Angajare de clovn(i)

Studiu după Matei Vişniec

O banca, un cub, 4 flancuri acoperite de afise, lipite cu schotch de hartie, agatatoare care sa
iasa din panouri, de care Fillipo o sa-si agate haina,o masa de recuzita cu multe ceasuri, sticle,
pahare, pistoale cu apa, cutie cu baloane, un pick up, o bucata de lemn si niste pantofi, tot
felul de obiecte de recuzită din care se pot face sunete, o boxa.

Pe intuneric se aude cum cineva deschide o usa grea de metal, trage obloanele si
eventual se vede totul la lumina unei lanterne. Vedem doar silueta care umbla prin
spatiu. Se aude ticaitul uni ceas si usor intra muzica dupa un sunet de pick up

Spatiul se lumineaza si vedem usa si banca.

Nicollo intra si mi ar tb sunet de usa grea care este deschisa.

Inainte de stranutul lui Nicollo, din spate Angajatorul da cu spray.

Dupa stranut, intra Fillipo.

Cele trei tipologii trebuiesc pastrate de-alungul spectacolului.

La nivel de concept, vorbesc. Adica de exemplu: Tristul (daca ne raportam la tripleta spect de
circ, este Clovnul Alb, descendent al lui Pierrot), Betivul (ar fi echivalentul lui August, care
este grajdarul care a intrat din intamplare in arena si a starnit rasul) si Actorul ( echivalentul
lui Monsieur Loyal, directorul care supervizeaza spectacolul) Ca exercitiu, ganditi-va care
este cel mai indepartat punct din corpul vostru si folosiţi-l. Asa nu o sa cadeti in realism, cu
toate ca la nivel de concept ramanem in Stanislavski. Un exemplu de pct indepartat este burta
lui Fillipo care este jucata cand bea din sticla. La Nicollo ar putea fi capul sa zicem si la
Peppino, nu stiu..acum. Sa te gandesti Nicollo la o voce mai penetranta, cam ceea ce i-am
spus lui Peppino, ca sa intelegi.

Umerasul cu haine o sa l agati in spate, ca si umbrela. Tb sa gasim o solutie pt cuier direct in

panourile din spate, printre afise.

Filippo: Is there someone inside?

Nicollo: (has the earplugs in his ears, cannot hear him)

Fillipo: Is there someone inside? IS THERE SOMEONE INSIDE?

Nicollo: NO!

Filippo: So you’re the first one.

Nicollo: Yes!
Filippo: That means I am the second.

STOP. SUNET USA.

(Intră Angajatorul cu tigara, scoate din cub incarcatorul si iese) Pe fragmentul ce urmeaza
ar trebui sa fie mult fum, eventual din spate sa-l faci cu betigase..

Filippo: Did you smoked in here?

Nicollo: No.

Fillipo: There’s smoke. Don’t you smell there’s smoke?

Nicollo: No.

Filippo: There is smoke. A window should be opened.

STOP. Din spate tb sa sune real alarma, si in scena si mai tare, pe banda. Pana nu se
opreste sunetul, nu se misca nimeni. SUNET USA.

(Alarma ceas. Intra Angajatorul si iese cu un ceas)

Filippo: They haven’t sent any news yet?

Nicollo: No..

Filippo: That means it’s not six yet.

Nicollo: No, is not.

Filippo: Let’s hope they will be here untill six.

Nicollo: Yes.

Se privesc pe furis, moment care poate fi prelungit, ca un joc.

Filippo: I see you are here for the same business?

Nicollo: For the ad?

Filippo: Yes.

Nicollo: Yes.

Filippo: I think we should get rid of the smoke.

Din spate, Angajatorul se joaca cu o lanterna. Fillipo crede ca acolo e o fereastra si cauta
dupa lumina. Rupe cateva afise.

Filippo: It’s strange they don’t have windows. Mai rupe catev afise. If they had windows, we
could’ve opened one and the smoke would be gone immediately.

STOP. Din spate se aude spray-ul, SUNET USA si spray in scena

Mai mare pragul la recunoastere

Nicollo: (sneeze)

Filippo: Nicollo, is that you?

Nicollo: Filippo?

Filippo: Nicollo, is really you?

Nicollo: Filippo!

Filippo: Nicollo!

Nicollo: Filippo!

Filippo: Nicollo!

