Documente Academic
Documente Profesional
Documente Cultură
18 iulie 1811
Calcutta, India
Deces 24 decembrie 1863
Londra, Regatul Unit
NaionalitateRegatul Unit Regatul Unit
Ocupaie
Romancier
Nationality
English
Vanity Fair
Spouse
Children
Jane (1838?1839?)
Harriet Marian (18401875)
William Makepeace Thackeray (/kri/; 18 July 1811 24 December 1863) was an
English novelist of the 19th century. He was famous for his satirical works,
particularly Vanity Fair, a panoramic portrait of English society.
Contents [hide]
1 Biography
2 Works
3 Family
3.1 Parents
3.2 Descendents
4 Reputation and legacy
5 List of works
6 See also
7 References
8 Sources
9 External links
Biography[edit]
Thackeray, an only child, was born in Calcutta,[1] India, where his father, Richmond
Thackeray (1 September 1781 13 September 1815), was secretary to the board of
revenue in the British East India Company. His mother, Anne Becher (17921864)
was the second daughter of Harriet Becher and John Harman Becher, who was also
a secretary (writer) for the East India Company.
William's father, Richmond, died in 1815, which caused his mother to send him to
England in 1816 (whilst she remained in India). The ship on which he travelled made
a short stopover at St. Helena where the imprisoned Napoleon was pointed out to
him. Once in England he was educated at schools in Southampton and Chiswick and
then at Charterhouse School, where he was a close friend of John Leech. He disliked
Charterhouse,[2] parodying it in his later fiction as "Slaughterhouse". (Nevertheless
Thackeray was honoured in the Charterhouse Chapel with a monument after his
death.) Illness in his last year there (during which he reportedly grew to his full
height of 6' 3") postponed his matriculation at Trinity College, Cambridge, until
February 1829. Never too keen on academic studies, he left the University in 1830,
though some of his earliest writing appeared in university publications The Snob
and The Gownsman.[3]
He travelled for some time on the continent, visiting Paris and Weimar, where he
met Goethe. He returned to England and began to study law at the Middle Temple,
but soon gave that up. On reaching the age of 21, he came into his inheritance but
he squandered much of it on gambling and by funding two unsuccessful
newspapers, The National Standard and The Constitutional, for which he had hoped
to write. He also lost a good part of his fortune in the collapse of two Indian banks.
Forced to consider a profession to support himself, he turned first to art, which he
studied in Paris, but did not pursue it except in later years as the illustrator of some
of his own novels and other writings.
sketches, and two longer fictional works, Catherine and The Luck of Barry Lyndon.
From 1837 to 1840 he also reviewed books for The Times.[4] He was also a regular
contributor to The Morning Chronicle and The Foreign Quarterly Review. Later,
through his connection to the illustrator John Leech, he began writing for the newly
created Punch magazine, where he published The Snob Papers, later collected as
The Book of Snobs. This work popularised the modern meaning of the word "snob".
Tragedy struck in his personal life as his wife succumbed to depression after the
birth of their third child in 1840. Finding he could get no work done at home, he
spent more and more time away, until September of that year, when he realised
how grave her condition was. Struck by guilt, he took his ailing wife to Ireland.
During the crossing she threw herself from a water-closet into the sea, but she was
pulled from the waters. They fled back home after a four-week domestic battle with
her mother. From November 1840 to February 1842 she was in and out of
professional care, her condition waxing and waning.
In the early 1840s, Thackeray had some success with two travel books, The Paris
Sketch Book and The Irish Sketch Book. He achieved more recognition with his Snob
Papers (serialised 1846/7, published in book form in 1848), but the work that really
established his fame was the novel Vanity Fair, which first appeared in serialised
installments beginning in January 1847. Even before Vanity Fair completed its serial
run, Thackeray had become a celebrity, sought after by the very lords and ladies
whom he satirised; they hailed him as the equal of Dickens.
He remained "at the top of the tree," as he put it, for the remaining decade and a
half of his life, producing several large novels, notably Pendennis, The Newcomes,
and The History of Henry Esmond, despite various illnesses, including a near fatal
one that struck him in 1849 in the middle of writing Pendennis. He twice visited the
United States on lecture tours during this period.
Thackeray also gave lectures in London on the English humorists of the eighteenth
century, and on the first four Hanoverian monarchs. The latter series was published
in book form as The Four Georges. In Oxford, he stood unsuccessfully as an
independent for Parliament. He was narrowly beaten by Cardwell (1070 votes,
against 1005 for Thackeray).
In 1860 Thackeray became editor of the newly established Cornhill Magazine, but
was never comfortable as an editor, preferring to contribute to the magazine as a
columnist, producing his Roundabout Papers for it.
Works[edit]
Thackeray began as a satirist and parodist, writing works that displayed a sneaking
fondness for roguish upstarts such as Becky Sharp in Vanity Fair, and the title
characters of The Luck of Barry Lyndon and Catherine. In his earliest works, writing
under such pseudonyms as Charles James Yellowplush, Michael Angelo Titmarsh and
George Savage Fitz-Boodle, he tended towards savagery in his attacks on high
society, military prowess, the institution of marriage and hypocrisy.
