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din Romnia

CASE
Casele reprezint` unul dintre produsele notabile rezultate din procese de crea]ie, a[adar este firesc ca ele s` [i
aib` propria familie de c`r]i n care s` se reg`seasc`, semipreparate, gata metabolizate. Ne bucur`m c` suntem
noi cei care facem asta n Romnia, c`ci ni se pare important` existen]a unei selec]ii autohtone de arhitectur`
domestic`, adresat` att speciali[tilor, ct [i celor mai pu]in antrena]i, fie [i numai pentru folosul imediat al unora
care [i caut` inspira]ia, dac` nu pentru a documenta, n timp, fenomenul. Astfel, al [aselea volum din colec]ia
igloobest dedicat caselor romne[ti propune 16 proiecte, fiecare pozat pe toate p`r]ile [i nso]it de planuri [i de
propriul text de prezentare.

As the house is one notable product to come out of the creative process, it is only natural that it has its own family
of books where it can be found, pre cooked, readily digested. We are glad to be doing this in Romania, as we find

igloobest l case din romnia 6


the existence of a local selection of domestic architecture important, dedicated both to specialists and to the less
trained, be it even for the immediate use of those looking for inspiration, if not for documenting this phenomenon
in time. Thus, the sixth volume of the igloobest collection dedicated to Romanian houses proposes 16 projects,
each one thoroughly photographed, accompanied by blueprints and its own presentation text.

igloobest
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CASE
din Romnia
Houses from Romania

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Pagina 4
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Sumar l Case din Romnia 6 l igloo best l 05_05


l Bruno Andre[oiu l Casa ca subiect de carte l prefa]` 07_07

l DANIEL CIOC~ZANU l Pe malul lacului Snagov 08_23

l TECON l Casa I.D. 24_31

l NBC ARHITECT l Casa Rare[ 32_41

l ARXTUDIO l Casele 2M 42_51

l IGLOO ARCHITECTURE l Casa de lng` lac 52_61

l DE3 GRUP l Casa P. 62_73

l TECON l Casa Alexandrina 74_83

l PROGRAPHIC ARCHITECTURE STUDIO l Casa K. 84_93

l SYAA l Casa B. 94_101

l CENTERPOINT l Casa M. 102_111

l STUDIO 1408 l Casa R. 112_123

l OM BIROU DE ARHITECTUR~ l Casa de la Dun`re 124_135

l STUDIO 3+ l Casa Hrjeu 136_147

l ATTILA KIM l Duplex 148_157

l BLIPSZ + ATELIER FKM l Casa Hajd 158_165

l NBC ARHITECT l Casa Zamora 166_171

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Bruno Andre[oiu l prefa]` l Case din Romnia 6 l igloo best l 07_07


Casa ca subiect de carte
The house as a book subject
O prefa]`, c` de-aia se cheam` a[a, ar trebui s` ajute A foreword, cause thats why they call it so, should help
la n]elegerea c`r]ii pe care o precede, oferind o serie explain the book it precedes, offering a series of
de explica]ii, poate planul lucr`rii, poate anumite refe- accounts, perhaps the papers plan, perhaps certain
rin]e critice etc. A[a ar fi frumos [i, f`r` ndoial`, util. critical references, etc. This would be nice and
V` m`rturisesc ns` c` nu am de gnd s` fac asta, sau undoubtedly useful. I confess that I have no intention of
nu mai mult dect a v` spune c` al [aselea volum din doing this though, or not more than telling you that the
colec]ia igloobest dedicat caselor romne[ti propune sixth volume of the igloobest collection dedicated to
o selec]ie de 16 proiecte, fiecare pozat pe toate p`r]ile Romanian houses proposes a selection of 16 projects,
[i nso]it de planuri [i de propriul text de prezentare. each one thoroughly photographed, accompanied by
Ce mi-ar pl`cea mai degrab` s` observ aici este sta- blueprints and its own presentation text.
tutul casei ca subiect de carte. B`nuiesc c` fiecare va What I would rather observe here is the status of the
fi observat c` fenomenul c`r]ilor selec]ia de subiec- house as a book subject. I imagine everyone has
te ale c`r]ilor decupaje dup` criterii de familie a luat noticed that lately the phenomenon of books their
un avnt serios n ultima vreme. Construc]ii sau ma- choice of subjects arranged around family criteria has
[ini, obiecte de tot felul, de la arme de foc la [ireturi, seriously gained ground. Constructions or cars, any
pui de animale sau tatuaje etc. etc., practic orice se kind of object, from fire guns to laces, baby animals to
poate constitui ntr-o serie devine carte. Cred c` e tattoos, etc. etc., practically anything that can amount
greu de g`sit vreun tip de produs al creativit`]ii uma- to a series becomes a book. I think its hard to find any
ne care s` nu aib`, pe la vreo editur`, un album-se- product of human creativity that doesnt have, with
lec]ie dedicat. Probabil c` fenomenul ]ine n egal` m`- some publisher or another, a dedicated selection
sur` de interesul comercial, dar [i de un soi de manie album. The phenomenon is probably equally due to
(de colec]ionar) a sistematiz`rii [i organiz`rii unei lumi the commercial interest, to a kind of (collectors) mania
tot mai complexe [i mai dense n termeni de produse to systemize and organise an increasingly complex
fabricate. Dincolo de teorie, fapt este c` nu mai putem world, one that is more and more dense in terms of
face abstrac]ie de acest mod de ambalare a efectelor fabricated goods. Beyond theory, the fact is that we
creativit`]ii umane. Iar cum casele reprezint` unul din- can no longer ignore this way of packaging the results
tre produsele importante rezultate din procese de of human creativity. As the house is one important
crea]ie, este, nu-i a[a?, firesc ca ele s` [i aib` propria product to come out of the creation process, it is, isnt
familie de c`r]i n care s` se reg`seasc`, semipre- it?, only natural that it has its own family of books
parate, gata metabolizate pentru consumul mai mult where it can be found, pre cooked, ready digested for
sau mai pu]in specializat. M` bucur c` suntem noi cei the more or less specialized reader. I am glad it is us
care facem asta n Romnia, c`ci mi se pare impor- who do this in Romania, as I think the existence of a
tant` existen]a unei selec]ii autohtone de arhitectur` local selection of domestic architecture is important,
domestic`, adresat` att speciali[tilor, ct [i celor mai dedicated both to specialists and to the less trained, be
pu]in antrena]i, fie [i numai pentru folosul imediat al it even for the immediate use of those looking for inspi-
unora care [i caut` inspira]ia, dac` nu pentru a docu- ration, if not for documenting this phenomenon in time.
menta, n timp, fenomenul. Din nefericire, oferta nc` Unfortunately, the offer still scarce of quality subjects
numeric redus` de subiecte de calitate nu ne-a per- does not yet allow for a partition in subclasses (after
mis deocamdat` [i subclase ale locuin]ei (dup` mate- materials, surfaces and other criteria), but I expect in
rialele folosite, suprafe]e sau alte criterii), dar m` the near future we will get there.
a[tept ca n viitorul apropiat s` ajungem [i acolo. The question I leave you with (to which I am still to find
ntrebarea cu care m` despart de voi (la care nu am a satisfying answer) and whose key I invite you to read
g`sit nc` un r`spuns mul]umitor) [i n cheia c`reia v` this album in, is whether or not the houses have
invit s` parcurge]i albumul este dac` nu cumva case- become aware of their status of possible stars and if
this has any kind of influence on their making
le au devenit con[tiente de statutul lor de posibile ve-
dete [i asta nu influen]eaz` n vreun fel facerea lor