Nicollo: Filippo!

Filippo: You are! But how? But why?

Nicollo: Well...

Filippo: Good you blew your nose, otherwise I would not recognize you, ever. Since when
you blew your nose I said, "He's the stupid! That only he blows his nose like this.".

Nicollo: The stupid, ok!

Filippo: Let it go, be glad we’ve met.

Nicollo: I'm glad, am I not glad?

Filippo: Come on, dumbass, what have you been doing? I never thought I'd ever see you
again.

Nicollo: To not see me? Why not see me?

Filippo: It has been heard at some point that you would’ve died.

Nicollo: That I have died? Me? Who told you I’ve died?

Filippo: Oh my God, you’ve lost a lot of weight. Please take a sit...

Nicollo: Who told you I’ve died?

Filippo:Do you want a cracker? I’ll give you a cracker..

Nicollo: No, i don’t want.

Filippo: I’ll give you peanuts...

Nicollo: Who told you I’ve died?

Filippo: I’ll give you everything I have...

Nicollo: WHO TOLD YOU I’VE DIED?

Filippo: Last week I met Peppino.

Nicollo: Peppino?

Filippo:Yes, and he told me that you look like a wreck. That you’ve lost a lot of weight.

Nicollo: I have not lost weight! I am supple. I keep myself healthy. I workout. Do you know
this one? And at the end “la pièce de résistance”.

Mai multe miscari de dans

Filippo: Ah!!

Nicollo: No, no, no! Take a good look.

Filippo: Freakin hell, stop it! You want to die here in front of me?

Nicollo: Come on fatty, do as I did if you can.

Filippo: Ah!!

Nicollo: Yeah, yeah, c’mon fatty, c’mon do as I did. Why do you stand like this, c’mon.

STOP. DIN SPATE SE AUDE ZGOMOT DE STCLE, CAUTA DE BAUT. SUNET

USA. ANGAJATORUL ISI PUNE DE BAUT IN SCENA

Nicollo: I know why you’re here. They kicked your ass out from the circus. Because you are a
drunkard. Yes, beacause you are a drunkard. I bet you right now that you have a bottle. Come
on, show the bottle. Bring out the bottle. Come on. Show it to me.

Filippo: (takes out the bottle from his bag)

Nicollo: Aha, I knew it. Drunkard! Give me the bottle.

Filippo: Have you started drinking now?

Nicollo: Me?

Filippo: Craving for a sip? Take it, take it.

Nicollo: I'm not touching your rotgut. I drink and eat at certain hours.

Filippo: Scrawny!

Nicollo: Fat ass!

Filippo: Stupid!

Nicollo: Drunkard! Yeah, drunkard.

Filippo: (starts crying)

Nicollo: You mad?

Filippo:I’m not mad. Why sould I be? You mad.

Nicollo: I’m not mad, You’re mad not me.

Filippo: Then why are you not happy?

Nicollo: How can I not be happy. I’m happy.

Filippo: Why’d you called me a drunkard?

Nicollo: Why did you called me a stupid?

Filippo: Because you called me fat ass.

Nicollo: But you called me a scrawny.

Filippo: But I was joking.

Nicollo: I was joking too.

STOP. DIN SPATE SE AUD PASI CARE VOR FI FACUTI PE UN LEMN. Muta usa
sau panoul. SUNET DE PASI PE BANDA, INTRA SI II ASEAZA IN CE POZITIE
VREA. ADICA LE MUTA O MANA SAU POZITIA CAPULUI.

Filippo: (quickly gets up from the bench) Can you hear it?

Nicollo: No.

Filippo: You don’t hear it because you are deaf. But I can hear it.

Nicollo: You can hear what?

Filippo: They’re coming!

Nicollo: The’re coming? I was first. Don’t get involved.

Filippo: Ah, they stopped.

Nicollo: They stopped? Why? Can you hear that they stopped?

Filippo: Obviously if you can’t hear it means they stopped.

Nicollo: Ah.

Filippo: They started again!

Nicollo: Filippo. Filippo I don’t feel good. Give me a sip.

Filippo: There’s no more, it’s over .

Nicollo: Fat ass.

Filippo: Scrawny.

Nicollo: Drunkard.

Filippo: Stupid.

Nicollo: I was first.

Filippo: Listen Nicollo, I was thinking... how about you let me go in first, and promise to do
fifty-fifty.

