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Portile raiului si iadului / The Gates of Heaven and Hell Les Portes du Paradis et de l'Enfer
Dan Mirahorian articol aparut in : http://www.danmirahorian.ro/
Copyright 2013 All Rights Reserved
!adul si raiul sunt doua programari ale transei sau ale visului individual si colectiv. "oar atunci cand alegi sa practici ase#area in pre#enta constienta$ poti sa trans%ormi iadul in rai si sa te eli&ere#i din vis$ sa te tre#esti / 'ell and heaven are two programmings o% the collective and individual trance or dream. (nly when you choose to settle yoursel% in aware presence$ you can turn the hell into heaven and then you can &e %ree %rom the dream and to wa)e up *+irahorian,
Cuprins Introducere 1. Povestire en! Portile raiului si iadului / The Gates of Heaven and Hell / Les Portes du Paradis et de l'Enfer 1.1. Co"entariul lui #sho si note de Mirahorian 2. Du"ne$eul din noi / God %ithin &ou * "on +iguel Rui# , 'i(lio)rafie Ane-a 1 . *ariante ale povestirii $en * titluri+ persona,e, Ane-a 2 . -e"nificatia titlului! .# pasare intr/o aripa / 0 'ird on the %in). Ane-a 3 / Don Mi)uel 1ui$ despre visul colectiv si individual de iad si de rai Ane-a / . 0 'ird on the %in) 2 Chapter 3! The Gates of Heaven and Hell 4
Ane-a 0 1 Citate ale lui #sho despre 1ai si iad / #sho 5uotes on Heaven and Hell Introducere Raiul si iadul nu sunt locuri$ ci doua programari$ care se mani%esta aici si acum. !isus a indicat cele doua stari de transa * 1. transa centri%uga a reactivului $ care are centrul in a%ara . acesta este visul iadului si 2. transa centripeta a su&iectivului care are centrul in interior . acesta este visul raiului ,$ atunci cand a spus ca unde iti este comoara *identi%icarea$ iu&irea,$ acolo iti este si inima *atentia a%ectiva, . "aca iti %aci un "umne#eu din avere *&ani,$ din %unctie$ din rang$ din statutul social *economic$ polititic$ pro%esional, $ din nume *renume$ %aima,$ adica din ceea ce iti poate %i luat ori %urat oricand sau din ceea ce se strica si rugineste$ atunci esti in iad$ %iindca nu mai traiesti &ucuria momentului pre#ent $ ci agonia si su%erinta prile2uita de asteptarea pierderii %iintei sau lucrului pe care.l iu&esti. 3e identi%icam si ne atasam de cartile pe care le.am citit$ de cantecele care ne.au miscat$ de opinii si de pareri pe care le.am impartasit * re#onat, si apoi ne identi%icam cu ele si devenim pri#onieri ai unor modele despre realitate sau a unor credinte. asta ne %ace apoi sa su%erim cand sunt criticate$ demolate sau inlocuite. "aca ne identi%icam cu viata corpului$ care este o &oala cu %inal asteptat * moartea,$ atunci este %iresc sa traim in su%erinta$ pri#onieri ai transei sau a visului de cosmar numit iad. "aca iti %aci un "umne#eu din corpul tau sau al altei persoane * copilul tau$ mama$ tata$ %iinta pe care o iu&esti,$ pe care o iu&esti *a se citi : identi%ici,$ atunci traiesti in iad . 4orunca in care !isus spunea ca sunt cuprinse toate legile este sa iu&esti pe "umne#eul tau din tot su%letul tau $ adica sa nu.ti %aci dumne#ei in a%ara$ sa nu.ti %aci idoli %i#ici si mentali * din ceea ce stii $ din lucruri e%emere , : 56 iu&e7ti pe "omnul$ "umne#eul t6u$ cu toat6 inima ta$ cu tot su%letul t6u$ 7i cu tot cugetul t6u. *+atei 22.38,. "aca ai centrul in a%ara nu poti sa ai centrul inlauntru tau * sa te iu&esti cu adevarat pe tine ,$ unde se a%la imparatia lui "umne#eu. !isus a spus: !mparatia lui "umne#eu nu vine in asa %el ca sa i#&easc6 privirile. 3u se poate #ice: 9ite.o aici: sau: 9ite.o acolo: Caci iata c6 !mparatia lui "umne#eu este inlauntrul vostru *;uca 18.20.21< Rom.1//.18< =ers.23,>. "aca ai centrul in a%ara nu esti dintr.o &ucata*nondual,$ unit cu tine $ ci de#&inat$ iar din aceasta cau#a !isus spunea : =6 mai spun iar67i c6 este mai u7or s6 treac6 o c6mil6 prin urechea acului$ dec?t s6 intre un &ogat @n @mp6r6Aia lui "umne#eu. *+atei 1B.2/,. "ualitatea * %unctionarea mi2locita sau rupta de ceea ce este , este re#ultatul pri#onieratului in minte * realitatea virtuala a um&relor si re%lectiilor proiectate de catre simturi pe oglinda sau pe ecranul mental ,. Cli&erarea din aceasta realitate virtuala a oglin#ilor si um&relor inseamna sa intri in non.minte * sa te tre#esti, si asta repre#inta s%arsitul iadului si accesul in lumea raiului * o starea caracteri#ata de %ericire neconditionata sau de prea%ericire$ numita in l&. sans)rita: ananda ,. +intea *pri#onieratul in minte, este iadul iar non.mintea *eli&erarea din minte< tre#irea, este raiul / +ind is hell and no.mind is heaven *(sho,. 4entru intelegerea pri#onieratului in realitatea virtuala numita ecran mental sau oglinda mentala$ va rog sa vedeti articolul: # realitate separata/ 0 -eparate 1ealit6 http://www.scri&d.com/doc/28/D/E00/ http://www.danmirahorian.ro/RCA;!FAFC.5C4ARAFA.pd%
"aca nu te.ai eli&erat din minte in cursul vietii $ atunci nu te.ai eli&erat nici dupa moarte$ %iindca si dupa eli&erarea din corp se pastrea#a identi%icarea sau captivitatea in minte. "in aceasta cau#a 4arintele Arsenie Goca spunea ca : Cine nu se eli&erea#a aici$ nu este eli&erat nici dupa moarte / 5a nu credeti ca veti intra dupa moarte in imparatia in care n.ati trait pe pamant Cli&erarea din minte poate %i regresiva *intoarcere la animalitate, sau progresiva * accesul la %a#a urmatoare prin intoarcerea la divinitate$ in taramul din care am ca#ut ,. *edeti articolul! 1e"ediul la sinuciderea individuala si colectiva este tre$irea+ eli(erarea+ a doua nastere 2"o7sha8 "oartea "istica 4 http://reteaualiterara.ning.com/group/caleaeli&erarii/%orum/topics/remed iul.la.sinuciderea Aceasta introducere va poate %ace de2a sa intelegeti ca pri#onieratul in transa sau in visul iadului este legata de programarea primita in cursul dresarii sau conditionarii * in care vi se impun modele morale$ de conduita si de reusita de catre cei care nu inteleg ca ast%el va contaminea#a cu o programare pentru ratare$ su%erinta si instrainare de adevarata dvs. identitate$ in care in locul iu&irii$ apare ura si dispretul %ata de sine si %ata de semeni. aceasta este eroarea celor care in locul tre#irii sau a i#vorului tuturor virtutilor$ %ac propaganda e%ectelor: virtutilor morale$ iu&irii , . A iu&i pe cineva$ ca pe tine insuti $ nu inseamna a.l %orta sa inghita ceva care tie iti place si consideri ca este &un. Hara modele$ traindu.ti viata$ %iind tu insuti$ nu e-ista ratare$ %rustrare$ instrainare$ ci in%lorire a vietii$ implinire$ rai permanent . ;a aceeasi conclu#ie au a2uns si alte traditii spirituale$ cum ar %i cea tolteca $ taoista si #en$ pe care le a&ordea#a in cartile lor si autorii citati in acest acest articol. ;ectura acestor randuri este o investitie in dumneavoastra %iindca poate sa declanse#e in %iecare cititor e-perienta aha $ e-perienta descoperirii si intelegerii modalitatii de eli&erare din lumea ne%ericirii : !adul si raiul sunt inlauntrul tau$ am&ele porti sunt in tine. Cand alegi sa %ii lipsit de pre#enta constienta * sa %ii a&sent$ sa %ii locuit$ trait, intri pe poarta iadului< cand devii alert si constient intri pe poarta raiului / 'ell and heaven are within you$ &oth gates are within you. Ihen you are &ehaving unconsciously there is the gate o% hell< when you &ecome alert and conscious$ there is the gate o% heaven. *(sho, !adul sau raiul sunt aici 7i acum. 3u tre&uie s6 a7teptaAi s6 muriAi *ca s6 le cunoa7teAi,. "ac6 v6 veAi asuma responsa&ilitatea pentru propria dumneavoastr6 viaA6$ pentru propriile acAiuni$ atunci viitorul se a%la in mainile dvs * v6 veAi putea modela viitorul a7a cum veAi dori, 7i veAi putea tr6i @n rai in timp ce corpul dvs este in viaA6 * chiar @n timpul acestei vieAi,. *"on +iguel Rui# +aiestria in iu&ire / Fhe +astery o% ;ove , 4entru a intelege despre ce este vor&a incepem prin a ilustra tema eli&erarii din iad cu o povestire Jen si cu citate din discursurile lui (sho si din cartea lui "on +iguel Rui# +aiestria in iu&ire / Fhe +astery o% ;ove ,. "upa ce ati inteles despre ce este vor&a incepeti sa practicati deprogramarea sau de#vatarea *eliminarea identi%icarilor$ programelor eronate, prin ase#are #ilnica in pre#enta constienta * %iindca deplasarea inertiala pe %ostul drum nu incetea#a instantaneu si nu se trans%orma intr.o noua programare %ara practica repetata,. Asta este tot.
