 

FUJI X SĂP-
TĂMÂNAL

Rețeta mea de
simulare a filmului
Fujifilm X100F Fuji-
color Superia 800
(PRO Neg. Std)
 3 februarie 2018 de Ritchie Roesch

Caramel Macchiato – Sandy, UT – Fujifilm X100F

În vremurile când filmam multe filme,

foloseam de obicei ISO-uri de 25, 50, 64,
100 și 160. Aș considera filmul ISO 400
drept alegerea mea pentru ISO ridicat (da,
am considerat ISO 400 să fie ISO ridicat!),
dar uneori asta nu a fost suficient. Pentru
fotografia alb-negru au existat mai multe
opțiuni bune (în cea mai mare parte care
implică un proces push), totuși, pentru
culoare, alegerile pentru un film bun cu
ISO de peste 400 erau puține și departe.
Când aveam nevoie de ceva mai rapid
decât ISO 400 pentru lucrul color, cele
două opțiuni cu care mergeam de obicei
erau Fujicolor Pro 800Z și Fujicolor
Superia 800.

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···

Fujicolor Pro 800Z a fost un film bun

pentru portrete de interior. Avea culori
dezactivate, contrast scăzut, o culoare
galbenă foarte ușoară, tonuri precise ale
pielii și granulație fină (pentru filmul ISO
800). A fost destul de popular printre
fotografii de nuntă și evenimente. Pentru
pozele cu oameni în lumină scăzută, a fost
cea mai bună opțiune. L-am folosit de
cateva ori.

Fujicolor Superia 800 a fost o alegere de

film mai bună pentru alte lucruri decât
portrete. Dintre cele două filme, a avut
mai multă saturație a culorilor, mai mult
contrast, o culoare verde, nuanțe de piele
mai puțin precise și mai multă granulație.
A fost alegerea mai îndrăzneață, mai
puternică și mai puternică dintre cele
două. Nu că ar fi fost deosebit de sălbatic
(pentru că nu era), dar Pro 800Z, deși
putea fi frumos, era deosebit de fad (de
aceea era bun pentru pozele cu oameni).
Am folosit Superia 800 mult mai des decât
Pro 800Z.

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···

Având în vedere acest lucru, mi-am

propus să creez un facsimil pentru Superia
800 cu Fujifilm X100F al meu. Am vrut ca
în camera să creez aspectul filmului de
mare viteză. Am experimentat cu diferite
simulări și setări de film și am reușit să
obțin ceva similar cu filmul, folosind PRO
Neg. Std ca punct de plecare. Nu este o
potrivire 100%, dar simt că este suficient
de convingător încât aș putea să pot păcăli
pe cineva să creadă că am folosit filmul
real în loc de captură digitală.

Schiță lângă o fereastră – Sandy, UT – Fujifilm

X100F

O problemă pe care o am cu această rețetă

de simulare a filmului este boabele
filmului. Chiar și cu un efect de granulație
puternic selectat, nu este la fel de granulat
ca Superia 800 (mai precis, boabele
artificiale sunt prea mici). De fapt, s-ar
putea să nu fie la fel de granulat ca Pro
800Z! Dacă ar exista o opțiune de efect de
cereale extra-rezistentă, aș alege-o în
schimb, dar din păcate nu există. Cred că
este suficient de granuloasă pentru a da
impresia corectă, chiar dacă este inexact.

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···

Un alt lucru care nu este deloc corect la

rețeta mea de simulare a filmului este că
tonurile pielii sunt prea precise în
comparație cu filmul. Superia 800 nu a
redat pielea umană la fel de frumos ca
aceste setări. Chiar dacă nu este adevărat
filmului în acest sens, ar putea fi privit ca
un pozitiv și nu un negativ.

În caz contrar, rețeta mea Fujicolor

Superia 800 Film Simulation produce un
aspect de film analog convingător, oferind
rezultate plăcute într-o varietate de
situații. L-am folosit pe scară largă de
când l-am creat acum o săptămână. Sunt
foarte mulțumit de modul în care redă
fotografiile, așa că anticipez că va fi una
dintre opțiunile mele preferate de
simulare a filmului. Cred că este unul
dintre cele mai bune pe care le-am
descoperit până acum. Vă invit să
încercați și voi!