Nicollo: Filippo, you know...no!.

Filippo: Scrawny.

Nicollo: Fat ass.

Filippo: Stupid.

Nicollo: Drunkard.

Momentul trebuie sa creasca, sa nu ramana doar joaca.

STOP. Cand Nicollo ajunge la usa, Angajatorul vine si muta usa din fata lui. Vine la usa
din fata si se uita daca mai vine cineva. Relatie cu publicul. Sa stea sa se uite la ei.
Zambeste. Se uita la ceas, se intoarce, se distreaza asezandu–i pe cei doi (gesturi mici) si
se duce in spate, SUNET PICK UP SI MUZICA DE INTRARE PEPPINO

Mai mare incasarea la venirea lui Peppino

Filippo: Peppino?

Peppino: Filippo?

Nicollo: Peppino, is that you?

Peppino: Nicollo?

Filippo: Peppino!

Nicollo: Peppino!

Filippo: Peppino, is really you! Peppino!

Nicollo: Peppino!

Am aflat ca inainte de a intra in scena clovnii se imbratiseaza si stau asa cateva minute,
reglandu-si respiratia in acelasi ritm. Asta pentru a se simti si cu spatele in arena 
Asa ca o sa fie STOP pe imbratisare. SUNET USA. Angajatorul iese si inchide usa de
metal cu cheia, trage obloanele..trece pe langa ei, ii priveste si ii da poate un impuls lui
Filipo care propune:

Aici mai am o idee, dar o s o verific in actiune…e legata de Angajator

Filippo: (with the bottle in his hand) Do you want a sip?

Peppino: C’mon!

Nicollo: I want too.

Filippo: (drinking the last drop from the bottle) It’s over. (to Peppino) Take a sit. (he kicks the
cube)

Peppino: Are you still in your pantomime?

Nicollo: I’m the best.

Peppino: That's right! And you have humor! (the two start laughing)

Nicollo: Ok! Shut up, I have to concentrate. I am starting (stand walking) What I just did?

Peppino: You were standing.

Nicollo: I was standing?

Filippo: Yes.

Peppino: Yes.

Nicollo: I was walking!

Filippo: But standing.

Nicollo: Yes, standing.

Filippo: Meaning you were standing.

Peppino: Meaning it was a static walking.

Peppino si Filippo rad. Nicollo este suparat.

Filippo: What I am doing now?

Nicollo: You are standing.

Peppino: Aaa, walking?

Filippo: No, I have an existential crisis.

Peppino: What I am doing now?

Nicollo: You have an existential crisis.

Peppino: No, I am standing.

Nicollo: What I am doing now?

Peppino: Walking along a wall.

Nicollo: (ironicly) Exactly!

Peppino: Walking along a wall, yes!

Filippo: What I am doing now?

Nicollo: You are standing?

Filippo: No, I have not calmed down yet

Peppino: What I am doing now?

Filippo: Are you calming down too?

Peppino: No, doing a wall

Nicollo: (ca si cum ar cobora scarile) What I am doing now?

Filippo: Cleaning the dust?

Nicollo: No.

Peppino: You are climbing.

Filippo: Carry pipes.

Nicollo: No, I am going down the stairs.

Peppino: Ah, going down the stairs.

Nicollo: How many floors have I descended??

Filippo: Two!

Peppino: Three!

Nicollo: Five.

Filippo: What I am doing now?

Peppino: An existential crisis?

Filippo: Falling down!

Peppino: What I am doing now?

Filippo: Riding the escalator.

Peppino: I’m riding the escalator!

Nicollo: What I am doing now? (imbracatul plus mers)

Peppino: You’re going to the market

Nicollo: Can you see it’s crowded?

Filippo: No.

Nicollo: No?? Fine…a simple one!

Filippo: Jumping on a trampoline.

Nicollo: Exactly! Exactly!

Filippo: What I am doing now?

Peppino: You slap him while he jumps on the trampoline.

Filippo: Do you remember?

Peppino: Yes!

Filippo: When I was slapping him...

Nicollo: It’s not true...

Filippo: When he was jumping on the trampoline!

Nicollo: No, no, no. I was slapping you.

Peppino: Not true!

Nicollo: Yes it i, because you were with...and he was jumpingon the trampoline.

Filippo: What? I was jumping on the trampoline?