Povestire en! Portile raiului si iadului / The Gates of Heaven and Hell / Les Portes du Paradis et de l'Enfer KD>
9n samurai pe nume 3o&ushige$ s.a dus la maestrul #en 'a)uin si l.a @ntre&at: C-ista cu adevarat raiul si iadul L Cine esti tuL l.a @ntre&at 'a)uin. 5unt un samurai $ a r6spuns el. Fu$ un samuraiL se mira 'a)uin. Ce no&il te.ar lua pe tine @n garda luiL Ai %igura unui cer7etor : 3o&ushige s.a m?niat a7a de tare$ c6 a dat s6.7i scoat6 sa&ia din teac6$ dar 'a)uin a continuat: . A$ deci ai o sa&ie: 4arie# ca.i prea tocita ca sa.mi taie capul.: C?nd 3o&ushige 7i.a tras sa&ia din teaca$ 'a)uin @i spuse: Asa se deschid portile in%ernului: ;a aceste cuvinte$ samuraiul$ @nteleg?nd @n s%?rsit pilda maestrului$ 7i.a pus sa&ia @n teac6 si s.a @nclinat. Asa se deschid portile raiului $ #ise atunci maestrul. A soldier named 3o&ushige came to 'a)uin$ and as)ed: !s there really a paradise and a hellL Iho are youL inMuired 'a)uin. ! am a samurai$ the warrior replied. Nou$ a soldier: e-claimed 'a)uin. Ihat )ind o% ruler would have you as his guardL Nour %ace loo)s li)e that o% a &eggar. 3o&ushige &ecame so angry that he &egan to draw his sword$ &ut 'a)uin continued: 5o you have a sword: Nour weapon is pro&a&ly much too dull to cut o%% my head. As 3o&ushige drew his sword 'a)uin remar)ed: 'ere open the gates o% hell: At these words the samurai$ perceiving the masterOs discipline$ sheathed his sword and &owed. 'ere open the gates o% paradise$ said 'a)uin. Le Moine et le -a"ura9 9n 5amouraP se prQsenta devant le +a@tre Jen 'a)uin et lui demanda : N a.t.il rQellement un paradis et un en%er L Rui es.tu L demanda le +a@tre. Se suis le 5amouraP... Foi$ un guerrier : sOe-clama 'a)uin. +ais regarde.toi. Ruel seigneur voudrait tOavoir T son service L Fu as lOair dOun mendiant. ;a colUre sOempara du samouraP. !l saisit son sa&re et dQgaina. 'a)uin poursuivit : Ah &on$ tu as mVme un sa&re$ prVt T %rapper le +a@treW A ce moment celui.ci dit : !ci sOouvrent les portes de lOen%er. +ais surpris par la tranMuille assurance du moine$ le samouraP rengaina son sa&re et sOinclina. !ci sOouvrent les portes du paradis $ lui dit alors le +a@tre. *e-trait ;es contes des arts martiau- ,
Alte variante ale acestei povestiri #en se a%la in 0ne:a 1 Co"entariu (sho in capitolul 3 *.Portile raiului si iadului ./ .The Gates of Heaven and Hell., din cartea .# pasare intr/o aripa . / 0 'ird on the %in) . K8> * o pasare care #&oara doar cu mintea este o pasare care #&oara doar cu o singura aripa< vedeti semni%icatia acestui titlu in citatele din aceasta carte a%late in Ane-a 2, Acest samurai a venit cu o @ntre&are simpl6. Cl nu era interesat de scripturi$ de preA$ 7i nici de un r6spuns ver&al *teoretic,. Cl era interesat de realitate. 5i ce a %6cut 'a)uin L Cl l.a intre&at: Cine e7ti tuL 7i r6#&oinicul a r6spuns: Cu sunt un samurai. !ar s6 %ii un samurai @n Saponia era un lucru de mare m?ndrie. Aceasta @nseamna sa %ii un r6#&oinic des6v?r7it$ un om care in nicio clip6 nu va e#ita s6.7i dea viaAa. 4entru el$ viaAa 7i moartea sunt doar un 2oc. Cl a spus$ Cu sunt un samurai$ eu sunt un lider al samurailor Chiar @mp6ratul m6 respect6 . *3ota "+: 'a)uin l.a intre&a cine este$ ca sa a%le identi%icarea care.l locuia$ care traia in locul lui , Fhis samurai had come with a simple Muestion. 'e was not interested in scriptures$ not in cost$ not in any ver&al answer. 'e was interested in reality. And what did 'a)uin doL 'e said$ Iho are youL And the warrior replied$ ! am a samurai. !t is a thing o% much pride to &e a samurai in Sapan. !t means &eing a per%ect warrior$ a man who will not hesitate a single moment to give his li%e. Hor him$ li%e and death are 2ust a game. 'e said$ ! am a samurai$ ! am a leader o% samurais. Cven the emperor pays respect to me. 'a)uin r?s 7i a spus$ Fu$ un samuraiL Ar6Ai ca un cer7etor. +?ndria samurai a %ost r6nit6$ ego.ul lui lovit cu ciocanul. Cl a uitat pentru ceea ce a venit . A scos sa&ia 7i a %ost aproape de a.l ucide pe 'a)uin. A uitat c6 a venit la acest maestru s6 @ntre&e unde este poarta raiului$ s6 @ntre&e unde este poarta de iad. Apoi 'a)uin r?s 7i a spus$ Aceasta este poarta iadului. Cu aceast6 sa&ie$ cu aceasta %urie$ cu acest ego L* 3ota "+: cu aceasta identi%icare automata in care tu esti a&sent,$ aici se deschide poarta *iadului,. Aceasta este ceea ce un r6#&oinic poate @nAelege. !mediat el a @nAeles: Aceasta este poarta. Cl a pus sa&ia @napoi @n teac6. 5i 'a)uin a spus$ Aici se deschide poarta raiului. 'a)uin laughed and said$ Nou$ a samuraiL Nou loo) li)e a &eggar. Fhe samuraiXs pride was hurt$ his ego hammered. 'e %orgot what he had come %or. 'e too) out his sword and was 2ust a&out to )ill 'a)uin. 'e %orgot that he had come to this master to as) where is the gate o% heaven$ to as) where is the gate o% hell. Fhen 'a)uin laughed and said$ Fhis is the gate o% hell. Iith this sword$ this anger$ this ego$ here opens the gate. Fhis is what a warrior can understand. !mmediately he understood: Fhis is the gate. 'e put his sword &ac) in its sheath. And 'a)uin said$ 'ere opens the gate o% heaven. !adul si raiul sunt inlauntrul tau$ am&ele porti sunt in tine. Cand alegi sa %ii lipsit de pre#enta constienta * sa %ii a&sent$ sa %ii locuit$ trait, intri pe poarta iadului< cand devii alert si constient intri pe poarta raiului / 'ell and heaven are within you$ &oth gates are within you. Ihen you are &ehaving unconsciously there is the gate o% hell< when you &ecome alert and conscious$ there is the gate o% heaven. * (sho ,