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···

PRO Neg.
Interval dinamic
standard : DR200 Evidențiere: +1
Umbre: +2
Culoare: +4
Reducere zgomot: -3
Clarificare: +1
Efect granulare:
Balans de alb puternic: Auto, -2 Roșu și -3
Albastru
ISO: Auto până la ISO 6400
Expunere Compensare: +2/3 (de obicei)

Exemple de fotografii, toate imaginile

JPEG direct din cameră capturate folosind
rețeta mea Fujicolor Superia 800 Film
Simulation:

Roșu latent – South Weber, UT – Fujifilm X100F

Pod abandonat peste râul Weber – South Weber,

UT – Fujifilm X100F

Weber Canyon Moonrise – South Weber, UT –

Fujifilm X100F

Atenție la T-Rex – Ogden, UT – Fujifilm X100F

Lost Trail – Ogden, UT – Fujifilm X100F

Baby Swing – Ogden, UT – Fujifilm X100F

Plimbare în cartier cu Johanna – South Weber, UT

– Fujifilm X100F

Imprimare suspendată – South Weber, UT –

Fujifilm X100F

Parcat singur – Ogden, UT – Fujifilm X100F

Pigeon Window – SLC, UT – Fujifilm X100F

Iluminare dezactivată – SLC, UT – Fujifilm X100F

Frumusețe iluminată – SLC, UT – Fujifilm X100F

Masuta de cafea – Sandy, UT – Fujifilm X100F

Coffee Shop Latte – Sandy, UT – Fujifilm X100F

Cafea Caramel – Sandy, UT – Fujifilm X100F

Biscuiți cu zmeură – Sandy, UT – Fujifilm X100F

Cake Slice For Two – Sandy, UT – Fujifilm X100F

Tort delicios – Sandy, UT – Fujifilm X100F

Vezi și:
My Fujifilm X100F PRO Neg. Salut Rețeta
de simulare a filmului Rețeta
mea de simulare a filmului Fujifilm X100F
Vintage Kodachrome Rețeta
mea de simulare a filmului Fujifilm X100F
Classic Chrome Rețeta
de simulare a filmului Fujifilm X100F Astia
Rețeta
mea de simulare a filmului Fujifilm X100F
Velvia

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82 comments

Alexander Chernov · February 4, 2018

Thank you so much! I am going to try

your settings. I have been using x100f
since June but I am still to find my go
to settings. The problem is that I don’t
know what I want :)))))

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Reply

Ritchie Roesch · February 4, 2018

Thanks for commenting, Alexander!

I’ve found some different settings
that I like, but this recipe has already
become one of my favorites. I hope
you enjoy it, too.

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Reply

Alexander Chernov · February 6, 2018

Hi Ritchie! I gave it a try. I am

pleased with the results I had.
Take a look at my last post
Thank you. A bit too greenish, but
it’s ok.

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Ritchie Roesch · February 7, 2018

Be sure to leave a link, Alexander!

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1. Pingback: Fujifilm X-A3 – My New

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davidvv · February 13, 2018

I found your blog by absolute

coincidence. You are delivering some
amazing stuff!

I have a question about the WB-shift. Is

it possible to make it from the Q menu,
and have it stored in different pressets,
or do I have to go to the General menu
and adjust it there every time?

Thank you!

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Reply

Ritchie Roesch · February 13, 2018

Thanks, David, for your comment! I

appreciate your kind words!
Unfortunately, there are no presets
or shortcuts (that I know of) for
white balance shift, and so you have
to set it ahead of time and not forget
to change it later.

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Reply

Luís Costa · May 15, 2018

Hi Ritchie,

First of all, let me say that I

absolutely LOVE your film
simulation recipes, the
kodakchrome became an instant
favorite the minute I tried it and
I’m actually starting to ditch raw
PP in favor of the camera jpgs!

As for the white balance, you can

save 3 custom WB shift presets, I
use that all to time to switch
between personalized settings.

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Ritchie Roesch · May 20, 2018

Thanks for the tip!

https://fujixweekly.wordpress.co
m/2018/05/20/possible-
workaround-for-custom-white-
balance-shift/

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Luís Costa · June 13, 2018

I’ve been using this simulation a lot

these last few days and I’m loving it,
great tones straight out of the camera!
Here’s some examples: https://life-
unintended.tumblr.com/post/17485218
3085/lake-life-lake-como-13th-of-
june-2018

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Reply

Ritchie Roesch · June 13, 2018

It really fits the mood of a rainy day.