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Daniel Cioc`zanu l Pe malul lacului Snagov l Case din Romnia 6 l igloo best l 08_23

Pe malul lacului Snagov


On the shores of Lake Snagov

Proprietatea este situat` pe malul lacului Snagov, The property is placed on the shores of lake Snagov,
prins` \ntr-o f[ie de teren \ngust` \ntre p`dure [i caught on a narrow strip of land between the forest
lac: o pozi]ionare execep]ional` [i \n acela[i timp dis- and the lake: an exceptional, yet discreet positioning.
cret`. Cu un caiet de sarcini [i cereri extrem de pre- Given extremely precise specifications and require-
cise ale proprietarului, arhitec]ii au abordat proiectul ments from the owner, the architects approached the
cu inspira]ie [i simplitate. S` ofere senza]ia de plu- project with inspiration and simplicity. The starting
tire, de deschidere spre lac [i \n acela[i timp de cu- point was the intention to offer that feeling of drifting,
prindere a p`durii, acesta a fost punctul de plecare. of opening up to the lake while also embracing the
Astfel, s-a c`utat \n permanen]` prelungirea casei cu forest. Thus, the team constantly searched for ways of
peisajul exterior, prin integrarea voluntar` a acestuia expanding the house through its surroundings, by vo-
\n spa]iul interior. Parterul cuprinde [i privilegiaz` luntarily integrating these in the inner space. The
zona de recep]ie, livingul [i terasa lui \n surplomb` ground floor contains and favors the reception area,
deschise cu vedere excep]ional` c`tre lac, provo- the living room and its overhanging terrace, facing
cnd inginerii de structuri pentru ob]inerea unei an exceptional view of the lake, challenging the struc-
deschideri de 11 m realizat` din sticl` f`r` stlpi sau tural engineers in order to achieve an 11 m opening
sus]ineri intermediare. Diningul a fost a[ezat \n fa]a of glazing without any pillars or intermediate support.
unei fa]ade vitrate pe dubl` \n`l]ime, pentru a se The dining room is placed in front of a glazed facade
bucura de prezen]a imediat` a p`durii. Pentru a su- with double height, for a full enjoyment of the imme-
blima [i mai mult vecin`tatea p`durii, interiorul diate vicinity of the forest. In order to further potenti-
cuprinde un perete din mezanin placat integral cu ate this vicinity, the interior encompasses an attic wall
oglind`. |mpreun` cu proprietarul, care a investit fully covered in mirrors.
inteligent [i generos \n proiect, au fost alese cu mare The fabrics of the interior decorations were chosen
aten]ie materialele pentru decora]ia de interior: with great care, consulting the owner, who invested
travertinuri nobile de romano bianco pentru sol, par- intelligently and generously in this project: noble
chet italian, pere]ii placa]i cu palisandru nervurat [i Romano Bianco travertine slabs for the ground, Italian
tencuieli texturate. Buc`t`ria este \mbr`cat` \n parquet, walls clad in finned rosewood and textured
solemnul lemn de macasar. Napajul [i lightingul inte- plaster. The kitchen is clad in the solemn Macassar
rior poart` semn`tura mae[trilor sticlari din Insula wood. The napage and interior lighting wear the sig-
Murano [i reputa]ilor Catellean & Smith. nature of the master glassmakers from the Murano
Island and of the renowned Catellean & Smith.

PROIECT / PROJECT
Arhitect principal / Leading architect Daniel Cioc`zanu
Arhitect [ef de proiect / Chief architect Adrian Timaru
Colaboratori / Collaborators Adrian Comrzan,
Marian Posd`rescu
STRUCTURA DE REZISTEN}~ / STRUCTURAL ENGINEERING
Concept Structure
PERIOADA DE EXECU}IE / BUILDING PERIOD 2012-2014
SUPRAFA}A TERENULUI / SITE AREA 800 mp
SUPRAFA}A DESF~{URAT~ / GROSS BUILDING AREA 450 mp

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Tecon l Casa I.D. l Case din Romnia 6 l igloo best l 24_31