Ce s.a @nt?mplat cu acest samurai L Cra el con7tient$ atunci c?nd era pe punctul de a.l ucide pe 'a)uin L Cra el con7tient de ceea ce era pe cale de a %aceL Cra con7tient de motivul pentru care a venit la maestru L Foat6 con7tienAa a disp6rut * 3ota "+: in clipa in care s.a l6sat ocupat$ colorat si or&it de identi%icare si de %urie. reactia de ap6rare a acestei %alse identit6Ai ,. C?nd ego.ul preia conducerea nu poate e-ista pre#enA6 con7tient6 *3ota "+: %alsele identi%icari elimina pre#enta constienta si se su&stituie realitatii declansand a&senta noastra,. Cgo.ul este un %el de drog$ care te im&ata$ care te %ace complet incon7tient. Fe comporAi si actione#i automat$ iar actul vine din inconstient$ nu din constiinta voastra. 5i ori de c?te ori vreo acAiune vine din inconstient * din a&senAa ta,$ se deschide poarta iadului . !mediat samuraiul a devenit alert. "intr.o dat6$ atunci c?nd 'a)uin a spus$ Aceasta este poarta *iadului ,$ pe care de2a aAi deschis.o . aceast6 situaAie tre&uie s6 %i creat vigilenA6. Ihat happened to this samuraiL Ihen he was 2ust a&out to )ill 'a)uin$ was he consciousL Ias he conscious o% what he was a&out to doL Ias he conscious o% what he had come %orL All consciousness had disappeared. Ihen the ego ta)es over$ you cannot &e alert. Cgo is the drug$ the into-icant that ma)es you completely unconscious. Nou act &ut the act comes %rom the unconscious$ not %rom your consciousness. And whenever any act comes %rom the unconscious$ the door o% hell is open. Ihatsoever you do$ i% you are not aware o% what you are doing the gate o% hell opens. !mmediately the samurai &ecame alert. 5uddenly$ when 'a)uin said$ Fhis is the gate$ you have already opened it Y the very situation must have created alertness. "oar imaginaAi.v6 ce s.ar %i putut @nt?mpla dac6 tu ai %i %ost un r6#&oinic$ dac6 tu ai %i %ost samuraiul$ cu sa&ia @n m?n6$ tocmai pe calea de a ucide. 9n singur moment mai mult 7i capul 'a)uin ar %i %ost t6iat< un singur6 clip6 in plus 7i capul s6u ar %i %ost separat de corp. !ar 'a)uin a spus$ Aceasta este poarta spre iad. Acest lucru nu este un r6spuns %ilo#o%ic< niciuun maestru nu r6spunde @ntr.un mod %ilo#o%ic. Hiloso%ia e-ist6 doar pentru minAile mediocre$ neiluminate. +aestrul r6spunde$ dar r6spunsul sau nu este ver&al$ ci total. Haptul c6 acest om ar %i putut sa.l ucid6 nu este esenAial. "ac6 m6 uci#i si asta te %ace s6 %ii alert*tre#it,$ asta are valoare *merit6, . 'a)uin 2ucat 2ocul. !n ca#ul @n care un singur moment ar %i %ost pierdut$ acest om l.ar %i ucis. "ar$ la momentul oportun$ 'a)uin a spus$ Aceasta este poarta* catre iad,. Sust imagine what would have happened i% you had &een the warrior$ i% you had &een the samurai$ sword in hand$ 2ust a&out to )ill. A single moment more and 'a)uinOs head would have &een severed< a single moment more and it would have &een separated %rom the &ody. And 'a)uin said$ Fhis is the gate o% hell. Fhis is not a philosophical answer< no master answers in a philosophical way. 4hilosophy e-ists only %or mediocre$ unenlightened minds. Fhe master responds &ut the response is not ver&al$ it is total. Fhat this man may have )illed him is not the point. !% you )ill me and it ma)es you alert$ it is worth it .. 'a)uin played the game. !% a single moment had &een lost this man would have )illed him. Gut at the right moment 'a)uin said$ Fhis is the gate*to hell,. * (sho. A Gird on the Iing Chapter 3 : Fhe Zates o% 'eaven and 'ell, Redarea intregului capitol .Portile raiului si iadului ./ .The Gates of Heaven and Hell; K8> se a%la in Ane-a /
<ota DM! "aca tot nu aAi inAeles inc6 pentru ce si.a riscat viaAa maestrul #en 'a)uin$ atunci eli&eraAi.v6 din pro)ra"area reactiv= K1> * primul articol citat in 'i(lio)rafie,. !ntotdeauna amintiAi.v6 c6$ dac6 reacAionaAi sunteAi incon7tienAi. "edicaAi.v6 practicii de a urm6ri reacAiile dumneavoastr6$ ast%el @nc?t s6 @ncepeAi s6 r6spundeAi la viaA6 prin pre#enA6 con7tient6. 5amuraiul a @nAeles mesa2ul pe care maestrul i l.a ar6tat$ %iindc6 reacAia sa de %urie era poarta spre propriul iad iar pre#enAa con7tient6 era propriul s6u rai. Cl 7i.a dat seama c6 raiul 7i iadul e-ist6 @n noi$ 7i c6 doar daca suntem a7e#ati in pre#enta con7tienta e-ista posi&ilitatea de a alegere modul @n care r6spundem la intre&arile pe care ni le pune viaAa 5e spune c6 marele ra#&oinic samurai 7i.a aruncat sa&ia 7i armele 7i a urmat calea r6#&oinicului spiritual. Cei ce sunt pri#onieri ai programarii reactive urmea#a intotdeauna un tipar de comportament din inconstient$ care este %olosit drept acoperile $ care pe deoparte ne impiedica sa ne percepem pe noi insine mult mai clar$ iar pe de alta parte ne a2uta sa evitam sa simtim si sa avem emotii$ in special daca acestea sunt dureroase . 4rin practica pre#entei constiente impartiale * in care nu 2udeci$ nu %aci aprecieri, veti invata sa raspundeti la viata$ in loc sa reactionati $ apoi sa deveniAi con7tienAi de cine sunteAi @n %iecare moment dat . Ast%el @ncepeAi s6 creaAi viaAa a7a cum doriAi$ s6 deveniAi regi#orul con7tient al propriei dvs vieAi$ in loc s6 r6maneAi o victim6 a unei vieAi de cosmar$ in care dvs sunteAi coautori. 3u e-teriorul este cel care creea#6 sentimentele dumneavoastr6 interioare$ ci @ntotdeauna semni%icaAia pe care o daAi la ceea ce se @nt?mpl6$ este aceea care creea#6 lumea dumneavoastr6 interioar6. 5i in acest sens aveAi @ntotdeauna putere asupra acestui lucru$ %iindca puteAi decide in %iecare clipa ce semni%icatie sa dati %iecarui lucru$ care se petrece @n viaAa dumneavoastr6. "ecideti.v6 s6 permiteti raiului s6 intre in realitatea vietii dvs de #i cu #i. Asta este o alegere de care ati uitat$ %iindca v.ati &a#at pe reactiile automate$ dar daca incepeti sa o practicati acum$ cu at?t mai u7or aceasta alegere va deveni ceva o&isnuit. 4rocesul de de.automati#are 7i de de#vaAare *deprogramare, incepe cu practica pre#enAei con7tiente. !n loc sa va trans%ormati intr.o ma7in6 sau intr.un ro&ot 7i s6 v6 pierdeAi statutul de %iinA6 vie$ practicaAi pre#enAa con7tienta$ care va permite sa reveniAi la statutul de %iinta umana vie. 4entru aceasta tre&uie reali#ate trei niveluri de pre#enta con7tienta : 1: 56 %iAi pre#enAi< 2. 56 nu v6 l6saAi minAiAi de voi in7iv6 *s6 nu v6 identi%icati cu mintea si cu ceea ce va spune ea< s6 nu %aceAi un "umne#eu din propria dumneavoastr6 minte$ cre#and in ceea ce va spune ea ,< 3. 3u va lasaAi minAiAi de alAii *care nu 7tiu ca se mint pe ei in7i7i< s6 nu %aceAi un "umne#eu din mintea altora, Cau#a pentru care trecem pe %unctionarea reactiva este %aptul ca atunci cand apare o chestiune de viaA6 7i de moarte$ g?ndirea se opreste. Aceasta oca#ie poate %i utili#ata pentru tre#ire daca in loc de modul reactiv de %unctionare ne o&isnuim sa ne ase#am in pre#enta constienta.