Nice shots, thanks for sharing!

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Reply

Luís Costa · June 16, 2018

That’s what I thought too.

Fortunately it has been sunny
these last couple of days, so your
Kodachrome simulation has been
my default for that classic
summer vibe!

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Ektar 100 Film Simulation Recipe | Fuji
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Igor · October 8, 2018

I am so happy that I found your

website. I love your color recipes!
However, I found your Superia preset
to be a bit greenish, is that the case
with original film as well?

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Reply

Ritchie Roesch · October 8, 2018

Thank you! Yes, the film has a bit of

a yellow-green color cast.

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Sharon · October 26, 2018

Funny. I grew up with the same

impression: 400 iso was the film for
complete darkness, 800 was something
zi knew existed, 1600 was something I
read about once or twice. My dad
loaded his Olympus pen EE3 almost
exclusively with Gold 200. When I used
400 iso, he said “are you CRAZY? Do
you plan to shoot pitch black scenes?..”

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Reply

Ritchie Roesch · October 26, 2018

That’s really funny! It’s amazing how

far digital camera technology has
taken us, and how quickly we have
forgotten the way things used to be.
Thanks for sharing, Sharon!

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Reply

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JJ King · May 18, 2019

Hey! Love your recipes. Quick

question, can you set a different white
balance shift for different recipes
becuase I just noticed when I switch to
a different recipe, it keeps the same
white balance.

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Reply

Ritchie Roesch · May 18, 2019

Thank you! Unfortunately, there’s no

way to save custom white balance
shifts with each preset.

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Reply

𝕯eathBecomesMe® (@DeathBecomes_Me) ·
June 23, 2019

I absolutely love these settings for my

x100f!

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Reply

Ritchie Roesch · June 23, 2019

Glad that you like it!

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Nano · October 1, 2019

Hi Ritchie, Thanks for all the amazing

recipes. I recently bought an x100f and
of the 7 custom settings available 4 of
them have been set up by from your
amazing recipes. I could not get the
custom WB right for the Kodak Portra
400 one. Would you be able to make an
blog on how you did set it up. May I
please know if you use centre weighed
metering or spot metering. I use spot
and could see some images a bit
overexposed on some images even at
1/3 exp.
Thanks

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Reply

Paul · October 11, 2019

One of the things that surprise me is

the fact that all your recipes are
typically requiring positive exposure
compensation. I’ve always shot my
photos on the left of the histogram to
protect my highlights as I’ve always felt
shadows are the easiest to recover,
plus I like shadows. Speaking strictly in
terms of digital photography. I’m
always worried that shooting +2.3 for
example, and digital cameras often
over expose to begin with, will affect
my raw files negatively. Any feedback
would be welcome. Thanks

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Reply

Ritchie Roesch · October 11, 2019

These recipes are designed for and

are typically used by those who
shoot JPEGs, so they’re not worried
about RAW. I personally try to get
the exposure right to start with, and
I don’t bother with neither highlight
nor shadow recovery because I am
not usually manipulating my
pictures. But feel free to “season to
taste” any recipe, and find what
settings work best for you. If
underexposing and adjusting in post
works for you, then do it. That’s my
advice.

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Reply

Tim Bindner · October 26, 2019

Great recipe. Will you be creating a

Classic Negative for those of us who
cannot afford and Xpro3?

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Reply

Ritchie Roesch · October 26, 2019

I will certainly try! I have to get a

better look at it first, though.

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Reply

Tim Bindner · October 26, 2019

Believe me it is much appreciated.

I love your Eterna recipe but this
may replace it.

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francisywk · December 4, 2019

I like this recipe a lot. But may I ask if

you know how to tweak the recipe a
little to resemble the ISO 200 version
(Superia 200) of this film? Thanks in
advance!

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Reply

Ritchie Roesch · December 5, 2019

Thank you! I’ve tried a few times, but

never satisfied with the results. The
new Classic Negative film simulation
on the X-Pro3 looks like a close
match, though.

