Documente Academic
Documente Profesional
Documente Cultură
Vas
Atelier european,
circa 1900
Vase
European Workshop,
Early 20th century
SUMAR
CONTENTS
8
12
ARTA 1900
1900 ART
16
22
42
52
62
76
80
90
114
128
136
150
CATALOG SELECTIV
Dubla Aniversare
la Castelul Pelisor
Castelul Pelior a fost construit ntre anii
Rodica Rotrescu
Director General
sa nonconformist i spectaculoas pn la
noului
ai M.N. Pele
a reuit s reconstituie un
Double Anniversary
at the Pelisor Castle
In 2013 we celebrate 110 years since Peles
Rodica Rotrescu
General Manager
people.
modern architecture.
Lamp, detaliu
Auguste Moreau,
circa 1900
Lamp, detail
Auguste Moreau,
1993.
10
Daphn, detaliu
Isidore de Rudder,
circa 1900
Daphn, detail
Isidore de Rudder,
Early 20th century
1993.
Sinaia.
11
Arta 1900
Arta 1900 a nflorit la rscruce de veacuri,
Cornelia Dumitrescu
Muzeograf
modern a artelor.
Nakuba Karai.
istoricist.
William Morris, fondatorul micrii Arts and
Arta anilor 1900, aflat sub semnul tinereii,
12
1900s Art
The art 1900 florished at the crossroads of
Cornelia Dumitrescu
Curator
arts.
Nakuba-Karai.
stage decoration.
13
incontientul.
suprasimbolist, naturalist.
14
Momentele zilei
Alphonse Mucha
The moments of
the day
Alphonse Mucha
15
Art Nouveau
in Castelul Pelisor
Arhitectul noului palat de la Sinaia a fost
Rodica Rotrescu
Director General
mbogindu-i
experiena
la
castelele
Fiecare
recompartimentare
augmentare
Castelului Pele.
din
cele
70
de
ncperi,
au
Dintre
interioarele
Palatului
Pelior
se
Camera de joac a
Principilor
Castelul Pelior
The Princes
playroom
Pelior Castle
16
Art Nouveau in
the Pelisor Castle
The architect of the new palace from Sinaia
Rodica Rotrescu
General Manager
recommended
French
colleauge,
by
Charles
his
famous
Nouy,
Lecomte
De
it extremely functional.
17
The Drawingroom of
Falkewood
MacKay Hugh Baillie Scott,
1906
delicat i sensibil.
decorate
al obiectului de cult.
cu
entrelac-uri,
aspectul
lor
Camerei de aur.
18
Budoarul Reginei
Maria
Castelul Pelior
austere,
orderly
shapes
and
they
are
from Munich.His
silver goblets
knocked
19
Queen Maries
Boudoir
Pelior Castle
20
Faada de sud
Castelul Pelior
South facade
Pelior Castle
21
Mircea Hortopan
Director Adjunct
(1930 -1940).
Ferdinand i Maria,
22
l-au determinat pe
Mircea Hortopan
Deputy Manager
23
Scara principal
Cliveden House
24
Victoria-Melita
(Ducky) pe scara
principal
Castelul Pelior
Victoria-Melita
(Ducky) on the main
staircase
Pelior Castle
25
Pavilion
dup
de
vntoare,
realizate
axa est-vest.
26
east-west axle.
This
planimetrical
27
development
mostly
matematic
adresat
motenitoare
South facade,
blueprint
destinaii a cldirii.
de
principesa
complexitatea
detaliilor
Aceasta figureaz pe
pe
regal.
28
becoming
general
old
integrated
into
the
Economats
foundations,
described
denomination
Princes
of
Hohenzollern,
Leopold
(the
Planul castelului
Pelior
Karel Liman, 1903
Pelior Castle
floorplan
Karel Liman, 1903
29
elaborate
de
Karel
Liman.
Aici
este
simetrice,
ntr-o
echilibrate,
al cldirii.
de
complex
elaborate
numai
elaborat.
Nu
vrea
dihotomie,
ca faad secundar.
faada
principal
foarte
bine
Prinzenbau,
disimulat
de
30
circular tower.
main,
well-balanced
symmetrical
and
31
aspectul
sale de vis.
faadelor
Peleului),
reedina
Camera de aur
Castelul Pelior
Pelior Castle
32
surfaces,
balanced,
that
become
more
dream houses.
secondary one.
33
Camera de zi la Noul
Palat, Darmstadt
Design M. H. Baillie Scott,
1899
sud i de est.
House
Rzboi Mondial.
(arcaturile
ce
despart
spaiile,
s-au amplificat n
34
Camera de zi la Noul
Palat, Darmstadt
Design M. H. Baillie Scott,
1899
35
1911.
constituind
apartamentul
principesei
inspirat
cu
Sobrietatea
interesant
siguran
marc
britanic
ascendenei
simplitatea
principesei
decoraiei
36
style.
the castle.
bedroom, and the princess bedroom as wellprecisely because these spaces suffered no
flanked
different
decorative
repertoire
Peles
37
realizarea
pieselor
de
mobilier
ansambluri
decorative
distincte,
ce
se
38
Interior la Cliveden
House
39
Cliveden House
interior
de la Bran.
sftuitor
realizator
al
demersurilor
apartamentul
destinat
principelui
noile
sale
demersuri
arhitectonice
inspiraie
uniformitii
brncoveneasc,
mobilrii
spargerea
ncperilor,
prin
lea.
