Evaluare sumativ

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1. Numii cel puin patru poezii reprezentative, care ar defini un Eminescu esenial.
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2. Numii patru reviste la care a colaborat ca publicist M. Eminescu.
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3. Explic, n dou enunuri, semnificaia crezului poetic eminescian.
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4. Apreciaz, n 2 enunuri, idealul iubitei exprimat ntr-un text liric eminescian
studiat.
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5. Confirm sau contest ideea: Numai poetultrece peste nemrginirea timpului...
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6. Demonstreaz, prin detalii relevante din text, c poezia Carile de M. Eminescu

este o art poetic.
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7. Expune lecia pe care a nvat-o eul liric din Od (n metrul antic), n baza
afirmaiei: Nu credeam s-nv a muri vreodat...
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8. Argumenteaz, n spaiul rezervat, c M. Eminescu e cntreul singurtii i al
suferinei, dar nu a celor banale, ci al celor pline de mister.
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9. Plasndu-te n postura unui jurnalist de la ziarul Literatura i arta, scrie, n
spaiul rezervat, un articol de elogiere al Luceafrului poeziei romneti
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10. Caracterizeaz, n limita unei pagini, personajul Toma Nour:

Era frumos, d-o frumusee demonic. Asupra feei sale palide, musculoase, expresive, se
ridica o frunte senin i rece ca cugetarea unui filozof. Iar asupra frunii se zburlea cu o
genialitate slbatec prul su negru-strlucit, ce cdea pe nite umeri compaci i bine fcui.
Ochii si mari, cprii, ardeau ca un foc negru sub nite mari sprncene stufoase i mbinate,
iar buzele strns lipite, vinete, erau de-o asprime rar. Ai fi crezut c e un poet ateu, unul din
acei ngeri czui, un Satan, nu cum i-l nchipuiesc pictorii: zbrcit, hidos, urcios, ci un
Satan frumos, de-o frumusee strlucit, un Satan mndru de cdere, pe-a crui frunte
Dumnezeu a scris geniul, i iadul ndrtnicia, un Satan dumnezeiesc care, trezit n cer, a
sorbit din lumina cea mai snt, i-a mbtat ochii cu idealele cele mai sublime, i-a muiat
sufletul n visurile cele mai dragi, pentru ca n urm, czut pe pmnt, s nu-i rmn dect
decepiunea i tristeea, gravat n jurul buzelor, c nu mai e n cer. Repedea umflare a nrilor
i vioaia sclipire a ochilor lui semnala o inim din cele nebune, un caracter pasionat. Talia sa
subire, fin, i mna sa alb cu degete lungi i aristocrate semna cu toate astea a avea o
putere de fier. Toat expresiunea n sine era d-o putere generoas, dei infernal.
M numesc Toma Nour... D-ta? i spusei numele meu. Dup aceea iei, lsnd s-mi vjie
prin cap ideea de a-l face eroul unei nuvele.
ntorcndu-m acas, tocmai cnd aprind chibritul ca s dau foc la lamp, vd ntr-o lumin
dubioas cartea de nuvele cu cele 6 gravuri. Chibritul se stinse i rmsei n ntuneric.
Uite, zisei, oare nu voi gsi n acest om un Tasso, s-l studiu mai de-aproape? ntunericul
din jurul meu era metafora acelui nume: Toma Nour.
(Geniu Pustiu de M. Eminescu)
n caracterizarea ta vei ine cont de urmtorii parametri:
- Ilustrarea, prin citate commentate, a dou trsturi de portret fizic i a dou trsturi de
caracter ale personajului;
- Relevarea a dou modaliti de caracterizare a personajului i ilustrarea, cu dou
exemple, a acestora;

- Precizarea statutului social, psihologic, moral, a ipostazei personajului, prin raportare

la tipul uman cruia i aparine;
- Raportarea la un alt personaj din alt oper, ce reprezint acelai tip uman, evideniind
dou asemnri i dou deosebiri.

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Succes!