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Dreary Day with Fujicolor Superia 800 |
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Sivert Almvik · May 27, 2020

Back in the day I only ever used two

films: Superia 800 and Tri-X 400. A few
news paper photographers I knew back
then, that hadn’t yet switched to
digital, swore to the Superia 800 and I
quickly understood why and “copied”
their approach. Your film simulation
recipe of Superia 800 is spot on!
Excellent work.

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Reply

Ritchie Roesch · May 27, 2020

Thank you so much for the

feedback! I really appreciate it. I’m
glad to hear that you find it to be
accurate. Take care!

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Reply
 Evgeniy · May 27, 2020

Are you planning to try creating a

fujicolor PRO 800Z?

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Reply

Ritchie Roesch · May 27, 2020

I did try before without success, but

I would love to. I’ll try again when I
get a chance.

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Simulation Recipe: Fujicolor Superia
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ValleyObservatory · January 7, 2021

Hi Ritchie,

Great simulation as always. How do

you think it would need to be tweaked
in order for it to mimic my favourite
film of all time – Fujicolor Press 800? It
looks pretty close already.

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Reply

Ritchie Roesch · January 9, 2021

Hmmm, I’m not real sure. I’ve never

shot Press 800, and I haven’t
researched it much at all (yet), but
I’ll have to add that to my list. Thank
you!

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ValleyObservatory · January 10, 2021

Hi again Ritchie, I’d be happy to email

you some Press 800 scans if you think
it would be helpful.

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Reply

ValleyObservatory · January 10, 2021

(sorry this was supposed to be in

reply to your reply!)

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Reply

Ritchie Roesch · January 10, 2021

Yeah, or if you have them

somewhere else (Flickr, IG, etc), that
works, too. My email is
roeschphotography@yahoo.com

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Reply

nathanielsy · January 11, 2021

Greetings Ritchie,

I greatly appreciate all your efforts in

composing these film simulations! May
you receive all the encouragement and
commendation for a job well done. My
question is, would this specific X-Trans
III simulation as well as Vintage
Kodachrome and Kodachrome II work
on a Fujifilm XT3?

Thank you.

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Reply

Ritchie Roesch · January 11, 2021

Yes, they do! There’s very little

difference between how X-Trans III
& X-Trans IV renders pictures, so it
will look nearly identical on the X-T3
(I’ve used both this recipe and
Vintage Kodachrome on my X-T30
with great success). I appreciate
your kind words!

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Reply

nathanielsy · January 12, 2021

Alright. Though, as one of the

issues with regards to saving film
simulations, WB, it’s going to be
tough managing the figures (R, B)
by memory
(https://fujixweekly.com/2018/0
5/20/possible-workaround-for-
custom-white-balance-shift/).
Just want to clarify if such an
issue is found on the XT3 as well?
(and that only the newer cameras
like the XPro3, X100v, XT4, XS10
could adjust the white balance
independently per preset). The
Auto Custom WB’s banks don’t
really exhibit AUTO WB but
would depend on the gray card
you would need to shoot and
adjust the WB with? Thanks
again, Ritchie.

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Ritchie Roesch · January 12, 2021

Yeah, only the X-Pro3, X100V, and

X-T4 can save WB Shifts in the
presets (maybe the X-S10, too,
although I’ve heard it doesn’t save
custom presets, but is more like
the X-T200; I haven’t verified
this). So the X-T3 doesn’t have
this capability, which is
something that Fujifilm could fix
with a firmware update (hint,
hint, Fujifilm, if you’re listening).
Correct, Custom WB is a custom
measurement, so you’ll have to
remeasure anytime the light
changes.
I hope this helps!

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nathanielsy · January 12, 2021

• Definitely. It helps me to
motivate myself to use my brains
to remember them WB shift
settings. OR, just write it down on
the custom name presets.

• What are recommended Film

Sims for indoors? I kind of
preferred the Portra 400 over the
Kodachrome 64 as the latter’s
shadow tones seem to be harsh.

•Also, any word on the release of

the “Top 10 Film simulation
presets of 2020” article?

• Thanks again, Ritchie.

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Ritchie Roesch · January 12, 2021

Just published the Top 20 of

2020!

For indoors, kind of depends on

what you’re after, but Agfa
Optima, X100F Fujicolor Superia
800, Fujicolor 100 Industrial, and
Analog Color are good options.