40
architectural initiatives.
transformations.
conservatives.
Broadly
speaking,
the
Queen
these
circumstances,
inspiration,
elements
century.
sculptural
stone
41
Macrina Oproiu
Muzeograf
stil,
,,stilul
Laszlo.
PHILIP
LASZLO
de
Boldini
La
(18421931),
Antonio
de
42
Macrina Oproiu
Curator
Being
often
considered
an
The
1890-1910
artists
of
the
period
capitals
in
encourage
the
distribution
43
Portretul Reginei
Maria
Londra
Queen Maries
Portrait
London
Naional Pele.
Maria
ARTHUR
comand
pictorului
44
45
Portretul Reginei
Maria
Antonio Argnani,
circa 1910
Queen Maries
Portrait
Antonio Argnani,
approx. 1910
romneti i strine.
TADEUSZ
AJDUKIEWICZ
46
(18521916),
Museums patrimony.
he
Exhibitions
in
Paris.
Seduced
by
the
portraits for.
47
unul
dintre
pictorii
oficiali
ai
regelui
48
Portret de femeie
is of special importance.
Woman Portrait
TADEUSZ
affinities.
Tadeusz
Ajdukiewicz
develops
since
I of Romania.
49
50
Dansatoarea
Elena Popeea, circa 1900
The Dancer
Elena Popeea,
Early 20th century
51
Societatea
Tinerimea Artistica
ntemeiat pe bazele fostei Societi ,,Ileana,
Macrina Oproiu
Muzeograf
la 3 decembrie 1901.
propagate
Conducndu-se
floral.
Demetrescu
Mirea.
prin
intermediul
revistei
Angajamentul
perseverena i msura.
Mutarea
de
maestru,
decisiv
pentru
total
fa
de
Societatea
52
Macrina Oproiu
Curator
Up
to
date
with
the
newest
artistic
fundamental virtues.
53
pentru
sunt
profesia
onorate
lor
de
nobil.
prezena
Expoziiile
suveranului
ntr-
expoziiei
,,Tinerimii
artistice,
insistnd
cuvinte,
sintetiza
Constantin
Artachino
54
Troie
Art
Crosses
Nouveau
atmosphere,
the
Princess
service
the exhibitors.
On
March
1st
1902,
in
the
requirement.
The
electrifying
elegant
55
romni,
contieni
de
necesitatea
este
delegat
amenajeze
Seciunea
Popescu.
Pelior.
Succesul
deschidea
deosebit
calea
nregistrat
prezenelor
la
Atena
romneti
56
Catalog Tinerimea
Artistic
1912
Artistic Youth
Catalogue
1912
in the artists status: In fact-he recallswe were an art institution which gave, at
her beginnings, the tone in art, created the
atmosphere and stimulated the passion of
beauty lovers in order to become collectors.
It imposed the box of art and created a
favourable social status for the artists, who
began to be appreciated for their noble
profession.
great emphasis on details(frames, pedestals,
The exhibitions are honored by the presence
Art Nouveau.
is
artists
as
Rupprecht.
57
House in Sighioara
Kimon Loghi, approx. 1920
de un succes deosebit.
58
tefan Popescu.
delegated to fit out The Romanian BelleArts Section and at the same time, to be
The
gentlemen
everywhere.
official
invitation,
and
signed
fellow
Faced
with
by
citizens
problems
the
from
of
an
group
appropiate
Studio,
exhibition.
which
space
for
emphasizes
their
the
artistic
59
personal collection.
sediu propriu.
After Oscar Spthe presented with an
Baza coleciei de art plastic reunit sub
academic
Regele Carol I.
bust
exposes
of
the
Elizabeth
post
in
1910,
impressionistic
60
Interior de mnstire
cu clugrie
Costin Petrescu, circa 1910
Monastery Interior
with Nuns
Costin Petrescu, aprox. 1910
61
Rodica Rotrescu
Director General
poveti.
ncrcat de fantezie.
Manuscris
Pictura Regina Maria, 1906
Manuscript
Painting by Queen Marie,
1906
62
Rodica Rotrescu
General Manager
63
64
65
Balcic.
Sinaia, 1905
mai
epoc,
fenomenul
artistic
cel
66
artists.
times.
The first lessons of grande eau the Princess
In the age, the main artistic phenomenon
much
do or think.
decorative
painting,
watercolours
so sad to notice.
historicism.
artwork.
67
istorismului.
pstreaz astzi.
de iubite.
Romnia.
any longer.
Manuscript page
Queen Marie
69
Manuscript pages
Queen Marie
motive celtice.
caligrafiate
de
Maria,
sub
semnturi
70
The lily is
Royal House.
with
hypnotic
properties
(a
symbols.
71
via la moarte.
la
mai
multe
expoziii
internaionale.
al domniei sacre.
Nouveau,
caligrafiate i
Almaric
Tiffany,
Walter
Loetz,
sau
Henry
Lalique
Berger,
(superbele
Pelior, ca muzeu.
72
sacred reign.
crocus lacked
73
74
75
Izabela Trk
Muzeograf
Belle poque.
Sarah Bernhardt.
senzaie i
contract de exclusivitate.
76
Izabela Trk
Curator
the Belle-Epoque.