Du"ne$eul din noi / God %ithin &ou Don Mi)uel 1ui$
Aceasta e-presie este o re#umare reali#ata de ;ev Folstoi in cartea sa %olosind a%irmatia lui !isus : ;ev Folstoi *1E2E.1B10,$ !mp6r6tia lui "umne#eu este inl6untrul tau / ;eo Folstoy. Fhe [ingdom o% Zod is Iithin Nou *1EB/,/ ;Qon FolstoP $ ;e Royaume de "ieu est en vous $ 1EB3, <ota DM : !mparatia lui "umne#eu nu vine in asa %el ca sa i#&easc6 privirile. 3u se poate #ice: 9ite.o aici: sau: 9ite.o acolo: Caci iata c6 !mparatia lui "umne#eu este inlauntrul vostru *;uca 18.20.21< Rom.1//.18< =ers.23,>. ;ao F#u /8: H6r6 s6 treci pragul usii$ se poate cunoaste intreg universul< H6r6 s6 privesti pe %ereastr6$ se poate vedea Calea Cerului Kpoti descoperi principiile ce guvernea#6 toate lucrurile>/ Iithout going outside &eyond o% the door$ (ne can )now the whole world< Iithout loo)ing outside through the windows o% senses$ (ne can see the Fao o% 'eaven .K3> "on +iguel Rui# a %olosit aceasta e-presie in cartea sa K2> * +aiestria in iu&ire . 9n ghid practic al artei relaAiilor< o carte din @nAelepciunea toltec6/ Fhe +astery o% ;ove: A 4ractical Zuide to the Art o% Relationship: A Foltec Iisdom Goo), pentru titlul capitolul 12 *"umne#eul din noi/ Zod Iithin Nou ,. Randurile de mai 2os
"on +iguel Rui#K2>: 3u este adev6rat c6 vom a2unge @n iad sau @n rai dup6 moarte. 3oi tr6im de2a @n iad sau @n rai$ chiar acum. !adul 7i raiul nu e-ist6 dec?t @n interiorul minAii. "ac6 su%erim @n pre#ent$ vom continua s6 su%erim 7i dup6 moarte$ c6ci mintea nu moare odat6 cu creierul. !tOs not true that you go to hell or to heaven a%ter you die. Nou live in hell or you live in heaven$ &ut now. 'eaven and hell only e-ist in the level o% the mind. !% we su%%er now$ when we die we still su%%er$ &ecause the mind doesnOt die with the &rain. =isul continu6$ iar dac6 ceea ce vis6m era un co7mar$ noi vom continua s6.l vis6m 7i dup6 moartea creierului. 5ingura di%erenA6 @ntre moarte 7i somn const6 @n %aptul c6 atunci c?nd dormim$ noi ne putem tre#i$ din cau#6 c6 avem un creier. Atunci cand suntem morti nu ne mai putem tre#i$ %iindc6 nu mai avem un creier$ dar visul va %i pre#ent *nu va @nceta din aceasta cau#a ,. Fhe dream continues and when our dream is hell$ our &rain dies and we are still dreaming in the same hell. Fhe only di%%erence &etween &eing dead and &eing asleep is that when we are sleeping we can awa)e &ecause we have a &rain. Ihen we are dead$ we cannot awa)e &ecause we donOt have a &rain$ &ut the dream is there. <ota DM : Cine nu se eli&erea#a aici$ nu este eli&erat nici dupa moarte / 5a nu credeti ca veti intra dupa moarte in imparatia in care n.ati trait pe pamant * 4arintele Arsenie Goca , !adul sau raiul sunt aici 7i acum. 3u tre&uie s6 a7teptaAi s6 muriAi *ca s6 le cunoa7teAi,. "ac6 v6 veAi asuma responsa&ilitatea pentru propria dumneavoastr6 viaA6$ pentru propriile acAiuni$ atunci viitorul se a%la in mainile dvs * v6 veAi putea modela viitorul a7a cum veAi dori, 7i veAi putea tr6i @n rai in timp ce corpul dvs este in viata * chiar @n timpul acestei vieAi,. 'eaven or hell is here and now. Nou donOt need to wait to die. !% you ta)e responsi&ility %or your own li%e$ %or your own actions$ then your %uture is in your hands$ and you can live in heaven while the &ody is alive. =isul marii ma2orit6Ai a oamenilor de pe aceast6 planet6 este @n mod evident un iad colectiv. Aceasta nu @nseamn6 c6 este ceva gre7it sau r6u$ ori c6 cineva poart6 r6spunderea pentru acest lucru. 3e putem @nvinov6Ai noi p6rinAiiL 3u. Atunci c?nd ne.au crescut$ ei au %6cut ce au 7tiut mai &ine. Acela7i lucru l.au %6cut 7i p6rinAii lor: ce au 7tiut mai &ine. "ac6 veAi avea copii$ veAi proceda pro&a&il la %el$ c6ci nu veAi 7ti ce altceva s6 %aceAi. Fhe dream most humans create on this planet is o&viously hell. Fhis isnOt right or wrong or good or &ad$ and there is no one to &lame. Can we &lame our parentsL 3o. Fhey did the &est they could when they programmed you as a little child. Fheir own parents did the same with them: the &est they could. !% you have children$ you couldnOt )now what else to do either. Cum sa te invinovaAe7ti pentru asta L A deveni con7tient *sau a te tre#i, nu @nseamn6 s6 condamni pe altcineva *culpa&ili#are, sau s6 te simAi
vinovat *autoculpa&ili#are, pentru ceea ce ai %6cut. "e ce s6 ne simtim vinovaAi pentru o &oal6 mental6 care este at?t de contagioas6L 'ow can you &lame yoursel%L Fo &ecome aware doesnOt mean you need to &lame anyone$ or carry guilt %or what you have done. 'ow can we carry guilt or &lame %or a mental disease that is seriously contagiousL \n realitate$ tot ceea ce e-ist6 este per%ect. 3oi suntem per%ecAi e-act a7a cum suntem. Acesta este adev6rul curat. Hiecare dintre noi este un maestru. *3ota "+: stapan si sclav$ creator si victima a visului$ in acelasi timp , Chiar dac6 nu mani%est6m altceva dec?t gelo#ie 7i %urie$ cel puAin gelo#ia 7i %uria noastre sunt per%ecte. Chiar dac6 @n viaAa noastr6 se derulea#6 o dram6 @ngro#itoare$ aceasta este per%ect6$ este %rumoas6. "ac6 ne ducem la un %ilm dramatic$ precum ]4e aripile v?ntului^$ suntem impresionaAi 7i pl?ngem$ dar nu putem spune c6 %ilmul nu a avut o mare %rumuseAe. Cine spune c6 iadul nu este %rumosL !adul ne poate inspira <ota DM! !n Hlori de mucegai la Fudor Arghe#i $ ca si la Gaudelaire$ este utili#ata estetica uratului sau %rumusetea iadului. Chiar 7i iadul este per%ect$ c6ci nu e-ist6 nimic altceva dec?t per%ecAiunea. Chiar dac6 visul nostru este un iad$ acesta este per%ect$ 7i la %el suntem 7i noi. Nou )now$ everything that e-ists is per%ect. Nou are per%ect 2ust the way you are. Fhat is the truth. Nou are a master. Cven i% you master anger and 2ealousy$ your anger and 2ealousy are per%ect. Cven i% you have a &ig drama going on in your li%e$ itOs per%ect$ itOs &eauti%ul. Nou can go to a movie li)e Zone with the Iind and cry %or all that drama. Iho says that hell is not &eauti%ulL 'ell can inspire you. Cven hell is per%ect$ &ecause only per%ection e-ists. Cven i% you dream hell in your li%e$ you are per%ect 2ust the way you are. ................................................ !3CC49F9; 4ARAZRAH9;9! Du"ne$eul din noi / God %ithin &ou "on +iguel Rui#: \n realitate$ noi suntem %orAa care se 2oac6 cu mintea noastr6 7i care se %olose7te de corp ca de o 2uc6rie pre%erat6 pentru a se amu#a. Acesta este motivul pentru care ne a%l6m aici: de a ne 2uca 7i de a ne amu#a. 3oi avem prin na7tere dreptul de a %i %ericiAi$ de a ne &ucura de viaA6. 3u ne.am n6scut ca s6 su%erim. (ricine dore7te s6 su%ere este li&er s6 o %ac6$ dar nimeni nu este nevoit s6 su%ere. / N(9 ARC F'C H(RCC F'AF 4;AN5 I!F' N(9R mind and uses your &ody as its %avorite toy to play and have %un with. Fhat is the reason you are here: to play and have %un. Ie are &orn with the right to &e happy$ with the right to en2oy li%e. Ie are not here to su%%er. Ihoever wants to su%%er is welcome to su%%er$ &ut we donOt have to su%%er. Atunci de ce su%erimL Fhen why do we su%%erL 4entru c6 @ntreaga lume su%er6$ iar noi a2ungem s6 credem c6 su%erinAa este ceva normal. 3e cre6m apoi un sistem de convingeri pentru a susAine acest adev6r . Religiile ne spun c6 ne.am n6scut pentru a su%eri$ c6 viaAa nu este altceva dec?t o vale a pl?ngerii. 5u%eriAi acum$ aveAi r6&dare$ iar @n viaAa de apoi v6 veAi primi r6splata. 5un6 %rumos$ dar este complet %als.