Casa I.D.
I.D. House

Amplasat` \n imediata vecin`tate a Deltei V`c`re[ti, Placed in the immediate vicinity of the V`c`re[ti
Casa I.D. profit` din plin de oportunit`]ile oferite de Delta, the I.D. House makes the most out of the
teren, transformnd limit`rile \n avantaje. Cu un volum opportunities set by the land, turning restrictions into
compact, construc]ia prezint` o deschidere semnifi- benefits. With a compact volume, the construction
cativ` spre parc, printr-o suprafa]` vitrat` generoas` displays a wide opening towards the park, through a
la mansard`, al`turi de o teras` care puncteaz` volu- generous glazed surface at the loft level, along with a
mul. Aceste vitraje creeaz` un dialog cu exteriorul, o- terrace punctuating the volume. This glazing creates
ferind luminozitate [i spa]ialitate unui interior de alt- a dialogue with the surroundings, providing light and
minteri de dimensiuni reduse. Un alt element de des- spaciousness to an otherwise small interior. Another
chidere este lucarna care, nu doar ofer` o perspec- element of aperture is the skylight, which besides
tiv` unic` asupra ora[ului ci contribuie [i la iluminarea offering a perspective on the city, contributes to the
natural` a mansardei. Pe latura dinspre strad`, volu- natural lighting of the loft. On the street side, the vo-
mul e mai compact, consola definind un spa]iu acope- lume is more enclosed, the cantilever defining a co-
rit ce marcheaz` [i protejeaz` accesul \n locuin]`. An- vered space that marks and protects the access to the
velopanta cl`dirii este realizat` \n sistem double-skin, house. The building envelope is built in a double-
cu tabl` f`l]uit`, cu rol de ventilare natural` a fa]ade- skin system, with folded plate, playing part in the na-
lor [i acoperi[ului pe timp de var` [i de men]inere a tural ventilation of the faade during summertime and
unui strat de aer cald \ntre interior [i exterior pe timp maintaining a hot air bed between the inner and the
de iarn`. La interior, ventilarea natural` a casei este outer skin during winter. On the interior, the natural
asigurat` prin casa sc`rii, care poate fi deschis` la ventilation is provided by the staircase, which can be
mansard`. Configurarea func]iunilor a maximizat opened at the loft. The configuration of functions
spa]iul existent, astfel \nct s-au ob]inut suprafe]e managed to maximize the given space, obtaining
generoase pe un teren relativ redus ca dimensiuni. generous surfaces on an otherwise small lot. Thus,
Astfel, parterul, cu o suprafa]` construit` de 85 mp, the ground floor, with a built surface of 85 sqm, con-
cuprinde zona de zi, cu holul de acces, buc`t`ria, lo- tains the daytime area, with the access hallway, the
cul de luat masa, livingul [i un grup sanitar. La etaj, pe kitchen, the dining and living room, and the lavatory.
o suprafa]` de 105 mp au fost organizate dormitorul At the first floor, a surface of 105 sqm is organized to
matrimonial, cu dressing [i baie, [i dou` dormitoare host the master bedroom, with the adjacent dressing
pentru copii, cu baie comun`. Mansarda e gndit` ca room and bathroom, and two children bedrooms,
un spa]iu flexibil, o camer` pentru hobby care poate fi with a common bath. The loft is designed as a flexible
transformat` \n dormitor pentru oaspe]i, iar subsolul space, a leisure room that can be turned into a guest
cuprinde o camer` tehnic` [i o zon` de depozitare. bedroom, while the basement is comprised of a tech-
nical room and a storage area.

PROIECT / PROJECT
TECON, arhitec]i / architects Bogdan Babici, Ionu] Oprea
STRUCTURA DE REZISTEN}~ / STRUCTURAL ENGINEERING
ROZINI, ingineri / engineers Lucian Rozorea,
Dinu Vaidasigan
PERIOADA DE EXECU}IE / BUILDING PERIOD 2012-2013
SUPRAFA}A TERENULUI / SITE AREA 200 mp
SUPRAFA}A DESF~{URAT~ / GROSS BUILDING AREA 250 mp

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NBC Arhitect l Casa Rare[ l Case din Romnia 6 l igloo best l 32_41

Casa Rare[
Rare[ House

Situat` \ntr-o zon` reziden]ial` adiacent` a capitalei, Placed in a residential area adjacent to the capital city, with
cu o densitate sc`zut` a cl`dirilor [i un regim jos de a low density of construction and a low height regime, this
\n`l]ime, aceast` locuin]` a beneficiat de lipsa con- house benefits from the advantage of no volumetric or sty-
strngerilor de ordin volumetric sau stilistic, care ar fi listic constraints that would otherwise be customary in a
fost nelipsite \n contextul unui ]esut urban mai \n- more coagulated urban tissue.
chegat. Construc]ia este caracterizat` de o volume- The construction is distinguished through a simple, geo-
trie simpl`, geometric`, dezvoltat` doar pe parter. metrical volume, developed solely on the ground level. The
Nucleul structurii este spa]iul de living, ce reprezint` constructions core is the living room, at the same time its
[i punctul cel mai \nalt al acesteia, fiind dezvoltat highest point, developed on the ridge of the framing and
pn` la coama [arpantei [i l`snd vizibile elementele leaving its structural elements exposed.
structurale ale acesteia. This placement at the city edge also allowed for a reinter-
Situarea la marginea ora[ului a reprezentat, de pretation of a series of features of traditional housing. Thus,
asemenea, o ocazie de a reinterpreta o serie de ca- within the access area, the link between the outside and the
racteristici ale caselor tradi]ionale. Astfel, \n cadrul inside is ensured by a contemporary version of the verna-
zonei de acces, leg`tura dintre exterior [i interior se cular porch establishing a balanced dialogue with the clear,
realizeaz` printr-o versiune contemporan` a prispei rigorous lines of the landscaped garden. Another element
vernaculare, care stabile[te un dialog armonios cu embraced from the traditional repertoire is the wide eaves,
liniile clare, riguroase ale cur]ii amenajate peisagistic. rounding out the appearance of calmness, suggesting pro-
Un alt element \mprumutat din repertoriul tradi]ional tection and harmony. On the other side, the wide glazing
este strea[ina ampl`, ce \ntrege[te atmosfera de marks the opening towards the garden without affecting the
calm, sugernd protec]ie [i armonie. Pe de alt` intimacy of those inside. At the same time, the presence of
parte, vitrajele de dimensiuni mari marcheaz` glass, as well as the metallic grid that protects the open-air
deschiderea c`tre curte f`r` a afecta cu nimic inti- playground establishes a pleasant contrast with the natural
mitatea celor din interior. |n acela[i timp, prezen]a shades of the wood and the green dominating the garden.
sticlei, precum [i a grilajului metalic ce protejeaz`
spa]iul de joac` \n aer liber stabile[te un contrast
pl`cut cu tonurile naturale ale lemnului [i cu verdele
care domin` curtea.

PROIECT / PROJECT
NBC ARHITECT, arhitec]i / architects
Bogdan Constantin Neagu, Iulian Oan]`
STRUCTURA DE REZISTEN}~ / STRUCTURAL ENGINEERING
HOUSE IMPACT, inginer / engineer Relu Iordan
PERIOADA DE EXECU}IE / BUILDING PERIOD 2012-2013
SUPRAFA}A TERENULUI / SITE AREA 1 124 mp
SUPRAFA}A DESF~{URAT~ / GROSS BUILDING AREA 308 mp

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igloo architecture l Casa de lng` lac l Case din Romnia 6 l igloo best l 52_61

