHI is a PhD in architecture and an Associate Professor in the Faculty of
Architecture of the Polytechnical University of Timioara.
President of the Romanian Order of Architects, Timi Branch since 2010.
Vice-President of the Romanian Union of Architects (1991-2000)
Vice-President of the Romanian Order of Architects (2001-2010).
Representative member of Romania in the Professional Practice Commission of the International Union of
Architects (U.I.A.) since 2008
Member of the Professional Practice working group of the Architects Council of Europe (2007-2010).
He has been a shareholder of Andreescu & Gaivoronschi S.R.L. since 1990.
Published works:
Monography Identitaty and Alterity in Urban Space, Fundaia Arhitext Design, 2010, together with Ioan Andreescu
The Matrix of Traditional Space, Paideia, 2002, Collection Imagined Spaces
Monography (Post)modern Discourses of Architecture, Fundaia Arhitext Design, 2009
He has been referred to in national and international publications, on major professional sites.
He participated at national and international architecture exhibitions in Bucharest, Cluj, Sibiu, Tokyo, Budapest,
Szeged, Vienna, the Biennale in Venice, Istanbul, Barcelona, Salonic, Sustainable Architecture in Europe,
Brussels, 2010.
Awards and nominations:
He has received two international prizes, two nominations in Mies van der Rohe European Award for Architecture
in 2008 and 2010; he has been selected in the World Architecture Festival in 2010; national prizes and nominations.
Arhitect VLAD ALEXANDRU GAIVORONSCHI este doctor n arhitectur si confereniar n cadrul Facultii de Arhitectur al Universiti Politehnice
Timioara.
Preedinte al Ordinului Arhitecilor din Romnia, filiala Timi din 2010.
Vicepreedinte al Uniunii Arhitecilor din Romnia (1991-2000)
Vicepreedinte al Ordinului Arhitecilor din Romnia (2001-2010)
Membru reprezentant al Romniei n cadrul Comisiei de Practic Profesional al Uniunii Internaionale a Arhitecilor (U.I.A.) din 2008
Membru al Grupului de lucru Experienta Profesionala al Consiliului European al Arhitecilor (2007-2010)
Asociat la Andreescu & Gaivoronschi S.R.L. din 1990.
Publicaii
Monografia Identitate i alteritate n spaiul urban, Fundaia Arhitext Design, 2010, n colaborare cu Ioan Andreescu
Matricile spaiului tradiional, Paideia, 2002, Colecia Spaii imaginate
Monografia Discursurile (post)moderne ale arhitecturii, Fundaia Arhitext Design, 2009
Prezent n publicaii naionale i internaionale, pe site-uri profesionale importante
Particip la expoziii internaionale i naionale de arhitectur din Bucureti, Cluj, Sibiu, Tokyo, Budapesta, Szeged, Viena, Bienala de la Veneia,
Istanbul, Barcelona, Salonic, Sustainable Architecture in Europe, Bruxelles, 2010
Premii i nominalizri:
Dou premii internaionale, dou nominalizri la Premiul European pentru Arhitectur Mies van der Rohe n 2008 i 2010, selectat n cadrul
World Architecture Festival 2010, premii i nominalizri naionale
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MIHAELA CRITICOS
Architect MIHAELA CRITICOS, Phd. in arhitecture, is an Associate Professor, at Ion Mincu University of Architecture
and Urbanism (UAUIM), Bucharest and Head of the Department for Architecture History and Theory and Heritage
Preservation (DITACP)
Senior Fellow in Getty-NEC Programme at New Europe College, Bucharest (2001-2002).
She has been organizing and coordinating a bilateral research programme performed between the DITACP /
UAUIM and the Department for History and Restoration at the Faculty of Architecture, at Gabriele dAnnunzio
University of Chieti, Pescara (2009, 2010 and 2011)
Published works:
Art Deco sau modernismul bine temperat (Art Deco or Well-Tempered Modernism), Simetria Publisher, Bucharest,
2009
Ornamentul tem i variaiuni (Decorations Their Themes and Variations), Ion Mincu University Publisher,
Bucharest, 2005
Author/trustee of two exhibitions:
Little Paris Architecture and urbanity Exhibition, Bucharest, Dalles Hall, 2006
Bucharest, the Little Paris, Luxembourg, Abbaye de Neumunster, 2010
Nominee at Bucharest Architecture Biennale of 2010 with her volume entitled Art Deco sau modernismul bine
temperat (Art Deco or Well-Tempered Modernism), Simetria Publisher, 2009.