Gecause the whole world su%%ers$ and we ma)e the assumption that su%%ering is normal. Fhen we create a &elie% system to support that truth. (ur religions tell us that we came here to su%%er$ that li%e is a valley o% tears. 5u%%er today$ have patience$ and when you die you will have your reward. 5ounds &eauti%ul$ &ut it isnOt true. 3ota "+: !adul este aici pe pamant pt cei programati sa su%ere sa vada lipsurile partea goala a paharului < tot aici altii traiesc in rai. 3u contea#a cata avere ai$ ci cum esti programat. Cinematogra%ia a ilustrat dramele traite de im&ogatitii peste noapte$ care au venit cu programarea iadului din dotarea anterioara 3oi alegem 5A 59HCR!+ pentru c6 am H(5F \3=_`AF! 5A 59HCR!+. "ac6 vom continua s6 %acem acelea7i alegeri$ vom continua s6 su%erim. Ie choose to su%%er &ecause we learned to su%%er. !% we continue to ma)e the same choices$ we will continue to su%%er. 3ota "+: Al&ert Cinstein spunea odata c6: "e%iniAia ne&uniei este s6 continui s6 %aci acela7i lucru * sa repeAi aceea7i gre7eli care te.au condus la e7ec , 7i s6 te a7tepAi la re#ultate di%erite * succes, / Fhe de%inition o% insanity is doing the same thing over and over again and e-pecting di%%erent results . =isul planetar poart6 @n el povestea umanit6Aii$ evoluAia oamenilor$ iar su%erinAa este re#ultatul evoluAiei %iintelor umane. (amenii su%er6 pentru c6 7tiu: 3oi 7tim ceea ce credem$ cunoa7tem o gr6mad6 de minciuni$ 7i pentru c6 nu le putem @mplini$ su%erim 3ota "+: Hara sa stim nu suntem %rustrati . Fhe "ream o% the 4lanet carries the story o% humanity$ the evolution o% humans$ and su%%ering is the result o% human evolution. 'umans su%%er &ecause we )now: Ie )now what we &elieve$ we )now all those lies$ and &ecause we canOt %ul%ill all those lies$ we su%%er. "on +iguel Rui# 1 se re%era la rai si la iad si in alte pasa2e$ care au %ost redate in 0ne:a 3
'i(lio)rafie 1. 4rogramarea reactiva * in care centrul nostru se a%la in altii din a%ara noastra, este sursa iadului < vedeti articolul .Cele trei pro)ra"ari ale fiintelor u"ane si tre$irea. sau .1u)aciunea reactivului.! 1. su&iectivi *non.reactivi$ creativi$ lideri ,< 2. o&iectivi *reactivi$ sclavi,< 3 . divini *eli&erati$ tre#iti, de +irahorian http://www.scri&d.com/doc/11E/100B0/CC;C.FRC!.4R(ZRA+AR!. CC3FRAR!.A;C.H!!3FC;(R.9+A3C.5!.FRCJ!RCA Gi&liogra%ie 2. Capitolul 12 "umne#eul din noi/ Zod Iithin Nou$ din cartea lui "on +iguel Rui# . +aiestria in iu&ire . 9n ghid practic al artei relaAiilor< o carte din @nAelepciunea toltec6/ Fhe +astery o% ;ove: A 4ractical Zuide to the Art o% Relationship: A Foltec Iisdom Goo) cartea se descarca de la adresa: http://-a.yimg.com/)M/groups/22/D003B/18D0BBD32D/name/"on
3. Fraducerea capitolului /8 din Fao Fe Ching *"ao "e Sing, al lui ;ao F#u * ;ao Ji, ;ao F#u Capitolul /8 9niversul hologra%ic< Cerul .un loc inlauntrul tau. 9niversul 'ologra%ic !mparatia lui "umne#eu este inlauntrul vostru Iilliam Gla)e scria: sa ve#i universul intr.un graunte de nisip si raiul intr.o %loare sal&atica . *Fo see a Iorld in a Zrain o% 5and and a 'eaven in a Iild Hlower< =oir un +onde dans un grain de sa&le$ et un ciel dans une %leur sauvage,. http://www.scri&d.com/doc/2D808D00/ http://www.danmirahorian.ro//8;aot#u.pd%
>. Du"ne$eul din noi / God %ithin &ou 4arintele Arsenie Goca: Cine nu se eli&erea#a aici$ nu este eli&erat nici dupa moarte / 5a nu credeti ca veti intra dupa moarte in imparatia in care n.ati trait pe pamant =edeti comentariul care insoteste imaginea de la adresa : https://www.%ace&oo).com/photo.phpL %&idaD0880E000B0B030bsetaa.D08808BB0B0B031.10838/1ED0.3/B2E 31D1802018btypea1btheater ?. -tapanul visului / The Drea" Master A&stract: Aceasta articol va a2uta sa intelegeti utilitatea practica a mesa2ului lui "on +iguel Rui# din cartea +aiestria in iu&ire / Fhe +astery o% ;ove $ printr.o noua traducere a capitolului 8 $ intitulat: 5tapanul visului / Fhe "ream +aster . http://www.scri&d.com/doc/13/EDB/DB/5tapanul.visului.Fhe."ream. +aster @. en in carne si oase / en Alesh+ en 'ones/ Le en en chair et en os 1B1 povestiri $en/ 1B1 en -tories /1B1 histoires en 101 4ovestiri Jen este o colectie de ghicitori sau de intre&ari parado-ale *)oan, Jen $ din 1B1B$ care include anecdote din secolul c!c 7i de la @nceputul secolului cc $ adunate de c6tre 3yogen 5en#a)i$ 7i transcrise de 3yogen 5en#a)i 7i 4aul Reps in cartea intitulata Jen in carne si oase / 101 Jen 5tories is a 1B1B compilation o% Jen )oans including 1Bth and early 20th century anecdotes compiled &y 3yogen 5en#a)i $ transcri&ed &y 3yogen 5en#a)i and 4aul Reps and pu&lished as Jen Hlesh$ Jen Gones / ;e Jen en chair et en os. Fe-tes rassem&lQs par 4aul Reps. Fraduit de lOanglais par C. +allerin et 4..A. "u2at. Che# Al&in +ichel . Cspaces li&res. C. #sho/ 0 'ird on the %in) 9sing Jen stories and responding to Muestions$ (sho shows how man must %irst &e grounded in himsel% &e%ore he can %ly into the s)y o% consciousness http://www.message%rommasters.com/Gelovedd(shodGoo)s/Jen/AdGirdd ondthedIing.pd% D. #sho/ The -ecret of -ecrets+ *ol 1. Tal7s on the -ecret of the Golden AloEer. http://www.message%rommasters.com/Gelovedd(shodGoo)s/Fao/Fhed5e cretdo%d5ecretsd=olumed1.pd%
http://www.message%rommasters.com/Gelovedd(shodGoo)s/Fao/Fhed5e cretdo%d5ecretsd=olumed2.pd% 0ne:a 1 *ariante ale povestirii $en A warrior came to the #en master 'a)uin and as)ed is there such a thing as heaven and hellL 'a)uin said who are youL Fhe warrior replied ! am chie% samurai to the emperor. 'a)uin said you$ a samuraiL with a %ace li)e that$ you loo) more li)e a &eggar. At this the warrior &ecame so angry he drew his sword. 5tanding calmly in %ront o% him$ 'a)uin said here open the gates o% hell. 4erceiving the masterXs composure$ the soldier sheathed his sword and &owed. Ha7uin then said .and here open the )ates of heaven.. 9n 2our$ un samuraP se prQsenta devant le ma@tre #en 'a)uin pour lui demander: . N a t.il un paradis et un en%erL 'a)uin rQpondit: . Rui es.tuL . Se suis le samuraP... +ais 'a)uin ne le laissa pas %inir et sOe-clama: . Foi$ un guerrierL Regarde toi: Ruel seigneur voudrait tOavoir T son serviceL Fu as lOair dOun mendiant: ;e samuraP %ut prit de colUre et dQgaina alors son sa&re. 'a)uin dit: . Fu as mVme un sa&reL +ais tu dois serement Vtre trop maladroit pour me couper la tVte.. ;e samuraP sOapprVtait T %rapper$ Muand le ma@tre dQclara: . !ci sOouvrent les portes de lOCn%er. "evant un telle assurance$ le samuraP rengaina son sa&re et sOinclina. 'a)uin conclut ainsi: . !ci sOouvrent les portes du 4aradis. http://&ushido.over.&log.com/article.conte.#en.E/338B8B.html varianta in care ra$(oinicul /sa"uraiul este inlocuit de i"parat http://www.oshoteachings.com/osho.discourse.on.heaven.and.hell/ (sho 1 'eaven and hell are not realities &ut ways o% living. Nou can live in 2ealousy Y thatXs how people live. Nou can live in competition$ you can live in con%lict$ you can live in am&ition. FhatXs how you have &een &rought up to live. Fhis is the way to hell: A Jen +aster was as)ed &y the Cmperor o% SapanW. Fhe Cmperor had come and as)ed the same Muestion. .. Fhe Cmperor reached the Jen +aster and as)ed him$ ]Ihat is hell and what is heavenL^ Fhe Jen +aster loo)ed at the Cmperor and said ]Nou son.o%.a.&itch: 'ave you loo)ed at your %ace in the mirror latelyL ! have never seen such a dirty.loo)ing %ellow &e%ore:^ Fhe Cmperor was enraged: 'e had not e-pected such a thing %rom such a great saint. Nou donXt )now great saints: Nou )now only small$ puny saints. A real saint is not a cat$ he is a tiger. Fhe Cmperor was so
