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Polul de sus: Fenomenele exterioare, povestite n mituri (lumea)

Polul de jos: Sursa Profund a Realitii

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Iisus Hristos pasul nlrii. (Capela Inaltarii Ierusalim + mulaj n ghips la Biserica Sf. Ilie Gorgan
din Bucureti)
Iisus Hristos urma mainii Sale la a 5-a Oprire de pe Via Dolorosa Ierusalim.
Maica Domnului - pasul Ei Lavra Poceaev Ucraina.
Near the grave [from Rozabal] of this prophet of Allah [Jesus / Yuz Asaf] in the right-hand corner
there is a stone, which has upon it the footprints of a man. It is said that it is the footsteps of the
messenger. Probably this footprint of this prince-prophet remains as a sign.
https://totallyfreepress.wordpress.com/2011/07/21/jesus-post-crucifixion/
http://www.real-islam.org/jesus/jesuseast.html
Poemul-povestirea Pasi in nisip [Iisus si omul]
http://en.wikipedia.org/wiki/Footprints_(poem)
Pasul lui Buddha (Adam sau Shiva) de la Adams Peak Sri Lanka, cu corespondentele sale din
China.
Pasul Zeitei / Zeului de la Templul Ain Dara din Siria.
http://en.wikipedia.org/wiki/Ain_Dara_Temple
Pasul Sf Ghelasie Rme: la moartea lui...pasii mgarului s-au imprimat in piatr ca n cear topit.
Cetuia: nmuierea rocii cu ierburi (ca incaii) sau era pe vremea cnd stnca era nisip ud sau pai
ai unor persoane/fiine cu Putere (May The Force be with you! Star Wars / Rzboiul Stelelor).
Maetri de Arte Martiale care peau pe lespede: pasul de Putere.
Fiine/personaje cu Putere (n ei).
Pasul Arh. Mihail n stnca de la Colose i n grote din Italia.
Urmele minilor Arh. Gavriil pe stnca Domului Stncii din Ierusalim (Mahomed).

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http://en.wikipedia.org/wiki/Talk%3AAdam's_Peak
http://www.arabiantreasurehunt.com/pages/Tomb_of_Eve.html
http://samslifeinjeddah.wordpress.com/2013/03/13/grandmother-eve-buried-in-jeddah/
It is estimated that the tomb was 120 meters long, three metres wide and six metres high before its
condition began to deteriorate decades ago due to the neglect by Wahhabist authorities who believe
paying too much attention to a grave site is likely to lead to idolatry.
Muslim tradition holds that after Adam and Eve were kicked out of Eden, they went their separate
ways: Adam to Mecca, where he built the sacred Kaaba (iar adversr cazut intre la stalpul de aruncat
cu pietre al pelerinilor); and Eve to Jeddah, an entry point for pilgrims to Mecca.
in orasul Jeddah (Arabia Saudita)
There is a believe that the Tomb of Adam was exactly where the Golgotha was. This believe came
from the fact that the place was named Place of the skull long before the romans came. the
suggestion of a mistranslation is weak, so is the suggestion of a cemetery, because it clearly states
"the skull" ie one skull. The problem that arises is who's burial ground was so important that gave
the name of a place that lasted for hundreds of years?!
La pas de 1-2 m corespunde:
10 30 m inaltime aprox (ca si Buddha si pasii lui din Sri Lanka, Thailanda, Laos, China etc)
Dansul lui Shiva (forma piramidala imperfecta ca si Mt Kailash Tibet, dar perfecta a umbrei la
rasarit)
My understanding is the bones of patriarchs and matriarchs of Abraham, Sarah, Isaac, Rebecca,
Jacob and Leah were found in the cave of Machpelah according to Torah.
Ignorance is preferable to error; and he is less remote from the truth who believes nothing, than he
who believes what is wrong. - Thomas Jefferson
http://www.lovendal.ro/wp52/incredibilii-pasi-giganti-sculptati-de-la-intrarea-templului-ain-daradin-siria-dovada-ca-in-trecut-traiau-uriasi-de-20-de-metri-inaltime/