Arhitect MIHAELA CRITICOS, doctor in arhitectura, este confereniar la Universitatea de Arhitectur i Urbanism Ion Mincu (UAUIM) din
Bucureti, Director al Departamentului de Istoria & Teoria Arhitecturii i Conservarea Patrimoniului (DITACP)
Senior Fellow n programul Getty-NEC al New Europe College, Bucureti (2001-2002)
Organizeaz i coordoneaz un program bilateral de cercetare activat ntre DITACP / UAUIM i Departamentul de Istorie i Restaurare din
Facultatea de Arhitectur a Universitii Gabriele dAnnunzio din Chieti, Pescara (2009, 2010, 2011)
Publicaii:
Art Deco sau modernismul bine temperat, Ed. Simetria, Bucureti, 2009
Ornamentul tem i variaiuni, Ed. Universitar Ion Mincu, Bucureti, 2005
Autor/curator al expoziiilor:
Micul Paris Arhitectur i urbanitate, Bucureti, Sala Dalles, 2006
Bucarest, le petit Paris Luxemburg, Abbaye de Neumunster, 2010
Nominalizat la Bienala de Arhitectur Bucureti 2010 pentru volumul Art Deco sau modernismul bine temperat (Art Deco or Well-Tempered
Modernism), Simetria, 2009
Arhitectura prin cuvnt
Architecture by word
681
ANCA SANDU TOMAEVSCHI
Architect ANCA SANDU TOMAEVSCHI, PhD. in Architecture, is a Professor at the Faculty of Architecture within
Spiru Haret University of Bucharest.
She has participated in architecture workshops, seminars, exhibitions, biennales, annuals, and scientific sessions
in Romania and abroad.
She has delivered papers at various conferences in Romania, Switzerland (ETH Zrich, Bern, Solothurn), the
Netherlands, Norway (Bergen, Lillehammer and Oslo), Slovenia, Budapest, Italy, Egypt.
During 1993-1999, she worked as an architect at the Urbanproiect Research and Design Institute and during 1990-
1993 she was an editor of Arhitectura Review.
She was an independent international expert of Mies van der Rohe Organization, and she was awarded the
European Union Prize for Best Contemporary Architecture, Barcelona, 2000-2006.
She has continuously had her books published all throughout her career (Concept i concepii arhitecturale
(Architectural Concept and Conceptions); Elemente de arhitectur (Architectural Elements); O teorie a criticii
de arhitectur (A Theory of Architecture Criticism); Modern and Contemporary Town Planning; Lurbanisme
moderne et contemporain Modern, Contemporary Urbanism; Bucharest; Locuirea contemporan (Contemporary
Housing); ara de sus a Moldovei (Highlands of Moldavia), studies, articles, prefaces, architecture albums in:
Romania (Arhitectura, Octogon, Virtualia, Arhitext, Revista Monumentelor, Dilema, Cotidianul, USH Annals), in
Switzerland, (Arhithese), Brazil (Oculum), the Netherlands (Docomomo), Norway (Bafnytt, Bergens Tidende,
Arkitekturnytt), Slovenia (AB), Italy (Transylvanie Arezzo), Austria (Europa erlesen), Germany (Bauwelt).
Arhitect ANCA SANDU TOMAEVSCHI, doctor n arhitectur, este profesor universitar la Facultatea de Arhitectur a Universitii Spiru Haret
(Bucureti).
A fost prezent n workshopuri, seminarii, expoziii de arhitectur, bienale, anuale, sesiuni tiinifice, n Romnia i n afara ei.
A susinut conferine n Romnia, Elveia (ETH Zrich, Berna, Solothurn), Olanda, Norvegia (Bergen, Lillehammer i Oslo), Slovenia, Budapesta,
Italia, Egipt.
n perioada 1993-1999, a fost arhitect la Institutul de cercetare i proiectare Urbanproiect, iar ntre anii 1990-1993, redactor al revistei Arhitectura.
A fost expert internaional independent al Fundaiei Mies van der Rohe, Premiul Uniunii Europene pentru cea mai bun arhitectur contemporan,
Barcelona, 2000-06.