enraged that he pulled his sword out o% its sheath. 'e was going to cut the head o% the +aster. Sust as the sword was coming closer$ the +aster said$ ]Iait: Nou are entering hell. Fhis is the gate to hell.^ Fhe way the +aster said ]Iait:^ was so power%ul that the CmperorXs hand was stopped in the middle$ and he understood Y ]Frue:^ 'e threw the sword away$ %ell at the %eet o% the +aster$ and the +aster laughed and said$ ]Fhis is the way to heaven: Nou have already e-perienced &oth within a single moment. Fhe distance is not %ar.^ Ihenever you are surrendered to e-istence$ whenever you live in trust$ love$ prayer$ 2oy$ cele&ration$ you are in heaven. Gut what ! am doing here is to help you to go &eyond &oth Y &ecause the person who lives in heaven can %all into hell any moment. Fhey are not %ar away$ they are very close &yW2ust a small %ence and that too is tattered &ecause it is very old. And %or centuries there has &een an argument as to who should repair it. Fhe "evil is not ready. Ihy should he &e worried a&out itL 3o&ody wants to enter hell: !% it is ZodX worry that hell people may enter into heaven$ then he should repair it. Gut Zod is a miser$ and they go on Muarreling. (ne day it happened: Zod said$ ]!% you donXt repair the %ence Y which has really &een destroyed &y your people and your nuisance on the other side$ our people have not done anything Y ! am going to court:^ Fhe "evil said$ ]Nou can go$ &ut where are you going to %ind an advocateL Fhey are all here on my side: Zo to court:^ 'ell is a state o% mind when you live in plenty and yet you live in poverty$ when li%e is such a &lessing and yet you live in sadness. Ihen the %lowers &loom you donXt &loom. Ihen the stars shine you donXt shine. Ihen the clouds are in the s)y %loating in %reedom donXt en2oy the %reedom. Ihen the cuc)oo calls %rom a distant wood and you remain dea%. Ihen the peacoc) dances you donXt dance. Fhis is hell: And you are the creator o% it. 0ne:a F <ota DM : Atunci cand ai doar radacini in pamant * minte< cunoastere mi2locita, si nu ai radacini in cer *non.minte< cunoastere directa, esti ca un copac care are radacini $ dar nu si coroana$ ca o pasare care #&oara cu o singura aripa. !deas create stupidity &ecause the more the ideas are there$ the more the mind is &urdened. And how can a &urdened mind )nowL Fhe more ideas are there$ the more it &ecomes 2ust li)e dust which has gathered on a mirror. 'ow can the mirror mirrorL 'ow can the mirror re%lectL Nour intelligence is 2ust covered &y opinions$ the dust$ and everyone who is opinionated is &ound to &e stupid and dull. FhatOs why pro%essors o% philosophy are almost always stupid. Fhey )now too much to )now at all. Fhey are &urdened too much. Fhey cannot %ly in the s)y$ they canOt have wings.... 3ota "+ : umplerea mintii cu in%ormatii nu aduce cunoasterea$ ci ampli%icarea ancorarii in minte vedeti articolul : Zoleste.ti cana : Cmpty your Cup : =ider votre tasse : articol de +irahorian
http://www.scri&d.com/doc/13330820D/Zoleste.ti.cana.Cmpty.your.Cup. =ider.votre.tasse Fhe trees e-ist without the mind and e-ist more &eauti%ully than any human &eing< the &irds e-ist without the mind and e-ist in a more ecstatic state than any human &eing. ;oo) at children who are still not civili#ed$ who are still wild. Fhey e-ist without the mind$ and even a Sesus or a Guddha will %eel 2ealous o% their innocence. There is no need for this "ind. The Ehole Eorld is )oin) on and on Eithout it. %h6 are 6ou carr6in) itG Are you 2ust thin)ing that it will &e too much %or Zod$ %or e-istenceL (nce you can put it down$ even %or a single minute$ your whole e-istence will &e trans%ormed. Nou will enter into a new dimension$ the dimension o% weightlessness. FhatOs what !Om going to give you: wings into the s)y$ into the heaven .. weightlessness gives you these wings. and roots into the earth$ a groundedness$ a centering. This earth and that heaven ! the6 are tEo parts of the Ehole. In this life+ 6our so/called ordinar6 life+ 6ou "ust (e rooted8 and in 6our inner space+ in the spiritual life+ 6ou "ust (e Eei)htless and fl6in) and floEin)+ floatin). Roots and wings ! can give to you. i% you allow$ &ecause ! am only a midwi%e. ! cannot %orce the child out o% you. A %orced child will &e ugly$ and a %orced child may die. Sust allow me. Fhe child is there$ you are already pregnant. Cvery&ody is pregnant with Zod. 0ll the reli)ions have said unless 6ou are uprooted fro" .this+. 6ou Eill not )et Ein)s into .that.. Fhey are against this$ against the world$ the &ody$ against the material$ the visi&le. All you %eel as near$ they are against. Fhey are %or something very %ar away$ something a&stract .. Zod$ Grahma$ mo)sha................. Fo me$ roots into this will help to give you wings into that. ! donOt create any antagonism where there is none. Antagonism comes %rom a mind in con%lict$ %rom a mind in duality. (ut o% con%lict$ dual theories are created$ con%licting theories. ! am not dual< ! create no con%lict. ! see that not against this &ut as a %lowering o% this. ! see wings not against roots &ut as a %lowering o% the roots. Frees have wings into the s)y .. their &ranches are their wings. Fhey have roots into the earth and &ranches into the s)y. ! would li)e you to &e a strong tree .. with roots into this and wings into that. Fo me$ this plus that is Zod. FhatOs why ! say very contradictory things. ! would li)e to give you two things: roots into this earth+ into all that is earthl6+ and Ein)s into that heaven$ into all that is a&stract %or you now$ into all that you cannot even comprehend$ that cannot &e conceptuali#ed. Roots into the %inite$ wings into the in%inite... And you need not renounce this. !% you renounce this$ you are renouncing your roots. Fhat has happened< that is why your mon)s$ your sadhus$ loo) so dead. Fhey have renounced this< they are uprooted &eings. 9proot a tree and you are e-posing the part that was hidden in the earth. 5oon the %lowers will die$ the &ranches will die$ the leaves will start %alling. Love .this. and love it so deepl6 that 6our love transcends .this. and reaches .that..
FhatOs what ! mean: roots into this earth$ and wings into that heaven. Gy and &y it will happen$ and once it happens you will have a %reedom %rom the mind< you will &ecome weightless and have wings into the s)y. 5o ! am not saying give only the [oran to the %ire< give my &oo)s to the %ire also$ &ecause they can &e more dangerous than the [oran and Zita and Gi&le which have &ecome out o% date in a sense. Nou are very$ very %ar away %rom +ohammed$ even %urther away %rom [rishna. Fheir voices have &ecome very$ very distant$ dim things. +y voice is nearer to you. !t is immediate< it is direct. !t may &ecome a greater prison %or you$ &ecause it is more alive right now. !t can capture you< it can &ecome more o% a &urden. !% a living master can %ree you$ a living master can &ecome more o% a prison also. !t depends. Fhere are directions in the &oo). !t is a map$ a map into the world o% consciousness$ a map o% how to get roots into the earth$ a map o% how to get wings into the s)y. Gut trees donOt need it. !% ! tell them how to get roots into the earth they will say$ "onOt distur& us$ we have already got roots into the earth !% ! tell them how to get wings into the s)y they will say$ "onOt distur& the silence. Ie are always standing in the s)y$ swaying in the s)y. And i% ! tell them to preserve this &oo) they will laugh$ and i% they can %ind a %ire they will throw the &oo) in it. 5o what am ! sayingL ! am saying to you: Zet roots and throw away the maps< get wings and throw away the maps. 3A35C3 H(93" FI( ZR(945 (H +(3[5 5R9AGG;!3Z (=CR F'C (I3CR5'!4 (H A CAF. 3A35C3 IC3F F( F'C [!FC'C3 A3" GR(9Z'F GAC[ A C'(44CR. 'C 4!C[C" 94 F'C CAF A3" 5A!" F( F'C +(3[5$ !H A3N (H N(9 CA3 5AN A Z((" I(R"$ N(9 CA3 5A=C F'C CAF. 3(F A I(R" IA5 5A!"$ 5( 3A35C3 C9F F'C CAF !3 FI( A3" ZA=C 'A;H F( CAC' ZR(94. I'C3 S(5'9 RCF9R3C" F'AF C=C3!3Z$ 3A35C3 F(;" '!+ I'AF 'A" 'A44C3C". S(5'9 5A!" 3(F'!3Z. 'C S95F 49F '!5 5A3"A;5 (3 '!5 'CA" A3" IA;[C" (9F. 3A35C3 5A!"$ !H N(9 'A" GCC3 F'CRC$ N(9 C(9;" 'A=C 5A=C" F'C CAF. 3othing is saved &y the mind$ &y thin)ing$ &y logic$ and i% you try to save &y logic you will lose. ;i%e can &e saved only through an irrational 2ump$ through something that is not intellectual &ut total. Gut the whole story seems to &e too cruel. 3ansenOs disciples were struggling over a cat. 3ansen had a &ig monastery and the monastery had two wings. Fhis cat was moving %rom one wing to another and &oth wings claimed that the cat &elonged to them .. and the cat was a &eauti%ul one. Fhe %irst thing to &e understood is: a real sannyasin cannot claim any ownership. A sannyasin means one who has le%t all possessions$ or all possessiveness$ which is deeper and more &asic. Nou can leave possessions$ that is easy< &ut to leave possessiveness is di%%icult &ecause it goes deeper in the mind. Nou can leave the world$ &ut the mind goes on clinging to it. Fhese mon)s$ 3ansenOs disciples$ had le%t the world &ehind .. their homes$ their wives$ their children .. &ut now they were %ighting over the ownership o% a cat. Fhis is how the mind wor)s. Nou leave one thing and the mind claims another$ &ut the &asic thing remains the same and it