Casa de lng` lac


The house by the lake

Locuin]a r`spunde pasiunii beneficiarilor pentru stilul The building meets the beneficiaries passion for the
mediteraneean prin recompunerea n limbaj modern Mediterranean style by rearranging its elements in a
a elementelor acestuia orizontalitatea, lumina puter- modern language the rightness, bright light, sun-
nic`, parasolarele, obloanele, tencuiala alb`, piatra shades, shutters, white paint, natural stone, wood
natural`, esen]ele de lemn, mobilierul ncastrat. Mo- essence and the fixed furniture. The fixed furniture
bilierul fix, ale c`rui panouri reiau imaginea obloane- whose panels reiterate the image of traditional shut-
lor tradi]ionale, devine perete de separare ntre ca- ters becomes a separation wall between rooms,
mere, u[` de acces sau gril` de vizitare. Lemnul se access doors or the visiting grid. The wood is mount-
reg`se[te la nivelul plafoanelor, n scafele zonei de zi ed at the ceiling level, in the soffits of the day areas
[i la holul de intrare, unde, al`turat grinzilor metalice and the access hallway, where alongside the white
albe, confer` podestului un aer lejer. Plafoanele de la metallic beams, it gives the stair head a light appear-
etaj sunt finisate cu tapet n culori naturale. Modelele ance. The ceilings on the upper floor are finished with
tradi]ionale ale covoarelor sunt puse n valoare de wallpaper in natural colours. The monochrome cur-
draperiile monocrome. Scara cu structur` metalic` [i tains highlight the traditional models of the carpets.
trepte libere invit` lumina zenital` pn` la parter, iar The ladder, with a metallic structure and free steps,
vitrajul perimetral mobilierului cu dubl` fa]` dintre invites the zenithal light into the ground floor, while
living [i hol aduce lumina natural` n zona de zi. Li- the marginal glazing of the double-sided furniture
vingul [i buc`t`ria sunt punctate de accente specta- between the living room and the hallway brings natu-
culoase de foc [i ap`: [emineul cu dubl` fa]` [i acva- ral light into the day area. The living room and kitchen
riul cu lungimea de trei metri amplasat pe peretele are punctuated by spectacular fire and water accents:
diningului. Masa realizat` dintr-o foaie de u[` cente- the double-faced fireplace and the three metre long
nar` [i scaunele de colec]ie sunt puse n valoare de aquarium mounted on the dining room wall. The table
elementele moderne ale amenaj`rii. Texturile de made of a centennial door leaf and the vintage chairs
lemn cu nuan]e [i vechimi diferite subliniaz` caracte- are emphasized by the designs modern elements.
rul autentic al interioarelor [i confer` designului pro- The wood textures in different hues and ages highli-
funzime. Peretele finisat cu piatr` al zonei de zi se ght the authenticity of the interiors and lend depth to
continu` la exterior, protejnd vizual piscina. Golurile the design. The stone-fini-shing wall of the day area
orizontale din suprafa]a de piatr` fac loc jardinierelor goes on to the exterior, visually sheltering the pool.
pentru plante c`]`r`toare [i cascadelor cu rol estetic The horizontal holes in its surface make room for the
[i de hidromasaj. Terasa piscinei ocole[te r`d`cinile planters of climbing plants and for the cascades play-
nucului nalt p`strat de beneficiari ca simbol al naturii ing an aesthetic and practical role in hydro massage.
spontane specific` gr`dinilor mediteraneene. The pool terrace encircles the roots of the tall walnut
tree saved by the beneficiaries as a symbol of the spo-
ntaneous nature specific to Mediterranean gardens.
PROIECT / PROJECT igloo architecture
(reconfigurare fa]ad`, compartiment`ri [i design interior /
facade remodeling, partition and interior design)
arhitec]i / architects: Bruno Andre[oiu, Dana Tigan,
Laura Li]canu, Andrei Creang`, Mircea Stroescu
ingineri / engineers: Florentina Sandu, Paul Sandu
PERIOADA DE EXECU}IE / BUILDING PERIOD 2009-2014
SUPRAFA}A TERENULUI / SITE AREA 2 510 mp
SUPRAFA}A DESF~{URAT~ / GROSS BUILDING AREA 570 mp

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Tecon l Casa Alexandrina l Case din Romnia 6 l igloo best l 74_83

Casa Alexandrina
Alexandrina House

Locuin]a se dezvolt` pe un plan n form` de clepsi- The building is developed in an hourglass shape, with
dr`, n jurul sc`rii cu trepte libere [i a ascensorului the free stepped stairs and the glazed elevator at its
vitrat care aduc lumina pn` n centrul casei. Forma center, which bring light to the very core of the house.
concav` a fa]adelor laterale creeaz` dou` cur]i exte- The hollow shape of the side facades creates two irre-
rioare neregulate care conecteaz` cele dou` p`r]i ale gular inner yards that connect both sides of the house.
casei. Etajele dispuse la jum`tate de nivel definesc un The midlevel floors define a tridimensional open-spa-
open-space tridimensional. Structura aparent` din ce. The exposed structure of the oblique-coffered
grinzi de beton oblice [i casetate se prelunge[te la concrete beams extends into the main facades ter-
nivelul terasei din fa]ada principal` cu o re]ea de race through a network of metallic beams, while the
grinzi din metal, iar panourile din gr`tare metalice perforated steel plates support a series of shrub pots
sus]in o serie de ghivece cu arbu[ti [i devin pergole and become vertical pergolas for the ivy planted on
verticale pentru urcarea iederei deja plantate la par- the ground floor. The exposed concrete ceilings re-
ter. Plafoanele din beton aparent implic` adoptarea quire the use of intelligent heating systems, with radi-
unor sisteme de nc`lzire inteligente, cu panouri radi- ating panels within walls, floor heating, a heat pump
ante n pere]i [i nc`lzire n pardoseal`, pomp` de unit and solar panels. The building management sys-
c`ldur` [i panouri solare. Sistemul de management al tem, the LED lighting and the oversized thermal insu-
cl`dirii, iluminatul LED [i termoizolarea supradimen- lation efficiently handle the energy consumption of the
sionat` gestioneaz` eficient energia consumat` de building. The cardinal direction and the proportion
cl`dire. Orientarea cardinal` [i propor]ia ntre plin [i between the full and the hollow ensure the natural
gol asigur` necesarul de lumin` natural` [i, n acela[i light requisite, all the while offering the much-needed
timp, protec]ia fa]` de nsorirea excesiv`. Perdeaua shelter from excessive sunlight. The curtain of vegeta-
de vegeta]ie dintre cl`dire [i strad` umbre[te nc`- tion between the building and the street shades the
perile din fa]ada principal` [i integreaz` cl`direa n rooms of the main facade and integrates the building
fondul construit caracterizat prin bog`]ia vegeta]iei within its built environment, distinguished by the
spontane. Amenajarea interioar` mizeaz` pe spec- wealth of free vegetation. The interior design places its
taculozitatea materialelor brute ierarhizate n func]ie stake on spectacular raw materials prioritized on their
de pozi]ia diferit` fa]` de sursele de lumin` natural`. different positions towards the source of natural light.
Obiectele de design p`streaz` gama de materiale cu The designer products supplement the range of mate-
texturi vibrante [i forme minimaliste. rials with vibrant textures and minimalist shapes.