De-a lungul carierei a avut o activitate publicistic nentrerupt, ca autor de cri (Concept i concepii arhitecturale; Elemente de arhitectur;
O teorie a criticii de arhitectur; Modern and Contemporary Town Planning; Lurbanisme moderne et contemoprain;Bucureti;Locuirea
contemporan; ara de sus a Moldovei), studii, articole, prefee, albume de arhitectur n: Romnia (Arhitectura, Octogon, Virtualia, Arhitext,
Revista Monumentelor, Dilema, Cotidianul, Analele USH), Elveia (Arhithese), Brazilia (Oculum), Olanda (Docomomo), Norvegia (Baf nytt,
Bergens Tidende, Arkitekturnytt), Slovenia (AB), Italia (Transylvanie Arezzo), Austria (Europa erlesen), Germania (Bauwelt).
Organizatori BNAB 2012
Organising Committee
683
VIORICA IUGA CUREA
VIORICA IUGA CUREA, Arch. PhD, is the President of the Union of Architects in Romania since the 5th of May 2012.
She was a member of the Senate of the Union of Architects in Romania between 2008 and 2012. She was a member
of the National Council of the Architects Order between 2002 and 2012. Between 1998 and 2012 she was the vice-
president of the Union of Women Architect in Romania. She worked as a referent in the Doctorate Commissions of
UAUIM between 2000 and 2010.
In 2007 she was General Curator of the exhibitions organized within the International Congress of Women
Architect, organized in Bucharest. In 2006 she was a project manager and coordinator of the book Arhiteci n
timpul dictaturii (Architects in times of dictatorship).
Between 1993 and 1998 she was the president of the organization SOS Kinderdorf International Austria and
consultant architect for the two facilities SOS Satelor Copiilor din Romania (SOS Children Villages in Romania)
between 1990 and 1993..
She was the main designer-architect grade 2 for Metroul Bucureti (Bucharest Metro Company) between 1975 and
1990, where she worked as a project manager for metro stations and 4 years as the manager of the architecture
department.
Between 1964 and 1975 she was an architect with the Technical Investment Department and specialty referent with
the Technical-Scientific Council of the City Hall Bucharest. In 1964 she was the chief architect of the City of Oneti.
Between 1960 and 1964 she was the designer-architect with I.P.T.Tc., author and coauthor for transportation and
telecommunication objectives.
She obtained in 1980 the Prize of the Union of Architects and the prize of the Romanian Academy in 1981.
VIORICA IUGA CUREA, dr. arhitect, este Preedinte al Uniunii Arhitecilor din Romnia din data de 5 mai 2012
A activat ca membru al Senatului Uniunii Arhitecilor din Romnia ntre anii 2008 i 2012. A fost membru al Consiliului Naional al Ordinului
Arhitecilor ntre anii 2002 i 2012. ntre anii 1998 i 2012 a fost vicepreedinte al Uniunii Femeilor Arhitect din Romnia. A activat ntre anii
2000 i 2010 ca referent n Comisiile de doctorat ale UAUIM.
n anul 2007 a fost Curator general al expoziiilor organizate n cadrul Congresului Internaional al Femeilor Arhitect care a avut loc la Bucureti.
n anul 2006 a fost director de proiect, coordonator al crii Arhiteci n timpul dictaturii.
ntre anii 1993 si 1998 a fost preedinte al organizaiei SOS Kinderdorf International Austria i arhitect consultant pentru realizarea celor doua
aezminte SOS Satelor Copiilor din Romnia ntre anii 1990 si 1993..
A fost arhitect proiectant principal gr.2 la ntreprinderea Metroul Bucureti ntre anii 1975 i 1990 unde a fost ef de proiect pentru Staii de
metrou i patru ani ef birou Arhitectur.
ntre 1964 i 1975 a fost arhitect la Secia Tehnica de Investiii i referent de specialitate al Consiliului tehnico-tiinific al Primriei Capitalei. n
anul 1964 a fost arhitect sef al oraului Oneti. ntre anii 1960 si 1964 a fost arhitect proiectant la I.P.T.Tc., fiind autor i coautor pentru obiective
de transporturi i telecomunicaii.
A obinut n 1980 Premiul Uniunii Arhitecilor i Premiul Academiei Romne n anul 1981.
Organizatori BNAB 2012
Organising Committee
685
NICOLAE LASCU
NICOLAE LASCU, a graduate of Ion Mincu Institute of Architecture in Bucharest, a Ph.D. of Architecture, is
a Professor of the Department for Architecture Theory and History, and Heritage Preservation at Ion Mincu
University of Architecture and Urbanism.