With The Violin, PRIVAT LEVIMONT (18611936), with two portraits of some young
actress to
contract.
77
78
79
Colectia de
mobilier a Reginei Maria
Colecia de mobilier a castelului Pelior se
Liliana Manoliu
Muzeograf
etc.
Plafoanele
castelului
Pelior
sunt
corole de floare.
Scaunele
sunt
proiectate
cu
sptarul
80
Queen Maries
furniture collection
Pelisor
Castles
furniture
collection
Curator
style
Japanese art.
with many drawers, polychrome stainedglass and the metalwork of the handles is
The
wood
the
creation
the
technique
seems
of
easily
moulded
woodworking
proving
an
in
artists,
overflowing
81
Liliana Manoliu
Canapea cu etajer
Bernhardt Ludwig, 1903
britanic
din
domeniul
artelor
al
82
in Germany.
style.
83
castelul Pelior.
84
Ua de la dormitorul
Reginei Maria
Proiect Regina Maria,
coala de Arte i Meserii,
Sinaia, 1902
Queen Maries
bedroom door
Queen Maries project,
The Arts and Crafts School
Sinaia, 1902
85
(1866-1939)
stil
Secession
ofer
Bernhard
Ludwig
considera
arhitectura,
creator de mobilier.
copilriei.
86
role,being
considered
the
to the rooms.
Detaliu comod
childhood.
Sinaia, 1908-1909
Commode, detail
Sinaia, 1908-1909
87
88
89
Colectia de
sticla a Reginei Maria
n atmosfera degajat i intim a castelului
Cornelia Dumitrescu
Muzeograf
execuiei.
oriental,
Dreyfus (Galinetta).
inteniile
autorului,
90
aa
numitele
Queen Maries
glassware collection
In the intimate atmosphere of Pelisor
Cornelia Dumitrescu
Curator
and furniture.
comments
regarding
the
contemporary
Meisenthal
or
the
sustaining
of
captain
Dreyfus
(Galinetta).
The
such
poetry
as
integrates
Theocrite,
91
naturally
Charles
into
Baudelaire,
Vas
Marius Ernest Sabino,
circa 1900
Vase
Marius Ernest Sabino,
Early 20th century
ansamblul
92
creaiei
lui
mile
Gall,
gets interested
Heavenly Muse.
Maria.
The industrial production started by Gall in
On the whole of mile Galls creation, the
chrysanthemums
contrsating
painted
in
engraving at wheel.
93
Dup
Primul
Rzboi
Mondial,
ginerele
atelierelor.
expoziii.
94
Vas
Atelier Loetz Witwe,
circa 1900
Vase
Loetz Witwe Workshop,
Early 20th century
of orders.
Procedeul
su
original
de
realizare
s-a
realizat
prin
gravare
mecanic
sau cu emailarea.
aur coloidal.
straturile de sticl;
Dup
Primul
96
Rzboi
Mondial,
creatorii
97
98
function:artistical
refined,
original
symbolistic
style.
His
and
decorated
crysanthemums
attitudes.
with
yellow
the
manufacturing
powders
engraving or enamelling.
shaped in email.
(interwoven
decor
99
Vas
mile Gall, circa 1900
Vase
mile Gall,
Early 20th century
direct la natur.
atelierul.
100
workshop.
carefully
through experiments.
preserve
101
experimental.
dar imaginativ.
frumuseea,
nuane palide.
originalitatea.
Decorurile
inteniile artistului.
sau gri.
102
in pale shades.
requested
and
busy
with
orders
of
rhombic
body,
103
decorated
with
vertical
ului.
decorativ de la Paris.
cromatic.
s-a nscut la
execuiei tehnice.
104
Vas
Christian Dsir,
in Paris.
circa 1910
Vase
Christian Dsir,
essence.
Nouveau.
distinguishes
105
itself
by
its
uncommon
1925.
Jugendstil-ului.
cercetrile sale.
106
Climar, detaliu
Inkwell, detail
glass
forests,
houses
in
the
Bavarian
Jugenstil.
107
Johnson
Metropolitan
i 1905.
(preedinte
al
de mn.
unui arbore;
108
his research.
109
110
his
the
new
invention.
Even
though
Favrile.
sonority.
111
112
Can, detaliu
Atelier Wrttembergische
Metallwarenfabrik,
circa 1900
Mug, detail
Wrttembergische
Metallwarenfabrik
Workshop, Early 20th
century
113
Arta metalului in
perioada Art Nouveau
arta
Corina Dumitrache
Muzeograf
artelor
La
sfritul
secolului
decorative
al
XIX-lea,
Art
tributare
stilului
de numerotare
propria
prelucrare
repouss,
foii
produselor.
tabere,
contribuie
printr-o
reprezentnd
favoarea
ciocnirea
primei
114
cursurilor colii
Metalworking during
the Art Nouveau period
At the end of the 19th century, the art of
Corina Dumitrache
Curator
115
prin
intermediul
cruia
piesele
a beneficiat de
erau
atelierului
Wrttembergische Metallwarenfabrik.
WRTTEMBERGISCHE
de frumos. Creaiile
116
realizate n aceast
Ceainic, detaliu
Atelier romnesc,
circa 1900
Teapot, detail
Romanian Workshop,
Early 20th century
discover
appearing
the
divers
effects
creations
of
the
METALLWARENFABRIK
WRTTEMBERGISCHE
workshop
founded
117
Cup
circa 1900
Cup
tablou.