Nicollo: Yes!

(cearta intre clovni despre cine sarea pe trambulina si cine primea capace. Poate ajung sa
sara toti pe trambulina)

STOP. DIN SPATE VUVUZELA. SI MULTE BALOANE CARE TREBUIE SA FIE

INTR O CUTIE DE CARTON SI SA FIE ARUNCATE IN SCENA

II PUNE O VUVUZELA LUI NICOLLO IN MANA . URMEAZA JOACA

CAND IL STROPESC SI IL INGHESUIE IN COLT STOP.INTRA ANGAJATORUL
CU PISTOL CU APA SAU O GALETUSA CU APA SI IL STROPESTE PE PEPPO. LE
SCHIMBA CELORLALTI POZITIA SI IESE

Peppino: (brusc): STOOOOOOOP IT! You would better watch and tell what time it is.

Cei doi se mira cum au ajuns in pozitiile alea si nu inteleg de ce urla Peppino

Nicollo: Why do you want to know? You're hurrying somewhere?

Filippo: (to Peppino) Listen! You came, we saw you, now you can leave.

Peppino: To leave? You are so unbearable, Filippo.

Nicollo: Peppo! You do not mean to say you came for the ad.

Peppino: But why do you think i came? For your ugly mug?

Nicollo: Well, Peppo, you fooled yourself.

Peppino: Me?

Nicollo: Yes. You didn’t read the ad well. What does it say here?

Filippo: Are you talented?

Peppino: Yes!

Nicollo: Do you have a good sense of humour?

Peppino: Yes!

Filippo: You've always been the class clown?

Peppino: Thinking with your crazy mind what do you think I am?

Nicollo: What do I think you are?

Filippo: You cand knock untill tomorow morning, nobody will come.

Nicollo: Carefully so your hand will fall off.

Filippo: Or you cand breack a leg knocking on that door.

Nicollo: Bunny! Kitty!

Filippo: Come and take a sit.

Nicollo: Little chick! Come and sit.

Peppino: I don’t want to!

Nicollo: C’mon, otherwise you’ll get tired. C’mon, c’mon boy!

Sa bateti mai mult ritmul in cub

Peppino: Stop giggling! Stop giggling! The clown shouldn’t laugh, the people laugh. This is
art. Watch out so you won’t die laughing at me, to have you on my conscience.

Nicollo: Go on, Peppo, go on because it’s...

Filippo: Go on, master! What have you been doing?

Peppino: I was an actor!

Filippo: You an actor?

Peppino: I, actor.

Nicollo: He was not an actor!

Filippo: How can you say a stupid thing like that? We shared a bread together and you say
that stupid thing.

Nicollo: Peppo, have a little shame.

Peppino: You don’t belive me, right?

Filippo: No!

Peppino: I don’t care.

Filippo: When were you an actor?

Peppino: When I was an actor?

Filippo: Are you an actor?

Peppino: Yes, I am an actor.

Filippo: Do you have many nonsense like that?

Peppino: You don’t belive me?

Filippo: No!

Nicollo: No!

Peppino: Fine!

STOP. SUNET USA. IN SPATE CAUTA AFISUL. I-L PUNE IN VALIZA. DIN SPATE
SUNET PICK UP SI MUZICA

Peppino: Look closely. What is written here? C’mon, read aloud.

Filippo: Nicolo, c’mon read..

Nicollo: The...Boa...

Peppino: Not there, read below.

Nicollo: Ah.. Goldoni.

Peppino: Not there. Lower.

Nicollo: Lower...

Filippo: Lower Nicolo, lower.

Nicollo: Lower...Ah, Mario Quadi... .

Peppino: Lower.

Nicollo: Caccini Ricci.

Peppino: Not there, lower. Look, here, read the last row. What does it say here on the last
row?

Nicollo: I can’t read because it’s too low...I can’t see ...

Peppino: A! Out of envy, that's why you don't see.

Nicollo: No, no, it’s too low that’s why I can’t...

Peppino: Look closely. Does it say Peppino or not?

Nicollo: It’s too low.

Peppino: Does it say Peppino or not? Say it.

Filippo: How can we know who is Peppino?

Peppino: What?

Filippo: Anybody could be Peppino.

Nicollo: Correct!

Filippo: Even Nicollo could be peppino.

Nicollo: I am Peppino.