PROIECT / PROJECT
TECON, arhitec]i / architects: Bogdan Babici,
Eliodor Streza, Tudor Iacob, Anca P`unescu,
Monica Streza, Drago[ Fodoreanu, Paul Lipan Weber
DESIGN INTERIOR / INTERIOR DESIGN
TECON, MOKA STUDIO DESIGN
STRUCTURA DE REZISTEN}~ / STRUCTURAL ENGINEERING
Inginerie Civil`, ingineri / engineers: Gheorghe Drugea,
Cristi Voicu
PERIOADA DE EXECU}IE / BUILDING PERIOD 2012-2013
SUPRAFA}A TERENULUI / SITE AREA 457 mp
SUPRAFA}A DESF~{URAT~ / GROSS BUILDING AREA 845 mp

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SYAA l Casa B. l Case din Romnia 6 l igloo best l 94_101

Casa B.
B. House

Pe malul lacului Grivi]a, un volum alb, compact [i On the bank of lake Grivi]a, a white, compact and
suplu, ingenios decupat, se desprinde firesc din slender volume, smartly cut, easily stands out in its
cadrul natural existent, permi]nd vederi panoramice natural surroundings, granting panoramic views and
[i genernd trasee luminoase. Amplasamentul ofer- generating enlightened tracks. Yet the generous site
tant a generat [i cteva constrngeri urbanistice, also brought about a series of urban constraints that
care au dus la dezvoltarea pe vertical` a proiectului. led to a vertical development of the project. This con-
Contextul a determinat tratarea diferit` a fa]adelor. text resulted in the differential treatment of the
C`tre drumul de servitute ce m`rgine[te o latur` a facades. On the side facing the easement road that
terenului s-a optat pentru un plan ce favorizeaz` pli- borders a flank of the land, the choice went for a full
nul, pentru ob]inerea unui efect de intimitate a lo- facade, one that would grant the inhabitants a sense
cuirii. Fa]ada dinspre curtea interioar`, unde se afl` of intimacy. The facade facing the inner yard, with the
[i piscina, a fost deschis` prin decupaje ample, ce pool, has been opened up through ample cuts that
las` locuin]a s` respire. Interiorul, organizat pe trei enable the construction to breathe.
nivele, ncurajeaz` o utilizare natural` [i facil` a spa- The interior, organised on three levels, encourages a
]iilor. Parterul a fost dedicat zonei de zi, primul etaj natural and easy use of the space. While the ground
ad`poste[te dormitoarele, n timp ce al doilea nivel a floor is dedicated to daytime activities, the first floor
fost atribuit unui spa]iu de lucru [i unui hobby studio. hosts the bedrooms and the second floor is assigned
Pe fiecare dintre aceste nivele, cte o teras` com- to a working space and hobby studio. On each of
pleteaz` cu succes planimetria [i ofer` perspective these levels, an adjoining terrace successfully com-
diferite c`tre lac. pletes the geometry and offers different perspectives
Elementul-cheie al casei l constituie scara spectacu- on the lake. The key element of the house is the spec-
loas` cu luminator deasupra, ce traverseaz` deschis, tacular stairway below the luminary, which openly
ca un profil elegant, fiecare nivel. Mobilierul, finisa- crosses each level with an elegant profile. The furni-
jele [i culorile subliniaz` aplecarea c`tre minimalism. ture, finishing materials and colours highlight a bias
Cu ajutorul luminii [i al culorilor diafane albul [i towards minimalism. With the use of light and ethere-
tonurile de bej locuin]a este modelat` ntr-un pur al colours white and shades of beige the house is
spirit mediteraneean. Suprafe]ele mate se mbin` cu built in a purely Mediterranean spirit. Opaque sur-
cele lucioase conferind amenaj`rii un aer dinamic [i faces blend with polished ones, lending the interior
vibrant. Ultimul nivel, poate [i cel mai impresionant, design a dynamic and vibrant appearance. The upper
este iluminat prin mai multe decupaje circulare ce floor, possibly the most impressive one, is illuminated
contrasteaz` cu unghiurile preponderent drepte. through a series of circular cut-outs, in stark contrast
with the prevailing right angles.

PROIECT / PROJECT
SYAA, arhitec]i / architects Adrian Soare, Eliza Yokina
STRUCTURA DE REZISTEN}~ / STRUCTURAL ENGINEERING
ELFPRO, inginer / engineer Mircea Elefterescu
PERIOADA DE EXECU}IE / BUILDING PERIOD 2007-2012
SUPRAFA}A TERENULUI / SITE AREA 350 mp
SUPRAFA}A DESF~{URAT~ / GROSS BUILDING AREA 360 mp

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Studio 1408 l Casa R. l Case din Romnia 6 l igloo best l 112_123