ERCUIS,
realizarea
ateliere,
comune, obinuite,
specializate
att
n piese de art. n
118
workshop.
more appreciated.
119
motivele
curbele
Regale Romne.
de
inspiraie
celtic,
de
compoziiune
preferate
de
Viktor
Zaharni
Atelier Nicolau, Bucureti
1/4 sec. XX
Sugarbowl
Nicolaus Workshop,
Bucharest
Early 20th century
120
Floral
motifs
in
volute,
small
insects,
Royal House.
121
gamat,
motivul
preferat
al
frumoasei
Birmingham,
Londra,
Sheffield.
Faima
Zaharni
Atelier Miele & Co., Paris
1/4 sec. XX
Sugarbowl
Miele & Co. Workshop, Paris
Early 20th century
122
imperfect
motives,
sinuousity.
The
tea
decorations.
123
funcionalitii.
sprijinirea
societilor
artitilor
romni.
i decoruri de excepie.
realizate
G.C.
prelucrarea metalului
frumos.
atelierul
bucuretean
prezent n familia
i Meseriilor
Serviciile de
124
Potir
Max Strbl, Mnchen
circa 1900
Chalice
Max Strbl, Munich
Early 20th century
125
126
Au Loup, detaliu
Louis Auguste Hiolin, 1888
Au Loup, detail
Louis Auguste Hiolin, 1888
127
Corina Dumitrache
Muzeograf
Pelior,
simbolismul
Interioarele
,,pomul
Regale Romne.
clasicismul.
dormitorul
cunoaterii
reginei
binelui
Maria.
rului,
i elegan.
cu
Munchen.
atributele
128
simurilor.
Frumuseea
Corina Dumitrache
Curator
stimulated
Maries
bedroom.
His
work
depicts
concerning
129
the
trajectory
of
the
arts
Soldat roman,
detaliu
1900
bronz
pentru
germane
cu
numeroase
ocazia
unor
personaliti
evenimente
Roman soldier,
detail
20th century
reprezentanii
Art
Nouveaului
ns
ideilor
artistice,
Masseau
Piesa
specialised
sculptures
in
making
bust
de
nuditatea
personajului
feminin
(1822-1912),
(1832-1927),
fiii celebrului
Auguste
Hippolyte
(1834-1917),
premii
cunoscut
detaliile
desfurarea evenimentelor.
pies
redate,
semnat
dinamica,
Hiolin.
Prin
concentrarea
Curbele
din
marmur
rocat.
Opera
lor
s-a
sinuoase,
volutele
vegetale
Aceeai
trstur
activitatea
1915).
Pasiunea
descris
sculptorului
francez
personajelor
definitorie
sale
operei
constituie
artistice
semnate de Picault.
Se remarc de asemenea lucrrile din bronz
132
Diana, detaliu
1900
Diana, detail
artwork.
century
during four
133
134
135
Macrina Oproiu
ceramica
dezvoltare
Muzeograf
sticlriei
majoritii
1900
cunoate
franceze
datorat
produciilor
artelor
decorative,
ceramica
traverseaz
perioad
de
schimbri
vieii politice.
utilitarismul
Parisul,
Lachenal i Zsolnay-Pcs.
funcionalitatea.
136
Macrina Oproiu
Curator
increasing.
from Champ-de-Mars.
The interest
137
Cannes
Nisa.
Personalitate
cu
artistul
ntrezresc
utilizarea
pricepere
de
emailurilor,
ctre
dezvoltnd
Zsolnay-Pcs.
Massier faiences.
mass-produced ceramics.
rou
crmiziu
degrad,
Atelier Copenhaga,
circa 1900
Copenhagen Workshop,
mn, ca Rodin.
140
dmond
Lachenal
(1855-1930).
Chatillon-sous-Bagneux.
Multivalent
deserved bow.
apprenticeship.
The
universe
of
the
141
conotaii
su,
1900, creaiile
estetice
noi.
La
rndul
la
1907.
Dammouse.
Fontenay-aux-Roses,
anul
participare
personal
cadrul
ceramice
pure.
Apropierea
de
capitala
vii, n combinaii
sa este
insolite. La nceputul
sensed
his
creativity
and
French Workshop,
Platou decorativ,
detaliu
Atelier Villeroy & Boch Mettlach, R. Fournier, 1899
Decorative plate,
detail
Villeroy & Boch - Mettlach
Workshop, R. Fournier,
1899
companiei.
ceramice
rmn
Adversar
al
ntre
Din
acest
moment,
tributare
dualismului,
elementele
locale
creaia
istorismului.
Vilmos
caut
eclectismul
violet i rou.
144
Decoeur.
Lachenal.
The
Hungarian
permanently diversifying.
workshop
which
Empire.
is
Founded
the
by
highest
Miklos
and
entrepreneur,
Vilmos
145
comenzilor,
din
policrome japoneze.
fabric
primele
piese
cu caracter de unicat.
iniiind
seria
146
figurinelor,
statuete
din
Vienna.
and Japan.
inspired
woodcut technique.
by
the
Japanese
polychrome
character.
147
scandinave.
mici
de glorie al manufacturii.