ma)es no di%%erence i% the o&2ect o% ownership changes .. it ma)es no di%%erence. Fhe di%%erence$ the revolution$ the real change$ comes only when the su&2ectivity changes$ when the owner changes. Fhis is the %irst thing to &e understood. +on)s claiming ownership o% a cat loo)s %oolish$ &ut this is how mon)s have &een acting all over the world. Fhey leave their houses$ then they claim ownership o% the temple$ o% the church. Fhey leave everything &ut they canOt leave their minds$ and the mind creates new worlds %or them continuously. 5o it is not a Muestion o% possessing a )ingdom< even a cat will do. And wherever possession comes in$ %ighting$ violence and aggression are &ound to &e there. Ihenever you possess$ you are %ighting$ &ecause that which you possess &elongs to the whole. Nou cannot possess anything< you can use it$ thatOs all.'ow can we possess the s)y and how can we possess the earthL Gut we possess .. and that possession creates all types o% con%lict$ struggle$ wars$ violence and so on. +an has &een %ighting and %ighting and %ighting continuously. 'istorians say that within the last three thousand years there have &een wars almost continuously somewhere or other on the earth. !n three thousand years$ we have %ought at least %ourteen thousand wars. Ihy so much %ightingL !t is &ecause o% possession. !% you possess you have started a war with the whole. Guddha$ +ahavira or Sesus$ all said$ !% you possess$ you canOt enter the )ingdom o% Zod. Sesus said$ !t is easier %or a camel to pass through the eye o% a needle than %or a rich man to enter the )ingdom o% heaven. !t is impossi&le$ &ecause when you possess you are constantly %ighting with Zod. Ihen you claim ownership$ %rom whom are you claiming ownershipL Fhe whole &elongs to the whole< the part cannot claim the whole. Fhe part cannot even claim the part. Cvery claim is aggression. 5o those who possess cannot &e in deep contact with the divine. 3onpossessiveness doesnOt mean you should not live in a house. ;ive in a house$ &ut &e than)%ul to the whole$ to the divine. 9se it &ut donOt possess it. !% you can use things without &eing possessive you have &ecome a sanyasin. Fhese %ollowers o% 3ansen have le%t the world$ &ut their minds have %ollowed them li)e shadows. 3ow they claim ownership o% a cat. Fhe whole thing is %oolish........ Remem&er$ it was not 3ansen who )illed the cat$ it was these mon)s who )illed it< this is the secret )ey in the story. 3ansen gave an opportunity. 'e said$ Nou can save this cat. Ihenever you possess a live thing$ you have already )illed it. Ihenever you claim that you possess a live person$ you have murdered$ &ecause li%e cannot &e possessed. Fhe cat was moving %rom this wing to that. Fhe cat was alive$ %ully alive$ more alive than these mon)s. 5he had no home$ she didnOt &elong to any&ody. 5he was 2ust li)e a &ree#e .. sometimes passing through the le%t wing$ sometimes passing through the right. And the cat never claimed that these mon)s &elonged to her$ or those mon)s &elonged to her. 5he never possessed. *A Gird on the Iing$ Chapter B: 5ave the Cat, <ota DM! noi suntem pisica care se misca intre cele doua aripi ale palatului : aripa de la su&sol *mintea, in care suntem programati sa ramanem captivi in starea de veghe < aripa luminoasa in care intra doar in cursul somnului pro%und pt a ne regenera dar in acest timp suntem a&senti
0 'ird on the %in) Chapter 11! -o(er Hp * <ota DM! 2ocul de sah in care i se taia capul celui care pierdea, ! have heard: once it happened that a young man &elonging to a very rich and aristocratic %amily$ came to a Jen master. 'e had )nown everything$ indulged in every desire< he had enough money$ so there was no pro&lem. Gut then he got %ed up .. %ed up with se-$ %ed up with women$ %ed up with wine. 'e came to the Jen master and said$ 3ow ! am %ed up with the world. !s there some way that ! can )now mysel%$ who ! amL At that moment the master upturned the ta&le$ started laughing and said$ 3o&ody is going to &e de%eated here. Nou &oth have won. Fhis mon) was already in heaven$ he was rich< no need to cut o%% his head. 'e was not trou&led at all when the master said$ Nour head is to &e cut o%%. 3ot a single thought arose in his mind. Fhere was no Muestion o% choice .. i% the master says it is going to &e so$ it is o)ay. 'e said yes with his whole heart. Fhat was why there was no perspiration$ no trem&ling. 'e was playing chess< death was not a pro&lem. (ri de c?te ori e-ist6 o situaAie de urgenA6 nu v6 puteAi permite sa ganditi. Zandul este pentru agrement *atunci cand ai timp li&er,. Atunci c?nd nu e-ist6 nici o pro&lem6 v6 puteAi g?ndi< dar atunci c?nd e-ist6 @ntr.adev6r o pro&lem6 de supravietuire g?ndirea se opre7te$ deoarece mintea are nevoie de timp$ iar atunci c?nd e-ist6 o de urgenA6 nu este timp. Fre&uie s6 %aceAi ceva imediat. And the master said$ Nou have won$ and your victory has &een greater than this mon)Os. 3ow ! will initiate you. Nou can &e here$ and soon you will &e enlightened. Goth &asic things had happened: meditation and compassion. Guddha has called these two the &asic: pragya and )aruna$ meditation and compassion. Fhe young man said$ C-plain it to me. 5omething has happened ! donOt )now a&out. ! am already trans%ormed< ! am not the same young man who came to you a %ew hours ago. Fhat man is already dead. 5omething has happened .. you have done a miracle. Fhe master said$ Gecause death was so imminent$ you couldnOt thin)$ thoughts stopped. "eath was so close &y$ thin)ing was impossi&le. "eath was so near$ there was no gap &etween you and death$ and thoughts need space to move. Fhere was no space$ so thin)ing stopped. +editation happened spontaneously. Gut that was not enough$ &ecause that type o% meditation which happens &ecause o% emergency will &e lost< when the emergency is gone that meditation will &e lost. 5o ! couldnOt throw the &oard at that moment$ ! had to wait. !% meditation really happens$ whatsoever the cause$ compassion has to %ollow. Compassion is the %lowering o% meditation. !% compassion is not coming$ your meditation is$ somewhere$ wrong. Fhen ! loo)ed at your %ace. Nou were %illed with &liss and your eyes &ecame &uddhali)e. Nou loo)ed at the mon)$ and you %elt and you thought$ !t is &etter to sacri%ice mysel% than this mon). Fhis mon) is more valua&le than me.
Fhis is compassion .. when the other &ecomes more valua&le than you. Fhis is love .. when you can sacri%ice yoursel% %or the other. Ihen you &ecome the means and the other &ecomes the end$ this is love. Ihen you are the end and the other is used as a means$ this is lust. ;ust is always cunning and love is always compassionate. Fhen ! saw in your eyes the compassion arising$ and then you started to ma)e wrong movements 2ust to &e de%eated$ so that you would &e )illed and this mon) saved. At that moment ! had to throw the &oard. Nou had won. 3ow you can &e here. ! have taught you &oth meditation and compassion. 3ow %ollow this trac)$ and let them &ecome spontaneous in you .. not situational$ not depending on any emergency$ &ut 2ust a Muality o% your &eing. Carry this story within you$ in your heart< let it &ecome the &eat o% your heart. Rooted in meditation you will have wings o% compassion. FhatOs why ! say that ! would li)e to give you two things: Roots into this earth and wings into that heaven. +editation is this earth$ it is here and now< the very moment you can spread your roots$ do it. And once roots are there your wings will reach to the highest s)y possi&le. Compassion is the s)y$ meditation is the earth$ and when meditation and compassion meet a &uddha is &orn. 0ne:a 3 Don Mi)uel 1ui$ despre visul colectiv si individual de iad si de rai in cartea sa IFJ 2 Maiestria in iu(ire / Hn )hid practic al artei relaKiilor8 o carte din LnKelepciunea toltec=/ The Master6 of Love! 0 Practical Guide to the 0rt of 1elationship! 0 Toltec %isdo" 'oo74 "ac6 aAi @nAeles %aptul c6 toAi cei din 2urul dumneavoastr6 au r6ni emoAionale in%ectate cu otrava emoAiilor negative$ veAi @nAelege cu u7urinA6 relaAiile interumane din ceea ce toltecii numesc visul iadului. ... (amenii sunt animale domesticite$ iar aceast6 domesticire repre#int6 poarta de intrare @n visul iadului$ unde continu6 s6 tr6iasc6 @n team6. 'umans are domesticated animals$ and this domestication leads us into the dream o% hell where we live in %ear. ... A7adar$ pentru a cur6Aa otrava 7i pentru a v6 vindeca r6nile$ pentru a v6 accepta pe sine 7i pentru a ie7i ast%el din iad nu aveAi altceva de %6cut dec?t s6 deschideAi ochii 7i s6 priviAi @n 2urul dumneavoastr6. ... Atunci c?nd ne respingem singuri$ c?nd ne 2udec6m$ ne g6sim vinovaAi 7i ne pedepsim singuri$ noi a2ungem s6 credem c6 iu&irea nu e-ist6$ c6 nu e-ist6 dec?t pedeapsa$ su%erinAa$ 2udecata.... \n vi#iunea toltec6$ tot ceea ce credem despre noi @n7ine 7i tot ceea ce cunoa7tem despre lumea @n care tr6im nu este altceva dec?t un vis. "ac6 priviAi descrierile religioase ale iadului$ veAi constata c6 acestea nu di%er6 deloc de societatea uman6$ de %elul @n care vis6m noi. !adul este un loc al su%erinAei$ al %ricii$ al luptelor 7i violenAelor$ al 2udec6Ailor 7i al in2ustiAiei$ un loc al pedepsei care nu se s%?r7e7te niciodat6. ....(amenii se lupt6 cu oamenii @ntr.o 2ungl6 a pr6d6torilor< ei sunt plini de pre2udec6Ai$ de vinov6Aie$ de resentimente$ de otrava emoAiilor negative: invidie$ m?nie$ ur6$ tristeAe$ su%erinA6. 3oi cre6m singuri toAi ace7ti demoni @n minAile noastre$ c6ci ne.am o&i7nuit s6 vis6m iadul @n propria noastr6 viaA6.....Hiecare om @7i creea#6 propria sa dram6 personal6 @n care @7i des%67oar6 viaAa$ dar oamenii care au tr6it @naintea noastr6 au creat @mpreun6 un mare vis e-terior$ visul societ6Aii umane. =isul e-terior$ =isul 4lanetei$ este =isul colectiv creat de miliardele de vis6tori.
