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Teodora Brla, UBB Cluj-Napoca Facultatea de Sociologie i Asisten Social MA Antropologie Aplicat

Noi direcii n antropologia muzicii: piaa local a muzicanilor clujeni


o analiz pe patru dimensiuni

Cluj-Napoca, 2011

CELE PATRU DIMENSIUNI

1. 2. 3. 4.

Mediul; Actorii sociali; Interaciunile; Procesualitatea.

FORMAREA PIEEI MUZICALE CLUJENE


Ramificarea industriilor i serviciilor de loisir i entertainment; Fragmentarea i diversificarea gusturilor i nevoilor de loisir si entertainment; Calitatea de ora universitar i multicultural a municipiului Cluj-Napoca capital studenesc;

PIAA MUZICAL CLUJEAN, CA NIVEL INTERMEDIAR

Dimensiunea procesualitii:

Graniele relative spaii (zone) simbolice:


Underground NIVELUL INTERMEDIAR Mainstream

ideal artistic vs. prostituie muzical

ARTITII LOCALI I MUNCA MUZICAL


Profesionalismul n muzic (a fi profi); coal vs. auto-colire; Importana uceniciei; Performarea muzicii i performarea sinelui muzical; Backstage i frontstage;

N CONCLUZIE:
Camera cu perei interiori de oglind si perei exteriori de sticl transparent
-

Interanjabilitatea rolurilor; Relativitatea granielor; Comprimarea timpului i a spaiului; Restructurarea artei si reconfigurarea muncii muzicale; Regeneralizarea pieei muzicale locale clujene la nivel macro.

Karibe Balkanika

Bibliografie:

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Bibliografie:

CLINIC, Daniel (2010), Adorno i postmodernitatea, n Revista de Cultur Tomis, iunie 2010, Constana. COOK, N. (1990) Music, Imagination and Culture, Clarendon Press, Oxford. COOK, N. (1998) Music: A Very Short Introduction, Oxford University Press, Oxford. COULANGEON, Phillippe (2002) Lehmann Bernard, L'orchestre dans tous ses clats. Ethnographie des formations symphoniques, in Revue franaise de sociologie 2002, 43-4. pp. 813-817. DEBORD, Guy (2002), The Society of the Spectacle, Hobgoblin Press, Canberra. DeNORA, T. (2000) Music in Everyday Life, Cambridge University Press, Cambridge. DeNORA, Tia, JUSLIN, P. & SLOBODA, J. (2001), Aesthetic Agency and Musical Practice: New directions in the Sociology of Music and Subjectivity, in Music and Emotion, Oxford University Press, Oxford. DeNORA, Tia (2003), After Adorno: Rethinking Music Sociology, Cambridge University Press, Cambridge, NY et. all. DeNORA, Tia (2003), Music Sociology: Getting the Music into the Action , n British Journal of Music Education, vol. 20, no. 2, 2003, pp. 165-177. DeNORA, Tia, CLARK, E. & COOK, N. (2004), Musical Practice and Social Structure: The Sociology of Music and its Toolkit, n Empirical Musicology, Oxford University Press, Oxford. DeNORA, Tia, JACOBS, M. & HAHRAHAN, N. (2004), Music Meaning and Everyday Life, n Blackwell Companion to the Sociology of Culture, Blackwells, Oxford. DeNORA, Tia, JACOBS, M. & HAHRAHAN, N. (2005), Music and Social Experience, n The Blackwell Companion to the Sociology of Culture, Blackwell, pp. 147-159. DeNORA, Tia & BRESLER, L. (2007) Two or more forms of music, n International Handbook of Research in Arts Education, Springer. DeNORA, Tia & ACCORD, S.K. (2008), Culture and the Arts: From Art Worlds to Arts-in-Action, n ANNALS of the American Academy of Political and Social Science, vol. 619, no. 1, 2008, pp. 223-237. EAGLETON, Terry (1996), The Illusion of Postmodernism, Blackwell Publishers, Oxford. FRITH, S. (1987) The industrialization of Popular Music, in J. Lull (ed.), Popular Music and Communication, London: Sage. p. 5379. FRITH, S. (1996) Performing Rites: On the Value of Popular Music, MA: Harvard University Press, Cambridge.

Bibliografie:

GOFFMAN, Erwing (1959), The Presentation of Self in Everyday Life, University of Edinburgh Social Sciences Research Centre, Anchor Books Ed. GROYS, Boris (2008), Art Power, The MIT Press, Cambridge and London. GROYS, Boris (2010), The Weak Universalism, n E-flux Journal, no.15, april. 2010. GROYS, Boris (2010), Marx after Duchamps, or The Artists Two Bodies, n E-flux Journal, no.19, oct. 2010. GROYS, Boris (2011), Art and Money n E-flux Journal, no.24, april. 2011. HERBERT, T. & MIDDLETON, R. (eds), The Cultural Study of Music: A Critical Introduction, Routledge, London. LOW, S.M. & LAWRENCE Ziga (2000), The Anthropology of Space and Place: Locating Culture, Blackwell, Oxford. MERRIAM, Alan (1964), The Anthropology of Music, Northwestern University Press, Evanston. MIDDLETON, R. (1984), Music and Markets, Cambridge University Press, Cambridge. MIDDLETON, R. (1990), Studying Popular Music, Open University Press, Milton Keynes SAPIRO, Gisle Sapiro (2007), La vocation artistique entre don et don de soi, 2007 (articol), n Actes de la recherche en sciences sociales, 2007/3 n 168, p. 4-11. SEEGER, C. (1977) Studies in Musicology, University of California Press, Berkeley, CA. TOYNBEE, J. (2003), Music, Culture, and Creativity, in M. Clayton. Van MAAN, Hans (2009), How to study Art Worlds. On the Societal Functioning of Aesthetic Values, Amsterdam University Press, Amsterdam. VIDOKLE, Anton (2010), Art Without Artists?, n E-flux Journal, no.16, may, 2010. WALL, T. (2003) Studying Popular Music Culture, Arnold, London. WEBER, Max (1958), The Rational and Social Foundations of Music, Southern Illinois University Press, NY. WENCESLAS, Liz & OLIVIER, Roueff (2010), La fabrique des gots 2010, n Actes de la Recherche en Science Sociale, 3 mar. 2010.

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