Aceste
sculpturi
de
past
Internaional
nfiinat
anul
1883,
manufactura
Rozenburg se
148
de
la
Paris,
din
anul
Established
in
1883,
the
ROZENBURG
149
150
ART NOUVEAU
110 ANI IN ROMANIA
CATALOG
SELECTIV
ART NOUVEAU
151
ANTONIO ARGNANI
Portretul Principesei Maria
152
ANTONIO ARGNANI
(1868 1947)
Portretul Principesei Maria
Semnat dreapta jos cu negru
Circa 1910-1012
Pastel pe carton
80 cm X 66 cm
Nr. inv. 13196
regal, confient.
153
154
ARTHUR FERRARIS
Portretul Principesei Elisabeta
155
TINI RUPPRECHT
Portretul Principesei Maria
156
TINI RUPPRECHT
(1868-1956)
Portretul Principesei Maria
Semnat i datat cu negru dreapta 1906
Pastel pe pnz
58 cm X 48 cm
Nr. inv. 7118; PS: 17; P: 569
specializeaz
in
portretistica
feminin,
157
TADEUSZ AJDUKIEWICZ
(18521916)
Cavalcad
1902 1904
Ulei pe pnz
95 cm X 571 cm
Nr. inv. 19346
158
159
FERNAND KHNOPFF
(1858-1921)
Portret de femeie cu coroan
Semnat dreapta jos cu negru, datat 1898
Creion pe carton;
lemn stucat i aurit
55 cm X 36 cm
Nr. inv. 15791
Influenat de opera lui Gustave Moreau (18261898) i mai ales de Prerafaelii, pictorul
flamand Fernand Khnopff valorific experiena
sa parizian n cadrul ,,Grupului celor Douzeci,
fondat la 1883, n Belgia natal. Figur
excentric n saloanele epocii, Khnoppf era
recunoscut deopotriv ca un dandy singuratic
i pesimist, cu preocupri oculte. Pictura sa
hieratic, dominat de o cromatic sumbr,
aflat n perpetu cutare a sensurilor ascunse
ale lucrurilor i extrage coninutul din literatura
simbolist a sfritului de secol XIX i mai ales
din cea flamand, dominat de figura lui Maurice
Maeterlinck (1862-1949). Fuga de realitate prin
vis, claustrarea, hipnotismul, mitul lui Oedip pe
care l renvie n cteva dintre cele mai valoroase
lucrri ale sale descriu pe scurt atmosfera picturii
lui Fernand Khnoppf. Reprezentat profil, bust,
cu prul prins dup moda sfritului de secol,
tnra femeie simbolizeaz misterul, fora, dar i
claustrarea, accentuat de cromatismul redus la
ocru i brunuri i de atitudinea sobr, detaat.
160
FERNAND KHNOPFF
Portret de femeie cu coroan
161
KIMON LOGHI
Orientala
162
KIMON LOGHI
(1873-1953)
Orientala
Semnat, datat 1898
Ulei pe pnz
91 cm X 79 cm
Nr. inv. 12902; P: 621
163
ALEXIS MACEDONSKI
(1884-1971)
Toamna
Semnat cu rou stnga jos, circa 1900
Ulei pe pnz
135 cm X 76 cm
Nr. inv.: 13436; P: 850
Alexandru
Macedonski
(1854-
164
ALEXIS MACEDONSKI
Toamna
165
MANUSCRIS
Atelier Paul Telge, Berlin
Pictura Regina Maria, 1906
Argint, turnat, presat, aurit,
cabooane, acuarele, pergamoid
L: 50 cm; La: 40 cm,
Greutate brutto 24200 gr.
Inv. 9840, M 92, OV 92
166
167
168
169
amintete
de
xilogravurile
170
171
de
ancadramentul
arcadat
172
173
opera
dramatic
semnat
de
mndr
de
supremaia
asupra
174
175
176
177
178
179
CANAPEA
I: 87 cm, L: 142 cm, La: 52,5 cm
Inv. 15903
pentru
interioarelor.
Salonul
de
ceai
Apartamentul
180
MSUT
I: 70 cm, La: 58 cm
Inv. 4049, L. 113
SCAUN
I: 90 cm, L: 46 cm
Inv. 15885
181
GARNITUR DE SALON
Atelier Bernhard Ludwig, Viena, sec.XX
Lemn de paltin, sculptat n meplat,
vitralii, aram, presat
SERVANT
L: 180 cm, L: 135 cm, La: 62 cm
Inv. 4326, L.389
DULAP
I: 200 cm, L: 124 cm, La: 54 cm
Inv. 4318, L. 379
182
183
MAS
Atelier Bernhard Ludwig,Viena, sec.XX
Lemn de frasin, strunjit, lustruit
I: 92 cm, L: 90 cm, La: 49,5 cm
Inv.19147
Stilul tulpin .
184
POSTAMENT
Atelier Viena, circa 1902
Bronz, turnat, presat, aragonit
I: 80 cm, D: 36 cm
Inv. 4544, M 756
185
GARNITUR DE DORMITOR
Atelier: coala de Arte i Meserii Sinaia
Design Regina Maria, 1908-1909
Lemn de tei, sculptat, strunjit, stucat, aurit
linii
mobilier
impozante,
cu
desenul
asemenea
ezutelor
vechiului
nordice.