His research performance has continuously been oriented to the modern history of urbanism and architecture in
Romania during the 19th century and early 20th century, to the history of architecture and to preservation matters
related to towns historical areas. Such research has been embodied in numerous publications among which the
following volumes: Bulevardele bucuretene pn la Primul Rzboi Mondial (Bucharest boulevards until the First
World War), Simetria Publisher, 2011; La via de marmo artificiale da Roma a Bucarest e in Romania tra Otto e
Novecento (Artificial Marble from Rome to Bucharest and in Romania in the 18th and 19th Centuries), Magenta,
2010, bilingual (Italian-Romanian) volume, research and chapter coordinator in Romania; Banca Naional a
Romniei i arhitectura (National Bank of Romania and Architecture), Bucharest, Enciclopedic Publisher, 2006;
Marcel Iancu n Romnia interbelic: arhitect, artist plastic, teoretician (Marcel Iancu in Interwar Romania: as an
Architect, an Artist, a Theorist), Bucharest, Simetria Publisher, 1996; catalogue coordinator (with Anca Bocne and
Ana Maria Zahariade), the author of a chapter; Centenar Horia Creang. 1892-1992 (Horia Creang Centenary.
1892-1992), UAR Publisher, Bucharest, 1992; catalogue coordinator and author of three chapters; Funciune si
form (Function and Shape), Bucharest, Meridiane Publisher, 1989; Florea Stnculescu: Contribuii la afirmarea
arhitecturii romnesti (Florea Stnculescu: Contributions in Romanian Architecture Progress), Bucharest, Tehnic
Publisher, 1987; edition supervision; Arhitectura ca art (Architecture as an Art), Bucharest, Meridiane Publisher,
1987; co-author of omnibus; Gndirea estetic n arhitectura romneasc (Aesthetic Thinking in Romanian
Architecture), Bucharest, Meridiane Publisher, 1983; co-author.
Awards and nominations: Award of 2012 Bucharest Architecture Annual, in section dedicated to publications;
G. M. Cantacuzino Award (of Magazin istoric Organization), 2006; nomination at 2004 Bucharest Architecture
Biennale, section on urbanism; nomination at 2000 Bucharest Architecture Biennale, collaborator; prize awarded
by the President of the Romanian Union of Architects, 1998 Bucharest Architecture Biennale, section dedicated
to publications; Margareta Sterian Award of the National Art Museum in 1997, in a team of authors; prize
awarded by the President of the Romanian Union of Architects at 1996 Bucharest Architecture Biennale, in a team
of authors; nomination at 1994 Bucharest Architecture Biennale, for his publication, in a team of authors; prize
awarded by the Romanian Union of Architects in 1989 for his publication; prize awarded by the Romanian Union
of Architects in 1987 for his publication.
Nicolae LASCU, absolvent al Institutului de Arhitectur Ion Mincu din Bucureti, doctor n arhitectur, este profesor universitar n cadrul
Departamentului de Istoria & Teoria Arhitecturii i Conservarea Patrimoniului a Universitii de Arhitectur i Urbanism Ion Mincu.