Filippo: I could be Peppino. Garibaldi could’ve been Peppino. Do you understand that none
of these counts. And you can steal how many posters you want because this means nothing.

Nicollo: And that’s not even an actor name.

Filippo: Of course it not an actor name!

Peppino: It's my name! Because I played on the wood scene. I had the wood under my feet.
"For you I pray, you helpless, for you I bind my bones, and the last drop of blood for you is
dripping from my fallen flesh. Because I see! I see how the worm of perdition is turning
around under your skin. And your day still does not come. Not yet. Oh, a vain world, a
desolate desert, a frozen sky, why all this? Where was your mind, Lord? Where did the knot,
the eye, the flight of virtue break? And how was it chosen from me, the guilty, the coward, the
mourning? Bury me. Bury me, in the midst of the flock of goats, bury me in the throwing of
stones ... For I alone, with my poisoned tongue, lured you here, away from your houses and
your heart ... I am that one, hit me, wound me up ... Walk over me ... I will not cry, I will not
groan, I will not say a single word ... The chaos has fallen on us, the black signs have been
shown in our minds and innocent children cry in sleep! And the buffoon rolls in vain, it's
useless, his tumbles are useless, because he’s not soothing anyones wounds ... He, the sleepy
buffoon, is no longer a buffoon ... To be or not to be a buffoon, this is the question. "

Nicollo: Peppo, you’re sick ?

Peppino: Nope!

Filippo: Peppo, what was that ?

Peppino: Art!

Nicollo: Peppo, this can’t be...art.

Peppino: It really is. Go on, try it. Why don’t you try ?

POATE CA AJUNG SI EI SUS PE BANCA, DAR NU SUNT IN CONFORT

Nicollo: I have my profession.

Filippo: Why don’t you try, Peppo, at a big theatre?

Nicollo: Yeah, you are too good for those.

Peppino: I know, but I don’t want .
Filippo: Peppo, you need to leave this palce.
Filippo: Yeah, you're not going to waste it here.
Nicollo: You need something big.
Filippo: For real, it’s not good to waste yourself now at the beginning.
Nicollo: It’s a matter of standards... You waste yourself working with those one.
Peppino: Leave me the heck in peace!
Filippo: Peppo, you need to leave this pit.
Nicollo: Your place is not in this cesspool.
Filippo: Don’t you feel how it smells here?
Nicollo: Go Peppino... You must be on the stage! Do not be a coward Peppino!
Peppino: I’m a coward, I am !
Filippo: A sucker, that’s what you are Peppino, a sucker.
Peppino: Good I am one.

STOP. DIN SPATE SUNET CEAS,USA SI IN SCENA TICAIT

Filippo: Can you feel ?
Nicollo: What ?
Peppino: I do.
Nicollo: What ? What?
Filippo: The ticking.
Nicollo: Where ?
Filippo: I don’t know, but it’s coming from here
Nicollo: How ?
Peppino: It’s right on top of me.
Nicollo: No, no, no. It’s from here.

STOP. TICAIT DIFERIT!!!

Peppino: I think it’s past six.
Nicollo: There no sound. Absolutely nothing.
Peppino: I think is already seven. Right? Is it posible to be seven?
Nicollo: Maybe it’s seven. Why do you care if it’s seven?
Peppino: Maybe it’s eight, it’s possible to be eight?
Filippo: Opt ? Ei, draci! Cum o să fie opt?
Peppino: Then it’s fine. If it’s not eight it’s good.
Nicollo: It can’t be eight. It’s seven.
PeppinoIf it’s seven, it’s good.
Filippo: Even seven I don’t think it is. It was six.
Peppino: Really? It was six? Do you know it was six?
Filippo: It was six, it was...It was even before six.
Nicollo: It was five and something.
Peppino: Do you really think ?
Nicollo: Sure...It was something over five.
Filippo: No, not really.
Nicollo: I’m telling you, it was five and five minutes, p.m.
Peppino: Looks like it’s over five? If it’s over five it’s bad.
Nicollo: Why it’ll be bad? I don’t whink so. Is it possible to be bad.
Peppino: It’s bad, because we’re going to wait a lot. If it’s five, we’re going to wait untill
seven.
Filippo: I think it’s six.
Peppino: The truth is that anything is possible.
Nicollo: I don’t think anything is possible. How can it be?
Filippo: I don’t think it can. How can it be possibile?
Peppino: The’ll be late by something.
Nicollo: They’ll be late, of course they’ll be late a bit. So what if they’ll be late a bit? A little
bit is possible. A little bit.
Peppino: They’ll be late a lot more, you’ll see.
Filippo: They won’t be late a lot, you’ll see
Peppino: Or they won’t come anymore, you’ll see
Nicollo: I don’t think they won’t come anymore. How can they ? I think that they will finally
come.
Peppino: I think they are mocking us.
Filippo: Realy? I don’t think they are mocking us. How can they mock us?
Peppino: Eh, they’re mocking us just a bit.
Nicollo: I don’t think they’re mocking us at all.
Peppino: Eh, they’re playing us a little bit. That’s all.
Nicollo: I don’t they are playing.