186
DULAP
I: 160 cm, L: 291,5 cm, La: 54 cm
Inv. 19268
COMOD
82 cm, L: 124 cm, La: 58 cm
Inv. 19269
187
MAS
Dim.: I: 61, 5 cm, D: 99 cm
Inv.19270
SCAUN
I: 95 cm,L: 45 cm, La: 40 cm
Inv. 19314
188
BANCHET
I: 84 cm, L: 123,5 cm, La: 59 cm
Inv. 19471
189
FOTOLIU
Atelier coala de Arte i Meserii, Sinaia;
design i pictur de Regina Maria,
circa 1903
Lemn de tei, stucat, aurit,
pictat, stof de mobil
I: 156 cm, L: 61,5 cm, La: 50 cm
Inv. 3907, adm. 77
190
FOTOLIU
Design i pirogravur Regina Maria,
circa 1903
Lemn de tei, pirogravat, stucat, aurit
I: 145 cm, L: 68,5 cm, La: 53,5 cm
Inv. 4059, adm. 810
celtic
reprezint
form
191
SUPORT DE REVISTE
Creaie Regina Maria
Lemn de tei, pirogravat
: 78 cm, la: 26 cm
Inv. 17531, C. 1278
192
193
PIANIN
Atelier F.Ehrbar, Viena, 1900
Lemn de tei, pictat, aurit, filde
I: 137 cm; L: 158,5 cm; La: 69 cm
Inv. 15880
194
195
MNER Uroboros de la ua
Camerei de aur
Bronz, turnat, aurit, cizelat
D: 10,5 cm
196
ORNAMENT DE U
DE LA DORMITORUL REGINEI MARIA
Autor G.Gurschner, Viena,circa 1902
Bronz, turnat, cizelat
197
UA GLISANT DE LA
SALONUL REGINEI MARIA
198
UA DE LA
APARTAMENTUL REGINEI MARIA
Sculptat
lemn
de
stejar,
cu
motive
199
200
201
nuditatea
unei
siluete
feminine,
202
203
ncordat
personajelor
este
creeaz
impresia
privitorului
oval
supranlat
permis
204
rochie decoltat,
205
206
Gladenbeck
reprezentnd
mtase.
(1850-1921),
207
208
H. Haase (1879-1960)
Amazoan pe cal
circa 1905
Bronz, turnat, patinat; metal, vopsit
I: 64,5 cm; L: 40 cm; La: 20 cm
Nr. inv. 12710 P. 760
Sculptorul
berlinez
Hermann
Otto
Haase
209
1882).
210
211
212
prului,
213
214
Vas
Muza paradisiac
mile Gall, 1895
sticl colorat i pigmentat, suflat
liber, decor intercalat, ripsat,
pulverizat cu aur
I 52 cm; D 15 cm
nr. inv. 17519, semnat
215
216
Vas
Clair de lune
mile Gall, Nancy, 1890
sticl colorat n mas, suflat liber,
pictat manual cu email
I 27 cm; D 17,5 cm
nr. inv. 9272
semnat, datat, localizat, meniune
modle et dcor dpos.
217
218
Lamp Wisteria
L. C. Tiffany
1902
bronz turnat, cizelat, sticl favrile
turnat, plumb laminat
I 68 cm; D 47,5 cm
nr. inv. 14101, marcat
219
Lamp de mas;
atelier Gall;
1904 1914;
sticl colorat stratificat, suflat liber,
gravat cu acizi i la roat;
I 85 cm; D 30 cm;
nr. inv. 12692; marcat
220
Lamp de noptier
atelier Gall
4/4 sec. XIX
sticl colorat stratificat, suflat n
tipar, gravat cu acizi i la roat
I 27 cm; D 27,5 cm
nr. inv. 15224, semnat
Pudrier
atelier mile Gall
circa 1900
sticl colorat stratificat, suflat n
tipar, gravat cu acizi i la roat
I 5 cm; D 11 cm
nr. inv. 15442, semnat
221
222
Vas
mile Gall
circa 1900
sticl colorat stratificat, suflat liber,
decor aplicat, gravat cu acizi i la roat,
I 29,5 cm, D 14 cm
nr. inv. 15244, semant
Salatier
atelier german (sticla),
atelier Wollenweber (argintul)
4/4 sec. XIX
sticl suflat n tipar, martelat, gravat
cu acizi i la roat, pictat cu email,
argint presat, decupat, patinat, parial
aurit
I 15 cm, D 24 cm
nr. inv. 9624, marcat
223
224
Lamp de mas
dArgental (Paul Nicolas)
1/4 sec. XX
sticl colorat stratificat, suflat n
tipar, gravat cu acizi i la roat; metal
comun, turnat, presat
I 44 cm, D 24 cm
nr. inv. 16000, semnat
Vas
dArgental (Paul Nicolas)
circa 1900
sticl colorat stratificat, suflat n
tipar, gravat cu acizi i la roat
I 8 cm, L 14 cm, LA 8,5 cm
nr. inv. 18779, semnat
225
226
Vas
atelier Murano
sec. XX
sticl colorat n mas, suflat liber,
modelat, decor aplicat, pulverizat cu
aur
I 28 cm, D 22 cm
nr. inv. 14110
Cup
Gabriel Argy Rousseau
sec. XX