Lucrrile de cercetare au fost orientate constant spre istoria modern a urbanismului a a arhitecturii din Romnia secolul al XIX-lea i prima
jumtate a secolului al XX-lea, spre istoria teoriei arhitecturii i spre probleme ale conservrii zonelor istorice ale oraelor. Acestea au fost
concretizate prin numeroase publicaii, printre care volumele Bulevardele bucuretene pn la Primul Rzboi Mondial, ed. Simetria, 2011; La
via de marmo artificiale da Roma a Bucarest e in Romania tra Otto e Novecento, Magenta, 2010, volum bilingv (italian-romn), coordonator al
cercetrii din Romnia i autor a unor capitole; Banca Naional a Romniei i arhitectura, Bucureti, Ed. Enciclopedic, 2006; Marcel Iancu n
Romnia interbelic: arhitect, artist plastic, teoretician, Bucureti, Ed. Simetria, 1996, coordonator al catalogului (mpreun cu Anca Bocne i
Ana Maria Zahariade), autor al unui capitol; Centenar Horia Creang. 1892-1992, ed. UAR, Bucuresti, 1992; coordonator al catalogului i autor
3 trei capitole; Funciune si form, Bucuresti, Ed. Meridiane, 1989; Florea Stnculescu: Contribuii la afirmarea arhitecturii romnesti, Bucuresti,
Ed. Tehnic, 1987; ngrijirea ediiei; Arhitectura ca art, Bucuresti, Ed. Meridiane, 1987; coautor al antologiei; Gndirea estetic n arhitectura
romneasc, Bucuresti, Ed. Meridiane, 1983; coautor
Premii, nominalizri: premiul Anualei de Arhitectur Bucureti, 2012, seciunea Publicaii; premiul G. M. Cantacuzino (al Fundaiei Magazin
istoric), 2006; nominalizare la Bienala de Arhitectur Bucureti 2004, seciunea urbanism; nominalizare la Bienala de Arhitectur Bucureti,
2000, colaborator; premiul preedintelui UAR, Bienala de arhitectur Bucureti, 1998 pentru publicaii; premiul Margareta Sterian al Muzeului
Naional de Art, 1997, n colectiv; premiul preedintelui UAR la Bienala de Arhitectur Bucureti, 1996, n colectiv; nominalizare la Bienala
de arhitectur, Bucureti, 1994 pentru publicaii, n colectiv; premiul Uniunii Arhitecilor din Romnia pe anul 1989 pentru publicaie; premiul
Uniunii Arhitecilor din Romnia pe anul 1987 publicaie.
Organizatori BNAB 2012
Organising Committee
687
CRISTINA OLGA GOCIMAN
CRISTINA OLGA GOCIMAN is a Professor at Ion Mincu University of Architecture and Urbanism in Bucharest,
in the Department of Design Basics, a Ph.D. of Architecture, and a research supervisor. She is a member of the
National Council for the Certification of University Degrees and Diplomas.
She is a national research project manager in a PN2 partnership in the fields of architecture and urban planning
strategies in order to reduce risks and hazards. She was the scientific secretary of the Faculty of Architecture
between 2006 and 2010. She has participated in and delivered papers in more than 30 national and international
congresses and symposia. She has had several books and book chapters published with Romanian publishing
houses and abroad.
She undertook ongoing civic activities as a member of the UAR Board of Directors during 1995 - 2002, as a member
of the OAR National Council during 2001 - 2010, and as a Vice-President of OAR Bucharest Territorial Branch
during 2001 - 2010.
She has worked as an architect with Romproiect and with S.C. Criba Design SRL.
Awards:
- Central area in Alba Iulia (1979)
- SLAST award for publishing performance (1985)
- UAR award for drawing (1986)
- Warsaw Challenges (1986)
- Luceafrul Theatre of Chiinu (1991)
- CEC Corporate View (1999
- Patriarchal Cathedral (2002, 2012)
- Chamber of Public Notaries (2003)
- Remodeling of Crii Edgar Quinet Street (2007)
- FTB medal of the OAR for her whole corpus (2010)
CRISTINA OLGA GOCIMAN este profesor universitar la Universitatea de Arhitectur i Urbanism Ion Mincu din Bucureti, Departamentul
Bazele proiectrii i doctor n arhitectur, ndrumtor de doctorat. Este membru al Consiliului Naional de Atestare a Titlurilor, Diplomelor i
Certificatelor Universitare.
Este director de proiect naional de cercetare parteneriat PN2 n domeniul strategiilor de arhitectur i urbanism n reducerea riscului la
multihazard. A fost secretar tiinific al Facultii de Arhitectur 2006 2010. A participat cu comunicri la peste 30 de congrese, simpozioane
naionale i internaionale. A publicat cri i capitole de cri n edituri din Romnia i din afara ei.
A desfurat o activitate civic susinut, fiind membru al conducerii UAR 1995 2002, membru n consiliul naional OAR 2001 2010 i
vicepreedinte al Filialei Teritoriale Bucuresti a OAR 2001 - 2010.
A activat ca arhitect la Romproiect i la S.C. Criba Design SRL.