+arele =is include toate regulile sociale$ toate legile$ religiile$ culturile$ toate manierele @n care tr6iesc ast6#i oamenii. Foate aceste in%ormaAii @nmaga#inate @n minAile noastre seam6n6 cu o mie de voci care ne vor&esc simultan. Foltecii numesc acest proces: mitote. Realitatea dinl6untrul nostru este iu&ire pur6< noi suntem =iaAa. 5inele nostru real nu are nimic de.a %ace cu visul$ dar procesul de mitote ne @mpiedic6 s6 vedem cine suntem cu adev6rat. *http://es.wi)ipedia.org/wi)i/+itote <Fhere !s a +itote in Nour +ind &y Allan 'ardman http://www.netplaces.com/toltec.wisdom/awa)ening.in.the. dream/there.is.a.mitote.in.your.mind.htm ,... Atunci c?nd privim =isul din aceast6 perspectiv6$ con7tienAi c6 suntem cine suntem$ ne d6m imediat seama de comportamentul prostesc al oamenilor$ care devine chiar amu#ant. +area dram6 devine ast%el o comedie. 3e d6m seama c6 oamenii su%er6 pentru lucruri practic lipsite de importanA6$ unele dintre ele chiar ireale. 3u avem @ns6 de ales. 3e. am n6scut @n aceast6 societate$ am crescut @n ea 7i am @nv6Aat s6 ne comport6m la %el ca ceilalAi$ @ntr.un nonsens generali#at...!maginaAi.v6 c6 puteAi vi#ita o alt6 planet6$ @n care locuitorii au o minte emoAional6 di%erit6 de a noastr6. Ci comunic6 unii cu ceilalAi prin iu&ire$ prin %ericire$ prin pace. !maginaAi.v6 c6 dup6 ce aAi stat o vreme acolo$ v6 tre#iAi din nou pe planeta noastr6$ dar nu mai aveAi nici un %el de r6ni pe corpul dumneavoastr6 emoAional. 3u v6 mai este team6 s6 %iAi cel care sunteAi. (rice v.ar spune altcineva$ orice ar %ace$ nimic nu v6 mai poate a%ecta personal$ 7i deci nu v6 mai poate r6ni. 4ractic$ nu mai aveAi nevoie de protecAie. 3u v6 mai este team6 s6 iu&iAi$ s6 v6 @mp6rt67iAi sentimentele$ s6 v6 deschideAi inima. "ar nimeni din cei din 2ur nu seam6n6 cu dumneavoastr6. Cum aAi putea sta&ili relaAii de comuniune cu oameni care sunt r6niAi din punct de vedere emoAional 7i care sunt &olnavi de team6L ;a na7tere$ mintea emoAional6 a omului este per%ect s6n6toas6. 4rimele r6ni pe corpul s6u emoAional apar @n 2urul v?rstei de 3./ ani$ c?nd copilul se in%ectea#6 pentru prima oar6 cu otrava emoAiilor negative. (&servaAi @ns6 copiii cu v?rste cuprinse @ntre doi 7i trei ani: ei nu %ac altceva dec?t s6 se 2oace tot timpul$ s6 r?d6 tot timpul. !maginaAia lor este e-trem de puternic6 7i ei @7i tr6iesc visul ca pe o aventur6 a e-plor6rii. C?nd @nt?lnesc un o&stacol$ ei reacAionea#6 7i se ap6r6$ dar apoi uit6 7i tr6iesc la %el de intens momentul urm6tor$ @7i re@ncep 2ocul$ e-plorarea 7i amu#amentul. Ci tr6iesc @n permanenA6 @n clipa pre#ent6. AC9+ 3u se ru7inea#6 de trecutul lor$ nu sunt @ngri2oraAi de viitor. Copiii mici e-prim6 e-act ceea ce simt 7i nu se tem s6 iu&easc6.... (piniile e-terioare au o mare putere asupra comportamentului prostesc al oamenilor RCACF!=! care tr6iesc @n iad. Ace7tia simt @n permanenA6 nevoia s6 aud6 c6 sunt %rumo7i$ &uni$ de7tepAi$ c6 ceea ce %ac ei este &ine. Cum ar6tL `i.a pl6cut cum am vor&itL C7ti de acord cu ceea ce %acL 3oi simAim nevoia s6 au#im opiniile celorlalAi tocmai pentru c6 suntem domesticiAi C(3"!F!(3AF! 5A H!+ RCACF!=! 7i putem %i manipulaAi @n %uncAie de aceste opinii. G9F(A3C "C C(+A3"A !3 AHARA FA!CRCA C(J!! Corpul nostru emoAional @7i schim&6 7i @7i pierde treptat propria %recvenA6 vi&ratorie$ cea speci%ic6 unei %iinAe umane normale. Copiii @nvaA6 2ocul adulAilor$ al =isului e-terior$ dar @7i pierd ast%el inocenAa$ %ericirea$ li&ertatea 7i tendinAa @nn6scut6 de a iu&i. Ci sunt %orAaAi s6 se schim&e 7i @ncep s6 perceap6 o alt6 lume$ o alt6 realitate$ a in2ustiAiei$ a
durerii emoAionale$ a emoAiilor negative. Ci intr6 ast%el @n iad$ @n iadul pe care @l creea#6 chiar oamenii$ adic6 @n =isul 4lanetei. !adul @i @nt?mpin6 cu &ucurie$ dar nu se poate spune c6 l.au inventat ei personal. !adul era aici @nainte de na7terea noastr6. 4utem vedea cu u7urinA6 c?t de u7or pot %i distruse iu&irea 7i li&ertatea dac6 @i privim pe copii. !maginaAi.v6 un copila7 de doi sau trei ani care alearg6 7i se 2oac6 prin parc. +ama @l supraveghea#6 pe micuA 7i se teme s6 nu cad6 7i s6 nu se loveasc6. ;a un moment dat$ ea dore7te s6.l opreasc6$ dar copilul crede c6 mama se 2oac6 cu el$ a7a c6 @ncearc6 s6 alerge mai rapid dec?t ea. 4e strada din apropiere trec ma7ini$ lucru care o sperie 7i mai tare pe mam6$ care reu7e7te @n cele din urm6 s6.l prind6. Copilul se a7teapt6 ca mama lui s6 se 2oace cu el$ dar ea @l plesne7te la %und. Gum: Ce 7oc: Hericirea copilului era e-presia iu&irii care se mani%esta prin el$ 7i el nu @nAelege de ce mama sa se poart6 ast%el. \n timp$ acumularea acestor 7ocuri su&minea#6 iu&irea lui p?n6 la dispariAie. "e7i nu @nAelege @nc6 cuvintele$ copilul poart6 @n el o @ntre&are: "e ceL Alergarea 7i 2oaca sunt e-presii ale iu&irii$ dar ele nu mai repre#int6 o surs6 de siguranA6$ c6ci p6rinAii @l pedepsesc pentru maniera @n care @7i e-prim6 iu&irea. Ci @l trimit @n camera lui$ 7i copilul nu mai poate %ace ceea ce dore7te. 46rinAii @i spun c6 nu a %ost un copil cuminte$ iar acest lucru @l demorali#ea#6< @nseamn6 c6 este pedepsit. \n acest sistem al pedepsei 7i al recompensei e-ist6 un simA al drept6Aii 7i al nedrept6Aii$ al corectitudinii 7i al incorectitudinii. Acest simA este ca un cuAit care taie @n carne vie @n corpul emoAional al copilului$ cre?nd acolo o ran6. \n %uncAie de reacAia noastr6 la in2ustiAia comis6$ aceast6 ran6 se poate in%ecta cu emoAii negative. !adul are di%erite niveluri. 9nii oameni sunt %oarte ad?nc scu%undaAi @n el$ @n timp ce alAii nu au dec?t un contact sporadic cu el. C-ist6 relaAii e-trem de a&u#ive 7i relaAii aproape lipsite de a&u#. Acum nu mai sunteAi copil$ iar dac6 aveAi o relaAie a&u#iv6$ acest lucru se datorea#6 %aptului c6 acceptaAi a&u#ul$ c6 sunteAi convins c6 @l meritaAi. *"on +iguel Rui# +aiestria in iu&ire / Fhe +astery o% ;ove , 0ne:a > vedeti in Gi&liogra%ie K8> adresa de unde puteti descarca aceasta carte A Gird on the Iing * Chapter 3: Fhe Zates o% 'eaven and 'ell, 12 Sune 1B8/ am in Guddha 'all Audio: Nes =ideo: 3o ;ength: 10/ mins te-tul incepe cu povestirea #en care este tradusa GC;(=C" (5'($ A IARR!(R CA+C F( F'C JC3 +A5FCR 'A[9!3 A3" A5[C" !5 F'CRC 59C' A F'!3Z A5 'CA=C3 A3" 'C;;L 'A[9!3 5A!" I'( ARC N(9L F'C IARR!(R RC4;!C" I 0M CHIEA -0MH10I T# THE EMPE1#1. 'A[9!3 5A!" N(9$ A 5A+9RA!L I!F' A HACC ;