past de sticl, barbotin, turnat n
tipar, pigmentat
I 11 cm, D 16 cm
nr. inv. 12615, semnat
227
Cup
Almaric Walter i Henri Berg
circa 1925
past de sticl modelat manual,
pigmentat, cear pierdut
I 14 cm, D 13,5 cm
nr. inv. 12628, semnturi: A Walter,
Berg
228
Vas
Jean Sala
sec. XX
past de sticl colorat n mas,
modelat manual, decor aplicat
I- 13,5 cm, D 14,5 cm
nr. inv. 12676
229
230
Vaz
atelier Antonin Daum
1910
sticl stratificat, suflat liber, pudre
intercalate, gravat cu acizi i la roat,
pictat cu email
I 33 cm, D 16 cm
nr. inv. 19140, semnat
Pahar
atelier Auguste Daum
circa 1893
sticl colorat n mas, suflat n tipar,
martelat, degajat cu acizi, pictat
cu email i aur coloidal, argint presat,
cizelat
I 12,5 cm, D 6 cm;
nr. inv. 9281, semant
231
232
Vas
Paysage de verre
atelier Antonin Daum
circa 1904
sticl colorat stratificat, suflat n
tipar, gravat cu acizi i la roat
I 19 cm, D 24,5 cm
nr inv. 19143, semnat
Vas berluze
atelier Antonin Daum
circa 1910
sticl colorat n mas, suflat liber,
pigmentat
I 39 cm, D 10 cm
nr. inv. 12691, semnat
233
Vas
Christian Dsir
atelier Meisenthal
sec. XX
sticl suprapus, suflat liber, decor
intercalat, modelat, gravat cu acizi i
la roat, pictat cu email, parial aurit
I 16 cm, D 9 cm
nr. inv. 9282, marcat
Vas
Christian Desir
atelier Meisenthal
sec. XX
sticl i past de sticl, suflat n tipar,
respectiv presat, decor intercalat,
pictat cu email i aur coloidal;
I 17 cm, D 11 cm
nr. inv. 9280, semnat
234
235
Vas
Tortue
Ren Lalique
1925
sticl suflat n tipar, pigmentat
I 27 cm, D 15,5 cm
nr. inv. 14102, marcat
236
Vas
Frunze de ciulin
Ren Lalique
1922
sticl suflat n tipar, matisat cu acizi
I 16 cm, D 14 cm;
nr. inv. 14125, semnat
237
Cup
Pomul vieii
Karl Faberg
circa 1900
argint turnat, trefilat; email, cloisonn,
pietre semipreioase, cabooane
I 15,5 cm, D 12,5 cm
nr. inv. 14704, marcat
238
Cup
J. Tostrup, Oslo
circa 1900
argint turnat, trefilat, email, cloisonn
I 18 cm, D 12 cm
nr. inv. 9843, marcat
239
240
241
242
Vaz
atelier Loetz Wietwe
sec. XX
Phenomen glass, suflat liber,
modelat, decor aplicat, irizat
I 24,5 cm, D 14 cm
nr. inv. 9251, marcat
243
Serviciu de toalet
Josef Hoffmann
circa 1905
cristal dublu strat, suflat n tipar, tiat, lefuit
flacoane: I 24,5...14 cm; D 7,5...5,5 cm;
perier: I 6 cm; L 23,5 cm; LA 7,5 cm
cutii: I 7...5,5 cm; DL 8,2...7 cm; DLA: 5 cm
nr. inv. 13672
244
Can aiguiere
atelier german (sticl)
atelier Wrttembergische
Metallwarenfabrik (metal)
sec. XX
cristal colorat n mas, suflat n tipar,
alam turnat, presat, cizelat,
argintat
I 39,5 cm, D 13 cm
nr. inv. 18796, marcat
245
VAS
Autor Gustav Gurschner, Viena
1/4 sec. XX
Bronz, turnat, presat, cizelat
I: 23 cm; DB: 23 cm; DG: 21 cm
Nr. inv. 12752 M. 631
geometrice,
cruci,
motive
perlate,
confer
246
VAS
Autor Gustav Gurschner; Turntoria K.K.
Kunst Erz Giessenei, Viena
1/4 sec. XX
Bronz, turnat, cizelat, patinat, aurit
parial
I: 13 cm; D: 18 cm
Nr. inv. 12609 +433
VAS
Autor Gustav Gurschner, Viena
1/4 sec. XX
Aram turnat, cizelat, patinat, aurit
parial
I: 18,5 cm; DL: 18 cm; DLa: 8,5 cm
Nr. inv. 12608 + 432
nzestrat
cu
un
talent
deosebit,
Gustav
247
PAHAR
Atelier Nrnberg, Germania
1/4 sec. XX
Argint presat, incizat, cizelat
I: 12,2 cm; DB: 5 cm; DG: 7,5 cm; G: 110gr
Tl: 800
Nr. inv. 12334 M.103
istoriei
orfevrriei
prin
ncercarea
248
POTIR
Atelier german
1/4 sec. XX
Argint turnat, ciocnit, cizelat, parial
aurit
I: 24 cm; DB: 9,3 cm; DG: 6,5 cm; D: 13,5
cm; G: 408gr; Tl: 800
Nr. inv. 8865 M. 524 A. 261
copacului.