Premii:
- Zona central Alba Iulia (1979)
- Premiul SLAST pentru publicistic (1985)
- Premiul UAR pentru desen (1986)
- Confruntri varoviene (1986)
- Teatrul Luceafrul Chiinu (1991)
- CEC Imagine de corporaie (1999)
- Catedrala Patriarhal (2002, 2012)
- Camera Notarilor Publici (2003)
- Remodelare str. Crii Edgar Quinet (2007)
- Medalia FTB a OAR pentru ntreaga activitate (2010)
Organizatori BNAB 2012
Organising Committee
689
CODINA DUOIU
CODINA DUSOIU, graduate of Ion Mincu University of Architecture and Urbanism, in Bucharest, is assistant
professor, PhD in Architecture, at the Department Design Foundation and member of the International Academic
Relations Office within Ion Mincu University of Architecture and Urbanism in Bucharest. She was Deputy
Commissioner of the National Biennial of Architecture Bucharest. She established her own architecture office in
2003.
Codina Duoiu signs various editorials among which: The dynamic of function in the worship Christian space,
Academic Publisher Ion Mincu, Bucharest, 2009; 3 bee factories and their destinies. Bucharest. Madrid.
Timisoara, Academic Publisher Ion Mincu, Bucharest, 2009, taking care of the edition for catalogues of the
Romanian-Spanish Workshops of Architecture, in collaboration with PhD Associated Architect, Academic Publisher
Ion Mincu, Bucharest, 2008, 2009, 2011, articles in the architecture magazines Arhitext, Igloo, Arhitectura,
Muzeelor Magazine, Bursa Construciilor etc.
Awards: 2nd prize (collective) at the contest for rehabilitation of Vincke Factory in Vincke din Palamos, Spain, as
member of the office Calderon-Folch Arquitectes, 2001, Award of the Annual of Architecture in Bucharest, 2007,
section Studies and Projects, together with PhD Architect Cristina Gociman, Assistant Architect Ana-Maria Dobre
and students team; Nomination at the Award of the Annual of Architecture in Bucharest, 2008, section Studies
and Projects, collective coordinator and nominated to Award of Annual of Architecture in Bucharest, 2010, section
Book of Architecture, finalist at the contest EAAE Prize 2005-2007.
CODINA DUOIU, absolvent a Universitii de Arhitectur i Urbanism Ion Mincu, Bucureti, este lector universitar, doctor n arhitectur, la
Catedra Bazele proiectrii i membru al Biroului de Relaii Academice Internaionale din Universitatea de Arhitectur i UrbanismIon Mincu
din Bucureti. A fost vice-comisar al Bienalei Naionale de Arhitectur Bucureti 2012. A nfiinat un birou propriu de arhitectur n 2003.
Codina Duoiu semneaz mai multe apariii editoriale printre care: Dinamica funciunii n spaiul de cult cretin, Ed. Universitar Ion Mincu,
Bucureti, 2009; 3 fabrici de bere i destinul lor. Bucureti. Madrid. Timioara, Ed. Universitar Ion Mincu, Bucureti, 2009, ngrijirea de ediie
pentru cataloagele Atelierelor Romno-Spaniole de Arhitectur, n colaborare cu conf. dr. arh. Beatrice Jger, Ed. Universitar Ion Mincu,
Bucureti, 2008, 2009, 2011, articole n revistele de arhitectur Arhitext, Igloo, Arhitectura, Revista Muzeelor, Bursa Construciilor etc.
Premii i distincii: premiul al II-lea (colectiv) la concursul de reabilitare al fabricii Vincke din Palamos, Spania, ca membr a biroului Calderon-
Folch Arquitectes, 2001; Premiul Anualei de Arhitectur a Municipiului Bucureti, 2007, seciunea Studii i Proiecte, mpreun cu prof. dr. arh.
Cristina Gociman, asist. arh. Ana-Maria Dobre i colectiv studeni; Nominalizare la Premiul Anualei de Arhitectur a Municipiului Bucureti,
2008, seciunea Studii i Proiecte, coordonator colectiv; Premiul Anualei de Arhitectur a Municipiului Bucureti, 2010, seciunea Carte de
Arhitectur, finalist concurs EAAE Prize 2005-2007.
Organizatori BNAB 2012
Organising Committee
691
ANDRA PANAIT
ANDRA PANAIT graduated from the Ion Mincu Institute of Architecture in 1999, pursued a 2-year master in Urban
Management, and then in 2009 obtained the PhD diploma in architecture in the area of computer design and
digital designing processes. She is currently associate professor in the departments of Introduction to Architectural
Design and Basics of Architectural Design, UAUIM, working in parallel as graphic-designer for various cultural
projects (as the Annual of Architecture, the National Biennial of Architecture in Bucharest, Cultural Contact Point
Ministry of Culture, Foundation Pro Patrimonio), or for a series of international events organized within UAUIM
(EAAE workshop: Modernist Neighborhoods: Conservation / Regeneration, ICAR conference: Rewriting History,
ROCAD series of events, RIBA exhibition The Presidents Medals Student Awards etc.)