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The church above the catacomb of St Sebastian is sacred in many ways. It has the footprints of
Jesus .At the exact place where St Peter met Jesus after resurrection, it is believed Jesus
miraculously left his footprints .The place now has a church but the original footprints are now kept
in the St Sebastian Basilica. It will be interesting for me to briefly narrate the story here, which may
interest my Christian friends.
The Chiesa del Domine Quo Vadis is located on the spot where tradition says Saint Peter had a
vision of the risen Christ while fleeing persecution in Rome. According to the apocryphal Acts of
Peter, Peter was surprised to see Jesus and asked him:
Domine, quo vadis? ("Lord, where are you going?")
And Jesus answered:
Eo Romam iterum crucifigi ("I go to Rome to be crucified anew.")
This convinced Peter to turn around and face crucifixion himself in Rome.
Evidence for the presence of the Apostle Peter in this area, where he is said to have lived, includes
an epigraph in the catacombs of Saint Sebastian that reads "Domus Petri" (house of Peter) and an
epigram by Pope Damasus I (366-384): "You that are looking for the names of Peter and Paul, You
must know that the saints have lived here".
http://exploringworldwithajay.blogspot.ro/2013_03_01_archive.html

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V. si (inclusiv comentariile din partea de jos a postarii de blog):

http://altmarius.ning.com/profiles/blogs/breviar-de-idei
Canta-voi Dumnezeului meu pana ce voi fi [ = pana cand voi ajunge sa Fiusau cat voi fi/trai].
Eti ct povesteti. (Viorica Nicov)
Nu cunosc nici o mare literatur care s nu povesteasc faptul c ceva s-a ntmplat undeva.
Povestirea este o secularizare a mitului. Iar mitul e ntotdeauna istorisirea sacrului, o istorisire
primordial care povestete cum ceva (sau chiar lumea nsi) a nceput s existe, n urma cror
evenimente un comportament, o instituie, o modalitate de a lucra sau de a iubi au fost ntemeiate. A
neglija aceast dimensiune narativ nseamn a risca s nivelm totul. Cred c nici un alt tip de
comunicare nu e mai profund. [...] Din primele timpuri vedem c exist o nevoie existen-ial de a
asculta sau citi poveti... nu doar de a percepe forme i sunete. (MIRCEA ELIADE, 1983)
"Eti ct povesteti: O fenomenologie a basmului" de Viorica Nicov

"Anexa aleas de autoare [Viorica Niscov, v. mai sus] (mrturisiri ale lui Felix Karlinger despre
fenomenele paranormale petrecute n timpul muncii de teren care implic n principal culegerea de
basme de la diveri povestitori) ridic un semn de ntrebare, ideal pentru orice epilog, pentru orice
final de drum, ducnd la o alt dilem: este relatarea de basme un mod de a suspenda realitatea sau o
nnobilare a ei?" (Cristina Stancu)
Astfel de fenomene "paranormale" in timpul povestirii, citirii / ascultarii povestilor etc - apar nu din
cauza capacitatilor povestitorilor populari (care sunt reale in unele cazuri), ci, mai ales, ptca prin
"povesti" se acceseaza partea profunda a fiintei, de unde izvoraste lumea intreaga. De "acolo"
izvorasc legile universului si tot de acolo izvorasc si "povestile" - Mitul - Povestea fara sfarsit a
Realitatii.
"A nu ti este ceva extrem de intim. Acest Nu tiu. al tu este vastitatea propriei tale naturi
profunde care d natere mprtierii constelaiilor cosmice, umbrei copacilor din curte i propriei
tale inimi btnde."
[Kuei Ch`in (maestru Ch`an din secolul IX)]
.
ntmplri fantastice i surprinztoare produse n timpul narrii de basme : Relatare a unor
experiene de teren / Felix Karlinger. Wien : Praesens Verlag, 1994. Apar ptca in timpul povestirii
se contacteaza nucleul profund al fiintei (Sinele, in sensul Vedanta) de unde izvoraste totul. Si nu
numai din cauza capacitatilor paranormale ale unor povestitori sau a sugestibilitatii hipnotice a
ascultatorilor.
Astfel de fenomene paranormale (Felix Karlinger) in timpul povestirii, citirii / ascultarii povestilor
etc apar nu din cauza capacitatilor povestitorilor populari (care sunt reale in unele cazuri), ci, mai
ales, ptca prin povesti se acceseaza partea profunda a fiintei, de unde izvoraste lumea intreaga. De
acolo izvorasc legile universului.

