Documente Academic
Documente Profesional
Documente Cultură
Alexander, Victoria D.; Rueschemeyer, Marilyn, Art and the State. Visual Arts in
Comparative Perspective, London, Routledge, 2005;
Csergo, Julia, „Extension et mutation du loisir citadin. Paris XIX e siècle – début XXe
siècle”, în Alain Corbin coord., L’avenement des loisirs. 1850-1960, Paris, Laterza,
Rome, Aubier, 1995;
Christensen, Carl C., Art and Reformation in Germany, Ohio University Press, 1979;
Daydé, Emmanuel, C’est la vie! Vanités de Pompéï à Damien Hirst, Paris, 2010;
Doris, Sara, Pop Art and The Contest over American Culture, Cambridge, Cambridge
University Press, 2007;
Dulop, Anne, Painted Palaces. The Rise of Secular Art in Early Renaissance Italy,
Pennsylvania State University, University Park, 2009;
Furet, François, Omul romantic, trad. coord. de Giuliano Sfichi, Iași, Polirom, 2000;
Girondi, Giulio, „Patrician Residences and the Palaces of the Marquis of Mantua (1459-
1524)”, în Silvia Beltramo, Flavia Cantatore, Marco Folin (eds.), A Renaissance
Architecture of Power. Princely Palaces in the Italian Quattrocento, Leiden, Boston
2016, pp. 163-186;
Gompertz, Will, O istorie a artei moderne: tot ce trebuie să știi despre ultimii 150 de
ani, trad. de Daniela Magiaru, Iași, Polirom, 2014;
Hauser, Arnold, The Social History of Art, vol. 3, Rococo, Classicism and Romanticism,
3rd edition, London and New York, Routledge, 1999;
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Hauser, Arnold, The Social History of Art, vol. 4, Naturalism, Impresionism and The
Film Age, 3rd edition, London and New York, Routledge, 1999;
Hust, Titia, „The Vicissitudes of Taste: The Market for Pop”, în Journal for Art Market
Studies, 2, 2017, pp. 1-14;
Jones, Amelia (ed.), A Companion to Contemporary Art since 1945, Malden, Oxford,
Victoria, Blackwell Publishing, 2006;
Klancher, Jon (ed.), A Concise Companion to the Romantic Age, Chichester, Willey-
Blackwell, 2009;
Lee Rubin, Patricia, The Renaissance Portrait. From Donatello to Bellini, New York,
Metropolitan Museum of Art, 2011;
Manca, Joseph, Andrea Mantegna and the Italian Renaissance, New York, Parkstone
Press, 2006;
Marin Barutcieff, Silvia, „Death and the Maiden in 20th Century Literature and Visual
Arts”, în Adriana Teodorescu, Death Representations in Literature. Forms and Theories,
New Castle upon Tyne, Cambridge University Press, 2015, pp. 389-409;
Méridieu, Florence de, Arta și noile tehnologii. Arta video, arta numerică, trad. de Anca
Calangiu, București, Rao, 2005;
Mills, Dorothy, Renaissance and Reformation Times, San Rafael, Dawn Chorus, 2007;
Mullett, Michael A., The Catholic Reformation, London, New York, Routledge, 1999;
Nițu, Florentina; Solcan, Șarolta; Nedici, Radu (eds.), Brâncoveanu 300: epoca
brâncovenească la orizontul modernității românești, București, Editura Universității din
București, 2016;
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Oprescu, George, Manual de istoria artei, vol. III-VII, București, Meridiane, 1985-1986;
Paoletti, John T., Radke, Gary M., Art in Renaissance Italy, 3rd edition, London,
Laurence King Publishing, 2005;
Popa, Corina; Iancovescu, Ioana; Negrău, Elisabeta; Bedros, Vlad, Repertoriul picturii
murale brâncovenești. I, Județul Vâlcea, București, Unarte, 2008;
Soergel, Philip M. (ed.), Arts and Humanities through the Eras: The Age of Baroque and
Enlightment (1600-1800), Detroit, New York, San Francisco, Gale & Thomson, 2005;
Soergel, Philip M. (ed.), Arts and Humanities through the Eras: The Age of Renaissance
(1300-1600), Detroit, New York, San Francisco, Gale & Thomson, 2005;
Turner, Jane (ed.), The Grove Dictionary of Art, New York, Macmillan Publishers
Limited, 1996, vol. 3;
Villari, Rosario (coord.), Omul baroc, trad. de Dragoș Cojocaru, Iași, Polirom, 2000;
West, Shearer, The Visual Arts in Germany. 1890-1937. Utopia and Despair,
Manchester, Manchester University Press, 2000.