Casa R.
R. House

Beneficiarii tineri ai acestei locuin]e [i-au dorit foarte The homes young beneficiaries wished to live in an
mult s` locuiasc` urban, dar cu avantajele oferite de urban environment, but retain the advantages offered
o cas` prezen]a gr`dinii [i rela]ia direct` cu exteri- by a house - a garden and a direct connection to the
orul, precum [i o mai mare flexibilitate n distribu]ia outside, as well as a greater flexibility in dividing the
interioarelor. Hot`r]i, atunci cnd a ap`rut oportuni- interiors. Determined, when the opportunity arose,
tatea, au cump`rat o locuin]` cu demisol, parter [i they bought a house with a basement, ground floor
etaj, cu o amprent` de numai 38 mp [i cu un teren and a first floor, with a footprint of merely 38 sqm and
de 100 mp, construit` n anii 40 [i amplasat` ntr-un a yard of 100 sqm, built in the 40s in a residential
cartier reziden]ial cu multe cl`diri similare. Dup` area with many similar buildings. After the consolida-
consolidarea cl`dirii [i nlocuirea instala]iilor, volumul tion works and the replacement of installations, the
principal a fost mbr`cat n metal alb satinat, iar com- main volume was clad in white polished metal, and
pozi]ia simpl`, geometric` a fost eviden]iat` printr-o the simple, geometric composition was highlighted
serie de ancadramente negre care ies din planul through a series of black framings that stand out on
fa]adei. Ca un contrapunct, ambele volume de acces the facade. As a counterpoint, the two access vo-
c`tre terase sunt mbr`cate n lemn iroko, sugernd lumes to the terrace are coated in iroko wood, sug-
leg`tura dintre starea de relaxare [i natur`. ntre cele gesting the connection between nature and the state
dou` terase se desf`[oar` spa]iile interioare unite de of relaxation. Between these two lies the inner space,
o scar` balansat`, cu trepte care plutesc [i o balus- connected through a balanced staircase, with floating
trad` metalic`, minimalist`, ce pune totodat` n evi- steps and a minimalist metallic handrail that high-
den]`, prin lumina indirect`, elementul central din lights, through indirect lighting, the central element of
beton aparent. La demisol se g`sesc o buc`t`rie exposed concrete. A modern kitchen, designed in a
modern`, amenajat` ntr-un contrast rece-cald, [i o cold-warm contrast, and a more technical space are
zon` mai tehnic`, iar mai sus urmeaz` livingul, un located in the demi basement, while at the upper floor
spa]iu elegant [i confortabil. Planul etajului a fost lays the living room an elegant and comfortable
rezolvat ntr-o formul` mai special`: pentru c` spa- space. The plan of the second floor has been solved
]iile ini]iale nu au permis un du[ de dimensiuni mai in a rather special formula: since the initial space
mari, acesta a fost amplasat pn` la urm` n dormi- didnt allow for a bigger shower, the latter was even-
tor [i decorat ntr-un mod creativ. Mobilierul gndit tually placed in the bedroom and adorned creatively.
ntr-un registru cromatic restrns, dar cu o serie de The furniture, built in a rather restrained chromatic
accente bine amplasate a fost proiectat n ntregime register, with a series of well-placed accents, was
de arhitec]i [i realizat la comand`, ntregind imaginea entirely designed by the team of architects and cus-
urban` modern` [i primitoare a locuin]ei. tom made, completing the image.

PROIECT / PROJECT
STUDIO 1408
arhitec]i / architects Lucian Bugnariu, Diana Bugnariu,
Andrada Toader Pasti
STRUCTURA DE REZISTEN}~ / STRUCTURAL ENGINEERING
inginer / engineer Tudor Bugnariu
PERIOADA DE EXECU}IE / BUILDING PERIOD 2013-2014
SUPRAFA}A TERENULUI / SITE AREA 110 mp
SUPRAFA}A DESF~{URAT~ / GROSS BUILDING AREA 116 mp

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OM Birou de Arhitectur` l Casa de la Dun`re l Case din Romnia 6 l igloo best l 124_135

Casa de la Dun`re
The House at the Danube

Situat` pe malul Dun`rii, la Or[ova, aceast` locuin]` Placed on the banks of the Danube, in Or[ova, this
se impune ca un important punct de reper \n peisajul house emerges as an important landmark in the
arhitectural al zonei. Cu o compozi]ie volumetric` [i architectural landscape of the area. With a volumetric
o geometrie interioar` a spa]iului inovatoare, proiec- composition and an innovative inner geometry of
tul r`spunde deopotriv` constrngerilor generate de space, the project meets both the constraints of the
sit [i cerin]elor specifice ale beneficiarului. Avnd site and the specific requirements of the beneficiary.
parterul pozi]ionat \n subteran, corni[a construc]iei With a ground floor placed in the underground, the
ajunge la o \n`l]ime de nici 8 m fa]` de cota terenu- constructions cornice reaches a height of fewer than
lui natural, ceea ce produce un impact minim asupra 8m compared to the natural terrains quota, which
mediului \nconjur`tor [i permite ob]inerea unui ca- produces a minimum impact on the environment and
racter intim al zonelor private. Astfel, cele patru dor- lends a more intimate feel to the private areas. Thus
mitoare, fiecare cu baie [i dressing proprii, \mpreun` the four bedrooms, each with its own bathroom and
cu vinoteca, sunt a[ezate \n parterul \ngropat. Etajul dressing, along with the wine cellar, are located on
\n schimb, cuprinde spa]iile publice ale locuin]ei, [i the buried ground floor. The first floor, on the other
anume, livingul spectaculos de mare (172 mp) [i hand, is comprised of the houses public spaces,
buc`t`ria. Totu[i, nu doar \nc`perile de la etaj se namely the spectacularly grand living room (172
bucur` de priveli[ti de excep]ie: declivitatea mare a sqm) and the kitchen. However, not only the upstairs
terenului dezv`luie parterul volumului orientat \nspre rooms enjoy great views: the wide declivity of the ter-
zona luciului de ap` [i deschide astfel noi perspec- rain uncovers the volumes ground floor, facing the
tive asupra peisajului. Cele dou` volume paralele ale water surface, and thus unfolds new perspectives on
casei sunt conectate prin intermediul unui corp de the landscape. The two parallel wings are connected
leg`tur`, care se deschide pe laterale c`tre dou` through a linking volume, opening on the sides
cur]i interioare, solu]ie ce permite iluminarea natu- towards two inner yards, a solution that enables the
ral` a \ntregului parter. Forma sculptural` a casei [i natural lighting of the whole ground floor. The houses
jocul de texturi al finisajelor au determinat tratarea sculptural shape and the game of textures on the fini-
ct mai discret` a corpului de cl`dire secundar, \n shing materials led to a more discreet approach of the
care a fost amenajat` locuin]a administratorului. Prin secondary building wing, designed as the administra-
taluz`ri cu teren \nierbat acesta a devenit la rndul tors residence. This is, in turn, buried through
s`u \ngropat, iar fa]ada vizibil` este integral placat` embankments of grassy terrain, while the apparent
cu aceea[i piatr` care se reg`se[te [i pe zonele de facade is fully plated with the same stone found on
parter ale cl`dirii principale. the ground floor areas of the main building.