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A nu ti este ceva extrem de intim. Acest Nu tiu. al tu este vastitatea propriei tale naturi
profunde care d natere mprtierii constelaiilor cosmice, umbrei copacilor din curte i propriei
tale inimi btnde.
[Kuei Ch`in (maestru Ch`an din secolul IX)]
V. si Norul Necunoasterii Divine si Megha Dharma Samadhi

Motto: Dar legenda, ca si istoria, poate fi distorsionata de (in) timp, dezbracata de adevar prin
cinism si totusi coplesita de splendori prin imaginatie.
.
Sfintii simt-traiesc ceea ce spun-explica-propovaduiesc si cred in ceea ce spun. De aceea cuvintele
lor au Putere (primesc Putere de Sus, de la Dumnezeu).
Iar puterea cuvintelor lor e intarita prin lucrarea minunilor (prin ei, tot de la D), ptca oamenii (care
sunt opaci si inchisi) sa se convinga mai repede si de-adevarat (nu in vorbe: "Cred in ...")
de Adevar.
John Binns, n introducerea lucrrii 'Viaa monahilor din Palestina' a lui Chiril din Scythopolis, arat
c pentru unul dintre cei mai importani aghiografi minunea este parte a istoriei: 'Istoria lui Chiril nu
este doar o relatare a evenimentelor profane, ci a aciunii lui Dumnezeu n chemarea aleilor Si i
mplinirea planului Su prin ei. Vieile sfinilor sunt un rspuns la chemarea divin, iar semnele
dumnezeieti sunt prezente de la un capt la cellalt. Prin urmare, relatrile minunilor nu sunt o
niruire de evenimente remarcabile ce alctuiesc o supradimensionare a ntmplrilor istorice sigure
i adevrate. Ele sunt eseniale scopului lui Chiril i arat c el a scris o istorie adevrat, pentru c
aceasta este istoria planului lui Dumnezeu. Pentru Chiril, diferena dintre minune i istorie este
insesizabil'.
Iar cei care au scris Vietile Sff s-au pregatit inainte pt a avea Putere in ce scriu: prin post si
rugaciune multa.
..
Cnd citim poveti, ptrundem ntr-un trm misterios, plin de paradoxuri, enigme i semne de
ntrebare i e posibil s ne dm seama c i viaa e aa. Marea literatur ne deschide spre
strfundurile propriei noastre fiine i spre strfundurile lumii n care trim. Ne poate arta o lume n
care vibreaz o energie inteligent, o lume care vrea s comunice cu noi... (Jonathan Black - "The
sacred history : how angels, mystics and higher intelligence made our world")
.
Tom Montalk:
http://montalk.net/gnosis/219/8-polar-mythology
will show how the preceding ideas are ubiquitously encoded in ancient myths and modern fiction.
Myths and fiction are the collective equivalent of individual dreams, and like the latter can contain
symbolic messages from beyond.
The Meaning of Myth
Since myths are not literal accounts of history, they are easily dismissed as superstitious tales
invented by our nave ancestors. But what society considers factual, historical, and real is only that
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which has taken place within linear time and 3D space, namely events witnessed through the five
physical senses. [v. 1-a atentie / Castaneda]
Far from being less than factual, myths may depict events and dynamics that are more than factual
because they hail from beyond the limited modern conception of reality, beyond linear time, and
beyond the five senses. Myths can be symbolic vehicles for conveying that which transcends linear
history. [v. a 2-a si a 3-a atentie / Castaneda]
What are myths really? They are the collective equivalent of dreams. What both have in common is
that they span the spectrum from mundane to profound, they can be oracular or prophetic, they can
convey hidden knowledge, and they employ symbolic elements to encode meaning. Profound
dreams and myths are coded messages from beyond.
Like dreams, myths allow passage of information across the boundary between realms. It seems that
archetypes are shared currency between our world and others. In dreams, the subconscious or higher
mind employs a cryptic language of symbols to encode a message. Same with myths whose
symbolic characters, places, and story lines encode messages from intelligences beyond our realm.
Interpretation of myth is therefore similar to interpretation of dreams.
Myths are also like time capsules with nested layers, each layer encoding information intended for
one type of recipient. Possible layers include:
Entertainment and Morality Layer the outer wrapping that ensures the myth propagates through
the generations.
Historical Layer ensures that history of the people is remembered.
Esoteric Layer provides initiatory instruction to empower those of a higher spiritual caliber.
Technological Layer provides scientific instruction on technologies likely to become lost over
time, such as alchemy, astronomy, or higher demiurgic technology.
Hyper-Historical Layer concerns events and dynamics of the future and the world as it exists
before/beyond linear time. This layer is aimed at those within the bubble of linear time who seek
Gnosis of what lies outside.
The deeper layers piggyback upon the shallower ones, and the entire bundle is unsuspectingly
passed down the generations by commoners who enjoy the myth for its moral or entertainment
value. Information stored this way can survive for thousands of years.
Myths also allow for passage of information across discontinuities between world ages, when one
world disappears and another appears. Since consciousness resides beyond matter, energy, space,
and time, myths embedded in the collective subconscious survive such reconfigurations. Hence,
these myths may propagate hyper-historical truths and tell of events and dynamics before, after, and
beyond the current timeline.
Lastly, note that myths are not restricted to those from ancient times. Modern fictional films,
television series, music, and literature may also be mythical in nature, depending on its content and
true source. Obviously some are just superficial fluff, but others are equal or higher in profundity
than the greatest of classical myths.