Title-page to Vanity Fair, drawn by Thackeray, who furnished the illustrations for
many of his earlier editions.
One of his earliest works, "Timbuctoo" (1829), contains his burlesque upon the
subject set for the Cambridge Chancellor's Medal for English Verse (the contest was
won by Tennyson with "Timbuctoo"). Thackeray's writing career really began with a
series of satirical sketches now usually known as The Yellowplush Papers, which
appeared in Fraser's Magazine beginning in 1837. These were adapted for BBC
Radio 4 in 2009, with Adam Buxton playing Charles Yellowplush.[6]
Between May 1839 and February 1840 Fraser's published the work sometimes
considered Thackeray's first novel, Catherine. Originally intended as a satire of the
Newgate school of crime fiction, it ended up being more of a rollicking picaresque
tale. He also began work, never finished, on the novel later published as A Shabby
Genteel Story.
He is best known now for Vanity Fair, with its deft skewerings of human foibles and
its roguishly attractive heroine. His large novels from the period after Vanity Fair
were once described by Henry James as examples of "loose baggy monsters" and
have largely faded from view, perhaps because they reflect a mellowing in
Thackeray, who had become so successful with his satires on society that he
seemed to lose his zest for attacking it. These later works include Pendennis, a
bildungsroman depicting the coming of age of Arthur Pendennis, an alter ego of
Thackeray, who also features as the narrator of two later novels, The Newcomes
and The Adventures of Philip. The Newcomes is noteworthy for its critical portrayal
of the "marriage market," while Philip is known for its semi-autobiographical
depiction of Thackeray's early life, in which he partially regains some of his early
satirical power.
Also notable among the later novels is The History of Henry Esmond, in which
Thackeray tried to write a novel in the style of the eighteenth century, a period that
held a great appeal for him. Not only Esmond but also Barry Lyndon and Catherine
are set in that period, as is the sequel to Esmond, The Virginians, which takes place
in America and includes George Washington as a character who nearly kills one of
the protagonists in a duel.
Family[edit]
Parents[edit]
His mother, Anne Becher, born 1792, was "one of the reigning beauties of the day"
and a daughter of John Harmon Becher (Collector of the South 24 Parganas district
d. Calcutta, 1800), of an old Bengal civilian family "noted for the tenderness of its
women". Anne Becher, her sister Harriet, and widowed mother Harriet, had been
sent back to India by her authoritarian guardian grandmother, widow Ann Becher, in
1809 on the Earl Howe. Anne's grandmother had told her that the man she loved,
Henry Carmichael-Smyth, an ensign of the Bengal Engineers whom she met at an
Assembly Ball in 1807 in Bath, Somerset, had died, and he was told that Anne was
no longer interested in him; neither of these was true. Though Carmichael-Smyth
was from a distinguished Scottish military family, Anne's grandmother went to
extreme lengths to prevent their marriage; surviving family letters state that she
wanted a better match for her granddaughter.[8]
Descendents[edit]
Thackeray is also an ancestor of UK financier Ryan Williams, and British comedian Al
Murray's great-great-great-grandfather.[11]
In Thackeray's own day, some commentators, such as Anthony Trollope, ranked his
History of Henry Esmond as his greatest work, perhaps because it expressed
Victorian values of duty and earnestness, as did some of his other later novels. It is
perhaps for this reason that they have not survived as well as Vanity Fair, which
satirises those values.
Thackeray saw himself as writing in the realistic tradition and distinguished himself
from the exaggerations and sentimentality of Dickens. Some later commentators
have accepted this self-evaluation and seen him as a realist, but others note his
inclination to use eighteenth-century narrative techniques, such as digressions and
talking to the reader, and argue that through them he frequently disrupts the
illusion of reality. The school of Henry James, with its emphasis on maintaining that
illusion, marked a break with Thackeray's techniques.
2 Palace Green, a house built for Thackeray in the 1860s, is currently the permanent
residence of the Israeli Embassy to the United Kingdom.[12] A Royal Society of Arts
blue plaque was unveiled in 1887 to commemorate Thackeray at Palace Green.[13]
His former home in Tunbridge Wells, Kent, is now a fine dining restaurant named
after the author.[citation needed]
List of works[edit]
Wikisource has original works written by or about:
William Makepeace Thackeray
The Yellowplush Papers (1837) ISBN 0-8095-9676-8
Catherine (183940) ISBN 1-4065-0055-0
A Shabby Genteel Story (1840) ISBN 1-4101-0509-1
The Irish Sketchbook (1843) ISBN 0-86299-754-2
The Luck of Barry Lyndon (1844), filmed as Barry Lyndon by Stanley Kubrick ISBN
0-19-283628-5
Notes of a Journey from Cornhill to Grand Cairo (1846), under the name Mr M. A.
Titmarsh.
Mrs. Perkins's Ball (1846), under the name M. A. Titmarsh
The Book of Snobs (1848), which popularised that term- ISBN 0-8095-9672-5
Vanity Fair (1848) ISBN 0-14-062085-0
Pendennis (18481850) ISBN 1-4043-8659-9
Rebecca and Rowena (1850), a parody sequel of Ivanhoe ISBN 1-84391-018-7
The Paris Sketchbook (1840), featuring Roger Bontemps