PROIECT / PROJECT
OM Birou de Arhitectur`, arhitec]i / architects: Mihai
Grapa, Codrin Tri]escu, Redin Abduraman, Bogdana Grapa
STRUCTURA DE REZISTEN}~ / STRUCTURAL ENGINEERING
ICIPE 1A, ingineri / engineers: {tefan Cre]oiu, Aurel
Comanac
PERIOADA DE EXECU}IE / BUILDING PERIOD 2008-2012
SUPRAFA}A TERENULUI / SITE AREA 7 124 mp
SUPRAFA}A DESF~{URAT~ / GROSS BUILDING AREA 913 mp

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Studio 3+ l Casa Hrjeu l Case din Romnia 6 l igloo best l 136_147

Casa Hrjeu
Hrjeu House

Amplasarea \ntr-o zon` protejat` [i dorin]a bene- This projects premises were the placement in a pro-
ficiarului de a se bucura de o cas` ferit` [i intim`, dar tected area and the beneficiarys desire to enjoy a
\n acela[i timp puternic conectat` la via]a urban`, au sheltered and intimate house, while still firmly ground-
fost premisele acestui proiect. Solu]ia oferit` de ed in the urban lifestyle. The solution offered by the
echipa de arhitec]i r`spunde acestor provoc`ri cu team of architects meets these requirements with a
mult` creativitate [i coeren]`, profitnd pe deplin de lot of creativity and coherence, taking full advantage
configura]ia sitului. Astfel, geometria [i orientarea of the sites configuration. Thus, the geometry and
terenului, cu o singur` latur` lung` spre nord au faci- land orientation, with an elongated Northern side,
litat crearea unei cur]i interioare, care nu doar per- facilitated the shaping of an inner yard, which not only
mite iluminarea natural` a \ntregii case, ci reu[e[te enables the natural lighting of the house but also con-
s` uneasc` toate spa]iile [i s` r`spund` nevoii de re- nects all the spaces and meets the need for refuge
fugiu \n fa]a aglomer`rii urbane. |n schimb, pentru a from the urban congestion. On the other hand, in
nu pierde \n \ntregime leg`tura cu vecin`t`]ile, ulti- order not to completely lose the connection to its
mul nivel al cl`dirii, unde biroul [i lobby-ul sunt vicinities, the buildings last level, where the office and
prev`zute cu deschideri vitrate generoase [i unde the lobby are fitted with wide glazing and the terrace
terasa are dimensiuni considerabile, asigur` o pano- has a significant size, ensures a 270 panorama on
ram` de 270 asupra ceea ce are Bucure[tiul mai what Bucharest has best to offer: a landscape blend-
fascinant de oferit: un peisaj \n care se combin` ing rooftops, tree crowns, gardens and remnants of
acoperi[uri de case, coroane de copaci, gr`dini [i orchards.
r`m`[i]e de livezi. The quality of the interior environment, an important
Calitatea mediului interior, un obiectiv important al objective of the project, is due foremost to the direct
proiectului, se datoreaz` \n primul rnd rela]iei direc- link between the inner yard and the indoor spaces.
te dintre curtea interioar` [i spa]iile casei. Dispuse Arranged around the yard, the living room, kitchen,
de jur-\mprejurul cur]ii, livingul, buc`t`ria, holurile de hallways, a few bedrooms and baths, all enjoy the
trecere, cteva dormitoare [i b`i, toate se bucur` de daylight that penetrates the completely glazed
lumina care p`trunde prin fa]adele complet vitrate [i, facades and implicitly a permanent connection to the
implicit, de o leg`tur` permanent` cu exteriorul. outdoor. The project doesnt look for the spectacular
Proiectul nu caut` spectaculosul cu orice pre], ci \[i at all costs, but aims to understand the nature of the
propune s` \n]eleag` natura locului \n care se place it inhabits and thus tries to answer the clients
insereaz` [i \ncearc` astfel s` r`spund` cerin]elor requirements in a way that doesnt interfere with
clientului \ntr-un mod care s` nu agreseze ceea ce a whatever is left of the authenticity of the neighbour-
mai r`mas din atmosfera autentic` a cartierului. hood.

PROIECT / PROJECT
STUDIO 3+, arhitec]i / architects Drago[ Scurtulescu,
Raluca Ioni]`
COLABORATOR / COLLABORATOR arh. Daniela Calciu
STRUCTURA DE REZISTEN}~ / STRUCTURAL ENGINEERING
Coland Top Construct, inginer / engineer Mihaela Ion
PERIOADA DE EXECU}IE / BUILDING PERIOD 2011-2013
SUPRAFA}A TERENULUI / SITE AREA 288 mp
SUPRAFA}A DESF~{URAT~ / GROSS BUILDING AREA 520 mp

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Blipsz + Atelier FKM l Casa Hajd l Case din Romnia 6 l igloo best l 158_165

Casa HAJD
Hajd House

Un exemplu de arhitectur` contemporan` perfect in- An example of contemporary architecture perfectly


tegrat` \n turnura peisajului, casa Hajd ofer` solu]ii fitted in the angle of the scenery, the Hajd house
practice [i imaginative pentru un teren \n pant`, offers practical and imaginative solutions for a slope,
incluznd corpul casei \n unghiul terenului. |n con- incorporating the body of the house in the terrains
textul unei amplas`ri pe panta spre nord, oferind o angle. Placed on the Northern flank, offering a view
panoram` a ora[ului \n vale [i a mun]ilor \n dep`r- on the city below and the mountains ahead, the blue-
tare, planul casei este organizat \n jurul terasei print of the house is organized around the terrace,
orientate sud-vest, p`strnd modelul gospod`riei which has a South-Eastern orientation, following the
tradi]ionale organizate \n jurul cur]ii. pattern of the traditional household organized around
Att terasa exterioar` ct [i spa]iile comune de la the yard.
interior urm`resc \ndeaproape topografia [i ori- Both the exterior and the inner terraces, as well as the
entarea terenului, spa]iile intime [i anexele fiind common spaces on the interior, closely follow the
delimitate prin pere]i [i printr-o amplasare care \ntre- topography and the land orientation, while the inti-
rupe ritmul pantei, prin ie[iri \n consol`. Camera de zi mate spaces and annexes are delimited through par-
[i buc`t`ria se deschid spre teras` printr-un vitraj tition walls and a setting that breaks the rhythm of the
vast, umbrit par]ial pe timp de var` [i beneficiind de slope, in cantilever. The living room and kitchen open
aport termic considerabil \n timpul iernii, printr-o izo- towards the terrace through a wide glazing, partially
lare de calitate. Terasa exterioar` [i vecin`t`]ile ime- shaded during the summer and enjoying a conside-
diate vin \n continuarea direct` a traseului cotidian, rable thermal input during winter, through high qua-
oferind fluiditate mi[c`rii [i raportului dintre interior [i lity insulation. The exterior terrace and the immediate
exterior. |n aceea[i idee de continuitate a spa]iului vicinities come as a continuation of the daily trajecto-
vine [i acoperi[ul verde, \n pant`, care respect` ry, rending fluidity to movement and to the relation
\ndeaproape topografia terenului. Toate materialele between the inside and out. In the same line of space
sunt achizi]ionate de la produc`tori locali, ceea ce continuity emerges the green roof, also on a slope,
aduce un plus de coeren]` abord`rii durabile, ini]iate closely reflecting the topography of the land. All
de acoperi[ul verde. Avnd la baz` materiale natu- materials are locally sourced, bringing an added
rale, cromatica urm`re[te aceste tonuri neutre, inte- coherency to the sustainable approach highlighted by
grndu-se \nc` o dat` cu succes \n peisaj. the green roof. Relying on a juxtaposition of wood and
natural stone on the facade, the chromatic closely fol-
lows neutral shades, contributing to the very integra-
tion of the construction in the landscape.