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nathanielsy · January 12, 2021

Thank you so much for the

recommendations! I’ll look into
them. I wad requesting for ideal
indoor situations simply because
we’re avoiding going out that
much due to our circumstances.

By the way, I came across this

comment of yours from the X100F
Portra 400 page: “Custom white
balance is a custom
measurement. For things like
“Daylight” it might be feasible to
use Custom WB (simply measure
a typical daylight lightening
situation), but for AWB or a
specific Kelvin value, it seems to
me that Custom WB wouldn’t
work. I guess for AWB, if you are
constantly remeasuring the WB
every time the light changes, that
might also work, but is perhaps
more effort than it’s worth?”—
With that said, so I could use
CWB for this specific film recipe
on the XT3 such that lighting
changes won’t affect white
balance? (Actually, I really like the
XT3/30 Portra 400 film recipe
that I kind of want the “set it and
forget it” for it on my custom
presets).

THANKS AGAIN, RITCHIE.

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Ritchie Roesch · January 12, 2021

Yeah, so you could, but indoor

light changes significantly
depending on if it’s natural or
artificial (and what artificial). But
you could find a measurement
that you are happy with and “set
it and forget it.” Really, it’s finding
what works for you. It might take
some experiments.

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nathanielsy · January 12, 2021

I see, Ritchie. Oooh, FUJI, please

acknowledge Ritchie’s Fuji X
Weekly Film Sim compositions
AND update all the XT3/XT30
FWs such that White Balance
Shifts can be independently set
for each custom setting using
similar White Balance presets.

As usual, Ritchie, I really

appreciate your immediate
responses despite doing this site
on the side. And I’m pretty certain
others are grateful for your
contributions as well. Definitely,
it will take you to new heights
that you would think it’s
unimaginable.

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Ritchie Roesch · January 13, 2021

I appreciate it so much! Fujifilm

knows about this website, but I
don’t know how much they dig
into it or how often they read it,
but I hope they listen! Take care!

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khoi Khuong · January 28, 2021

Can I use this for my xt200

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Reply

Ritchie Roesch · January 28, 2021

You can, and feel free to try, but it

won’t look exactly the same. You
might or might not like the results. If
you do try it, let me know what you
think.

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Miguel Tejada-Flores · September 14, 2022

I have to say, Ritchie, that this

particular Simulation is on its way to
becoming possibly my favorite
FujiXWeekly recipe of all time – and for
that, again, I cannot thank you enough.

Quick explanation: I recently literally

‘downsized’ from an X-Pro3, which I
had been using extensively for the last
year or so, to an X-T3, for several
reasons (I like smaller camera bodies,
and also I am addicted to detailed
EVF’s, two categories which the XT3
wins hands down against the XPro3).
But in the process I lost both the X-
Trans IV recipes I had been fond of, as
well as the XPro3’s default Classic Neg
setting. Hence my new interest in X-
Trans III (and X-T3 specific) recipes.
And—

From my admittedly unscientific and

subjective perspective, your Superia
800 comes closer to what I liked about
Classic Neg… than anything else I’ve
run across. So, sorry for repeating
those two words again, but…THANK
YOU.

Also, for your amusement, you might

want to take a quick look at this short
link–

https://cameraderie.org/threads/fun-
with-film-simulation-recipes.54185/

–where I posted some comparison

shots of the current X-Trans III/X-T3
recipes I am experimenting with. As
you’ll see if you skim through it, most
of my favorite recipes come from your
own Mad-Fujiholic-Scientist’s brain…
something I am grateful for.

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Reply

Ritchie Roesch · September 15, 2022

Thank you very much for your

kindness! I’m so glad that you like
this Superia 800 recipe—it’s perhaps
my favorite recipe of all-time for
cloudy/dreary days, so be sure to
use it on a day like that . Your
experiment with the typewriter was
quite fascinating, thanks for sharing!

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Fujifilm X-Trans V

Nou: Ricoh GR III / GR IIIx HDF

Rețetă de simulare a filmului PRO negativ 160C pentru

Fujifilm X-Trans IV și X-Trans V

Cele 5 rețete preferate de simulare a filmului care

folosesc Nostalgic Neg.

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