STOP. BOXA DIN SPATE, USA,CIRC IN BOXA.

Nicollo: Do you hear? Sounds like music.
Filippo: Yeah, yeah, it’s music.
Nicollo: Think I can hear a drum.
Peppino: I can hear a drum.
Nicollo: Music, it’s music.
Peppino: The circus! The circus is passing by!
Nicollo: It’s passing by! The circus!
Filippo: Where? Where?
Nicollo: On the street, where can it be?
Peppino: On the street! Open, the heck, a window! Where are the wndows?

Toti rup hartiile, din spate Angajatorul se joaca cu lanterna,

dandu-le iluzia ca ar fi o fereasta
Filippo: They don’t have windows.
Peppino: How don’t they have windows? What do you mean they do not have windows? The
circus is passing!
Nicollo: They don’t! They don’t have!
Peppino: It can’t be! This is not possible!
Filippo: They don’t! They don’t have windows.
Nicollo: Jerks....(extenuati)

SUNET DE LACRIMOGENA. FOARTE PUTERNIC SUNETUL.STOP.

PASI. DIFERITI. AMESTECATI. Se reped la usa. Incep sa se bata. Din clovni, se
dezumanizeaza. SUNET DE USA. ANGAJATORUL opreste bataia, se aseaza pe banca
si ii cheama la el. MUZICA. Ei trebuie sa se uite la el, sa si stearga nasul de clovn si sa
nu inteleaga ce s-a intamplat. Ma gandesc sa duc si mai departe ideea, daca vreau sa las
poarta deschisa, ca exista speranta..in orice caz, vreau sa realizati...sa nu ramaneti
clovni si masca sa fie data jos.

Rugaciunea unui clovn

Dear Lord,
Help me create more laughter than tears, disperse more happiness than gloom, spread more
cheer than despair.
Never lat me grow so big that I fail to see the wonder in the eyes of a child or the twinkle in
the eyes of the aged.
Never let me forget that I am a clown...that my work is to cheer the people up, make them
happy, and allow them to laugh; to forget momentanly all the unpleasant things in the lives.
Never let me acquire financial succes to the point where I will discontinue calling upon my
Creator in the hour of my need or acknowledging Him in my hours of plenty.
Amen!
Charles R Meyer – How to be a clown

Doamne Dumnezeule,
Ajuta-ma sa fiu sursa rasului, nu a plansului, sa aduc mai degraba fericirea decat tristetea, sa
fiu solul bucuriei, nu al innegurarii.
Nu ma lasa niciodata sa ajung atat de sus incat sa nu mai vad inocenta mirare din ochii unui
copil, ori sclipirea jucausa din ochii batranilor.
Nu ma lasa niciodata sa uit ca sunt un clovn..Ca treaba mea este sa-i inveselesc pe oameni, sa-
i fac fericiti si sa le ofer ocazia sa rada si sa uite, macar pentru moment, de necazurile vietii.
Nu ma lasa niciodata sa ating asemenea culmi ale bunastarii incat sa incetez sa-mi indrept
ruga catre al meu Creator la ceas de nevolnicie sau sa-I multumesc pentru milostenia Lui la
ceas de belsug.
Amin!

Nu stiu, dar tare mi-ar placea sa apara undeva..ceva..

Pana la vuvuzela, mi as fi dorit sa avem la momentul de pantomima, din text, chestia cu
mersul pe loc, coboratul treptelor, imbracatul, mersul la piata, imbranceala de la
piata..am sa pun poze cu paginile din carte sa recititi momentul cu Nicollo.