PROIECT / PROJECT
BLIPSZ + ATELIER FKM, arhitec]i / architects
Istvn Benedek, Arnold Macalik, Istvn Psztor
STRUCTURA DE REZISTEN}~ / STRUCTURAL ENGINEERING
LAMINA, inginer / engineer Virg Jcint
PERIOADA DE EXECU}IE / BUILDING PERIOD 2009-2011
SUPRAFA}A TERENULUI / SITE AREA 2 335 mp
SUPRAFA}A DESF~{URAT~ / GROSS BUILDING AREA 245 mp

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NBC Arhitect l Casa Zamora l Case din Romnia 6 l igloo best l 166_171

Casa Zamora
Zamora House

Situat` \n Bu[teni, la poalele masivului Caraiman, Placed in Bu[teni, at the foot of the Caraiman massif,
aceast` locuin]` P+2 profit` din plin de spectacolul this two storey house rejoices in the spectacle of the
oferit de peisajul natural al zonei, cu care stabile[te areas natural landscape, which engages it in an ele-
un dialog elegant [i dinamic. Astfel, construc]ia este gant and dynamic dialogue. Thus, the construction is
definit` printr-un plan de form` neregulat`, mulat pe defined by an irregular plan, moulded around the
conturul parcelei [i un volum suplu, energic, \n acord lands shape and by a slim, energetic volume in full
cu relieful \nconjur`tor, ce captureaz` perspectivele agreement with the surroundings, capturing the spec-
spectaculoase oferite de acesta. tacular perspectives offered by these.
Locuin]a propriu-zis` este amplasat` \n partea de The building itself is situated on the southern side of
sud a terenului. Cele trei volume principale se alini- the lot. The three main volumes are aligned to its
az` cu laturile dinspre sud, est [i nord-est ale aces- southern, eastern and north-eastern sides, maintain-
tuia, p`strnd retragerea de cel pu]in 3 m la limitele ing a withdrawal of at least 3 m from the property
de proprietate [i l`snd loc pentru o parcare acope- limits and making room for a covered parking space
rit` pentru trei ma[ini. Zona de acces c`tre interior for three cars.
este marcat` de un windfang reinterpretat \n cheie The access area is marked by a windfang reinterpre-
contemporan`. Parterul con]ine spa]iile de zi livin- ted in a contemporary key. The ground floor contains
gul [i diningul cu buc`t`rie deschis` , o serie de the day areas the living room and dining room with
zone tehnice [i de depozitare, precum c`mara [i an open kitchen, a series of technical and storage
spa]iul rezervat centralei termice, dar [i un jacuzzi, cu areas, for example the pantry and the space accom-
du[ul [i grupul sanitar adiacente. Zona de zi este modating the boiler, as well as a jacuzzi, with the
completat` de o teras` generoas`, cu vedere adjacent shower and lavatories. A generous terrace,
panoramic`. Primul etaj g`zduie[te spa]iile de noapte with a panoramic view, completes the day area.
trei dormitoare, fiecare cu baie proprie, dintre care The first floor hosts the night time spaces three
unul cu acces pe teras`, iar etajul al doilea este bedrooms, each with its own bath, one of them with
dedicat activit`]ilor de sport [i relaxare. a terrace access, while the second floor is dedicated
Volumul ce ad`poste[te piscina se orienteaz` ase- to sports and leisure activities.
menea unui periscop c`tre masivul Caraiman, The volume that houses the pool is oriented like a
punnd astfel un accent modern [i elegant pe una periscope towards the Caraiman massif, thus offering
dintre structurile definitorii pentru zon` Crucea a modern and elegant touch to one of the defining
Eroilor. structures in the area The Cross of the Heroes.

PROIECT / PROJECT
NBC ARHITECT, arhitec]i / architects
Bogdan Constantin Neagu, Iulian Oan]`
STRUCTURA DE REZISTEN}~ / STRUCTURAL ENGINEERING
HOUSE IMPACT, inginer / engineer Relu Iordan
PERIOADA DE EXECU}IE / BUILDING PERIOD 2012-2013
SUPRAFA}A TERENULUI / SITE AREA 1 007 mp
SUPRAFA}A DESF~{URAT~ / GROSS BUILDING AREA 456 mp

Pagina 178
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Pagina 179
166-171-CASA ZAMORA_Layout 1 10/24/14 2:28 PM Page 168

Pagina 180
166-171-CASA ZAMORA_Layout 1 10/24/14 2:28 PM Page 169

Pagina 181
din Romnia

CASE
Casele reprezint` unul dintre produsele notabile rezultate din procese de crea]ie, a[adar este firesc ca ele s` [i
aib` propria familie de c`r]i n care s` se reg`seasc`, semipreparate, gata metabolizate. Ne bucur`m c` suntem
noi cei care facem asta n Romnia, c`ci ni se pare important` existen]a unei selec]ii autohtone de arhitectur`
domestic`, adresat` att speciali[tilor, ct [i celor mai pu]in antrena]i, fie [i numai pentru folosul imediat al unora
care [i caut` inspira]ia, dac` nu pentru a documenta, n timp, fenomenul. Astfel, al [aselea volum din colec]ia
igloobest dedicat caselor romne[ti propune 16 proiecte, fiecare pozat pe toate p`r]ile [i nso]it de planuri [i de
propriul text de prezentare.

As the house is one notable product to come out of the creative process, it is only natural that it has its own family
of books where it can be found, pre cooked, readily digested. We are glad to be doing this in Romania, as we find

igloobest l case din romnia 6


the existence of a local selection of domestic architecture important, dedicated both to specialists and to the less
trained, be it even for the immediate use of those looking for inspiration, if not for documenting this phenomenon
in time. Thus, the sixth volume of the igloobest collection dedicated to Romanian houses proposes 16 projects,
each one thoroughly photographed, accompanied by blueprints and its own presentation text.

igloobest