Capacul
bombat
reia
249
CUP CU CAPAC
Atelier Max Strbl, Mnchen
1/4 sec. XX
Argint, turnat, ciocnit, presat, tanat,
parial aurit; cabooane
I: 55 cm; D: 14 cm; G: 1028 gr; TL: 800
Nr. inv. 18298
250
CASET
Autor Viktor Suchanek, Viena
1/4 sec. XX
Bronz, turnat, patinat
I: 26 cm; L: 26,5 cm; La: 21 cm
Nr. inv. 13718
251
252
SFENIC
Atelier vienez
1/4 sec. XX
Metal comun, turnat, presat, argintat
I: 61,5 cm; La: 41 cm
Nr. inv. 17472
COUPE-PAPIER
Atelier german
1/4 sec. XX
Bronz, turnat, presat, patinat
L: 32 cm; La: 4 cm
Nr. inv. 12652 Z. 191
subiectul
de art.
253
predilect.
Formele
voluptoase,
254
VAS
Autor Joseph Chret; Turntoria E. Soleau;
Paris
1/4 sec. XX
Bronz turnat, cizelat
I: 21,5 cm; DB: 7,5 cm; DG: 8 cm; D: 9,5
cm
Nr. inv. 12667 + 441
255
VAZ
Autor: Clment Massier (1844 1917)
Atelier Golfe-Juan, Provence, Frana
Semnat, datat 1900
Faian modelat la roat, pictat cu
ablonul, glazurat, barbotin
I : 33 cm; Db : 20 cm; Dg : 12 cm; Dt : 22
cm
Nr. inv. 14574; C. 248
256
VAS DECORATIV
Autor: Clment Massier (1844 1917)
Atelier Golfe-Juan, Provence, Frana
Semnat, datat 1900
Gresie modelat la roat, pictat
manual cu email peste glazur
I : 13 cm; Db : 19 cm; Dg: 12 cm;
Nr. inv. 9763; LC. 862
257
258
BOL CU CAPAC
Eugne Baudin (1853-1918)
Atelier Saint Briac
Semnat, circa 1905
Faian modelat n tipar, glazurat
I : 7 cm; Db: 9,3 cm; Dg: 11 cm; Dt: 14,5
cm
Nr. inv. 12630
VAS DECORATIV
Atelier francez
Nemarcat, circa 1900
Faian modelat la roat i n tipar,
glazurat; bronz turnat, cizelat
I: 40 cm; Db: 20 cm; Dg: 10 cm
Nr. inv. 9224; LC: 200
Distribuit
registre
orizontale,
arabescuri.
Corpului
i-a
fost
rezervat
260
VASE DECORATIVE
Atelier Knigliche Porzellan Manufaktur,
Berlin, Germania
Marcate, circa 1890
Porelan modelat n tipar, glazurat,
emailat, aur coloidal
I: 22 cm; Db: 5,5 cm; Dg: 3,5 cm; Dt: 10,
5 cm
Nr. inv. 9227; LC: 203; C: 413
9228; LC: 204; C: 414
261
PLATOURI DECORATIVE
Autor R. Fournier
Atelier Mettlach, Villeroy & Boch,
Germania
Semnat en creux ,,R. Fournier,
circa 1898 - 1899
Pe revers, marca de atelier: ,,Mettlach
Ges Gesch 2545.
Gresie, modelata n tipar, incizat,
pictata manual
D : 51 cm
Nr. inv. 18627
262
VAS AIGUIRE
Ernst Wahliss (1837-1900)
Atelier Turn-Teplitz, Boemia
Marcat, circa 1900
Porelan modelat n tipar i manual,
pictat, parial aurit, barbotin
I: 45 cm; D: 15,5 cm
Nr. inv. : 1605
264
VAZ
Atelier W. Schiller & Sone, Bodenbach,
Boemia
Marcata pe baz, circa 1900
Faian modelat n tipar, decor aplicat,
barbotin, pictat sub glazur
I : 37 cm; Db : 10,5 cm; DG : 8,8 cm; Dt :
16,5 cm
Nr. inv. 17515; CUST: 425
nceputului
de
secol,
fabricnd
265
PLATOU DECORATIV
Atelier Zsolnay-Pcs, Ungaria
Marcat, circa 1900
Faian modelat la roat, pictat,
aurit, glazurat metalizat
D : 45,5 cm
Nr. inv. 9640
aa-numite
,,persane,
care,
CANA AIGUIRE
Atelier Zsolnay-Pcs, Ungaria
Nemarcat, circa 1900
Faian modelat n tipar, pictat
manual, pictat cu aur, barbotin,
glazur
I : 44,5 cm; La: 30,5 cm
Nr. inv. 1477
267
VAS TULIPIER
Atelier Zsolnay-Pcs, Ungaria
Marcat, circa 1900
Faian modelat la roat i manual,
cu decor aplicat prin barbotin,
pictat manual, metalizat
I : 20,5 cm; Db : 8,5 cm; Dt : 20,5 cm
Nr. inv. 12666
modernitate i elegan.
VAS DECORATIV
Atelier Zsolnay-Pcs, Ungaria
Marcat, circa 1900
Faian modelat manual, glazurat
I: 27 cm; Db: 11 cm
Nr. inv.: 12721
269
270
271
VASE DECORATIVE
Atelier Copenhaga, Danemarca
272
VAS DECORATIV
Atelier Sankt-Petersburg
Marcat, datat 1915
Faian modelat la roat, pictat
manual peste glazur
I : 43,5 cm; La : 14 cm
Nr. inv. 14116
273
274
275
276