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Therefore the whole gamut of myth from dreams to ancient mythology to modern fiction is fertile
ground for extracting the esoteric, technological and hyper-historical layers of information. These
layers are embedded by beings who exist before and beyond our world. In a way its all part of an
ongoing process of hyper-dimensional steganography aimed at passing synchronistically or
symbolically encrypted messages to strategic recipients within the bubble of linear time.
..
Miturile = a mask of God (Psihologia miturilor Joseph Campbell)
..
Richard Bach: Cum iau nastere aventurile in mintea cuiva? Scriitorii spun ca misterul face parte din
farmecul povestii. Nu ofera nici o explicatie.
Imaginatia este asemenea unui suflet stravechi, care se face auzit in sinea noastra. Ne vorbeste
despre o lume stralucitoare si despre bucuriile si tristetea, deznadejdea si triumful fiintelor care o
populeaza. Dar povestea nu e spusa in cuvinte. Scriitorii potrivesc imaginile, isi aduc aminte fiecare
replica. Presarand litere si semne de punctuatie, povestea poate ajunge in librarii.
Povestile nu asculta de reguli si principii, ci se ivesc din misterul care ne alimenteaza imaginatia.
Ani de zile suntem chinuiti de intrebari care nu ne dau pace, pentru ca dintr-odata sa fim coplesiti de
un suvoi de raspunsuri venite de niciunde, ca niste sageti trase de un arc nevazut. (Richard Bach
Pescruul Jonathan Livingston, partea a 4-a)
.
JRR Tolkien in the Lord of the Rings:
"...and somethings that should have not been forgotton were lost.
History became legend, legend became myth..."

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