Andra Panait signs various editorial projects such as: Hurezi Monastic Ensemble. Sustainable protection
actions, project financed by AFCN, beneficiary the Foundation Sfinii Martiri Brncoveni; Little Bucharest
research project dedicated to raising awareness of the community in order to revive some valuable heritage sites
in Bucharest; Crafts and Craftsmen research project about crafts and Romanian traditional architecture,
beneficiary Foundation Pro Patrimonio, materials within the AREAL project, financed by AFCN for raising
awareness and involving communities for reactivating heritage values in the area of Sibiu, The route of Merchant
Caravans presentation material of a cultural route Bucharest Cmpulung Muscel Dealul Frumos and Saxon
villages, beneficiary Foundation Pro Patrimonio; Craft and Craftsmen in Ancient Bucharest presentation
material of the Historic Centre in Bucharest, beneficiary Foundation Pro Patrimonio. Also, she participated in
developing various Urban Management studies and projects together with IHS Romnia, such as the such as the
UNESCO attestation document Sibiu Historic Centre - Management Plan, or Tbilisi City Development Strategy
For Sustainable Development.
Awards: 1st Place, project competition: Music High School Sigismund Todu, Academy of Music Gheorghe
Dima, Cluj Napoca, 1st Place Identity Contest the National Biennale of Architecture in Bucharest (2012);
Nomination at the National Biennial of Architecture in Bucharest (2012).
ANDRA PANAIT a absolvit Institutul de Arhitectur Ion Mincu in 1999, a urmat un master de 2 ani de Management Urban, apoi n 2009 a obinut
diploma de doctor n arhitectur n domeniul proiectrii computerizate i al proceselor digitale de design. n prezent este confereniar n cadrul
departamentelor Introducere n proiectare i Bazele Proiectrii de Arhitectur, UAUIM, lucrnd n paralel ca graphic-designer pentru numeroase
proiecte culturale (cum ar fi Anuala de Arhitectur Bucureti, Bienala Naional de Arhitectur, Punctul de contact Cultural - Ministerul Culturii,
Fundaia Pro Patrimonio), sau pentru o serie de evenimente internaionale organizate n cadrul UAUIM (workshopul EAAE: Modernist
Neighbourhoods: Conservation/Regeneration, conferina ICAR: Rewriting History, suita de evenimente ROCAD, expoziia RIBA The Presidents
Medals Student Awards etc. )
Andra Panait semneaz mai multe proiecte editoriale printre care: Ansamblul monastic Hurezi. Aciuni de protejare durabil, proiect finanat
de AFCN, beneficiar Fundaia Sfinii Martiri Brncoveni; Micul Bucureti proiect de cercetare dedicat sensibilizrii comunitii n vederea
revitalizrii unor zone de patrimoniu valoroase din Bucureti; Meserii i Meteugari proiect de prezentare a meseriilor i arhitecturii
tradiionale romneti, beneficiar Fundaia Pro Patrimonio, materialele din cadrul proiectului AREAL, proiect finanat de AFCN n vederea
sensibilizrii i implicrii comunitilor pentru reactivarea valorilor patrimoniale din zona Sibiu, The route of Merchant Caravans material
de prezentare a unui traseu cultural Bucureti Cmpulung Muscel Dealul Frumos i satele sseti, beneficiar Fundaia Pro Patrimonio;
Craft and Craftsmen in Ancient Bucharest material de prezentare a Centrului Istoric Bucureti, beneficiar Fundaia Pro Patrimonio. De
asemenea, a participat la elaborarea a numeroase studii i proiecte de Management Urban, mpreun cu IHS Romnia, cumar fi documentul de
nominalizare a oraului Sibiu pe lista UNESCO Sibiu Historic Centre - Management Plan sau Tbilisi City Development Strategy For Sustainable
Development.
Premii: Locul 1, competiia de proiecte: Liceul de muzic Sigismund Todu, Academia de muzic Gheorghe Dima, Cluj Napoca, Locul 1
Concurs de Identitate Bienala Naional de Arhitectur Bucureti (2012); Nominalizare Bienala Naional de Arhitectur Bucureti (2012).